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This collection contains letters, biographical newspaper clippings, cartes de visite, and other material related to Episcopal bishops between the late 18th and early 20th centuries.

This collection contains letters, biographical newspaper clippings, cartes-de-visite, and other material related to 155 Episcopal bishops serving in the United States between the late 18th and early 20th centuries. Many of the newspaper clippings provide biographical information and dates of ordination, as well as autographed letters, often related to church matters. Of the five volumes, two contain biographical sketches of bishops, two pertain to the consecrations of bishops, and one includes descriptions of churches and cathedrals in Europe.

See the Detailed Box and Folder Listing and Subject Terms for a complete list of bishops represented.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

Detroit Edison executive, advocate of the need to develop peaceful uses for nuclear power. The papers of Walker L. Cisler are divided into nine series: Atomic Power Development Associates (APDA), Detroit Edison, War Service, Personal File, Speeches, Overseas Advisory Associates (OAAI), Other Affiliations, Visual Materials, and Sound Recordings.

The papers of Walker L. Cisler are divided into nine series: Atomic Power Development Associates (APDA), Detroit Edison, War Service, Personal File, Speeches, Overseas Advisory Associates (OAAI), Other Affiliations, Visual Materials, and Sound Recordings.

The Allen family photograph album contains carte-de-visite and tintype portraits of various individuals, including members of the Allen family of Mayville, Michigan.

The Allen family photograph album (13cm x 10cm) contains 22 cartes-de-visite, 13 tintypes, one lithograph, and one printed card. The cartes-de-visite and tintypes are studio portraits of men, women, and children. Most items show a single person, though some, such as a woman and a young baby, were photographed in pairs. The lithograph depicts a young girl holding a dog. An educational card, one of a series of "Little People Lesson Pictures" issued by the American Sunday-School Union (volume IV, number 1, part 5), is laid into the volume. The card has a colored print of a Biblical scene entitled "Beginning of the Hebrew Nation," and the reverse side has questions and answers about Abraham's journey to Canaan. The cartes-de-visite were made by photographers in locations such as Imlay City, Michigan; Owosso, Michigan; and Peterborough, Ontario. The volume's covers are leather, with a Maltese gold-embossed cross stamped in relief on each side.

The Arabella Chapman carte-de-visite albums primarily contain carte-de-visite and tintype photographic portraits of members of the Chapman family, middle-class African Americans from Albany, New York. Also pictured are friends, neighbors, and a few prominent abolitionists and public figures.

The Arabella Chapman carte-de-visite albums (16cm x 13cm) contain 95 carte-de-visite and tintype photographic studio portraits of the family, friends, and associates of Arabella Chapman, along with public figures and role models. The photos were taken from the 1860s to the turn of the century, with the bulk from the 1870s and 1880s. An inscription indicates that "Bella" Chapman received the second album from R. H. Bundy on October 3, 1878. The albums' covers are bound in blue leather, with designs carved in relief and metal clasps.

The first volume has 32 cartes-de-visite and 17 tintypes, including commercially produced photographs of Abraham Lincoln, Frederick Douglass, and John Brown. Also included is an autographed carte de visite by New York State Representative and Underground Railroad organizer William Henry Johnson (1833-1918). The second volume has 24 cartes-de-visite and card photographs, as well as 22 tintypes. Each volume has a partially completed index, with some manuscript captions written directly on some mounts and album pages. The sequence of photographs does not correspond to the indices.

Many of the photographs were taken by photographers in Albany, New York, along with a few images taken during visits to Pleasure Island Park; Saratoga, New York; and other locations. Arabella Chapman appears in six photographs taken at different times in her life.

Portraits of Arabella Chapman's immediate and extended family make up the largest portion of the photographs, including repeated photographs of her parents, future husband, siblings, cousins and nieces, daughter, and in-laws. The majority of the remaining images show Chapman's school friends, family friends, and neighbors from Albany. These include William Brent, a hotel waiter born in Washington, D.C.; Jim Goines, a porter; Charlie Butler, the son of a billiard hall owner and also employed as a waiter; and Anna Latour, the Chapmans' next-door neighbor, whose brother William was a waiter. Some portraits show Arabella's female peers, such as Elizabeth Myers, the daughter of Stephen Myers; Anna Bolden, listed both as a student and as a servant in a white household; and Mary Crosby, who with Chapman formed the only recitation team from Wilberforce in Albany's 1868 annual public school exhibition. A photograph pasted into the last page of the second volume shows Arabella's children and their neighbors, the Spragues.

The Weld-Grimké family album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. The photographs are almost all studio portraiture. While some of the individuals in the album have been identified (including Theodore D. Weld) the vast majority are unidentified.

The Weld-Grimké Family Album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. There are 52 photographs in the album, 46 of which are cartes de visite. There are also 6 tintypes, 2 of which are gem tintypes. The photographs are almost all studio portraiture of individuals ranging from infanthood to old age. One exception to this is a photograph of a satirical drawing of an unidentified individual playing some sort of instrument (loose photograph on page 49). Some of the individuals in the album have been tentatively identified with the majority unidentified. One photograph (on page 24) has been speculated to be a portrait of Charlotte Brown, an African-American servant of the Weld-Grimké family, but this has not been confirmed.

• Theodore Dwight Weld (page 1, page 20)
• William Hamilton (page 4)
• Sarah Weld Hamilton (page 5)
• Angelina G. Hamilton (page 6)
• William Hamilton Jr. (page 7)
• Llewellyn Haskell (page 9)
• Llewellyn Thomas Haskell (page 12)
• Louis Olcott Haskell (page 13)
• Elizabeth "Lizzie" Cram (page 21)
• William James Rolfe (page 22)
• Theodore Weld Parmele (page 27, page 34)
• Elizabeth Smith Miller (page 28)
• Ann Carroll Fitzhugh (page 29)
• George Walker Weld (page 30)
• Gerrit Smith Miller (page 35)
• Ruth C. Bodwell (page 36)
• Rena Louise Twiss (page 45)

• A photograph of a painting of the Empress Eugenie. (page 33)
• A portrait of Rebecca an escaped slave from New Orleans. (page 38)
• A photograph of a painting of Beatrice Cenci. (loose item on page 41)
• A portrait of actor Edwin Booth (page 40) brother of John Wilkes Booth.
• A photograph of a painting of "Little Samuel" based on the etching done by Samuel Cousins. (page 43)

In addition to this finding aid, the Clement Library has created a Photographer Index for the album, containing the names of all the photographers in the order that they appear in the album. This index also records any handwritten inscriptions that were found on the photographs.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

The New England family travel photograph album contains approximately 600 photographs that document the domestic life and foreign travels of an unidentified husband and wife couple from suburban Boston during the first decade of the 20th-century.

The New England family travel photograph album contains approximately 600 photographs that document the domestic life and foreign travels of an unidentified husband and wife couple from suburban Boston during the first decade of the 20th-century. The album (28.5 x 36 cm) has pebbled black leather covers with “Photographs” stamped in gold on the front. By and large, images are presented chronologically and many have extensive captions which mainly identify the locations pictured as well as certain individuals. It appears that many image captions were cut and pasted from white paper and added on top of pre-existing faded captions that had been written directly on the album pages. Some images that show people of African descent have subtly derogatory captions. Photographs showcasing the family’s domestic life include pictures of annual spring blooms in their backyard; friends and family; various domestic activities including interacting with pet cats; and regional outings such as visits to Mt. Washington, Point of Pines nature park in Revere, Massachusetts, and poet John Greenleaf Whittier's birthplace in Haverhill, Massachusetts.

In the summer of 1905, the couple travelled to Montreal and up the St. Lawrence River to Quebec City and beyond, resulting in the production of nearly ten pages of photographic highlights (pgs. 7-16). Later that summer, they also took photographs while vacationing in the Lake Sebago region of Maine with friends whom they later visited in Providence, Rhode Island (pgs. 16-20, 22). A visit to New Orleans, Louisiana, and Beauvoir, Mississippi, in December of 1906 is also documented (pgs. 30-37). In 1907 the couple undertook a period of extensive international travel beginning with a trip to England, Scotland, Ireland, Belgium, and France (pgs. 38-57). A second visit to Quebec in September 1907 is briefly represented (pgs. 57-58), while a series of pictures from a trip to St. Augustine, Florida, in April 1908 are also included (pgs. 59-62). Photographs related to two separate tours of the Caribbean and Central/South America in July and August of 1908 and March of 1909 make up a substantial portion of the album (pgs. 63-103); images from the first tour mainly include scenes from Caribbean islands such as St. Thomas, St. Croix, St. Kitts, Antigua, Guadeloupe, Dominica, Martinique, St. Lucia, and Barbados as well as British Guiana, while images from the second trip include scenes from Puerto Rico, Jamaica, Panama, Venezuela, Trinidad, Dominican Republic, and Cuba. Also present are several commercially-produced photographs, including a number of panoramic views, showing scenes from Mexico (pgs. 104-111). The majority of images taken during the couple’s travels consist of typical sightseeing photographs showing important cultural landmarks and historic buildings as well as street scenes, methods of transportation, and local people and industries. Throughout the album there are also numerous photographs taken aboard various transport vessels mid-voyage.

A few noteworthy historical events are minimally represented by photographs in this album, such as the January 15 1905 Washington Street Baptist Church fire in Lynn, Massachusetts (pgs. 2 & 3); the Quebec Bridge a few weeks after its collapse on August 29 1907 (pg. 57); the Great Chelsea Fire of 1908 (pg. 59); Panama Canal construction in 1909 (pgs. 87-89); long distance views of the site of the village of St. Pierre, Martinique, which was decimated by the volcanic eruption of Mt. Pelée on May 8 1902 (pg. 80); and the wreck of the battleship Maine in Havana Harbor (pg. 179). Individuals identified by captions throughout the album include Dr. Robert L. Bartlett (pgs. 4 & 89); “Miss Morse” (pg. 5); Stanley and Donald Clauss of Providence, Rhode Island (pgs. 17, 19 & 22); Hattie English, Lizzie English, “Mrs. Boynton,” and “Miss Lord” (pg. 19); Samuel Pickard (pg. 20); Jessie Pauline Whitney (pg. 21); "Mr. Little" (pgs. 19 & 22); William Rhodes (pg. 26); Maud Burdett (pgs. 38 & 58); George C. Hardin (pg. 74); Dr. Selah Merrill, American Consul in British Guiana (pg. 80); "Mrs. Parker" (pg. 85); and Hermann Ahrensburg (pg. 91). Other images of interest include a couple of photographs showing United States cavalrymen at camp in Lakeville, Massachusetts (pg. 2); a multiple exposure photograph showing the wife and other women (pg. 22); four photos showing a group of women that appear to be associated with a possible Masonic organization with the acronym “O.E.O.T.” (pg. 23); two photos of local boys diving in St. Lucia (pg. 72); a picture of a school for natives in St. Thomas where students were supposedly fined 10 cents a day for being absent (pg. 82); photos from Kingston, Jamaica, showing women working on a railroad and men operating a hand-made sugar mill (pg. 86); a group portrait of a baseball team in Venezuela (pg. 92); photos of the natural asphalt deposit Pitch Lake in Trinidad (pgs. 94 & 95); and photographs showing people with Brownie box cameras (pgs. 82 & 103).

The McViccar-Antes collection contains correspondence, financial records, legal documents, and other items related to the McViccar and Antes families of northern New York.

This collection contains correspondence, financial records, legal documents, and other items related to the McViccar and Antes families of northern New York.

The Correspondence series (168 items) contains 1 letterbook and 167 personal letters that members of the McViccar and Antes families received from 1802-1901; most letters are dated 1817-1845 and 1865-1894. The earliest items pertain to Elizabeth Todd McViccar of Cambridge, New York, and her sons, John and Peter. John McViccar received personal letters from acquaintances and family members, including his brothers-in-law, Palmer, Halsey, and Nathaniel Townsend. John McViccar also received a series of letters from his brother Peter, who described his journey from New York to Hampden-Sydney College in Virginia in 1821. Peter McViccar continued to write about life at the college until the mid-19th century. One of Peter's letters contains ink drawings of Mount Vernon, the United States Capitol, and government buildings in Washington, D.C. (December 22, 1821).

On September 4, 1832, John McViccar wrote to his brother Archibald about the death of his young daughter, Louisa. John T. McViccar wrote several letters to his parents, John and Rhoda McViccar, relating his experiences at school in the 1840s. Other correspondents mentioned subjects such as travel to the South and discussed political issues. Most items dated after 1850 are related to the Antes family of Cicero, New York. Harriet (or "Harriette") Fiske McViccar wrote to her cousin, Mary McViccar Antes, wife of Evert Antes, with news from Fayetteville, New York (September 16, 1856). M. M. Duncan, an acquaintance of Mary Antes, discussed her employment and aspects of domestic life.

John McViccar's letter book (approximately 66 pages) contains copies of his personal and professional letters, dated September 8, 1818-October 3, 1840. He commented on aspects of his daily life, his finances, and his business affairs. Some of the letters from 1823 concern Elizabeth McViccar's estate.

The Legal and Financial Documents and Invitations series (64 items) concerns members of the McViccar (earlier items) and Antes (later items) families. Financial records include wills, receipts, and indentures, many of which relate to land in Onondaga County, New York. Evert Antes received several preaching licenses in the late 1800s; the series also contains 2 marriage certificates. Later items include a military discharge for Paul J. Antes, who served with the 3rd New York Volunteers during the Spanish-American War.

The Genealogy, Poetry, Obituary, and Visiting Card series (12 items) includes a newspaper obituary for John McViccar, genealogical notes about the McViccar family, essays by Evert Antes, and a calling card.

Three Photographs are portraits of Nancy Barkly Antes Benedict: one is a carte-de-visite, one is a large card photograph, and one is a tintype.

This collection contains letters that James Edwin Lough and his wife, Dora A. Bailey, exchanged around the turn of the 20th century. During the year before their marriage, Bailey wrote to Lough about her life in Somerville, Massachusetts; Lough later wrote to Bailey about his life in Oshkosh, Wisconsin, where he was a college professor.

This collection (0.5 linear feet) contains approximately 340 letters that James Edwin Lough and his wife, Dora A. Bailey, exchanged around the turn of the 20th century. During the year before their marriage, Bailey wrote to Lough about her life in Somerville, Massachusetts; Lough later wrote to Bailey about his life and work in Oshkosh, Wisconsin, where he was a college professor.

Dorothy Albonetta Bailey ("Dora") wrote around 280 letters to James Edwin Lough ("Ed") between September 1899 and June 1900. She commented on her life and social activities in Somerville, Massachusetts; shared her feelings for Lough; and discussed their upcoming marriage. James Lough also received letters from other correspondents, including cousins and acquaintances; his father wrote him a letter about marriage on June 22, 1900. Most items dated after June 1900 are Lough's letters to his wife from Oshkosh, Wisconsin, and New York City, where he was a college professor. Lough discussed travel between Wisconsin and the East Coast, and occasionally referred to his teaching; he sometimes enclosed newspaper clippings. In a series of letters from 1905, Dora Bailey Lough provided news of their young son. Additional items include a carte-de-visite photograph of a child, made by J. W. Black & Co., a metal nameplate for James Edwin Lough, a list of addresses, and a page of the Boston Herald from October 1, 1899.

This collection contains letters, documents, financial records, photographs, and other materials related to Chapin and Mary Dean Howard of Meriden, Connecticut, and Grafton, Vermont. Mary Howard's incoming correspondence includes letters from her two sisters and her brother-in-law, who lived Sioux Falls, South Dakota, in the late 19th century.

This collection contains 62 letters, 41 documents and financial records, 27 photographs, 26 genealogical manuscripts, 5 pieces of ephemera, and 6 newspaper clippings related to Chapin and Mary Dean Howard of Meriden, Connecticut, and Grafton, Vermont. Mary Howard's incoming correspondence includes letters from her two sisters and her brother-in-law, who lived Sioux Falls, South Dakota, in the late 19th century. Other material concerns various Howard family members' financial affairs, estate administration, and family genealogy.

The Correspondence series (62 items) primarily consists of incoming letters addressed to Mary Dean Howard. She received 11 letters from her mother, Angeline Cobb Dean, about life in Chester and Grafton, Vermont, between 1865 and 1873; around 40 letters from her sisters and brother-in-law, who lived in Sioux Falls, South Dakota; and others from female friends. Lucy Dean Woodworth, Harriet Dean Tufts, and Arthur H. Tufts all commented on their social lives, family health, and other aspects of their lives in South Dakota Mary received 2 letters about a friend's experiences as a schoolteacher in Sand Beach, Michigan (October 14, 1883, and February 27, 1884), and a letter from Lewis B. Hibbard about the World's Industrial and Cotton Centennial Exposition in New Orleans, Louisiana, which he composed on the exposition's illustrated stationery (January 8, 1885). The remaining letters include business letters addressed to Chapin Howard (3 items), additional family correspondence, and a letter that William Battison wrote to the Grafton postmaster about the history of the wool industry in Grafton, Vermont (July 7, 1904).

The collection's Documents and financial records (41 items) primarily concern the fiscal affairs of Ormando S. Howard, Chapin Howard, and the estate of Aurelius C. Howard. They include inventories, land documents, accounts, account books, and receipts. A series of oversize ledgers documents Ormado S. Howard's involvement in settling Aurelius C. Howard's estate. Chapin Howard kept records of his transactions with W. H. Wellard, most of which involved the lumber trade. Two account books document C. Howard's accounts with C. O. Howard (3 pages, 1887) and Gladwin Howard's accounts with S. J. Hall for foodstuffs and other goods (17 pages, 1890). Two later documents relate to claims against the estates of Chapin and Mary Dean Howard. Also included is a manuscript report of a committee that visited several schools in 1878.

The Photographs series (27 items) is made up of 16 cartes-de-visite portraits; 7 cabinet card photographs including images of a young Chapin Howard at Saxtons River, Vermont; 1 tintype of 2 young men; 2 paper prints of an unidentified family; and a picture of a house in Meriden, Connecticut.

The Genealogical papers series (26 items) is comprised of notes, family trees, lists, and other material pertaining to the ancestors of Mary Dean and Chapin Howard and to the history of Grafton, Connecticut.

The collection's Ephemera series (5 items) contains advertising and business cards, a program for an event at the Winthrop Hotel (November 27, 1883), an invitation to members of the Montowese Tribe no. 6 (to Chapin Howard, 1887), and a patented envelope for "mailing photographs, fancy cards, etc."

The Newspaper clippings (6 unique items) include 21 copies of Mary Dean Howard's obituary, an article about the history of the Grafton Library, an article respecting several Vermont ministers, a list of Republican voters in Grafton, and obituaries for Peter W. Dean and Chapin Howard.

The Stevens family papers consist of correspondence, photographs, and newspaper clippings related to the courtship of Frederic W. Stevens and Edith de Gueldry Twining and to their son Neil's experiences as a medical volunteer in France during the First World War.

The Stevens family papers (1 linear foot) consist of correspondence, photographs, and newspaper clippings related to Frederic W. Stevens and Edith de Gueldry Twining and to their son Neil, who was a medical volunteer in France during the First World War.

The 5 earliest letters in the Correspondence series (around 152 items total), written in November 1884, are addressed to Julia Twining and express condolences about her father's recent death. These are followed by a lengthy series of letters from Frederic W. Stevens to his fiancée, Edith de Gueldry Twining, prior to their wedding. He wrote daily from July to September 1903, giving his future wife updates on his daily life and on mutual friend, and his later letters include a series written in the summer and early autumn of 1906, while Edith lived at her family's summer home in Clinton, New York. These letters focus on domestic affairs and on the state of the couple's household in Morristown, New Jersey.

Neil Campbell Stevens wrote 5 letters from Europe during the World War I era, including 4 concerning his service in French hospitals during the opening and closing months of the war. In a letter postmarked 1914, he related his experiences treating French and German patients while working as a medical aide at the Val-de-Grâce military hospital.

Other items include a letter by a British soldier about military protocol affecting "this Ulster business," which was rioting centered around the Irish Home Rule controversy (April 20, 1914); a letter of thanks from Paul Salembier, a soldier with the 145th French Infantry who received a care package from the Stevens family (March 28, 1916); and a printed letter to Edith Stevens concerning the relocation of her house (November 22, 1928). The series also has 3 letters in French.

The Postcards series (33 items) contains both blank cards and cards with short messages. The majority of the items depict scenes from France, including painted landscapes as well as photographs related to World War I. French general Joseph Joffre is the subject of several photographic postcards, and some show damage done to Senlis, France, and other scenes from the western front.

A large number of Photographs (c. 120, plus 1 photograph album) portray France during World War I, and also family vacations to Niagara Falls and other lakeside destinations. Several of the war-era photographs show members of the ambulance corps, 3 showcase a bullet-strewn Model T, and others present camouflaged military installations, guns, soldiers, and scenery from the western front. Other peacetime material consists of unlabeled portraits, a picture of Barbara Stevens on a tennis court, and a photograph album containing pictures of a family vacation near a lake.

The Identity Papers series consists of 2 items. One is Neil C. Stevens's passport, and the other is his identity paper for the Hôpital Militaire du Val-de-Grâce. Both include photographs of Stevens.

The Newspaper Clippings series contains 53 clippings from The New York Times and The New York Tribune, which document several aspects of World War I. Topics include the outbreak of war, the official declaration of war by the United States, food prices on the home front, submarine attacks on American shipping, and maps of suspected military movements in both the western and eastern fronts. Other items are a political cartoon showing Napoleon chastising the Germans for their plans to invade Eastern Europe, and a report on the return of Neil Stevens from his first three months in France. Two clippings, dated April 18 and 20, 1914, relate to "The Plot Against Ulster" and the controversy over Irish Home Rule.

The Receipts series (3 items) includes a letter concerning the payment of $7 for an article printed in The Independent (March 2, 1895), a receipt for a case of tobacco shipped to Neil Stevens during his time in France (November 21, 1914), and a receipt for a donation from Barbara and Alice Stevens to the Charité Maternelle de Paris (March 5, 1917).

Among the items in the Ephemera series (11 items) are 3 calling cards, 1 invitation, a solicitation for donations to the War Children's Relief Fund, a pamphlet about Yosemite National Park, and a broadside advertising the Morristown Committee Third Liberty Loan.

Notes and Genealogy (7 items) include notes on the history of the Twining family and a typed biographical sketch of Sutherland Douglas Twining (1835-1918) with manuscript notes.

The Samuel Ripley papers contain correspondence from a soldier in the 36th Wisconsin Infantry, describing several months at Camp Randall, participation in the siege of Petersburg, and his feelings about the war.

The Samuel Ripley papers contain 60 letters, spanning February 1864-February 1865, two brief undated notes, and two photographs. Samuel Ripley wrote 58 of the letters between the commencement of his service in the 36th Wisconsin Infantry in February 1864, and his imprisonment at Salisbury Prison in August of the same year. The recipients were his wife Mary and his mother Abigail. Ripley's early letters, between February and mid-May 1864, describe life at Camp Randall near Madison, Wisconsin, including drilling, taking on the responsibilities of company clerk, and leisure activities. Several letters also mention attempts to visit Mary, as well as to bring her to Madison before his departure for the front.

Between June and August, Ripley wrote 37 long, richly-detailed letters, in which he discussed many aspects of the war: his opinions on its progress and how it was conducted, experiences participating in trench warfare during the Siege of Petersburg, attitudes toward fighting and the Union cause, and, to some extent, politics. He also frequently mentioned his ongoing rheumatism and digestive issues, but generally reported experiencing fair health. Correspondence from June 14-23, 1864, vividly depicts the siege of Petersburg, including being grazed by bullets and participating in an undermanned charge through an unprotected melon field (June 19, 1864). In a letter of June 20, 1864, Ripley described the variety of activity in the trenches: "any one fires from the trench who pleases and when they please, so some are firing some eating some cooking some hunting grey backs." Surprisingly, although an undated note in the collection states that Ripley was wounded on June 22, 1864, his letters do not mention such an event.

A strong believer in the Union and in the abolition of slavery, Ripley admitted to disliking warfare (June 27, 1864), but hoped that peace arbitrations would not succeed unless they ended slavery (July 25, 1864). In several other letters, he expressed distaste for "Copper-heads." He also frequently made predictions about movements and on the outcome of the war, which he believed had neared its end.

Ripley's later letters are particularly introspective and frank; on August 22, 1864, he wrote to his mother, describing his reasons for enlisting against the wishes and advice of friends, and alluded to his own shortcomings and disagreements with his deceased father. He also mentioned his distrust of some Union officers, whom he suspected of receiving bribes from Southerners and stealing packages from Union soldiers. In his last letter of August 28, 1864, Ripley notified his wife about his capture. Two letters from military officials, providing details on Ripley's imprisonment and death, close the correspondence.

The Miscellany Series contains lyrics to a Civil War song, a few biographical details, and two photographs of Ripley (one tintype and one carte-de-visite).

This collection is made up of correspondence, documents, financial records, and other items related to the family of Augustus D. Williams and Julia Ann Chamberlain and to their daughter Fannie. The Williams family lived in Ohio.

This collection is made up of correspondence, documents, financial records, and other items related to the family of Augustus D. Williams and Julia Ann Chamberlain, including their daughter Fannie. The Williams family lived in Ohio.

The Correspondence series (137 items) consists primarily of incoming personal letters addressed to Julia Ann Williams (née Chamberlain) and to her daughter Frances ("Fannie"). Julia corresponded with her siblings and other family members, who lived in New Hampshire and Ohio in the mid-19th century. Her sister Louisa, who married Samuel Durgin and moved to Gustavus, Ohio, in the mid-1830s, wrote often, sharing news of her social life and requesting news of relatives who remained in New Hampshire. After Julia moved to Maumee, Ohio, around 1835, she received letters from her mother Betsy (who married Joseph Baker after the death of Julia's father) and from various siblings. The Baker family lived in Boscawen, New Hampshire. Julia's stepsister Amanda shared social updates from Loudon, Ohio, and news of family health and of her experiences working in a school. On September 28, 1839, Joseph Baker told Julia of her stepsister Elizabeth's recent illness and death, and E. B. White, a friend of Julia's from Maumee, Ohio, included a drawing of a woman in a cloak in her letter dated October 1840.

After Julia's marriage to Augustus D. Williams in late 1840 or early 1841, the couple received letters from his siblings and extended family, including several from Mortimer H. Williams, who lived in Irwinton, Georgia. Sophia Williams, then Mrs. Henry Clark of Maumee, Ohio, corresponded frequently with Julia and Augustus. Other early material includes a letter regarding the estate of Reverend Nathan Williams of Tolland, Connecticut (May 19, 1830), and additional letters written by Williams siblings in New Hampshire and Ohio throughout the 1830s and 1840s.

During and following the Civil War period, most correspondence is addressed to Frances ("Fannie") Williams, the daughter of Julia and Augustus. Letters written by female cousins during the war include one from Memphis, Tennessee (September 3, 1864) and one from Ellen, who mentioned the recent death of a friend, then fighting in Alabama (October 27, 1864). Many of the postwar letters regard careers in education and social news in Wauseon, Ohio, home of Fannie's cousins Ellen and Libbie. Fannie Williams also received correspondence from friends, including a series of 10 letters and 2 postcards from Clara B. Whitton of Wolfeboro, New Hampshire, written between October 22, 1887, and December 22, 1891. Fannie's cousin J. A. B. Parker sent a swatch of fabric on January 12, 1892, and a series of letters commencing on November 19, 1890, contains a lock of hair. In 1895 and 1896, Fannie received several items related to John Alexander Dowie of Chicago, Illinois, a practitioner of "divine healing." One of her cousins sent newspaper clippings related to Dowie's trial (February 5, 1895); the same cousin included a ticket for the Healing Room at Chicago's Zion Tabernacle (April 10, 1895). Margaret Snell Parsons enclosed newspaper clippings and a poem about the healing practice (June 30, 1896). Other later items include letters from Louisa Durgin to Julia Williams, written at her home in Wauseon, Ohio, and a few letters Burt Williams wrote to his sister Fannie in 1896.

The Documents and Financial Records series (109 items) contains accounts, receipts, and legal documents related to members of the Williams family, including many who resided in Tolland, Connecticut, and New York State during the early 19th century. Some of the legal documents pertain to real estate. A license signed by Mayor Cornelius W. Lawrence of New York City authorized David B. Williams to keep a tavern (May 31, 1834). One undated item documents Julia Ann Chamberlain's conversion to Christianity. An account book (91 pages) may have belonged to L. B. Williams of Murray's Commercial School in Maumee, Ohio. The decorated title page includes a drawing of a bird, and a second ink drawing of a bird is laid into the volume.

The Compositions series (102 items) consists primarily of essays by Julia Ann Chamberlain, Fannie Williams, and Mary F. Williams; poems and floral drawings are also present. Most of the essays concern moral topics, history, and religion, including multiple essays on topics such as "hope" and "morning." The series contains compositions about Native Americans, Christopher Columbus, and John Smith.

The Photographs series (16 items) includes cartes-de-visite, other card photographs, and tintypes. Most images are studio portraits of men, women, and children. Two larger tintypes (6" x 8") show the exterior of a home and a garden; one shows a group of people standing behind croquet wickets. One group photograph of school-age boys and girls, taken in May 1890, includes the names of each of the children present.

The bulk of the Newspaper Clippings (39 items) are poems, household hints, and recipes. Other items pertain to weights and measures and to Benjamin Harrison's return to Indianapolis after his presidency.

The Ephemera (45 items) includes invitations, notes, visiting cards, holiday greeting cards, and other items; most are visiting cards for residents of Ohio, some with illustrations. A series of 4 colored prints shows children's leisure activities. The series contains a large colored die-cut advertisement for Jacob Folger of Toledo, Ohio, showing a girl holding flowers.

The Williamson family collection is made up of 9 bound volumes pertaining to Clara Gurley Williamson, her daughters Ruth and Mary, and other members of the Williamson family of New Brunswick, New Jersey. The items include diaries, financial records, a newspaper clipping scrapbook, and a photograph album.

The Williamson family collection is made up of 9 bound volumes pertaining to Clara Gurley Williamson, her daughters Ruth and Mary, and other members of the Williamson family.

The D. Abeel Williamson Diary, composed in a pre-printed pocket diary, contains David Abeel Williamson's daily entries about his life in New Brunswick, New Jersey, from January 1, 1862-May 25, 1862, and about his experiences with the 7th New York Militia Regiment from May 26, 1862-August 27, 1862. His early entries mainly record the weather and his social activities; he mentioned his admission to the bar in his entries of May 21, 1862, and May 22, 1862. A newspaper clipping about the surrender of Fort Donelson is pasted into the entries for February 16, 1862, and February 17, 1862. During his time in the army, Williamson noted the hot weather near Washington, D.C., and Baltimore, Maryland, and mentioned other aspects of military service, such as guard duty, marching, and reviews. A commuter's ticket for the "New Jersey Rail Road" is laid into the volume's pocket.

The Hattie S. Williamson Memorandum Book contains financial records of collections that the Second Reformed Dutch Church Sunday School of New Brunswick, New Jersey, received from November 26, 1865-June 16, 1867. The amount of each donation is recorded next to the donor's name. Other records pertain to the Sunday school's accounts with the Novelty Rubber Company and the church's efforts to raise money for an organ.

The Clara Gurley Account Book, kept from July 9, [1875]-April 16, 1880, contains accounts for Gurley's purchases of items such as books, ribbon, fabrics, and buttons. A piece of fabric is pinned onto the book's final page.

The first Clara Gurley Williamson Diary, written in a pre-printed Excelsior volume, covers the year 1905. Williamson began writing in Dresden, Germany, where she had lived with her children since late 1903, and recounted her daily activities and news of acquaintances. In April, she and her children took an extended tour of Europe, including Austria, Switzerland, Italy, France, and Holland, where Williamson remarked on visits to museums and other points of interest. The entries from August concern the family's return to the United States on the Holland-American Line steamer Ryndam and their first months back in New Brunswick, New Jersey, and Indianapolis, Indiana. Williamson kept a record of letters written and received and acquaintances' addresses in the volume's memoranda section. She laid newspaper clippings, a letter, calling cards, small photographs, stamps, and other items in the volume. The final page of the diary contains a newspaper clipping about the Williamsons' return to the United States and intention to relocate to Indianapolis.

The Mary Williamson Diary recounts the author's travels through Europe from April 10, 1905-August 11, 1905. Williamson described her daily activities and sightseeing in cities such as Prague, Munich, Venice, Rome, and Paris, as she visited museums and places of historical importance with her mother and sister. The diary includes a list of books Williamson read from 1907-1908 and a list of addresses of European hotels.

The Ruth A. Williamson Diary pertains to the author's experiences and travels in England from June 7, 1909-September 3, 1909. She spent most of her time in London; some later entries mention travels around southern England and to Edinburgh, Scotland. Williamson most frequently wrote about sightseeing and visiting famous landmarks, but also commented on other activities, such as shopping. Ruth A. Williamson's calling card is laid into the volume.

The second Clara Gurley Williamson Diary, also in a pre-printed Excelsior volume, contains daily entries about Williamson's life in Indianapolis, Indiana, from January 1, 1918-April 2, 1918. Williamson commented on her social activities, her health, and news of her friends and family members, especially her children. She occasionally mentioned news of the war, such as the signing of the Treaty of Brest-Litovsk (February 22, 1918). Financial records and instructions for knitting a "Kitchener sock" are written in the back of the volume. Items laid in include a calling card for Charles G. Williamson containing his military address, a cloth United States flag mounted on a small wooden dowel, and clippings about the deaths of Henry Janeway Hardenburgh and Douw D. Williamson. A postcard with a painting of Waikite Geyser in New Zealand, addressed to A. Parsons in London, England, is also laid into the diary.

The Scrapbook (1860s-1880s) is comprised of newspaper clippings about numerous topics, including biographies of William Gurley and biographical notices about other members of the Gurley family, such as Clara Gurley Williamson and Esther Gurley Cook. Some clippings feature prominent individuals such as Ulysses S. Grant, Charles Dickens, and Louisa May Alcott. Items report national news, news from Troy, New York, and stories about Emma Willard and the Troy Female Seminary. Additional topics include poetry, international travel, and stamp collecting.

A Photograph Album contains 42 carte-de-visite photographs, 2 lithographs, and 1 tintype print. Most of the photographs are studio portraits of men, women, and children, including many members of the Gurley family and related families. Most of the pictures are dated 1866-1880, though the album includes a 1902 photograph of Charles G. Williamson in a military uniform.

The Elizabeth Rous Comstock papers contain letters and writings related to Comstock's family, her Quaker ministry, and her social reform activities. The letters span her entire career with the greatest concentration of correspondence centering on her work with the Kansas freedmen's program and her family life. In addition to the Elizabeth Comstock material, the collection includes content related to her daughter Caroline, her grandchildren, and papers related to the Kempton family.

The Elizabeth Rous Comstock papers (282 items) contain letters and writings related to Comstock's family, her Quaker ministry, and her social reform activities. The letters span her entire career with the greatest concentration of correspondence centering on her work with the Kansas Freedmen's Association and on her family life. In addition to the Elizabeth Comstock material, the collection contains content related to her daughter Caroline, her grandchildren, and to the Kempton family.

The Correspondence series (151 items) contains 123 items related to Elizabeth Comstock and her family. The bulk of the collection consists of letters written by or addressed to Elizabeth Comstock between 1847 and 1890.

• Elizabeth’s correspondence with her friends, acquaintances, and immediate family, particularly with her husband, daughter, and sister Caroline.
• Correspondence related to Elizabeth’s work with social reforms and social justice, primarily concerning her relief work in Kansas in 1879 and 1880.

The family and friends correspondence primarily relates to everyday life, such as work, homemaking, visiting, family life; contemporary issues such as the Civil War and slavery; and news of friends and family, including illnesses, marriages, and deaths. Elizabeth wrote many of the letters, which document her perspective on her work, her marriage and relationship with her husband, and on religion and the Society of Friends. Elizabeth’s preaching, charitable work, and travels are often mentioned in these letters, including her trip across the Atlantic in early 1884. These letters cover both theoretical discussions of religious topics and discussions of the Society of Friends, its policies, and its schools. A subset of these letters regards Caroline De Greene’s serious illness and "mental suffering" in 1870, which may have been related to childbirth. Also of note is a letter from Elizabeth Steere that describes her experiences living in the remote Minnesota Territory (December 9, 1856).

The second group of Elizabeth's correspondence mainly consists of letters between Elizabeth and Joshua Longstreth Bailey, a dry goods merchant and philanthropist, who assisted her in her work with the Kansas Freedmen’s Relief Association from 1879 to 1881. Elizabeth discusses the logistics of supplying newly arrived African Americans with food, shelter, and a means of subsistence, and relates information about the migrants and their experiences in both the South and in Kansas. Elizabeth shares, in depth, her perspective on this large migration, which she refers to as "the Exodus." An item of note is a letter from John W. Snodgrass proposing a plan to buy land to aid resettled former slaves in Kansas (May 3, 1881). Other items concern Comstock's work to improve the lives of former slaves and prisoners during the Civil War, including a letter from Ed Howland who wrote to Comstock of a "plan before Congress to change the whole plan of taking care of colored people" (February 3, 1865). B. Dornblaser, the warden at the Illinois State Penitentiary, wrote to Comstock about pardoning Frederick Marx from Kentucky who was "tricked" into buying a stolen mule (April 5, 1865). She also communicated with Thomas Story Kirkbride, superintendent of the Philadelphia Hospital for the Insane (March 6, 1870).

The collection also contains material related to her daughter Caroline and to Elizabeth's grandchildren. Much of this is correspondence between Caroline and members of her family, regarding news, daily life, traveling and visiting, religion, work, and school. Of interest are letters of reference for Caroline "Calla" De Greene in support of continuing her education and recommending her for positions teaching French and German at the college level (May 2, 1893, July 11 and October 5, 1898, May 10, 1905, and March 19, 1906).

The Kempton Family material consists of 26 letters, which largely concern religious issues, everyday life, and news of family and friends. These include the 7 earliest items in the series, from 1827-1828, with the rest scattered throughout.

The Commonplace Book and Diary series (2 items) contains an 1839 commonplace book (52 pages) of poems and essays inscribed as belonging to Charity Kempton. Many entries center on the theme of a loved one leaving on a sea voyage. These include passages called "Seamen's Hymn," "Matrimonial Chart," and "The Old Oaken Bucket." The second item is Elizabeth Comstock's 34-page travel diary (8 blank pages) during the summer of 1878. It contains Biblical verses, brief descriptions of places she visited, notes on her activities, and notes on religious services she attended.

The Poems Series (10 items) contains handwritten copies of poems, all of which are religious in nature. Included among the 9 unattributed poems are a cautionary poem on dancing and drinking, a 16-page poem called "The Ministry of Angels," and a poem entitled "One Lord, One Faith, One Baptism: A Dialogue in Verse." The single attributed poem is a copy of William Cowper's "God Moves in Mysterious Ways."

The Corrections for Caroline Hare's Life and Letters of Elizabeth Comstock series (1 item) is 7 pages of notes and corrections for Caroline Hare's biography of Elizabeth Comstock (see the Related Materials section for information on the Clements' copy of this book). The comments range from grammatical edits to insights into personal events and her ministerial efforts.

The Miscellaneous Writings series (25 items) contains non-correspondence material including: religious quotations, miscellaneous notes jotted down on scraps of paper, Friends meeting minutes, recipes, and essays on religion and marriage. Most of these items are unattributed but are likely from Elizabeth Comstock, Chastity Kempton, and others. Of note is a three-page item containing "Dying expressions of Soldiers," including the last words of a soldier on the Battlefield of Fredericksburg (December 13, 1862), and those of a man about to be hung in Nashville, Tennessee. This series also contains instructions for refining sugar, and remedies for common maladies, such as heartburn, dysentery, snake bites, and nausea, "By the celibrated Indian Doctor John Mackintosh, of the Cherokee Nation; None of which have ever before been communicated to the world" (undated).

The Documents series (11 items) contains various official documents related to the Comstock and Kempton families.

• Elizabeth Comstock's ancestors’ 1740 marriage covenant between William and Mary Moore
• A deed from Isaac Steer to Aaron Kempton in Woodstock, Michigan (1845)
• A handwritten pass from Philip Henry Sheridan allowing Comstock and her companion Mary B. Bradford to travel by rail to Baltimore, through enemy lines (December 9. 1864)
• A document entitled "The Colored Exodus. A Statement of Monies Received from Various States, Canada, and England.
• Elizabeth's sister Lydia Rous' last will and testament (March 5, 1889).

The Accounts series (6 items) contains 3 lists of books to be sent to various Friends libraries and associations, 1 list of donated goods such as fabric and clothes addressed to E. Smith of Victoria Road, an 1875 bill for goods, and an item documenting money owed with interest for an unspecified purpose.

The Printed Ephemera series (24 items) includes miscellaneous printed material: passes to cross Union and Confederate lines during the Civil War; 8 "Bible Reading Leaflets;" two Quaker related essays; a fragment of a book labeled "Self-Communion" (pages 3-10); 4 poems (prayers); 4 event cards; and a catalogue for mechanical farming equipment. The collection also holds one of Comstock's hymn books entitled, Gospel Hymns and Sacred Songs (Words Only) , by P.P. Bliss and Ira Sankey. The handmade cover is reinforced with a portion of a postcard stamped March 9, 1878 (95 small pages of hymns).

The Newspaper Clippings series (50 items) is composed of printed items related to the Kansas Freedman's Relief program. These include several essays and articles written by Comstock and her colleagues, as well as newspaper stories about Comstock's activities aiding African American "refugees" in Kansas, who were suffering from sickness, poverty, and unemployment. Many of these include pleas for charity. The clippings come from newspapers across America, as well as from England.

The Prints and Photographs series (8 items) consists of 7 photographs, including 2 of Elizabeth and 1 of her daughter Caroline, one print of the residence of R. Hathaway in Rollin, Michigan.

• Elizabeth Comstock, taken in Philadelphia for De Greene, undated
• Elizabeth Comstock portrait, hand colored and in a small square wooden frame (Behind his photograph, as part of the backing, is a small picture of 7 angels with trumpets, clipped from a postcard).
• Carrie Wright De Greene O'Harrow, 1881
• Freddie Hare at age 4 ½, August 1874, labeled "for Carrie" (Carte-de-visite)
• Unlabeled picture of a girl, undated
• Woman reading (likely Caroline Hare), accompanying the letter dated February 22, 1882 (Carte-de-visite taken by J. Cooper)
• A portrait of a woman in a small metal frame accompanying the letter from March 16, 1870.

• A machine catalogue with images of: Cooks Sugar Evaporator, Cross-Cut sawing machine, a victor mill, vertical mill with sweep below, and a back-geared mill
• Ink sketch of Caroline Hare’s home in letter, February 13, 1870
• An engraved portrait of Comstock in a newspaper clipping from early 1881

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 items including photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection. Mr. Anderson assembled this collection from dealers, antique shops, and individuals. His motivation stemmed from a desire to document and to provide historical perspective on various end-of-life practices which, in the 20th century, fell into taboo and disfavor.

The majority portion of the photographic items in the collection are neither dated, nor attributed, although approximate dates can often be determined by when particular photographic formats were in use (see timeline at www.graphicatlas.org.). Consequently, the materials have been organized first to accommodate their sizes, formats, and preservation needs, and second to reflect major subject themes present, though scattered, throughout the entire collection. These non-mutually exclusive subjects are as follows:

• Post-mortem portraits
• Post-mortem scenes
• Funeral tableaux
• Funerals and funeral processions
• Floral arrangements and displays
• Memorial cards and sentimental imagery
• Cemeteries and monuments
• Funeral industry
• Mourning attire
• Unnatural death

The first three subjects - post-mortem portraits, scenes, and funeral tableaux - all depict the recently deceased, and so fall into the narrowest definition of a post-mortem photograph. Their distinction into three separate subjects is a partly arbitrary decision, made to break up what would otherwise be a large and unwieldy grouping of photos, but also to roughly shape the order of the collection (post-mortem portraits without décor tended to date earlier chronologically than broader, beautifying scenes).

Post-mortem portraits:

The post-mortem portrait photographs, comprising 251 items in the collection, depict the bodies of dead family members and friends. These images show the deceased, sometimes posed with living family members, and for the most part do not include elements of a larger scene, such as floral arrangements, banners, or other décor.

These portraits include the earliest photographic images in the collection, including 28 cased daguerreotypes, ambrotypes, and tintypes. 78 cabinet card photographs date from the late 1860s to around the turn of the century. Among many notable cabinet cards are two images of Frances Radke, taken and retouched by R. C. Houser, showing her image before and after Houser's post-capture work (3.1 and 3.2). Also of note is a framed crayon enlargement of infant Adelaide Banks by photographer/artist Edward Stuart Tray (26) and a post-mortem carte de visite of an unidentified African American infant taken by photographer S. P. Davis of Danielsonville, Connecticut (4.282u).

Post-mortem scenes:

The post-mortem scene photographs, numbering 155 items in total, are similar to the portraits described above, except that they show the deceased as part of a larger environment, whether in a private home, a funeral home, or out-of-doors. Most of these views are mounted photographic prints from the 1880s to the early decades of the 20th century, frequently centering on the corpse, lying in a casket or coffin, amidst an abundance of floral arrangements, banners or flags, family members or friends, and/or personal belongings. Their caskets are often lined with white cloth.

Many of these images have unique qualities; several examples illustrate the variety of postmortem scenes in the collection. Six photographs by W. Jakubowski and Co. and Jos. Ziawinski, of Detroit, Michigan, include five wedding photographs (of the bride and groom, bridesmaids, and family members) and one post-mortem scene of the wife. She appears to have died within a short time following the marriage; the funeral home scene image contains one of the wedding photographs and a banner marked "Dearest Wife" (18.5-18.10). One mounted photograph depicts a dog, laid on linen, in a homemade casket (14:17). The collection also contains examples of different persons on display in the same funeral home/parlor (e.g. 18.1-18.4). A set of two cabinet card photos of a child in a buggy is accompanied by one of the buggy's metal lanterns (23.1-23.3). Also of note is a photogravure of the 1888 painting "Requiescat" by British artist Briton Rivière showing a dog seated next to its deceased owner (25.2).

Funeral tableaux:

The collection's 35 funeral tableaux photographs show the deceased in an open casket or coffin, typically in front of a church or homestead, with a posed assembly of funeral attendees or mourners. They often show a large group of family and friends, and so are frequently large format prints. Group portraits of this sort were occasionally framed and displayed in the home. Most of the examples in this collection are large prints (many of them mounted), with smaller examples, including a real photo postcard, two snapshots, and one cabinet card. Particular items of note include a framed tableau on the steps of the Church of The Descent of The Holy Ghost in Detroit by Thomas Hoffman (27), a photomontage image of a nun's funeral (28), two tableaux scenes by F. A. Drukteinis taken outside of the same church in Detroit during different seasons and involving the same family (20.12 and 20.15), and three related tableaux scenes (two mounted and one unmounted) involving a presumably Hungarian family that were taken outside of what appears to be a Catholic church in Cleveland, Ohio, during three different funerals (20.16a-20.16c).

Funerals and funeral processions:

The 70 items depicting or pertaining to funeral gatherings show various aspects of the movement of the deceased from the home or funeral home to the cemetery and funeral and burial ceremonies. This group is comprised of real photo postcards (22 items), snapshots (13 items), and a variety of other formats. Examples include an albumen print depicting the Plymouth Church decorated for Henry Ward Beecher's funeral in 1887, and snapshot and postcard photographs of a burial at sea.

Floral arrangements and displays:

Additional documentation of funeral decoration may be found in the collection's 176 still life portraits of floral arrangements and other decorations. A portion of the floral display photographs include pre- or post-mortem photos of the deceased either incorporated into the display or added to the image after printing. One particularly fine example is a large format photograph of a floral arrangement for the funeral of Joshua Turner Mulls; the display included a cabinet card photo of Mr. Mulls and a modified enlargement of the cabinet card. Accompanying the floral arrangement photograph is the cabinet card depicted in the display, with artist's instructions for coloring the enlargement (22.1-22.2).

Memorial cards and sentimental imagery:

The collection includes 105 memorial cards and ephemeral items bearing sentimental imagery. Memorial cards were created as tributes, often displaying birth dates, death dates, and other information about the deceased. Many of these cards include border designs and some bear photographs of the departed. Black-fronted memorial cards gained popularity from 1880 to 1905. Of many interesting examples, the collection includes two examples of memorial cards which haven't yet been personalized (4.306-4.307) and two reflecting World War I-related deaths (4.316 and 4.317). Materials with sentimental imagery include items such as a photograph of an illustration entitled "Momma is in Heaven," a memorial book dedicated to Olive C. Partridge in 1897, and other items.

Note: an advertisement for the Memorial Card Company of Philadelphia is located in the 'Funeral Industry' section of the collection (14.35).

Cemeteries and monuments:

61 photographs, printed items, and realia explicitly pertain to cemeteries, burial markers, or monuments. Some of the cemeteries and monuments are identified, such as the Garfield Memorial at Lakeview Cemetery in Cleveland, Ohio (4.1-4.3). The collection includes examples of cemetery-related realia, including an ovular, porcelain headstone photograph (pre-mortem) of the deceased.

Note: cemeteries may be seen as background for many photographs throughout the collection.

The funeral industry:

The Mark A. Anderson collection of post-mortem photography holds a diverse selection of photographs, ephemera, and printed materials related to the business aspects of death, dying, and bereavement. This group contains around 153 items overall, including receipts (1896-1956); various types of advertising materials (including an undertaker's advertising card, a cabinet photograph of the Arbenz & Co. storefront advertising undertaking as a service, fans from a church and the A. C. Cheney funeral home, a thermometer, and other items); and 118 coffin sales photographs (illustrating a massive selection of different casket models offered by the Boyertown Burial Casket Company of Pennsylvania).

Two photograph albums, that of Clarence E. Mapes' furniture store and funeral home and that of the Algoe-Gundry Company funeral home, provide visual documentation of a rural and an urban funeral home (respectively) in Michigan in the first half of the 20th century:

The photo album and scrapbook of Clarence E. Mapes' furniture store and funeral home in Durand, Michigan, dating from ca. 1903-1930, contains interior and exterior photographs of the furniture and undertaker portions of the shop. The album includes photographs of casket showroom display mechanisms; an example of a "burglar proof" metallic vault; a posed photo of the embalmer standing over a man on the embalming table; images of carriage and motorized hearses; business-related newspaper clippings; and various family and vacation photographs. Several prints, dated August 1903, appear to depict the aftermath of the Wallace Brothers Circus train wreck on the Grand Trunk railroad at Durand. Among these photographs are carriage hearses, a horse-drawn cart carrying ten or more oblong boxes (for transportation and perhaps burial of victims of the wreck), a man standing in an alleyway near three stacked boxes, and a large group of persons standing in a largely unearthed section of a cemetery. The Mapes album is accompanied by a C. E. Mapes Furniture advertising fly-swatter.

The Algoe-Gundry Company album dates from ca. 1924 to 1960 and contains (almost exclusively) 8"x10" photographs of this Flint, Michigan, funeral business. The album includes images of the exterior and interior of Algoe-Gundry buildings, hearses, ambulances, and billboard advertisements.

One album was produced ca. 1939 by the Central Metallic Casket Co. of Chicago, Illinois. Titled "Caskets of Character," the album contains images of patented (or soon to be patented) casket designs as well as a printed cross-sectional view detailing the company's "Leak-Proof" Separate Inner Sealer.

Also of interest is funeral director's license granted by the Michigan State Board of Embalmers and Funeral Directors to Vincent J. George of Fowler, Michigan, in 1938. (25.1)

Mourning attire:

In America, mourning attire tended to follow trends set in Europe. The bereaved wore mourning clothing according to current fashion trends and societal expectations. Mourning clothing styles, often dark-colored and somber, depended on how close the mourner was to the deceased and local societal expectations. Seventeen portrait photographs show men and women wearing mourning attire without the deceased present. This group includes cabinet cards, a 1/9 plate ambrotype of an adult woman, two tintypes, and one carte-de-visite.

Note: persons wearing mourning attire may also be found scattered throughout the other sections of the Mark A. Anderson collection. While most are concentrated in the funeral photographs, mourners are also present in postmortem portraits, postmortem scenes, and cemetery photos.

Unnatural death:

43 photographs (mostly snapshots) depict "unnatural deaths," deaths not caused by age or naturally occurring disease, such as suicides, accidents, murders, and war. The larger portions of the snapshots are mid-20th century police photographs of crime or accident scenes.

Nine Indiana State Police photographs show a train-automobile accident; a group of eight unmarked photos depict the body of woman, apparently violently murdered, at the location of her death and in a morgue; 14 are of a man struck down, beneath a train; two are of a rifle suicide; and the others are of varying accidents. One World War I-era real photo postcard appears to show a man who was shot dead in a foxhole. A stereoscopic card by photographer B. W. Kilburn shows the burial of Filipino soldiers after the Battle of Malolos, Philippine Islands [ca. 1899].

Note: The photograph album/scrapbook of the Clarence E. Mapes furniture and undertakers shop contains several photographs of what appear to be the aftermath of the Wallace Brothers Circus train wreck, Durand, Michigan 1903 (see above description in the 'Funeral Industry' section of this scope and content note).

The Alexander T. Stewart collection contains around 300 letters that Stewart received from strangers requesting financial assistance, employment, and other means of support. Many commented on the Civil War's negative economic impact on their lives, particularly in the South.

The Alexander T. Stewart collection contains around 300 letters that Stewart received from strangers requesting financial assistance, employment, and other means of support. Many commented on the Civil War's negative economic impact on their lives, particularly in the South.

The majority of the letters are dated 1865-1876, including a large group (around 215 items) dated 1869-1870. Stewart's correspondents requested loans, donations, or employment; some wrote more than once. Writers include war widows, former soldiers, and others who had been affected by the war, particularly in the South. Many provided details of recent financial hardships, such as spouses' or parents' deaths, unemployment, and the effects of the Civil War, and some provided character witnesses or references. A soldier requested money for a camp stove (January 6, 1865); another man requested help after having difficulty collecting loans from southern borrowers (February 27, 1862); and a third writer mentioned displaced persons in South Carolina (March 9, 1867). Correspondents occasionally enclosed carte-de-visite portraits or newspaper clippings, and some pasted return postage onto their letters. The letters reveal the authors' views on wealth, social status, employment, and philanthropy in the Reconstruction-era United States.

Stewart received letters from correspondents in states including Alabama, California, Connecticut, Delaware, Georgia, Illinois, Indiana, Iowa, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, New Hampshire, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Rhode Island, South Carolina, Texas, Utah, Vermont, Virginia, and Wisconsin. The few items that are not begging letters include a letter that Alexander T. Stewart wrote about his business affairs with P. Whitin & Sons (September 30, 1861) and a letter offering Stewart medical advice (April 7, 1873).

The collection contains 4 printed items: a ticket to a charity festival at the Astor House (February 22, 1855), 2 newspaper articles relating to Alexander T. Stewart, and a printed advertisement for A.T. Stewart & Co.'s store (September 23, 1871).

This collection contains personal and business correspondence related to Philadelphia merchant George Fales, as well as documents, newspaper clippings, and correspondence pertaining to the Union Volunteer Refreshment Saloon and Hospital, which Fales's nephew, Samuel Bradford Fales, helped to operate during the Civil War.

This collection contains personal and business correspondence related to Philadelphia merchant George Fales (35 items), as well as documents, newspaper clippings, and correspondence pertaining to the Union Volunteer Refreshment Saloon and Hospital, which Fales's nephew, Samuel Bradford Fales, helped to operate during the Civil War (6 items).

George Fales received 4 letters from his brother Samuel between 1815 and 1835, which mainly concern financial and business matters. The first letter, written on December 4, 1815, provided a list of expenses, including money intended for the construction of a school for African Americans in Boston. Other letters from business associates discuss finances; business with Fales or with his firm, Fales, Lothrop & Company; and potential business ventures such as a wood-chopping enterprise. Fales also received 3 personal letters from his nieces Eliza F. Bridgman and Mary T. Monroe and 1 from his nephew Samuel Bradford Fales, who described his travels near Pittsburgh (April 22, 1836). Samuel B. Fales granted his uncle power of attorney in a document dated February 4, 1834.

The collection also contains 6 items related to Philadelphia's Union Volunteer Refreshment Saloon and Hospital, including 2 letters addressed to historian Benson J. Lossing. Robert R. Carson encouraged Lossing to utilize the Union Volunteer Refreshment Committee's business card in his pictorial history of the war, and attached a newspaper clipping reporting a grand jury's approval of the project (April 7, 1862). Arad Bellows provided a list of corrections and additional information in response to Lossing's recent work (August 6, 1866). Samuel Fales wrote 2 letters to "Reverend Sibley" about the Union Volunteer Refreshment Saloon and Hospital, written on stationery bearing a letterhead engraving of the establishment and including the projected number of soldiers assisted (November 20, 1865). One of these letters is attached to a printed newsletter about the enterprise, entitled "The Fair Record of the Union Volunteer Refreshment Saloon."

Three newspaper clippings, including 2 from The Philadelphia Inquirer and 1 from the Evening Bulletin, concern the history of the saloon and hospital, and contain testimonials. The collection also contains a carte-de-visite photograph of Samuel B. Fales and a broadside poem entitled "Lines in Memory of the Philadelphia Volunteer Refreshment Saloon," signed and inscribed by Samuel B. Fales for Benson Lossing.

The collection consists of approximately 900 negatives depicting the art and architecture of Latin American countries, including Peru, Argentina, Brazil, Bolivia, Columbia, Mexico and Cuba. The negatives were the product of Dr. Wethey's research focus on Latin American art and architecture starting in the 1940's.

The collection consists of approximately 900 negatives depicting the art and architecture of Latin American countries, including Peru, Argentina, Brazil, Bolivia, Columbia, Mexico and Cuba. The negatives were the product of Dr. Wethey's research focus on Latin American art and architecture starting in the 1940's. The majority of the collection focuses on the art and architecture of Peru, with a secondary focus on Argentina, especially religious architecture, including altars, facades, cloisters, naves, and chapels. The some of the Peruvian art is from the Cuzco school. Many of the negatives have been photographed from books. The artwork includes the work of Jose Clemente Orozco, Diego Rivera, Frida Kahlo, Prilidiano Pueyrredón, Benito Quinquela Martín, and many others.

The collection was rehoused but the original negative sleeves were preserved, complete with the original description. The information written on the original envelopes was transferred to the new sleeves and recorded in an inventory, which is available upon request. The original sleeves are housed in the last two boxes of the collection.

The Edwin Wright letters are 28 letters written between Jan. 14, 1862, and July 14, 1865, by Edwin Wright, a soldier in the 9th N.Y. Cavalry. The letters were written from various places in Virginia and Washington, D.C., and describe life as a Union solder. Also included are short poems written by Loanda Lake, composed on the letter's envelopes, and one small photograph of Wright.

This collection consists of 28 letters written between Jan. 14, 1862, and July 14, 1865, by Edwin Wright, a soldier in the 9th N.Y. Cavalry. Twenty-six of the letters were to Loanda A. Lake in Charlotte, N.Y., and Hammonton, N.J. Two letters and a photograph (carte-de-viste) were sent to Miss Lotte Carle in Leon, N.Y. The letters were written from Washington, D.C., and various places in Virginia (Arlington Heights, Sperryville, Stafford Court House, Culpepper, Point City, Shepherdstown, White House Landing, and Winchester). Two of the letters have illustrated letterheads. One has the Capitol Building with the caption: "THE HOUSE THAT UNCLE SAM BUILT" (in brown ink). The accompanying envelope (in blue ink) depicts a mounted soldier with the U.S. flag flying in front of a camp (Jan. 14, 1862). The second letterhead (in black ink) depicts the Capitol Building (Oct. 8, 1863).

The early letters describe daily life (lining up at the "Colorline", caring for their horses), living conditions (acquiring a stove, the arrival of "Sibley Tents"), listening to brass band music, and food (drinking coffee that was available 3 times a day, but tea only once a week; cutting down a "bee tree" to get honey). He talks of the dullness of camp life leading to desertions (March 4, 1862), and he much prefers scouting to standing picket duty or carrying dispatches, which often result in his separation from his regiment when they go into battle. He describes the forbidden fraternization of Union and Rebel pickets. "... we would meet them halfway between the lines and exchange papers and have a chat, etc. and after a while shake hands and each return to his post" (July 22, 1864). He writes of bitter winters in Virginia, with half of their horses dying in February 1863, and men suffering from frozen feet in January 1865. He describes his regiment forming a line to stop a stampede of fleeing Union soldiers on the road to Centerville (Sept. 10, 1862), and capturing a recently made flag from one of A.P. Hill’s North Carolina units. "...on it was printed all the battles in which they had participated. The latest date was the battle of Cold Harbor" (Aug. 6, 1864). He writes of being "brushed" on his left side and forefinger by a twelve pound shell (July 18, 1864) and in an August 23, 1864, letter tells of his disobeying an order to withdraw so that he could stay at the side of a dying friend and bury him. Brief mention is made of the execution of a member of his regiment (March 3, 1864).

Worth noting are the 14 very short poems that Loanda Lake jotted on the envelopes of Edwin Wright’s letters. As was customary, Loanda often wrote the date that she answered his letters on the envelopes. Below that notation, she sometimes wrote very short poems about the weather.

"And snow upon the ground

But every body seems alive

And so keeps tramping around"

The longest poem is six lines (March 20, 1865). The shortest one is a single word, "Wind", below a whimsical double loop, representing the wind (March 3, 1864). In addition to Loanda’s short poems, a single longer poem that Edwin sent to her is included: a parody of "The Lord’s Prayer" -- "Our Father who art in Washington Uncle Abraham be thy name... give us this day our daily rations of Crackers and Pork and forgive our Short Comings as we forgive our Quarter Masters...".

This collection also includes 1 carte-de-visite of Wright.

This collection contains correspondence related to the family of Elizabeth Ellery Sedgwick Child, granddaughter of politician Theodore Sedgwick and wife of Harvard professor Francis James Child. The collection also includes several photographs and printed items.

This collection (1 linear foot) contains correspondence related to the family of Elizabeth Ellery Sedgwick Child, granddaughter of politician Theodore Sedgwick and wife of Harvard professor Francis James Child. The collection also includes several photographs and printed items.

The Correspondence series, which comprises the bulk of the collection, contains letters the Sedgwick family wrote to and received from family members and friends, as well as several poems. From 1826-1842, Robert Sedgwick, his wife Elizabeth, and their daughter Elizabeth ("Lizzie") corresponded with family members including Catherine Maria Sedgwick of Stockbridge and Lenox, Massachusetts, and Jane Minot Sedgwick of New York City. Most of the early correspondence pertains to the writers' social lives and family news, and to travel around New York, Massachusetts, and Pennsylvania. Catharine Maria Sedgwick also reported on acquaintances such as the actress and writer Fanny Kemble, whom she deemed "fated to suffer" (May 27, 1834), and the writer and social theorist Harriet Martineau (November 2, 1834).

The bulk of the remaining correspondence is dated 1855-1885 and pertains to the relationship between Lizzie Sedgwick and her husband, Frank James Child. Child wrote to Sedgwick from Cambridge, Massachusetts, and Paris, France, and received letters from Sedgwick and others. The couple's other correspondents included at least one writer in Italy who commented on their relationship and health, family news, and the Civil War. Postwar correspondence includes letters to Susan Ridley Sedgwick Butler. Three late postcards to Mrs. G. A. Stanger of Springfield, Massachusetts, concern her son Herb's experiences in Georgia while serving in the armed forces during World War I.

The Photographs series (5 items) contains 3 photographs of Helen Child (later Sargent), a photographic print of Elizabeth Sedgwick Child, and a photograph of the Child family's home in Cambridge, Massachusetts.

Printed Items (9 items) include a certificate regarding Francis Child's qualifications as an instructor of Greek at Harvard University (September 22, 1846), 2 illustrated Christmas cards (1881 and undated), a copy of the Boston Daily Advertiser (August 1, 1884), an obituary for Francis Child from The Nation (September 17, 1896), and copies of the poems "From My Arm-Chair" by Henry Wadsworth Longfellow and "The City of the Living" by Elizabeth Akers Allen. The series also includes a biography of Oliver Wendell Holmes that George B. Merrill presented to the Harvard Club of San Francisco on October 18, 1894, and an advertisement for the Massachusetts Association Opposed to the Further Extension of Suffrage to Women.

This collection is made up of correspondence and other items related to Silas and Rebecca Tenney of Chester, New Hampshire, and to their descendants, including Orlando Murray Tenney of Chester and West Hampstead, New Hampshire; his wife, Emmagene Fitts; and their daughter, Alice Lillian Tenney.

This collection is made up of correspondence and other items related to Silas and Rebecca Tenney of Chester, New Hampshire, and to their descendants, including Orlando Murray Tenney of Chester and West Hampstead, New Hampshire; his wife, Emmagene Fitts; and their daughter, Alice Lillian Tenney.

The Correspondence series contains approximately 320 letters addressed to members of the Tenney and Fitts families, particularly Rebecca (or Rebekah) Tenney, Orlando M. Tenney, Emmagene F. Tenney, and Alice L. Tenney.

A small group of letters, dated from the 1820s-1830s, is comprised of letters to Silas and Rebecca Tenney from their children, including Bailey, Thomas, Sally, and Charles; other family members; and friends. Thomas Tenney discussed his philosophical, moral, and religious beliefs; others shared family and local news. Scattered letters dated in the 1840s, 1850s, and early 1860s concern other members of the Tenney and Fitts families, including religious letters that Orlando M. Tenney received from an acquaintance.

The bulk of the series is made up of incoming letters to Orlando M. and Emmagene F. Tenney and their daughter Alice, dated 1867-1925 (bulk 1867-1917). Orlando Tenney and Emmagene Fitts ("Genie") exchanged love letters during their courtship and marriage; in later years, they discussed their children and family news, particularly while Emmagene visited her family in Candia, New Hampshire. From the mid-1870s to the early 1890s, Emmagene F. Tenney also received personal letters from family members such as her sister, Alice C. Fitts; her mother, Caroline Phelps Fitts; and many cousins and acquaintances. Orlando M. Tenney received condolence letters after Emmagene's death in 1892, and his siblings and other family members wrote to him into the early 20th century.

In the mid-1880s, Alice L. Tenney began to receive letters from family members and friends; her incoming correspondence comprises the bulk of the collection after 1892. Letters from a school friend, May E. Norris, concern Norris's life in Boston, Massachusetts, and later letters pertain to family members' lives in New England and New York. Alice's other correspondents included her sister Bertha, her brothers Walter and Sewall, and several aunts and cousins. One brief series of letters by Ralph Candee of Westwood, Massachusetts, pertains to Alice's recent denial of his marriage proposal (included in his letter of July 14, 1903); most of the 20th-century letters pertain to the Tenney brothers' lives in New York and New Hampshire.

The Diary Fragments, Essays, and Poetry series (13 items) consists of items written by multiple authors. One group of diary entries (20 pages), dated January 1809-June 25, [1813], focuses on the unidentified author's religious beliefs and reflections. A second author wrote similar reflections on their 69th and 70th birthdays (May 13, 1842, and May 13, 1843). The remaining items are poems and essays by Helen M. Tenney (July 9, 1851, and February 9, 1856), O. M. Tenney (undated), and others (undated). These writings concern nature and animals, religion, the Eiffel Tower, and other subjects. One essay, entitled "Exercises of My Mind," is a copy of a work by Augustus Sanborn (d. 1823).

Financial Records (8 items, 1867-1911) consist of receipts, a money order, a dividend notice, and accounts related to Orlando M. Tenney, William Tenney, Sewall F. Tenney, and Alice L. Tenney.

The Photograph is an undated carte-de-visite portrait of an unidentified woman, taken in Norristown, Pennsylvania.

The Ephemera and Invitations series (8 items, 1870-1903) contains items addressed to various members of the Tenney and Fitts families. Most of the invitations pertain to weddings. The series also contains calling cards and a blank application for the "Tribe of Ben-Hur."

Miscellaneous material (12 items) includes a notebook that belonged to Orlando M. Tenney in 1881, a drawing of a man riding a plow attributed to "O. M. T." (July 30, 1907), a recipe for corn salve, a newspaper obituary for Frank E. Fitts, and manuscript notes and fragments.

This collection is made up of correspondence, diaries, financial records, legal documents, photographs, speeches, and ephemera related to Ziba Roberts of Shelby, New York, and his family. Much of the material concerns his service in the 28th New York Infantry Regiment during the Civil War, veterans' pensions, reunions, genealogy, and estate administration.

This collection is made up of correspondence, diaries, financial papers, legal documents, photographs, speeches, printed items, and ephemera related to Ziba Roberts of Shelby, New York, and his family. Much of the material concerns his service in the 28th New York Infantry Regiment during the Civil War, veterans' pensions, reunions, genealogy, and estate administration.

The Correspondence series (approximately 110 items) includes a group of 17 items (1826-1852) related to the family of James Harland, an ancestor of Cynthia Dewey Roberts. Harland, who lived in Manchester, New York, received letters from his son William, who moved to Clarksfield, Ohio, around 1839. Shortly after his arrival, William described local marshes and discussed his land and the prices of various crops. His later letters concern his financial difficulties and his Christian faith. A letter of September 3, 1841, includes a small manuscript map of property lines.

The remaining correspondence pertains to Ziba Roberts and, to a lesser extent, his wife and children. The first item is a letter from his sister Henrietta dated March 14, 1858. Roberts regularly corresponded with family members and friends while serving in the 28th New York Infantry Regiment between January 1862 and April 1863. In his letters home (around 20 items), he described aspects of military and camp life, including food, hygiene, illness, long marches, and general boredom; several items concern his experiences in occupied Winchester, Virginia, in the spring of 1862 and his treatment after his release from Confederate prison. He sometimes commented on news of the war, expressing confidence in a Union victory. During this period, Roberts occasionally received letters from family members at home, who discussed farming, religion, and family news (5 items).

The Roberts correspondence resumes in 1886 and continues as late as 1937; most date between 1889 and 1912. Roberts received a series of letters from William W. Eastman in South Dakota, who wrote at length about his financial difficulties. Most of his late correspondence concerns Civil War veterans' affairs, particularly related to pensions and reunions. Some writers complained about the difficulty of receiving a pension, the health issues that affected former soldiers, and Roberts's own disability claim. One printed circular contains reminiscences by members of the 28th New York Infantry Regiment (printed and distributed in May 1892). In 1912, Ziba Roberts received letters from fellow veterans regarding the 28th Regiment's annual reunion; most expressed or implied a lasting sense of comradeship with their fellow veterans, though many declined the invitation on account of poor health or other circumstances (with some reflecting on whether deaths would put future reunions in jeopardy).

The latest correspondence, written in the 1920s and 1930s, concerns the Grand Army of the Republic, insurance policies, and Roberts and Sanborn family genealogy. One correspondent returned an essay written by Ziba Roberts in December 1916: "A Brief History of the Methodist Episcopal Church at East Shelby" (enclosed with letter dated February 27, 1924). Minutes of the 28th Regiment's 68th reunion, held in May 1929, note the death of Ziba Roberts and other soldiers.

Ziba Roberts wrote two Diaries between November 14, 1861, and December 31, 1862. His daily entries concern aspects of his service with the 28th New York Infantry Regiment in Maryland and Virginia, including his imprisonment in 1862. He wrote about marches, guard duty, drills, health, and rations.

The Documents and Financial Papers series (74 items) includes legal documents and financial papers dated 1864 to 1940. Correspondence, indentures, and mortgages pertain to land ownership, management of decedents' estates, and a legal dispute between William W. Dewey and Seneca Sprout in the 1890s. Four items are Grand Army of the Republic commissions for Ziba Roberts, dated between 1918 and 1922. One group of tax receipts pertains to payments made by Ziba and Cynthia Roberts as late as 1940.

The collection's account book originally belonged to Ziba Roberts in the late 19th century. Roberts recorded around 35 pages of accounts between around 1884 and 1919, including records related to everyday purchases of food and other goods, a female domestic worker's wages, road construction, and estates. A later owner recorded tax payments for the years 1922-1944.

The Photographs series consists of 2 photograph albums and 8 loose items. Together, the photograph albums contain around 120 cartes-de-visite, tintypes, and cabinet cards. These items consist of studio portraits of members of the Roberts, Dewey, Wolcott, and Sanborn families, as well as additional friends and family members. Most of the pictures, which feature men, women, children, and infants, were taken in New York.

The loose items are made up of photographs of Ziba Roberts, including a heavily retouched portrait and a corresponding print of the original image; portraits of soldiers in the 28th New York Infantry Regiment; pictures of Colonel Dudley Donnelly's tomb; and a group of soldiers posing by the High Water Mark of the Rebellion Monument at Gettysburg. Additional items show a group posing for a souvenir photograph after a "balloon route trolley trip" in Los Angeles, California, and members of the Sprout family standing in front of their home.

The Speeches, Printed Items, and Ephemera series (30 items) includes Civil War materials, such as scores for the songs "We're Marching on to Richmond," "The Passing of the Veteran," "We Old Boys," and "Have You Got the Countersign"; and a printed booklet of war songs issued by the Grand Army of the Republic and related veterans' societies. Other items pertain to veterans' reunions and reminiscences. The series also includes two typed carbon copies of postwar speeches given by Ziba Roberts, "Seeing Lincoln" and "Lecture on Army Prison Life."

Additional pamphlets and ephemeral items concern New York political reforms, cholera, and a meeting of the descendants of Henry Wolcott. One newspaper clipping describes the career of William Ziba Roberts. The series includes a biography of George Dewey and history of the Dewey family (Adelbert M. Dewey, 1898). The final items are World War II-era ration books, with many stamps still attached.

The Genealogy series (21 items) is comprised of records related to the Roberts and Dewey families, and to the ancestors and descendants of Ziba and Cynthia Dewey Roberts. A manuscript volume contains approximately 35 pages of family trees; registers of births, marriages, and deaths; and the military service of Daniel Roberts (Revolutionary War) and Ziba Roberts (Civil War). Other items include additional registers, death notices, and notes.

Diaries of Alexander B. Weeks, photograph of Weeks and wife, Sarah, and biographical materials.

The collection consists of three of Weeks’ diaries, volume 1) January 1, 1851- September 20, 1851, volume 2) September 21, 1851- February 29, 1852, and volume 3) October 2, 1853- December 15, 1857. The collection is organized alphabetically In the first diary, Weeks noted social and family news, visitors, the weather, major newspaper stories, and patrons or “sitters” who sat for “their likenesses.” He also commented several times about his daughters, particularly little Manty who was teething, learning to talk, walk, and was inoculated.

In the end of volume 1 and all of volume 2, Weeks vividly described his voyage to Brazil with Charles Deforest Fredricks, his fellow passengers, weather, other ships seen, seasickness, etc. Once in Brazil, Weeks noted his busy business, social activities, his friends Charles Saturnino Masoni and George Penabert, the natives, landscape, religious and other customs, slavery, and the local political struggles between Rosas, the Provincial Governor of Buenos Aires, and Gen. Urquiza. Similarly, he describes the beginning of his return voyage home and Montevideo, Uruguay, as well as correspondence with his family, and how much he misses them.

The first two diaries have some of Week’s poetry in the rear of the volumes and a few notes and doodles on the inside covers. The name of the printers who created the book in Pernambuco, Brazil, is pasted on the inside front cover of volume 2.

In his third diary Weeks documented his domestic life and business transactions in Toledo, Ohio, and Detroit, covering the same topics as in the first diary, before his voyage. The third diary is missing its front cover. The first page is divided into columns to serve as an account book. The headings of the columns are: Date, Names, Residence, Size, Price, Case, D/P (D/P probably means: Daguerreotype/Photograph).

Biographical Materials include: Week’s business cards from Poughkeepsie, undated (circa 1841?), a bill to an estate for money owed to Sarah Ann Weeks, August 5, 1870, and a photograph (copy) of Sarah and Alexander Weeks.

This collection contains correspondence, legal documents, financial records, and other material related to the family of Frederick Kislingbury, who died during Adolphus Greely's expedition to the Arctic in the early 1880s. The majority of the material pertains to disputes over Kislingbury's estate, the custody of his children, and his sons' later lives.

This collection contains correspondence, legal documents, financial records, and other material related to the family of Frederick Kislingbury, who died during Adolphus Greely's expedition to the Arctic in the early 1880s. The majority of the material pertains to disputes over his estate, the custody of his children, and his sons' later lives.

The Correspondence and Documents series (around 500 items) comprises the bulk of the collection. Before embarking on Adolphus Greely's Lady Franklin Bay Expedition in August 1881, Frederick Kislingbury signed several personal checks, received postcards from the Army Mutual Aid Association, and corresponded with acquaintances about his finances. On August 17, 1881, he wrote a letter to his sons about his upcoming voyage, and he marked the expedition's proposed landing point on a printed map of the Arctic regions. Soon after his father's departure, Harry H. G. Kislingbury received letters and legal documents regarding a package that his father had sent to him before leaving for the Arctic. Several other letters pertain directly to the expedition. In a letter to Kislingbury dated January 20, 1882, Adolphus Greeley criticized Greely's sleeping habits during his "enforced stay with this command" and discussed the circumstances that led to Kislingbury's initial dismissal for insubordination in 1881. A copied letter from Captain W. M. Beebe about the Neptune's attempted rescue mission (July 17, 1882) and a printed letter confirming the failure of the 1883 relief expedition (September 14, 1883) are also present.

The bulk of the series is made up of incoming letters, legal documents, and financial records to Charles Lamartine Clark, a Detroit resident who served as Kislingbury's estate executor. The material primarily concerns the estate's finances and the custody of Kislingbury's sons. Clark often corresponded with the Army Mutual Aid Association, and the collection has a copy of its 4th annual report (1883). John P. Kislingbury and William H. Kislingbury, Frederick Kislingbury's brothers, wrote to Clark from Rochester, New York. They argued over custody of the Kislingbury children, their brother's funeral and burial, and his financial affairs, though their later correspondence was more cordial toward Clark. Clark also owned an account book covering Kislingbury's relationship with Riggs & Co. from 1881-1884. Some items from 1885 concern a pension that the United States Congress awarded to his sons and related efforts to certify their ages.

After 1885, Harry H. G. Kislingbury wrote letters to Clark about his experiences at the Michigan Military Academy in Orchard Lake, Michigan. Clark also received letters about Harry's conduct from the school's superintendent. Harry later wrote about his life in San Francisco, California, and Flagstaff, Arizona, in the late 1880s.

Wheeler Kislingbury wrote several lengthy personal letters to Charles L. Clark in 1913 and 1914, mentioning his life in San Francisco, California, expressing regret over his uncles' actions following his father's death, and discussing the possibility of publishing his father's diary. Additionally, one letter describes an encounter with Adolphus Greely in which the officer refused to talk to Wheeler after discovering that he was Frederick Kislingbury's son (May 7, 1913). Douglas E. L. Kislingbury wrote a brief personal letter to Clark from Indianapolis, Indiana, in 1917, and Wheeler wrote 2 letters to Clark's wife from Winslow, Arizona, in 1919.

Henry H. G. Kislingbury kept a Diary (100 pages) while traveling from New York to San Francisco onboard the St. Mark between December 6, 1886, and April 22, 1887. Kislingbury wrote about the ship's crew, the weather, the scenery, and the captain's family, who were passengers on the voyage.

The Cass School (Detroit, Mich.) and Michigan Military Academy Papers pertain to the education of two of Frederick Kislingbury's sons. Two report cards from the Cass School in Detroit, Michigan, provide information on Walter Kislingbury's academic progress in 1883. The remaining 25 loose items are report cards and receipts concerning Harry H. G. Kislingbury's academic progress, conduct, and finances during his time at the Michigan Military Academy, 1884-1886. He also kept an account book while attending the school.

The Photographs series (5 items) contains portraits of Charles L. Clark, his wife Georgina Frazer Clark, and a group portrait of Clark with Walter Frederick Kislingbury and Wheeler Kislingbury. Frederick Kislingbury carried the carte-de-visite of Charles L. Clark during the Greely expedition.

A manuscript Menu lists the meals consumed by the Greely expedition on each day of the week.

The Printed Items series is comprised of 2 items: a copy of the Sunday Morning Herald with an article about Frederick Kislingbury's death (July 20, 1884) and Harry H. G. Kislingbury's copy of Emory Upton's Infantry Tactics Double and Single Rank. Adapted to American Topography and Improved Fire-Arms (Revised edition, 1884).

The Charles Snyder papers contain correspondence between Snyder, a soldier in the 50th New York Engineers, his future wife, and other family members, concerning soldiers' duties and attitudes, religious activities, and other topics.

The Charles Snyder papers contain 182 letters to and from Snyder, 1857-1866, and one carte-de-visite photograph of him in uniform. Charles wrote 67 letters; his future wife, Hannah Wright, wrote 77; his sister Lizzie wrote 10; and his brother Steve wrote 8. Miscellaneous friends and family contributed an additional 20 letters.

The 14 letters predating Snyder's enlistment concern his teaching career, study at the University of Albany, religious activities, and family news from several of his sisters. After the outbreak of the Civil War, Snyder commented regularly on the conflict; he stated that the "strongest moral power" would be needed by soldiers in order to resist the temptations of camp life (September 17, 1861) and described a visit to the barracks of his brother William, a soldier in the 97th New York Infantry (January 25, 1861).

Between Snyder's enlistment in August 1862 and the end of the war, almost all of the correspondence is between Charles Snyder and his future wife, Hannah ("Nannie") Wright. In his letters, Snyder gave his frank opinions of various aspects of the war, often influenced by his strong religious convictions. Snyder initially felt that a recruiter had deceived him about the character of the regiment he had joined, particularly objecting to the men's swearing and drinking, and in several early letters, expressed his disillusionment with their behavior, as well as with the Union's mounting defeats. In other letters, he described his duties with the 50th Engineers, including building and destroying roads and bridges, constructing rafts, unloading trains, clearing brush, filling ditches, and moving boats, but wrote "that our country is receiving the full benefit of our sacrifices is not so clear to me" (November 27, 1862).

Snyder's letters provide many rich details of his experiences, such as the taunting by Confederates wielding a sign reading "Burnside stuck in the mud" (January 25, 1863), the universal dislike of the strict pass system instituted by the army (August 30, 1863), and the eating of a Thanksgiving turkey that he and his friends named "Jeff Davis" (November 28, 1863). On several occasions, he wrote to Hannah regarding the morale of the Army of the Potomac, discussing their "unabated" confidence in General Joseph Hooker (May 7, 1863) and stating that they did not consider Chancellorsville a total defeat, especially with the death of Stonewall Jackson, which he considered "equivalent to the loss of many thousand men" (May 20, 1863). Many of Snyder's 1865 letters relate to his promotion to first lieutenant and his desire to return home to Hannah, whom he intended to marry.

In her letters, Hannah Wright discussed religious activities (including involvement with the Tract Society), teaching, and family news, and she also expressed concern and affection for Charles. Later correspondence indicated her increasing involvement in the Union cause, including going to meetings of the U.S. Sanitary Commission (December 21, 1864), and knitting for soldiers. Wright shared Snyder's religious devotion and strict moral code. She reacted strongly to his news that Mary Todd Lincoln had worn makeup to a reception held for soldiers by President Lincoln, writing "It is a sad pity Mrs. Lincoln isn't a true woman" and calling it a "sin" (February 19, 1864). Letters from Snyder's brother Steve and sister Lizzie are primarily personal, regarding health, social visits, and news about other enlisted friends and neighbors.

This collection is comprised of correspondence, diaries, documents, financial papers, and other materials of the family of stonecutter and marble worker John M. Ramsey, his wife Cyanea, and their children. The family lived in Greenfield, New Hampshire; Milwaukee and Port Washington, Wisconsin; and Grand Rapids, Michigan. Around 60 Civil War letters and one diary of the Ramseys' son Henry, who served in the 16th Regiment, Wisconsin Infantry, and around 10 letters of a cousin Ridgeway P. Cragin, of the 32nd Regiment, Wisconsin Infantry, are included. Particularly notable are 96 daily diaries of the Ramsey daughters Emily S. and Cyanea H., kept largely while they lived in Grand Rapids, Michigan, 1870s-1920s.

This collection is comprised of 1,182 letters; 98 diaries; 210 documents; 468 receipts, checks, and account books; seven school papers and writings; three photographs; 34 printed and ephemeral items; and other materials of the family of stonecutter and marbleworker John M. Ramsey, his wife Cyanea, and their children. The family lived in Greenfield, New Hampshire; Milwaukee, Wisconsin; and Grand Rapids, Michigan. Around 60 Civil War letters and one diary of the Ramseys' son Henry, who served in the 16th Regiment, Wisconsin Infantry, and around 10 letters of a cousin Ridgeway P. Cragin, of the 32nd Regiment, Wisconsin Infantry, are included. Particularly notable are 96 daily diaries of the Ramsey daughters Emily S. and Cyanea H., kept largely while they lived in Grand Rapids, Michigan, 1870s-1920s.

The Correspondence series includes 1,182 items and opens with the 1827-1830s letters of Caroline and Hannah Ramsey of Greenfield, New Hampshire, and a sister, Sarah Marshall, of Augusta, Maine. A group of letters pertain to the courtship and marriage of John M. Ramsey and Cyanea Stevens--including a letter from Cyanea's parents Lemuel and Reliance about Cyanea's request for their approval of the wedding (August 5, 1836). Letters of the 1850s include correspondence of Collins Hinckley Stevens, regarding the death of Cyanea's mother Reliance in 1858, and incoming letters to Emily Ramsey from her schoolmates. A selection of letters to Emily from E. H. Langdon, a schoolteacher in Milwaukee, are present.

In the 1860s, sisters Emily, Frances "Fannie", and Cyanea carried on correspondence with each other and with friends and family, including:

• "Hannah" from the Baraboo Female Seminary (Sauk County, Wisconsin) in 1863
• Fannie to Emily while visiting Stoughton in 1863; Fannie's correspondence while attending the Ripley Female College, 1865-1866; her letters while staying with family in Greenfield, New Hampshire; and correspondence while in Chicago for medical reasons
• Ora Stevens in Nashville and Louis H. Stevens of Manchester, Vermont
• Friend "Louise" in Hartford, Connecticut (who moved to Bay City, Michigan, and married Edwin Wood)
• John M. Ramsey's nephew David Butler Ramsey (1829-1899), from Chicago and Milwaukee, many written while working in the law offices of Palmer, Hooker & Pitkin, later Northwestern Mutual Life Insurance Company
• Female friends and family to Emily and Fannie, written from Evanston, Illinois; Milwaukee and Ozaukee, Wisconsin; and Poultney, Vermont

The Ramsey family correspondence includes around 60 Civil War letters of Corporal Henry C. Ramsey of the 16th Regiment Wisconsin Infantry. He wrote from Camp Randall, the steamship Planet, Camp Sabin, Camp near Grand Junction, Camp near Memphis, Camp near Lake Providence, Louisiana, Camp Randall, and Vicksburg. In the mid-1870s, Henry was admitted to the Michigan Asylum for the Insane at Kalamazoo, Michigan, and the family received letters from Dr. E. H. VanDensen about his progress, especially around 1876. Around 10 letters of a cousin Paul Ridgeway Cragin, of the 32nd Regiment, Wisconsin Infantry, are included.

Cyanea's and Emily's other correspondents from the 1870s to the 1930s include but are not limited to:

• Friends, cousins, and other relatives, including the Stevenses in Vermont; Persis Moore of Niles, Michigan; "Augusta" of Allegan and Otsego, Michigan; Almira Marshall in Owasso, Michigan; Frederick Marshall of Saginaw, Michigan; "Lizzie" in Woburn, Boston, and Framingham; Elvira Elizabeth Ramsey in Greenfield, New Hampshire; "David" in Greenfield; Murray J. Hoppock of Fremont, Michigan; and many others
• William H. Ramsey, Jr., a cousin, employed at the Ozaukee County Malting Company at Port Washington, Wisconsin, in the late 1880s; and as Secretary and Treasurer of the Wisconsin Chair Company in the 1890s
• Grand Rapids attorneys More & Wilson and bankers Edward M. Deane and Company, following the death of their father in 1897
• Gertrude P. Newton (Mrs. E. B. Newton) from Newton's Ranch, Colusa, Kansas, early 1900s
• Cousins James and Sarah (Saidee) Baker, from Ancón, Canal Zone, Panama, 1921-1935

The Diaries series includes 98 daily diaries, 96 of which were kept by sisters Cyanea H. and Emily S. Ramsey between 1873 and 1935, while the two lived in Grand Rapids, Michigan. The remaining two diaries include Henry C. Ramsey's Civil War diary for the year 1864 and a partial 1921 diary kept by [Howard Stevens?] in a pre-printed 1894 pocket journal. Henry Ramsey's 1864 pocket diary includes entries covering the 16th Regiment Wisconsin Infantry's movements from Vicksburg to Tennessee, to Georgia, with accounts of Kennesaw Mountain and the battle of Atlanta. The diary also covers his experiences as part of Sherman's march to the sea.

The Documents series is made up of 210 legal and financial documents pertinent largely to land and property in New Hampshire, Wisconsin, and Michigan, between 1786 and 1919 (bulk 1825-1911). Additional items include tax documents, stock-related items, and other materials.

The Financial and Business Papers includes 300 receipts, around 160 bank checks, and eight account books. The receipts date between 1831 and 1928, pertaining largely to John M. Ramsey's marble and stonecutting business. Additional receipts relate to personal property and tax payments. The 160 checks are drawn largely from Grand Rapids, Michigan, banks between December 1869 and October 1880. The account books include:

• [John M. Ramsey?] Account Book, 1830-1836. Comprised largely of accounts related to farm labor (haying, plowing, tending stock, etc.) in Greenfield, New Hampshire.
• John M. Ramsey Ledgers and Account Books, 1854-1886 (7 vols.). Consisting of the accounts of John M. Ramsey's marble and stonecutting businesses. One undated, illustrated manuscript book of monuments designed by N. Merritt for J. M. Ramsey, Milwaukee, Wisconsin, is included with the account books.

The collection's School Papers and Writings (7 items) include John M. Ramsey's teacher's book, November 1830-February 1831; a fragment of mathematical rules by J. M. Ramsey; a chronological table by Emily Ramsey, 1851; a reward of merit for Mary Ramsey; two penmanship exercises; and a manuscript issue of The Literary Chip Basket (vol. 111, no. 11), Port Washington, 1861, with list of contributors including Fanny Oatman and Emily Ramsey.

The Photographs series includes one carte-de-visite of Henry C. Ramsey of the 16th Wisconsin Infantry; and one carte-de-visite and one cabinet card of unidentified individuals.

The Ephemera and Printed Items series is made up of invitations, Nashua Manufacturing Company employee regulations (August 31, 1837), advertisements for marble and other products, and torn pages from the History of Hillsborough County, New Hampshire, ed. Hurd, 1885.

The collection also contains items pertinent to Genealogy (6 items) and an Address Book, Fragments, and Envelopes.

This collection contains correspondence, letter books, and additional material related to the career of George Clinton Gardner, a surveyor and railroad engineer who worked in the United States, Mexico, and Peru throughout the latter half of the 19th century. Correspondence includes several letters related to Gardner's attempt to join the Army Corps of Topographical Engineers during the Civil War. The letter books provide details of Gardner's work with nitroglycerin in Pennsylvania, his experiences and travels while supervising railroad construction throughout Mexico, and his work with the Pacific Company in Peru.

This collection contains correspondence, letter books, and additional material related to the career of George Clinton Gardner, a surveyor and railroad engineer who worked in the United States, Mexico, and Peru throughout the latter half of the 19th century. Included are 17 letters, 4 letter books, 2 financial documents, 10 photographs, 1 printed copy of a painting, and several calling cards.

The Correspondence series has 17 items, including 15 directly related to George Clinton Gardner. These include 3 letters of recommendation that William H. Emory wrote in 1854 and 1856 regarding Gardner's work as a surveyor in the Pacific Northwest, with one addressed to President James Buchanan (August 13, 1856), as well as 5 letters related to Gardner's efforts to serve in the Union Cavalry and in the Army's Corps of Topographical Engineers during the Civil War (1861-1862). Postwar correspondence consists of 3 letters related to financial matters, 1 letter related to Gardner's surveying career, 2 personal letters addressed to Mary Gardner in 1889 and 1890, and a photographic Christmas card addressed to George Clinton Gardner from an acquaintance in Pacasmayo, Peru (1900).

The Letter Books series contains 4 letter books of Gardner's retained copies of his correspondence. The first letter book includes 27 pages of private letters to Messrs. Paul & Mooney and to James Mooney in Buffalo, New York, regarding property Gardner and his parents owned in Buffalo, as well as 2 related enclosed letters (3 pages). These are dated between September 27, 1862, and February 5, 1867, and primarily concern the finances associated with owning the land. Gardner frequently reported sending checks to pay for property taxes. One enclosed letter is dated January 11, 1868, and a second enclosed item is undated.

The second letter book is comprised of 42 loose pages from a single volume, dated between February 9, 1869, to February 14, 1874, with one letter dated October 28, 1879. The pages are numbered, though many are missing. Between 1869 and 1874, Gardner wrote to George M. Mowbray, a chemist involved in the development of nitroglycerin, and to other correspondents concerning Gardner's work overseeing submarine drilling for the Philadelphia & Erie Railroad Company. Many of the letters reflect Gardner's experiences with Mowbray's improved form of nitroglycerin, including a 5 1/2-page report Gardner wrote to General John G. Parke on August 2, 1869. Many letters from 1874 reflect the financial aspects of Gardner's property holdings in Buffalo, New York, and the single letter from 1879 relates to taxes he owed on property in St. Paul, Minnesota.

The third letter book (approximately 212 pages) consists of copies of letters Gardner wrote while working as the general manager of the Mexican National Construction Company, for which he supervised railroad construction on lines running west from Mexico City. The letters, written between September 9, 1881, and July 3, 1882, are addressed to both business and personal acquaintances, and cover Gardner's life, work, and travels throughout Mexico. He described recent developments in local railroad construction and often told his wife Fanny of his travels. The letter dated September 13, 1881, includes a diagram of a stateroom onboard the steamship Knickerbocker. He also discussed the local culture and economy, and provided details on contemporary Mexican life, particularly about the area west of Mexico City. Between January and July 1882, Gardner lived in Nuevo Laredo, Mexico, and Laredo, Texas. The letter book has been disbound, but the letters are in their original order.

The final letter book (approximately 84 pages) covers George C. Gardner's life in Peru between July 5, 1885, and November 9, 1895. The volume holds copies of personal and professional letters, including several lengthy ones to his wife Fanny, describing his travels around the country searching for and assessing coal deposits. He wrote a continuous letter "from the trail" during August and September 1895. Other topics he discussed are financial affairs and his work for the Pacific Company. Gardner returned to Washington by early October 1895, where he composed the volume's final letters.

The two Documents are financial accounts related to the settlement of the estate of General John McLean, Gardner's maternal grandfather (approximately 20 pages, May 8, 1821-December 27, 1828) and a list of "Charges against [an unidentified] Personal Estate" (1 page, undated).

The 8 card photographs in the Photographs series include one portraying a boy named Clinton Gardner Reed (May 22, 1884) and one taken at the Exhibition of Philadelphia in November 1876, as well as a carte-de-visite and a photographic portrait of Charles Kitchell Gardner. The final item is a black-and-white reproduction of a painting depicting a scene from Charles Le Brun's opera "La Famiglia di Dario ai Piedi di Alessandro," mounted on a thick card.

The Ephemera series contains several calling cards for Mrs. George H. Brodhea. Among several envelopes is one from the White House to Fanny Gardner .

This collection contains 77 letters that members of the Disosway and Wilkins families of New York, Maryland, and Virginia wrote and received between 1861 and 1864. Correspondents include several Union soldiers who wrote about their military experiences, women who commented on wartime life in Maryland and Virginia, and southern sympathizers.

This collection contains 77 letters that members of the Disosway and Wilkins families of New York, Maryland, and Virginia wrote and received between 1861 and 1864. Correspondents include several Union soldiers who wrote about their military experiences, women who commented on wartime life in Maryland and Virginia, and southern sympathizers. The collection also includes 2 reflections on the death of William W. Disosway and the lyrics to a military song.

The bulk of the Correspondence series is made up of letters that Annie R. Disosway received from her brother, First Lieutenant William Wilkins Disosway of the 1st New York Cavalry Regiment and 1st New York Mounted Rifles; from a friend, Captain Richard H. Lee of the 1st New York Cavalry Regiment and 16th Independent Battery of the New York Light Artillery; and from several aunts and cousins living in Baltimore, Maryland, and in Virginia. In his 16 letters (13 to Annie R. Disosway and 3 to Eliza Disosway), William Disosway described camp life, particularly at Camp Kearney, Virginia, and related his experiences in the army; he occasionally mentioned participating in skirmishes or other actions in southern Virginia, such as the Union Army's move into Yorktown, Virginia (May 6, 1862), an action at Blackwater, Virginia (December 14, 1862), and "Spear's Raid" (August 4, 1863). On March 30, 1863, he mentioned his intent to join the French invasion of Mexico.

Richard Lee's 8 letters concern similar military topics and details about camp life, including his vow to remain temperate while in the Army (September 29, 1861). Lee enclosed a carte-de-visite portrait in one letter (August 14, 1862). Another Union soldier, Russell P. Forkey, wrote 2 letters in late 1861; in one, he mentioned the case of a fellow soldier charged with an intention to defect (December 22, 1861).

Most civilians' letters pertain to the impact of the war on daily life, particularly in Maryland and Virginia, where several members of the Wilkins family lived. Annie and Eliza Disosway also received letters from Annie's aunts, Achsa and Louise, and from Annie's cousin Rebecca C. ("Beck") Davis, a Southern sympathizer. In addition to providing family news, the women discussed the impact of the fighting on local churches, noted their personal interactions with the armies, and shared their opinions on the war. Davis described an encounter with Burnside's army and reported the soldiers' apparent dissatisfaction with military life (September 25, 1862), and others mentioned Baltimore's struggles under martial law. Other letters refer to Fort Sumter (April 11, 1861) and to Union supporters living among Confederate supporters in Virginia (October 27, 1862).

The Disosway family also received approximately 20 condolence letters following William Wilkins Disosway's death, including Captain L. W. Bates's description of the man who shot Wilkins (November 11, 1863) and a letter from Isabella Hurry, who enclosed a newspaper obituary (December 17, 1863). The collection also contains a letter from congressmen Harrison Gray Otis Blake, Benjamin Franklin Wade, and John Hutchins, asking President Abraham Lincoln to appoint Reverend J. W. McFarland of Wooster, Ohio, as a chaplain for contrabands at Port Royal (April 24, 1862).

The Writings series includes 2 reflections and resolutions respecting the death of William W. Disosway: 1 by Annie R. Disosway, offering sympathy and forgiveness for her brother's killer, and 1 by officers of the First Regiment Mounted Rifles, New York. The series also contains manuscript lyrics to "Punch 'em in the Eye," a song of the 45th Regulators.

The collection consists of correspondence, primarily between George T. Stevens and Harriet W. Stevens of Essex County, New York , as well as documents, writings, a scrapbook, printed materials, and realia reflecting the Civil War service of surgeon George T. Stevens of the 77th Regiment N.Y. Volunteers, Harriet W. Stevens' experiences on the home front, and George T. Stevens' post-Civil War medical career in Albany and New York City, New York.

The collection consists of correspondence, primarily between George T. Stevens and Harriet W. Stevens of Essex County, New York, as well as documents, writings, a scrapbook, printed materials, and realia reflecting the Civil War service of surgeon George T. Stevens of the 77th Regiment N.Y. Volunteers, Harriet W. Stevens' experiences on the home front, and George T. Stevens' post-Civil War medical career in Albany and New York City, New York.

The Correspondence Series is divided into two sub-series. The Chronological Correspondence Sub-Series spans from 1859 to 1866 with over 560 letters. While a few other correspondents are represented, the bulk of this series reflects both sides of the correspondence between George T. Stevens and Harriet ("Hattie") W. Stevens. Beginning with their courtship in 1859, the letters reflect George's early efforts to set up medical practice in Keeseville, New York, in 1861, his entry into the army, and their relationship and experiences throughout his service during the Civil War.

George's letters give a detailed glimpse into the practices of Civil War surgeons. Beginning with his efforts to secure an appointment as an Assistant Surgeon and the internal jockeying for position that caused infighting, George's letters to Hattie provide insight into the interpersonal conflicts and partnerships that undergirded his experience as an officer. Miscommunications about a medical furlough he took from May to October 1862 due to a case of typhoid fever led to his dismissal, and George's letters speak frankly about his efforts to reenlist as well as his frustrations with barriers to accomplishing this goal. Writing reports, securing transportation and goods, and tending to administrative details also pepper George's correspondence, shedding light on the clerical demands on his time.

George wrote frequently of daily life and tasks in camp, noting food, music and reading, camaraderie, mud, weather, camp health, and more. His detailed descriptions of camp life and activity also provide glimpses of others, including those who worked for him, like Dall Wadhams, who entered the army with him and stayed until March 1862, and James Mages, a young German-American, who worked for George from September 1863 to around June 1864 when he was taken prisoner of war.

George's commentary on camp life also at times reflects information about African Americans' experiences and white soldiers' opinions on race, slavery, and emancipation. Example references include:

• African American workers (March 12, 1863; September 6, 1863; November 23, 1863; December 20, 1863; June 25, 1864)
• "Contrabands" and refugees (March 25, 1862; June 20, 1863; August 2, 1863; October 17, 1863)
• African American residents in Virginia who George encountered during marches (April 9, 1862; April 13, 1862; April 25, 1862)
• Rumors of arson in Charleston (December 19, 1861)
• Emancipation Proclamation (January 3, 1863; January 7, 1863)
• African American soldiers (June 27, 1864)
• Violence perpetrated against African American soldiers at Plymouth and Fort Pillow (April 26, 1864; May 3, 1864)

George T. Stevens' letters also reflect on marching conditions, as well as details about setting up hospitals and tending to the sick and wounded. Letters describing battles reflect not only on military movements and engagements but also on the fieldwork undertaken by surgeons, amputations in particular, and the dangers to which they were exposed. He commented on medicine, transport of the wounded, illness, and death. For much of May 1864, he was stationed in Fredericksburg tending to soldiers wounded during the Overland Campaign, before returning to his regiment late in the month, and his letters reflect this work.

In addition to passing references to additional battles, the military engagements or their aftermath that George T. Stevens' letters reflect on include:

• Siege of Yorktown and Battle of Lee's Mill (April 1862)
• Battle of Williamsburg (May 1862)
• Chancellorsville Campaign and Second Battle of Fredericksburg (April and May 1863)
• Battle of Franklin's Crossing (June 1863)
• Battle of Gettysburg (July 1863)
• Bristoe Campaign (October 1863)
• Battle of Rappahannock Station (November 1863)
• Battle of Mine Run (December 1863)
• Battle of the Wilderness (May 1864)
• Battle of Spotsylvania Court House (May 1864)
• Battle of Cold Harbor (June 1864)
• Siege of Petersburg (June 1864)
• Shenandoah Valley Campaign (August 1864)
• Third Battle of Winchester (September 1864)
• Battle of Fisher's Hill (September 1864)

George and Harriet discussed their own health in good detail. George experienced a difficult bout of typhoid fever beginning in May 1862 and another illness in April 1864, which brought Harriet to tend to him during his recoveries. George and Harriet both commented on military and political events. Harriet was an avid reader of the news, tracking the 77th Regiment's movements and engagements. George commented several times that she was better informed than he was. "The rumors you have in regard to our moving are only the reports of the soldiers in camp who know as much of our future movements as they do of the next arctic expedition in search of Sir John Franklin," he wrote on January 24, 1862. Both were candid in their criticisms of military leaders.

As his regiment was periodically stationed near Washington, D.C., including for several months in late 1861 and early 1862, George's letters contain commentary about conditions in the city. Harriet's occasional trips to visit George in camp or to tend to him during bouts of illness also found her staying in D.C. She remained in the city hoping to visit George while the Battle of Gettysburg was being fought. Her letters during these times provide additional insight into how women and camp followers experienced D.C. and how residents responded to war news.

Harriet's letters written while she was staying with family at Wadham's Mills and Crown Point provide information about the home front. Discussions of finances, family news, anxiety for George's wellbeing, military events, health, music and reading, and more pepper her letters. As she and George wrote each other frequently, both sides of their conversation are often represented, showing the back-and-forth dialog that the couple sustained throughout the war. Notes written on envelopes by Harriet W. Stevens in later years identify letters that were of interest to her or provide clarifying information, hinting at George and Harriet's ongoing consultation of their wartime correspondence. George and Harriet's interest in botany is also well represented in the series. They discussed plants and sent each other pressed flowers and leaves.

Frances ("Frankie") Wadhams Davenport Ormsbee is also well reflected in the series. While she contributed only a small handful of letters, George T. and Harriet Stevens commented regularly on her and her husband George Davenport, beginning with a reference to their courtship in a letter from May 13, 1859. George T. Stevens discussed visits with George Davenport while they were both in active service, as well as with Frances while she was visiting him in camp. Letters referencing Frances, as well as George's own letters detailing his preparations for Harriet to visit him in camp, provide insight into officers' wives' experiences staying in the military encampments. Upon George Davenport's death at the Battle of the Wilderness, George T. Stevens wrote home with news he had about the nature of his death and burial, and corresponded with Harriet and Frances as they worked to recover his body and process their grief.

Several letters from other members of the Stevens and Wadhams families are also present. Additionally, as Wadham's Mills was located near the Canadian and Vermont borders, the series at times reflects on affairs in those regions. For example, Harriet W. Stevens' letter from December 19, 1861, states, "...the most prominent business men in Canada were drilling men three times a week. Frankie & I think that if we go to war with England, we shall just put on pants & go to." She also wrote of news regarding St. Albans Raid (October 20, 1864; October 23, 1864; October 30, 1864; November 2, 1864).

Correspondence from after George's service is far less frequent. It includes a letter from a former patient whose arm he saved during the war (February 19, 1865), a few letters from other members of the 77th Regiment, and material relating to the Stevens's move to Albany. One item written by James McKean on May 3-June 8, 1865, outlines reactions to news of the Civil War in Honduras, including references to an African American man and young indigenous Honduran boy.

George T. Stevens included sketches and drawings in some of his letters to Harriet. Letters that include pen-and-ink illustrations are listed below:

• February 20, 1861: wedding ring designs
• December 17, 1861: George T. Stevens' furnishings at the Regimental Head Quarters
• December 29, 1861: decorated encampment of the Vermont 4th
• January 8, 1862: sketch of Fredericksburg and vicinity
• January 12, 1862: map of cross-roads where he got lost in D.C.
• January 21, 1862: portrait of Dall Wadhams to illustrate weight loss
• January 29, 1862: sketch of his quarters
• February 2, 1862: possum
• February 5, 1862: sketch map of Washington and Georgetown area
• February 9, 1862: hospital wards
• December 19, 1862: principal building of the Soldiers' Home in Virginia; chain bridge that slowed their march
• March 11, 1862: makeshift tent while on march near Fairfax Courthouse
• March 18, 1862: camp scene with makeshift tent near Alexandria
• March 29, 1862: agricultural tools used by African Americans; wooden gun with hog's head placed in the muzzle
• April 3, 1862: sketch map of march route in Virginia
• April 9, 1862: musical notations and sketch of buildings
• April 25, 1862: birds-eye-view of three farms and sketch of a farmhouse's steps and door
• April 25, 1862: sketch of three farms
• November 18, 1862: pattern for chevrons and illustration of where they will be attached to sleeves
• November 27, 1862: steaming plum pudding served at Thanksgiving
• December 25, 1862: camp for the 77th Regiment decorated for Christmas
• February 24, 1863: snowball fight in camp
• April 9, 1863: sketch of military insignia on the hat worn by a young girl who accompanied Abraham Lincoln on a review of the army
• October 17, 1863: sketch map of troop positions
• September 8, 1864: traced floral patterns

The Bundled Correspondence Sub-Series reflects the original bundling of these sub-sets of letters, with each then arranged chronologically. One bundle consists of nine letters and documents from ca. 1859-1860, as well as undated items, relating to Miss Slater's School for Young Ladies in Lansingburgh, New York. The other bundle includes six letters from 1868 relating to resolving an incident when George T. Stevens received double payment while in the service in 1864.

The Documents Series is divided into four sub-series. The Chronological Documents Sub-Series consists of eleven items ranging in date from 1856 to 1864, including Castleton Medical College admission tickets; a subscription receipt toFlag of Our Union ; a partially printed notebook listing voters in the town of Keene in 1858; a small leather wallet containing notes documenting George and Harriet's travels in 1861, money received, and letters; an 1864 document from the Office of the Chief Medical Officer relieving Stevens of duty; General Orders 222 from 1864; a partial copy of the regiment's participation in military campaigns from May to July 1864; undated GAR Roster; and an undated list of three people, "not paid."

The bundled documents sub-series represent the original bundling of the documents as they arrived at the Clements, but each grouping was then arranged chronologically. The Bundled Military Documents Sub-Series consists of:

• Five Civil War Passes, 1861-1862
• Six Reports of Sick and Wounded, compiled by George T. Stevens, December 1861- May 1862
• Approximately 66 documents relating to "Monthly Reports of Hospital Supplies &c," February 1863- March 1865
• Seven lists of casualties and enlisted men, primarily for the 77th Regiment, 1864-1865

The Bundled G.A.R. Documents Sub-Series consists of the following bundles:

• "Papers relating to Soldiers & Sailors Union," with three petitions, 1866-1867, to charter subordinate unions in Eastchester, Utica, and Newburgh, New York, respectively, and one letter stating why the Yonkers Soldiers' and Sailors' Union would not be represented in a convention. A note written by Harriet W. Stevens in 1920 states that the Soldiers' and Sailors' Union merged into the Society of the G.A.R. in George T. Stevens' Albany office in 1867.
• "Papers relating to the formation of the society of the Grand Army of the Republic of the state of New York," with approximately 23 documents dating between December 1866 and December 1867. These include general orders and circulars from the Headquarters Department of New York as well as undated petitions to apply for a charter for a post of the G.A.R. All of the petitions are blank, except one with a single signature.
• "Special Orders [GAR], 1867," with 11 documents, written by Frank J. Bramhall or George T. Stevens regarding G.A.R. procedures
• "1867," with approximately 25 documents dating between September 1866 and November 1867, many relating to G.A.R. charters, membership applications, reports and rosters, and other business.

The Miscellaneous Bundled Documents Sub-Series consists of two rolled bundles:

• 8 appointments, certificates, and diplomas for George T. Stevens, 1864-1881, including his Army appointments to Assistant Surgeon and Surgeon, Army discharge, diploma from Castleton Medical College, certificate for his honorary degree from Union College, as well as several certificates for medical societies and the military organizations
• 3 genealogical documents, including a blank genealogical form, "Ancestral Chart, 1879;" a copy of the chart filled out for Charles Wadhams Stevens' ancestry; and a small version of the Charles Wadhams Stevens genealogy.

The Writings Series includes:

• George T. Stevens manuscript drafts of autobiographical writings. Dated notes range from 1910 to 1914. Sections include: Childhood; The School at Chazy; Elizabethtown; Personal Reminiscences: My First Wage Earning; My First Engagement as Schoolmaster; School at Keeseville; My First Field of Practice; [Leaving Keeseville and Entering the Army]; My Time as a Soldier; Notes of the Life in the Army; Williamsburgh; Albany Beginnings of Botanical Experiences; The Nature Club; [A Trip to Europe].
• George T. Stevens biography, a brief two-page manuscript outlining his Civil War service and professional and academic achievements, particularly in relation to ophthalmology.
• George T. Stevens typed reply to a G.A.R. questionnaire with manuscript additions, providing information about his military service and post-war career. Includes additional text, "Beginnings of the Grand Army of the Republic in the State of New York."
• Harriet W. Stevens, "Some War Time Recollections by the Wife of an Army Surgeon," a 42-page typed draft with manuscript corrections of a paper she read before the National Society of New England Women. Particular attention is paid to the Peninsular Campaign of 1861, her visits with George T. Stevens in camp in 1863, stays in Washington, D.C., and tending to George during his bouts of illness. A shorter, 13-page copy is also present.
• Frances Davenport Ormsbee, "A War Reminiscence," a 12-page typescript that relates George Davenport's service, her visits with him during the war, his death, and efforts to locate his grave and recover his body. Also includes a photocopy of a transcribed letter from June 10, 1865, from Frances describing the retrieval of George Davenport and Captain Ormsbee's bodies.
• "Army Papers Written by Members of the Sixth Corps," with three different unattributed and undated items: "June 20th Fight at Mechanicsville," 2 pages, and two partial military recollections, 4 pages and 16 pages respectively.

The Scrapbook Series consists of one volume with material primarily relating to George T. Stevens' post-Civil War life and career tipped or pasted in. Dated items range from 1861 to 1918. Material relates to his work with the Albany Medical College, Nature Club of Albany, the Albany Institute and its Field Meetings, the Grand Army of the Republic, military reunions, the Troy Scientific Association, the Soldiers and Sailors Union, and some references to his publications. Some material relates to his medical career, primarily ephemera from medical associations, lectures, and notices of his awards and achievements. Two Civil War-era items include an 1861 newspaper clipping from Keeseville announcing George T. Stevens' appointment in the Army and an 1861 printed circular calling to organize a Bemis Heights Battalion. Only a handful of items relate to Harriet W. Stevens and their social life. Formats include newspaper clippings, postcards, disbound pages, fliers, programs, advertisements, business or calling cards, and circulars, among others.

The Photographs Series features the following:

• 10 cartes-de-visite of "Officers of the 77th Regt. NYS Vols." Named individuals include Winsor B. French, Henry J. Adams (of the 118th Infantry), David J. Caw, [Isaac D.] Clapp, Martin Lennon, and "Robert."
• Approximately 12 photographs of George T. Stevens appear in a variety of formats, including cartes-de-visite, cabinet cards, studio portraits, a framed photo, among others. The tintypes, ambrotypes, and daguerreotypes are detailed separately below.
• 10 photographs of Harriet W. Stevens dating from 1861 into her older age.
• 15 photographs of Frances Virginia Stevens Ladd, ranging from when she was a baby through her older age. Dated items range from 1866 to 1922, and several show her wearing theatrical garb.
• 5 photographs of Charles Wadhams Stevens, ranging from when he was a baby into his middle age. Dated items range from 1868 to 1880.
• 2 photographs of Georgina Wadhams Stevens, one a tinted reproduction of a photo on a cabinet card, and another a cyanotype of an interior scene displaying a framed painted portrait of her, likely anteceding her death.
• 3 photographs of George Trumbull Ladd.

In addition to the above, the Photographs Series also includes two tinted ambrotypes of George T. Stevens; one tinted tintype of George T. and Harriet W. Stevens with George and Frances Davenport; one tinted daguerreotype of Frances and George Davenport; and a ca. 1864 tintype of George T. Stevens in the field in Virginia, wearing his uniform while mounted on a horse, with his groom, Austin, standing with his mule.

The Printed Materials Series primarily consists of pamphlets dating from 1850 to 1915 and includes material relating to the Sons of Temperance, Castleton Medical College, the Independent Order of Good Templars, Masons, and an Ex-Soldiers' Handbook. One pamphlet includes George T. Stevens' address to the Survivors' Association of the 77th Regiment, "The First Fighting Campaign of the Seventy-Seventh N.Y.V." There are also 165 copies of the print, "The Chimneys - April 5, 1862. Drawing by George T. Stevens." Six books are located in the Clements Library's Book Division. Please see the list in the Additional Descriptive Data below for a complete list.

The Realia Series includes the following items:

• Pair of white leather gloves, with note by Harriet W. Stevens: "These white kid gloves were G. T. Stevens worn when we were married."
• George T. Stevens Civil War uniform items, including dark green silk surgeon's sash, white cotton gloves, blue shoulder strap, and golden hat ornament.
• Pair of white cotton gloves, with note by Harriet W. Stevens, "worn by Chas. W. Stevens when he was a drummer boy at Albany Academy."
• Pair of children's leather gloves and shoes. Note by Harriet W. Stevens suggests they belonged to Frances V. Stevens Ladd.
• Pair of knitted white and blue socks with ribbon, in envelope labeled "These were Little Georgies socks," likely referring to Georgina Wadhams (1871-1882).
• 1910 G.A.R. badge.

The Richard Pohrt, Jr. Collection of Native American photography contains approximately 1,470 photographs pertaining to Native Americans and Native American history from the 1850s into the 1920s. The majority of photographs are individual and group portraits of people from tribes west of the Mississippi, with the Apache, Cheyenne, Crow, and Lakota/Dakota being particularly well represented. The collection contains both studio and outdoor photographs and reflects the dramatic upheavals in Native American life that occurred as a result of the expansion of the United States of America.

The Richard Pohrt, Jr. Collection of Native American photography contains approximately 1,470 images pertaining to Native Americans and Native American history taken between the 1850s and 1940s. The majority of photographs are individual and group portraits of people from tribes west of the Mississippi, with the Apache, Cheyenne, Crow, and Lakota/Dakota being particularly well represented. The collection contains both studio and outdoor photographs and reflects the dramatic upheavals in Native American life that occurred as a result of the expansion of the United States of America.

For clarity, in this finding aid the most widely-used Anglicized naming conventions have been used for most Native American tribes and individuals. Individual catalog records address the full complexities of these issues and include the most commonly used Anglicized and indigenous names and their variants.

After consulting a number of Native American representatives and scholars, it was determined that select images within the collection will not be digitized on account of the culturally sensitive nature of their content. However, culturally sensitive images have still been cataloged and are available for researchers in the reading room along with the rest of the collection.

Overall, upwards of 70 Native American tribes and subtribes (primarily those west of the Mississippi and in the Midwest) are represented throughout the collection. The amount of material pertaining to each tribe varies considerably. For example, approximately 235 photographs relate to the Lakota and Dakota, while the Hopi and Kootenai tribes are each represented in just one photograph respectively.

All of the individual photographs, albums, and portfolios have been cataloged individually. For more detailed information on specific images, please use the UM Library Search.

With the exception of items deemed to contain culturally sensitive content, all materials in the Pohrt Collection have been digitized and can be accessed online through the Pohrt digital collection platform.

In addition, the Clements Library has also created a Richard Pohrt, Jr. Collection - Partial Subject Index and a Richard Pohrt, Jr. Collection - Contributor Index to help navigate the collection.

The following list provides information on photographs (including select call numbers) pertaining to the 13 most well-represented Native American tribes in the collection as well as other items of interest. For a complete list of all tribes represented in the collection, see the Additional Descriptive Data section.

Algonquian Blackfeet

Approximately 28 photographs pertain to the three affiliated Algonquian Blackfeet tribes (Kainah, Siksika and Piegan) present in the collection. Items of particular interest include 18 studio portraits of Algonquian Blackfoot chiefs made by Tomar J. Hileman in the late-1920s (LARGE Hil.001 - LARGE Hil.018) which serve as prime examples of romanticized depictions of Indians produced in the early 20th century. Other images of note include two studio portraits of Piegan chief Three Calves taken by Mabelle Haney in 1920 (OVERSIZE Han.001 & OVERSIZE Han.002); two photographs likely taken by Thomas B. Magee in the late 1890s showing an Algonquian Blackfoot medicine man named Calf Shirt performing a ritual ceremony involving a live rattlesnake (LARGE Mag.001 & LARGE Mag.002); and two more outdoor portraits by Magee showing construction of a medicine lodge and ceremonial dancers standing before the finished lodge (BOU Mag.001 & BOU Mag.002).

Anishinaabe (Odawa, Ojibwa, and Potawatomi)

Approximately 168 photographs in the collection pertain to the Anishinaabe.

The majority of the Anishinaabe-related images in the collection (approximately 115 photos) were taken by Grace Chandler Horn between 1899 and 1912 near Petoskey, Michigan (GCH.004 - GCH.043 & GCH.050 - GCH.118). The photography shop operated by Horn in Petoskey was a major tourist attraction built around the annual "Hiawatha Pageant" performed by local Odawa actors as well as Ojibwa actors from the Garden River First Nation in Canada. Her portraits of actors and actresses involved in the Hiawatha shows are heavily represented in the collection. These images are considered prime examples of the romanticized depictions of Indians of the period and document a major Michigan tourist attraction of the time. The actors and actresses depicted in these photographs have not been identified, therefore their specific tribal affiliations have been assumed to be either Odawa or Garden River Ojibwa. The Grace Chandler Horn materials also include four photos of Odawa woman Sophia Assinaway at her home garden in Middle Village, Michigan (GCH.022 - GCH.025). Two printed items related to Grace Chandler Horn (a sample booklet of her photography and a Hiawatha Pageant libretto illustrated with Horn photographs) are also contained in Box 21.

In addition to the Grace Chandler Horn photographs, approximately 48 photos relate to the Ojibwa. Items of particular interest include portraits of Ojibwa men involved in the Dakota War of 1862 taken by Minnesota photographer Joel E. Whitney (CDV WhiJ.017 - CDV WhiJ.028, CDV WhiJ.036 & CDV WhiJ.037); stereographs by Whitney and assistant Charles Zimmerman showing Ojibwa wigwams (STE Whi-Zim.001), canoe-building (STE Whi-Zim.002 & STE Whi-Zim.002); Leech Lake Ojibwa during a payment transaction (STE Whi-Zim.004); and a studio portrait of White Cloud (STE Whi-Zim.005). Also present are photos by Zimmerman showing an Ojibwa deer hunt (STE Zim.002), Sky Down to the Earth (STE Zim.003) and To Keep the Net Up (STE Zim.004).

Other images of note include an outdoor portrait of the "Rapids Pilot" John Boucher seated in his canoe by B. F. Childs (STE Chi.002); three studio portraits of Buhkwujjenene by Thomas Charles Turner and Sydney Victor White taken during a trip to England in 1872 with Rev. Edward Francis Wilson in order to raise funds for the Shingwauk Indian Residential School (CDV Tur.001, CDV Tur.002 & CDV Whi-Whi.001); three studio portraits of Saginaw Band Ojibwa leader David Shoppenagon by Armstrong & Rudd and George H. Bonnell (CAB Arm-Rud.002, CAB Bonn.001 & CAB Bonn.002); an outdoor group portrait by Hoard & Tenney of five unidentified Ojibwa men at White Earth Indian Reservation in Minnesota (STE Hoa-Ten.001); views by T.W. Ingersoll showing Ojibwa women tanning buckskins and crafting birch canoes (STE Ing.001 & MEDIUM Ing.001); a Leech Lake Ojibwa family posing outside their wigwam (MEDIUM Bro.001); and an outdoor group portrait taken by Dan Dutro in the mid-1910s of several Cree and/or Ojibwa men partaking in a dance ceremony at Rocky Boy's Indian Reservation, Montana (BOU Dut.002).

The approximately 13 Potawatomi-related photographs in the collection mostly pertain to the Prairie Band Potawatomi Nation in Kansas. Items of particular interest include studio individual and group portraits such as Shipshewana & Madeline Lasely (CAB Uni.017); Shob-ne-kak-kak with unidentified wife by Oaks & Ireland (CAB Oak-Ire.001); a studio group portrait by W. M. Oaks of two unidentified Prairie Band Potawatomi women posing with a photograph of what may be a deceased relative (CAB Oak.001); and two portraits of Nancy Weeg-was alone and with husband Weeg-was (CAB Uni.015 & CAB Oak.002). Other materials include a group portrait of Potawatomi and white American individuals posing outside of a storefront on the Prairie Band Potawatomi Reservation in Kansas (MEDIUM Uni.004) and an image captioned "The Reserve Dudes" depicting a group of nine Prairie Band Potawatomi men who performed at Wild West Shows (LARGE Uni.003).

Apache

Approximately 68 Apache-related photographs are present. Specific Apache tribes represented include the Chiricahua, Jicarilla, Kiowa Apache, Mescalero, Mimbreño, and White Mountain Apache. Of particular note are eight boudoir photographs and one framed group portrait by C. S. Fly (BOU Fly.001 - BOU Fly.008 & FRAMED 10), the majority of which relate to the apprehension of Geronimo and his followers in 1886. Other photographs of interest include a series by Andrew Miller depicting daily life on the San Carlos and Fort Apache reservations in the 1880s (CAB MilA.001, CAB MilA.002 & BOU MilA.001 - BOU MilA.009); portraits of Apache women and scouts such as Nan-tag-a-ra, Dandy Jim and Santiago by Henry Buehman (CAB Bue.002 & STE Bue.001 - STE Bue.007); and outdoor group portraits of Chiricahua prisoners of war including Naiche and Geronimo being held at Fort Sam Houston taken by Frank Hardesty (BOU Har.001 & BOU Har.002).

Studio portraits include photographs by A. Frank Randall of Geronimo, Bonito, Dutche, husband and wife Ze-le & Tzes-Tone, Something-at-the-campfire-already-cooked (wife of Cochise), Old Nana, and Mescalero chief San Juan (BOU Ran.001 - BOU Ran.013). Also present are studio portraits of Apache chiefs and scouts such as Bonito, Chatto, Nalte, and Peaches by Ben Wittick (BOU Wit.001 & BOU Wit.003 - BOU Wit.005); Geronimo while prisoner of war at Fort Sill taken by William E. Irwin (BOU Irw.010, BOU Irw.011 & BOU Irw.024); and a Lenny & Sawyers photograph of a Kiowa-Apache man identified as "Apache Jim" (BOU Len-Saw.005).

Of further interest are photographs of Apache scouts with German-American chief of scouts Al Sieber taken by J. C. Burge (STE Bur.001 & STE Bur.002); group portraits of Apache scouts including Mickey Free, a Mexican-born Apache scout kidnapped by the Pinal Apache as a child and adopted into the tribe (STE WilW.001 & STE Bue.006); an outdoor group portrait by C. S. Fly showing Jimmy "Santiago" McKinn, a white American settler kidnapped as a child by Geronimo's band (BOU Fly.001); and several images of Apache individuals encountered during the Wheeler Expedition taken by Timothy O'Sullivan (STE Wheeler.031 - STE Wheeler.033, STE Wheeler.041, STE Wheeler.042, STE Wheeler.051 & STE Wheeler.052).

Cheyenne

Approximately 53 Cheyenne-related photographs are present in the collection, including photographs of both Northern and Southern Cheyenne, the latter of which are now part of the Cheyenne and Arapaho Tribes of Oklahoma.

Between 1875 and 1878, several dozen Southern Cheyenne, Southern Arapaho, Comanche, and Kiowa Indians as well as one lone individual from the Caddo tribe were imprisoned at Fort Marion in Saint Augustine, Florida, for their roles in the Red River War. While imprisoned, these chiefs, warriors and their families became a major tourist attraction. The Pohrt Collection contains numerous images of the Fort Marion prisoners taken by photographers such as J. N. Wilson, O. Pierre Havens, and George Pierron; of particular note are stereograph portraits of Southern Cheyenne chiefs Howling Wolf (STE Hav.001 -STE Hav.003), Medicine Water (STE Hav.005 & STE Hav.006), Mochi (STE Hav.006) and a tintype of Making Medicine made by an unidentified photographer (CASED Uni.006).

Other photographs include images purportedly related to a Southern Cheyenne & Arapaho Ghost Dance ceremony taken by C. C. Stotz in 1890 (BOU Sto.001 & BOU Sto.002); a group portrait of prisoners from Dull Knife's band taken by J. R. Riddle in 1879 (STE Rid.001); a studio portrait of two-spirit person Glad Road by Cosand & Mosser (CDV Cos-Mos.001); outdoor portraits by John K. Hillers of Cheyenne chiefs that attended the Grand Council in Okmulgee in 1875 (STE Hil.001 – STE Hil.003); a studio portrait of White Buffalo taken around the time of his arrival at the United States Indian Industrial School in Carlisle, Pennsylvania (BOU Cho.001); a studio portrait by William E. Irwin of Gertrude Threefinger wearing an elk-tooth dress (BOU Irw.003); and two panoramic views by Henry C. Chaufty depicting a supposed Southern Cheyenne Sun Dance gathering in 1909 as well as a Southern Cheyenne & Arapaho fair at Watonga, Oklahoma, in September of 1912 (FRAMED 1 & FRAMED 4).

Crow (Apsáalooke)

Approximately 94 Crow-related photographs are in the collection. On account of their historical enmity with neighboring tribes such as the Lakota/Dakota, Arapaho, and Cheyenne, the Crow firmly allied themselves with the United States and provided numerous scouts for many U.S. military expeditions in the second half of the 19th century. Several portraits of Crow scouts are present in the collection, including photographs of Curley (CAB BarD.019, MEDIUM BarD.003, STE Rin.006 & PORTFOLIO 1B) and White Swan (BOU MilF.001 & BOU MilF.002), both of whom were present at the Battle of the Little Bighorn.

Other images of note include a series of 56 stereographs by Frank A. Rinehart at Crow Indian Reservation in Montana at the turn of the 20th century (STE Rin.001 - STE Rin.056) consisting of views showing daily reservation life, ceremonies and dances, as well as individual, group, and family portraits, including one photograph of chief Plenty Coups speaking to a crowd about counting coup.

Also of interest are three images showing Plenty Coups and others present at the unveiling ceremony for the Tomb of the Unknown Soldier (FRAMED 11 - FRAMED 13); photos by O. S. Goff of Crow scouts including Bear Don't Walk and members of "L" Troop, 1st Cavalry (BOU Gof.001, BOU Gof.002, & MEDIUM Gof.003); portraits of Crow chiefs and men including Hoop on Forehead, Bear in a Cloud, and Spotted Rabbit, as well as scenes from Crow Indian Reservation by Fred E. Miller (BOU MilF.003, BOU MilF.004, LARGE MilF.001, LARGE MilF.002 & MEDIUM MilF.001 - MEDIUM MilF.005); portraits of Crow chiefs including Grey Bear, Old Coyote, Hoop on Forehead, Spies on Enemies, Big Medicine Man, Chief Little Head and Old Coyote by F. Jay Haynes (STE Hay.001 & CAB Hay.001 - CAB Hay.009); and a group portrait by an unidentified photographer of Crow prisoners of war including Crazy Head and Coups Well Known being held at Crow Indian Agency following the Crow War of 1887 (LARGE Uni.018).

Ho Chunk (Winnebago)

22 Ho Chunk-related photographs are in the collection. Items of particular interest include stereographs by H. H. Bennett of Yellow Thunder purportedly at the age of 120 (STE Ben.002), a Ho Chunk woman tanning a deerskin (STE Ben.001), a studio portrait of Big Bear (STE Ben.004) and a group of Ho Chunk men playing "Wah-koo-chad-ah" or the Moccasin Game (STE Ben.003).

Other items of note include a group portrait by Charles Van Schaik of Clara Blackhawk and her infant son Andrew (CAB Van.002); another Van Schaik portrait of Little Soldier and wife Bettie (CAB Van.001); a studio portrait by Joel E. Whitney of Chief Little Hill (CDV WhiJ.030); a studio group portrait by W. H. Illingworth of Walk in the Evening and Bear Skin (STE Ill.003); studio portraits of Chief Big Hawk and son David Big Hawk (CAB Uni.020 & CAB Uni.021); a studio group portrait by Brown & Wait of several Ho Chunk men including one individual who appears to possibly have smallpox scars (CAB Bro-Wai.001); a studio group portrait of an unidentified Ho Chunk man from Nebraska posing with Fox chiefs Wa-Wa-Ta-Sah and Ma-Tau-E-Qua (MEDIUM Uni.003); and two outdoor group portraits of Ho Chunk Indians in Wisconsin partaking in a church ceremony (BOU Uni.005 & BOU Uni.006).

Two tintypes, one of an unidentified Ho Chunk father and son (CASED Uni.001) and the other a group portrait of several children (CASED Uni.002), are also present.

Kiowa

Approximately 40 Kiowa-related photographs are present in the collection. Items of particular interest include 19 studio and outdoor individual and group portraits taken by William E. Irwin of Kiowa men, women and girls including Daisy Waterman (BOU Irw.008), Anne "Kiowa Annie" Berry (BOU Irw.004 - BOU Irw.006), Millie Oytant and "Cora" (BOU Irw.007), Joe Goombi with two daughters (BOU Irw.009), Lone Wolf the Younger (BOU Irw.013 & BOU Irw.023), Lone Wolf the Younger's mother Big Black Hair (BOU Irw.014), Poor Buffalo (BOU Irw.017), Kiowa and Comanche scouts near Anadarko(BOU Irw.018 & BOU Irw.019), and Ahpeatone (MED Irw.001).

Also present are five group portraits showing Kiowa prisoners of war at Fort Marion (STE Hav.004, STE Pie.001, STE Pie.002, STE Wil-Hav.001, STE Uni.004 & STE Uni.009); studio portraits of Kiowa girls and children by Lenny & Sawyers (BOU Len-Saw.001, BOU Len-Saw.009 & BOU Len-Saw.013); a studio portrait of Ahpeatone by Trager and Kuhn misidentified as Oglala Lakota chief Young Man Afraid of His Horses (CAB Tra-Kuh.001); a studio group portrait by W. P. Bliss of Gotebo with an unidentified individual (CAB Bli.002); a studio portrait of a Kiowa girl identified as "Ka-o-ta" produced by George W. Bretz (CAB Bre.003); and a group portrait of three unidentified Kiowa girls wearing elk-tooth dresses by C. C. Stotz (CAB Stot.001).

Modoc

The 19 Modoc-related images in the collection include a series of stereographs created by Eadweard Muybridge during the Modoc War of 1872-73 (STE Muy.001 - STE Muy.011). They depict the lava bed landscape, the U.S. army camp near Tule Lake, army scouts from the nearby Warm Springs Indian reservation led by Donald McKay, and the camp of the Modoc warrior Shok-Nos-Ta. Two of the photos depict Modoc women involved in the conflict, including interpreter Toby Riddle as well as a group of Modoc women taken as prisoners of war.

Other items of interest include four studio portraits by Louis Herman Heller of Modoc prisoners of war in 1873 such as the family of Captain Jack (CAB Hel.001), the "Lost River Murderers" (CAB Hel.002), Schonchin (CAB Hel.003), and Bogus Charley (CAB Hel.004), as well as four studio portraits by David C. Herrin produced in the late 1890s showing Klamath men described as having assisted the United States during the Modoc War (CAB Herr.001 - CAB Herr.004).

Nez Percé (Nimiipuu)

13 photographs in the collection have content pertaining to the Nez Percé. Items of particular interest include individual portraits of Chief Joseph (MEDIUM BarD.004, MEDIUM Bow.001, PORTFOLIO 1C); a tintype by an unknown photographer of an unidentified Nez Percé warrior (CASED Uni.003); a studio portrait of Chief Yellow Bull by C. M. Bell in Washington D.C. (OVERSIZE Bel.001); three images produced by W. H. Partridge showing Nez Percé families and homesteads in Oregon including visuals of tipis and a horse corral (BOU Par.001 - BOU Par.003); two studio portraits of "Steps", a Native American man adopted into the Nez Percé tribe (CAB Bai-Dix.002 & CAB BarD.020); and a group portrait by Ebenezer E. Henry showing Chief Joseph, Yellow Bull, Charles Moses, and another unidentified Nez Percé chief while being held as prisoners of war at Fort Leavenworth in 1877 following the cessation of the Nez Percé War (BOU Hen.001).

Oto

21 photographs in the collection relate to the Oto and Otoe-Missouria. Images of particular note include studio portraits of White Horse by Thomas Croft (CAB Cro.001 & CAB Cro.002); studio group and individual portraits of Oto chiefs including William Faw Faw, White Horse, Huma, Opanomnina and Parthayne by Lenny & Sawyers (BOU Len-Saw.004, BOU Len-Saw.006, BOU Len-Saw.007 & BOU Len-Saw.011); a studio portrait of Standing Eating by John K. Hillers in Washington D.C. (CAB Hil.001); an outdoor group portrait of an unidentified Oto family in Indian Territory posing in front of their home (MEDIUM Uni.014); an individual and group studio portrait showing Chief George Dailey (CAB Uni.008 & CAB Uni.009); three photos by William S. Prettyman including two studio portraits of unidentified Oto groups as well as an outdoor group portrait of the family of Baptiste DeRoin(CAB Pre.001, BOU Pre.001 & BOU Pre.002).

Sac & Fox

21 photographs relate to the Sac & Fox tribes, predominately consisting of images related to the Sac & Fox tribes of Iowa, Oklahoma, and to a lesser extent Kansas. Items of particular interest include several studio portraits of Iowa-based Sac & Fox individuals (known today as the Sac and Fox of the Mississippi in Iowa) taken by photographers H. C. Eberhart, J. L. Hudson, and J. S. Moore during the 1880s (CDV Eber.001, CAB Hud.001, CDV Hud.001, CDV Hud.002 & CAB Moo.002 - CAB Moo.008); a group portrait by Oakes & Ireland of a Kansas-based Sac and Fox ceremonial dancer with his son (CAB Oak-Ire.002); an outdoor group portrait taken by William S. Prettyman around 1895 showing a group of people from the Sac & Fox Mokohoko band including Chief Paw-She-Paw-Ho (LARGE Pre.001); a studio portrait of Walter Battice by John K. Hillers taken sometime during the early 1920s before Hillers' death in 1925 (BOU Hil.001); a group portrait of a Sac & Fox Nation of Oklahoma man at home with his wife and sleeping infant child (STE Key.001); two studio portraits of Sac & Fox chiefs taken by C. M. Bell in Washington D.C. (OVERSIZE Bel.002 & OVERSIZE Bel.003); a studio group portrait of an unidentified Ho Chunk man from Nebraska posing with Fox chiefs Wa-Wa-Ta-Sah and Ma-Tau-E-Qua (MEDIUM Uni.003); a studio group portrait by J. L. Hudson of Charles Keokuk and an unidentified Sac & Fox Tribe of the Mississippi in Iowa chief (CDV Hud.002); as well as a studio portrait of a Sac & Fox chief claimed by the unidentified photographer to be a grandson of Black Hawk (CDV Uni.003).

Lakota and Dakota

Over 240 photographs pertain to the Lakota and Dakota (also commonly referred to collectively as the Sioux, a term that has pejorative origins). The Dakota consist of three sub-tribes (the Santee, Yankton, and Yanktonai) while the Lakota consist of seven sub-tribes; the Sicangu (Brulé), Oglala, Miniconjou, Hunkpapa, Itázipco (Sans Arc), Sihasapa, and Oóhenunpa. The Pohrt Collection contains photos related to all three Dakota sub-tribes as well as photos related to every Lakota sub-tribe except for the Oóhenunpa.

The majority of the approximately 40 images in the collection related to the Santee Dakota were taken around the time of the Dakota War of 1862 in Minnesota, when several bands initially led by Chief Little Crow revolted against federal Indian agents who had regularly failed to supply promised foodstuffs and annuities. After several months of fighting, most of the Santee surrendered and thirty-eight were eventually executed in Mankato, Minnesota, on December 26th 1862 in what remains the largest mass execution in U.S. history. Items of particular interest include four photographs taken by Adrian Ebell prior to and during the outbreak of the conflict (CDV Ebe.001 & STE Ebe.001 - STE Ebe.003); three photographs by B. F. Upton showing Santee prisoners of war at Fort Snelling including Little Crow's sons White Spider and Thomas Wakeman (STE Upt.001, CDV Upt.001 & CDV Upt.002); as well as 21 studio portraits produced by Joel Whitney depicting Santee prisoners of war, many of whom were among the executed at Mankato (STE WhiJ.002, STE WhiJ.003, STE WhiJ.034, CDV WhiJ.001 - CDV WhiJ.010, CDV WhiJ.012 - CDV WhiJ.016 & CDV WhiJ.032 - CDV WhiJ.034). Also present is an outdoor group portrait of Santee men taken by T. W. Ingersoll in the 1890s (MEDIUM Ing.002); a studio portrait of Wabasha III (CAB Lak.001); a Stanley J. Morrow studio portrait of an elderly Santee woman named Sacred Blanket purported to be 133 years old (STE MorS.036); and a studio portrait of Abbie Gardner Sharp, a white American woman who survived being captured by Santee raiders after the Spirit Lake Massacre of 1857 in Iowa in an incident which is generally considered a precursor to the Dakota War (CAB Uni.022).

Other Santee materials include several portraits of physician Dr. Charles Eastman taken by Grace Chandler Horn in the 1910s (GCH.001 - GCH.003 & GCH.044 - GCH.049). Dr. Eastman, grandson of U.S. Army officer and renowned artist Seth Eastman, attended Dartmouth College and then Boston University's medical school, becoming one of the first Native Americans certified as a western-style doctor. He later established the Indian YMCA and helped found the Boy Scouts of America, as well as becoming a national spokesman for Native Americans.

Images of particular interest involving the Yankton Dakota include an outdoor group portrait of Struck-by-the-Ree and Feather Necklace by Stanley J. Morrow (STE MorS.020); a group portrait taken by O. S. Goff of fifteen unidentified Yankton chiefs with an Indian Agent (MEDIUM Gof.001); two photos by W. R. Cross consisting of a studio portrait of an unidentified Yankton man (CDV Cro.005); and a composite photograph showing twelve different photographs of Native Americans from Dakota Territory including an image of a Yankton scaffold burial (BOU Cro.001).

Yanktonai Dakota images of interest include photos by D. F. Barry of Standing Rock Indian Reservation policeman Henry Bull Head who reportedly shot Sitting Bull after having been mortally wounded himself during the arrest (CAB BarD.011); an elevated outdoor group portrait taken during the 1885 census at Standing Rock (MEDIUM BarD.001); a studio portrait of interpreter and scout John Bruguier by George Spencer (CAB Spe.013); two studio portraits of Mad Bear (CAB BarD.017 & CAB Sco.005); stereographs by Stanley J. Morrow showing Yanktonai chiefs Black Eye, Bloody Mouth, Afraid of the Bear (STE MorS.019) and Medicine Bear (STE MorS.003 & STE MorS.004); and a studio portrait of Wolf Necklace by O. S. Goff (STE Gof.008).

• Sitting Bull (CDV Cro.001, CDV Cro.002, BOU Cro.001, CAB Gof.001, CAB Uni.001, CAB Uni.002, CAB Bai-Dix.001, CAB Sco.004, CAB Pal-Jur.001, CAB Pal-Jur.002, LARGE BarD.001, CAB BarD.001, CAB BarD.002, CAB Not.001, LARGE Clo.001, PORTFOLIO 1A & PORTFOLIO 1C)
• Gall (CAB Gof.002, CAB Sco.006, CAB BarD.013, MEDIUM BarD.001, LARGE BarD.002, PORTFOLIO 1A & PORTFOLIO 1C)
• Rain in the Face (CAB BarD.008, CAB BarD.009, CAB Sco.001, CAB Spe.001, CAB Spe.002 & PORTFOLIO 1A)
• Spotted Tail (CDV Cro.003, CDV Gur.001, STE Cur.001, STE MorS.028, MEDIUM Cho.011 & CAB Cho.003)
• Iron Wing (MEDIUM Cho.002 & CAB Cho.003 - CAB Cho.005)
• American Horse (CAB Cho.004, CAB Cho.007, MEDIUM Tru.001, MEDIUM Tru.002 & PORTFOLIO 1A)
• Crow Dog (Albums 1, LARGE Gra.009, BOU Tra-Kuh.022, PORTFOLIO 1A)
• Plenty Horses (STE Gra.001, LARGE Butt.001 & FRAMED 6)
• Big Foot--Miniconjou (STE MorS.023 & BOU Tra-Kuh.013)
• Jack Red Cloud (LARGE Gra.011, BOU Uni.007 & CAB Spe.003)
• Two Strike (CAB Cho.003, BOU Tra-Kuh.001, BOU Tra-Kuh.016, BOU Tra-Kuh.022, BOU Tra-Kuh.023)
• Iron Tail (BOU Uni.003 & LARGE Uni.017)
• Red Cloud (STE Cur.001 & PORTFOLIO 1A)
• Luther Standing Bear (BOU Cho.007 & MEDIUM Cho.010)
• One Bull (CAB Bai-Dix.003 & CAB Pal-Jur.001)
• Louis Roubideaux (CAB Cho.003)
• Charles C. Tackett (CAB Cho.003)

Several photos are related to the Ghost Dance movement on the Lakota reservations and the subsequent buildup to and aftermath of the Wounded Knee Massacre. Specific items of interest regarding the Lakota Ghost Dance movement include a secret photo taken by Sam T. Clover without the subjects' permission of a Ghost Dance feast in which Sitting Bull supposedly stands at center (LARGE Clo.001); a photograph by James E. Meddaugh showing a Ghost Dance being performed by Oglala Lakota men and women at Pine Ridge (CAB Medd.001); an outdoor portrait by George W. Scott of a Lakota woman named Scarlet Woman who had been arrested in November of 1890 for proclaiming to be the "mother of the Messiah" (CAB Sco.003); and several individual and group portraits by Trager & Kuhn of Lakota chiefs both involved with and opposed to the Ghost Dance movement, including Kicking Bear, Stinking Bear, Hollowood, Crazy Bear, Crow Dog, Two Strike, Young Man Afraid of His Horse, Good Lance, Short Bull, High Hawk and Big Talk (BOU Tra-Kuh.009, BOU Tra-Kuh.015, BOU Tra-Kuh.016, BOU Tra-Kuh.022 - BOU Tra-Kuh.025 & BOU Tra-Kuh.027). Also of note are other photographs by Trager & Kuhn including a studio portrait of Kiowa chief Ahpeatone (erroneously identified as Young Man Afraid of His Horses) who had been sent to visit his Lakota relatives on Pine Ridge Indian Reservation in order to learn about their version of the Ghost Dance (CAB Tra-Kuh.001) as well as a "bird's-eye view" of a Ghost Dance at Pine Ridge on November 25th 1890 which may have been originally taken by James E. Meddaugh (BOU Tra-Kuh.031).

Approximately 51 photographs directly pertain to the Wounded Knee Massacre. Materials of note include a view by Clarence G. Morledge of the "Bloody Pocket" valley where the Drexel Mission Fight took place one day after the massacre (BOU Morl.001); a series of studio portraits by George E. Spencer depicting several individuals involved with the Ghost Dance movement who were being held as prisoners of war at Fort Sheridan after Wounded Knee (CAB Spe.004 - CAB Spe.012); and a group portrait by an unidentified photographer in 1902 of Chief Calico with son Frank Calico and wife Good Dog, the latter of whom was purportedly a "great Medicine woman at Wounded Knee in 1890" (LARGE Uni.005).

Photographs from albums compiled by Michigan-based photographer Fannie Hoyt include views of the Wounded Knee battlefield (Albums 4B & Albums 4D) and portraits of individuals known to have survived the massacre such as Joseph Horn Cloud (Albums 4C), Daniel White Lance (Albums 4F) and possibly Dewey Beard (Albums 4C). Graphic photographs by Trager & Kuhn show bodies of victims at the site of Wounded Knee, as well as scenes at Pine Ridge Indian Reservation immediately following the massacre (BOU Tra-Kuh.001, BOU Tra-Kuh.002, BOU Tra-Kuh.004, BOU Tra-Kuh.008 - BOU Tra-Kuh.014, BOU Tra-Kuh.016, BOU Tra-Kuh.020, BOU Tra-Kuh.022 - BOU Tra-Kuh.026, BOU Tra-Kuh.028 - BOU Tra-Kuh.030 & LARGE Tra-Kuh.001 - LARGE Tra-Kuh.004). Photographs by John C. H. Grabill include images of a Grass Dance being performed by Miniconjou dancers four months prior to the massacre (LARGE Gra.001 & LARGE Gra.002); scenes from "hostile" Lakota camps on Pine Ridge Indian Reservation (LARGE Gra.003 & LARGE Gra.004); Gen. Nelson Appleton Miles and staff at Pine Ridge (LARGE Gra.008); negotiations taking place between U.S. Army officers and Lakota leaders at Pine Ridge following the massacre (LARGE Gra.007); individual and group portraits of Lakota individuals including Crow Dog (LARGE Gra.009), Plenty Horses (STE Gra.001 & FRAMED 6), Jack Red Cloud (LARGE Gra.011), a wife and family of American Horse (LARGE Gra.005), and survivors of Big Foot's band (LARGE Gra.006); as well as a group portrait of Brulé and Oglala Lakota men, women, and children, including an infant purported to be one of the two babies known to have been miraculously recovered from the Wounded Knee site three days after the massacre (LARGE Gra.010).

Other photographs of note include a group portrait by Frank Currier showing a Lakota delegation to Washington, D.C., in May of 1875, including chiefs Red Cloud, the Oglala Sitting Bull, Swift Bear, and Spotted Tail as well as Prussian-Jewish interpreter Julius Meyer (STE Cur.001); a view of a Brulé "war dance" at Rosebud Agency (BOU Uni.002); a group portrait of Louis Dewitt and family at Fort Bennett, Dakota Territory (MEDIUM Uni.009); and three views by E. A. Fry of lodges at an Oglala encampment on Pine Ridge Indian Reservation in 1883 including a Medicine Scalp Lodge and Sun Dance Lodge (LARGE Fry.001 - LARGE Fry.003).

Also present are views of Lakota scaffold burials (STE MorS.027, STE MorS.029 & BOU Cro.001); a photo showing a group of Lakota dancers in traditional dress posing outside the home of Emma Sickels with American flags and a Benjamin Harrison flag related to the 1888 presidential election (BOU Tra-Kuh.032); three studio group portraits by Robinson & Roe of the Sioux Treaty Commission of 1889 (CAB Rob-Roe.001 - CAB Rob-Roe.003); portraits including Lakota family members related to American frontiersman John Young Nelson (CAB AndD.001, CAB Ell-Fry.001, CAB Fra.001, & LARGE Gra.010); and a Trager & Kuhn view of Red Cloud's wife Pretty Owl inside the couple's cabin at Pine Ridge (Tra-Kuh.005).

Ute

Approximately 16 photographs in the collection pertain to the Ute tribe. Specific Ute sub-tribes represented in the collection include the Capote, Moache, and Tabeguache. Images of particular note include studio portraits by William H. Jackson of Ute chiefs Ouray (CAB Jac.001) and Colorow (CAB Jac.002), Ouray's sister Shawsheen erroneously captioned as being Ouray's wife Chipeta (CAB Jac.003) and Tushaquinot (CAB Jac.004 & BOU Jac.001); a studio portrait by Charles M. Bell of a member of Ouray's band called "Tom Ute" (OVERSIZE Bel.007); and portraits by C. R. Savage of a Ute family (CDV Sav.001) and a warrior identified as "Indian Charley" (STE Sav.001).

Also present are two portraits made by Timothy O'Sullivan during the Wheeler Expedition of Capote Utes including a woman named "Pah-ge" (STE Wheeler.039) and a group of unidentified Ute warriors (STE Wheeler.040); two studio portraits by Ben E. Hawkins showing a group of Ute chiefs (STE Haw.001) and a chief named "Washington" (BOU Haw.001); a studio portrait by J. N. Choate of an unidentified Native American man (possibly a Ute) erroneously identified as Colorow (MEDIUM Cho.001); and a studio portrait of White River Ute leader Chief Johnson by W. G. Chamberlain in which the subject holds a studio prop staff affixed with a scalp lock (CAB Cha.001).

Photo Albums & Portfolios

12 photograph albums and one three-volume portfolio set are present in the collection.

• Volume 1, "Chiefs of the Sioux Wars and the Battle of the Little Bighorn" contains 14 portraits of Lakota leaders including Red Cloud, Rain in the Face, Crow King, Gall, John Grass, Low Dog, Long Dog, and Sitting Bull, as well as a photo of a "Burial Tree" indicative of how Lakota and Cheyenne casualties were supposedly laid to rest following the Battle of the Little Bighorn.
• Volume 2, "Custer, Prominent Military Structures, and the Men who Fought the Sioux Wars" contains 15 photos of United States Army officers and military forts that were important during the Plains Indian wars, including several portraits of members of Custer's 7th Cavalry.
• Volume 3, "Plains Warriors, Chiefs, Scouts, and Frontier Personalities" contains 15 photos including portraits of prominent Native American chiefs including Chief Joseph, Gall, Sitting Bull, and War Eagle; as well images of Grass Dancers; an unidentified Arikara scout; William F. Cody; and Annie Oakley. Two photos of Standing Rock Reservation in the 1890s are also present, including one image showing a group of Indian reservation police

The John Alvin Anderson album consists of 49 images of scenes from the Rosebud Indian Reservation, South Dakota, in the late 1880s and early 1890s. Photographs depict daily Lakota life on the reservation including landscapes, boarding schools, camp life and homesteads, reservation police, and Fourth of July-related dance ceremonies. Images pertaining to cattle ranching and Native American cowboys are also a prominent theme in the album. Several portraits of Brulé Lakota men are also included, including Hollow Horn Bear, Crow Dog, and Two Strike. Of particular note is a group portrait of several Brulé Lakota men preparing for a "Journey to Eastern Cities".

The Osage Indians photograph album contains 49 images mostly taken by George W. Parsons near Pawhuska, Oklahoma, ca. 1880 to 1900 that for the most part pertain to the Osage tribe. Images of particular interest include photographs of Osage Reservation buildings, boarding schools, portraits of Osage men, women, and children, cattle ranching scenes, and images captioned "Sun Dance" that likely depict Fourth of July celebrations. Also present are 12 photographs likely taken by the unidentified compiler of the album which show street scenes and buildings from Pawhuska, white American sightseers at "Lover's Leap" rock formation, and an Osage lodge flying an inverted American flag.

The Fort Berthold album compiled by an unknown photographer contains 54 images primarily related to the Mandan tribe at Fort Berthold, North Dakota, ca. 1890 to 1910. Images of particular interest from the front two-thirds of the album include landscape views, Fort Berthold Agency buildings and homesteads, reservation police, meat drying, and photographs of Mandan men, women, and children. The final third of the album contains photographs of dead animals, hunting trophies, a taxidermy business, bison farm, and the Northern Pacific railroad bridge in Bismarck, North Dakota. Some of the Native Americans depicted may belong to the Arikara and Hidatsa tribes who also reside at Fort Berthold.

The Fanny Hoyt albums (9 volumes) consist of approximately 287 images taken during visits to the Pine Ridge Indian Reservation in South Dakota from 1900 to 1903. Fanny Hoyt (1868-1949) was a photographer from Wayland, Michigan. Images of interest include numerous portraits of Lakota men, women, and children (many of whom are identified with captions), buildings from around Pine Ridge agency, landscape views including the Badlands, and photographs related to cattle ranching and meat distribution. Of particular note are photographs of the site of the Wounded Knee Massacre, a Catholic Indian Meeting House, giveaway ceremonies, preparation of boiled dog meat, wooden coffins captioned "Indian Graves", the interior of a Lakota church, scenes from Fourth of July celebrations, and group portraits of Lakota pupils at "No. 29 Day School".

Other Items of Note

52 stereographs taken by Timothy O'Sullivan and William H. Bell relate to the survey expeditions led by Lieut. George Wheeler (STE Wheeler.001 - STE Wheeler.052) in the years 1873 and 1874. These images depict not only the natural landscapes explored during the survey, such as Canyon de Chelle and Shoshone Falls, but also the Apache, Navajo, Ute, and Zuni peoples through whose lands the survey passed. Includes original stereograph box.

Approximately 30 photographs primarily taken by J. N. Choate are directly related to the Carlisle Indian Industrial School in Carlisle, Pennsylvania. Founded in 1879 by Captain Richard Henry Pratt of the U.S. Army, Carlisle was the flagship Indian boarding school until its closure in 1918. Over ten thousand Native Americans attended the school, where they were subjected to a strict regimen devised under Pratt's motto of "Kill the Indian, save the man." Arriving students had their hair shorn and their clothes replaced with European-style dress, while students were also forced to take new English names and forbidden to speak their native languages.

• Sharp Nose (MEDIUM Cho.003 & MEDIUM Cho.005)
• Iron (MEDIUM Cho.005)
• White Horse (MEDIUM Cho.005)
• Black Coal (MEDIUM Cho.005)
• Little Wolf (MEDIUM Cho.005)
• Iron Wing (MEDIUM Cho.002 & CAB Cho.003 - CAB Cho.005)
• Poor Wolf (CAB Cho.004, CAB Cho.007 & MEDIUM Cho.009)
• Yellow Bear (MEDIUM Cho.006 & CAB Cho.004)
• Sitting Bear (MEDIUM Cho.008, CAB Cho.004 & CAB Cho.007)
• Man-in-the-Cloud (MEDIUM Cho.007)
• Mad Wolf (MEDIUM Cho.007)
• Spotted Tail (MEDIUM Cho.011 & CAB Cho.003 - CAB Cho.006)
• Black Crow (CAB Cho.003)
• Two Strike (CAB Cho.003)
• White Thunder (CAB Cho.003)
• Brother-to-All (CAB Cho.007)
• Like-the-Bear (CAB Cho.007)
• White Buffalo (BOU Cho.001)
• Luther Standing Bear (BOU Cho.007 & MEDIUM Cho.010)

More items of interest related to the Carlisle School include outdoor group portraits of Dakota boys and girls (BOU Cho.004 & BOU Cho.005); a view of the Boy's Quarters (BOU Cho.009); studio group portraits of Navajo students (BOU Cho.008); Laguna Pueblo students (CAB Cho.001); and Arapaho students (BOU Cho.009).

Of further note is an outdoor group portrait taken by William H. Tipton of nearly thirty Cheyenne and Arapaho parents and Carlisle students visiting the Gettysburg battlefield in 1884 (OVERSIZE Tip.001).

Other noted Indian chiefs, leaders and warriors represented in the collection include Wovoka, the Paiute prophet whose preaching formed the basis for the Ghost Dance movement (CAB Butl.001 & CAB Butl.002); Washakie, chief of the Eastern Shoshones (BOU Bak-Joh.001, BOU Bak-Joh.002, CAB Bak-Joh.001 - CAB Bak-John.003, BOU Hay.001 & MEDIUM Hay.001); Osage chief Bacon Rind (MEDIUM Dix.002); Ponca warrior Big Snake (STE MorS.013); Ponca chief Standing Bear (FRAMED 9); Pawnee chief Young Bull (MEDIUM Dix.001); Pawnee warrior Big Spotted Horse (FRAMED 8); Pawnee chief Petalesharo II (STE Carb.002, STE Carb.003 & STE Carb.007); the last "full-blood" Kansa council including Forrest W. Chouteau, Silas Conn, Little Jim, Jesse Mehojah, Roy Monroe and James Pepper (LARGE Uni.002); Hidatsa chief Hard Horn and son Long Arm (STE Gof.005); Bill Jones of the Gros Ventre (BOU Morr.005, BOU Morr.006 & MEDIUM Mat.001); Mandan chief Wa-Shú-Na-Koo-Rá, the son of Chief Four Bears (STE MorS.006); Enoch Hoag, last traditional chief of the Caddo (BOU Len-Saw.010); Northern Arapaho leader Sherman Sage (BOU Hay.001); and Billy Fewell, a Seminole leader and tribal historian of partial African descent (BOU She.001 & MEDIUM Uni.005).

Many images depict encampments, dwellings, dance lodges, and other architectural constructions made by Native Americans as well as American settlers. Particularly noteworthy items include several views of sod buildings (MEDIUM But.001, MEDIUM Uni.013, BOU Tem.001, CAB Tem.001, Albums 4B & Albums 4C); a view by Winter & Brown of two totem poles outside the home of Stikine Tlingit chief Gush Tlein in Wrangel, Alaska (BOU Win-Bro.001); Hidatsa and Mandan structures in Like-a-Fishhook Village at Fort Berthold Agency taken by Stanley J. Morrow (STE MorS.011, STE MorS.012 & STE MorS.030); stereographs by John Carbutt showing Pawnee mud lodges and drying racks laden with sliced pumpkin rinds (STE Carb.004 & STE Carb.005); views showing Ho Chunk chipotekes (STE Ben.002, STE Ben.003 & BOU Ten.001); and buildings and agricultural works at Zuni Pueblo (STE Wheeler.016 & STE Wheeler.018).

Numerous photographs pertain to dance ceremonies, including images related to the Sun Dance, Ghost Dance, Grass Dance, Fox Dance, "Squaw Dance," and more. Photographs related to Fourth of July ceremonies are also prevalent. After the Religious Crimes Code was first enacted in 1884, traditional Native American customs and dances began to be forbidden on reservations. In response, many tribes started using the Fourth of July (which generally overlapped with the historic timing of Sun Dance festivities) as a means of expressing traditional aspects of their cultures while simultaneously displaying patriotism for the United States of America, something which was actively encouraged by Indian Agents.

Items of particular interest with regards to Native American Fourth of July celebrations include an image of what possibly may be Lakota/Dakota dancers in the middle of a performance (LARGE Uni.004); two Trager & Kuhn photographs of Lakota chiefs involved in Fourth of July celebrations at Pine Ridge Indian Reservation (BOU Tra-Kuh.007 & BOU Tra-Kuh.015); a view of a large Plains Indian encampment gathered for Fourth of July in 1892 (BOU Uni.001); three photographs by White's Studio related to Fourth of July celebrations by the Cheyenne and Arapaho at El Reno, Oklahoma Territory, on July 4th 1898 (LARGE Whi.001 - LARGE Whi.003); a Norman A. Forsyth photograph of a Kootenai "Sun Dance" lodge being assembled in 1904 (STE For.001); a Frank Bennett Fiske photograph showing tipis painted for a Fourth of July gathering at Standing Rock Reservation (OVERSIZE Fis.001); five photographs by Sumner W. Matteson taken during a Fourth of July celebration among the Gros Ventre on Fort Belknap Indian Reservation, Montana (MEDIUM Mat.001 - MEDIUM Mat.005); a panoramic photograph by H. C. Chaufty depicting a "Sun Dance" gathering in 1909 (FRAMED 4); and two photographs related to a Fourth of July parade involving a group of Menominee Indian men, women, boys, and girls (MEDIUM Joh.002 & MEDIUM Joh.003). Three of the Fanny Hoyt albums (Albums 4C, Albums 4D & Albums 4H), the John Alvin Anderson Album (Albums 1) and the Osage Indians Photograph Album (Albums 2) also contain images related to Fourth of July celebrations.

The Pohrt Collection is particularly rich with photographic examples of Native American material culture in part due to the collection creator Richard Pohrt, Jr.'s own personal interest in that subject. Numerous images show various elements of clothing & dress such as shell and bead necklaces, bear claw necklaces, otter fur and cloth turbans, feather and porcupine fur headdresses, breechcloths, buckskins, dresses trimmed with real and/or imitation elk teeth, gorgets, cinder goggles, cloth and fur hair wraps, hats, otter fur and hairpipe breastplates, bow and rifle cases, face and body paint, presidential peace medals, blankets, robes, bandolier bags, moccasins, and articles of clothing embroidered with beadwork, porcupine quillwork, and silk ribbon applique. A number of images also contain examples of traditional weaponry including tomahawks, war clubs, bows and arrows, spears, shields, knives, and coup sticks. Richard Pohrt, Jr. has provided extensive notes regarding elements of material culture that have been incorporated into individual catalog records.

Several photographs present in the collection especially highlight the issues of cultural appropriation and racism with regards to Native Americans. Photographs in which white American subjects appear dressed in "traditional" Native American clothing include an outdoor group portrait by W.E. Vilmer showing a group of white children dressed in Indian costumes (OVERSIZE Vil.001); a studio group portrait by Hans H. Stolze of two white men wearing Indian costumes and holding pistols (CAB Stol.001); and a group portrait showing a room of white men and women dressed in Indian costumes related to an unidentified branch of the Improved Order of Red Men (MEDIUM Uni.011). Also present are two photographs that were used as exhibit pieces by the Western Americana collector Charles Frederick Fish during the Second International Congress of Eugenics Exhibit of Scientific Studies at the American Museum of Natural History in New York City in 1921; the first photograph is a studio group portrait by E.E. Henry of four Nez Percé chiefs including Chief Joseph, Charles Moses, and Yellow Bull while they were being held as prisoners of war at Fort Leavenworth, Kansas (BOU Hen.001); the second photograph is a studio portrait of the Apache chief Bonito by Ben Wittick (BOU Wit.003).

Numerous photographs in the collection contain culturally sensitive content, including images related to sacred ceremonies that were often photographed under duress and/or without explicit permission (such as photographs related to Ghost and Sun Dance ceremonies); images of Native American graves; and images of actual deceased Native American persons, such as the Trager & Kuhn photographs showing the aftermath of the Wounded Knee Massacre. Other culturally sensitive photographs not mentioned elsewhere in this Finding Aid include a staged view by George W. Bretz showing two U.S. Army soldiers and two unidentified Native American men horsing around in a sweat lodge at Fort Sill, Indian Territory, in what appears to be a mock imprisonment scene (CAB Bre.006); a view by Edward De Groff of a Tlingit grave and cremation ground in Juneau, Alaska (BOU Deg.003); an outdoor group portrait by W. H. Partridge of an Aak'w Kwáan Tlingit family that appears to be dressed for a mourning ceremony (BOU Par.004); and a postmortem portrait of a Sarsi woman sitting at the bedside of her deceased daughter (LARGE Uni.001).

Photographs that have been deemed to contain culturally sensitive content will not be made digitally accessible and will only be available for use in the reading room.

See Additional Descriptive Data Section for more comprehensive listing of subject terms, tribal names, personal names, and contributors.

The collection documents several generations of the Parker family of Frankfort, Grand Rapids, and Ann Arbor, Michigan, focusing on N. A. and Dora B. Parker.

The collection documents the Parker family of Frankfort and Grand Rapids, Michigan, particularly captain and lawyer N.A. Parker, and his daughter, Dora B. Parker, later of Los Angeles, California. Most of the collection consists of various types of family photographs in a variety of media, correspondence, legal documents, genealogical materials, publications, verse and poetry, and other materials. Dora’s life and that of women of her period and education are documented by photographs of activities, such as biking and trips, travel journals, and by the Woman’s Lakeside Literary Club (Frankfort, Michigan), Annual Programs, 1896/1897, 1919/1920-1925/1926, of which she was a member. N.A. Parker’s life is documented mostly in photographs, notably in a fine photograph album of the Civil War, mostly of the 20th Michigan Infantry, with carte de visites of officers of the unit, and one composite image of President Lincoln. Many of the photographs are autographed or have annotations on them concerning the officer’s death. N.A. Parker is also documented in post-war GAR reunion materials and in family genealogical materials. Two published books were retained in the collection because of the additional materials and personal dedications in them to Dora. Copies are separately cataloged in the Clarke. Although Mary E. Parker’s obituary notes her early activities as a suffragette, there is no documentation of these activities or interests within the collection.

The Woods family papers chronicle the establishment of an important family in western Virginia during the 18th and early 19th centuries. While the bulk of the collection pertains to Archibald Woods' (1764-1846) activities as a surveyor and land speculator in Ohio County, the collection also contains several letters from later generations of the family, and documents relating to military and public affairs, including the War of 1812.

The Woods family papers chronicle the establishment of an important family in western Virginia during the 18th and early 19th centuries. While the bulk of the collection pertains to Archibald Woods' (1764-1846) activities as a surveyor and land speculator in Ohio County, the collection also contains several letters from later generations of the family, and documents relating to military and public affairs. A series of land surveys of the Ohio Valley, prepared by Archibald Woods, has been arranged and placed at the end of the collection, and two land documents relating to Woods property are also present in Oversize Manuscripts, a 1774 deed signed by Dunmore granting lands in Botetourt County and an 1820 grant signed by James Monroe for lands in Ohio.

The collection includes a petition relating to the Alien and Sedition Act of 1798. Addressed to the Senate and House of Representatives of Virginia from the citizens of Ohio County, the petition includes thirty nine signatures protesting the Acts. The signers expressed their concern regarding what they saw as a violation of the Constitution, and asserted that the acts were a "serious cause of alarm" for the citizens of Ohio County, whom, they noted, continued to adhere to the Democratic principles of the American Revolution.

During the time that Andrew Woods served as sheriff of Botetourt County, 1777-1780, he kept a small, deerskin-bound notebook of his activities including receipts and notes on the collection of taxes and fees. There are also sporadic family business records. Included are an agreement for disposition of property including land, livestock, and enslaved persons (named Herod [Bin?], Sip, Ceasar, and Nanas). A copy of a contract between siblings Andrew, Martha, and Archibald (likely Andrew Woods' children) for the care of Martha Poage Woods and arrangements for the purchase of an enslaved person for Elijah Woods is also present. The contract provided for clothing, food, and shelter and, if Martha chose "to go back over the mountains," to provide an enslaved person to care for her.

Over fifty surveys and treasury warrants document Archibald Woods' importance as a surveyor and land speculator in the Ohio River Valley. Many of these can be positively traced to land that today lies in the state of West Virginia, mostly in the panhandle, but, Woods owned property throughout Ohio County, which then included parts of Ohio and a corner of Pennsylvania. A contemporary range and township map assists in situating Woods' land holdings.

Seven printed orders, each unique, or nearly unique, include information about troop recruitment and deployment during the War of 1812, and about demobilization at the end of the war. Among other documents in the collection are Archibald Woods' commissions and resignations.

There is little true correspondence in the Woods family papers, although one item, a letter from Joe Woods, is of some interest. In this letter written to his mother, Woods summarizes his reasons for transferring to Princeton, assuring her of his sound character and his decision. William Woods' ledger and daybook from 1828 and Hamilton Woods' cypher book from ca. 1820s are also present in the collection. The collection contains a photograph album with cartes-de-visite, cabinet cards, and other photos from around the 1870s and 1880s, as well as approximately 0.5 linear feet of photographs of Woods family members, particularly Ruth Woods and Charles Moss from the early 20th century, and the Woods family homestead.

Finally, the collection contains useful information about the Woods family estate, Woodsdale. Three documents from 1815-1816 provide floor plans and a record of construction costs, and there are two copy photographs of the house as it stood before its demolition in 1949. In 1976-77, Ruth Moss described the physical layout of the home and grounds as she recalled them, as well as her memories of life at Woodsdale in the early part of the century. An additional 0.25 linear feet of Ruth Moss's genealogical research on the Woods family is also present.

The Turner-Harlan family papers are made up of correspondence, legal and financial documents, photographs, scrapbooks, genealogical information, and other materials spanning multiple generations of the Turner and Harlan families of Newport, Rhode Island, and Maryland. The collection particularly regards US Navy Surgeon Dr. William Turner (1775-1837), Commodore Peter Turner (1803-1871), Hettie Foster Harlan née Turner (1850-1937), and their relations.

Collection Scope and Content Note:

The Turner-Harlan family papers are made up of correspondence, legal and financial documents, photographs, scrapbooks, genealogical information, and other materials spanning multiple generations of the Turner and Harlan families of Newport, Rhode Island, and Maryland. The collection particularly regards US Navy Surgeon Dr. William Turner (1775-1837), Commodore Peter Turner (1803-1871), Hettie Foster Harlan née Turner (1850-1937), and their relations. The papers are arranged into five series: Turner Family Papers, Harlan Family Papers, Photographs, Printed Materials, and Turner-Harlan genealogical papers

The Turner Family Papers seriesconsists of 112 letters to and from members of the Turner family and their associates, five log books, and assorted ephemera, with most items dating between 1790 and 1860.

The Turner family Correspondence and Documents subseries contains 112 incoming and outgoing letters and documents of members of the Turner family between 1749 and 1871 (bulk 1799-1840s).

The largest coherent groups within this subseries are 40 letters and documents of Dr. William Turner (1775-1837), revolving largely around his military and medical careers between 1799 and 1837; and 49 letters and documents of Peter Turner (1803-1871), most of them letters to his parents while in naval training and service, 1820-1844. Selected examples from William Turner's manuscripts include:

• August 2 and 13, 1752, letter by William Turner (1712/13-1754) to his father, written with mirrored lettering. He discussed his fears of small pox in Newark; the tremor in his right hand, which forces him to write with his left; and a 30-pound debt.
• Christopher R. Perry's appointment of William Turner (1775-1837) as chief surgeon of the frigate General Greene, August 31, 1799.
• An October 10, 1799, letter by Dr. William Turner from Cap François, Saint-Domingue, in which he relates Captain Perry's description of Toussaint Louverture.
• A September 20, 1800, letter by Dr. Turner defending his assessment and actions relating to a yellow fever outbreak originating from the General Greene on its arrival in Newport, Rhode Island.
• Oliver Hazard Perry ALS to his mother, ca. 1807-1808, informing her of the death of Benjamin Turner, who was killed in a duel over an argument about Shakespeare's plays.
• A letter from Henry Fry respecting the personal effects of Dr. Peter Turner, who died of wounds sustained at Plattsburgh (October 17, 1813).
• Three letters to Hettie Foster Turner from siblings Lillie and George Turner relate information about the health of family members in E. Greenwich, Rhode Island. One of these letters is dated October 18, 1813, the others are undated.
• William Turner's December 23, 1814, letter to General Thomas Cushing, explaining that one condition of his current appointment must be permission to continue his private practice while also tending to garrison duty.
• Three manuscript Portsmouth Marine Barracks countersign-watchword documents from August 22 and 24, and October 31, 1849. The August 24, 1849, countersign "Revolution" matched watchword "Cuba."
• Family letters of Henry E. Turner, William C. Turner, George Turner, and others

The 49 letters and documents of Peter Turner are largely comprised of correspondence with his parents. Turner wrote as a midshipman aboard vessels in the West Indian and Mediterranean squadrons during the 1820s. He sent his most robust letters from Rio de Janeiro on July 10, 1826, and aboard the US Ship Falmouth on a voyage to Vera Cruz in 1828. Turner met the Erie at Vera Cruz, expecting to find his brother William C. Turner aboard, but the sibling had been left at Pensacola for unspecified reasons. Peter Turner received the disconcerting news of the death of a family member and wrote about his distress at not being able to return home. He updated his parents as he traveled to Pensacola and then the Navy Yard at Charleston, South Carolina. Later in 1828, he joined the US Ship Hornet on a voyage to Brooklyn; yellow fever took the lives of three midshipmen on the trip (November 19, 1828).

From 1828 to 1829, Peter Turner wrote from Brooklyn, where he became an officer in March 1829. The remainder of Peter Turner's correspondence and documents are scattered, including for example:

• A May 4, 1828, letter respecting the estate of Dr. William Turner of Newport, Rhode Island.
• A May 11, 1844, letter by Peter Turner from Rio de Janeiro on stationery bearing an engraved view of the "Praca do Commercio" [Praça do Comércio] by Friedrich Pustkow.
• A letter to Turner respecting a check for $25, which was bequeathed to Turner from commodore Uriah P. Levy, December 1862.
• Three letters and documents respecting the transfer of ownership for pew 83 in Trinity Church, Newport, Rhode Island, in January 1862.
• Two documents regarding $1,387 owed to the estate of William Mathews by the US Naval Asylum in June 1863.

The Turner family Logbooks subseries includes five log books from three different United States Navy vessels:

• US Schooner Nonsuch, August 8, 1821-May 19, 1823. Daniel Turner commanded this vessel on its voyage from the New York Navy Yard to Port Mahon [Minorca] and subsequent service in the Mediterranean. The volume includes five watercolor coastal profiles or views (Corsica, Cape St. Vincent, Milo, and Corvo).
• US Schooner Nonsuch, September 9, 1824-December 14, 1824. Daniel Turner, commanded this ship from Palermo Bay, south along the African coastline, past the Canary Islands, and to the Navy Yard at New York.
• US Schooner Nonsuch, November 1, 1824-December 3, 1824; December 11, 1826-December 31, 1826. The remainder of the volume contains illustrated mathematical propositions related to conic sections and spherical geometry.
• US Schooner Shark, August 5, 1827-October 24, 1827. Isaac McKeever served as commander of the Shark during this voyage from the coast of Nova Scotia to the United States Naval Seminary at the New York Navy Yard. The remainder of the book, beginning at the opposite cover, is comprised of question and answer format essays on aspects of seamanship. The author was an unidentified individual at the Naval Seminary. The essays are followed by a celestial map.
• US Ship Southampton, December 15, 1850-October 31, 1851. Lieutenant Peter Turner commanded the Southampton during the ship's December 30, 1850-October 31, 1851, voyage. The ship set sail from the Brooklyn Navy Yard, traveled around Cape Horn, and arrived at San Francisco harbor.

The remainder of the Turner family series includes miscellaneous writings and cards. The three pieces of writing include a recipe for "Dr. King's Diarrhoea Mixture" (undated); a note from "Daughter" to her mother, secretly pleading with her to change the daughter's teacher (undated), and "Lines on the Death of Miss Martha Turner" (September 17, 1870). Five calling and visiting cards date from the 1850s to the late 19th century.

The Harlan Family Papers series includes approximately 250 items relating to the lives of the Harlan family. The series includes correspondence, legal and financial papers, and scrapbooks.

The Harlan family Correspondence subseries contains 45 letters to and from members of the Harlan family, 1846-1925, with the bulk of the materials falling between the 1880s and the 1910s. A majority concerns the everyday lives of the Henry and Hettie (Turner) Harlan family, including their siblings and children. The most prevalent writers and recipients include Hettie's brother James Turner Harlan of Philadelphia; William H. Harlan of the law firm of Harlan & Webster in Bel Air, Maryland; and Hettie's aunt Ada H. Turner.

One item of particular interest is a letter from "David" [Harlan?] to Henry Harlan, dated August 12-14, [1846], and written aboard the US Steamship Princeton (during the US-Mexico War). David summarized and speculated about current political matters, including tensions relating to the ousting of President Salinas, the assumption of the presidency by Paredes, and the anticipation of the return of Santa Anna. He also provided a lengthy anecdote about the laborious process of loading sheep and cattle from the shores of Sacrificios onto the Princeton.

The Harlan family Legal and Financial documents subseries contains 165 items, dating primarily between 1815 and 1924, and consisting of land deeds and contracts, estate-related materials, and assorted receipts, accounts, checks, and other financial materials. The bulk of the real property referred to in the documentation was in Harford County, Maryland.

One bundle of 21 telegrams, manuscript notes, and newspaper clippings trace the April 1902 Disappearance and Suicide of James V. P. Turner, a prominent Philadelphia lawyer and son of Commodore Peter Turner.

A group of 12 miscellaneous Writings, Cards, and Invitations date from the 1870s to the 20th century. These include 1877 New Year's resolutions by Hettie F. Turner; an 1886 "Journal of Jimmie & Pansie Harlan's Doings and sayings" [By Hettie Foster Turner Harlan?]; a handwritten program for Darlington Academy commencement entertainments, June 18, 1897; and a typed graduation speech titled "We Launch To-night! Where Shall We Anchor?" ([James T. Harlan?], Darlington Academy, class of 1899).

The Photographs series includes six cyanotypes, three cartes-de-visite, four snapshots and paper prints, and three negatives depicting members of the Turner and Harlan families. The CDVs are portraits of Commodore Peter Turner (unidentified photographer), a 16 year-old Henry Harlan (by Richard Walzl of Baltimore), and Hettie Foster Turner Harlan in secondary mourning attire (by Philadelphia photographers Broadbent & Phillips). The cyanotypes, prints, and negatives include 1890s-1910s images of the family's Strawberry Hill estate, Henry and Hettie Harlan, "Pansy" (Hettie F. Harlan), and other family members.

The Scrapbook subseries is comprised of six scrapbooks relating to different elements of the Harlan family.

• "Old Harlan Papers" scrapbook, 1750-late 19th century, bulk 1810s-1840s. Includes 19th century copies of 18th century land documents. Land documents, property maps, and other legal documentation largely respecting Harford County, Maryland, lands. The real property includes "Durbin's Chance," "Betty's Lot," "Stump's Chance," and other properties. The original and copied manuscripts are pasted or laid into a picture cut-out scrapbook belonging to Peter Smith, ca. 1960s (Smith may or may not have been the compiler of the "Old Harlan Papers").
• Harlan Family scrapbook, March 21, 1793-[20th century]. This volume includes land deeds, contracts, documents, letters, printed items, and genealogical materials related to multiple generations of the Harlan family, particularly in Maryland. Of note is a March 6, 1835, legal agreement respecting the sale of Emory, a 17-year old slave, by Anne Page to Dr. David Harlan, Kent County, Maryland.
• Harlan Family scrapbook, "Furniture References," 1860s-1960s, bulk 1890s-1920s. This volume contains interior and exterior photographs of the Harlans' "Strawberry Hill" farm near Stafford, Maryland. Some of these photographs include notes about the furniture depicted in them. Other significant materials include approximately 15 letters by Hettie F. Harlan, James V. P. Harlan, and others, 1898-1902.; and an 1864 "Great Central Fair" committee ticket for Hettie F. Turner (a "Lady's Ticket"), accompanied by a tintype portrait of two women.
• James T. Harlan, "Photographs" album, 1906-1913, 1948-1949. Harford and Baltimore County, Maryland. Interiors and Exteriors of Harlan and Stump family homes; travel photos to Perry Point (Perryville), Maryland, in 1910. 1909/1910 motorcycles, 1906, 1909, and 1910 snapshots from the Baltimore Automobile Show; a 1911 trip to Newport, Rhode Island; ca. 1905-1907 trip to Druid Hill Park; snapshots of James T. Harlan's Baltimore office, National Surety Company of New York.
• Cleveland Commission for the celebration of the Centennial of Perry's Victory on Lake Erie (Perry Centennial Committee of Cleveland, Ohio) scrapbook, 1913. Newspaper clippings, correspondence, real photo and picture postcards, a printed program "The Progress of Woman" (September 16, 1913); printed invitation card for a reception held by the "Committee on Women's Organizations of the Cleveland Commission Perry's Victory Centennial" September 15, 1913); mounted paper portrait photograph of William G. Turner, 1902.
• Handmade album titled "Harford" by an unidentified compiler. Through pasted-in postcards, snapshots, verses from newspaper clippings, and plant matter, the unidentified compiler documented their sentimental attachment for scenes and people in Harford County, Maryland (particularly Stafford and Darlington).

The Printed Materials series includes:

• Approximately 20 newspaper clippings (19th-early 20th century) and a single copy of the newspaper Public Ledger (v. 1, no. 1; Philadelphia, Friday Morning, March 25, 1836).
• In Memory of Elizabeth Dale, Widow of Admiral George C. Read, 2nd ed. (Philadelphia, 1863).
• Henry E. Turner, M.D., Greenes of Warwick in Colonial History. Read Before the Rhode Island Historical Society, February 27, 1877 (Newport, RI, 1877).
• [The Quaker Calendar], Westtown 1907 (Philadelphia: Printed by Leeds & Biddle Co. [incomplete]).
• University of Maryland Annual Commencement. Academy of Music. Monday Afternoon, May Thirty-First at Four O'Clock (1909)
• William Jarboe Grove, Carrollton Manor Frederick Country Maryland. By William Jarboe Grove, Lime Kiln, Maryland., March 29th, 1921 (198 pages [incomplete]).
• Charles D. Holland, Some Landmarks of Colonial History in Harford County, Maryland (Baltimore, 1933).
• "Commodores Belt of Blue Cloth and Gold Embroidery." Addressed to Commodore Peter Turner from the Navy Department. One page, showing design for a commodore's belt and sword sling, and including a manuscript notation "This is correct" (undated).
• One page "prayer."

The Turner-Harlan Genealogy series consists of a wide array of materials relating to genealogical research of the Turner-Harlan families. Items include handwritten family trees, familial biographies, and professionally-produced genealogical items. Also included are 20th century Harlan family newsletters.

The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend.

The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend. Newspaper and journal clippings were mainly taken from New York-based publications. Most of the clippings are in extremely fragile condition. Many clippings are coupled with inscriptions indicating the name and date of the publication they were taken from. Numerous photographs also bear inscribed captions. Each volume measures approximately 25 x 19 cm in size and has marbled paper covers.

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, between 1893 and 1894. Items of particular interest include a Grand Army of the Republic report regarding the 7th's service record in the Civil War and during various New York City riots (pg. 1); a group portrait of 7th NYNG Co. D soldiers, including Townsend (figure furthest to the right), at an encampment in Peekskill, New York in June 1893 (pg. 5); clippings related to a mock Civil War battle held at Van Cortlandt Park (pg. 11); clippings related to Townsend's promotion from private to lance-corporal (pg. 13); clippings from the New York Herald and New York Tribune regarding the 7th NYNG relocating to the Seventh Regiment Armory (pgs. 42-45); a group portrait of 7th NYNG members at Sea Girt, New Jersey, in July of 1894 during a visit with New Jersey National Guardsmen (pg. 67); and Townsend's Lance Corporal chevrons (pgs. 92, 93).

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, during 1896. Items of particular interest include an engraving depicting Company D winning a chariot race at the 7th Regiment games (pgs. 28, 29); a New York Herald clipping from May 31st 1896 regarding the 7th NYNG's victory over West Point in a baseball match (pg. 39); an American Lithographic Co. halftone reproduction of a Jay Hambidge painting showing the 7th NYNG marching in uniform titled "For Love or War?" (pg. 43); clippings regarding the new regimental clubhouse at the Creedmoor Rifle Range (pg. 45); a private circular for NCOs regarding a regimental parade in honor of Chinese viceroy Li Hongzhang as well as a halftone portrait of Li (pgs. 46, 47); and cartoons from the 7th Regiment Gazette of December 1896 comically depicting track and field events (pg. 61).

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, from 1897 to May of 1898. Items of particular interest include a photographs of 7th NYNG officers and NCOs (pgs. 2, 3); halftone images from a 7th NYNG camp (pg. 7); a New York Sun clipping from October 10th 1897 regarding a mock battle at Van Cortlandt Park replete with a topographical map of the park (pg. 11); a New York Herald clipping from October 10th 1897 showing engravings related to "The Battle of Van Cortlandt Park." (pgs. 12, 13); a Harper's Weekly clipping from October 1897 showing halftone reproductions of paintings related to the mock battle at Van Cortlandt Park (pgs. 14, 15); camp scene photographs from June 1897 including one portrait of Townsend in uniform (pg. 23); halftone images showing interior rooms of the Seventh Regiment Armory (pgs. 25-28); a halftone reproduction of an engraving showing 7th NYNG uniforms from 1802 to 1897 (pg. 33); a halftone reproduction from Harper's Weekly vol. 42 no. 2157 of a painting by T. De Thulstrup showing the 7th NYNG being reviewed by Major General Charles F. Roe at the Seventh Regiment Armory (pgs. 76, 77); and multiple clippings related to the 7th NYNG's decision to refrain from allowing members to individually enlist in the regular US Army at the outset of the Spanish-American War so as not to disintegrate the unit (pgs. 82-91).

• This volume contains materials related to Townsend's service in the 201st Infantry Regiment of New York Volunteers as well as in the US Army 1st Infantry Regiment covering the period from March of 1899 to February of 1900. Items of particular interest include clippings related to Townsend's promotion from Captain of Company M 201st NY Volunteer Infantry Regiment to Second Lieutenant in the US regular army (pg. 5); letters from Townsend to his parents regarding exams he must take at Fort Monroe, Virginia, in order to achieve his promotion (pgs. 8, 9); a picture book containing halftone images from around Fort Monroe (pg. 11); a photograph showing a Fort Monroe examination room black board coupled with text of the example question present on the board (pg. 17); a copy of Townsend's commission as Second Lieutenant (pgs. 22, 23); clippings related to the naval transportation of American troops to Cuba (pg. 33); photographs of various Cuban scenes including an ossuary outside of Havana, Cuban huts and houses, Cuban soldiers being paid, American camps and barracks, a Cuban funeral, Afro-Cubans, underbrush near the mountains, a general view of Pinar del Rio, American military officers and their wives, and American troops in formation (pgs. 36-46, 48-55); a memorandum concerning the administrative use of officers' photographic portraits (pg. 59); photographs showing scenes of Guanajay and Pinar del Rio, Company K rifle ranges, American officers including Lt. McCue, Lt. Tebetts, Lt. Reams, Lt. Beacham, Lt. Wilcox, Dr. Dunchie, and Lt. Reeder, child golf caddies (including a Chinese boy named Ah Soy), a Cuban house being constructed out of palm tree materials, American officers and their wives, a Cuban burial party, soldiers on the march and drilling, an American military graveyard, Cuban ox carts, a railroad station, and churches (pgs. 60-66, 68-82); a clipping including an advertisement for "Mahara's Minstrel Carnival" (pg. 84); and more photographs showing American officers and their wives, Chinese-Cubans, a man posing with a white owl, a well-dressed Cuban man named "Mr. Usavraga", 2nd Battalion shelter camps, American barracks at Guanajay, a group of American officers and several women that includes both Townsend and his mother Emma, the fort at Mariel, a Cuban ship named Alphonso XIII sinking in Mariel Harbor, street scenes in San Antonio and Guanajay, and golf links at Guanajay (pgs. 91-115).

• This volume contains materials related to Townsend's service in the US Army 1st Infantry Regiment covering the period from April 1900 to December 1901. Items of particular interest include photographs showing 1st Infantry Company K assembled in uniform at Guanajay and the aftermath of a major storm at Guanajay, (pgs. 1, 2); clippings related to the potential ordering of the 1st Infantry from Cuba to China as well as Yellow Fever outbreaks among American soldiers stationed in Cuba (pgs. 4, 5); a fragment of an envelope bearing an official stamp from a US military surgeon indicating that the parcel had been "Disinfected and Passed" (pg. 9); clippings from August 1900 detailing the ordering of troops to Manila, Philippines, instead of China (pgs. 13-17); photographs showing various scenes from around Fort Leavenworth, Kansas, including the US Army Disciplinary Barracks (pg. 19-24); clippings from October 1900 regarding the capture and subsequent rescue of Capt. Devereux Shields (pgs. 28-30); clippings regarding the launch of the Samar Expedition and insurgent fighting tactics (pgs. 31-33, 40); photographs showing buildings occupied by American troops in Catbalogan, US Army officers and headquarters at Tacloban in February 1901 (pgs. 40-42); a clipping showing a map of the "Peaceful Districts in the Philippines" highlighting areas deemed unsafe for Americans to venture (pg. 46); photographs showing street scenes, Filipino villages and villagers, and landscape views (pgs. 50-54); a letter and associated hand-drawn map sent by Townsend to his mother describing an ambush against American forces in southern Samar in April of 1901 during which Townsend came under fire from a rifle he believed to have belonged to an American soldier who had deserted (pgs. 55, 56); a letter from Townsend to his mother in April of 1901 describing the visit of a group of Palauan tribesmen and counterinsurgency operations (pg. 57); photographs taken by Townsend of the Palauan tribesmen (pgs. 58-60); photographs from around Guiuan, including the U.S. Army headquarters, a 200 year old church door, Lt. Downes and Townsend's quarters, and images of a church and locals in Mercedes (pgs. 62, 63); clippings related to the death of Lt. Downes and Lt. McClure (pg. 68); a typescript copy of a letter initially sent by Townsend to Capt. Willard C. Fisk from July 1901, which the latter forwarded to Townsend's parents, describing engagements in Samar including one that led to Townsend being stabbed in the forearm (pg. 70); clippings related to the death of Lt. Downes and the Balangiga Massacre (pgs. 71-76); a letter from Townsend to his mother dated Oct 5 1901 describing the Balangiga Massacre and how his detachment were very nearly sent there (pg. 77); Townsend's Second Lieutenant bars (pg. 78); and a clipping describing innovative traps used by the Moros against American soldiers (pg. 79).

• This volume contains materials related to Townsend's service in the US Army 1st Infantry Regiment covering the period from 1905 to September 1907. Items of particular interest include a group portrait showing Townsend, other U.S. Army officers, and several women (including Cornelia T. Getty) standing in front of a house in Canada with snowshoeing equipment (pg. 3); clippings related to Fort Brady and a roster of troops serving in the Department of the Lakes as of August 15th 1905 (pgs. 5-7); clippings related to renewed unrest in China and the shipment of more U.S. troops to the Philippines (pg. 10, 12); clippings related to the transportation of American troops to the Philippines (pgs. 18, 19); clippings related to the celebration of George Washington's birthday at a ceremony in Gibraltar in February 1906 (pgs. 24, 26); a letter from Townsend to his mother from aboard the USS McClellan near Sri Lanka in April 1906 describing the conditions of the ship and the progress of the journey thus far (pg. 36); a typescript summary of Townsend's military career as of July 1906 (pg. 49); panoramic views of Camp Stotsenburg (pgs. 58, 64); a clipping regarding an earthquake in the Philippines in April 1907 (pg. 69); a typescript copy of a memo from September 1907 titled "Regarding the Government of the Philippine Islands With Special Reference to the Subject of Police Protection" (pg. 80); and photographs by Pedro Casanave of the S.S. Mindoro and of "Calle Gen. Hughes" in Iloilo City (pgs. 87, 88).

• This volume contains materials related to Townsend's service in the US Army 23rd and 1st Infantry Regiments covering the period from August 1909 to August 1910. Items of particular interest include a roster of officers and troops on duty at the Army Service Schools, Fort Leavenworth and the US Military Prison as of November 1909 (pg. 5); a studio portrait of Townsend in uniform taken at Fort Leavenworth (pg. 7); a copy of the September 1910 issue of the Infantry Journal by The United States Infantry Association containing an article written by Townsend titled "The Use and Effect of Flying Machines on Military Operations" (pg. 25); clippings related to practice maneuvers at Pine Camp, New York (pgs. 28-39, 49-58); halftone images showing camp scenes at Pine Camp (pgs. 47, 48); and photographs showing Townsend in uniform, Townsend's parents Malcolm and Emma, and what may have been the Townsend family residence (pg. 59).

In addition to this finding aid, the Clements Library has also created the G. L. Townsend Scrapbook Inventory which serves as an itemized list of the contents of each scrapbook.

The John and Samuel Hunt papers consist primarily of Civil War era correspondence between the friends and family of John and Samuel Hunt with many letters between the two brothers. Also included is John Hunt's Civil War diary, which contains accounts of his service as adjutant with the 81st Ohio Infantry Regiment between January and December, 1862.

The John and Samuel Hunt papers are comprised of 78 letters, 1 receipt, 3 miscellaneous printed items, 2 photographs, and 1 diary. The collection consists primarily of Civil War era correspondence between the friends and family of John and Samuel Hunt, with many letters between the two brothers. For the most part, cousins, sisters, and friends wrote the pre-Civil War letters, addressed to John Hunt. These concern family matters, school, and local Ohio politics.

John's Civil War era letters, mainly to Samuel with a few items to other family members, focus on his relationship to his family, particularly his parents. He also described Civil War camp life in Missouri, Tennessee, and near Corinth. Early on, in a letter from December 8, 1861, he wrote about a conflict between his regiment's lieutenant colonel and captain over a battalion drill, which almost resulted in a duel. The brothers often bonded over the activities (past and present) of the Delta Kappa Epsilon (DKE) fraternity, which they had both joined at Miami University. Samuel sent John his DKE pin, which made him popular with the ladies in St. Louis (February 23, 1862). Samuel kept John up-to-date on the fraternity's election results and activities. A few months after the war, John was working in Washington DC as a lawyer's clerk and reported that the town was "full of rebels at present seeking pardon" (September 17, 1865).

Letters from Samuel describe university life during the war and the impact that the war was having on the homefront. He included fiery political commentary and espoused bellicose sentiments, particularly in the early part of the war. In a letter to John dated May 25, 1861, Samuel wrote: "The murder of the accomplished Col-Ellsworth must and will be avenged -- those fine Zouaves will cause destruction in the enemy's camp -- they are 'spoiling for a fight' and will soon be gratified[.] " Samuel kept up his correspondence with a number of friends and Miami University alumni with whom he communicated about the school and his own academic progress.

The John Hunt's Civil War diary contains accounts of his service as adjutant with the 81st Ohio Infantry Regiment between January and December, 1862. He entered notes almost daily, except during his sick leaves in April and from August 15 through the end of 1862. During his leave, Hunt wrote a few entries in August concerning an Ohio Copperhead and his views on the draft, and recorded a short run of daily entries from November 1-22. The diary includes descriptions of travels in the north and south and is most detailed between May and August, when the 81st Ohio took part in the assault on Corinth, Mississippi, and in the late fall, when they were encamped near Corinth. Hunt's brief entries provide interesting anecdotes about life in the Union camps, soldiers' amusements, and the scene near Corinth.

The Miscellaneous series consists of two photographs (a staged family portrait and a carte-de-visite of a young well dressed man), an army pass for John R. Hunt (February 1862), and three programs concerning the Delta Kappa Epsilon fraternity (1862-1863).

The Hoit Family Papers are made up of correspondence, diaries, documents, financial papers, photographs, and other items related to the family of New Hampshire state legislator Daniel Hoit (1778-1859) and Sally Hoit (1786-1837); their children Julia Maria, Eliza Flanders, portrait painter and artist Albert Gallatin, and Reverend William Henry Harrison Hoit; and their children-in-law Ira A. Bean, Susan Ann Hanson Hoit, and Enoch P. Sherman. The family was based in Sandwich, New Hampshire.

The Hoit Family Papers are made up of 965 letters; 21 diaries, account books, and notebooks; 11 speeches, poems, and other writings; 49 documents and financial papers; six photographs, and other items related to New Hampshire state legislator Daniel Hoit (1778-1859) and Sally Hoit (1786-1837); their children Julia Maria, Eliza Flanders, portrait painter and artist Albert Gallatin, and Reverend William Henry Harrison Hoit; and their children-in-law Ira A. Bean, Susan Ann Hanson Hoit, and Enoch P. Sherman. The family lived primarily in Sandwich, New Hampshire.

The Correspondence Series contains 965 letters, including 39 by Sarah "Sally" Flanders / Sarah "Sally" Flanders Hoit, dating between December 3, 1803, and January 30, 1837. She wrote largely from Loudon and Sandwich, New Hampshire. In her courtship letters to Daniel Hoit, she offered her thoughts on marriage, the state of their relationship, the future, virtue, and remarks on living a good life. After their marriage, the topics of her correspondence turned to the health and welfare of their family. To her daughters Eliza and Julia she gave motherly advice while they attended a female academy in Concord, New Hampshire (beginning in 1822).

Sally Flanders's husband Daniel Hoit authored around 300 letters from June 6, 1808, to June 19, 1859. He sent over half of them to his wife, Sally Hoit (between 1808 and 1835), and his daughters Julia Hoit Sherman (between 1821 and 1859) and Eliza Hoit Bean (between 1822 and 1856). In them, he showed concern for the education and welfare of his children and family, and advised his wife on home and financial matters. Daniel appears to have had a close relationship with his daughter, Julia. In over 70 letters to her, he reflected on the importance of parenthood and morality; discussed politics, his speeches, elections, and other business matters; and praised her for her academic prowess. To Eliza, he sent 37 letters on the health and welfare of family members and friends. Many of these were co-authored by other Hoit family members. Daniel Hoit's letters include content respecting the state legislature and a small number of items during and after the War of 1812 pertain to recruiting. He remarked twice on local extramarital relationships (June 18, 1815, and June 20, 1830) and attended public Shaker worship in Concord, New Hampshire (June 20, 1814).

The Hoit's oldest child, Eliza Flanders Hoit / Eliza Flanders Hoit Bean, sent 22 letters between April 27, 1822, and September 16, 1859. She wrote the first six letters to her mother and sister while attending school in Concord, New Hampshire, from April to September 1822. The remainder of the letters date from 1836 to 1859, mostly from Urbana, Ohio. These letters focus on the health of friends and family, housework, and her spiritual life. She wrote several travel letters to her father from Ohio, New York, and Pennsylvania. Her husband Ira A. Bean wrote 30 letters, December 30, 1828-December 30, 1863, regarding his business and political endeavors, largely to his father-in-law, Daniel Hoit.

Julia Maria Hoit / Julia Maria Hoit Sherman sent around 110 letters to her mother, father, siblings, and other family members between February 3, 1827, and March 24, 1876. The majority of them originated from Sandwich, New Hampshire. In her often-lengthy correspondence, she discussed fashion, gossip about friends and family, weddings, marriages, clothing, and current events. She was independent and highly opinionated about the social behaviors of those around her. Particularly notable is her criticism of the fashion and diet of the women in Boston (1829). The Hoit Family Papers also contain around 50 political, financial, and property-related letters of her husband, Enoch P. Sherman, dating between June 9, 1828, and February 6, 1843, and around 10 from their son, Daniel H. Sherman between 1849 and 1873.

The Hoit's oldest son Albert Gallatin Hoit / Albert Gallatin Hoyt wrote approximately 110 letters between November 27, 1820, and October 21, 1853. His earliest correspondence, largely to his parents and sisters, covers his time at Effingham Academy, Wolfeborough & Tuftonborough Academy (1825), and Dartmouth College (1826-1829). In 1829, he established a school at Newport, Connecticut, but quickly found himself in debt. Struggling to remedy his plight, he took a trip to Rochester, New York, in 1830, where he decided to embark on a career as a portrait painter. He then wrote from Portland and Bangor, Maine, until 1839 when he settled in Boston with his wife Susan. His letters regard his everyday life, education, career, and relationship with his father. Susan A. Hanson Hoyt, originally of Conway, New Hampshire, wrote approximately 40 letters between March 28, 1837, and February 11, 1873. They focus on health and her daily routine, anxieties about her husband Albert's career as an artist, the art scene in Boston in the early 1840s, and the activities of her husband. Albert traveled a great deal, and stayed in Europe from 1842 to 1844 to paint. Susan also wrote about her stillborn children (i.e. March 30, 1845), concerns over the presidential election of 1844, sewing, dressmaking, and her efforts to learn how to draw. By 1853, she moved to Roxbury, Massachusetts, with her husband. In a series of letters from there, she wrote about the sickness and death of Albert in 1856. She then returned to Conway. In early 1872, she traveled to Minneapolis where she apparently remained.

William Henry Harrison Hoit / William Henry Hoyt's approximately 70 letters date from May 13, 1826, to November 15, 1882. Beginning at around age 11 with letters from school at Wolfborough & Tuftonborough Academy (where he studied along with his brother Albert), informed his parents about his studies and asked them to send books and educational advice. He then wrote to his parents, sisters, and brother-in-law while studying at Dartmouth College (1827-1831). From 1835 to 1836, he sent letters from the Episcopal Theological Seminary in New York, and, by 1838, he settled in to his parish at St. Alban's, Vermont. His conversion from the Episcopal Church to Catholicism in the later 1840s is the subject of a portion of his correspondence. The collection includes three letters by William Hoyt's wife, Anne Deming Hoyt, dated October 6, 1838; March 30, 1856; and July 11, 1867.

The collection's remaining 190 or letters are from almost as many correspondents. They are addressed to members of the Hoit family, particularly Sally, Daniel, Eliza, and Julia, from various members of their extended family and business associates. Updates on deaths, marriages, health, education, and children predominate in the letters by women. Of interest are letters pertinent to Albert Hoyt's debt in the early 1830s and five letters from Julia's niece, Frances Prescott, a teacher in Ellenburg, New York. She briefly remarked on her school and wages (late 1850s).

The Diaries, Account Books, and Notebooks Series includes 10 daily diaries and account books of Daniel Hoit (1814-1817, 1851-1859), one diary by Sally Flanders Hoit (1823, 1830), two diaries of Ira A. Bean (1829-1859), one volume of notes and accounts of Enoch P. Sherman's estate (1843-1849), three sparse diaries and two notebooks by Daniel H. Sherman (1870, 1873, 1878, 1900, and 1918), and one daily diary of Julia M. Hoit Sherman (1884).

The Speeches, Poems, and Other Writings Series includes a poem by William Burleigh to Mr. and Mrs. Hoit (March 4, 1812) a fragment of a verse by Sarah F. Hoit (undated), three essays by Albert G. Hoit (two from his school days and one entitled "Early Recollections" (undated), and a written renewal of vows to God by Julia M. Hoit on her 24th birthday (November 15, 1831). Also present are a temperance address by Ira A. Bean (October 1823), an incomplete address to the Franklin Society (November 1, 1824), and a 4th of July 1834 temperance speech by Daniel Hoit.

The Hoit Family Papers contain 49 Documents, Accounts, and Receipts, dating from [1809?] to 1863. The various financial papers include good documentation of the Hoit children's educational expenses and Albert G. Hoit's expenditures and debts of the later 1820s and early 1830s. Among the documents are Enoch P. Sherman's June 11, 1840, resignation from a colonelcy in the 19th Regiment New Hampshire Militia.

The Photographs Series is made up of seven carte-de-visite photographs, all bearing Civil War era tax stamps. Identified individuals include "Mrs. E. G. Weaver" and "A. J. Church & wife & daughter."

The collection includes two Maps:

• Rand Avery Supply Co. Map of Lake Winnipesaukee and Surroundings issued by Passenger Dept. Concord & Montreal R.R. [Boston]: Concord & Montreal R.R., 1891.
• [Tamworth Township, Carroll County, New Hampshire], 1870s.

The collection also contains 14 Printed Items, among which are The Dairyman’s Daughter (religious tract, 1831), a copy of a bill to extend an 1838 act to grant half-pay and pensions to certain widows (1841), Final Notes on Witchcraft in Massachusetts by George H. Moore (1885), a program for the Semi-Centennial celebration of the New Hampshire Conference Seminary and Female College (1895), The Shepherd of Salisbury Plain, by Mrs. Hannah More, and a children's book Jocko and Minette (1846). See the box and folder listing below for a complete list of the printed materials.

Marie "Alida" Taber, wife of whaling Captain George Taber, kept daily records of wind direction, speed, weather conditions, geographic location, and crew activities during two whaling voyages: the Brig Magdalene's 174-day voyage from Honolulu to Connecticut, January-July 1853, and the Barque William Wilson's 1,192-day voyage from Rhode Island to the island of Rodrigues in the Indian Ocean, May 1860-January 1861. The volume also contains personal journal entries kept by Marie Taber during her time in Acushnet, Massachusetts, while her husband served aboard the Barque William Wilson from October 1857 to 1859.

This logbook and journal contains 150 pages, 51 of which are blank and 99 of which contain writing by Marie "Alida" Taber, wife of whaling Captain George Taber. The opening flyleaf features a carte-de-visite photograph of Marie with the inscription "Alida Taber, Long Plain, Massachusetts, U.S.A." During conservation the carte-de-visite was temporarily removed, and the inscription "Elida Taber" was visible on the verso of the card. While most of the printed photographer's advertisement on the card was obscured, its location in New Bedford, Massachusetts, was present. The volume consists of three sections: two whaling expedition logs and a personal journal.

The first section is a daily record of the Brig Magdalene's return voyage from Honolulu to Connecticut carrying whale oil and bone from January 12 to July 4, 1853. During this voyage, the Magdalene went south from Honolulu, through the Pacific Cook Islands, around the southern tip and east coast of South America before making final port in New London, Connecticut, on Independence Day, 1853. Mentioned ports of resupply include Pernambuco, Brazil. All entries begin with "remarks on board" followed by the date, weather conditions, the ships geographic location, steering adjustments, and any crew or ship activities of note. She described riggings, repairs, spotting of other ships or land, and acquisition or removal of cargo and supplies. Most of her entries are structured into 'first' (12pm to 8pm), 'middle' (8pm to 4am) and 'latter' (4am to 12pm) parts of the day. Some entries include remarks on porpoises caught and harvested for oil, supplies thrown overboard, and processing of whalebone.

Her logbook entries largely conform to the following format:

Upper left margin: Number of days out

"Remarks on board" [Day of Week, Month, Date, Year]

[Part of the day]: wind strength and direction, weather conditions, sail and/or steering adjustments and sightings/activities of note

Bottom right corner: Latitude and Longitude coordinates

While most of the navigational and weather condition data recorded stayed largely consistent, she specifically mentioned ocean currents on April 13 and 14, 1853 (95 and 96 days out).

Since this voyage was a return trip from a whaling expedition, Taber did not mention whale pursuits or captures; the ship was already full of oil and bone. Although, during the latter entries the crew brought whalebone and oil to the deck to clean, bundle, and prepare the products for market. On May 17, 1853 (117 days out), for example, she wrote that they "Took on deck 22 bundles of bone, some in a damaged state."

The crew captured and processed porpoises on this leg of the voyage to provide lamp oil. Mentions of these porpoise captures can be found in the following entries.

• "Caught 4 porpoises" April 9, 1853 (89 days out)
• Boiling porpoise blubber. April 16 and 17, 1853 (95 and 96 days out)

As the Magdalene sailed closer to the eastern coast of South America and the United States, ship sightings became more frequent. These entries include:

• Bark sighting. January 25, 1853 (14 days out)
• "At 10am saw a merchant Bark steering to S.West" April 19, 1853 (99 days out)
• Unidentified ship, April 21-22 , 1853 (101-102 days out)
• "Saw a manawar steam brig" Saturday, April 30, 1853 (110 days out)

Other entries of interest include:

• Taking supplies on board, wood, pumpkins, coconuts, bananas, turkeys, ducks, fowls, and pigs, February 10 -12, 1853 (31-33 days out)
• "Note: during the night one half Barrel of Beef was thrown overboard by some of the crew," March 14, 1853 (63 days out)
• Leaking oil, March 25, 1853 (74 days out)
• "Found six bags of bread wet and rotten," April 1, 1853 (81 days out)
• "Rats almost got possession of the Brig," April 20, 1853 (100 days out)
• "Saw a comet, westward," May 7, 1853 (111 days out)
• Waiting for Portuguese holy days to pass, as business is prohibited during this period. Saturday, May 14-18, 1853 (124-128 days out)
• "Mr. Bolton ashore without permission from master," May 16, 1853 (126 days out)
• "Mr. Bolton still onshore," May 17, 1853 (127 days out)

The second section of the logbook contains Marie Taber's journal entries from January 1 to August 15, 1859. While Captain Taber was away on the Barque William Wilson, which left Warren, Rhode Island, in October 1857, Marie described her daily activities in Acushnet, Massachusetts, as well as detailed listings of her social activities. The largest portions of these entries list the names of whom she spoke with in person and through letters that day. The most common activities mentioned in these entries include sewing, cooking, baking, shopping, writing letters, and reading. Frequently she spent her days mending, cutting, quilting, and sewing garments for herself, family, and friends. Holding true to her logkeeping skills, she commented daily on the weather and wind, often noting specific wind direction and general conditions throughout the day. Marie noted births, deaths, weddings, and activities such as the circus, church events, and holidays. Marie often wrote of feeling weak or ill and complained of headaches, backaches, and stomach pains. In the latter portions of the journal, Marie's entries took on a more personal tone as she described her loneliness and sadness about town gossip about her--even among her husband's family. In these entries, she expressed her reliance on Christian faith to help her cope with illness and the emotional toll of being far away from home and from her own friends and family. The journal section provides insight into the events and residents of the community of Acushnet, Massachusetts, and the broader community of Bristol County.

The third section of the volume contains a daily record of the whaling voyage of Barque William Wilson, traveling off Rodrigues Island, from May 27, 1860, to January 5, 1861. Marie began the log about 2 years and 6 months into the whaling voyage (the complete voyage spanned October 1857 to January 1861). The log is of a similar format as that of the Brig Magdalene, but fewer entries contain specific latitude and longitude coordinates and it lacks a running count of the days passed since the voyage began. As in Mrs. Taber's earlier log, entries include weather conditions, wind direction, sail and steering adjustments, ships spotted, and specific activities. Days on which whale captures were attempted and successful are marked with black ink whale body stamps, the number of stamps equaling the number of whales killed. Instances where whales evaded capture are indicated with black ink tail stamps. Processing of the whales into product is described with phrases "employed boiling", "employed cutting", and "commenced cutting." These entries frequently made note of the vessel's specific distance from land or other ships and listed many of the ships spotted and communicated with by name.

Vessels mentioned include:

• Bark America (August 16, 1860)
• Bark John A. Robb (September 17, 1860)
• Barque Millwood (July 7, 1860 [incorrectly written in log as June]; August 2, 1860; August 22, 1860)
• Bark Ocean Pierson (August 23, 1860)
• Bark Pamelia (September 4, 1860; September 22, 1860)
• Bark Tyne (August 3, 1860)
• Bark San Francisco (August 17, 1860; August 22, 1860; August 30, 1860; September 24, 1860)
• Ship Alimire (August 23, 1860)
• Ship Elmiro (August 30, 1860)
• Ship Mercury (September 1, 1860; September 19, 1860)

At the beginning of this log, Marie wrote with a slightly more personal tone, including information about her general feelings of wellbeing, or feeling unwell (entries dated May 27 and 28, 1860). Generally, the entries in the first portion of this log (July-early October, 1860) emphasize the frantic chase and hunting of whales. Many entries refer to sightings of whales by species and note that when nothing was seen, they were actively "looking for whales." The latter half of the log (mid October 1860 to early January 1861) focuses on the goal of returning with the whale products. Most of these entries emphasize wind and sail orientation, navigation, and reading important geographic landmarks. On the return voyage ship maintenance was a priority and the crew painted and repaired parts of the ship.

Stamps indicating whale captures and escapes can be found in the following entries:

• June 6,1860
• July 9, 1860
• August 2, 1860
• August 15, 1860
• August 19,1860
• September 26, 1860
• 1 sperm whale killed, September 28, 1860
• 4 sperm whales killed, 1 escaped October 4, 1860
• 3 sperm whales killed, October 5, 1860

This volume also contains the following:

• 2 blank logbook pages with running header "Bark Sea Bird towards Cape of Good Hope"
• Inscription on inside back pastedown, handwritten in pencil, "Sadie Taber lived on Long Plain Rd Sunds Corner outside of New Bedford Mass"
• A list of New Bedford ships (pencil handwriting, differing from Marie Taber's script) on page 144. The names include:
  • Bark Millwood
  • Ocean River
  • Almira
  • San Francisco
  • Thomas Pope
  • St. Peter
  • Mercury
  • John A. Roff
  • Bark America
  • Tarmelia
  • Congress
  • Bartholomene
• Laid into the volume, between pages 92 and 93 is a handwritten slip of paper reading, [in ink]"See if you can find any vessel bound to the Cape of Good Hope or the island of Mauritius if any the price of passage and time of sailing" [in pencil] "first of week $150 or 125; 1 Brig 1st next week $150 Edmund Boynton, 1 vessel about a month $150 Isaac Taylor 16 Kirby Sr."
• A clipping of a poem "For the New York Mercury My Nelly's Eyes: Inscribed to Miss Ellen M.M, by: John F. Gilwee (September 7, 1858)," laid in between pages 132 and 133
• At various points in the blank section of the volume, pages have been ripped out.

In addition to this finding aid, the Clements Library has created a partial name index for the journal portion of the Taber journal: Partial Name Index .

This collection consists of the family papers of Leonard E. and Louise A. Plachta, providing a personal view into their childhoods, university experiences, married life and relationship with each other, friends, and relatives through their correspondence, and careers, mainly in Detroit and Mount Pleasant, Michigan.

This collection consists of the family papers of Leonard E. and Louise A. Plachta, providing a personal view into their childhoods, university experiences, married life and relationship with each other, friends, and relatives through their correspondence, and careers, mainly in Detroit and Mount Pleasant, Michigan. While most of the collection is in English, some correspondence, stories, family history and vital records, and school grades are in Polish. The collection is organized by creator and then alphabetically by topic and, finally, chronologically. Physically, the collection is in very good condition. Boxes 1-4 are letter-size .5 cubic foot and Box 5 is a letter-size .25 cubic foot box.

The Papers of Leonard E. Plachta:

The Papers of Leonard E. Plachta (in Boxes 1-3) includes his family history with family tree information, and his elementary grades (some in Polish) and high school grades and activities, such as childhood photographs and his Safety Patrol Pledge, Grade 7-8. His university materials included applications, in which he wrote about his hopes, dreams, interests, and lack of parental support to pursue a college degree. His university degrees and related commencement materials are included. There is one folder each of material documenting his wedding to Louise, and another his army training. We see some of his personal relationships with each other and family in Correspondence, from Leonard to Louise,; and in Correspondence, Personal to Leonard, Leonard and Louise.

The majority of his papers focuses his career at Central Michigan University (CMU His Annual Personal Data Report (Academic Accomplishments), are annual reports of his professorial academic accomplishments in the Business School. When he became Dean of the CMU Business School he wrote Some Thoughts on Becoming Dean of the School of Business Administration at CMU]. Photographs of Dean Plachta with students, other CMU faculty and administrators, and when he attended the Small Business Institute Award Dinners also document his time as dean.

Most of the CMU material is from his tenure as CMU president. When he became Interim President he received numerous congratulatory notes. Those retained in the collection are from CMU and Mount Pleasant people, among them former CMU Presidents Harold Abel and William B. Boyd, presidents of other universities, and Michigan politicians and businessmen. Other materials documenting his tenure as CMU president include: CMU Agreement with Universidad Autonoma de Guadalajara (student exchange program established), 1993; a Caricature by Paco; CMU Correspondence, Thank yous for Hospitality to Leonard and Louise from Alumni Class 1947 for their 50th Reunion; an invitation to the CMU Robert and Marjorie Griffin Endowed Chair in American Government Celebration Dinner; Morning Sun Interview Materials; Photographs in the collection document Awards and Recognition Events, one with Governor Jennifer Granholm, Commencements, 1992-1995, 1997; Groundbreaking, Official Building Openings and other events, Homecoming, 1995 and 1997; Students, Alums; and international visits to Villa Bosch, a conference center, in Heidelberg, Germany, and the Tatsuzawa Educational Establishments (Morioka Chou Senior High School),a preeminent private high school, in Morioka, Iwate Prefecture, Japan. Demands for his resignation in 1998 are documented in the folder labeled CMU Students Demand Plachta’s Resignation.

His retirement and honors received afterwards are documented by Awards and Certificates, Leonard and Louise together; CMU Correspondence, Congratulations Upon His Retirement; CMU Plachta Day, Dinner Invitation; CMU President Mike Rao, Goals, Strategic Plans, Correspondence. Certificates and awards, newspaper clippings, plaques, and CMU Correspondence- General span his entire career or entire life. There is one folder of materials from the semester he taught at Michigan State University. An overall view about him is provided by his obituary and self-generated biographical materials.

The Papers of Louise Plachta:

The Papers of Louise Plachta (in Boxes 4-5) document her family history in copies of her parents’ vital records, stories, and correspondence (some in Polish from her mother and other relatives), and secondary education with childhood elementary grades (some in Polish) and high school grades and class anniversary materials. Her University of Detroit materials include her degree. The one folder of their wedding material is filed under Leonard’s name. Her writing is documented in her English papers, Correspondence, and Stories, h Interview materials, Articles, and Speeches. Materials specifically related to her time at CMU include: Caricature by Paco, Brent Wisher; Certificates; her CMU Master of Arts Degree in Case; CMU Plachta Scholarships and Awards Materials; Identity Cards; her unofficial Correspondence, re: Leonard Resigning; all but one of her English papers; most of her Photographs and CMU Photo Identity Card; ‘Robert Frost and the rural’ CMU Bohannon Schoolhouse, Program, and Photographs; and two plaques. An overview of her life is found in her photographs, resume, and obituary.

Researchers may also be interested in the official CMU Office of the President Papers of Leonard E. Plachta, which are administrative in nature. For more detail please see that finding aid. Additional materials about both Plachtas may be found in multiple manuscript collections in the Clarke, especially those related to public relations, as well as digitized CMU publications. A copy of his 1964 dissertation, A search for a proper accounting for the issuance of stock dividends, is also available in the Clarke.

Processing Note: Approximately 1 cubic foot of materials were removed from the collection during processing including: miscellaneous financial information, pay raise requests, benefits information, letters of recommendation, generic travel mementos, generic correspondence, information with social security numbers, unidentified photographs, CMU publications (duplicates) and acidic materials, mainly newspaper clippings (copies were retained). Material of a more personal nature were returned to the donor as per the donor agreement.

The Brownell family papers contain correspondence, diaries, documents, writings, illustrations, and other materials documenting the family's experiences from the 1820s into the 1960s.

The Brownell family papers contain correspondence, diaries, documents, writings, illustrations, and other materials documenting the family's experiences from the 1820s into the 1960s.

The Correspondence Series includes letters written to and by the Brownell family, primarily in Connecticut, Rhode Island, Louisiana, New York City, Cuba, and France between 1823 and 1969, with the bulk dating from the 1850s to 1940s.

Approximately 296 letters are letters to Charles Brownell and his wife Henrietta [Nettie] from Charles' mother, Lucia [Mummy], and his three brothers, Edward [Ned], Henry, and Clarence, often written with notes added and sent on as a "round robin" correspondence which ended with Charles.

The collection contains over 100 letters written by Ned Brownell, with additional notes in other family members' letters. His earliest letters start when he is finishing medical school in New Orleans and continue with his move to rural Louisiana, near Alexandria and Plaisance. These are high-spirited letters with humorous pen and ink drawings of his adventures chasing wild horses (January 29, 1855); mishaps while duck and geese hunting at Lake Catahoula (November 12, 1855; November 10, 1856); and futile attempts to flag down a river steamer (January 29, 1855). But his letters also deal with the problems involved in setting up a medical practice at the same time he, a Northerner, is trying his hand at cotton cultivation. He married a southern woman of French descent whose father was a slave owner (19 slaves in 1850 and 30 in 1860). Ned describes bringing up his bilingual children in a culture very different from his own. The marriage s was troubled, and by 1858, he sold out his cotton interests and was considering his brother Clarence's offer to take over Clarence's practice in East Hartford, Connecticut. He moved to Cloutierville, Louisiana, for a while. Two letters of introduction written in 1864 (April 4 and April 25) refer to his allegiance to the Union. By June of 1866, he was involved in legal separation hearings and working with his brothers on a testimony about his wife's "violent scenes and words.” Both during his practice in Louisiana and later in Rhode Island, his letters describe his patients and treatments (cotton gin accident resulting in amputation of an enslaved person's arm - October 26, 1857; treating yellow fever and typhoid - October 14, 1853 and January 12, 1855). He also suggests treatments for family members with diphtheria (n.d. November 8), excessive menstrual bleeding (December 17, 1866), prolapsed uterus after childbirth (February 8, [1867]), and a prescription for a cholera prevention pill (n.d. September 27). He made a trip to Florida with his dying brother Henry in 1871-1872, in the hopes that the warmer climate might make Henry feel more comfortable.

Only a handful of letters and notes are from Clarence Brownell. Seven of these are affectionate letters to his friend Henrietta Angell [Pierce] [Brownell], before and during her first unhappy marriage. The rest of his letters are to his family and include descriptions of his 1861 visit to Ned and family in Cloutierville, his excitement and satisfaction in building a boat in his workshop, and playing chess by mail with brother Charles. Another letter describes his travels in Egypt. He went by horseback from Alexandria to Cairo, 130 miles across the Delta. A map he drew while with the Pethernick Expedition on the White Nile was sent home posthumously ([May 12], 1862). On it he notes their location by date and the location of certain flora and fauna.

Over 100 letters and notes are from Lucia D. Brownell ("Mummy"), most of them dealing with local affairs, real estate arrangements, and concerns for her sons' health. Several of these letters mention mediums and the spirit world. After the death of her son Clarence in Egypt, Lucia, Ned, and Henry become interested in reports of mediums and "spiritual pictures.” One item is a copy of a letter that a medium claimed was dictated to him by Clarence's ghost. Ned describes watching a medium who claimed to see "words in fiery letters in the illuminated smoke of my cigar when I puffed" [13 May]. Lucia made several visits to a medium (November- December 1862), ending when the medium was proved a fake.

Correspondence with Henry H. Brownell is well represented. The letters mostly come from Hartford, Connecticut, but letters from Bristol, Rhode Island, are also included. He describes visiting Ned and his family in Louisiana in the 1850s, and accompanying Ned on three of his annual duck and geese hunting expeditions to Lake Catahoula. He seems to have acted as agent for the sale of his brother Charles' paintings when Charles was away in Cuba or Europe - "two little Charter Oaks for $20." [n.d. December 26]. Other letters deal with business matters concerning an inheritance from his grandfather De Wolf involving real estate that he and Charles shared, but unequally. These letters contain little mention of Henry's own writing of poetry and the publication of his books. Two copies of letters to Henry written by Oliver Wendell Holmes praising his work are included [January 13 and February 6, 1865]. A typed copy of a letter from Ernest H. Brownell, dated April 6, 1935, lists letters written by Holmes to Henry H. Brownell. Correspondence to Charles DeWolf Brownell represent his work to honor and publish his brother's writings after his death [late 1880s].

Another part of the Brownell Papers consists of three batches of letters from abroad - the Procter Wright letters from Europe, the Charles and Nettie Brownell letters from Europe, and the Don Martin Ibarra letters from Cuba and Spain. Procter Wright wrote 25 letters (1876-1884) to Mrs. Charles Brownell (Nettie) from Italy, France, Austria, Switzerland, and Germany. He gives good descriptions of his walking and climbing tours as well as his visits to various cities. A few letters discuss religion, including matters of purgatory [April 28, 1880] and creation or Darwinisn [August 18, 1883]. Wright also mentions the death of the artist Jean Louis Hamon, and the auction of his things [July 26, 1876, December 28, 1876]. He reminds Henrietta how much he treasures Charles' painting of "Witches' Cork Tree" that the Brownell's had given him some years earlier [April 9, 1883].

The twenty letters written by Charles and Nettie in Europe (1872-1874) to family at home talk of their travels, their children, and anything unusual that catches their eye - "Creche" day care system in France [August 20, 1873] or a trip to the "Crystal Palace" in London [August 29, 1873]. Charles made small pen and ink drawings on three of the letters - a bird on a branch [July 28, 1872], an Egyptian "cartouche" [May 6, 1873], and a dental molar [March 27, 1874]. Three other letterheads have hand tinted designs - an animal head [August 9, 1872], a ship [May 8, 1874], and boys on a ship's mast [May 13, 1874]. Two letterheads have landscape lithographs by Henry Besley - "St. Michael's Mount from Lower Tremenheere" [August 20, 1873] , "Penzance from Guvul" and "St. Michael's Mount, Cornwall" [August 22, 1873].

The Don Martin Ibarra letters (1855-1872) consist of 86 letters written in Spanish to Charles Brownell. They are mainly from Cuba, but the last several are from Barcelona, Spain. They are warm letters to a good friend and "compadre,” but also contain figures on the production of sugar from at least two "ingenios" or sugar mills near the Cardenas area of Cuba.

A small group of 17 letters from the poet Lucy Larcom (1862-1870, n.d.) were written to Henrietta Angell Pierce Brownell [Mrs. Charles Brownell], and cover the years of Larcom's decision to stop teaching school and to concentrate her energy on her own writing. Her September 19, 1868, letter mentions proofreading a volume for publication, "my cricket-chirpings of verse.”

Eight letters from Henrietta S. Dana (1861-1863) in New Haven, Connecticut, to Henrietta A. Pierce [Brownell] mention Mrs. Dana helping her famous Yale professor husband by taking dictation from him for his most recent book, Manuel of Geology [April 7, 1862]. Her letters also describe the death of two of their children from diphtheria, and her safely nursing one other child through it [December 21, 1861].

Twenty-five letters from Esther Pierce to her divorced and remarried mother, Henrietta Brownell, were written from 1875-1877, when Esther was 14-16 years old and living with her father, Dr. George Pierce, in Providence. Several years earlier, she had been living with her mother and her step-father, Charles Brownell, and had accompanied them on their trip to Europe. Her nickname was "Kit,” and she is frequently mentioned in her mother's letters. The letters from Esther [Kit] tell of a trip to Canada, local people and visits, and her new clothes, sometimes with accompanying pen and ink drawings. Two letters include swatches of fabric [February 6, 1876, and April 23, 1876].

More correspondence to and from the Brownells can be found in the Scrapbook Pages series and the Genealogical Notes and Copies series.

Beginning in the 1880s, the correspondence focuses more on Annie May Angell, who would marry Ernest Henry Brownell in 1891, and her family. Virginia McLain (1867-1953), who lived in the Bahamas as the daughter of the United States Consul Thomas J. McClain, was a frequent correspondent into the 1890s. One letter dated October 11, 1887, includes a carte-de-visite of Virginia. Other letters in the 1880s relate to Charles DeWolf Brownell's efforts to publish his brother Henry Howard Brownell's poetry. Several letters from 1882 and 1883 relate to Charles DeWolf Brownell, his work on the Charter Oak, and his paintings. One letter by Oliver Wendell Holmes, dated February 11, 1883, indicates one of Charles' paintings was displayed in his library.

Correspondence from the 1890s-1910s centers around Annie May and Ernest Brownell, as well as their family circle and acquaintances. Letters written by Bertha Angell to Lewis Kalloch are also well represented in this period. Ernest's letters provide details about May and Ernest's children and marriage, as well as Ernest's work as a Civil Engineer in the United States Navy. Many of his early letters are addressed from the Portsmouth, New Hampshire, Navy Yard. Ernest was also stationed in the Philippines and Bremerton, Washington.

Around 1905 Ernest Brownell became involved with the Brownell Building in Providence, Rhode Island, which the brothers inherited, and in the following years corresponded with his brothers Carl and Edward about various matters relating to family properties. Several letters from 1912 refer to a large fire at the Brownell Building.

Two items from August 1915 were sent to the family of John K. Rathbone relating to the Galveston Hurricane.

Correspondence between Dorothea DeWolf Brownell and Clifford Kyler Rathbone begins around 1918. Clifford Rathbone's letters also detail his career in construction. Material from the 1920s relates to family finances and handling of Kalloch estate matters. By the 1930s letters by Dorinda Rathbone begin appearing, as well as more letters from the Rathbone family, including Myrtle Rathbone of Denton, Texas, and Rosalie Rathbone.

Correspondence from 1942-1943 reflects Clifford Rathbone's unsuccessful efforts to join the military, and Henry B. Rathbone's preparation for the U.S. Naval Academy entrance exams. Following Clifford Rathbone's death in March of 1944, the collection includes many condolence letters. The bulk of the correspondence post-1945 is written to Dorinda Rathbone.

The Bundled Correspondence Sub-series is comprised of letters arranged by later descendants of the family. The first bundle of seven letters spans from December 20, 1820, to January 29, 1825, relating to Pardon and Lucia Brownell's inheritance from the estate of Lucia's father Charles DeWolf. It includes notes by Dorothea DeWolf Brownell Rathbone. The second bundle includes 16 letters written to Pardon Brownell enclosed in Florence Brownell's January 19, 1931, letter to Dorothea Rathbone, spanning from March 1825 to December 1835 and primarily concern affairs with a DeWolf family property. One letter from Lucia DeWolf Brownell, dated June 11-13, 1827, is also included. The third bundle consists of 26 letters written from Ernest Brownell to his wife Annie May Angell Brownell from 1904 to 1940, along with a blank postcard and a photograph, likely of Ernest and Annie May, with the inscription "In Cuba on The Honeymoon, 1891" written on the verso. The letters commemorate their wedding anniversary, and were written while Ernest was serving in the Navy in Portsmouth, New Hampshire; Cavite, Philippines; Bremerton, Washington; Pensacola, Florida; Pearl Harbor, Hawaii; and Newport, Rhode Island. The fourth bundle consists of two letters sent by John T. Lewis, Jr., to Dorothea Rathbone in the mid-1960s, enclosing two letters by H. M. K. Brownell from 1881 and 1883, respectively.

TheDiaries and Notebooks Series includes the following:

• Francis DeWolf Brownell Penmanship Exercise Book, ca. 1833
• "The Lay of the Cuisinier. A Poem; by the Cook of the Enterprise," 1840. Dedicated to Henry Howard Brownell.
• Nettie K. Angell 1856 Diary Cover, with miscellaneous clipping and notes
• Spanish Notebook, 1859
• Unsigned Diary, 1863, written by a mother. It includes details on family events and social visits, particularly concerning children Ethie [Esther b. 1860] and Harry [b. 1863], indicating the author may be Henrietta Knowlton Angell (1837-1897), who bore Esther H. Pierce (b. 1860) and Henry A. Pierce (1863-1867) during her first marriage to George Pierce. Sections have been cut out of pages. A poem by H. H. Brownell is pasted on the back inside cover.
• Bundle of miscellaneous disbound diary pages and miscellanea from 1858, 1861-1863, 1879, 1886, 1888-1893, and 1895, with occasional clippings
• Ernest H. Brownell, "Our Expedition to Falkner's Island, Block Island, and Cuttyhunk," July 1884
• Bertha Angell, 1886 student notebook, Apgar's Plant Analysis
• Clifford K. Rathbone disbound diary pages, 1919
• Construction journal pages, 1922
• Illustration and writing notebook, undated. Hand-painted drawings of women, a man, and flowers are included, along with literary selections and sayings.

The Chronological Documents and Financial Records sub-series spans from 1824 to 1969 (bulk 1824-1920), documenting the legal, financial, and business affairs of the interrelated Brownell, Angell, and Rathbone families. Items include deeds, bills and receipts, insurance policies, bank and tax records, accounts, construction documents, leases, estate documents, and more. A significant portion of the documents relate to the real estate work of Ernest Brownell, Annie May Brownell, John Angell, and Bertha Angell (later Kalloch) in Providence, Rhode Island.

The Bundled Documents and Financial Records sub-series includes:

• Bundle 1: Angell family land documents, 1799-1839
• Bundle 2: John Angell wallet and receipts, 1829-1841
• Bundle 3: Angell estate documents, 1893-1904
• Bundle 4: Brownell estate documents, 1908-1942
• Bundle 5: Clifford K. Rathbone concrete pile documents, ca. 1920s
• Bundle 6: Clifford K. Rathbone wallet, 1941-1944

The Ledgers sub-series includes:

• Partial estate inventory, ca. 1841
• Nancy Angell account book, 1845-1856
• Nancy Angell rent account book, 1863-1903
• John A. Angell and Nancy Angell income taxes, 1867-1871
• John A. Angell estate accounts, 1877-1893
• [Annie May Angell and Bertha Angell?] account book, 1884-1891
• Ernest H. Brownell cash book, 1890-1910
• Annie May Angell Brownell cash book, 1892-1904
• Annie May Angell Brownell check books, 1892-1893
• Bertha Angell account book, 1896-1898, and 1908
• Annie May Angell Brownell account book, 1896-1905 and 1912-1915
• Blank bank notebook, Undated

The Writings series spans from 1811 to 1958 and includes poetry by Lucia Emilia DeWolf Brownell, a lecture by Henry Howard Brownell, school work of Ernest H. Brownell, poetry by Annie May Angell Brownell (some with painted illustrations), and miscellaneous other items.

The Drawings and Illustrations series includes miscellaneous sketches and paintings, two volumes of Henry B. Rathbone's "History Cartoons," one volume of collected work of Emma DeWolf Brownell, and a child's illustrated notebook. Other illustrations and paintings appear throughout other series in the collection, particularly the Correspondence series and Writings series.

The Scrapbook Pages series consists of loose pages compiled by Dorothea Brownell Rathbone, collecting together letters, clippings, documents, photographs, and notes. Material dates from the 1850s into the 1940s. Correspondents represented include Edward R. Brownell, Henrietta Knowlton Angell Brownell, Ernest Henry Brownell, John Wardwell Angell, Edward I. Brownell, Charles DeWolf Brownell, Carl DeWolf Brownell, S. Edward Paschall, Bertha Angell. Photographs of people feature: Ernest Henry Brownell, Clarence Brownell, Charles Henry Brownell, Clifford K. Rathbone, Charles DeWolf Brownell, Douglass DeWolf, John Wardwell Angell, and Bertha Angell Kalloch. Ernest Henry Brownell features heavily in the scrapbook, including information on his education, work, and personal life. Dorothea Rathbone appears to have copied diary entries from October 1884 to March 1887, with manuscript and printed materials pasted in to it.

The Photograph series includes cartes de visite of James T. Fields, Annie Fields, and a gun crew aboard the Hartford. A signed photograph of Oliver Wendell Holmes is addressed to Henry H. Brownell. Gem tintypes of Ada Perkins Kerby, Rachel Perkins, and Charles Townley are also present. Miscellaneous photos include snapshots of the U.S.S. Hartford, a bridge, a construction project, a painted portrait of Betsy Angell, and a partial photograph of figures in a vehicle. A series of eight photographs and negatives depict gravestones. Photographs also appear elsewhere in the collection, principally the correspondence series and scrapbook pages series.

The Ephemera series consists of tickets, calling cards, business cards, a bank exchange note, and a wrapper.

The Printed Materials series includes newspaper pages and clippings, a 1785 almanac, poetry, a disbound copy of Thomas Church's The History of the Indian Wars in New England (New York, 1881), miscellaneous material related to education, one piece of sheet music, a magazine, a program, and a leaflet.

The Genealogical Notes and Copies series consists of notes regarding family history and letters. The J. A. Brownell sub-series includes over 200 hand-written copies made by Dorothea Brownell Rathbone of letters in the possession of J. A. Brownell. A note in the subseries indicates use of these materials requires the permission of J. A. Brownell. The material dates from 1836-1894 (bulk 1836-1850) and principally consists of letters addressed to or written by Henry H. Brownell, including a sizeable number written by Henry H. Brownell to Charles DeWolf Brownell and Lucia DeWolf Brownell. The Miscellaneous Notes and Copies sub-series includes handwritten copies and photocopies of letters, documents, and genealogical information. It includes copies of three letters from Henry David Thoreau to Clarence Brownell dated 1859 to 1861, as well as copies of several of Henry H. Brownell's poems.

The Miscellaneous series consists of scraps, notes, blank paper, and clippings.

The Realia series includes the following items:

• A peg wooden doll with hand-made clothes and painted face, possibly in the style of the Hitty doll in Rachel Field's Hitty: Her First Hundred Years (New York: MacMillan Company, 1929)
• A doll with a dress and bonnet, leather shoes, and painted canvas face
• Two white doll shifts with smocking enclosed in an envelope labelled "Dolls dresses by RVRC for Dorinda" [Rosalie V. Rathbone Craft]
• A handmade infant's nightgown enclosed in an envelope labelled "Sample of handiwork of DBR - nightgown made for D & used by D & H"
• Two ribbons
• Nine skeins of silk thread wrapped in paper with the following note: "Raised in our cocoonery - E. Hartford. Spun by C. D. W. B. at the mill in West Hartford"
• A gray Massachusetts Institute of Technology 1920 wallet, possibly owned by Dorothea Rathbone who graduated from the school in that year
• A shard of wood with a note, "Slivers from U.S.S. Hartford," accompanied by a disbound illustration of the ship
• A metal Waldorf Astoria cocktail pick

The Weld-Grimké family papers consist of correspondence, diaries, notebooks, autobiographical documents, printed materials, photographs, realia, and newspaper clippings. The collection addresses such subjects as abolition, women's rights, temperance, religion, education, and the lives of members of the Weld-Grimké family, including Sarah and Angelina Grimké and Theodore Weld. In addition to this finding aid, the Clements Library has created a comprehensive writer index, which identifies letters acquired by the Clements Library in 2012 and letters published in Barnes and Dumond: Weld-Grimké Family Papers Writer Index.

The Weld-Grimké family papers contain approximately 3,200 items spanning 1740 to 1930, with the bulk concentrated between 1825 and 1899 (14 linear feet total). They form a record of the lives of abolitionists Sarah Moore Grimké, Angelina Emily Grimké Weld, and Theodore Dwight Weld, and they offer insight into the lives of the Welds' children: Charles Stuart Faucheraud Weld, Theodore Grimké Weld, and Sarah Grimké Weld. The collection includes 2,889 letters, nearly 200 newspaper clippings, 16 diaries, 39 notebooks and other writings, a manuscript biography of Theodore Weld, 37 loose photographs, 2 photograph albums, 17 valentines, and 13 objects and ephemeral items. The papers are a valuable source of information on the major reform and political issues of the 19th century, and they provide extensive documentation on the personal lives and activities of the Weld and Grimké families. Although anti-slavery movements and abolitionism are central themes in the papers, the collection includes material on women's rights, the American Colonization Society, temperance, political philosophy, religious introspection and commentary, education, literature, health and dietary reform efforts, spiritualism, and a wide array of other subjects.

In June 2012, descendants of the Weld family donated 961 hitherto unresearched letters to the Library, which focus on Sarah M. Grimké, Angelina and Theodore Weld, and the Weld children and grandchildren between 1853 and 1900 (these letters are included in the quantities of items listed above). The 2012 acquisition has an emphasis on the legacy of the anti-slavery activists, women's rights activism, temperance, family dynamics and activities, physical and mental health, and education.

The Correspondence series spans 1740-1930 (bulk 1819-1900) and contains 2,985 items (seven linear feet). The correspondence is physically arranged in one chronological sequence, although the following summary is divided into two components: Letters acquired by the Clements Library before 2012 (1) and letters acquired as part of the 2012 addition (2).

1. Weld-Grimké family correspondence acquired by the Clements Library before 2012

Prior to 2012, the Weld-Grimké family papers included 2,024 letters, dating mostly between 1819 and 1900, and relating predominantly to the lives and activities of Theodore Dwight Weld, Angelina E. Grimké, Sarah M. Grimké, and their network of correspondents.

Theodore Weld received letters from an array of prominent anti-slavery activists, including the Grimké sisters, Lewis Tappan, Gerrit Smith, Elizur Wright, Jr., Beriah Green, James Armstrong Thome, Sarah Mapps Douglass, Lydia Maria Child, Elizabeth Cady Stanton, Lucy Stone, Charles G. Finney, James Birney, Wendell Phillips, William Lloyd Garrison, Henry B. Stanton, Sereno Wright Streeter, Theodore Erastus Clarke, Dioclesian Lewis, and Samuel Dorrance. Many letters document Weld's friendship and working relationship with Charles Stuart. Letters of Theodore's parents, siblings, and other family members are also present.

From approximately 1821 to 1836, letters pertaining to Weld refer to his early pursuit of a career in the ministry, his association with temperance, and his early anti-slavery activities. Weld and his correspondents discussed the Colonization Society, Weld's near drowning accident in the Alum River in 1832, and his attendance at the Oneida Institute, Lane Theological Seminary, and Oberlin College. In addition to his work as an itinerant speaker on behalf of the American Anti-Slavery Society (AASS), incoming letters show that he received numerous requests to lecture at anti-slavery and temperance societies. His correspondence refers to threats of violence against abolitionists and sheds light on the activities of the AASS.

Weld's correspondence with the Grimké sisters began in 1837. His letters to and from the sisters, especially Angelina, primarily concern women's rights and abolition. Weld's attitude was frequently didactic, and his letters convey much advice to the sisters on becoming political activists. On February 8, 1838, Weld wrote a letter to Angelina declaring his love for her; most of the correspondence between this time and May 1838 revolves around their courtship and wedding. Their wedding certificate, dated May 14, 1838, is present in the collection's series of documents.

Correspondence from 1839 to 1844 is mainly concerned with Weld's publications, American Slavery As It Is andThe Anti-Slavery Almanack , as well as the Amistad court case in 1841. Correspondence with Angelina and Sarah during Weld's brief tenure in Washington, D.C, highlights his work with John Quincy Adams, Joshua Reed Giddings, and others in keeping the slavery question a subject of debate in Congress. The Welds' adoption of the "Graham diet" is discussed in letters of this period.

The years between 1845 and 1853 marked a time of transition for Weld as he began his career as a schoolmaster. Charles Stuart's letters to Weld indicate an increasingly strained friendship, and although Weld still corresponded with other abolitionists, fewer letters address the issue of slavery during the late 1840s and early 1850s. From 1854 to 1867, Weld corresponded mostly with his children. He also received many letters from former pupils, many of whom referenced their educations at Eagleswood. Letters from 1868 to 1895 revolve around the legacy of the abolition movement and family life. Weld began to receive letters from fellow aging abolitionists and their children, especially to offer condolences after the deaths of Sarah and Angelina.

Prior to the Clements Library's 2012 addition, the papers included over 500 letters by and over 250 letters to Sarah and Angelina Grimké. The sisters were introspective writers and typically sent detailed and lengthy letters to their friends and family members. This correspondence provides insight into major events in their lives, such as their struggles with religious identity, their speaking tour throughout Massachusetts in 1837, and the births of Angelina's children. They often discussed books they had read, such as Woman and Her Era by Eliza Wood Farnham, or public talks they had attended. Among their correspondents were Sarah M. Douglass, Jane Smith, Julia A. Tappan, Rachel and Mira Orum, Elizabeth Pease, Elizabeth Cady Stanton, Elizabeth Smith Miller, Susan Wattles, Sarah Wattles, Augustus Wattles, Harriot Kezia Hunt, their brother Frederick Grimké, and others.

From 1825 to 1830, the sisters discussed and reflected extensively on religion. Letters during this period are especially pertinent to Angelina's religious conversions, first to the Presbyterian faith and later to Quakerism. Correspondence between 1831 and 1835 includes content on Society of Friends meetings and Angelina's encounters with Catherine Beecher. Thomas Smith Grimké and Hester Snowdon, a slave whom Angelina had known in Charleston, also wrote letters in the later 1820s.

Between 1835 and 1837, the Grimké correspondence documents the beginnings of the sisters' involvement in the anti-slavery movement. Several items refer to Angelina's published letter to William Lloyd Garrison and others pertain to her bookAppeal to the Christian Women of the South . The majority of letters written in 1837 and 1838 concern abolitionism and women's rights issues, highlighting the difficulties Angelina and Sarah encountered as female abolitionists and public figures. Some of the correspondents with whom the sisters discussed these issues include Sarah L. Forten, Sarah M. Douglass, Henrietta Sargent, Theodore Weld, Jane Smith, and Elizabeth Pease. One letter dated March 30, 1838, was written by Nancy Adams, a formerly enslaved woman living in Uxbridge, Massachusetts, recounting her life story and escape from slavery.

Angelina and Sarah received 16 letters from their mother, Mary Smith Grimké, in 1838 and up to her death in 1839. The letters reveal the sisters' continued involvement in abolition, especially the time they spent conducting research forAmerican Slavery As It Is . Motherhood, domesticity, and Angelina's children were frequent topics of discussion, especially from 1839 to 1847. Between 1848 and 1863, Sarah exchanged two dozen letters with physician and women's rights advocate Harriot Kezia Hunt; Frederick Grimké; and Augustus, Susan, and Sarah Wattles. In addition to discussing abolition and women's rights issues, they also wrote about spiritualism, religion, politics, and other intellectual topics.

2. 2012 Addition to the Weld-Grimké Family Papers correspondence

The 961 letters from the Clements Library's 2012 acquisition span 1853 to 1899, with the bulk dating between 1862 and 1899. The addition is comprised primarily of the incoming correspondence of Angelina and Theodore Weld's daughter Sarah Grimké Hamilton (neé Weld) and her daughter, Angelina Grimké Hamilton, in whose wooden trunk the papers were preserved. At least 75 different writers contributed to the newly discovered body of letters; the most prolific correspondents include Theodore Dwight Weld, Angelina Grimké Weld, Sarah Moore Grimké, William Hamilton, Charles Stuart Weld, and Anna Harvell Weld. The Weld children also corresponded with their parents' associates, including Lucy Stone, James Armstrong Thome, and Henry B. Blackwell. This correspondence is largely family-focused, with content on race relations, women's rights, temperance, and the legacy of the anti-slavery activists and movements. Please note that the following numbers of letters attributed to individuals in this section only include those from the collection's 2012 acquisition.

Theodore Dwight Weld wrote approximately 180 letters between 1857 and 1893. He wrote to his daughter Sarah and granddaughter Angelina Hamilton extensively, offering advice on education, reassurance about Sarah's intellectual development, news about his activities and current events, family and financial matters, and recollections of his younger days. He referenced major sociopolitical issues of the time, such as women's suffrage and temperance (with content on the Woman's Christian Temperance Union). Weld wrote about and provided updates on many family members and friends, including the Shepards, the Birneys, Archibald Grimké, Francis Grimké, Charles Stuart Weld, Anna Harvell Weld, William Hamilton, Angelina Hamilton, and Angelina Grimké Weld.

Notable letters include:

• Series of five letters related to his 1862-1863 lecture tour, including a November 23 letter respecting his speech at Boston's Music Hall. Following the lecture, Senator Charles Sumner thanked Weld profusely for his The Power of Congress Over the District of Columbia (1838) and remarked on recent interviews with President Lincoln over the subject of emancipation. His letter to Sarah Weld dated [November] 24, 1862, contains remarks on a visit with John Greenleaf Whittier.
• May 20, 1863: Mentions a combat injury sustained by James G. Birney's son David Bell Birney ("All the Birneys were in the thick of the fight at Chancellorsville").
• His letters addressed the ill-will that developed between Sarah and her sister-in-law, Anna Harvell Weld. Theodore Weld's remarks on the relationship and his efforts to understand the tension may be found especially in his letters of April 30, 1877; February 23, 1883; and July 12, 1890.
• January 26, 1880: Discusses his lectures on women's suffrage.
• January 6, 1883: Reflects on the death of Mary Anna, with remarks on the emancipation of "Aunty Betsey Dawson" in the 1820s and on Mary Anna's moral courage and self-sacrifice.
• July 25, 1885: Reassures his pregnant daughter, who had expressed fears about dying in childbirth.

Angelina E. Grimké Weld's approximately 260 letters date from 1857 to 1878 (over 170 of them undated). She sent the majority of them to her daughter Sarah or granddaughter Angelina ("Nina"). The primary topics of conversation included food, housekeeping and home renovations, visiting lecturers, financial matters, health concerns, and politics. She also supplied news about Samuel Chace, Archibald Grimké, William Hamilton, Angelina Hamilton, Anna Harvell, the Haskells, the Mosleys, Gerrit Smith's family, the Philbricks, Charles Stuart Weld, Theodore Dwight Weld, and Theodore Grimké Weld.

Angelina Weld provided her daughter with motherly support, shown, for example, by an undated letter (January 20). In it, she addressed Sarah Weld Hamilton's concerns that "little Nina" showed preference to her father William Hamilton, by describing the jealousy she [Angelina] sometimes felt toward her sister Sarah M. Grimké, whom she recognized as having a closer relationship with Angelina Weld's children than they had with their mother. Angelina assured her daughter that she understood her feelings--and that Angelina felt relief when Sarah Moore Grimké moved out of their household.

Angelina Weld wrote multiple letters about the presidential election of 1876, including a compelling discussion of President Hayes' Cabinet and the appointment of Frederick Douglass as Marshall of the District of Columbia. On the latter, she remarked that it must have been hard "for the Democrats to swallow this, and yet I suppose as politicians the hope of the Colored vote to help them into office in future" was a factor in Douglass' confirmation. She believed that the strife of party politics would ultimately work to resolve "the most difficult problem of our day," the reconciliation of the black and white races (March 18, [1877]).

Sarah Moore Grimké's letters to her niece Sarah Weld (later Hamilton), number roughly 100 and span 1853 to 1869 (bulk 1862-1869). Her letters to Sarah offer a glimpse into their relationship, in which Aunt Sarah demonstrated a deep interest in her niece's life, offering educational advice (see for example her undated letter in which she encouraged her niece to pursue courses that would lead to a diploma), expressing concern for Sarah's physical and mental well-being, and discussing her niece's financial concerns/school expenses. Sarah M. Grimké also kept her niece abreast of family news, including details about the mental health struggles of "Sodie"/"Sody" (Theodore Grimké Weld) and the family's efforts to "cure" him (see especially June 10, 1863, and August 22, 1875). She also discussed literature (including Les Miserables in three letters in 1862 and 1863) and politics. Sarah M. Grimké provided updates on and news about Theodore Grimké Weld, the Birneys, Gerritt Smith, Lucy McKim Garrison, Charles Stuart Weld, and Julia Tappan.

Sarah Moore Grimké sent two letters to her niece and nephews while in Washington, D.C., 1853-1854:

• [December 26, 1853 or January 2, 1854?], to Sarah, Charles, and Theodore G. Weld: Offers vivid descriptions of the Capitol building, the Senate and House chambers, and the U.S. Supreme Court. She informed her niece and nephews that she sat in the Chief Justice's chair and proclaimed that perhaps a woman would someday occupy the seat--an act that "amused" her companions. She described the John Trumbull paintings in the Capitol rotunda and noted that the empty alcove would be suitable for another once the slaves were emancipated.
• [March 3, 1854?], to Sarah Weld: Comments that she will be leaving the city soon, but has not yet visited Mount Vernon. She reconciles herself by noting that "although [George] Washington may have done right in his day, yet his achievements in the cause of liberty are connected with cruelty & slaughter, and fail to inspire the mind with that sacred feeling of reverence, which we experience in contemplating the characters of Howard & Fry, of Oberlin and Chisolm." She then describes an incident in which a tall, stalwart, and fiercely angry white man dragged a young African American boy onto the Capitol yard in order to beat him for an alleged verbal slight. Following Sarah Grimké's intervention, which prevented the battery, she followed the aggressor long enough to witness him greeting a young child with great tenderness and affection. The lesson of the experience, she informed her niece and nephews, was that "we are two beings just as the evil or the good spirit has possession of us...let us try to be always under the influence of the good."

Sarah Weld Hamilton's letters, about 120 in total, address women's rights and writing submissions to serials including the Independent (1869-early 1870s), her relationship with William Hamilton and her parents' disapproval of him (see especially October 28, 1869, and June 13, 1871), religion, and temperance. She later wrote about child rearing, family matters, visits to Cambridge and Boston (see especially October 21, 1891, in which she reminisces at length about her youth). Sarah included updates on and anecdotes about the Badger family, William Hamilton, Mary Livermore, the Blackwell family, her parents, Julia Ward Howe and her daughter Laura, "Lizzie" [Elizabeth A. L. Cram], Lucy Shepard, Thomas Hill, and Lucy Stone. Selected examples include:

• November 29, 1869, to William Hamilton: Explanation of her views on women's roles, firmly stating her belief that women should be able to support themselves and not be dependent upon their husbands.
• January 16, 1870, to William Hamilton: Description of Sarah Weld's responsibilities and fellow workers at the Woman's Journal office.
• March 6, 1870, to William Hamilton: Mention of an "octogenarian Grimké" at a women's meeting and a reevaluation of her initial impressions of Julia Ward Howe.
• March 13, 1870, to William Hamilton: Description of voting at Hyde Park with a group of women and the reactions of the men present. In her subsequent letters to William Hamilton, she remarks that he probably views the act as "play-voting," and offers her perspectives on the women's rights movement.
• October 6-31, 1891, to Angelina Hamilton: Eight letters to her daughter while visiting Cambridge, Boston, and Hyde Park, with her father Theodore D. Weld. She offered lengthy recollections of her youth and discussed meetings with children and grandchildren of her parents' friends (Smiths, Wrights, Badgers, Garrisons, et al.), and provided explanations to help her daughter contextualize the information.

William Hamilton wrote about 40 letters between 1870 and 1899, primarily about his health, his wife Sarah's health and death, his daughter Angelina, and his work in various educational and occupational endeavors (ministry, law, trade, and lumbering). Of particular note are his letters to Sarah written while conducting business both in and around Washington D.C. A few examples include:

• July 14, 1870 to Sarah Hamilton: discusses his recurring/continual health problems, which the doctor diagnosed as a disease "of a nervous character."
• August 10, 1872-September 13, 1872, to Sarah Weld Hamilton: Twelve letters to his wife respecting travel and a visit to Washington, D.C., and his return trip to Boston. He described the city in detail, discussing government buildings, the city layout, and General Lee's house. He provided commentary on the presidential contest between Horace Greeley and incumbent president Ulysses S. Grant. On August 29, he noted: "the little I am able to gather about politics here, is that the Negroes are very nearly a unit for Grant--that the old Virginians are all nearly for Greeley and that more recent inhabitants are variously disposed."
• November 6, 1898, to Angelina Hamilton: Discusses Angelina's ethical and spiritual concerns as they relate to practicing as a physician. Offers advice about the dangers of professional rivals, citing Dr. Luella Day as an example.
• January 28, 1899-February 3, 1899, to Angelina Hamilton: Four letters respecting the final sickness ("brain hemorrhage" followed by a coma), death, and funeral of her mother.

Charles Stuart Faucheraud Weld's 10 letters date from 1868 to 1895 and primarily revolve around his duties/role as a son and brother. He wrote about US-European finance, Unitarianism and Dwight L. Moody, his aging parents' health, his efforts to help his brother Theodore engage with others, the death of Theodore D. Weld, and current writing. Charles Weld's wife Anna Harvell Weld sent approximately 50 letters between 1877 and 1895, and was a main source of news for Sarah Hamilton regarding the well-being of Sarah's father, Theodore Dwight Weld, and brother, Theodore G. Weld. Her correspondence also reflects the growing tension that existed between Sarah and herself. A later source of conflict was Sarah Weld Hamilton's desire to write a book about her father's life and her accompanying quest for supporting materials. Anna Harvell Weld also discussed Francis Grimké, Archibald Grimké, Theodore Dwight Weld, Theodore Grimké Weld, and Charles Stuart Weld. Examples of Anna Weld's letters include:

• July 27, 1889, to William Hamilton: Asking for his assistance in stopping Sarah from writing a book about Theodore D. Weld.
• February 12, 1890, to Sarah Hamilton: Anna tells Sarah that Theodore Dwight Weld does not want a book written about him.
• February 16, 1892, to Sarah Hamilton: If someone is going to write about Theodore D. Weld, it should be his nephew, Archibald.
• [postmarked February 3, 1894] to William Hamilton: Discussing Sody's living arrangements. Anna remarks that since Angelina Weld's death, no one has had control over Sody. She doesn't fully agree with sending him to an asylum and had hoped that William and Sarah Hamilton would take him. She refers to Sarah's claim that Sody had made an inappropriate advance towards Sarah, which Anna believes is either a misinterpretation or a faulty memory.

Angelina Grimké Hamilton wrote approximately 30 letters between 1878 and 1899, offering insight into her education and work towards becoming a physician. Her letters pertain to childhood activities, food, family, medical duties/work, and school. Of particular note are the letters she sent between December 9, 1892, and December 16, 1896, to Sarah, William, and Nettie Hamilton. In them, Angelina wrote about her time at Hahnemann Medical College and subsequent internship. She discussed her classes and clinical work, which included dressing a scalded arm, giving children vaccinations, and tending to a sprained ankle. She briefly mentioned visits to the Art Institute (March 5, 1893) and the Columbian Exhibition (February 19, 1893).

In 1868, the Grimké sisters discovered that they had nephews living in Washington, D.C. Although the Weld-Grimké Family Papers do not contain any letters by Archibald, and only two by Francis Grimké (October 31, 1879; November 6, [1879]), the correspondence does include many references to their education, activities, careers, and families. A few examples include:

• July 31, 1868, Sarah Moore Grimké to Sarah Weld: Reference to her "newly found" nephews.
• January 12, 1876, Theodore D. Weld to William and Sarah Hamilton: Brief remarks on Archibald Grimké's admission to the bar: "Mr. B. prophesies that A. will soon attain a position that few lawyers secure when so young. When he was admitted to the bar of the Supreme Court on motion of Mr. Sewall, he was warmly welcomed. One of the prominent lawyers, Mr. Shattuck took him by the hand and said 'Mr. Grimke welcome to our fraternity. From what I hear of you, I doubt not that you will be an honor to the Boston bar.'"
• March 28, 1880, and May 1, 1880, Theodore D. Weld to Sarah Weld Hamilton: Remarks on the birth of Angelina Weld Grimké (NB: who would become a prominent writer, poet, and activist for African American rights in the 20th century).
• February 23, 1883, Theodore D. Weld to Sarah Hamilton: Lengthy description of Francis Grimke's recent week-long visit, his sermon at the Orthodox Church, his Presbyterian congregation in Washington, D.C., and other subjects.
• April 26, 1885, Theodore D. Weld to Sarah Hamilton: Theodore is the only person that has complete information about the departure of Archibald Grimké's wife Sarah Stanley and their daughter Angelina, outside the parties directly involved. While not at liberty to reveal much detail, Theodore provides Sarah with his perspectives on the separation.

The Diaries series contains 16 diaries: Nine by Sarah Grimké, seven by Angelina Grimké, and one by Louis Weld. Sarah's diaries date from 1819 to 1836 and they contain poetry, copies of Bible passages, and her thoughts on religion and marriage. She also reflected on women's issues, on her experiences as a Quaker, and about her daily experiences. Angelina's diaries date from 1828 to approximately 1835 and record her struggles with her transition between the Presbyterian and Quaker faiths, her relationship with Sarah, and her reasons for opposing slavery. The "Angelina Grimké Manuscript, 1832-1833" (beginning, "I think I have sincerely desired to receive a right qualification...") relates to her courtship with Edward Bettle, who died of cholera in 1832.

The Notebooks and Writings series consists of essays, lecture notes, and 39 notebooks kept by various members of the Weld-Grimké family. Theodore Weld's essays cover a diversity of subjects, including the oppression of women, Shakespeare's works, William Lloyd Garrison, abolition, and subjects related to political philosophy. Approximately eight notebooks belonging to Sarah are also in the collection; these include essays on women's political rights, the education of women, and the status of women in society. Her essays, "Sisters of Charity" and "The Condition of Woman" are some of the notebooks with titles. The series also includes Angelina's lecture notes and several undated autobiographical essays by Weld and his children. Of particular note is a biography of Weld written on 22 notepads by his daughter Sarah Grimké Weld Hamilton.

The Photographs series contains loose images in multiple photographic formats, including 18 cartes de visite, 17 cabinet cards, 5 developing out prints, 1 card mounted photograph, and 1 quarter-plate daguerreotype of the Weld-Grimké family by Greenleaf Weld. Also present are a Weld family album of cartes de visite and a photo album related to Eagleswood Academy, containing cartes de visite and tintypes.

The Printed Items series is made up of nearly 200 newspaper clippings, pamphlets, broadsides, and cards. The clippings mainly pertain to the topics of slavery and the abolition movement, although some also concern women's rights and the legacies of Theodore Weld and the Grimké sisters. Also included are family members' obituaries, including those of Sarah Moore Grimké. Nine family Bibles and Books of Common Prayer are also included, dating from 1740 to ca. 1921.

The Realia and Ephemera series contains several linear feet of three-dimensional objects associated with the Weld-Grimké family, including hair, Chinese ivory sewing box (gift of Benjamin Grimké), a cameo brooch, Angelina's eyeglasses and case, a silver Addison watch, a quilt presented by Eagleswood students, and a pocketknife belonging to Theodore Weld, a Chinese fan, a silhouette of Angelina G. Weld, and 17 elegant hand-cut valentines. Most of the items date to the mid-19th century.

In addition to this finding aid, the Clements Library has created a comprehensive writer index, which identifies letters acquired by the Clements Library in 2012 and letters published in Barnes and Dumond: Weld-Grimké Family Papers Writer Index.

This collection consists of letters, documents, writings, bound volumes, printed materials, original art, photographs, ephemera, and other materials related to the life and study of Emily Howland of Sherwood, New York, between 1849 and 1974. Howland worked to advance abolition, African American education, and women's rights and suffrage, and her papers reflect these varied reform movements and her long-standing relationships with leaders in the causes. She was especially active in Freedmen's relief and education in Virginia during and following the Civil War. Her work centering in Northumberland County, Virginia, is documented in the collection, as well as her domestic life in Sherwood following her return there in the late 1860s.

This collection consists of letters, documents, writings, bound volumes, printed materials, original art, photographs, ephemera, and other materials related to the life and study of Emily Howland of Sherwood, New York, between 1849 and 1974. Howland worked to advance abolition, African American education, and women's rights and suffrage, and her papers reflect these varied reform movements and her long-standing relationships with leaders in the causes. She was especially active in Freedmen's relief and education in Virginia during and following the Civil War, and her work centering in Northumberland County, Virginia, is documented in the collection, as well as her domestic life in Sherwood following her return there in the late 1860s.

The Correspondence Series contains letters written to and from Emily Howland from 1849 until her death in 1929, touching on topics like antislavery, African American education, women's rights and suffrage, pacifism, among other social reforms and personal matters. Several items were written to other correspondents within Howland's social circles that were possibly shared with her or others researching her life at a later date. These letters reflect the Howland family's broader social reform networks, including several items written in the 1850s and 1860s to or from David Wright, an Auburn, New York, attorney active in the antislavery and temperance causes, as well as Eliza Wright Osborne, a suffragist, in the late 1890s.

Some of the correspondence from the 1840s and 1850s reflects the Howland family's involvement in antislavery efforts. Circular letters from the New York State Vigilance Committee (March 10, 1849) and the "Provisional Committee, for the Promotion of Education among the Colored People, in such of the Slave States as are, or may be accessible" (October 18, 1849) are present in the series. Hiram Wilson wrote a letter from St. Catharines, Canada, to Susan Marriott, a woman involved in gathering clothing for enslaved people fleeing across the border (October 30, 1851). He noted that Emily Howland alerted him to Marriott's "deep interest" in the work preparing the shipment, indicating Howland's interest in the effort. Similarly, W. O. Dawson wrote to Slocum Howland on November 16, 1853, discussing the travels of William Darsey, a man fleeing from slavery to Canada, and support offered by abolitionists. "He said you told him to have me write you as to his safe arrival at our house," Dawson wrote, confirming the Howland family was active in efforts to assist escape attempts. One writer asked Howland to check in on Catharine M. White, a former resident of the Colored Orphan Asylum, to determine if she was in financial straits, revealing how Howland operated within abolition and benevolence networks (October 26, 1858).

Correspondence in the collection documents Emily Howland's long career supporting education. Several letters between 1857 and 1859 relate to her first foray in teaching, as she taught in the school previously operated by Myrtilla Miner in Washington, D.C. Letters include one dated July 3, 1857, written by Miner noting her failing health and coordinating with Howland for the upcoming school year. A letter Howland wrote while on her initial trip to D.C. is also included, in which she described her voyage to Philadelphia, meeting with Samuel J. May who had promised to raise funds for the school, and picking up a young formerly enslaved girl named Virginia Ayer who was going to attend Miner's school (September 25, 1857). In another early letter home (November 7, 1857), Howland described the climate, flora, teaching 30 students, social visits, and viewing the "Greek Slave" in the art gallery. By February 26, 1858, she was also teaching an evening school and upwards of 40 students in the day school. In May 1858, Howland related a visit she took to the homes of some of her students and speaking with an older enslaved woman. A ca. May 1858 document in the Writings Series, "A visit to Aunt Nella," written by Margaret McAnulty, one of Howland's students, further describes this visit. The final letter written during Howland's tenure at the Miner school is dated March 27, 1859, and reports Myrtilla Miner's return, abrupt dismissal of the teachers, and Howland's hope that one of her students, Susie, might return to New York with her, "the idea of a chance for education overcomes her dread." She noted visiting the student's mother.

Emily Howland was active in contraband camps, Freedmen's relief programs, and African American school efforts during and after the Civil War, and her correspondence reflects these interests. A letter of recommendation written by F. W. Seward endorses Howland's desire to "go to the front to aid in taking care of the wounded," noting how she "has labored very diligently and effectively in the Contraband Camps in this vicinity for the past three years" (May 14, 1864). Letters like the one by Walter L. Clift, a lawyer in Savannah, Georgia, on July 23, 1867, speak directly to struggles experienced by Black Southerners during Reconstruction, commenting on efforts to collect "small claims against their employers who take advantage of their inability to keep accounts to defraud them of their wages" and their political sensibilities and registering to vote.

Howland was instrumental in purchasing land and raising funds for the construction of a school in Heathsville, Virginia, in 1867 and her correspondence reflects her ongoing investment in the project, through discussions of financial issues, building upkeep, and land transfers. On July 13, 1867, L. Edwin Dudley wrote from the Union Republican Congressional Executive Committee office in Washington, D.C., offering support for raising funds for the completion of the school and noting his endorsement of woman suffrage. A detailed letter from F. E. Dow documents the construction of the Howland Chapel School in Northumberland County, Virginia (August 25, 1867), noting African American residents' efforts in the construction and securing government funds. The correspondence also documents the transfer of land ownership from Howland to African American residents in Heathsville and Howland's reasoning to do so as "a great check on the wicked wills of the old slaveocracy, who let no whit of a chance to oppress escape them" (January 16, 1870). On April 17, 1876, Howland wrote while in Heathsville overseeing repairs to the school and managing land sales, including one to a man she "put the screws on" to press him to be more industrious and build a house on the land in order to secure the sale. Other letters indicate ongoing relationships with the Black community in the area, including two letters from Thamsen Taliaferro written when she was 22 years old indicating she was a teacher preparing to leave Heathsville to undertake other educational efforts in Manassas, possibly attending the Manassas Industrial School for Colored Youth with Howland's financial support (January 6 and 17, 1895). At least two letters were also written by Sidney Taliaferro Boyer (1854-1927), who was taught by Howland and was active in the Heathsville region (August 4, 1903), and Howland references her elsewhere in her correspondence. Several letters between Howland and Anna M. Stanton, who taught at Heathsville, are also present.

Howland frequently corresponded with others involved in contraband relief efforts and African American education, including Cornelia Hancock, who moved to South Carolina in 1866 to work alongside newly emancipated enslaved people and founded the Laing School for Negroes in Mount Pleasant. Letters between Howland and Hancock in the collection span from 1865 to at least 1884, beginning just as Hancock was preparing to begin her post-war labors. In one dated December 20, 1865, Hancock bristled at Philadelphian Quakers' failure to recognize Howland and other women's efforts in the South. Hancock's frustrations with the Society of Friends continued through the month as she tried to prepare a trip south, lamenting on December 31st that "Their extreme timidity seems to rest in a fear that their teachers will not have a feather bed to lie on and hotel fare for diet." She wrote requesting Howland's financial assistance to secure her transportation to South Carolina, "and I know too thee is not fastidious about where the work is done so it is getting done." Putnam directly linked Howland's support as essential to bringing her to the Laing School and reflected on their shared sense of dissatisfaction and restlessness at the close of the Civil War. She enclosed a manuscript map of the Mount Pleasant, South Carolina, region and worked with Howland to secure funds to purchase property on Cat Island to transfer to African American residents (January 14, 1869). She continued to write to Emily and Slocum Howland about land purchases and financial matters relating to her efforts in South Carolina, African American residents working in the area, and the strain the labor placed on her health.

Howland also stayed in regular contact with Caroline F. Putnam who founded the Holley School in Lottsburg, Virginia. She noted a festival endorsing "care and vigilance for the protection of the hitherto enslaved" (April 17, 1871) and reflected on their early ventures ([November 12, 1906?]). Howland wrote frankly to Putnam regarding their shared interests in education and other matters, including financial inducements to encourage African American voters to decline liquor licenses in Heathsville, Virginia (March 20, 1898), the Spanish-American War (February 8, 1899), and Putnam's ongoing work in Virginia (January 14, 1901).

Two letters written by Sallie Holley, a close colleague and partner of Putnam, are in the collection, written in October 1867 while she visited Howland in Sherwood, New York, after the passing of Howland's mother. They touch on the waning of abolitionist sentiment, teaching, Charles Sumner's wife, and Howland's comments about her "Virginia life" and the need for land ownership by the formerly enslaved. One letter from Howland includes a later annotation that it may have been addressed to Holley, but the attribution is unverified (March 11, 1866). A letter written on March 7, 1893, concerning Sally Holley's will acknowledges some of the tension that could arise in the work, as her will allowed Putnam's continued use of the school but not its ownership.

Howland maintained a long-lasting friendship with Harriet Tubman, and several letters in the collection relate to Tubman, including correspondence arranging for her to speak at the National Association of Colored Women's convention in Washington, D.C., in 1896 by figures like Victoria Matthews who was helping to organize the convention (July 8, 1896). These items were not addressed to Howland, instead principally directed to Eliza Wright Osborne, so their presence among her papers is suggestive of them being forwarded to Howland, possibly to aid in working to secure Tubman's presence. Other letters reference discussions of reprinting biographies of Tubman and working to record her oral histories, including by figures like Franklin Benjamin Sanford. While these letters tend to focus on the events and projects, descriptions of Tubman emerge, such as having a limited "ability to speak in public" (July 1, 1896), or that "She is difficult to understand, unless one is familiar with the negro talk; but she can tell her experiences very graphically, and she seems to have a very good memory" (July 4, 1896), or that she would "want her books for Washington" (July 5, 1896).

Others reference Tubman visiting with Howland and include anecdotes about her experiences, such as having surgery and tending to an impoverished widow (September 5, 1897), or her tendency not to eat until after noon on Fridays, "the hour when the Lord descended from the cross" (November 24, 1899; June 22, 1900), or wondering whether Tubman would include the Manassas Industrial School in her will (June 14 and 20, 1900). Howland recounted one encounter with an African American man who claimed to be fleeing from lynching threats in North Carolina and was directed to her by Tubman, which turned out to be a scam, underlining the depth of the two women's relationship and how Tubman's reputation was wielded for unintended purposes (October 21, 1905).

Howland wrote twice to Eliza Wright Osborne (January 11 and 28, 1897) referencing her displeasure with a meeting and financial decisions for the nascent Harriet Tubman Home for Aged and Indigent Negroes, as well as her scathing displeasure with the fundraising efforts of John J. Smallwood for the Temperance, Industrial and Collegiate Institute. She noted her enlistment of Booker T. Washington and William Lloyd Garrison in her opposition, hinting at the complicated politics and interpersonal conflicts present in such efforts. Garrison wrote to her on November 5, 1896, about his work to publish warnings in newspapers, to expose "him by voice & pen for two years" as a "phenomenal liar, forger & sneak" and to work with Booker T. Washington to spread awareness.

Into the twentieth century, Howland continued to financially support educational institutions, including those focused on Black education such as the Kowaliga Academic and Industrial Institute for Colored Youth in Kowaliga, Alabama; Selma University in Selma, Alabama; the Piney Woods Country Life School for Training Colored Boys and Girls in Christianity, Character, and Service in Braxton, Mississippi; the Manassas Industrial School for Colored Youth in Manassas, Virginia; and the Tuskegee Institute, in Tuskegee, Alabama. Oswald Garrison Villard wrote to Howland on June 18, 1907, with a detailed report of the Manassas Industrial School, its teachers and administrators, plans for construction, and the need for contributions. Other letters reference the building of Howland Hall (December 17, 1910) and the secession of leadership following Oswald Garrison Villard's resignation (November 1 and November 22, 1912). Laurence C. Jones, principal of Piney Woods Country Life School, wrote a letter of thanks for Howland's interest in the institution and described the hardships African American communities were experiencing in Braxton, Mississippi. Howland also was heavily involved in the Sherwood Select School of Sherwood, New York, and letters in the collection reveal her planning, financial support, and frustrations with the school.

Howland also provided financial support for individuals' educational pursuits, and letters of thanks for her generosity (see August 11, 1903) or correspondence describing specific cases (August 6, 1903) are present in the collection. Howland's letter of January 11, 1897, illustrates how she worked her interpersonal networks towards her causes. She wrote to her colleague Mrs. Osborne, about a former African American student from Auburn, New York, Mary Williams, whom she had secured a teaching position for at the Manassas Industrial School and was now in need of someone to fund her salary. Howland noted Williams visiting her and following up on his request for Osborne's support, which is also in the collection (December 7, 1896).

Howland was heavily involved in efforts to secure women's suffrage in New York State, and letters relating to the New York State Woman Suffrage Association are included as well as those detailing efforts to advance women's suffrage during the New York State Constitutional Convention. Correspondence touches on meetings and conventions, distribution of materials, planning events and campaigns, financial concerns, and political outcomes, among other topics. Letters to Howland from various politicians indicate she was writing to them concerning their positions relating to suffrage. In a letter dated November 8, 1917, to her niece Isabel, Howland wrote about celebrating the successful vote for women's suffrage in New York, including getting their photograph taken at the Headquarters, a copy of which is present in the Photographs Series of this collection.

Howland corresponded with those working to advance women's suffrage in other states and at the national level. Her letters include those relating to Wimodaughsis, the National Council of Women of the United States, the National-American Woman Suffrage Association, among others. A November 9, 1893, telegram from Fred E. Smith from Greely, Colorado, announces it to be "the 1st State in the Union to extend Equal Suffrage to Woman," and a letter from her cousin J. H. Allen of Canon City, Colorado, answered questions Howland posed about the impact of women's suffrage in the state (November 4, 1897). Howland also reacted to the 1911 referendum in California that extended suffrage to women (October 21, 1911).

In the course of her work to advance women's suffrage, Howland amassed correspondence with many involved in the effort. The collection includes five letters from Susan B. Anthony, remarking on the tension between women's suffrage and enfranchising formerly enslaved men (February 29, 1892); the New York State Constitutional Convention (December 27, 1893); distribution of The History of Woman Suffrage, including to African American institutes and libraries (November 4, 1895); travel arrangements (April 2, 1899); and directions for sending mail (May 15, 1899). A postcard sent to Howland in August 1903 was addressed to her, care of Susan B. Anthony, suggesting how the two visited and travelled together on occasion. Other correspondents include figures like Harriet B. Laidlaw, Eliza Wright Osborne, Alice Stone Blackwell, Mariana W. Chapman, Harriet May Mills, Anna Howard Shaw, among others.

Several items reflect international efforts, including a manuscript circular letter originally written by Marie Goegg of the Association Internationale Des Femmes, dated March 1870. A June 8, 1889, letter written from Alice Stone Blackwell of the Woman's Journal to Hannah Howland refers to the upcoming Woman's Rights Congress in Paris and their openness to receiving a report on the proceedings. Anna Howard Shaw wrote to Howland on December 4, 1907, about European meetings and getting "in touch with some of the old suffragists again," and wrote from Triberg, Germany, on July 19, 1908, commenting on her international trip, her speech in London, and plans for future events in England. An undated letter from the Central Committee of the National Society for Women's Suffrage in London, England, notes their willingness to send Howland notice of their meetings. Other letters indicate Howland was tracking international news, like her letter dated March 28, 1898, where she noted, "progress since the time of Roman splendor & vileness is not so great as some shallow good folks may flatter themselves, with our lynchings & prisons & the condition of Cuba & Armenia the world is not in sight of the millennium & will not be soon." She elsewhere reflected on the "Philippine question" (May 25, 1902) and the suffering caused by the First World War (November 1, 1914).

Howland met and corresponded with Pandita Ramabai Sarasvati, a noted reformer from India who advocated for the rights of women, widows, and orphans, who visited the United States from 1886 to 1888. Howland wrote of meeting Ramabai and Dr. Rachel Bodley of the Woman's Medical College of Pennsylvania on August 23, 1886, calling it a "red letter day in my calendar." Howland described Ramabai and their conversation, noting a discussion about religion and missionaries, women in India, opposition to English rule, and some references to Anandibai Joshee. Howland also wrote about introducing Ramabai to Harriet Tubman, and Ramabai inquired after Tubman and sent her regards in subsequent correspondence (December 20, 1886; October 31, 1889). Letters between Ramabai and Howland continue through 1895 and touch on women's rights publications, speaking engagements, introductions to Howland's networks, fundraising, plans for visits, and the school Ramabai ran in India. Ramabai also wrote of the death of Rachel Bodley and confusion about financial affairs, including an order under Howland's name for twenty-four copies of her book The High Caste Hindu Woman (July 27, 1888). She requested at least twice for Howland to write to her about her work with African American causes. In her letter dated January 10, 1890, Howland obliged, describing her personal history, being raised in an abolitionist house and a "station on the Underground Railroad," feeling the constraints of the "bonds of custom" of Quaker tenets, and her entry into teaching at the Miner school. Several pages are missing from her autobiographical letter.

In addition to state and national affairs, Howland appears to have stayed apprised of local politics as well. A letter from the Superintendent of the Board of Education in Auburn, New York, wrote to her on December 19, 1883, in regards to whether women could vote at school meetings. Howland's political activities are also represented in her correspondence, such as her work with the Sherwood Equal Rights Association and the Cayuga County Political Equality Club.

The lines between Howland's work with Freedmen's relief, Black education, and woman's suffrage sometimes blurred, with her letters on behalf of race-based projects written on suffrage letterhead, or correspondence with those she likely met while working on Freedmen's affairs, such as with James Inglish Ferree, touching on women's rights (June 5, 1882). On April 5, 1903, Howland wrote to Caroline Putnam about a trip she was taking in company with Susan B. Anthony to the Tuskegee Normal School and Kowaliga Academic and Industrial Institute. A letter dated February 28, 1913, from the president of the Ohio Woman Suffrage Association, Harriet Taylor Upton, asserts that "the Washington people have decided wisely in regard to the colored question," and in a letter dated May 2, 1913, Howland wrote of Anna Howard Shaw and how "she is blamed because there is no more organizing done in the South but since Southern women will exclude colored women she is not in it."

Howland remained in communication with Margaret Jones Burleigh, an abolitionist and reformer who taught Howland for a period in her youth. Burleigh connected Howland with Edward Strange, a British immigrant who had been incarcerated and whose reform Burleigh took a particular interest in. Letters in the collection reflect on their partnership in this issue, Strange's housing and eventual stay with Howland, his health, care, and diet as he lived with tuberculosis, his thoughts on religion and his personal changes, broader interest in his case, concerns for his spiritual state, and his eventual death in March 1872. Howland referred to Strange in childlike terms and admitted to a sense of motherly affection inspired by him (March 15, 1872), and compared her grief to "some bereft mothers to whom I have listened who never knew when to stop talking of the departed" (April 11, 1872). Additional items relating to Edward Strange can be found in the Documents Series (a document penned by Strange authorizing Howland to tend to his personal property), in the Writing Series (Howland's retrospective of her full encounter dated April 3, 1872), and in her Diary.

Later in her life, Emily Howland became more active in pacifist efforts. Alfred H. Love, president of the Universal Peace Union, wrote to Howland on July 8, 1909, to discuss the organization's business and publications and seek her continued support. Five undated postcards from the American Relief Administration reflect her involvement with the program during World War I, seemingly for food packages, and in a letter to Caroline F. Putnam on November 1, 1914, she lamented the consequences of World War I, including her belief in the "crime against animals" by using horses in battle.

Miscellaneous correspondence with family members and friends from the Sherwood, New York, region document Howland's everyday life. Some letters suggest her family's broader interests or awareness of what would intrigue her, such as her nephew Herbert Howland describing his visit to Jamaica, Mexico, and South America, commenting on race and armed conflicts (January 21, 1903). Howland corresponded with friends over decades, and in her later years she reflected on aging and historical memory. For example, she wrote on March 17, 1914, "I find that I must keep out of the Past, as it makes the Present so poor, and summons a yearning feeling to follow."

The Documents Series spans from 1840 to 1928, the earliest being a manuscript copy of the rules for the Nine Partners Boarding School. Other materials reflect Howland's work supporting African American education. Three items relate to Myrtilla Miner's school in Washington, D.C.: a "List of scholars during April 1858," a bill of lading for apples and butter sent to Howland while teaching there, and "Questions in history prepared & written by Mrs. Seward.... When teaching Miss Miner's school in 1858 & 9." A copy of the 1869 "Deed of Bargain & Sale" that transferred ownership of the property in Northumberland County, Virginia, from Emily Howland to Benjamin and Beverly Taliaferro, Robert Walker, and Maurice Moore is also present, with the condition that "a school shall be established and maintained thereon, wherein no person shall be excluded on account of race, color or sex."

One document signed by Edward Strange on December 11, 1871, empowers Howland to dispose of his property upon his death.

• A typescript of resolutions passed by the Women's Christian Temperance Union and the Cayuga County Political Equality Club opposing the refusal to allow women to vote for school commissioners in New York, ca. 1892
• "Signers of the Anti Suffrage Petition from Aurora," ca. 1890s
• A typed notice announcing that The Woman's Journal was "no longer the official organ of the National American Woman Suffrage Association," ca. 1912
• A tally of Auburn, New York, votes for and against the 1915 suffrage referendum
• An undated copy of legal articles concerning voting in public school meetings
• An undated, blank form for a constitution for a branch of the Men's League for Woman Suffrage
• An undated typed copy of the "Plan to be Submitted to the State Committee" regarding organizing for an upcoming vote on a suffrage amendment
• An undated delegation certificate for John T. Hughes
• A blank subscription form for the National Society for Women's Suffrage
• A New York State Woman Suffrage Party pledge in support of women's suffrage
• An undated "Twenty-Five Greatest Women Guessing Contest of New York State Suffrage Association" entry form filled out by Emily Howland

Other items pertain to the Political Equality Club, the Women's Christian Temperance Union, and the Emily Howland High School in Aurora, New York.

The Writings Series includes miscellaneous written works, such as essays, poems, drafts, speeches, and obituaries. Several of the poems are political in nature, including one reflecting on women's political positions. A poem written by W. Darwin Wooden in June 1856, consists of acrostics for Charles Sumner and Stephen A. Douglass, focusing on their political positions relative to slavery, and another undated poem by A. H. Reynolds of Auburn, New York, is entitled "Tribute to Susan B. Anthony." Others are more sentimental in nature, but at least one undated poem was copied on a fragment of a letter from Harriet May Mills, providing insight into the intermingling of Howland's literary and political worlds.

Other items in the series reflect Howland's longstanding interest in suffrage. Howland wrote a draft for a speech to the Political Equality Club of Cayuga County ca. 1897 about women voting in school meetings. Typed lyrics to the song "Help Us Win the Vote" by Deborah Knox Livingston are noted as being sung to the tune of the "Battle Hymn of the Republic." A copy of Howland's October 26, 1915, letter to the editor of the Advertiser Journal refuting an anti-suffrage address is also present, as is an undated draft of an article for the Advertiser relating to suffrage. Undated draft notes in Howland's hand for a letter to George Allen Davis, Chairman of the Senate Judiciary Committee, appeal for his support to strike the word "male" from the New York constitution.

Materials documenting Howland's efforts with educational projects are also well represented in the series. Margaret McAnulty, an African American student at Myrtilla Miner's school, wrote an essay ca. May 1858, "A visit to Aunt Nella," describing a trip Emily Howard took with students to visit their families and an older enslaved woman. This corresponds to a May 23, 1858, letter written by Howland in the Correspondence Series. Two other sheets of draft notes reflect on the history of Myrtilla Miner's school near Washington, D.C., one written on the back of a partially printed circular sent in March 1868 by Jerusha M. Skinner to former patrons of the School for Colored Deaf, Dumb and Blind Children.

Two copies of a circular appealing for financial support of the Holley School appear in Howland's hand, ca. March 23, 1901, with notes about Mr. Chadwick plagiarizing her writing. An undated essay entitled "The Story in Brief" regarding the Holley School in Lottsburg, Virginia, was possibly written by Sarah Thomas Miller.

Another undated piece provides personal opinions about higher education for African Americans and that "we must discriminate and choose the proper education for the individual."

Typescript copies include a piece entitled "A Virginia School" from the February 1899 Friends' Intelligencer regarding the history of the Heathsville school. Typescripts detailing Cornelia Hancock's work during and after the Civil War are also present, along with an envelope annotated by Howland, "A letter from Cornelia Hancock and a M.S. account of her life in the army at various places and times beginning at Gettysburg." It is unclear whether the typescripts are the contents Howland refers to or were added to the envelope at a later date. The series also contains typed and manuscript notes for commencement addresses by Emily Howland and others for the Sherwood Select School in the 1920s.

Several items in the series relate to Howland's pacifist beliefs. Between 1919 and 1924, Howland copied three of her reports for the Women's Christian Temperance Union concerning peace. These sentiments are further echoed in a ca. 1919 draft responding to anti-suffrage sentiments and advocating pacifism which was written by Howland on miscellaneous scrap paper, including letters from the First Congregational Church in Little Rock and the Tuskegee Normal and Industrial Institute, a brochure of the closing exercises of Centreville Industrial Institute, and a circular for the National Cyclopaedia of American Biography. Another undated draft responds to a piece in Harper's Weekly about foreign policy and war, and is written on the verso of printed New York Woman Suffrage Association notices. Two other drafts relate to pacifism, one a resolution deploring "the present belligerent attitude of nations, & the spirit of conquest wh. everywhere prevails" and the other reflecting on how patriotism does not require "a jealous dislike of other nations & peoples." An undated draft of pacifist resolutions opposing "the present belligerent attitude of nations" is also present.

Howland wrote a 23-page retrospective, recounting her experiences with Edward Strange, a British man who had been formerly incarcerated and who spent six months ill with tuberculosis at her house, dated April 3, 1872. She described how they met, his stay with her, and the progression of his disease. She also noted the tumultuous emotions his stay caused, calling it a "whirlpool of feeling - a confusion as great as the mystery he was to me. Mystery then, mystery now and ever!"

Obituaries for Lisette M. Worden, Sarah Thomas Miller, C. de B. Mills, William Howland, and Elizabeth Jacobs are included.

The Bound Volumes Series consists of four items. The first is a handmade blank book wrapped in stenciled wallpaper, inscribed by Emily Howland, "My 1st day school book when a little girl." It includes copies of religious texts and answers to Biblical questions. One page appears to bear the name "Sidney Taliaferos," but additional research is needed to verify whether this was written by Sidney Taliaferro Boyer.

The second volume is a commonplace book kept by Emily Howland's brother, William Howland, ca. 1850s-1860s, in which he compiled quotations and proverbs and pasted in various newspaper clippings relating to recipes, remedies, legal subjects, poems, and miscellaneous topics like whining. Subjects relate to the law, politics and society, education, morality, and more. Some content is suggestive of abolitionist circles, such as quotations from the North Star and Gerrit Smith.

The third volume is Emily Howland's diary dating from January 1, 1871, to March 11, 1873, opening with Howland travelling away from home, likely in Heathsville, Virginia, and in discussion with Theodore Dow about partnering together with the school (January 11, 1871; January 31, 1871). Several entries include quotations written in dialect and Howland noted her reaction to "their strangely inspiring songs" (February 2, 1871), suggesting she was meeting with African American residents, and she recorded visiting the schoolhouse. By March 9, Howland had returned to Sherwood, and her diary entries reflect on the weather, family and social visits, local news, and her emotional state.

The diary skips from August 14, 1871, to March 27, 1872, beginning again with a brief reflection about her sadness over the death of Edward Strange ("Teddy") beginning to lift. The diary records her housekeeping tasks, attending religious services and Sunday School, reading, visits and correspondence, and remembrances of Strange and adjusting to his absence. Her entries reflect displeasure with the demands of domestic labor and a troubled emotional state. Howland expressed some dissatisfaction with the limited recognition she received for her efforts, "A good many times I've been omitted where it seemed to me I belonged, or I've had to see others reap where I had sown. How keenly H Greeley must felt this. One is not anxious to be conspicuous but one likes recognition of ones good intentions or one's services or places" (December 10, 1872).

Some content in the diary reflects Howland's ongoing interest in racial affairs, women's rights, and benevolence. At least two entries reference Native Americans (May 1, 1872; June 6, 1872), and others note making donations to Freedmen's groups (October 18, 1872; January 23, 1873), attending a festival for the Orphan Asylum (August 2, 1872), and reading material such as the Woman's Journal (January 27, 1873) and Eminent Women (July 22, 1872). Throughout the diary Howland made several mentions of Colonel Charles W. Folsom, Sidney (possibly Sidney Taliaferro Boyer), and Caroline Putnam.

The fourth volume is a minute book for the Quaker Picnic Association of Sherwood for 1894-1904. "Resolutions of Respect and Condolence, on the death of Hannah L. Howland" are laid into the volume. The volume documents meeting attendance, committees, discussions, and votes relating to the planning of the Sherwood picnics, in addition to accounts of the picnics themselves. William and Hannah Howland were especially active in the association, and several other members of the family also appear in the minutes.

The Printed Materials Series contains the following pamphlets, brochures, and programs:

• A Short Account of William Terry, A member of the Masonic Society… (Poughkeepsie, 1820)
• The Annual Catalogue of the Teachers and Pupils of the Poplar Ridge Seminary (Auburn, 1845)
• Three copies of Emily Howland, New York State Report for 1891, Presented at the Nineteenth Congress of the Association for the Advancement of Women, by Emily Ward Howland, Vice President (Syracuse, 1892). All three have "Ward" crossed out of Howland's name, and one bears a stamp, "From the Papers of Miss Emily Howland Presented 1934."
• The Twenty-fifth Annual Convention of the National-American Woman Suffrage Association… January 15, 16, 17, 18, 19, 1893. (s.l., [1893])
• Report of the New York State Woman Suffrage Association. 25th Annual Convention (Syracuse, [1893]). Includes names of Emily Howland and Lydia S. M[ains?] on the front cover with the note "Moravia raised $14.30 for Miss Shaw's Meeting June 8." A newspaper clipping about a Political Equality Club meeting and a manuscript list of officers and committees, with Emily Howland as the president, are pasted into the front of the volume.
• Addresses of His Excellency, Grover Cleveland, President of the United States, and Booker T. Washington, Principal of Tuskegee Institute, Tuskegee Alabama, Delivered at Carnegie Hall. (New York.) Home Missionary Meeting, March 3, '94, Under the Auspices of the Presbyterian Church, of America. (s.l., [1894])
• Report of the Annual Meeting of the Ramabai Association Held March 18, 1896 (Boston, 1896)
• The Fortnightly… Programme, 1897-'98 (s.l., [1897])
• Elizabeth Cady Stanton To her life-long friend and co-worker Susan B. Anthony on her eightieth birthday (s.l., 1900.
• Annual Reports, October 1st 1901. Supplement to the Junior Republic Citizen (Freeville, [1902])
• Mary Jane Howland Taber, "Friends Here and Hereaway Continued," in Old Darthmouth Historical Sketches. No. 12. Inscribed "Mr. Herbert Howland With best wishes for a pleasant Christmas & Happy New Year from the author." (s.l., 1905)
• Ida Husted Harper, History of the Movement for Woman Suffrage in the United States (New York, 1907)
• Two copies of The Forty-First Annual Convention of the New York State Woman Suffrage Association (s.l., [1909])
• Sanitary Laws and Regulations In and For the Town of Scipio, Cayuga County, N.Y. ([Auburn, New York], 1909)
• The Forty-Third Annual Convention of the New York State Woman Suffrage Association (s.l., [1911])
• Two copies of Lucy Jacobs, A Historical Sketch of Sherwood Select School, 1871-1911 (s.l., [1911]). One with a stamp on the front cover, "From the Papers of Miss Emily Howland Presented April 1934."
• The American Ramabai Association Report of the Eighteenth Annual Meeting, March 28, 1916 (Boston, 1916)
• The Westonian: A Monthly Magazine for Friends 21.1 (January 1916). With Emily Howland's name added in manuscript on the cover along with the note, "A Quaker Schoolmistress p. 9."
• A Brief History of Laing School, Mt. Pleasant, S.C. Covering Sixty Years of Service, 1866-1926. Together with a Picture of its Founder, Cornelia Hancock… (s.l., [1926])
• Joseph Tallcot, The Acorn. Designed to Promote Oral Instruction and Moral Influence in Common Schools Vol.1, No. 3 (Skaneateles, n.d.)
• A. F. Beard, Samples and Examples. By A. F. Beard, Corresponding Secretary of the American Missionary Association (s.l., n.d.), with a focus on the Kowalgia School in Alabama.
• The Charleston Exchange for Woman's Work Cookbook, (Charleston, n.d.)
• Charles F. Dole, G. S. Dickerman, and Roger F. Etz, Little Journeys to Piney Woods School (s.l., n.d.)
• Constitution of the New York State Woman Suffrage Association (s.l., n.d.)

A number of broadsides, circulars, and fliers are also in the series relating to topics such as Freedmen's Relief, Reconstruction, women's suffrage, the Political Equality Club, temperance, African American educational institutions, pacifism, and more. These include two "Votes for Women" broadsides featuring maps of the United States color-coded to identify suffrage status, as well as instructions on how to fill out ballots regarding suffrage questions. Oversize materials include two printed broadsides advertising lectures by Harriet May Mills, President of the New York State Woman Suffrage Association, and one printed broadside advertising a lecture by Mrs. Minnie J. Reynolds, who "lived and voted in Colorado for many years and is fairly conversant with the working of suffrage in the hands of woman. She is not one of the window smashing kind, but is noted for her intelligent and womanly methods."

The series also includes newspapers and periodicals. Full papers include editions of the Ulster County Gazette (a later reproduction of the January 4, 1800 edition), with content relating to the death of George Washington; the New-York Weekly Tribune (November 17, 1849); the National Anti-Slavery Standard (August 12, 1852); two volumes of the Evening Auburnian with articles concerning the death of James Garfield (September 20, 1881 and September 24, 1881); the Woman's Tribune (January 13, 1894); The National Bulletin (April 1892); The Peacemaker (October 1902 and April 1905); and Young People (September 23, 1933). Single sheets from an unnamed paper from 1876 reported on the "Soul Stirring Speech" of Col. R. G. Ingersoll to "the Boys in Blue" in Indianapolis about the Democratic Party, and a single sheet from the Advertiser-Journal of April 18, 1918 reports on the passage of prohibition in Auburn, New York, and women's influence in the vote.

Student periodicals include a copy of the Tuskegee Institute's The Student (February 1897); a copy of the The Industrial Student (November 1926) with an article about Emily Howland and her support of the Southern Industrial Institute in Camp Hill, Alabama; two volumes of The Intermountain Institute News (January 1928 and April 1932); and two volumes of The Pine Torch from 1940 relating to the Piney Woods School in Mississippi.

Various newspaper clippings dating between 1894 and 1965 primarily focus on local, state, and national suffragist activities, the Cayuga County Political Equality Club, profiles of Emily Howland and other women's rights activists, and reports on anti-suffrage news and opinions. Several relate to the Sherwood Select School, including a memorial for Hepisbeth C. Hussey (ca. 1908), the Tuskegee Institute, and other topics. A number of the clippings include notations of the newspaper name and date in Emily Howland's hand.

The collection contains several books including educational material, a sammelband (composite volume of multiple publications) of anti-slavery, farming, and temperance almanacs, the six-volume set of History of Woman Suffrage (inscribed by Susan B. Anthony to Isabel Howland), a Bible, and a copy of Harriet: The Moses of Her People (1901). Please see the list in the Additional Descriptive Data section for more information.

The Postcards Series consists of 76 blank postcards produced by companies and photographers like Fred Harvey, Detroit Publishing Company, Karl E. Moon & Co., among others, featuring imagery relating to Native Americans residing in the Southwestern United States, particularly New Mexico and Arizona. One postcard from the sequence can be found in the correspondence series with a postmark of August 6, 1932, suggesting the postcards were likely produced in the 1920s and 1930s. Images include artistic renderings, color printed photographs of portraits of individuals and families, scenes of everyday life and labor, artistic and cultural productions like woven blankets and pottery, buildings and pueblos, and dances and other gatherings. The bulk of the postcards represent individuals from the Hopi tribe, but other tribes and nations include the Dakota, Navajo, Apache, Pueblo, Hualapai, and Havasupai.

Two additional blank picture postcards are also included, one depicting the Sherwood Select School and the other for "Oklahoma Women Want Votes for Women. Let the People Rule Women are People," showing a woman standing at a desk.

The Photographs Series includes cartes-de-visite, tintypes, cabinet cards, a real photo postcard, a cyanotype, photographs, and reproductions, ranging in date from 1863 to the mid-twentieth century. They feature portraits of Emily Howland, women's rights activists, African American schoolrooms and students, and residences and Quaker meeting houses related to the Howland family, among others subjects. Portraits depict individuals such as Emily Howland, Lucretia Mott, Elizabeth Cady Stanton, Susan B. Anthony, Henry Ward Beecher, Pandita Ramabai Sarasvati, and Anna E. Dickinson, as well as an unidentified man seated in a wheelchair, possibly Edward Strange, a formerly incarcerated man who died of tuberculosis in Howland's home in 1872. Photos of Emily Howland include three of her in regalia, relating to her receiving her honorary doctorate in 1926 and her centennial birthday, and other photos depict her from young adulthood through older age. There is a reproduction of a photo of Emily with her father Slocum Howland, and an original snapshot of her seated with the "Brown children" in 1921. There is also one photo of an unidentified African American man standing before Howland Hall in Statesboro, Georgia.

Group photos are also present in this series. One group portrait is of the National American Woman Suffrage Association's 1891 delegates, with Susan B. Anthony, Anna Shaw, and Emily Howland present, among others. One photo shows thirteen women, a child, and a man inside a Cayuga County suffrage office, decorated with pro-suffrage posters, American flags, and Cayuga County Political Equality Club flags. Emily Howland captioned it: "Nov. 7, 1917 - 'The Morning After' - the victory of Nov. 6," commemorating the passage of woman suffrage in New York State. It may have previously been part of a scrapbook, as it is affixed to a sheet bearing a clipping from the November 11, 1917, Post-Standard newspaper from Syracuse, New York, for "Suffrage Party Leaders and Advocates."

Photographs in the collection reflect Howland's longstanding interest in African American education. Two photos depict the Holley School at Lottsburg, Virginia. One, a reproduction of an 1893 photograph of the interior of the Holley School, is accompanied by a note likely written by Isabel Howland describing a visit to the establishment with Emily Howland. It shows a Christmas tree, bookshelves, portraits, flags, and several African American students. The other is a class photo from 1907 with several rows of students and their teacher(s), with a pencil inscription on the back reading "Miss Putnam's school." A reproduction of a photo taken in 1897 depicts Howland posing in front of a machine, noted on the back as one she "presented . . . to the iron-workers" at the Tuskegee Institute, while another reproduction of a photo taken in 1908 shows a group of people, possibly African American students and residents, standing outside of the "Howland School & Buildings" in Avalon, Virginia. A reproduction of a photo of Emily Howland, two white women, and an African American man and woman is labeled "Principal of Kowaliga School, 1913." A reproduction of a photograph of Emily Howland shows her seated in a chair while wearing a floral crown and two African American girls seated on the floor on either side of her. A pencil note written by a relative identifies it as a photo taken during a visit to Manassas, describing a program in Howland's honor. One mid-twentieth-century photo of a group of African American men, women, and children gathered in a cemetery was identified by the dealer as "likely Heathsville, Virginia" but requires further research to confirm.

Other photos primarily document places. Some of these appear to have been taken or reproduced in relation to Florence W. Hazzard's research on Emily Howland and include materials depicting the interior and exterior of Howland family residences and the Sherwood Select School. Two card photographs, dated 1912 and 1914 respectively, relate to Quaker Meeting Houses. They bear inscriptions on the verso by Emily Howland describing how she attended meeting in one for forty years and how her parents were married in the other. Another card photograph is of the exterior of "Leonard Searing's former house," again with an inscription by Howland with information about individuals captured in the photo.

The Original Art Series consists of five items. An unattributed artist drew three pencil sketches on March 23, 1891, of the exterior of the Holley School at Lottsburg, Virginia, Sallie Holley's residence, and a "Virginia log cabin" with individuals, possibly of African American descent, outside the front door. An unattributed and undated watercolor painting of the "Old Hicksite Meeting House West of Scipioville" is also included, as well as a manuscript map of the western United States with pen and ink and pencil drawings on the verso of buffalo, John Brown, a murderer at the gallows, two bearded men wearing hats, and a box addressed to F. D. Kohler.

The Ephemera Series contains business cards, notices related to the Association for the Advancement of Women and the Cayuga County Political Equality Club, several invitations for Howland during her stay in London during the 1899 International Congress of Women, and a sheet of paper that was previously used to wrap a biscuit "From the Queen's table spread . . . to refresh the members of the Council who went to see her by invitation" during the Congress. A disbound portrait of Slocum Howland and a clipped portrait of Anna Howard Shaw are also present. The series includes a handheld fan encouraging New York voters to vote in favor of woman suffrage in 1917. It features a poem on one side (The rose is red / The violet's blue / We want to vote / As well as you!) and a statement to "Keep Cool and Raise A Breeze for Suffrage!" on the other. An undated bookplate for S. Clayton Sumner and a small remembrance of Susan B. Anthony and Elizabeth Cady Stanton are also present.

The Research Materials Series includes approximately one linear foot of items relating to the historical study of Emily Howland, principally by historians Florence Woolsey Hazzard, Charles V. Groat, and Phebe King from the 1940s to 1970s. The series contains correspondence to Hazzard and Groat relating to their research, drafts of historical writings and biographical sketches on Howland, research bundles on various topics from Howland's life, photocopies and typescripts of original sources, and miscellaneous notecards and citations.

This collection contains letters written to George H. S. Driver from family members and friends between May 31, 1860, and February 1865, during his service with the 23rd Massachusetts Infantry Regiment, Co. F, of Annapolis, and while he was on board the Union ship Highlander. Also included are two lists of food stores for the Highlander, and one photograph of a soldier holding a cap with a Co. F, 23rd Regiment insignia.

This collection consists of approximately 107 letters, one notarized document regarding a financial transaction from S. Driver & Sons, two lists of food stores for the vessel Highlander, and one photograph of a soldier holding a cap with the Co. F, 23rd Reg. insignia on it. The March 2, 1862, letter contains a small sketch of a robin. Four of the envelopes are embossed: two with "D.B. Brooks & Brother, Publishers & Booksellers, Stationery & Music, Salem, Mass." and two with "Revere Bank, Boston." Enclosed with the letters are several newspaper clippings and some strands of cat fur from a family pet.

The letters were written to George H. S. Driver from family members and friends between May 31, 1860, and February 1865, during his service with the 23rd Massachusetts Infantry Regiment, Co. F., while he was stationed in Annapolis, and when he was on board the Union ship Highlander. The collection contains one partial letter written by George himself, during his Civil War service. The remaining letters were addressed to him in Boston between the fall of 1862 and 1865. The most frequent family correspondents were George's half sister Helen [Driver] Brooks, his parents, his younger brother Samuel, and his sister Susan. His seven-year-old nephew Stephen D. Brooks wrote several short letters. George also received letters from several friends, but most frequently from Ned R. Bigelow in Salem.

These letters, written to a Union soldier early in the Civil War from his parents and siblings, combine an optimistic view of the war with practical parental advice about problems that their son had obviously shared with them. His father advised him not to express his views about officers or "the strictness of the soldier's life" (December 17, 1861). "As to your Officers you must remember they are all about as green in actual service, as yourself, they have got the trade to learn, and allowance must be made for them" (December 22, 1861). The letters from his mother and older sister Helen are often religious in nature, urging him to use his military service to foster Christian values in his fellow soldiers. They stress that he has two distinct duties -- one to his country, and one to God. Letters from his younger brother Sam are breezy youthful letters describing local news, from ice skating conditions on the nearby pond, to the murder of a local woman (April 3, 1862). Sam went into great detail about the "chamber pot" incident at a local fire (December 31, 1861; January 1, 1862) and passed on the shocking rumor that water for "our soldiers" has been put into used "Kerocene oil casks" (February 14, 1862). Sam recounted having his photograph taken for a teacher's album, complaining that it made his face look fat (February 4, 1862; March 1, 1862).

The entire family was sympathetic to the plight of the slaves: Helen took tea with a blind, black lecturer on slave life, Mr. Johnson of "N.B." (December 11, 1861); George's mother sent a care package to "the poor contrabands at Fortress Monroe" (December 17, 1861); his grandmother sent him a newspaper clipping about the iron collars used on slaves (April 13, 1862); and his father urged him to "become the instrument of salvation to [the darkies]" (November 26, 1861). In the only letter written by George himself, he strongly denounced slavery (December 1861): "As to slavery I hope it too will be done away with. Whenever I see or talk with any slaves my blood boils with indignation to think that such a system is allowed in a free country. I hope and pray that slavery will be abolished simultaneously with the war. I have advised slaves to run away and tell them I am fighting for their freedom." References were made to the capture of Mason and Slidell (November 20, 21, 26, & December 5, 1861), and to fear of the Merrimac: "Our Government have been asleep on this subject, but we are awake now, and are building lots of iron clad steamers" (April 13, 1862). Two letters describe, in great detail, the military funeral for Sam Brooks, who returned home wounded, and died two weeks later (April 3 and 7, 1862).

The collection includes the following series: Kurt P. Oppermann and family papers; Oppermann Fur Company records; collected materials on historic preservation, miscellaneous, Saginaw, Michigan history, and collected papers of others including Bude Volusin, Mabel C. (Scott) de Fere, Marion C. Weir, and Frank Selzer.

The collection is divided into the following series: Papers of Kurt P. Oppermann and his family, the Oppermann Fur Company Records. Materials Kurt largely collected include: Historic Preservation Materials, Miscellaneous Materials, Saginaw Michigan, Materials, and the Papers of Other Saginawians, including: Bude Volusin; Mabel C. (Scott) De Fere; Marion C. Weir; and Frank Selzer.

The collection provides detailed, personal information about Kurt and his family who were pivotal in the fur and newspaper business, as well as in the musical and social life of Saginaw in the late 19th and early 20th century. His interest in history prompted him to collect photographs, blueprints, and other information on Saginaw history, families, and buildings. This is a valuable collection to study family letters and relationships, Germans in Saginaw, Saginaw history, Saginaw buildings, and the fur business in the late 19th and early 20th century.

The Papers of Kurt P. Oppermann are divided into the following subseries: Biographical Materials (.5 cubic ft. in 1 box), including obituaries, funeral cards, published histories on the family, and Kurt’s Account Book, 1939-1941; his Diaries, 1920, 1926, 1936, 1946, and 1970; high school class notes, 1911-1912, and a Seemann and Peters stock certificate, 1946.

Photographic Materials (2 cubic ft. in 4 boxes), includes a wide variety of photographic materials with images of the extended Oppermann, Nerretes, and Peters families and their friends from the 19th century through 1973. Twentieth century reproductions of 18th and 19th century images of Oppermann ancestors are also included. The subseries include an ambrotype, cartes-de-visite, daguerreotypes, glass-plate negatives, various types of film negatives, positive prints, tin types, and both photographic and negative albums. Many of these photographic materials are partially identified. Images show family members in formal poses, in the family yard at 130 N. 6th Street, Saginaw, on fishing trips, at Kurt’s Arrowhead Farm, various trips Kurt took throughout Michigan and Germany from the 1930s through the 1960s, the interior and exterior of the Oppermann family mansion, and Dr. and Mrs. Karl Kangler richly dressed in Arabic costumes for a costume party. The 19th century Cartes-de-visite Album contains images of Oppermann, Nerretes, and Peters family members. Some of the photographs were taken by the Goodridge Bros. and by Armstrong and Rudd’s Gallery. A photograph album, late nineteenth century, is also included with the volumes at the end of the collection.

Personal Correspondence to Oppermann Family Members (approximately 3.25 cubic ft. in 7 boxes) is the next series. The Oppermanns wrote extensively over decades to each other. They loved each other very much and wrote fairly long, detailed letters covering a wide variety of family news such as illnesses, deaths, weddings, homework, bumps and bruises, as well as religious, social, musical, and fur business news.

All correspondence within each subseries in this collection is in chronological order.

Kurt’s letters to his family are divided into: Letters to One or Both Parent and/or Siblings, 1914-1934, and undated (approximately 1 cubic ft. in 1 box); Letters to Friends and Family, 1914-1916, 1918, 1926, 1929 (1 folder); and letters to Letto (Lydia), 1929-1930 (2 additional folders).

Letters to Kurt from his parents are next and include: Letters from both of his parents, 1917; Letters from his Fathers, 1912-1930 (Scattered) and undated (2 folders); and from his Mother, 1914-1935 (approximately 1 cubic ft. in 1 box). Letters between Kurt’s Mother, Nettie (Peters) Oppermann, and her family and friends before her marriage, 1887-1890, and between Nettie and her new husband, Gustav Oppermann, and her parents, Mr. and Mrs. Charles H. Peters, Sr., and her siblings, 1891-1894 (4 folders) are next. These letters are particularly affectionate and tender, proving that her family embraced Gustav into their family and that they loved each other very much.

Letters to and from Kurt and his siblings are next and in general are quite affectionate and full of news of jobs, family members, and the health and accomplishments of their children and grandchildren. The only negatives in the letters occur in the late 1930s over concerns the siblings had that Art was ruining the family fur business and what Kurt should do to save it. Clearly Kurt was believed by his siblings to be the only one with a chance of saving the business, the family reputation, and Art. A description of the letters of the Oppermann siblings is as follows:

Letters of Arthur “Art” P. Oppermann and his wife, Hulda with Kurt, 1910-1927 (Scattered), and undated, and a letter Art sent to the editor of the Saturday Evening Post rebutting insults about Germans and American neutrality, 1915. The letters between Art and Kurt end in 1927. Before 1927 many of the letters talk about family news and the fur business. After 1927, their relationship deteriorated. This was in part due to the other siblings’ widely held view that Art had ruined the family fur business and Art’s bitterness towards Kurt as a result of Kurt’s actions to try to save the business. (5 folders).

Letters with Eugene “Gene” P. Oppermann and his wife, Stella, 1916-1942 (Scattered, 1 folder). Gene and Kurt were quite close and lived together in the old Oppermann family home from 1936 until Gene married. In his letters, Gene encouraged Kurt by November 16, 1936 to push Art onto “the right track” to avoid the disgrace and destitution of the family and for Kurt to impose a system on the business to get it going. He supported Kurt in staying in the family home because he was the only single sibling and had been shunted for years between Saginaw and New York on family business. The letters document a positive, close brotherly relationship between Kurt and Gene.

Letters with Helen “Letto” (Oppermann) Edgerly, 1916-1964, and 1974, and undated (5 folders). She maintained a pleasant relationship with Kurt all her life although they were often physically separated by thousands of miles after 1925.

Letters with Paul “Barney” P. Oppermann, 1916-1975 (Scattered), and undated. (4 folders) These letters like the ones between Kurt and Pat are affectionate, but not unusual.

Letter with Peters “Pat” Oppermann, 1916-1974 or 1975 (Scattered, 1 folder). Like the letters between Barney, these letters are affectionate, but not unusual.

Letters with Robert “Bob” P. Oppermann, and his wife, Stella, 1916-1974. (Scattered, 5 folders). Included here are weekly reports to Bob from Kurt from January through March 1937 that mention the strikes and shutdown automobile plants and the effect of that and the generally poor economy on the Oppermann business. In March 1937 Bob mentioned Kurt’s 18 acres and Kurt mentioned how he needed the good air there.

The subseries concludes with Personal Correspondence [with] Extended Oppermann Family Members. This includes Kurt’s aunts, uncles, cousins, and a niece, 1916-1961. Most of this correspondence consists mainly of family news, with some holiday or birthday greetings. Some of the correspondence with his cousin, Helmut Oppermann, in Germany is in German and some is about family genealogy.

Political Correspondence consists of one folder each of correspondence with Charles “Charlie” Koehler, a Saginaw City Councilman and friend of Kurt’s, 1947-1960; a letter from Kurt to Adolph (surname unknown) protesting his being treated as a city employee, 1942, in regards to being in or helping to organized an orchestra; and correspondence with Stephen J. Roth, the Attorney General of Michigan, 1949-1950.

General Correspondence between Kurt and his friends covers a wide variety of general family and personal news. Like all the correspondence in this collection, it is filed chronologically. It is divided in two sections. First, correspondence with Kurt’s friends with whom he had regular but sporadic correspondence, perhaps one or two letters a year for a decade or so (approximately 1.75 cubic ft. in 4 boxes). The correspondence is fairly regular, 1909-1942, and particularly good during World War I. It is more scattered, 1943-1974, and undated. Some of his good friends that he had extensive correspondence with during the 1920 and 1930s include: Dick Townsend, Jo Polak, Van George, Ben Bartlett, Hazel McMullen, Helen and Jane Runyon, Kate Wolf, Marguerite Geoffrey, Lucile Whitman, George Long, J.W. “Wes” Harrison, Howard “Howdy” Ewen, and Mabel (Scott) de Fere.

Kurt’s brother, Barney, with whom Kurt was very close, also knew and was friends with most of Kurt’s friends of this period. Harriet, Dorothy and Lucile, possibly nurses or patients are sometimes referred to as “the three maidens”. Many of these friends also spent time recovering from illness at Castle Point, and many of them knew each other.

The second section is General Correspondence of friends with whom Kurt extensively corresponded over long periods, on specific topics of research, and with whom he exchanged multiple letters monthly (1 cubic ft. in 2 boxes.) Kurt was friends with all the women, but they were mostly just penpals. His correspondents include: Catherine Ditzler, 1916-1934 (the correspondence ends after she married in June 16, 1934); Dr. W. W. Florer, 1950-1954, and undated, with whom Kurt discussed historic settlement near and in Saginaw; William D. Fueher, 1953, re: German Language in public schools and German communities in Michigan; Jenny Heyne, 1914-1925; Dr. Carl Ibershoff, 1919-1951 (Scattered) and undated (some materials in German); Mollie Jensen, a friend of Kurt’s ex-girlfriend, Christine, who wrote to Kurt through a third friend to avoid scenes with her jealous husband, Norman, whom she finally divorced in 1929, 1927-1934, and undated (2 folders); Myron E. Leppy, 1926-1930; Rita Moloney, 1930-1932, 1939; and Sinfonia Fraternity at the University of Michigan, 1915-1931 (Scattered). Also there is correspondence with Dorothy Miller, 1921-1922, 1925, and undated. Dorothy’s letters indicate that she was Kurt’s girlfriend, but this may have been a long-distance emotional relationship only.

The second largest series in the collection is that of the Oppermann Fur Company Business Records. The records are divided by format into loose papers and smaller volumes that fit into the boxes, and then oversized volumes.

The papers, 1915-1937 and undated (4.5 cubic ft. in 9 boxes) are filed alphabetically by the type of material, and then chronologically. A wide variety of financial records is represented here, including accounts, a ledger, inventories, job receipt books (documenting customers and work they wanted done or items created), mailing lists, lists of prospective customers, publications, sales records, tax receipts, and work notes, among others. It is clear that Kurt examined these records in his effort to try to save the business and that he inherited them when the business closed.

A great strength of this series is the Business Correspondence, 1918-1925. It is divided first in to Business Correspondence with Companies, and then with Customers. Kurt kept the records in roughly alphabetical and chronological order for 1920, 1921, and 1919-1925. The companies include suppliers of furs, leather, beadwork, embroidery silk, buttons, tanning and curing supplies, as well as stationery, food, tools, and office supplies. Companies with whom they conducted extensive or specialized business, such as women’s clothing, and Charles F. Wagner, a fur merchant with Wagner, Jodie and Co., 1919-1924, and with G. Gaudig and Blum Corp., 1923-1925, are filed separately. Many of the fur related businesses had beautiful stationery with various animals and furs, as well as images of their establishments. Filed with some of the correspondence are catalog books, fliers, business cards, and swatches of material.

Sixteen Oversized Volumes of business records, 1888-1934 (approximately 5 cubic ft.), document both the Saginaw and Flint Oppermann fur stores. The volumes are physically located at the end of the collection. The volumes include an Account Receivable Book, Day Books, a HUGE, very heavy Scrapbook of advertising and fur business information on the Oppermanns, A. J. Jaeckel and Company, and other fur companies mainly in New York City, Job Receipt Books, and Ledgers, two of which are indexed, and two others which include inventories of the Flint Store. Many of the advertisements in the Scrapbook are from various Saginaw newspapers.

A third series in the collection is Historic Preservation Materials (.5 cubic ft. in 1 box). This consists of materials Kurt accumulated or generated to create public interest and organizations, including the Heritage Foundation Association, the Saginaw Historical Building Foundation, and the Saginaw Historical Heritage Committee, all of which Kurt helped found, to save old Saginaw buildings, 1949-1962. Among the buildings of interest to him and his friends were the Webber House, which is extensively documented here, the Saginaw Civic Center, the Old Saginaw Auditorium, and the Arthur P. Hill High School. Unfortunately for Kurt, many people in Saginaw had little money or interest at the time to save the buildings which were destroyed. Also documented here are the efforts of white people in historic areas of Saginaw to prevent their property from being purchased by African Americans in the early 1960s. This effort is documented in the Johnson-Lapeer-Janes Neighborhood folders. At first Kurt created an advertising draft that was blatantly racist to get supporters. The draft was amended after advice from a friend of Kurt’s who was on the city commission.

The Miscellaneous series (.5 cubic ft. in 1 box) includes mostly Kurt’s correspondence with various people, including his apartment manager, letters to the editor of the Saginaw News, 1936-1957 (Scattered) on a variety of topics, and a collection of lovely, undated greeting cards, as well as one folder of Kurt’s miscellaneous poetry, 1911-1973, and undated.

The Saginaw, Michigan, Materials (1 cubic ft. in 2 boxes) consists of advertising fliers on auctions, 1960-1965; and meeting minutes and attachments of various Saginaw committees and boards, including the Christian Business Men’s Committee; the Saginaw Board of Appeals on Zoning, 1955-1960 and 1968; Saginaw City Council, 1953-1959 (Scattered); and information on Saginaw Schools and the Saginaw Sewer Construction Progress Reports, December 1955-February 1959.

A few legal-size items, mainly legal items, are found in Box 30 due to their size. Items of particular interest include correspondence regarding Kurt’s tuberculosis claim, 1924-1969 (Scattered); legal papers of Kurt and other family members, 1936-1968; and Oppermann Fur Co. Advertisements, Sketches, and Fur Business related Materials, 1920-1939, and undated.

The last series in the collection is Papers of Other Saginawians. Mabel C. (Scott) De Fere’s papers came to Kurt after she died. Other papers, including those of the family of Bude Volusin Kurt either collected or people gave the papers to him knowing of his interest in Saginaw history. Included here are some letters of the family of Bude Volusin, a Saginaw architect and builder, 1853-1871 (some in German). The papers of Kurt’s longtime friend and Saginaw teacher Mabel C. (Scott) De Fere (April 10, 1899-March 15, 1968) include her Correspondence, Biographical Materials, Certificates, a Diploma, and Teaching Materials as well as numerous Photographs and other materials documenting her family and friends in Bergland, Michigan. Mabel married Tom De Fere by 1926. They divorced by June 4, 1936. One letter notes that Kurt and Mabel became engaged on January 5, 1939, but they apparently never married. Mabel loaned Kurt over $700 by 1942, at which time Kurt considered her co-owner of Kurt’s Arrowhead farm. The papers of Marion C. Weir consist mostly of his published and unpublished poetry and correspondence with Kurt, 1917-1959. His published poetry was published by the Oppermann Fur Company. Lastly, in the Oversized Volumes there is an account book of Frank Selzer, a Saginaw artist and probably a lithographer, 1930-1941, documenting companies, people and newspapers for which/whom he did artwork.

Due to size, a few items have been placed in Oversized Folders immediately before the Oversized Volumes. These include Folder #1, Webber House Blueprints (copies, 2), 1960; Oppermann Fur Co., Advertising, Sketches, etc., 1926, 1933-1934, and undated; and Certificates and a Diploma of Mabel C. (Scott) de Fere, 1914, 1916-1917, and 1936.

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

1. Biographical and Professional Material [Bentley]
2. University of Michigan Teaching Career [Bentley]
3. Publications and research [Bentley]
4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

The Christopher Van Deventer papers contain incoming and outgoing correspondence and documents concerning the War of 1812, the politics of the 1810s and 1820s, and the political career of John C. Calhoun.

The Christopher Van Deventer papers contain 622 items, including 569 letters, 38 financial and legal documents, 6 newspaper clippings, 5 diaries, an essay, a map, a photograph, and a printed item. The papers span 1799-1925 (bulk 1810 and 1835).

The Correspondence and Documents series contains Van Deventer's incoming and outgoing letters, receipts, certificates, and other documents, spanning 1799-1900. The materials cover various stages of his career, including his role as deputy quartermaster general in the early stages of the War of 1812, his imprisonment in Quebec and attempted escape, his friendship with John C. Calhoun and involvement in national politics, and the scandal which ended his public career.

The series opens with several letters and memoranda about the neutrality of the United States leading up to the War of 1812, including a manuscript essay signed "Gilbert" and entitled "Ought the United States to abandon Neutrality by forming an alliance with either Belligerent?" and the urgency of reconciliation with both Great Britain and France (filed after 1809). Samuel de Veaux, the commissary of Fort Niagara, also contributed several letters on the topic, stating in one, "the maintainance [sic] of a strict neutrality will be at the expense of the honour, the dignity, and the independence of the nation" (March 6, 1810). Upon the outbreak of the war, most letters and documents concern war efforts and Van Deventer's duties with the Quartermaster Department. These include requests concerning British fortifications at Niagara (June 28, 1812), the use of receipts to track expenditures, the construction of boats at Sackets Harbor (February 11, 1813), and a reconnaissance report concerning Fort George ([1813]).

After Van Deventer's capture at the Battle of Stony Creek on June 6, 1813, the collection documents his imprisonment in Quebec from July 1813 to February 1815. Letters received by Van Deventer include assurances from friends that they will get him exchanged (July 9, 1813), updates on his daughter (August 20, 1813), and details of his finances back in New York. Van Deventer also wrote frequently to friends and family members, describing his state of mind and the conditions of his imprisonment. On October 31, 1813, he noted that he was in "close confinement…limited by bolts and bars and locks" along with about 45 other American officers. He also provided a report of American officers confined with him, including names, ranks, corps, and remarks, and noted that they were "arrayed in a suite of upper rooms" with four men per room (November 4, 1813). Several letters contain references to a failed attempt to escape that he tried in late 1813. On December 25, 1813, he wrote, "I now am as miserable a condition as a man can be: in solitary confinement…deprived of my servant cut of[f] from converse with my countrymen." Van Deventer's imprisonment seemed to take an increasing toll on his mental state; on March 26, 1814, he wrote, "You tell me not to be discouraged--'hope!' ha, ha, ha, 'hope,' hope for what?" He also wrote in one letter that he had resolved "to practice the Stoic principle that 'whatever is independent on choice, is nothing to me'" (May 24, 1814).

After ca, February 1815, the date of Van Deventer's release, the collection primarily concerns correspondence relating to his career as chief clerk in the War Department; American politics, including the presidential candidacy of John C. Calhoun; the scandal related to Rip Raps shoal contract; and scattered personal and financial letters. In his role in the War Department, Van Deventer corresponded on numerous military matters. On January 16, 1818, he discussed the peacetime establishment of the United States Army and its reduction in size (January 15, 1818). Around 1819, he noted his support of Andrew Jackson's attacks on the Seminoles in Florida, stating, "we do affirm that neither the Constitution nor the laws have been violated by marching our forces into Florida" [1819].

The collection also contains approximately 12 letters written to Van Deventer by John C. Calhoun between 1818 and 1836. These concern such topics as political appointments (September 2, 1821), Calhoun's predictions of doom for the John Quincy Adams administration (August 12, 1827), the growing rift between Calhoun and President Andrew Jackson (May 12, 1830), and several letters concerning the Rip-Raps affair, including Calhoun's pledge of support of Van Deventer against charges of military contract fraud (March 25, 1825). In a letter dated July 23, 1827, Calhoun responded to Van Deventer's suggestion that Calhoun should visit the north "with the view to remove unfavorable impressions" of him there, commenting that he did not want to undertake such a task simply for the sake of popularity. In addition, Calhoun noted that he foresaw "a great crisis" in United States public affairs. In another letter, of March 24, 1833, he addressed the nullification crisis, writing, "I have no doubt the system has got its death wound. Nullification has dealt the fatal blow." Also included are approximately 15 letters relating to Calhoun's candidacy for president in 1824, including Van Deventer's endorsement of him ([1823]), and a discussion of the upcoming election (September 21, 1824).

Also included are numerous letters and documents relating to the Rip Raps military contract scandal, including substantial correspondence between Van Deventer and Elijah Mix, an assertion of confidence in Van Deventer's character by James Monroe (November 27, 1826), numerous letters of support from friends and colleagues, and a printed report by the U.S. House of Representatives (May 22, 1822). The materials cover many aspects of the scandal and its aftermath.

Also present in this series is a copy of Charles S. Smith's printed map, Map of the City of Quebec (New York: 1796), located in Box 1.

The Diaries series contains five brief, loose-leaf diaries covering the following periods: April 26-May 5, 1819; January 10-March 3, 1825; October 13, 1825-July 3, 1826; July 4-November 3, 1826; and December 2, 1826-April 7, 1827. Entries are terse and business-like in nature and track Van Deventer's activities as chief clerk in the War Department, including the correspondence and reports he received, colleagues with whom he spoke on various matters, and documents that he wrote and sent. In a few entries, he mentioned comments made by John C. Calhoun; for example, on January 10, 1825, he noted that "Mr Calhoun remarked on Mr [DeWitt] Clinton's speech, that Mr Clinton had put himself on his Mr Calhouns ground--that the Radical party was wholly demolished…." In an entry of November 23, 1825, he discussed public perceptions and popularity of Calhoun in Washington, D.C.

Papers of the Wells family of New York (State) and Saginaw, Michigan, include business records, correspondence, diaries, genealogy notes, photographs, oversized materials, and Eclipse Motor Car Company vouchers.

The Wells Business Records, almost all legal-size (2 cubic feet in 5 boxes), is divided into Eclipse Motor Car Company Vouchers, 1906-1911 (3 boxes), and Traverse City Iron Works Estimates, 1931-1942, except for 1940. Eclipse Motor Car Company was an automobile company based in Saginaw and operated by the Smith family that was later purchased by General Motors Company. It ordered iron supplies from Traverse City. Also included is one folder of letter-size business correspondence requesting catalogs and information on machinery of the Brady Cooperage Machinery Company, which was located in Manistee and Traverse City, Michigan, 1911-1916. This was apparently a company that supplied machinery to make barrels. Apparently, Brady Cooperage Machinery Company made round wooden tire spokes for the Eclipse Motor Car Company.

The Wells Family Correspondence, 1823-1947 (Scattered), and undated (5 cubic feet in 10 boxes), is composed almost entirely of letter-size correspondence between Wells family members and their extended relatives, Cochranes, Smiths, Wadhams, and Wells, and their friends and some business associates. Correspondence is filed alphabetically by surname, then first name of the writer of the letters, and chronologically within each folder. Additional miscellaneous items that do not fit elsewhere in the collection, such as locks of hair, report cards, etc. are also filed with correspondence. It is clear that for the most part the families through the generations cared about each other. Most of the letters concern family news of birth, deaths, marriages, news of illness and social events. Letters that may of particular interest to researchers include: A letter to Mrs. Wallis Craig Smith (nee Jean Wadhams Wells, daughter of C. W. Wells) from Mrs. Jefferson Davis, 1905, with an undated clipping of Jefferson Davis’ signature; Civil War correspondence of C. W. Wells to his parents, siblings, and friends, 1861-1865, particularly a letter discussing a battle with Confederate General James Longstreet’s troops, April 23, 1863; Correspondence from California discussing earthquakes, business, and gold mining, from Chester (Chet) Wells to his parents and siblings, 1853-1886; To Wells, Ermina, from William and Col. Luman Wadhams (cousin) and L. Wadhams (nephew), mostly in San Francisco, 1850-1882 (scattered). The Wadhams operated a general store in San Francisco; Correspondence from Wells, Jane A., to Benjamin and Charlie (sons) and Charlie’s wife, Mollie, June 3 and 14, 1876 re: death of their daughter Mattie of Scarlet; a letter from Mollie Wells to Mr. Paxson regarding Women’s Temperance, November 11, 1870; a letter from C. W. Wells to daughter, Jean W. Wells, October 10, 1893 while at the World’s Fair in Chicago; and Correspondence from Cochrane, John to Jane Cochrane (mother), James C. (brother), and sister, 1848-1862 (This includes an 1849 letter from Vera Cruz, Mexico, 1850 from San Francisco, and an 1851 letter from Panama.)

Diaries, (.5 cubic foot in 1 box), include those of Mrs. E. J. (Mrs. W. V.) McLean, 1854, 1871 (2 v.) and 1867 (1 v.); her husband, W. V. McLean, W.V., 1855, 1863, 1865, 1869, 1875 (5 v.); possibly Mrs. Henry Prindle?, 1886 (1 v.), and G. W. Smith, 1883 (1 v.). There are also six unidentified diaries, 1862, 1865-1866, 1872, 1884, and 1891. The link between G. W. Smith and Mrs. Henry Prindle and the Wells is undetermined.

Genealogy Notes, 1894-1945 (Scattered), and undated, (1 cubic foot in 2 boxes), are grouped roughly by surname of family members. These notes were definitely generated and gathered by Jean Craig Smith and include a number of her correspondence regarding her ancestry and for admittance into the DAR.

Photographs, 1860s-1915, and undated (1 cubic foot in 2 boxes), consists of various sizes and types of photographic materials, including cabinet cards, albumen image in a case, cartes-de-visites, stereoscopic views, and a variety of other 19th and early 20th century family photographs. Many of the images are partially identified if not both identified and partially dated. Photographs are grouped by type, size, and family groups. Of particular interest to researchers will be the Civil War Cabinet Card Portraits, includes C.W. Wells and Maj. Gen. Joe Hooker (39 total) and Stereoscopic Views, two of the Civil War, and one of C.W. Wells’ House.

Oversized Materials include Legal Documents, 1872-1901 (Scattered) mainly related to the Last Will and Testament of C.W. Wells, deeds, and guardianship legal documents (.5 cubic foot in 2 boxes), Oversized Photographs,1910-1916, and undated (.25 cubic foot in 1 box), and Oversized Miscellaneous including notes, obituaries, undated (.25 cubic foot in 1 box).

Oversized Folders include: blueprints, drawings, and proposals related to the Battle Creek Pump Station 8, 1941; Battle Creek Sewage Plant, 1938, the Midland Chemical Warfare Plant, 1942, and the Traverse City Pump/Lift Station, 1941, and an undated partial map of Essex County, New York State, showing the AuSable River, home of the Benjamin Wells family. The map was probably cut out of a magazine.

Lastly, Oversized Volumes, are the account ledgers of Jean Wells Smith, 1893-1901, and 1898-1906.

The collection consists of family photographs, correspondence, drafts of her children's stories, correspondence, and accounts.

The collection documents the life, research, and writing career of Frances Margaret “Madge” Fox. The collection only lacks copies of her outgoing correspondence to friends and business colleagues.

Physically, the collection is in very good condition. Items that were very fragile or acidic have been photocopied and the originals removed from the collection. Except for Box 53 which has legal-size materials in it, the collection consists of letter-sized or smaller materials.

The collection is divided into the following series: Biographical Materials, 1886-2008 (Scattered) and undated, 1 box (.5 cubic feet). This includes originals and photocopies of census records, newspaper articles and magazine clippings, library cards, and printouts of e-photographs, documenting Madge’s life, literary career, death, education, research, and homes. Art by Walt Harris, the illustrator of Little Bear is also found here.

Photographs, 1877-1953 (Scattered), and undated, 3 boxes (1.5 cubic feet), consists of one folder of negatives, the rest all being various pre-1960 forms of photographs including a stereographic view, tintypes, cartes-de-visites, and snapshots, all black and white, in various shapes and sizes. Many of the images are unidentified and undated. Identified photographs are filed alphabetically by the name of the person, and by topics and date when possible. There are photographs of Marge, her family and friends, animals, birds, and various research topics.

Business Correspondence, 1899-1953, 1955, and 1958, and undated, 6 boxes (3 cubic feet). Most of the Business Correspondence consists of communications from editors, thank you notes, rejection letters, commentary and suggestions, as well as royalty checks. This is filed chronologically. Of particular note in this series are decorative notes with art from Walt Harris, who sketched a bear and porridge on his note of October 2, 1923. He was the artist of Little Bear. Additional art by Harris is in the Biographical Materials box.

The vast majority of Personal Correspondence is letters and postcards from her friends and relatives to her. Correspondence with her closest relatives and friends, 1912-1952, and undated, composes 3 boxes (1.5 cubic feet). It is filed alphabetically by surname. These are the people with whom she corresponded often and regularly. Here are letters from her Aunt Annie, distant relatives of her father’s, and many friends from Washington, D.C. and Mackinaw, as well as the Joslyns. There are a number of letters from associates in the publishing business, notably Madge’s friend Mrs. Jessica Mannon of Bobbs-Merril Company’s Editorial Board. These letters discuss health issues, their shared history, family news, her publications, travel plans, and research ideas, as well as the last and next time Madge and the letter writer met or will meet, and friends and relatives common to both. There is also one folder of correspondence from Madge Fox to various people, 1883-1952, and one folder about damage and repairs to her home, 1926.

More generic letters from a wider span of friends, fans, and children with whom Madge corresponded more rarely, or perhaps once or twice, compose the remaining personal correspondence. Some of these letters are as simple as Dear Miss Fox, I love your books. When possible, correspondence is filed alphabetically by surname, 1920-1950s. There are also folders for people who signed only with their first names or initials that could not be matched to or with any of the other correspondence. This section of the correspondence totals 2 boxes (1 cubic foot).

Research Notes, 1901-1943 and undated, 1 box (.5 cubic feet). This includes a bibliography, reference and photographic material organized alphabetically by topics.

Stories, include the actual story, drafts, they may by typed, handwritten, or published, and may include related materials such as notes, drawings, photographs, letters of rejection from an editor, an index to a book, or a cover page. The stories, which cover a plethora of topics in each subseries, are arranged alphabetically by title. Sometimes the title varies on different items in the folder. If so, square brackets are used on the folder heading. In one case, there is no title, so I created a title based on the topic and put it in square brackets. Many of the stories are based on factual documentation. The stories, particularly the drafts, show the development of her stories and are the core of the collection.

The Stories are subdivided into the following subseries: Handwritten Stories, 1921-1943, and undated, 5 boxes (2.5 cubic feet); Published Stories, 1899-1952, and undated, 2 boxes (1 cubic foot), includes advertisements, lists of her published stories, and the stories themselves. Typed Stories, which are subdivided into the following subjects:

Activities, Greeting Card Suggestions, Plays, and Poems, also includes models for paper dolls and other easily made toys and games for small children, 1934, 1944 (Scattered), and undated, 1 box (.5 cubic feet). Madge wrote ideas for babies and small children’s games, activities, paper dolls, as well as various plays for children to act in, poems for children, and a few ideas for greeting cards.

Animal Stories, includes animals, insects, and Uncle Sam’s Birds book, 1917-1948, and undated, 6 boxes (3 cubic feet), includes a list of all the stories, and then the stories. There are many stories regarding a wide array of animals, notably bears, birds, U.S. Army mules, cats, and dogs, including Owney, the well traveled U.S. mail dog, and Balto who delivered diphtheria serum to Nome, Alaska, during an epidemic of the disease, among others.

Buildings, Countries, Events, and Places Stories, 1912-1947, and undated, 3 boxes (1.5 cubic feet). The United States, England, Bermuda, and other countries are documented here.

Famous People Stories, 1923-1952, and undated, 3 boxes (1.5 cubic feet) includes stories of royalty, politicians, inventors, explorers, soldiers, American heroes, but not Indians nor saints.

Indian Tales, Famous Indians, and Captivity Stories, 1928-1950, and undated, 2 boxes (1 cubic foot) documents famous leaders, incidents, tales, and captivity stories.

Michigan Stories, 1914-1945, and undated, 1 box (.5 cubic foot), includes stories of important and common Michigan people and events, based mainly in and around Mackinaw City. Here are a number of stories and experiences of some of Madge’s Michigan friends.

Miscellaneous Stories, 1910-1952, and undated, 6 boxes (3 cubic feet) covers a plethora of topics, including American and foreign, current and historic trees, plants, statues, art, inventions such as sewing machines and fly paper, and common everyday items such as bells and beads.

Religious, Holidays, Saints, Christmas Stories, 1917-1946, and undated, 2 boxes (1 cubic foot) includes information on a variety of Catholic saints, many Quakers, history of many holidays and holy days, and many religious themes, as well as Christmas stories.

Volumes, 4 boxes (2 cubic feet) include: Accounts, 1901-1947 (27 v.); Address books, 1919, 1931, 1940 (3 v.), Diaries, 1917-1952 (14 v.), Quotations, 1898, 1943 (1 v.), and Story Notes, 1915-1949, and undated (34 v.). Her Accounts note which stories Madge sent to publishers, which were published, and what she was paid for them. Her Diaries consist of brief, sometimes intermittent notes, mainly about health, travel and social plans and events, and her research and writing work. They vary in detail and completeness. All the volumes vary in size and shape.

Legal-size Materials, 1 box (.5 cubic feet) consists of her Publishing Contracts, 1902-1951, some partial Research Notes on Paw Paw (Mich.), undated; and a Scrapbook, 1897, 1945, made in a Beckman and Mechelson, Inc., Bay City (Mich.) Stock Certificate Book.

Index Cards to Madge’s personal and business correspondence, 4 boxes, 1899-1944, complete the collection. Noted on the index cards is the name of the writer, recipient, date, address, and number of pages. The cards are arranged chronologically. [Note: the cards existed prior to Marian processing the collection. It is unknown if Madge or earlier Clarke staff created the index cards.]

This collection is made up of incoming letters to Hazel T. Ramsey from her boyfriend (later husband) William Beale Ramsey, during World War I; and her sons William B. Ramsey, Pierce T. "Ted" Ramsey, and John T. "Jack" Ramsey during and after World War II. Father and sons provided Hazel (in Philadelphia) with information about their everyday lives in military and air forces training, news of friends and fellow African American servicemen, experiences of racism and segregation, sport and sporting events, courtship and relationships, promotions, and more. The men's service took them from stateside training and teaching, including at Tuskegee Airfield, to overseas service in the Philippines and Japan.

This collection is made up of incoming letters to Hazel T. Ramsey from her boyfriend, later husband, William Beale Ramsey, during World War I; and her sons William B. Ramsey, Pierce Theodore "Ted" Ramsey, and John T. "Jack" Ramsey during and after World War II. Father and sons provided Hazel (in Philadelphia) with information about their everyday lives in military and air forces training, news of friends and fellow African American servicemen, their own experiences of racism and segregation, sporting events, courtship and relationships, promotions, and much more. The men's service took them from stateside training and teaching, including at Tuskegee Airfield, to overseas service in the Philippines and Japan. See the Hazel T. Ramsey Family Papers Notes for information on the contents of many letters in the collection.

The elder William Beale Ramsey wrote 27 letters from Camps Meade, Maryland; Dodge, Iowa; Pike, Arkansas; and Greene, North Carolina, between 1917 and 1918. Some of the themes of Ramsey's letters include drill, gymnastics, trench, and rifle training; meningitis and quarantine at Camp Meade, the treatment of African American soldiers and officers, and war news—particularly when Black solders were involved (such as the receipt of French War Crosses by two men in May 1918).

William Beale Ramsey the younger sent 14 letters home largely from Camp Ashby, California, and from the Philippine Islands between 1942 and 1946. Some of the themes of Ramsey's correspondence included his participation in basketball and track, races and other sporting competitions stateside and in the Philippines, visits with friends and family in California, girlfriends and near-marriages, a National Football League game in Wyoming, and the destruction of Manila.

John Townshend "Jack Ramsey" sent around 20 letters to his family, largely from Keesler Field, Mississippi; MacDill Field, Florida; the Philippines; and islands of Japan, between 1943 and 1946. Among the chief themes in his letters are training and marksmanship, promotion, race relations stateside and in Japan, interactions between Japanese work crews and black solders versus the work crews and white soldiers, speaking basic Kapampangan, and his eagerness to leave the service and return home.

Pierce Theodore "Ted" Ramsey sent 16 letters home to his parents from Keesler Field, Mississippi, and Tuskegee, Alabama, between 1944 and 1945. Ramsey wrote about the Air Corps Technical School at Keesler Field, and his time at Tuskegee Airfield, training and teaching, and aspects of flight work (bombardiers, pilots, navigators, etc.).

Hazel T. Ramsey received around 25 additional letters and ephemeral items from friends, family, and organizations, between 1918 and 1945. See the Hazel T. Ramsey Family Papers Notes for information on the contents of many letters in the collection.

The papers of spiritualist and writing medium James V. Mansfield (1817-1899) are made up of correspondence, diaries, client record books, testimonials, documents, photographs, printed items, printing blocks and plates, writings, artwork, ephemera, and other materials, largely dating between 1859 and 1883. Mansfield was a prolific writer and careful observer, who shared details on working as a spiritualist in San Francisco, California, between 1862 and 1864, and in New York after the American Civil War through the early 1880s. He reported and reflected on everyday life, cultural topics, social and political happenings, spiritualists and spiritualism, religion, personal and professional financial matters, business and trade, physical surroundings, scenery, and more. His voluminous writings include over 21,400 pages of letters; around 780 pages of diary entries between 1866 and 1871; 21 client record books and ledgers; and additional writings. Also included are client and spirit communications, and letters of J. V. Mansfield's spouse Mary Hopkinson Mansfield and son John W. Mansfield, largely between the 1850s and 1910s.

The papers of spiritualist and writing medium James V. Mansfield (1817-1899) are made up of correspondence, diaries, client record books, testimonials, documents, photographs, printed items, printing blocks and plates, writings, artwork, ephemera, and other materials, largely dating between 1859 and 1883. Mansfield was a prolific writer and careful observer, who shared details on working as a spiritualist in San Francisco, California, between 1862 and 1864, and in New York after the American Civil War through the early 1880s. He reported and reflected on everyday life, cultural topics, social and political happenings, spiritualists and spiritualism, religion, personal and professional financial matters, business and trade, physical surroundings, scenery, and more.

Mansfield's voluminous writings include 11,903 pages of letters home to his wife and children while living in San Francisco between 1862 and 1864; 8,819 pages of letters from New York City (largely to his son J. W. Mansfield) between 1871 and 1882; around 780 pages of diary entries between 1866 and 1871; 21 client record books and ledgers; and more. Also included are client and spirit communications, letters of seamstress Mary Hopkinson Mansfield and artist John W. Mansfield largely between the 1850s and 1910s, photographs, prints, advertisements, printing blocks, artwork on paper, testimonials, documents, and much more.

The Correspondence Series is comprised of 35 letterbooks containing 11,903 pages of letters by James V. Mansfield from San Francisco, California, to his family in Chelsea, Massachusetts, between 1862 and 1864. In addition, between 1844 and 1928, 219 letters were exchanged between James V. Mansfield, his spouse Mary Hopkinson Mansfield, his son John Worthington Mansfield, and others. The bulk of these are 126 letters (8,819 pages) by James V. Mansfield from New York City, largely to his son John W. Mansfield between 1871 and 1882. Also present are 50 letters and communications from J. V. Mansfield's clients and spirits between 1856 and 1887; and a group of 43 letters, copied extracts, and reflections collected by Mary H. Mansfield about her husband's spiritualist services between 1858 and 1882.

Letterbooks by James V. Mansfield, San Francisco, California, 1862-1864.

James V. Mansfield wrote 11,903 pages of journal-like letters to his spouse and children, while he was in San Francisco, California, between 1862 and 1864. These letters were written in 35 bound volumes with paper covers. Mansfield appears to have sent the letterbooks to his family in Chelsea, Massachusetts, as his spouse Mary H. Mansfield marked the dates she received them. In the first letter, beginning on Monday, March 7, 1862, J. V. Mansfield recounted his journey from New York City to San Francisco, California. He traveled aboard the ship North Star until he reached the Isthmus of Panama, and then continued the rest of his journey on the Sonora. He described the deplorable conditions on the overly crowded ships, including shortages of food and clean drinking water, and flea and bedbug infestations in the sleeping quarters. He also reported his first impressions of San Francisco, such as the general appearance and attitudes of the people, as well as the climate and geography.

His correspondence illuminates the social conditions and cultural life of San Francisco. Mansfield described the diverse array of people he encountered, social attitudes, and ethnic and nationalist tensions. In addition to indigenous peoples of California, immigrants from Mexico, China, Ireland, and Germany were all living in the city in substantial numbers. Those from China and Ireland comprised the largest immigrant groups that he observed. Many people had also traveled from the East Coast or the southern states to San Francisco. Some of these newcomers found work as miners or servants. Like Mansfield, many New Englanders came to California with the intention of staying only for a short period of time before returning home.

Although San Francisco was far removed from the operations of the Civil War, the people felt the impact of Confederate and Union victories and defeats. J. V. Mansfield was deeply concerned by the war and recorded his impressions of the news of battles as was reported in San Francisco. Mansfield witnessed discrimination against African Americans and frequently encountered anti-Union sentiments. He noted, for example, "...they will not for a long time submit to allow the colored man or woman the same rights, same privileges as they themselves claim a Strong Southern feeling is Evident on the face of things here" (volume 25:224). He related examples of African Americans being barred from privileges the white people enjoyed, such as not being able to ride on steam engines and in horse carriages. One such case was brought before a municipal judge, who decided in favor of the persons of African descent, granting them the right to use public transportation.

Mansfield observed vast differences between New Englanders and the people in California. Of the latter he wrote, "...they are a hard set of people driving on from 4. O.clock in the morning till 10 or 12. O.clock at night, their general appearance is of Brown Complexion long hair, long whiskers, and not more than one in 4 Ever shave; so you can imagine what for a looking people they are and all invariably Chew & Smoke Tobaco, & drink the meanest Kind of Whiskey. Consequently they swear much and their word is not usually worth a fig either, under or with out oath" (volume 14:115-116). Throughout the letters, he gave a substantial amount of commentary on the indigenous peoples of California and of Native Americans in general, of whom his opinion was not high. He thought Native Americans deliberately interfered with mail sent overland, especially when he had not received his wife's letters: "...the mails are to be conveyed by steam and not overland -- you see the trouble the Indians gave the mail carriers..." (volume 1:16-17). He did recognize the atrocities white people committed against them, and later believed that Native Americans were not at fault for poor mail service.

James Mansfield also provided substantive commentary on sex and gender, noting differences between women on the East Coast and in San Francisco, especially in terms of appearance and dress. He wrote about feminine beauty and was quick to note the physical aspects of women he encountered, and whether or not they were sufficiently attractive in his view. He described women from different ethnic backgrounds, including Chinese and Irish immigrant women. A number of the former worked as prostitutes, while the latter were overwhelmingly employed as servants. In several instances, he remarked on the hard life these women endured, especially those who worked as domestic servants. He also noted differences between the ways in which "Western" and "Eastern" women were treated, especially after noticing public displays of subservience among Chinese women.

J. V. Mansfield provided significant commentary on San Francisco marketplaces. He found a variety of foods that he had not seen before, or at least in such abundance. The overwhelming plentitude of fruits of all kinds included strawberries, cherries, apples, pineapples, bananas, figs, peaches, mangoes, pears, grapes, oranges, and watermelon. He also related what he ate for his daily meals and the prices of food. Wine was widely available, which "they drink here as they would water in the East" (volume 13:83). Mansfield periodically visited his brother and sister-in-law, Jera (1825-1896) and Ellen G. Estabrook Mansfield (1836-1917), who had moved to Napa several years before his arrival. There, they planted a vineyard, where Mansfield was first exposed to the blossoming wine culture in California.

J. V. Mansfield became acquainted with prominent people in San Francisco. The one who perhaps had the greatest influence on him was the preacher Thomas Starr King (1824-1864). Mansfield dutifully attended King's sermons every Sunday, and wrote about him profusely, including his impact on the city. He considered King to be one of the greatest minds of the 19th century. When King died on March 4, 1864, the city mourned, including Mansfield. Shortly after his death he wrote, "How lovely the Sabbath morning appears to those who were wont to attend Thos Starr King's meeting there is no use his departure has created a vacuum that cannot be filled in the minds in the hearts of this people--The Bell Tolls now for church service, but it has lost its charm for me. it seems like tolling for the funeral requiem of the great good man rather than an invitation to listen to his heavenly, soul stiring thoughts..." (volume 34: 509). With the exception of fellow spiritualist Emma Hardinge (1823-1899), Mansfield wrote of no other person with such admiration.

Spiritualism and the general religious community figured prominently in his correspondence. Although he referred to himself as the "notorious Spiritual Writing Medium" (volume 2:51), his being a public persona did not always guarantee financial success. He did procure enough business to send money to his family on a regular basis, via Wells Fargo and Company. Mansfield often gave detailed accounts of his séances, revealing the names and messages of the spirits. He described a variety of individuals who came to him to communicate with the deceased, some wanting advice, others seeking comfort in the wake of the death of a loved one. Publicly prominent people also wished to utilize his talents, including Mary Todd Lincoln (1818-1882). He wrote spirit communications in different languages and alphabets, most of which he claimed to not know. He frequently spoke of other mediums, especially Emma Hardinge, the eminent clairvoyant and public speaker. After much encouragement, Mansfield convinced her to travel to San Francisco, thinking her talents would earn her great success. Once in California, Hardinge's lectures attracted sizeable crowds that rivaled those of Thomas Starr King.

Chronological Correspondence, James V. Mansfield's letters from New York City, etc., 1844-1928.

The chronological correspondence is made up of 219 items dating from 1844 to 1928, and they are largely addressed to John W. Mansfield from his father James V. Mansfield. Other members of the Mansfield and Hopkinson family also contributed and received letters, including James' sister-in-law Ellen "Nellie" Mansfield, who resided in Napa Valley, California, and Mary Hopkinson Mansfield's family in Salem, Vermont.

The substantial portion is 126 letters (8,819 pages) by James V. Mansfield from New York City, largely to his son John W. Mansfield between 1871 and 1882 (bulk 1871-1877). Some of them have appended letters by John's mother and sister. They provide a vivid account of Mansfield's time in New York City, and of his travels to Burlington, Iowa; Chicago and Quincy, Illinois; Denver, Colorado; Boston, Massachusetts; Saratoga Springs, New York; and Derby and Salem, Vermont. James V., Mary H., Mary G., and John W. Mansfield each contributed their perspectives in the letters, revealing much about the family's lives and activities.

J. V. Mansfield typically began his journal-like letters with a description of his previous letter, providing variably the number of pages he wrote, the date posted, postage rates, steamship names and routes, and the expected arrival time to Europe. Each letter, many spanning two weeks and reaching over 100 pages, often contained various enclosures such as documents, envelopes, newspaper clippings, ephemera, and postage stamps.

At the time of his earliest letter to his son John in Europe, J. V. Mansfield resided at 361 Sixth Ave, New York. The father wrote detailed observations about the city, the United States, and Europe. His correspondence covers a wide range of subjects, touching on economics, market trends and prices, healthcare, homeopathic medicine, politics, bank exchange rates (typically sending to his son via John Monroe & Co. at No. 8, Wall Street), current cases in the New York courts, post office systems, religion (Baptists, Shakers, Quakers, Catholics, Methodists, Evangelicalism, Sectarians), Spiritualism and Spiritualists, and a wealth of details about everyday life.

James V. Mansfield wrote extensively about Spiritualism, his work as a writing medium, other Spiritualists, and the place of Spiritualism in his own worldview. Interacting with clients was often an every-day experience for Mansfield and he commonly wrote about the individuals who sent him letters or came into his parlor for a sitting/séance. He included their names, where they wrote from, the spirits they sought to contact, the reasons clients sought him out, and sometimes whether or not the contact was successful. Mansfield wrote, "One man asks, Had he better move West. Another asks, shall he sell His property or Keep it for a rise. Another wants his Father to tell Him what number in the Kentucky Lottery will be the Lucky one. another wishes to know If she will succeed in driving a mans wife away, & & [sic.] will he marry her. another, yesterday, asked me If I could tell, If She was then 3 months with child, as the Dutchman said 'mine Got vats a people'" (letter beginning February 25, 1876, page 43). One reflection on a client was about U.S. Vice President Henry Wilson, who had visited him on August 14, 1875, to communicate with the spirits of his wife Harriet Howe Wilson and son Henry Hamilton Wilson. Following V.P. Wilson's own death on November 22, 1875, Mansfield wrote:

"The hour of the Clock is now 4 P.M the Body of Henry Wilson has passed to the 42 Station Depo. the crowd on Broadway was immense, nearly as large as that of Abraham Lincolns Funeral while passing through New York. Well the great Man has passed into another sphere of Existence, an Existence of Conscious individuality, to day I have no doubt, but he is with His dear Wife Harriet Howe Wilson and His Son Col. Henry Hamilton Wilson both of which He Communicated with through my hand Augt/14/75 at Saratoga Springs N.Y. the great man wept tears of Joy, as he read endearing words from His wife and son." (letter beginning November 27, 1875, page 5).

J. V. Mansfield occasionally gave readings at public venues such as Republican Hall and the Masonic Temple. On, January 31, 1876, for example, Mansfield was requested to speak and perform spirit communications for members of the public. He wrote: "Last Evening I gave a public seance at Republican Hall 33d Street, the Hall was packed to its fullest capacity, I put into the Society hands 110$, I gave 32 tests in a promiscuous Audience, without writing Simply Calling out those I see in the audience I have never before given more then 29 of an Eve" (letter beginning February 1, 1876, page 16).

Mansfield described the state of spiritualism in New York throughout his letters. He wrote, for example, "Notwithstanding, spiritualism /ie/ modern spiritualism was born in the state of New York, perhaps there is no state in the United States that pays less attention to the subject than N.Y. state. In the City of New York there is said to be ten thousand spiritualists and among them all, it is difficult to Raise sufficient means from the crowd to pay the Sunday speakers say nothing about paying expenses of the Halls" (letter beginning March 7, 1874, page 17). Another example passage is: "Spiritualism has yet to have its trials, at the present time the Spiritualists of America have no recognized system of religious worship--unless it be to be at war with Every other ism that does not accept its ism they boast of these 40 000 000 of believers, and when assailed by sectarian church order, there is not over about 15 persons in all New York City that can be found to Stand Battle, & they are so soon vanquished by Superior forces, that really the Spiritualists of New York, are not a drop, compared to the Quantity of water, in the Atlantic Ocean, with those they have to Contend with" (letter beginning October 20, 1875, pages 37-38).

In 1878, the Modern Spiritualists Society held a Thirtieth Anniversary of Modern Spiritualism gathering at Republican Hall, with speakers including a number of persons that are present throughout Mansfield's correspondence. Some of the spiritualist men and women mentioned in Mansfield's letters are his friend Emma Hardinge / Emma Hardinge Britten, Professor S. B. Brittan (i.e. Samuel Byron Brittan), J. J. Morse (i.e. James Johnson Morse), clairvoyant Dr. John Ballou Newbrough, trance medium Emma Jay Bullene, and others.

Spiritualism provided Mansfield with comfort when he struggled. He wrote, for example, "Was it not that I know the Spiritualists have the only rational demonstrated assurance of an after life, I would weigh anchor, where I am, & go ashore, and persue another course, rather than to Endure the tortures I am subjected to, in order to get along, and keep body and soul together. Out of the 13 hours waking moments I dare say I am thinking how will I be able to pay my way the next week, a continual perplexity of mind, a Longing to depart and if such there be rest for the weary, I hope to find it. I well appreciate the feelings, or the spirit that prompted the Psalmist to say & write, 'I would not live alway.'" [NB: Job 7:16, King James Version] (letter beginning October 20, 1875, pages 38-39).

Mansfield spent time writing about the practices of other mediums and offered skeptical and critical evaluations of spirit photography and materializations. He found most instances of the former to be deceptive. Mansfield reported, for example, that a petition from Paris, France, circulated at the Hall he attended. The signers were to be presented at the French legislation as an act of sympathy for a man in prison "for making bogus Photographs of departed spirits." Mansfield wrote, "I dare Say he will get many Signers, and it will be duly forwarded by Mr Andrew Jackson Davis to whomever the petition has been Confided. Generally I believe the man L. has been considered a tool in the hands of others who used them for bad purposes" (letter beginning January 31, 1876, page 19). He also described a "Lady Medium" in the city who held circles at her house at least three times a week and had hundreds in attendance. She claimed to materialize things like fresh produce from the spirit world to the physical world. Mansfield found her activities fraudulent, writing, "She plays upon them. She brings in a Basket of Potatoes, Beets, Turnips, Cabbages, Pumpkins and all such tricks, and pretends the spirits brought them in when In fact She had bought them not two hours before at the grocery not ten rods from her house this is why the world cries" (letter beginning February 25, 1876, page 41). He summarized:

"I have but little confidence in any materialization or Spirit Photography--I have seen so much of that which is called Spirit Manifestation, through Materialization, But I have My doubts of the genuineness of any that I have as yet Witnessed, there may be Some instances of the Materialization, of spirit, but I do not believe more then one in 20 passd of[f] as being real, is anything less then a fraud, I will not allow people to cram down my throat that does not appear Square & willing to be tried under test conditions they Exact it of me Every time, and I do not complain--" (letter beginning February 25, 1876, pages 39-40).

James V. Mansfield shared his medical issues and health practices with his son and other family, such as attacks of paralysis that he thought were likely caused from overtaxing his nervous system. He wrote of homeopathic remedies and daily self care, with a repeated emphasis on the importance of walking every day for longevity. He reflected on Jean-Frédéric Waldeck, who reportedly lived to the age of 109 [NB: Waldeck died on April 30, 1875]. He described the Baron as a marvelous artist when he was 104 years old, who had been intimate friends with Napoleon, and walked 3 full miles a day. Mansfield wrote, "Every day after he was 108 years old, How remarkable. Only think a man 40 years older than myself walking 3 miles Every day, & I am not able to walk 1/3 of that distance daily without grunting like an 'expiring cow' But it is all in habit, If I had accustomed myself to walking say one or two miles per day, I would have been quite another man, to day" (letter beginning May 1, 1875, page 5). Mansfield described the subject of health at length and the connections between the mind, body, and soul. Other health-related subjects include practicing physicians in the local community, sicknesses, stories of medical malpractice, health care experiences of groups diverse in age, gender, and ethnic background, and God's active role in the state of his health.

James V. Mansfield sent letters home while he traveled for business and health reasons, most notably on his trip to Saratoga Springs, Newport, and Long Island, in 1875, and his lengthier westward travel between June 1876 and July 1877. Mansfield's trip to Saratoga Springs began by connecting with an editor from a Saratoga paper (August 3, 1875). After arriving, he sent a letter home requesting handbills to be printed and sent to him. He also remarked that people in Saratoga Springs had not been exposed much to Spiritualism and felt as though they had a right to see him "about matters that appear so strange to them." He described clients such as Dr. John F. Gray, local businesses such as the Grand Union Hotel and the Stewart Store, and notable figures in the city, such as Vice President Henry Wilson, Governor Samuel J. Tilden, and Alexander Hamilton's three living sons. While there, Mansfield remarked on the direct effects of the weather on his business, citing no afternoon clients on account of lightening and rain: "My success depends upon fair weather, in a pecuniary way" (August 4, 1875). Toward the end of his trip, James wrote that he felt physically better but was anxious to know if he would have frequent callers when he arrived back home. Mary H. Mansfield wrote to James that she was on her way to Vermont; he wished he could have accompanied her but had to take care of business instead. He thought he might visit after her arrival.

Mansfield's westward trip of 1876-1877 consisted of travel from Chicago to Denver, Colorado, while spending time en route at Quincy, Illinois, and Burlington, Iowa. James reflected on the difficulty of finding inexpensive places to stay and shared rates of hotels, such as the Tremont House and the Grand Central Hotel. He documented prices paid for advertisements, meals, and necessities. While in Quincy, Illinois, his friends J. J. Morse and Mrs. Morse, invited him to their home for a meal. He wrote that the Morses sought a spiritual communication with their dear departed (letter beginning June 14, 1877, page 7). Persons Mansfield interacted with on this journey included the Brittans, the Morses, and Jacob M. Smith (former mayor of Quincy, Illinois). He corresponded at length with his wife Mary Hopkinson Mansfield and daughter Mary Gertrude "Gertie" Mansfield at this time, especially as Gertie worked toward divorcing her husband George W. Hayes. James expressed his ongoing fears that George would kidnap his grandson Albert "Bertie" Hayes out of spite. In multiple letters, he warned the family never to let Bertie out of their sight.

James V. Mansfield's letters of the 1870s and early 1880s provide an extraordinary volume of commentary on life in New York City and elsewhere. He wrote about everyday personal and social life, fixing his attention on a great many areas of interest such as Post-Office embezzlements, preparations for the Philadelphia Centennial of 1876, lectures and public speakers, murders and suicides, economics, market trends, costs and prices, medicines, illnesses, local doctors, mediums, politics, natural resources, foods and fruits in season, the sinking of the Harvest Queen, and much more.

A reader of James V. Mansfield's letters can follow the progression of a variety legal proceedings in the New York and other courts. Mansfield wrote his observations, views, and other commentary as cases developed. He remarked with some frequency on the direct effects of financial resources on the outcome of legal cases at a local and Federal level, as well as crushing disparities of wealth between employers and employees.

One case that involved a close friend was that of physician Addison C. Fletcher. Dr. Fletcher pioneered whiskey and tobacco stamps that were used by the United States Government without his permission, and he had a case in Washington, D.C., to dispute the alleged violation of his patent rights. J. V. Mansfield's letters were used as evidence to support Fletcher's claims, as Mansfield had written about the physician and his patent long before the legal battle began. The case was described by J. V. Mansfield from beginning to end. The physician borrowed money from friends and family to afford the legal expenses he incurred at the nation's capital but was unable to win his claim in court.

"Dr. A. C. Fletcher is yet at Washington. He is trying to Engineer his matters through Congress. But he find it hard work. those Congressmen must have money If you Expect any favor from them. the first Question from them is, are you worth or can you command large sum of money. If not then you have no Show, but if you tell them you Shall be well paid & can convince them of your ability & sincerity, they tell you, your case is Sure ‒" (letter beginning January 8, 1876, page 11).

J. V. Mansfield also followed the trial of Edward S. Stokes between 1873 and 1876. In 1873, he revealed that Josephine Mansfield, a distant cousin, played a central role in the feud between James Fisk, Jr., and Edward Stokes. By 1876, Mansfield reported that Stokes remained incarcerated at Sing Sing Prison. At the time, Josephine Mansfield (Josie) had failed to appear at a court hearing in New York City as requested, leading Mansfield to speculate that she was living elsewhere--but that she might return if Stokes were released. Mansfield pondered how the city's community would react to their reunion. He wrote: "If Edward S. S. gets out of Sing Sing & I dare Say he will, then I dare say Josie will be forth coming. But should they undertake to live together, unless they are Married, & Even then I doubt if they would dare live together in this City, & yet they may Popular Opinion or feeling of the inhabitants of this City no doubt has changed naturally since Stokes went into Prison" (letter beginning January 18, 1876, page 87). Ten days later, Mansfield again reflected on the contrast in treatment within the legal system for wealthy individuals like Stokes versus those less fortunate. He wrote, "The suit of Edward S Stokes has cost him and the family up to the time of Stokes' incarceration at Sing Sing 213 000. that is why Ed was not hanged by the neck five years ago. Had Edward Stokes and his Father have been poor people He never could have escaped death at his first trial" (letter beginning January 28, 1876, page 8).

Mansfield commented at length on the William "Boss" Tweed trials between 1871 and 1876. He again kept a close eye on the role of financial resources, noting that the judges presiding over the Tweed trial were susceptible to money's influence. For example, "Money is powerful. no use our judiciary are Milk and Water men when money stares them in the face . . . Let any common Laborer steal 100$ from the same till Tweed Has, and tried before the same Judges Tweed is to be tried before, they would get not less than 5 years Hard Labour in the States Prison. But the rich go unpunished" (letter beginning November 18, 1871, page 32).

Mansfield also shared with his family news he received from other correspondents and newspapers across the country. Following the arrival of The Telegram, Mansfield lamented the grim and fatal effects of poverty, illustrated by the high profits of the Big Bonanza Mine at Virginia City, Nevada, whose dividend was $1,700,000, while its "houseless employees" were paid $500. He provided two painful descriptions of out-of-work men committing suicide for want of resources, one of them murdering their wife and child so they would not suffer the results of destitution. "Unless there is a financial Change for the Better, & that very soon Hundreds of sensitive Men, and Women, will commit suicide, in this city, before next February, the pressure is to heavy, weak & sensitive minds cannot Endure the Burden" (letter beginning November 6, 1875, page 8).

James encouraged John W. Mansfield to return home for the Philadelphia Centennial Exhibition of 1876. He mentioned that the Railroad company had built a track to the Exhibition grounds for easier access to the city. He effused that many people from the South, West, and North, including foreigners, would visit New York and Philadelphia for the first time on account of the great event. In one letter, he wrote condescendingly about a group of 200 Native Americans that he called "Red Men of the forest" coming to Philadelphia. He opined on how amazed they must be at the building and infrastructure improvements made since the treaty with William Penn in 1682 (letter beginning January 18, 1876, pages 92-93).

J. V. Mansfield followed developments of women's rights activities in New York City. Of the First Congress of Women of the Association for the Advancement of Women, Mansfield wrote, "At the present time the strong Minded women are having a convention in this City. Among them is Elizabeth Cady Stanton, Miss Maria Mitchell, Mary F Davis, Isabella Beecher Hooker, Elizabeth Churchill, Mrs. Livermore, Caroline A. Soule, Elizabeth B. Chase, Elizabeth Peabody, Julia Ward Howe, the Loverings, Mrs. Charlotte Beebe Wilbur, & others who takes up the club for woman Suffrage" (letter beginning October 11, 1873, page 70). Mansfield wrote on other social and political matters, such as Ulysses S. Grant and the Democratic party, particularly around the U.S. Presidential contest of 1876. Mansfield noted, for example, while he still believed Grant would run for a third term, "But Chas Francis Adams, will be the Strongest man the Republicans or the Democrats to Run against Grant But Grant has his foot firmly on the neck of the Democratic party, and he will keep it there, Bull Dog like, until he sees himself Master, of the Situation, Hitherto the Herald has been blowing against Grant and the 3d term. But as it Ever has before courted the popular, as well as the Stronger party, She now blows for Grant, feeling sure of his success" (letter beginning January 8, 1876, page 10). A few of the many public figures discussed by Mansfield were Charles O'Connor, Alexander T. Stewart, Henry Ward Beecher, Abraham Lincoln, Henry Wilson, Mary Todd Lincoln, Dr. Alexander Mott (son of Valentine Mott), Moody & Sankey, Cephas B. Lynn, Frederick William Evans, among many others. The Bonaparte family was discussed on several occasions, and Mansfield wrote that he possessed photographs of Louis Napoleon, Eugenie, and Prince Plon Plon, but only lithographs of "the great Napoleon."

The Clients and Spirit Communications Series is made up primarily of letters by individuals seeking James V. Mansfield's spiritualist services between 1856 and 1887. Some are requests for his services as a test medium, in once case specifically wanting an example of an answer and unbroken seal. Many were people with economic distress and personal struggles. Some wrote to Mansfield that they were unable to pay for spiritual services, citing illness or financial constraints. Mansfield handled letters containing no $3.00 payment within them ("Dead heads" as he called them) in different ways. Sometimes, he would provide spiritual services for free out of sympathy, and other times he would disregard the 'dead heads' and write how unjust it is for clients to expect services free of charge, especially as he was himself constantly under economic and sometimes physical distress. Nevertheless, Mansfield occasionally offered his services without charge, driven by the belief that his gifts of communicating with the spirits were bestowed upon him for a greater spiritual purpose and that his financial hardships on Earth were worth it for the assured afterlife.

These client letters originated from locations across the country, including Ohio, Illinois, Indiana, Texas, Maryland, Kansas, New Hampshire, California, Pennsylvania, Virginia, Massachusetts, Washington, D.C., Wisconsin, and elsewhere. One was in response to an 1876 advertisement placed in Voice of Angels.

The earliest client letter was sent by S. Chamberlin of Boston on April 14, 1856; Mansfield had supplied Chamberlain with a communication from his wife, and Chamberlain wrote back weighing his considerations for disbelieving or believing in spirit communications. D. H. Barlow wrote on July 3, 1860, asking for clarifications about the spirit of Mrs. Sherman (who he does not know) and a web of spirit contacts including his "Spirit Bride," five "Directing Spirits," and a "Guardian Spirit" (his mother). On August 1, 1876, a person without money wrote from New Era, Oregon, and asked for services because they were given strong impressions from the spirits the night before. (Mrs. Sirmantha E. Johns). On the back JVM wrote "Free".

Cora Metcalf of Knowlton, Wisconsin, wrote to J. V. Mansfield in 1876, asking him to try to communicate with Daniel Metcalf who was last seen with a Mr. Trewax; she hoped to discover whether or not her husband was in the spirit world. On September sixth of the same year, Nelson Martin of Baldwin City, Douglas County, Kansas, hoped that Mansfield could connect with an excellent physician in hopes of getting medical advice that would restore him. Martin could not pay currently, but if the locusts spared his crops he would be able to do so; Mansfield replied free of charge.

On November 2, 1887, T. Read noted that he received a reply from Mansfield stating that he could not get a response from the spirit--but that Mansfield neglected to send back his three dollars. Two seemingly contradictory letters include one by Otto Kunz, emotionally praising the response he received in Kurrantschrift (including a pasted-on clipping of two manuscript words in German, and a translation of Mansfield's German spirit writing into English); and a letter from J. P. Lehde at New Orleans, September 1, 1876, stating that Mansfield returned his sealed letter (which was in German) because the spirit was unable to manifest itself to the medium in that language.

This series also includes an undated manuscript poem by deceased Adah Isaacs Menken (her spirit through a writing medium).

The 43 Mary Mansfield Letters, Extracts, and Reflections are a collection of individuals' testimonials and newspaper clippings in which writers reflected on James V. Mansfield's mediumship. The bulk of them are in the hand of Mary H. Mansfield, copied from originals dating between 1858 and 1886. Many were solicited through advertisements seeking testimonials attesting to the validity of J. V. Mansfield's abilities. The Mansfields placed ads in spiritualist newspapers, including the Banner of Light, the Herald of Progress, and others. Some of the responses of former clients include copies of questions they had sealed within their letters to Mansfield, along with detailed accounts of how he accurately responded to their spiritual inquiries. Throughout the testimonials, authors emphasized that their letters remained sealed, and the confidentiality of their contents was preserved.

One letter from July 23, 1859, was originally written in the Banner of Light. It addressed an article in the Christian Register, which suggested that Mansfield's ability to respond to sealed letters was a result of the automatic action of the brain. The author of the testimonial refuted the article's claim and recounted an incident where Mansfield correctly answered a sealed letter written in Spanish, despite not understanding the language. The writer argued for the implausibility of attributing Mansfield's abilities to the automatic action of the brain, emphasizing instead the mysterious power of his mediumship.

Some of the testimonials are accompanied by newspaper clippings. One from September 1860, "Papers on Spirit Writings through J.V. Mansfield," featured N. B. Wolfe. Wolfe sent a sealed letter to Mansfield containing information about his departed friend and Mansfield accurately informed him of the friend's death, including the precise manner, place, and time. This extraordinary feat was described as surpassing mere psychometric or psychological powers and instead to Mansfield's spiritual gifts.

The Trial Testimony of James V. Mansfield is an 85-page manuscript containing the examination and cross-examination of Mansfield in the New York courts, October 15-16, 1878. The long-contested estate of Cornelius Vanderbilt was re-opened in September 1878, and eldest son William H. Vanderbilt claimed that, with the help of mediums, he connected with the spirit of his father--who informed him that he wanted William to inherit the entire estate. Because Cornelius Vanderbilt was a client of James Mansfield, he was ordered to take questions in court as a witness. In Mansfield's words: "I have been pressed here by the strong arm of the law unwillingly." Over the course of two days, Mansfield answered questions about times, places, circumstances, and contents of interactions with Cornelius Vanderbilt. He was forbidden to consult his client record books "memoranda books" while being asked about each interaction, requiring him to recall from memory details about letters from and meetings with the deceased Vanderbilt. Mansfield struggled at times to provide estimates; his frustration at not being able to look up accurate details was apparent.

Mansfield recalled that he first received a letter from Vanderbilt sometime before 1857, several more while Mansfield lived in Boston, and one while he lived in California. When Mansfield returned from the west and settled in New York City, he estimated that Vanderbilt visited in person around a dozen times between 1864 and 1875 (in New York City and at least once when at Saratoga Springs). The lawyer asked James V. Mansfield whether he and Vanderbilt discussed spiritualism. Mansfield responded "That is pretty much all that I converse upon any way. If people call, they call for that and nothing else. Consequently it would be that and nothing else." He was questioned about Cornelius Vanderbilt's handwriting and signature, and the process the men went through when at the office. Vanderbilt would sit across the table from Mansfield, and Vanderbilt would write out questions, fold the paper up, and pass it to Mansfield. The medium would place his left hand on it, channel the spirit or spirits (described in detail), and automatically write responses with his right hand. He would then read Vanderbilt the responses. According to Mansfield, Vanderbilt would typically open up the questions and say something like "I will show you whether they were relevant to the question."

Mansfield recalled that Cornelius Vanderbilt would ask questions like 'do you see me with Frank?' He would write to Tunis Egbert, saying 'please advise me for the best' and 'have you any word with charlotte?' As well questions to his mother, father, and wife, with questions like 'do my ways please you?' In at least one case he asked 'brother' about a kidney complaint. On one occasion, Vanderbilt asked Mansfield for his views on whether or not a literal Hell exists, and another time declared that spiritualism provided him with comfort. Mansfield stated clearly that he never met Vanderbilt with Charles Foster or Henry Slade, despite knowing those men well. Vanderbilt always paid the fee of $5.00, typically for an hour session; the charge was a flat one regardless of how long the session lasted, but Mansfield noted that Vanderbilt would pay more of his own volition when over a couple hours passed.

Several pages of the testimony relate to J. V. Mansfield's use of the professional title "Dr." The cross-examiner asked repeatedly, in different ways about his medical background and education. Dr. Mansfield stated that he had no medical training except through his own reading, but that he used the title on the grounds that "other people created me." When asked if Mansfield claimed to be a medical doctor or doctor of divinity, he replied "I do not claim anything; I leave that for the public to determine." Though he did not assume the professional title of Doctor, he justified the use of a business card printed "Dr. James V. Mansfield" because that title was given to him by the public.

One particularly cynical series of questions and answers pertained to the exact mechanism by which Mansfield received and delivered spirit communications as telegraphs and signals. The lawyer asked, for example, "Suppose the spirit wanted to telegraph the following sentence: 'Modern spiritualism is a humbug and a fraud'. What would be the telegraphic signals. Explain them?" He pressed Mansfield on issues such as whether or not spirits can be dishonest or whether spirits in Hell also communicate through him. Mansfield responded to questions about his views on Heaven, Hell, and posthumous rewards and punishments. In once instance, Mansfield emphasized that he had experience in front of large audiences "and pick out and tell through the audience who stands by the side of them--their spirit friends who have been departed for years, and give their names." The lawyer asked how he did it. Mansfield replied that he should come to his office and pay the fee.

James V. Mansfield's Diaries date from January 6, 1866-December 23, 1866, and December 24, 1866-March 17, 1871 (two volumes, each approximately 390 pages). Mansfield spent the bulk of these years in New York City. His diary entries range in length from a few lines to a full page (rarely are they more than a page long). J. V. Mansfield began these diaries after returning to the east coast from California and they more or less conclude around the time his son John left the U.S. for Europe. The topical content of Mansfield's diary entries is like that found in his personal correspondence. Most entries include remarks on or discussions about the weather. He regularly mentioned whether he received client callers or mail, sometimes specifying names of individuals and details about their cases. The callers mentioned in the diaries appear to match the entries in the client record book, though at least one visit in the diaries is not in the client records where expected: "Have had several paying callers to day. Among them a messenger from Washington from several of the Officials, asking certain advise touching matters of State. The report was telegraphed to the Executive Officer" (October 22, 1866).

He discussed his family's activities and milestones, such as his son John's entry into the National Academy of Design, his wife Mary's house-hunting activities, personal correspondence, and more. He reported on news from the Herald and other papers, and commented on social and political issues, leisure and entertainments, Spiritualism, Spiritualists, religious subjects, health, and medicine. A few examples include U.S. President Andrew Johnson's political policies and Reconstruction, the death of Winfield Scott, deaths in N.Y.C. from inadvertently poisoned flour, cholera, prominent public individuals, personal reflections on God and the heavens, crimes and executions, accidents and deaths, and theater and concert attendance (in at least one case listing the performers, in another commenting on Theodore Rustin in Medea). He remarked on the arrival of Swedenborgian Mr. Gurdin to the city, who sought German emigrants to the $100,000 worth of land he owned in Tennessee (October 11, 1866). The diarist regularly attended lectures of the First Spiritualist Society of New York at Dodsworth Hall (including presentations by Emma Hardinge and many others).

Mansfield sometimes provided anecdotes from his everyday life. On awakening the morning of September 14, 1866, Mansfield noted in the margin "Music from the spheres" and then wrote poetically about heavenly laughter from the "fairy lands" that blended from his spiritual dreams into the reality of the waking world--only to find that it was laughter of Mrs. Redman in the next rooms.

At this time, James Mansfield was optimistic about the Spiritualist movements. He wrote, "If increasing in numbers is progressing, then Spiritualism is most certainly progressing, and I go further in my statement, I tell them, that within the next 1/2 Century Spiritualism will swallow up all other isms, and it will be as common as natural for Spirits and Mortals to talk in this way as it is for mortals to talk with each other face to face" (October 19, 1866).

Once the diaries reach the later months of 1868, Mansfield's entries became more and more brief, occupying only a few lines, documenting the weather, mail, callers, and out of the ordinary events.

In the margins, Mansfield added manicules to indicate particularly significant lines or passages. Some direct the reader to interactions with publicly prominent individuals and others to meaningful events in his and his family's lives. A number of pages have creased corners, apparently all flagging entries in which Mansfield wrote about Dr. A. C. Fletcher. The endpapers of the diaries have pasted-in or laid in newspaper clippings and manuscripts, including some recipes and poetry.

The Writings series is made up of 13 items dating from the 19th century. The bulk is notes, essays, and reflections by John W. Mansfield. The topics include art and architecture (5 items: notebook on European architecture and art, and loose sheets with headers such as "Method of Enlargement and Reductions of Drawing," "Masters of Art and their Works," and "First Painting"); a 55-page story titled "La Navidad En Las Montañas"; and a 13-page essay with revisions titled "Son : What Troubles You?" The remaining six items include poetry (including "Night Thoughts," 1853), "Strike the Harp Gently" (with decorative capital lettering), a poem in a child's handwriting beginning "I am a cent...", a sheet bearing John Mansfield's name with Kanji letter above it, and two genealogical notes.

The collection includes Artwork and Illustrations [NB: The nine items in this series are distinct from the "Portraits and Photographs," "Prints," and "Framed Materials" sections of the collection, all of which also include artwork and illustrations]. This series includes:

• A sketch for a battle scene, marked November 13, 1867.
• A drawing of a woman carrying a child at a streetcorner, looking into an undertaker's window display of coffins (the most prominent being a child's coffin), marked November 10, 1867.
• Rough or unfinished sketches of a fireplace, the exterior of the Hopkinson Inn (est. 1816), and an advertisement for tickets to an April 1860 play titled "My Farm in the West."
• A small manuscript booklet showing different shield parts and designs, and what they are called (i.e. Dexter Chief, Chief, Sinister Chief, Honour Point, Fess Point, Nombrill Point; engrailed, invected, indented dancette, Per Bend Sinister, Per Saltire, Per Chevron, etc.).
• An accomplished watercolor and paint illustration of the "Watch Wheel" Scotts coat of arms, "Reparabit Cornua Phoebe."
• A small pen sketch of a bespectacled and mustachioed man's face, baring his teeth and looking very much like Theodore Roosevelt.
• A scrapbook into which the owner (John Worthington Mansfield?) pasted cut-out engravings showing coats of arms, knights, early modern figures and statues, etc.

The Printed Items in the papers include two examples of James V. Mansfield's business cards (one a "Dr." Mansfield example); calling cards of John E. Drake and Charley Gunn; an advertisement for "Dr. Jas. V. Mansfield" at Saratoga Springs with séance and correspondence prices and a portrait of Mansfield; a heavy stock card "Robert Emmett's Last Speech. When my country takes her place among the nations of the earth, then, and not till then let my epitaph be written"; a printed envelope that originally contained flower seeds for Mansfield; newspaper clippings on art-related topics in France; and other fragments and notes.

One item is a printed exhibition flier for "Dubufe's Great Painting of The Prodigal Son. Now on Exhibition at the Leavitt Art Rooms, 817 Broadway, cor. 12th Street.", with marginal notes by John W. Mansfield. On the front page includes the 15th chapter of Luke, over which Mansfield wrote "All nonsense."

The series contains numerous copies of a printed May 16, 1883, circular by The American Spiritualist Alliance, seeking membership for the purposes of establishing a Library and Reading Room, and meeting space at a headquarters in New York. The circular is from President Nelson Cross, and applications should be directed to J. V. Mansfield.

This series includes three pamphlets:

• Dr. D. Winder, Angels and Spirits from a Scriptural Standpoint : The mystery of modern "Spiritualism" Rationally and Historically explained, by the records and teaching of the Scriptures. Cincinnati, Ohio: s.n., [19th century].
• Advertising pages with entries for various spiritualists, materialization and transfiguration mediums, magnetic healers, a physical and musical medium, medical clairvoyants, and more, most tied in some way to Onset, Massachusetts, and advertisers' presence at upcoming camp meetings. These pages are mutilated and missing text; they may have been extracted from a publication.
• Thomas R. Hazard, Mediums and Mediumship. Boston: Colby & Rich, [1876?]. Cover and first 12 pages of this stab-sewn pamphlet are mutilated with some text loss.

James V. Mansfield's Client Record Books and Ledgers are made up of 21 volumes documenting business interactions with clients seeking spiritualist services from 1859-1882. Nineteen record books contain names of clients, where they were located, and the date requests were received and answered. Entries sometimes include information on the person(s) the client was trying to contact in the spirit world, but almost never Mansfield's spirit responses to client questions.

Mansfield's clients lived in areas across the United States, such as Tennessee, Illinois, Virginia, Arkansas, Pennsylvania, Maine, Indiana, New York (Buffalo, Brooklyn, New York City, etc.), Oregon, Missouri, Kansas, Delaware, California (some from Mission San José), and elsewhere. These men and women most often wished to contact deceased children, spouses, siblings, parents, in-laws, aunts, uncles, grandparents, and ancestors.

Some queries regarded connection with lost family members and friends, family dynamics, plans for the future, the workings of the spiritual sphere, the reunion of loved ones in the afterlife, relationship advice, attempts to find out whether or not someone had died, missing persons, health concerns and requests to deceased physicians for diagnoses, business and financial matters, clarification of wills, last words of the deceased, settlements of property, and other legal issues. Clients would sometimes simply ask their deceased family or friends questions such as "Are you happy?"

J. V. Mansfield identified clients sometimes as French, Italian, English, and German. He rarely noted religious affiliations, except occasionally "Quaker" or "Orthodox." He at times wrote down or sought out and pasted in newspaper clippings of biographical notes and obituaries related to the deceased. He sometimes noted the causes of death, with a number caused by railroad and carriage accidents. These client records were working documents that Mansfield did consult later, to make reference notes. In the 1859-1861 volume, for example, beside Mrs. E. Davis he wrote "See Book 42 Nov 9th/66."

In addition to the client record books are two alphabetic ledgers, one marked on the cover "From A to F" and the other "M to R," with content dating from December 24, 1860, to March 26, 1883. A printed J. V. Mansfield advertisement is pasted on the pastedown of the first volume. Only a portion of the first ledger contains entries by Mansfield, which are client interactions organized alphabetically by surname. They were drawn from the client record books that make up the rest of this series.

The "From A to F" volume includes brief entries, copying information in the client record books recording client, the person(s) they wished to contact, geography, and date of entry. An unusual entry is one undated entry falling between June 1 and June 5, 1868, of "Butler, Benja. F." seeking to contact family members, as well as several living and dead governmental and political figures: Amos and Abbott Lawrence, John and Elizabeth Wilson, Rufus Choate, Charles Sumner, Thaddeus Stevens, Salmon P. Chase, Abraham Lincoln, and John A. Andrews.

James V. Mansfield made some progress on ledger letters "A" and "B," but the project was apparently abandoned. The second volume is blank, with the exception of two pages of accounts by a currently unidentified individual in 1933.

The Portraits and Photographs series contains two daguerreotypes, three ambrotypes, two tintypes, one cabinet card, three cartes-de-visite, four other photos on paper, two glass plate negatives, and five silhouette and painted portraits. These are largely images of James V. Mansfield, Mary Hopkinson Mansfield, and the Mansfield family, along with two "spirit" photographs (one of a "spirit drawing" by the Andersons and the other of "father W W Worloch" of Albany). See the box and folder listing for an item-level inventory of this series.

The James V. Mansfield and John W. Mansfield Printing Plates include 10 different steel (1) and copper (9) plates. They include three printing blocks for bust portraits of James V. Mansfield, and drypoint and mezzotint portraits of unidentified men by artist John W. Mansfield. See the box and folder listing for an item-level inventory of this series.

The collection's Prints include nine unique artistic works by John W. Mansfield in the 1880s, with between one and 16 variant prints of each. They include both drypoint and mezzotint prints. The subjects include a moonlit river, landscapes, portraits of unidentified men, and portraits of his father James V. Mansfield. See the box and folder listing for an item-level inventory of the series.

The collection includes four Framed and Oversize items, including two printed broadside advertisements for James V. Mansfield and two portraits of J. V. Mansfield by his son John W. Mansfield--one a drypoint print and the other a large charcoal portrait based on a tintype photograph. See the box and folder listing for an item-level inventory of this series.

The Edmund P. and Myra C. Gaines Collection is made up of 23 letters and documents dating between November 10, 1834, and April 5, 1850, and one full-plate daguerreotype portrait of Edmund P. Gaines. The materials present in this collection pertain to mid-19th century United States military politics, the antebellum U.S. frontier, and the activities, perspectives, and public controversies of Edmund Pendleton Gaines and his wife Myra Clark Gaines. In addition to this finding aid, the Clements Library has created an item-level collection inventory index: Edmund P. and Myra C. Gaines Papers Collection Inventory.

The Edmund P. and Myra C. Gaines Papers are made up of 23 letters and documents dating between November 10, 1834, and April 5, 1850, and one full-plate daguerreotype portrait of Edmund P. Gaines. The primary recipient of the Gaines' correspondence is Myra C. Gaines's cousin, Colonel John H. "Jesse" McMahon (d. 1869). The manuscripts offer insight into Edmund P. Gaines's opinions and responsibilities while in command of the U.S. Army Western Division, especially with regards to national security, frontier defense policy and the annexation of Texas. Also present are documents concerning the Myra C. Gaines inheritance lawsuits, the Gaines' views on politics, war, Winfield Scott, legal issues and family matters. Edmund Pendleton Gaines wrote, published, and lectured on the subject of frontier defense, a topic directly related to his professional obligations as a career U.S. Army officer. This collection includes several examples of his advices. On December 7, 1841, he offered appointment recommendations to the Secretary of War John C. Spencer. He also suggested that Col. Stephen Kearny, Col. William Davenport, or Gen. Henry Atkinson would be acceptable commissioners to effect "the arrangement" of removing the remaining Sac and Fox Indians from Iowa. A February 21, 1842, letter to Adjutant General Roger Jones elaborates on Gaines's public suggestions for the improvement of defense on the frontiers by adding a particular kind of floating battery and boats, and by paying particular attention to defense at ports in the Gulf of Mexico. Accordingly, Gaines believed that Texas was of vital importance to the naval power and defense of the United States. In a March 28, 1844, letter to a Judge Pascal in Washington D.C., Gaines stated that he had pushed for the annexation of the Republic of Texas from its earliest days, although he was forced to speak and act with cautious impartiality to both Texas and Mexico on account of American neutrality. In a letter to James K. Polk, dated July 4, 1845, Gaines provided enthusiastic remarks on the annexation of Texas. Reflecting on the "Fathers of the Revolution" and quoting from the Star Spangled Banner, he provided his thoughts on the newly acquired land: "We must prove ourselves to be vigilant and ready at every vital point to maintain the ground we have fairly won. Let us no longer be idle, but go to work vigorously until we secure our Sea Ports by means applicable alike to War, and to a prosperous commerce in Peace and in war."

Prior to the annexation, in June of 1845, Maj. Gen. Gaines raised around 1,500 Louisiana volunteers to assist Zachary Taylor in the defense of the western frontier of Texas. The War Department reprimanded the commander for recruiting the men without presidential authorization. The following May, shortly after the outbreak of hostilities with Mexico, Gaines repeated his performance, authorizing the recruitment of almost 12,000 volunteers--again without presidential approval. Gaines was tried at court martial and successfully defended his actions. Apparently unfazed, Gaines wrote to President Polk on March 25, 1847, soliciting orders to raise a division of volunteers for service in Mexico. Gaines intended to send notice to Pittsburg, Cincinnati, Louisville, Memphis, Vicksburg, and New Orleans regarding his recruiting efforts and estimated that he could raise some 20-25,000 "first rate" volunteers. Gaines patriotically referenced the battles of Palo Alto and Resaca de la Palma.

Multiple letters in this collection reveal the bitter nature of Edmund P. Gaines's rivalry with Winfield Scott. Gaines served under Alexander Macomb until the General's death in 1841, at which point both Gaines and Winfield Scott vigorously pursued Macomb's vacancy. President John Tyler attempted to avoid rekindling the Gaines-Scott feud by swiftly promoting Scott to Major General of the U.S. Army. War Department clerk Albert M. Lea's letter of October 11, 1841, informed Gaines of Scott's appointment, praised Gaines's War of 1812 service, and (perhaps provocatively) noted that President Tyler returned one of Gaines's letters without comment. However, as Gaines conducted an inspection tour from Baton Rouge to St. Louis in 1842, he received a series of communications respecting a case brought against him without court martial related to discrepancies in paymaster accounts. In a 19-page letter to Secretary of War John C. Spencer, Gaines defended himself and illustrated how he had been unfairly targeted with inappropriate disciplinary procedures. Gaines was convinced that Winfield Scott was behind what he perceived as an attack on his character and that his old rival had "laboured from the 1st of January 1825 (if not the 15th of August 1814) to the 14th of March 1836 to prove that Major General Gaines was ‘a bad or indifferent officer'--as the Brevet Letters and the Starring and Rescue and Sortie letters written by General Scott to the Adjutant General of the Army will testify."(October 10, 1842).

In the summer of 1842, General Scott divided the Eastern and Western Army Divisions into nine smaller units which effectively reduced Gaines's rank and pay from that of (Brevet) Major General to that of Brigadier General. In a letter to Adjutant General Roger Jones, Gaines criticized Scott for breaking up his Division. Gaines's strong feelings on the matter may be summed up by his statement that "Major General Scott's elevation to a larger command than he ever before had cannot lawfully subject me to the degradation of being reduced to a smaller command than I have at any time since the month of August 1814 been honored with" (April 20, 1843). Ultimately, Gaines was able to retain his rank and pay and was serving in command of the Western Division when he died of cholera on June 6, 1849.

The collection includes six letters by Myra C. Gaines. Her correspondence reveals a politically-minded woman with an active interest in her husband's profession, a resilient plaintiff in her inheritance suits, and a troubled mother. In her letter of September 11, 1846, to her "dear cousin" Colonel J. H. McMahon, Gaines provided a summary of the prevailing political climate, believing that her husband had a chance to succeed in the 1848 Presidential election. She remarked that "the whole City have said to me 'I wish the General would be brought forward for the Presidency we give our votes--and if our wives were permitted they would most cheerfully give theirs.'" She remarked that Polk was in poor standing in Tennessee on account of his unfavorable treatment of her husband. On March 13, 1848, she claimed that Henry Clay told her "that if he runs he will insist that I be put upon his ticket for Vice President - but I think I shall decline - having said I was satisfied." A letter dated January 14, 1842, and an undated letter by Edmund P. Gaines provide additional insight into the independent and self-assured nature of Myra Gaines. In the 1842 letter Edmund Gaines expressed support for his wife's address on the horrors of war and referenced the heroic exploits of Sally Ridley Buchanan, while in his undated letter Gaines requested that Col. McMahon forward a letter to Myra. Anticipating that his recipient would wonder why Gaines did not know the whereabouts of his wife, he explained that she had some difficulties with her travel plans, amplified by the theft of her purse "no doubt by a Black chambermaid, who was the only person in the Ladies Cabin on board the Steam Boat."

Items that mention Myra C. Gaines's inheritance case include a letter to Col. McMahon during a visit to New York City in which Gaines mentioned that she believed her "suit against the vile Executors of my late father in laws Estate" will be decided soon and that although the entire affair has been overwhelmingly difficult at times, she possesses a "light heart--resolved to conquer and to put down all opposition" (November 26, 1846), as well as a letter from an unidentified family friend written in response to a report on the case titled A full report of the great Gaines case, in the suit of Myra Gaines vs. Chew, Relf & others, for the recovery of property of the late Daniel Clark, involving several millions, in which the legitimacy of the plaintiff, is investigated, and her romantic and interesting history developed : including the depositions and documents in the case, the speeches of the lawyers (embracing some of the most eminent talent of the bar of Louisiana and Alabama) and the decision of Judge McCaleb, published by Alexander Walker, editor of the New Orleans Delta newspaper. This unknown "family friend" felt obliged to come to the defense of Gaines's mother, who had been cast in an exceedingly negative light by the report, and to refute numerous other unsubstantiated claims made by Walker that were deemed unfairly critical (April 5, 1850).

The Gaineses' only daughter (from Myra's first marriage), Rhoda, was a source of additional tribulation. In her candid letter of September 22, 1848, Gaines blamed "wicked" persons from her own childhood for Rhoda's troubles and remarked that if she hadn't removed Rhoda from New Orleans "it would have been too late to have saved her." Myra determined that Rhoda would be placed in an institution, "a perfect Military Garrison," where she would remain until she is 20 years old. She also made arrangements for Rhoda to attend Madame Conda's academy as a day scholar.

In addition to this finding aid, the Clements Library has created an item-level collection inventory index: Edmund P. and Myra C. Gaines Papers Collection Inventory.

American poet and novelist (some with anti-war themes), pacifist and women's rights advocate, participant in the International Congress of Women at The Hague in 1915 and subsequent activities of the Women's International League for Peace and Freedom. The author of numerous poems and other literary works, she "projected a clear vision of a new social order". Throughout her work runs the prophecy of the triumph of new moral values and a strong identification with the "downtrodden masses". The papers of Angela Morgan document her long career as a twentieth century writer and social reformer. Papers include extensive correspondence with leading pacifists, literary figures and women's rights activists, manuscripts of Morgan's poetry, novels and other writings, clipping and subject files on pacifist activities and photographs.

The Angela Morgan papers document her long career as a twentieth century writer and social reformer. The collection includes extensive correspondence files, biographical and personal files, drafts of writings, pamphlets, newspaper clippings and other papers relating to her activities as a pacifist and her literary interests; also material on World War I peace movement concerning International Congress of Women, Ford Peace Ship, American Neutral Conference Committee, Emergency Peace Federation, Fellowship of Reconciliation, Bureau of Legal First Aid, People's Council of America and New York City branch of the Woman's Peace Party; also scattered papers, 1861-1922, of her father, Albert T. Morgan, who came to Mississippi after the Civil War; and photographs.

The collection contains much information on organizations such as the General Federation of Women's Clubs, (she served as poet laureate of this organization in the 1930's), the League of American Pen Women (she served as president of the Philadelphia branch from 1929 to 1931) and the Poetry Society of America.

Throughout her long career Angela Morgan kept up a correspondence with ministers (such as Fred Winslow Adams, Charles F. Aked, Harry Emerson Fosdick, John Haynes Holmes, Jenkin Lloyd Jones, Frederick Lynch, John Herman Randall and Arthur Weatherly), journalists and magazine editors (such as Kendall Banning, William F. Bigelow, Sewell Haggard, and Franklin B. Wiley) and literary people (such as Anita Browne, Ralph Cheyney, Edwin Markham, Corinne Roosevelt Robinson, Lucia Trent and Ella Wheeler Wilcox).

Another valuable aspect of the paper is the material on Angela Morgan's involvement in the peace movement, especially during World War I. Her involvement was apparently due both to the fact that she agreed with many of the ideas of the pacifists and the fact that her office was in the same building (70 Fifth Avenue in New York) which housed the headquarters of almost every significant peace group in New York City. Included in her correspondence are letters from Crystal Eastman, Margaret Lane, Rebecca Shelley, Norman Thomas, the American Neutral Conference Committee, the Bureau of Legal First Aid, the Fellowship of Reconciliation, and the Woman's Peace Party. One folder from 1915 contains notes on interviews with German pacifists conducted by Angela Morgan and Rebecca Shelley. The collection also contains much information on the International Congress of Women in 1915 (a meeting of pacifists to which Angela was a delegate) and the Ford Peace Ship.

The Minto-Skelton papers contain the papers of Walter Minto (1753-1796), noted mathematician and educator, his nephew Walter Minto Skelton (1804-1848), and other members of their extended family. Walter Minto's papers contain correspondence, writings, and other documents related to his travels in Italy, scholarship, and teaching career. The Walter Minto Skelton and family papers include correspondence, poetry, prose writings, illustrations and photographs, documents, printed materials, notes, invitations, and miscellanea.

The collection entitled Minto-Skelton family papers is divided into two series: the Walter Minto papers and the Skelton family papers. It began as the Walter Minto papers by donation from Harry B. Earhart in 1934, and this collection, which consists of 21 documents and seven letters, has been incorporated into the new, larger collection of Minto-Skelton family papers given by Jean McIntyre Conrad in 2004. The Skelton family papers contains only a few items from the Earhart donation: specifically, seven of the ten Detargny documents between 1796 and 1798 (in Series 2, sub-series 4) and one printed broadside from 1799 (in Series 2, sub-series 5); the rest come from the much larger Conrad donation. In the Contents Lists that follow each collection it has been noted which papers originally belonged in the Earhart donation.

Walter Minto Papers:

The Walter Minto papers consists of 296 letters and 31 documents, along with nine manuscript notebooks, diaries, account books, etc. and five short handwritten notes by Minto himself. Nearly all of the letters were written during Minto's lifetime, from 1774 to 1796, with four from 1797-98 added to the collection because they refer to him or to his estate. Most of the letters were written to him (253), and they are about equally divided between those written before he left Scotland for America (mid-1786) and those written after he arrived in America. Those from 1779 to 1786 are especially revealing about two events in his life that were either unknown or only hinted at previously.

The first has to do with his sojourn in Italy. He accompanied the Johnstone boys to Italy in 1776 as their tutor and remained with them there until early 1779, when they, and presumably he with them, returned to England. But letters both to and from his father, Walter Minto, Sr., along with references in other letters, make clear that, after entrusting the boys to Captain Machell in Spain, he returned to Slop's home in Pisa in March of 1779, began a formal, concentrated study of mathematics with Slop, that he continued that study there until mid-1782, and that it affected his health.

The second has to do with Minto's previously unknown relationship with a woman named Catherine Drummond. This relationship can be seen in the 49 letters (sometimes in French, occasionally in Italian) written by her to him between March of 1784 and early June of 1786, when he left Scotland for America. The correspondence continued in America, though less frequently; she wrote only three letters between February of 1787 and January of 1788. In a letter (of which there exists only a partial "translation") in response to hers of January of 1788 he tells her that he has loved her for four years and proposes marriage to her. She rejects his proposal by return mail, but continues writing to him until 1791, even after his marriage to Mary Skelton in the fall of 1789.

During his time in America, he met and exchanged letters with a number of influential people, both before going to Princeton (mid-1786 to late 1787) and afterwards (1787-96): for example, John Witherspoon, president of the College of New Jersey; the astronomer and clockmaker David Rittenhouse; Dr. Benjamin Rush, a signer of the Declaration of Independence, with whom he lodged when he first came to America; the army officers James Chrystie and Francis Gurney, who became his friends; even George Washington, to whom he sent a copy of his book on the new planet.

Another 25 letters are neither to nor from him. Most were written from one Minto family member to another and concern primarily family matters; they were probably brought by Minto to America, or were perhaps sent to his wife, Mary (Skelton) Minto, by his Scottish relatives after his death. Two of the letters were written to or from the Johnstones, in 1764 and 1772 (the latter by David Garrick), before Minto had even met the family. Three of the four letters written in 1797-98, after his death, were addressed to his wife, and the fourth to a close friend of hers.

Of the 18 letters written by Minto himself, eight are originals, having been sent to relatives and friends. The other ten are copies or drafts, in his own hand, that he kept for his personal use: these are always marked "copy" or "draft" in the Contents List.

Following the letters are nine manuscript notebooks, diaries, account books, etc. (eight written by Minto, 1776-96; plus one written in 1802, after his death) and five miscellaneous notes in his own hand. Most of the notebooks provide details about events in his life, especially the lists of expenses in the notepads from 1776 and 1779, having to do with his theological education and his dealings with the Johnstone boys, his trip to America in June and July of 1786 from the daily log he kept of it, his travels during his first few months in America from the notepads for late 1786 and early 1787, and the nature of his mathematical lectures at the College of New Jersey from the notebook dated 1802.

Of the remaining 31 documents: 14 date from 1757 to 1786, when Minto left Scotland for America; 14 from 1787, after he arrived in America, to his death in 1796; and three from after his death, the latest of which is dated 1801. The earliest one (a transcript of the entry for Elisabetta Dodsworth's baptism in 1739, from the Baptismal Record of Leghorn in Italy) is dated 1757, when Minto was only four years old. The last is a bill of lading, dated 1801, for what was probably family memorabilia sent from the Minto family in Scotland to Mrs. Mary Minto after her husband's death. In between are documents providing glimpses into Minto's education (24 January 1776), his being set free in Cadiz (13 March 1779), his trip home from Italy in the summer of 1782 (the passport signed by Sir Horace Mann on 11 June 1782), his honorary degree from the University of Aberdeen (3 February 1786), his becoming a United States citizen (24 July 1787), and his membership in the American Philosophical Society (17 January 1789).

Walter Minto Skelton (1804-48) and Family Papers:

The Skelton family papers, unlike the Walter Minto papers, consist of a great variety of materials: 43 letters, written between 1780 and 1940; a large body of prose writings and poetry, including 6 notebooks of prose and poetry, 20 orations, lectures, and essays, and 22 manuscripts of miscellaneous verse; one engraving, one drawing, one print, and four portrait photographs; 50 documents of various kinds; 14 printed materials and 3 newspaper clippings; and 58 items of miscellanea, including 7 notes, 18 invitations, and 24 round pieces of cloth with writing in ink.

The letters are divided into three groups based on the primary correspondent in each group: Mary Skelton Minto (from before 1780 to 1813, and possibly to 1824, the date of her death); Walter M. Skelton (from 1824 to 1843); and the Boyd family (from 1872 to 1940). All three groups of letters provide details about events in the lives of family members. In addition, the first group provides some chronology on the life of Marin Detargny, which is described in detail in the section below on documents. The second group contains some important Skelton family documents, especially the very difficult-to-read letter to Walter Skelton from his father Joseph dated 20 January 1825, and the one from his aunt Elizabeth White dated 22 March 1827. The third group of letters contains a mix of dates and correspondents, mainly regarding the extended Skelton families (especially the Boyds). Two letters in particular are revealing in their insights into the late 19th-century (and later) interest in spiritualism, or spiritism: the one from Edgar Ryder to Ann Skelton dated March 1872 announcing his belief that her brother Walter "is one of the Big Guns in the Spirit world"; and the one from Charles Robb to Elizabeth Boyd dated 12 January 1930 enclosing his transcript of a spirit message from her aunt Ann Skelton during a séance the previous day.

Following the letters are prose writings and poetry, divided into three groups. The first consists of manuscript notebooks containing one or the other or (usually) both genres, and is further divided into notebooks in Walter Skelton's own hand (3) and those in other hands (3). Except for "Elizabeth White's Collection of Poetry," all of these notebooks have Princeton connections, and a few have western Pennsylvania connections.

The second group contains orations, lectures, and essays, nearly all of which are in Skelton's hand and presumably composed by him. The dated ones are from his years at the College of New Jersey in Princeton, and most of the others must be as well. Public speaking was an integral part of the College curriculum, and some of the orations must have been delivered there during his student days (see especially the one dated July 1825).

The third group contains miscellaneous verse. A few of the poems are in Skelton's hand and may have been composed by him (3); the leaf containing the second poem has a few occurrences of the name "(Miss) C. Morford," who may have been a love interest of his. Most of the poems (19), however, are in other hands and range from well known ones like "Don't give up the Ship," Burns' "Auld Lang Syne," and Waller's "Of My Lady Isabella playing on the lute" to obscure ones, including a "Canzonetta" in Italian by Peruchini. Along with Elizabeth White's collection in the first group, these poems indicate a strong interest in poetry in Walter Skelton's extended family.

After a few miscellaneous illustrations and photographs are a large group of documents (certificates, wills, receipts, deeds of land sales, surveys, and the like), divided by the families to which they refer. Most of these families were from western Pennsylvania and related to the Skeltons (Boyd, Craig, McFarland) or were members of the Skelton family itself. The Franklin Heirs also relates to western Pennsylvania, for in January of 1840 Walter Skelton purchased two tracts of land, totaling 410 acres, on the west side of the Allegheny River in South Buffalo Township, Armstrong County, Pennsylvania, which had been owned in the 1780's by Benjamin Franklin; Skelton presumably built a house on the property and lived there until his death in 1848, when it passed into the hands of his sister Ann Skelton. The Scudders were friends of the Skelton family in New Jersey, and the deed of sale described here was probably from a descendant of that family. The two White family documents refer to Elizabeth White, whose collection of poetry is described in Series II, sub-series 2 above and who lived in Scarsdale, New York; she was the sister of Walter Skelton's mother, Sarah White Skelton, wife of Joseph Skelton, Sr.

The most intriguing set of documents has to do with Marin Detargny. It is uncertain how his papers came to be included in the papers of the Mintos or of the extended Skelton family. Moreover, seven of the ten Detargny documents between 1796 and 1798 were in the Earhart donation; why or how they became separated from the rest of the Detargny documents is a mystery, especially since they are not so different from the other three of the same date. From the documents (and four letters referring to him) one learns that Marin Detargny was born in France on 26 June 1776, son of Jean Francois Detargny. He is twice called "homme de lettres," once "Professeur," and is later referred to as "Reverend." He remained in France until at least 1798, not leaving until 1800 or a little later. By December 1802 he was in Virginia, residing in Alexandria and trying to open a school, but at about the same time he must have moved to Annapolis, where he taught French until at least April 1804. Between November 1805 and August 1807 he was in Charleston, South Carolina, but by 1810 he was in Philadelphia and being looked after, at least financially, by Benjamin Hopkins (husband of Mary Skelton Minto's niece, Elizabeth, the daughter of Mary's brother Josiah). By early 1813, Detargny was destitute and was in danger of being sent to the overseers of the poor; his wife was also destitute and depended on "relatives" who could not afford to help her husband.

How the Skeltons and the Hopkinses came to know him, and especially how the Hopkinses came to be responsible for him, is unknown, though intriguing; sometime after 1807 (see undated letter from M. Chrystie to Mary Minto) a "Mrs. Ditennia" (probably Mrs. Detargny), who had been ill, visited Mary Minto in Princeton.

The next category consists of printed materials (a broadside; an interesting advertisement and list of fees for Mrs. Graham's school in New York from the early 19th century; two newspapers; some pamphlets and announcements; and three newspaper clippings about family events). The most numerous group is the pamphlets and announcements, which contains primarily the Proceedings of seven Boyd family reunions held in western Pennsylvania and Ohio between 1881 and 1892 (at least ten reunions through 1900, but no other Proceedings appear in the Skelton family papers). These Proceedings contain lists of the participants and attendees at the various reunions, along with biographies of some of the Boyds (including Walter Skelton Boyd [1864-92], who was named for his uncle, Walter Skelton, in the 7th Proceedings), and an in-depth study of some of these people might help to unravel the connections both among the Boyds and of the Boyds with the Craigs, Earharts, and McIntyres.

The final group consists of miscellaneous materials, including notes by Walter Skelton; invitations to parties, dances, and college exercises; a statement from students at the College of New Jersey directed to James Carnahan, president of the College; a notebook containing "By-Laws of ‘The Princeton Blues'," a militia group in Princeton whose captain in 1830-31 was Walter Skelton; a booklet of proverbs and common sayings in English and Spanish on facing pages; a series of primarily 20th-century family notes and lists about the contents of the second Minto-Skelton collection before it was given to the Clements Library; and some obscure pieces of cloth with writing on them. Three of the five notes written by Walter Skelton are presumably from his days at the College of New Jersey; a fourth is apparently a record of the books in his library; and the fifth is a unique list of "Provincialisms noticed in the Western part of Pennsylvania," which he must have recorded when he first went out to that part of the country in 1826. Fourteen of the eighteen invitations (some on the backs of playing cards) are addressed to one or more of the Skelton sisters requesting their attendance at parties, dances, and college exercises, and they attest to the active social life for young women in Princeton and environs in the 1780's.

The last item in the group of miscellaneous materials is a set of twenty-four round pieces of cloth with writing in ink on one side of twenty-two of them. The writing has various configurations: always the name of the writer and, in addition, occasionally the name of the addressee, usually a sentiment of some kind, and frequently a date and the home of the writer. The addressee, when given, is always Mary or Mary McFarland; the year, when given, is 1845, usually in October; the home addresses are nearly always somewhere in Indiana County or Armstrong County, Pennsylvania; and the writers are often relatives (five are Skeltons).

The collection consists of two series: the papers of Joan Memering, including biographical materials, Cambodia Project materials and related materials, Central Michigan University(CMU) materials, and newspaper articles, most of which she researched and wrote; and the papers of her husband, Dean Memering, documenting his career teaching in CMU's English Department, and his biographical materials .

The collection is divided into the following series: Willard D. “Dean” Memering papers (.5 cubic ft., 1 box); and Joan Shipers Memering papers, 1969-2006 (Scatterd) and undated is the rest of the collection.

Dean’s papers, 1971-2006 (Scattered), and undated, mainly document his teaching experience in the Department of English at CMU, and his Biographical Materials. Biographical Materials for both Memerings includes obituaries, resumes, photographs, and other relevant materials.

Joan’s papers are divided into the following series: Biographical Materials (1 folder); Cambodia Project Materials and Cambodia Related Materials, 1978-2003, and undated (approximately 5 cubic ft. in 9 boxes, 1 folder); CMU Materials, 1983-1992 (Scattered), and undated (.25 cubic ft. in 1 box); and Newspaper Articles, 1975-1995 (Scattered, copies (.25 cubic ft. in 1 box). At the end of the collection there is a folder about Polish refugees coming to Mount Pleasant that includes two newspaper articles (copies) and a photograph [1982].

Of prime interest to researchers are the Cambodia Project Materials, 1978-2003, and undated. These include: Joan’s notes, drafts of oral interviews she conducted with Cambodian refugees, the transcriptions of the taped interviews, some of the tapes, notecards, and drafts and outlines of chapters she wrote for her book, as well as notes on Cambodian vocabulary, family names, and history chronologies of Cambodia. The transcriptions and notes painfully and vividly document the horrors of Cambodia during the 1970s, the horrific suffering of its people, and the various traumas and challenges faced by the refugees. Cambodians who were interviewed by Joan included men [Train] Chit, Meng Leng [Phou], Heng Suy Keang, and a woman, Nay or Ing May. Photographs of the refugees and their families during the 1982-2003, and undated are also included although many are unidentified.

Also in this series is the only extant documentation of the Mid-Michigan Refugee Action Committee, Joan’s notebook with various loose attachments and correspondence includes a list of the churches in Mount Pleasant who sponsored refugees in 1979 and information about the refugees. Richard C. Train and Family were sponsored by St. Mary’s University Parish; an unidentified couple by the Millbrook United Methodist Church; the Heng Suy Keang family by the First Church of Christ; the Gau Cheng Sun family by the First United Methodist Church; and the Lim Chhun Fa family by Sacred Heart Parish.

Another item of interest in the series is the English/Chinese/Khmer Translation Phrase Book, undated. It was designed for practical use in everyday communication for the new refugees. Also, there is material of the Lutheran Immigration and Refugee Services program (1 folder), with which Immanuel Lutheran Church in Mount Pleasant was involved. They sponsored refugees before 1979.

The Cambodia Related Materials, 1969-2003 (Scattered) and undated, include Joan’s research notes and materials which she compiled from a variety of secondary sources on Indochina including the Far Eastern Economic Review (FEER), Indochina Issues, Indochina Newsletter, and the Phon Penh Post, maps of Southeast Asia, and various BBC Broadcasts re: Cambodia. Joan’s correspondence, to/from/or about Cambodian refugees and or about her book is also found here.

Also of interest in this series is a term paper entitled “My Father: the Refugee” by Michael Phou, son of Meng Leng Phou, with a CD and letter to his “Aunt Joan”, 2003. Michael visited Joan to find out more about his father’s life from her notes, transcriptions, and tapes. In his paper, Michael describes how the Memerings were considered family members by Meng Leng Phou’s extended family because of all that they had done to help his family come to and adjust to life in America. Meng Leng had eventually settled in California, but the bonds between the two families remained very strong. Michael’s paper clearly documents that prior to conducting his research about Meng Leng, he did not understand what his father had endured and was quite horrified and saddened to discover the truth while he was also very proud of his father’s ability to adapt to American culture and speak flawless English.

The Newspaper Articles Joan wrote, 1975-1995 (Scattered, copies), include some articles about Cambodian refugees, Vietnam, and many other diverse local topics. There are also some clippings she collected about Cambodia/ns and Vietnam/ese or Vietnam veterans that she did not write but obviously used for research purposes.

Box 12 includes Oral History Transcriptions of Joan’s interviews with Train Chit, organized into four typed volumes, 1982-1983.

Processing Notes: Most of the collection has a musty smell. While no signs of mold were found during processing, researchers with allergies or asthma should be careful while using the collections.Duplicates and materials of peripheral value were returned to the donor. Books written by Dean and about Cambodia in the collection were separately cataloged.

[NB: This is a TEMPORARY finding aid for an IN-PROCESS collection; some restrictions apply]. The Handy Papers document the lives and professional activities of four generations of the Handy Family of Virginia, Maryland, and Delaware. The collection largely revolves around James Henry Handy (1789-1832), Isaac William Ker Handy (1815-1878), Moses Purnell Handy (1847-1898), Sarah Matthews Handy (1845-1933), Frederick Algernon Graham Handy (1842-1912), Egbert G. Handy (1858-1938), Rozelle Purnell Handy (1871-1920), Sarah V. C. Handy (1876-1963), and H. Jamison Handy "Jam Handy" (1886-1983). The Handy family were largely educated, politically active, literary southerners, who were a part of many of the social and intellectual currents of especially the mid- and late-19th century. The papers offer resources for study of the Civil War, particularly its effect on Virginia civilians and southern prisoners of war at Fort Delaware; the history of southern families; late nineteenth-century American politics; Presbyterian history; late nineteenth-century newspaper journalism; the World's Columbian Exposition in Chicago, 1892-93; and genealogy. In its current, temporary housing, the papers include 30 boxes of correspondence, 27 boxes of family papers and topics files, six boxes of World's Columbian Exposition papers; eight boxes of photographs, plus separately housed images; four boxes of newspapers and newspaper clippings; 12 boxes of Jam Handy and Jam Handy Organization papers; 60 boxes of scrapbooks; and six boxes of books and serials (plus many loose books and other printed items).

[NB: This is a TEMPORARY finding aid for an IN-PROCESS collection. This current scope note pertains almost entirely to Handy family papers acquisitions of the 1980s (an estimated 60-65 boxes of the total 153 boxes). Among the in-process materials are 60 boxes of scrapbooks, largely kept by Rozelle P. Handy and Sarah V. C. Handy].

The Handy Papers document the lives and professional activities of four generations of the Handy Family of Virginia, Maryland, and Delaware. The collection largely revolves around James Henry Handy (1789-1832), Isaac William Ker Handy (1815-1878), Moses Purnell Handy (1847-1898), Sarah Matthews Handy (1845-1933), Frederick Algernon Graham Handy (1842-1912), Egbert G. Handy (1858-1938), Rozelle Purnell Handy (1871-1920), Sarah V. C. Handy (1876-1963), and H. Jamison Handy "Jam Handy" (1886-1983). The Handy family were largely educated, politically active, literary southerners, who were a part of many of the social and intellectual currents of especially the mid- and late-19th century. The papers offer resources for study of the Civil War, particularly its effect on Virginia civilians and southern prisoners of war at Fort Delaware; the history of southern families; late nineteenth-century American politics; Presbyterian history; late nineteenth-century newspaper journalism; the World's Columbian Exposition in Chicago, 1892-93; and genealogy.

In its current, temporary housing (see the box listing in this finding aid), the papers include 50 boxes of correspondence, 26 boxes of family papers and topics files, six boxes of World's Columbian Exposition papers; eight boxes of photographs, plus separately housed cased images; four boxes of newspapers and newspaper clippings; 12 boxes of Jam Handy and Jam Handy Organization papers; 60 boxes of scrapbooks; and six boxes of books and serials (plus many loose books and other printed items).

The following is a former description by Curator of Manuscripts Galen Wilson, for the Handy Family Papers acquisitions of the 1980s (50-60 boxes of materials):

"Isaac Handy's fondness for history led him to the belief that he lived at an important moment in the life of the nation, and every wrinkle of the sectional crisis of the 1850s and 60s seemed to confirm. His correspondence and diaries from the eve of the war through its conclusion are a reflection of a well-educated southerner's reaction to the events unfolding about him and provide insight into the development of his political sympathies. Even after his arrest in July 1863 and his incarceration at Fort Delaware, Handy remained conscious of being part of "history in the making," not only continuing his twenty-five-year habit of keeping a diary, but in planning for a future book on Fort Delaware, soliciting memoirs of war service from his fellow prisoners. Handy saved these manuscripts, plus the correspondence he received while in prison (much of it from Confederate civilians), pasting them into two large scrapbooks. These have been disbound and the material cataloged item-by-item and interfiled chronologically in the collection's correspondence. Drafts and copies of the book which Handy wrote about his confinement, United States Bonds, are present in the collection.

Among the many individual areas of American Civil War interest are Isaac W. K. Handy's description of the battle between the ironclads Monitor and Merrimac, and the journal which Moses Handy kept during his service in the Confederate army in 1865. The soldiers' reminiscences collected by Isaac Handy at Fort Delaware include several exceptional accounts, including biographical and autobiographical sketches of M. Jeff Thompson, the mayor of St. Joseph, Missouri, turned "Swamp Rat" militia commander. Thompson played a major role during the summer of 1861 in defending Missouri's slave system from John C. Frémont's emancipation proclamation.

Other Civil War war-related materials include Isaac Handy's 1861 sermon on "Our National Sins" and fast-day sermons from the same year. The reminiscences of a myriad of former Confederate officers are scattered throughout Handy's correspondence of the late 1870s, all intended to be used in a history of the war planned by the Philadelphia Times. Also present is some documentation of Frederick A. G. Handy's father-in-law, Edwin Festus Cowherd, a Confederate soldier.

While the Handy collection provides thorough documentation of life among the eastern Handys, it also contains a significant body of correspondence from the westward sojourn of Isaac and Mary Jane Handy from 1844 to 1848. Isaac and his wife wrote over 100 letters from Missouri, in which they described the powerful ideological lure of the west, their family's adjustment to new surroundings, and the social and political climate of the old southwest. An index to these letters, prepared by Isaac Handy, is present, along with an original binding. Isaac's diary for the years spent in Missouri provides a valuable point of comparison for the letters.

Political and social commentary flows throughout most of the collection, from Jesse Higgins' campaign for reform of the federal legal and judicial systems, 1805-1806, through the fin de siècle political interests and involvements of Moses Handy.

The political impact of Reconstruction plays a major role in the collection, particularly in the letters of Congressman Samuel Jackson Randall (1828-1890) of Pennsylvania. The election of 1896 is well documented and the collection includes much correspondence with the Republican President-maker Mark Hanna. For his efforts on behalf of the Republican Party in this election, Moses Handy had hoped to net a foreign consulate through Hannah but was disappointed. Handy's transition from Confederate soldier to Republican politico is subtly documented and provides an interesting case study in political opportunism.

The Handy Family Papers are an important resource for the history of the Presbyterian Church during the 19th century. The 2nd Presbyterian Church in Washington, D.C., was a major focus of James Henry Handy's life, and the early history of this congregation is well documented in correspondence dating from the 1820s. Rev. Daniel Baker was the first pastor of the congregation, and although Baker's tenure was controversial, James remained a close friend of Baker's for the rest of their lives. The collection thus contains items concerning Baker and his relationship with the 2nd Church, and several letters written by him after he left to assume a pastorate in Savannah, Georgia.

Isaac Handy's vocation as a Presbyterian minister and his avocation as an historical researcher merge in this collection, deepening the documentation of the church. Perhaps spurred by being asked to contribute some biographical sketches to William B. Sprague's Annals of the American Pulpit, Handy sought out primary documents relating to the colonial Presbyterian clergy and congregations. Aspects of his own career in the church is documented through a scattered series of letters from former parishioners--many of which were received during his imprisonment at Fort Delaware--and in letters written by Isaac to his sons. A thick file of Isaac's sermons is present, several of which were published. Among these sermons is "The Terrible Doings of God" (23:31), which concerns the Yellow Fever Epidemic near Portsmouth, Virginia, in 1855. He delivered this eulogy at a Baptist church for members of several different Portsmouth churches. Handy earned acclaim during the crisis by staying to help the victims rather than fleeing to safer ground.

Isaac Handy's literary flair was inherited by Frederick and Moses, and both pursued careers in newspapers. Moses' career is more thoroughly documented than Frederick's, and much of the correspondence written between 1869 and 1890 concerns Moses' efforts in the newspaper business. There are several folders of general newspaper correspondence dating from 1865 to 1897, an entire box of unsorted clippings by and about the Handys, and boxes of mounted clippings of Moses, Sarah, and Rozelle Handy's published writings. Journalistic endeavors of other family members are also present.

One of Moses Handy's greatest claims to fame was his role as chair of Department O (Publicity and Promotion) for the Columbian Exposition in Chicago, 1893. His involvement with the Exposition is documented in correspondence, reports, financial papers, brochures, photographs, and memorabilia. The advertising campaign begun in 1890 has been cited as the prototype of modern publicity strategies, and the Handy Papers offer an unparalleled view into the inner workings of the key department. The collection also contains information about the San Francisco Mid-Winter Exposition (1893), a sort of subsidiary event to the main Chicago attraction, and the general correspondence for 1891-93 contains some references to the World's Fair.

Isaac Handy's lifelong ambition was to publish "The Annals and Memorials of the Handys and their Kindred." Beginning in the 1850s, he gathered genealogical data on all descendants of "Samuel Handy, the Progenitor," an Englishman who emigrated to Maryland to farm tobacco. Three drafts of this work, in increasing thickness, were completed in 1857, 1865, and the 1870s. Isaac was prepared to publish the work in the 1870s and had an advertising flier printed, but when subscriptions did not meet expectations and Handy died in 1878, the project foundered. The manuscript then passed to Moses Handy, whose own intentions for publishing the book never reached fruition, possibly due to his untimely death at the age of fifty. In 1904, Isaac's youngest surviving son, Egbert, acquired the manuscript from Moses's widow, Sarah Matthews Handy, but his publication plans did not gather momentum until 1932.

With a great deal of vigor, Egbert attempted to update the manuscript, now sixty years out of date, and had a new advertising circular printed. Again, death removed the Annals' main advocate. The manuscript remained in the possession of Egbert's widow, Minerva Spencer Handy, and in the 1940s she gave it to Frederick A. G. Handy's widow, Lelia Cowherd Handy, then living in Arlington, Virginia. Before her death in 1949, Leila entrusted the material to her granddaughter Mildred Ritchie. The Clements Library acquired the manuscript from Mrs. Ritchie along with other family papers. A century and a third after Isaac began the project, the Annals were published by the Clements Library in 1992. The Handy Family Papers contain various drafts of the manuscript, plus many notes and letters concerning its publication."

[NB: This is a TEMPORARY finding aid for an IN-PROCESS collection. This current scope note pertains almost entirely to Handy family papers acquisitions of the 1980s (an estimated 60-65 boxes of the total 153 boxes). Among the in-process materials are 60 boxes of scrapbooks, largely kept by Rozelle P. Handy and Sarah V. C. Handy].