Collections : [University of Michigan Special Collections Research Center]

The Human Rights Party Papers consist of correspondence, writings, administrative materials, teaching materials, notes, reports, and photos regarding the life and works of Benita and Gabe Kaimowitz and Edward and Victoria Vandenberg, all of whom were active members of the Human Rights Party in Ann Arbor in the 1970s.

The correspondence series largely consists of correspondence to and occasionally from Ed and Victoria concerning their personal and professional lives. Items groupings correspond to the creators' original order.

The campaign materials series comprises legal documents, ad copy, expenses, ephemera, and photos related to Benita Kaimowitz's 1973 bid for Ann Arbor mayor and Ed Vandenberg's 1986 candidacy for probate judge.

The teaching materials series includes lesson plans, assignments, student work, student evaluations, reading lists, and correspondence relating to Victoria and Ed Vandenberg's and Benita Kaimowitz's work as teachers. Both Benita and Ed taught courses at Community High School, a public alternative school founded in 1972 in response to the popularity of the Youth Liberation movement in Ann Arbor.

The Ed Vandenberg legal work series contains materials related to Ed's career as an attorney and ombudsman.

In the Office of Ethics and Religion series are administrative materials, correspondence, notes, ephemera, and proposals created by or submitted to the eponymous office. Ed Vandenberg served for a time as president of the Office of Ethics and Religion, and participated in many of the office's forums, conferences, and iniatives. Many of the materials in this series pertain to the University Values Program and the debates it facilitated concerning research into recombinant DNA technology.

The conferences series primarily consists of documents related to the 1977 "Narcissism in Modern Society" conference held at the University of Michigan and hosted in part by the Office of Religion and Ethics. It also includes statements and notes about attendees from the 1965 International Conference on Alternative Perspectives on Vietnam, which was co-sponsored by the predecessor to the Office of Ethics and Religion. Lastly, the series contains of a handful of documents related to various teach-ins in the 60s and 70s.

The topical files series is composed of groupings of files, largely collected by Ed Vandenberg, related to political and philosophical topics that did not fit neatly elsewhere in the collection. Files contain a variety of items, including essays, articles, newsletters, and ephemera.

The last item in the collection is a spiral-bound notebook used as a communication log for the Kaimowitzes' communal home.

Writings, publications, and clippings collected by activist and SDS founder Tom Hayden. The majority of the materials relate to the Civil Rights movement in the early 1960s, particularly the activities of the Student Nonviolent Coordinating Committee (SNCC).

Materials are arranged in three series: 1. Writings, 2. Organization records, and 3. Newspaper clippings.

The Writings Series consists of Hayden's essays and notes about student activism, democracy, and the civil rights movement.

The Organizational Records Series is composed of materials related to organizations Hayden participated in or associated with in the early 1960s. A good deal of the materials document SNCC's activities in Americus, Georgia.

The Newspaper Clippings Series dates from 1961 to 1963 and covers civil rights demonstrations in the South. Someone, likely Hayden, annotated some of the clippings with timelines and commentary.

Research materials created and collected by the political scientist David Porter during the course of his doctoral research in Algeria.

The bulk of the papers is Porter's own handwritten notes, but also includes materials he saved from other sources (such as local newspapers) and typewritten proposals presented by Porter to his dissertation committee. The papers remain in Porter's original order. Porter's research focused on socialist and anarchist forces in Algeria immediately following independence. Materials are in both French and English.

Materials consist of 17 mounted, black-and-white photographs of deportees during the 1917 Bisbee Deportation.

This collection consists of 17 mounted, black-and-white photographs of deportees during the 1917 Bisbee Deportation.

This collection consists of Hungarian-language newspapers related to the 1956 Hungarian Revolution, spanning the year of 1956, with most of the newspapers published between October 28 and Novemer 4 of that year.

This collection consists of newspapers related to the 1956 Hungarian Revolution, all published in Hungarian during the year of 1956. Newspapers are separated into folders based on title and organized chronologically.

Chiefly letters from notable literary and political figures and foreign dignitaries invited to speak at Oratorical Association Lectures. A 1924 series of letters is from churchmen sought as speakers for the Wesleyan Guild lecture series. Include also are letter from 3 University of Michigan presidents and a regent, and a group of letters on miscellaneous subjects.

Thomas Trueblood's (1856-1951) collection of correspondence spans the years 1919-1988 and is mostly comprised of letters from individuals sought as speakers for the Oratorical Association lectures or other Department of Speech activities. Notable correspondents include Robert Borden (8th prime minister of Canada), Charles Gates Dawes (30th Vice President of the United States), Charles Evans Hughes (11th Chief Justice of the United States), William Morris Hughes (7th Prime Minister of Australia), and William Howard Taft (27th President of the United States).

LAGROC (Lesbians and Gay Rights on Campus/Lesbian and Gay Rights Organizing Committee), otherwise known as LAGROC or LaGROC, was a student-led organization that advocated for increased rights for lesbians and gay men at the University of Michigan through outreach, protests, and other activism efforts during the 1980s. The collection contains materials collected by Carol Wayman and Alicia Lucksted, who were also organization members, about early lesbian and gay groups on campus and those created by LAGROC. Materials include clippings, meeting minutes, correspodnece, various ephemera such as posters, flyers, and brochures, reports, and transcripts for radio plays.

The LAGROC Collection includes materials from circa 1983-1989 in one manuscript box of approximately 0.25 linear feet.

Materials include clippings, meeting minutes, correspondence, various ephemera such as posters, flyers, and brochures, reports, and transcripts for two radio plays. They detail early lesbian and gay groups on campus and LAGROC's activities to add "sexual orientation" to the University of Michigan bylaws, advocacy and outreach efforts such as Lesbian and Gay Awareness Week, support groups, meeting minutes, and protests.

Writings, clippings, and ephemera relating to the life and works of Pat Halley, a Detroit cab driver, writer, and anarchist.

The correspondence file contains two outgoing letters from Halley: a brief (possibly unsent) letter to writer/publisher Ken Wachsberger and a handwritten letter to two friends asking for their support after Halley was accused of sexual misconduct involving a child.

The largest file in this collection consists of scripts for plays Halley wrote or co-wrote in approximately the 1970s, which include Tales of the Sea, The National Desire, The Werewolf of Grosse Point, The Curse of Belle Isle, Cheap Shots, and A Grave Matter. The theatre flyers and playbills folder holds ephemera associated with these and other performances.

The clippings consist of a 1994 article Halley wrote about his experiences as a cab driver, a 1986 article by Jim Gustafson about the MC5, and Halley's 2007 obituary. Finally, the collection includes a 45 RPM vinyl recording of songs written by Pat Halley and a J. Sase.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials addressing various aspects and concepts of healthy eating. Publications date from the 1920s-2002.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials addressing various aspects and concepts of healthy eating. Some of the topics addressed include dieting to lose weight, low-sodium diets, nutrition for children, food labels, and vegetarian cooking. Publications date from the 1920s-2002.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes culinary-related items promoting various radio programs and television shows. Publications date from circa 1920s-1977, with most from the 1930s-1960s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes culinary-related items promoting various radio programs and television shows. Some of these promote cooking shoes, such as Jeff Smith's television show "The Frugal Gourmet," or Gretchen McMullen's Radio Cooking School, while others use recipes to promote non-culinary shows, such as "I Love Lucy." Publications date from circa 1920s-1977, with most from the 1930s-1960s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes informational materials published by government agencies, principally in the United States. Materials range in date from the 1910s-1980s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes informational materials published by government agencies. Publications range in date from the 1910s-1980s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes publications issued by various (mostly American) corporations and other organizations referencing specific cuisines to promote their products, featuring ingredients, processed foods, and recipes drawing on a wide range of cuisines from across the world. Publications date from circa 1910s - 2004, with most items from the 1920s-1970s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes publications issued by various (mostly American) corporations referencing specific cuisines to promote their products, featuring ingredients, processed foods, and recipes drawing on a wide range of cuisines from across the world. Publications date from circa 1910s - 2004, with most items from the 1920s-1970s. Examples of corporate authors include LaChoy Food Products, Inc., Oriental Show-You Company, Gebhardt Chili Powder Company, Pace Foods, Inc., Greek Trade Office, and Nordic Imports.

The John G. Claybourn Pictorial Review of the Canal contains 8,276 black and white photographs of the work done to build the Panama Canal, and its locks and infrastructure, under the jurisdiction of the United States government between 1907 and 1947. The photographs, taken by Ernest "Red" Hallen, official photographer of the Canal Zone for 30 years, also include images of workers, officials, foreign dignitaries, and numerous visitors.

The Claybourn photograph collection contains 8,276 black and white photographs of the work done to build the Panama Canal, and its locks and infrastructure, under the jurisdiction of the United States government between 1907 and 1947. The images capture the excavation and dredging of the Isthmus of Panama and the equipment used to accomplish these tasks; the construction of the locks; the development of the cities of Colón, Balboa and Gamboa; dignitaries, administrators, politicians, and visitors such as Samuel Gompers (Volume 12); infrastructure designed to improve the wuality of life; and events such as mudslides and fires. Photographs of barges, dredging boats, tugboats, ocean-going cargo and historical ships, naval vessels and submarines are also documented passing through the locks.

The 24 cloth-covered post binders that comprise the collection contain, in addition to photographs, maps and introductory typescripts written by John Claybourn. Each volume also opens with a "Table of Contents" listing the number of photographs, and brief or detailed caption information. As a supervising engineer, and later, Dredging Division Superintendent for the Canal, Claybourn compiled this material to complement his annual reports to Canal administrators. Despite the fact the Canal was considered complete in 1914, and that year is documented in volume 8, Claybourn continued compiling these binders for the remainder of his career, ending with a total of 24 volumes. Although the Canal was considered complete, for another 16 volumes, the photographs document the neverending tasks of improvements, disaster clean-up, and infrastructure development to handle a growing population.

Most, if not all, of the photographs were taken by the official photographer of the Isthmina Canal Commission, Ernest "Red" Hallen (1875-1947). In addition, there are a number of formerly classified aerial photographs taken by the United States Navy, a number of which show a munitions/armory location along the Canal.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional items related to sweetening products, including sugar, maple syrup, honey, and molasses. There is also a small amount of material related to artificial sweeteners. Publications date from circa 1906 to circa 2000, with most items from the 1920s-1950s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional items related to sweetening products, including sugar, maple syrup, honey, and molasses. There is also a small amount of material related to artificial sweeteners. Publications date from circa 1906 to circa 2000, with most items from the 1920s-1950s. Notable examples of corporate authors include American Molasses Company, Crescent Manufacturing Company, American Sugar Refining Company, California and Hawaiian Sugar Company, Inc., Hipolite Company, Farmers and Manufacturers Beet Sugar Association, and the American Honey Institute.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to paper, plastic, and foil goods in food preparation and storage. Publications date from the 1900s-1990s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials related to kitchen planning. Topics addressed include kitchen appliances, gas and electric stoves, refrigerators, kitchen cabinets, and furniture. Publications date from the 1900s-2005.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional items related to soups and bouillon. Publications date from circa 1900-1999, with most items from the 1940s-1980s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional items related to soups and bouillon. Publications date from circa 1900-1999, with most items from the 1940s-1980s Notable products include Campbell's soups, Steero bouillion cubes, and Lipton soup mixes.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes materials promoting pasta, rice, other grain and cereal products, and legumes. Publications date from circa 1890s - circa 1990s, with the bulk of material published after 1930.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes materials promoting pasta, rice, other grain and cereal products, and legumes. Rice is particularly well represented. Publications date from circa 1890s - circa 1990s, with the bulk of material published after 1930. Corporate authors of particular note include General Mills, Inc., General Foods Corporation, and Uncle Ben's, Inc.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to dairy products such as milk (liquid, dried, evaporated, condensed), sour cream, ice cream, butter, yogurt, and cheese. Publications date from circa 1890s - 2004, with most materials being from 1920s-1970s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to dairy products such as milk (liquid, dried, evaporated, condensed), sour cream, ice cream, butter, yogurt, and cheese.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials for eggs and meat products. Publications date from the 1890s-2004, with most material concentrated between the 1930s-1990s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials for eggs and meat products, many published by egg-producer or meat-producer organizations, such as the American Egg Board and the National Live Stock and Meat Board. Products featured include pork, ham, sausage, bacon, beef, ribs, steak, extract of beef, veal, lamb, turkey, chicken, and lunchmeat. Publications date from the 1890s-2004, with most material concentrated between the 1930s-2000s.

Forms part of the Janice Bluestein Longone Culinary Archive. This Collection includes catalogs from the 1880s-1920s for kitchen and household products, such as knives, cleavers, fruit presses, cider mills, mop wrinters, boot and glove fasteners, ice cream freezers, washboards, garden implements, stove pipes, bread boxes, and jelly moulds. It also includes a small number of catalogs for food products, such as canned vegetables, kosher meats and sausages, salt fish, and pickles.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to both alcoholic and non-alcoholic beverages, with particularly strong representation of wine and coffee. Publications date from circa 1880 to 2004.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to both alcoholic and non-alcoholic beverages, dating from circa 1880 to 2004. The collection is divided into three series based on subject.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials from various hotels, restaurants, and supermarkets. Materials date from the 1880s-2000.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials related to cereal products, dating from the 1880s to 1991.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials related to cereal products, with particular focus on breakfast cereal and similar products. Products and companies that are particularly well-represented include Quaker Oats, Shredded Wheat, Ralston Purina company, Battle Creek Sanitarium, Battle Creek Food Company, and Kellogg Cereals. Publications date from the 1880s to 1991, with concentrations from the 1920s-1940s and the 1970s-1980s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials for a variety of products, credited to specific, individual authors of particular significance, such as Mrs. Rorer (Sarah Tyson Rorer). Publications date from the 1880s-1926.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials from numerous cookware companies, dating from circa 1870s-1994.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials from numerous cookware companies for products from pyrex to Teflon products to Tupperware, among many others. Publications date from the 1870s-1994, but the bulk of materials are concentrated in the 1920s-1970s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials related to household tasks from a variety of companies. Publications date from the 1870s-1990s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials related to housekeeping. Products featured include washing machines, stove polish, sewing machines, oven cleaners, vacuum cleaners, and hot water heaters. Publications date from the 1870s-1990s, with concentrations in the 1890s and 1920s-1930s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to canning and preserving, the canned foods industry, freezing, and frozen foods. Publications date from circa 1860 to 1994.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional kitchen and other household appliances. Publications date from circa 1860s to circa 1990s, with most material concentrated between the 1930s-1980s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to gelatin and tapioca. Publications date from the 1850s-2000, with most materials from the 1910s-1990s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to gelatin and tapioca. Publications date from the 1850s-2000, with most materials from the 1910s-1990s. In addition to aspics, translucent desserts, and puddings, this collection also includes a number of items promoting gelatin-based ice cream recipes, particularly from Royal Baking Powder Company and General Foods Corporation (producer of Jell-O).

The Small Southeast Asia Collection contains photographs, postcards, and papers depicting the people and locations within several countries in the Southeast Asian region. Materials predominately focus on the Philippines with some featuring Thailand, Singapore, Vietnam, and Burma (Myanmar) circa 1890s-1945.

Contains a grouping of six separately accessioned collections depicting people and locations in the Philippines, Thailand, Singapore, Vietnam, and Burma (Myanmar). Strengths of the collection include photographs and other visual materials that depict different communities living throughout the Philippines and other locations during the early half of the twentieth century. Some of the collection's items were created from the perspectives of foreign travelers and missionaries to the region that may describe people and places using outdated terminology. The majority of content is written in English, although captions in the Siam and Cochin China photo ablum are mostly in French.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes material related to non-edible kitchen products and household activities, including appliance manuals, catalogs, housekeeping guides, product promotions, and cook books. Publications date from the 1700s to 2005, with the majority of material dating from the mid-twentieth century.

This collection includes material related to non-edible kitchen products and household activities, including appliance manuals, catalogs, housekeeping guides, product promotions, and cook books.

This collection consists of 9 Filipino propaganda posters from the 1950s.

1. A poster regarding the execution of Laventiy Beria, Stalin's former chief of secret police. The poster reads, "Beria has fallen, who is next?"

2. A poster portraying a farmer and a soldier with the caption, "Together we build a stronger Philippines!"

3. and 4. Two posters, one in English and one in Tagalog, contrasting agricultural life under the current government and under Communism.

5. A wanted poster, in Tagalog, promising a reward for information about four suspected communists.

6. A poster welcoming home Filipino soldiers who were imprisoned during the Korean War. The captions emphasize how unappealing the soldiers found the Communist ideals of their captors.

7. A poster warning people to resist Communist propaganda.

8. A poster commemorating the birthday of Apolinario Mabini, a beloved hero of the 1898-1899 Filipino Revolution.

9. A resolution, titled, "People of Pampanga Calling the Huks," imploring Communist militants to return to civil life.

William Reuben is an investigative reporter and author who wrote, most notably, about the Rosenberg espionage case and the Alger Hiss-Whitaker Chambers libel and perjury trials. The Collection includes correspondence, research and interview notes, drafts of books and articles, published and unpublished, on the trials of the "Trenton Six," Morton Sobell and Robert Soblen, Julius and Ethel Rosenberg, and Alger Hiss, with much research on Whittaker Chambers.

In general, most of the series consist of similar kinds of material: Reuben's research notes, drafts of his writings, correspondence, clippings, and reviews of other writings about the case or individual. Some of the series have further value because they include Reuben's collection of printed material about the case. For example, Reuben was particularly active in the Committee to Secure Justice in the Rosenberg Case, and the Rosenberg series includes some of the printed matter put out by this organization. Reuben also collected correspondence of the Civil Rights Congress, a major organization lobbying on behalf of the Trenton Six.

In many ways, the Reuben papers are an assemblage of secondary material. Reuben had little first-hand dealings with either the Rosenbergs or the Trenton Six. Nevertheless, the files have value for their documentation of the manner in which this one investigative reporter worked. Reuben was a meticulous and persistent researcher, who tracked down a variety of leads in a story, first analyzing the available court transcripts and other official records, then corresponding as much as he was able with the people involved in the case (including other writers like himself), and finally monitoring the amount and kind of press coverage given to the case. Unfortunately, Reuben did not gain as much first-hand contact with the principals in his investigations as he would have liked, and thus the collection is not as substantive as the researcher might like. Reuben 's correspondence, furthermore, is often superficial and anecdotal in character. Another disappointment of the collection are Reuben 's notes and drafts, which because they are fragmentary or unidentified, are difficult to use and of questionable research value.

This collection contains drafts, typescripts, and manuscript material related to Cowden's unfinished book, The Creative Process in Writing. Chapter subjects include Dickens, Keats, Meredith, E.B. Browning, Thoroeau, Whitman, Conrad, Carlyle, and Swinburne. More material related to Cowden can be found in the Special Collections Research Center's Hopwood Award Records and in the Bentley Historical Library's Roy William Cowden papers: 1924-1960.

This collection contains generally undated material related to Cowden's unfinished book, The Creative Process in Writing. For material related to Cowden's career as a faculty member in the Department of English at the University of Michigan, please see the Roy William Cowden papers: 1924-1960 at the Bentley Historical Library and the Hopwood Award Records at the SCRC.

The Michigan Central Railroad Police Department Mugshot Photographs Collection contains 112 mugshots and accompanying police intake records for suspected members of the Communist Party USA.

The Michigan Central Railroad Police Department Mugshot collection contains 112 mugshots and accompanying police intake records for suspected members of the Communist Party USA. A number of these photographs come from the 1932 Ford Hunger March, with others coming from the GM Fisher Body plant strike in Flint in July 1930. Other individuals were arrested by the Flint Police department throughout the 1930s, and several were affiliated with specific investigations, as noted on the intake forms.

Of particular note is the arrest record of William Z. Foster in New York in 1930. Foster served as the secretary of the Communist Party, campaigned for Governor of New York in 1930, and ran for President of the United States in 1924, 1928, and 1932. Other notable members include Joe Sgovio who was deported to Russia, where he died; and Will Geer, who played the grandfather on 1970's television program The Waltons. While most of the mugshots are of men, two depict women (Marion Simon and Stella Marie Harrison).

Also included in the collection is a folder of historical information on the photographs, collected by the donor and housed with the collection.

The Mayela Rodriguez Latinx Library Cartonera Collection consists of over 70 cartonera-style readers spanning 3 linear feet in 3 record center boxes that were created out of reclaimed materials in a series of workshops to address the lack of a distinct Latinx collection within the University of Michigan libraries. Led by Mayela Rodriguez (University of Michigan MFA, 2019), participants created cartoneras from crowdsourced materials such as book chapters, articles, and other forms of written works, as well as designed the covers of the cartonera readers to create "The Latinx Library." The collection includes published and original work from workshop participants, students in Latin American and Caribbean Studies, and Mayela Rodriguez. Published works originate predominately from Latin American/Latinx authors with significant themes such as culture and indigeneity, Latinidad and feminism, Latin American/Latinx history and politics, and Latinx identity.

The Mayela Rodriguez Latinx Library Cartonera Collection consists of over 70 cartonera-style readers spanning 3 linear feet. The collection was created as part of a project led by Mayela Rodriguez to address the lack of a distinct Latinx collection within the University of Michigan Library system. Referred to as "The Latinx Library," the cartoneras were created by participants in a series of workshops in 2019 using crowdsourced materials featuring fiction, poetry, articles, recipes, artwork, and more predominantly from Latin American and Latinx authors and scholars in English and Spanish. There are additional cartoneras within the collection created by students from Latin American and Caribbean Studies who have included original works. In addition, Mayela Rodriguez created several cartoneras within the collection. Major themes of the cartoneras include culture and indigeneity, Latinidad and feminism, Latin American/Latinx history and politics, and Latinx identity.

Other Projects and Scripts (6 linear feet) consists of material sent to Robert Altman for consideration as potential film projects. Frequently, Wren Arthur, Altman's assistant, would read and critique these materials, and serve as the contact person for the individual submissions. The material is generally from 1989 to 2003, and arranged by author's last name. Where possible, a submission date is noted.

Other Projects and Scripts (6 linear feet) consists of materail sent to Robert Altman for consideration as potential film projects. Notably, the series includes scripts by Elmore Leonard, Kurt Vonnegut, Tim Burton, Donald Freed, and Anne Rapp. Frequently, Wren Arthur, Altman's assistant, would read and critique these materials, and serve as the contact person for the individual submissions. The material is generally from 1989 to 2003, and arranged by author's last name. Where possible, date is noted. Occasionally, a cover letter was included with script submissions. Many of these projects were never produced, by Altman or any other filmmaker.

In addition, the series includes correspondence, treatments, and other documents from various scripts and projects that were sent to Robert Altman and rejected as potential projects. Much of the material consists of script cover letters sent to Altman with the accompanying return correspondence written by one of Altman's staff. These "passed projects" are arranged alphabetically by the script writer's last name where possible. Among them include script submissions from Carrie Fisher, Billy Baldwin, Paul Newman, Joan Tewkesbury, Linda Yellen, and Stanley Tucci. In addition, Altman was asked to consider such projects as Thank You for Smoking, Benjamin Button, Michael, and The Killer Inside Me.

Also included are various script treatments organized alphabetically by script writer. These treatments, or script coverages, were generally written by one of Altman's employees and included a summary of the script as well as a recommendation to pass or consider the project. The materials under the "possible projects" heading contain those projects that were considered by Altman in some capacity and often contain extended correspondence.

The materials contained under the description "Open-Directing Projects" are printouts sent to Altman by Addis Weschler & Associates describing films in various stages of production that are in need of a director.

This collection consists of correspondence, photographs, ephemera, publications, and A/V materials created or collected by Ms. Bob Davis, a transgender rights activist and professor of music at City College of San Francisco.

This collection consists of correspondence, photographs, ephemera, publications, and A/V materials created or collected by Ms. Bob Davis, a professor of music at City College of San Francisco.

The correspondence dates from the mid-2000s and centers around Ms. Bob and her students' efforts to convince CCSF to keep the position of Transgender Outreach and Advocacy Coordinator.

The photographs are 1970s press photos from a touring production of La Cage aux Folles. Ephemera relate to trans activism at CCSF. The publications folder includes "Inside Out," an interdisciplinary collaboration from CCSF that documents that experiences of trans individuals in the Bay Area. The news clippings cover transgender activism in the Bay Area and at CCSF. Contained in the oversize box is also a signed, wrapped clipping of an interview with Miss Major Griffin-Gracy, a survivor of the Stonewall Riots. Finally, the A/V folder contains a Lasses Record Company 45 vinyl single featuring music from Miss Rae Bourbon.

Scripts, newspaper articles and research, CDs, DVDs, and ephemera pertaining to Glenda Dickerson's project for "Transforming thru Performing: re/placing Black womanly images." The original goal of The Project was to enter the Black woman's performing voice into the scholarly discourse surrounding gendered identity. Out of it was created a series of performance dialogues called Kitchen Prayers. After 9/11, Kitchen Prayers revolved around stories which spoke to the impact of war and terror on women around the world.

Scripts, newspaper articles and research, CDs, DVDs, and ephemera pertaining to Glenda Dickerson's project for "Transforming thru Performing: re/placing Black womanly images." "…the original goal of The Project was to enter the Black woman's performing voice into the scholarly discourse surrounding gendered identity. Towards that end, we began a series of performance dialogues called "Kitchen Prayers". After 9/11, "Kitchen Prayers" revolved around stories which spoke to the impact of war and terror on women around the world…" (from the exhibit listing in Deep Blue)

Forms part of the Robert Altman Archive. Includes materials related to The Company, Dr. T and the Women, Gosford Park, A Prairie Home Companion, Resurrection Blues, Roads and Bridges, Tanner on Tanner, andTrixie . Records include scripts, legal files, publicity materials, photographs and correspondence.

Projects 2000s forms part Robert Altman Archive. It includes materials related to The Company, Dr. T and the Women, Gosford Park, A Prairie Home Companion, Resurrection Blues, Roads and Bridges, Tanner on Tanner, andTrixie . Records include scripts, legal files, publicity materials, photographs and correspondence.

Contains mostly photocopies of materials created since Kaczynski's arrest in 1996, including correspondence, writings, legal documents, and prison documents. Material created prior to his arrest are photocopies obtained from the FBI which were to be used as evidence in his trial. Additional materials are expected to be added at a later date.

The Kaczynski Papers date from his imprisonment in 1996. Any materials from before 1996 are copies created, primarily by the FBI, for use as evidence in Kaczynski's case. At the present time, the collection of Kaczynski's correspondence is by no means complete. The Labadie Collection expects to receive important additional series of Kaczynski's correspondence at some future time. Kaczynski affirms that he does not sort out any hateful letters, but that in fact he received only a handful of such letters. The collection is divided into eight series: Correspondence, Legal, Prison, Publications, Writings of Ted Kaczynski, Clipping and Articles, Audiovisual and FBI Files. At the end of the finding aid some of these sections are continued as new material has been received over the years. Documents have been added to the Legal, Prison, Publications, Clippings and Articles, FBI Files and Correspondence in this order and begins in Box 88. The Correspondence series takes up the bulk of the collection. It consists of correspondence written to and by Kaczynski since his arrest in April 1996. The Labadie Collection has prearranged with Kaczynski that the identity of all but a small number of his correspondents be protected as far as possible. For this reason, the correspondence series is only available to the public in photocopied form, with names and addresses marked out. In some folders, correspondents personal information was deleted but in a later date the files were opened and the names were left intact in sections. The originals are sealed until January 1, 2050. The Labadie Collection has arranged the material by correspondent. In order to preserve anonymity, each correspondent has been assigned a number, and each number has been allotted a separate folder. For those correspondents prolific enough to fill more than one folder, additional folders have been designated with decimals. Within the folders the materials are arranged chronologically. Folders with red flags or tabs indicate a response letter from Kaczynski. Researchers should note that not every item in the Correspondence Series has been photocopied. The following types of items remain in the original collection but have not been made available as copies: envelopes and cards that do not have any messages on them; résumés and other documents that reveal too much personal information to block out; revealing photographs; and gifts such as phone cards or pencils. In some cases the correspondence from a particular individual was deemed so repetitive that only samples were photocopied. At the request of Kaczynski, some correspondents' identities have not been hidden; these names are provided in the box list. The Correspondence Series contains a small number of artifacts, mainly gifts such as stamps, stickers, pens and dried flowers sent to him by correspondents. These are in the folders with the original letters. Most have not been photocopied. Some printed materials are included in the correspondence, but most (including all books and pamphlets) have been moved to the Publications Series. Several correspondents sent materials to Kaczynski that, according to prison rules, he is not allowed to have, such as stamps, envelopes, etc. In those cases, the writer received a form letter from the prison indicating that the materials were not delivered to Kaczynski. Some of these letters are in the respective correspondents' folders, and the rest are in folder #0419. Some folders include carbon copies or drafts of responses by Kaczynski. In addition, Kaczynski's handwriting may be found on some of the correspondence in the form of log numbers or occasional notes or comments on the envelope or letter. The vast majority of the letters in this series were mailed unsolicited to Kaczynski by people he did not know. Perhaps significant to students of American Culture, these letters are overwhelmingly supportive of Kaczynski, if not his cause. Many assert belief in his innocence and express sympathy for his incarceration. A large number of the letters are from women seeking a romantic bond with him. Other letters are evangelical, while some are from autograph hunters or individuals attracted by notoriety. Some writers are concerned with the rights of the mentally ill, or appear to be suffering from mental illness. Mixed in among these correspondents are a few individuals who knew Kaczynski before his arrest, or who engage in serious communication about his case, his publications, environmentalism or his views on technology. A few letters were sent from other countries, but the bulk of them were sent from within the United States. The Legal series is divided into four sub-series. Copies of documents consist of items copied, primarily by the FBI for the court case. The documents consist of photocopies by his lawyers from FBI files. The FBI files are photocopies of documents found in Kaczynski's Montana cabin such as journals and tax documents he stored in his cabin. There are two codes on some of the documents; documents starting with a K number are encoded by the FBI and documents with a numerical code are Bates numbering used by Kaczynski's lawyers. Legal Communication contains copies of documents, notes, and letters Kaczynski sent to his lawyers and their staff and attorney work products. Legal Documents contains court documents and drafts of briefs. This sub-series does not include correspondence with his lawyers but may include correspondence to judicial officials relating to his case and court documents. Also included are Kaczynski's Sacramento County and Helena County jail records. Legal Notes and Research is comprised of research Kaczynski did for his court case. In some documents Kaczynski has written notes on an assortment of files with relevant information for his case. The Prison series contains prison forms such as CopOuts, law library request forms, appeals to prison regulations, and notes and research on a variety of issues. All the files were generated during Kaczynski's incarceration. The Publications series contains articles collected and often notated by Kaczynski, copies of four published works, and one unpublished manuscript. The four published works are Chistes, ensayos, rimas de Miami edited by Joaquin Delgado, Montana Dreaming, a play in two acts by Alex Gross, The Secret Life of Ted Kaczynski by Chris Waits and Dave Shors, and The United States of America v. Theodore Kaczynski by Michael Mello with corrections by TK. alt.fan.unabomber by Ross Getman is an unpublished manuscript. Material is also included on Chris Waits' book The Secret Life of Ted Kaczynski. Waits was a resident of Lincoln, Montana who wrote a book about Ted Kaczynski that Kaczynski claims was a hoax and largely fabricated. The Writings of Ted Kaczynski are all documents written by Kaczynski. Documents include musical compositions, Kaczynski's manuscript for his article, Ship of Fools, and several versions of his manuscript, Truth versus Lies, along with items relating to its expected publication. The edited version of Truth versus Lies was edited heavily by Beau Friedlander, publisher and editor-in-chief at Context Books. The Original version contains markings by Friedlander and his employees because it was a copy of the original that Kaczynski had sent to them; otherwise it is as Kaczynski originally wrote it with a few reparations of errors made in the transfer of the manuscript from Friedlander to him. These reparations include the addition of several missing pages as well as incomplete pages where text was blocked out. The missing pages were as follows: 78-132, 135-143, 168, 214, 266, and 293. The first folder of the Original version also contains an errata sheet prepared by Kaczynski for the manuscript. A couple of articles are included which Kaczynski wrote under the pseudonym Apios Tuberosa. More of his writings will be added as they are accessioned. The sub-series Refutation documents contain materials collected and organized by Kaczynski for the writing of his manuscript, Truth v. Lies. Clippings and Articles are an assortment of clippings and articles cut out from newspapers, magazines and newsletters. The clippings and articles fall into three categories. One is about Kaczynski's life such as his arrest, his trial and his family history. Second are technology, science and wildlife articles of interest to Kaczynski. Third are clippings collected by Kaczynski while he was living in Lincoln, Montana and found in his cabin. Except for the clippings found in his cabin, many of these articles were mailed to Kaczynski while in jail by his fans and correspondents. The Audiovisual series contains cassette tapes, which have been converted to CD, and VHS tapes, which are currently restricted until they can be converted to a more stable format. Audio recordings include an interview by journalist Theresa Kintz in 1999, which was published in Anarchy: a Journal of Desire Armed and the UK edition of Green Anarchist. The interviews require written permission from Kintz for access. The Henry A. Murray Psychology Study materials are from a psychology study Kaczynski participated in while a student at Harvard. The VHS tapes are television recordings of movies made about Kaczynski's life from the USA and Lifetime television networks and recorded by some of his fans. Last are the VHS tapes recorded by the FBI and used in his legal case. The recordings are of Kaczynski's cabin, items found in the cabin and the surrounding area in Lincoln, Montana. The FBI Files series consists of photocopies of documents found in Kaczynski's cabin in Montana by the FBI in 1996. The documents are in the original order the FBI photocopied his journals and documents, but some pages are missing and closed to the public. The pages are mainly from his journals written in English, Spanish, and a numeric code. The earliest entry is dated 1969 until February 1996. This includes all of his journals, maps, identification documents, math equations, correspondence and other miscellaneous documents. Each document was photocopied by the FBI and assigned a number that starts with the letter K. These documents can also be found in the Legal series which includes not only FBI numbers on each page but some pages include Bates numbering from Kaczynski's defense team. The FBI photographs sub-series are photographs taken by FBI agents after Kaczynski's arrest and were housed in photograph albums. The photographs have been taken out of the albums, but the original order of the photographs kept intact in folders. Photographs are mainly of Kaczynski's cabin, the land surrounding the cabin and downtown Lincoln, Montana. Other photos include photographs of bombs, other weapons and bomb making materials found in his cabin. The photographs were used in Kaczynski's legal case.

Materials relating to the career of Dan Moses Schreier, a sound designer and composer a variey of New York theatre productions. Included are sound "bibles," scripts with sound cues, musical scores, miscellaneous ephemera related to productions, and CDs, Zip drives, and hard drives containing scores and sounds from Schreier's works.

The Papers Series consists of materials related to sound design, composition, and the production of plays and musicals Schreier worked on throughout his career. Many of these materials were originally in binders; those materials were rehoused, with all titles and labels transcribed and/or included in the folders. Materials are arranged in order of project and production date.

The Audiovisual Materials Series consists of CDs, floppy disks, and hard drives. These contain scores, sound palettes, and samples Schreier has used for productions, including some productions not represented in the paper materials. Materials are arranged in order of project and production date. Materials relating to personal projects, or else not affiliated with specific projects are located at the end of the series.

The Epherma Series contains a single playbill and guest pass, from 1994 and 2002, respectively.

Federal program to promote the use of information and communications technologies (ICTs) by providing matching grants to community based organizations to help them use or provide telecommunications for new opportunities, especially for unserved or under-served groups. Records include project proposals, reports, sound and video recordings relating to individual projects, websites and other digital records.

(NOTE: More information about the TOP collection, which is part of the TOP Data Archive, can be found at the following link: http://www.si.umich.edu/toparchive. Included at this website are electronic documents, web pages, and datasets created by the Technology Opportunities Program as well as related documents created by researchers and students at the University of Michigan School of Information.)

The TOP Data Archive was initiated in 2004 by the University of Michigan School of Information. In addition to TOP itself, partners include the Community Informatics Initiative at the University of Illinois at Urbana-Champaign Graduate School of Library and Information Science, the Educational Development Corporation, the Interuniversity Consortium for Political and Social Research, and the U of M Special Collections Library.

The TOP Data Archive is distributed, with physical materials in the U-M Special Collections Library and electronic materials online at one or more locations. As of 2006, the electronic materials are still being processed.

This idea behind assembling this data archive was to preserve important records concerning how local communities are entering the digital age, and create a foundational dataset for the emerging field of Community Informatics. This field examines communities and information and communications technology. It emerged in the 1990s from experiments with technology in communities which have been carried out worldwide, at the grassroots level and/or by means of national and international funding initiatives.

The TOP Data Archive includes 1) information assembled in the course of a federal agency managing its projects, 2) that same information re-purposed for research use, and 3) new information brought in for research purposes. The federal agency is the Technology Opportunities Program (TOP) within the National Telecommunications and Information Administration at the U.S. Department of Commerce. TOP funded projects from 1994-2005, and is expected to continue managing already-funded projects into 2007.

The records in the TOP collection--that part of the TOP Data Archive which is in the holdings of the Special Collections Library--represent grant proposals submitted to TOP and project materials created by TOP and its grantee organizations, known as TOP projects, during the period of 1994-2005. The collection is not inclusive of all 606 TOP projects. TOP was able to locate and provide for the collection project documents and Audio/Visual materials for about 88 TOP projects. These were materials that the projects submitted to TOP over the years. The TOP project materials are represented by many different formats, including paper, multimedia compact discs, floppy disks, cassette tapes, and video recordings.

The records of the TOP collection are arranged into eight series: Proposals, Project Documents, Project Reporting System, Project CDs, Project Floppy Disks, Project Cassette Tapes, TOP and NTIA, and Video Recordings. Later additions may be found in Proposals, Project Documents, and Video Recordings in Box 17.

Artwork, ephemera, journals, and underground publications (samizdat) related to protest movements in Ukraine.

Artwork, ephemera, journals, and underground publications (samizdat) related to protest movements in Ukraine, particularly the 2013-2014 Euromaidan protests and the 2010-2013 Feministychna Ofenzyva marches on International Women's Day.

The publications file includes a variety of samizdat publications, including a 2013 script called the "October Project," a book of poems by Vasyl Lozynsky coupled with a samizdat poetry chapbook cut from a National Geographic cover, cover art for the zine Freaker Unltd., and 13 issues of Lystok, an underground poetry publication produced in Kyiv. The journals file includes two issues of Spilne and "Circling the Square: Maidan and Cultural Insurgency in Ukraine," a literary journal special issue about Maidan.

The art exhibitions series includes exhibition guides and catalogues from nearly 30 years of art exhibitions in Ukraine. The exhibitions feature a range of Ukrainian artists and cover subjects like feminism, censorship, and the history of Ukraine's artistic movements.

The conference proceedings are from a 2017 conference held in Zaporizhzhia, Ukraine to address the movement to preserve Soviet-era modernist architecture in the face of decommunization laws.

The ephemera folders include stickers, artwork, and pamphlets created by Ukrainian artists. The majority of these are from the 2011 Feminist Offensive on International Women's Day.

The artwork series includes a protest poster meant to accompany the exhibit guide in Box 2, Folder 1, signed and printed posters collected by the Izolyatsia Cultural Center, and a calendar featuring contrasting photos of Kyiv past and present.

Finally, the inventory series contains the detailed item-level inventory Zychowicz sent with the materials, as well as an inventory created by the processing archivist to show where the numbered items in Zychowicz's inventory have been placed in the collection.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials for a variety of food products, dating from 1891-2001, with most materials being from the 1910s-1960s. These publications were produced using the die cutting process, in which paper or card stock is cut into a decorative shape using a steel cutting die.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection consists of issues of Cookbook Gossip Newsletter, issued between 1990-2001.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection consists of issues of Cookbook Gossip Newsletter, issued between 1990-2001. Topics of interest to cookbook and culinary history collectors are covered, including articles on the history of cookbook collecting; articles on particular cookbooks, authors, or companies, such as Mrs. Lincoln, The White House Cookbook, and Knox Gelatine; and announcements of exhibits such as "American Cookery - The Bicentennial 1776-1996, An Exhibition of American Cookbooks at the Clements Library."

Forms part of Robert Altman Archive. Includes materials for films The Afterglow, Black and Blue, Cookie's Fortune, The Gingerbread Man, Gun, Kansas City, McTeague, Mrs, Parker and the Vicious Circle, The Player, Pret-a-Porter, and Robert Altman's Jazz '34: Remembrances of Kansas City Swing,. Records include scripts, legal files, publicity materials, photographs and correspondence.

The Mirisola Mirisola Papers collection consists of 5 boxes and comprises materials produced during the first 15 years of his career (1989 – 2004). An inventory of the collection was made available by the author.

This collection includes recordings of interviews conducted by Cecil D. Eby for his book Hungary at War: Civilians and Soldiers in World War IIas well as photographic transparencies 3.5 in floppy disks with book files, and copy of the book.

The collection comprises 44 audiocassette tapes with recordings of interviews conducted by Cecil D. Eby for his book Hungary at War: Civilians and Soldiers in World War II, published by the Pennsylvania State University Press in 1998. Most interviews are in Hungarian, some are in English. The interviews are accompanied by an alphabetical list of names of interviewees and dates, which can be matched with the index at the end of Eby's book. A copy of the book is also included in the collection, along with 5 floppy disks with data relating to the project, and transparencies featuring photos dating from the war appearing in Eby's monograph.

Cassette tapes in Box 1 have been reformatted, and CD access copies are available.

Babyfish was a radical political zine published by Detroit-based poet, anarchist, and pansexual advocate Andy Smith, also known as Sunfrog, between 1988 and 1996.

The Babyfish papers consist of a variety of zines, most with a radical, anarchist and pansexual base. The actual zine Babyfish consisted of six issues; this collection includes the latter five. Each of these issues are of varying lengths and themes, but for the most part they address radical topics concerning urban living, with a particular emphasis on the decay of inner-city Detroit. Other papers in the collection include additional radical zines, some of which were created exclusively by Sunfrog, others being collaborative efforts. The collection also includes financial receipts which have to do with the printing of Babyfish.

The title zine is rich in anarchist commentary on social, political, and economic issues that affected the United States government from the spring of 1988 until the final issue was published in the winter of 1994. The Detroit "journey" of Sunfrog is made more palatable by the collaborative efforts of regular guest artists, musicians, poets and those involved with the radical politics of the city.

"With the dynamic skills of Pat Medicine working overtime, the 'fish organized itself into thematic sections which honed recurring motifs. 'Radical Sexuality' (feminism, US Out Of My Uterus, homocore, The Radical Faeries) & 'Earth vs. The Machine' (ecological, anti-nuke, anti-car & anti-incinerator raves) appeared alongside poetry, interviews & reviews which featured such local musical talents as: Only A Mother, Yeastie Girlz, Sleep, Gories, Viv Akauldren, Roger Manning, John Bartles, The Blanks & more." (Sunfrog, Babyfish, Issue #6, p.7)

Babyfish's radical nature "clearly articulated a response to Helms-era censorship hysteria by its use of wild graphics and explicit words, encouraging cultural debate & never compromising the ethic of a "free-form" journal." (ibid.) Sunfrog clearly recognized that his efforts at expression were not definitive. In his final editorial he passes on the radical torch by saying "As we put raps on the final issue of Babyfish, it is clear that there is still an enormous amount of unpublished work which the community deserve a chance to see…this is our final entry in a prolific Cass Corridor journey." (ibid.)

Ann Arbor, Michigan artist, invited to curate show on pornography and prostitution in conjunction with University of Michigan Law School on the subject. Speakers, including Catherine MacKinnon and Andrea Dworkin,, generally opposed pornography and prostitution while artists argued for freedom of expression legalization and legalization of prostitution. Removal of a videotape from the exhibit resulted in controversy and legal action. Includes materials from the exhibit, correspondence, conference files, photos and videotapes.

The records in the Carol Jacobsen Collection are compromised of materials documenting the "Porn'im'age'ry" exhibit, the controversy and negotiations surrounding the exhibit, and materials concerning the issues of prostitution, pornography, sex work, and censorship. The records are organized into six series: Correspondence Files, Press Clippings and Published Material Files, Original Conference Files, Photographs, Protest and Reinstallation Material, and Videotapes.

Correspondence, manuscripts, publications, and ephemera from award-winning novelist, journalist, and anarchist Cara Hoffman.

The correspondence series contains digital correspondence between Hoffman and colleagues, as well as letters sent to Hoffman. The creator separated digital correspondence from Goddard College, Jon Frankel, and Rachel Pollack from other letters. These correspondents' folders are arranged alphabetically. Their back-and-forth with Hoffman largely consists of discussions about craft or admissions to Goddard College. Additional correspondence is ordered chronologically. Many letters date from the 80s and 90s and concern the personal lives of Hoffman's correspondents.

The Works series consists of notes, manuscripts, proofs, and publications of Hoffman's novels, short stories, and articles. Materials are grouped by work. The bulk of materials relate to Hoffman's most recent novel, Running, which is based loosely on her early travels in Greece in the 1980s and 1990s.

The collection also includes 5 of Hoffman's personal journals, dating from 2000 to roughly 2018. These journals include notes and writings related to Hoffman's writing process and her work on her MFA. Following the journals are Hoffman's Goddard diploma and handful of ephemera from Hoffman's travels.

This collection contains the papers of Jon Bekken, who holds a PhD in Communications and has been a faculty member at Albright College. Bekken has served in the past as general secretary-treasurer of the Industrial Workers of the World (IWW) and as editor of the Industrial Worker. He is on the editorial team of the Anarcho-Syndicalist Review, a magazine founded in 1986 as the Libertarian Labor Review. The bulk of the papers consists of records from the Libertarian Labor Review. The collection also includes scholarly articles by Bekken and others, documentation of his contested termination from the University of Central Arkansas in the early 1990s, and papers related to the general topic of anarchism and state of the movement.

The bulk of the papers consists of records from the Libertarian Labor Review, a journal in which Bekken contributed to and helped establish. The collection also includes scholarly articles by Bekken and others, documentation of his contested termination from the University of Central Arkansas in the early 1990s, and papers related to the general topic of anarchism and state of the movement. Dates of the collection's materials range from 1972-2016, with a bulk of the material dated between the mid-1980s and mid-1990s.

Forms part of the Robert Altman Archive. The Commercials series (1 linear foot) includes materials from Robert Altman's commercial production company, Villains. These materials consist of scripts, storyboards, correspondence, and production notebooks.

Commercials, 1984, 2001-2005 forms part of the Robert Altman Archive. The Commercials series (1 linear foot) includes materials from Robert Altman's commercial production company, Villains. These materials consist of scripts, storyboards, correspondence, and production notebooks.

A 138-page screenplay about the life of Emma Goldman, titled, "Emma Goldman, Daughter of the Dream," by Lea Walker Wood.

This 138-page unpublished screenplay dramatizes the life of anarchist Emma Goldman.

Papers of activist, author, and licensed psychotherapist who is well-known in the field of ecopsychology and as a critic of the predominance of technology in society. Included are correspondence, manuscript material, photographs, serial publications and books.

This collection contains the papers of activist, author, and licensed psychotherapist Chellis Glendinning, a well-known ecopyschologist, anarchist, and bioregionalist. Much of her work concerns the negative impact of modern technology. Included are correspondence, manuscript material, photographs, serial publications and books.

The Correspondence series consists of letters from family, friends, and colleagues from the 1970s through 2008. Also included is a section of letters that focus on Glendinning's books. Newspaper and magazine clippings, flyers and broadsides related to the author's activities may be found in the Ephemera series.

Manuscript Material consists of notes and drafts of lectures, notes and research on a variety of projects, and material related to Glendinning's opera, De Un Lado al Otro, written in 2006 with Cipriano Vigil. Personal photographs and correspondence, make up the Family and Subject Files, which also holds early creative works as well as Glendinning's high school year book.

The Diaries series is made up of twenty of personal journals and diaries covering the years 1955-1978, while the Photographs series contains images of New Mexico, and Glendinning's childhood, family, travel, conferences, and friends.

The audiocassette tapes, compact discs, videotapes, and one DVD in the Audiovisual series document the author's lectures and paper presentations, complemented by several lectures by colleagues. The final two series, Serial Publications and Books, are comprised of issues of journals containing articles by Glendinning and copies of her books Off the Map: an Expedition Deep into Empire and the Global Economy (2002) and Waking Up in the Nuclear Age (1987).

The 2022 accretion consists of newly acquired materials dating largely from 2010-2020.

This collection contains material related to the anarchist Esther Dolgoff's English translation, completed around 1980, of Joseph Cohen's 1945 Yiddish book Di yidish anarkhistishe bavegung in Amerike: historike iberblik un perzenlekhe iberlebungen (The Jewish Anarchist Movement in America: Historical Overview and Personal Experiences). In addition to a photocopy of Dolgoff's handwritten translation of the four-part work, the collection contains a small number of letters written by Dolgoff concerning the manuscript.

The bulk of this collection is a photocopy of the handwritten, unpublished manuscript of Esther Dolgoff's translation of Joseph Cohen's 1945 Yiddish book Di yidish anarkhistishe bavegung in Amerike: historike iberblik un perzenlekhe iberlebungen (The Jewish Anarchist Movement in America: Historical Overview and Personal Experiences). A notable addition is two original, handwritten chapters of the translation and a typed foreword and table of contents. Handwritten annotations, likely written by Philadelphia anarchist Robert Helms and another unknown comrade, appear throughout the photocopied manuscript. These materials together comprise the second and largest series, "Manuscript."

The first series consists of a small amount of correspondence, mainly letters from Esther Dolgoff to Frank Gerould written in 1980, and emails from Gerould and Helms to Labadie curator Julie Herrada in the 2010s providing some context for the manuscrpt.

Tom Pohrt is a self-taught artist who works out of Ann Arbor, Michigan. He is best known as a children’s book illustrator and author. The collection documents Pohrt’s work as a children’s book illustrator and author through published works, correspondence with authors and publishers, manuscripts, and artwork.

This collection spans the years 1980-2004, and is comprised of published books, correspondence between Pohrt and authors and publishers, manuscripts, and artwork. The published books have been removed from the collection and catalogued separately. It is divided into 4 main series; Correspondence, Manuscripts, Ephemera and Artwork. The collection was divided into these four series to facilitate the addition of materials to the collection. The repository also holds a box of facsimiles of items in the collection used in an exhibit at the Ann Arbor District Library Exhibit in Fall, 2003.

The Correspondence series is arranged into subseries according to the correspondent or organization (usually publishing houses) in alphabetical order. Under each correspondent the materials are further divided into folders by date span and arranged chronologically. Under the publishing houses, materials are divided under subheadings according to project (book title) and arranged chronologically.

The Manuscript series contains manuscript material by Jim Harrison, Barry Lopez, and Tom Pohrt, and is arranged alphabetically by creator and book title.

The Ephemera series consists of calendars with illustrations by Pohrt, exhibit catalogs, flyers and brochures announcing events and public appearances, and other printed ephemera.

The Artwork series contains unbound preliminary drawings, paintings and sketches created by Pohrt to illustrate some of his most well-known books. The pieces of art are of various sizes and in a variety of media (e.g., pencil, watercolor, pen and ink). Many are stored in linen-covered cardboard portfolios, while others are tipped into handmade booklets and scrapbooks.

Forms part of Robert Altman Archive. Includes materials related to films Aria, Basements, Beyond Therapy, The Caine Mutiny Court Martial, Come Back to the Five and Dime Jimmy Dean, Jimmy Dean, Fool for Love, HealtH, Images, Laundromat, O.C, and Stiggs, Popeye, Rake's Progress, Secret Honor, Streamers, Tanner '88, Two by South, Records include scripts, legal files, publicity materials, photographs and correspondence.

Forms part of the Robert Altman Archive. Includes materials related to films Aria, Basements, Beyond Therapy, The Caine Mutiny Court Martial, Come Back to the Five and Dime Jimmy Dean, Jimmy Dean, Fool for Love, HealtH, Images, Laundromat, O.C, and Stiggs, Popeye, Rake's Progress, Secret Honor, Streamers, Tanner '88, Two by South, Records include scripts, legal files, publicity materials, photographs and correspondence.

Correspondence, informational flyers, conference records, and ephemera relating to the activities of the Household Workers' Rights Project, a grassroots group organized in 1979 in San Francisco to promote the rights of domestic workers.

The bulk of the collection is correspondence. Maupin and other organizers of HWR corresponded with domestic workers, lawyers, politicians, and related activist organizations to provide domestic workers with legal assistance, training, job referrals, and other vital resources. Of note are the organizers' two-year correspondence with the office of California assemblyman Art Agnos, as well as their correspondence with Carolyn Reed and other lead organizers of the NCHE. Agnos promised to help the organization further improve Wage Order No. 15, while the NCHE provided financial and other assistance to the HWR project as it got off the ground. Maupin co-led a workshop at an NCHE conference in Memphis, Tennessee in 1980.

Also included are various forms and surveys, often in English and Spanish, distributed to domestic workers to help them find jobs and provide feedback about their experiences.

Hanuman Books was founded by Raymond Foye and Francesco Clemente in 1986. The press published small handmade books, primarily of works by contemporary avant-garde writers and rare translations. The administrative and editorial functions were housed in New York's Chelsea Hotel, while printing and binding were done in Madras, India. Through correspondence, invoices, manuscripts, typescripts, artwork, audiotapes, printed ephemera, photographs and books, this collection documents the founding of Hanuman Books, the administration of a small press, Indian printing practices, San Francisco’s North Beach and New York’s Lower East Side art scenes, Beat poetry, the Naropa Institute, contemporary music and film, and gay culture.

The Hanuman Books Records include correspondence, invoices, manuscripts, typescripts, books, art work, audio material, printed material, photographs, and other assorted material. The twenty linear feet of records span the years 1978 to 1996, with the bulk of the material falling between 1986 and 1994. Subjects documented in the collection include the founding of Hanuman Books, the administration of a small New York press, Indian printing, twentieth- century publishing, San Francisco’s North Beach and New York’s Lower East Side literary and art scenes, Beat poetry, the Naropa Institute, music, film, gay men in the 1980s and 1990s, and gay male literature. The Records are arranged in six series: Administrative Files (1986-1994), Publication Series (1986-1994), Raymond Foye Files (1978-1996), Mixed Media (1980s-1990s), Photographs (1970s-1990s), and Printed Material (1970s-1994).

Note: The Special Collections Library also holds a complete set of all the titles printed by Hanuman Books. To make these Hanuman Books imprints more accessible, the books were removed from the Records and individually cataloged. A listing of all of the titles follows the Scope and Content Note in the Related Material section.

Bread and Roses Productions was formed in 1978 as a way to combat what its members saw as negative and harmful portrayals of women on television. The group, formed by several volunteers at the Women's Crisis Center of Ann Arbor, filmed public service announcements, lectures, interviews, and other programs to draw attention to issues related to women's lives in the Ann Arbor and Ypsilanti areas. The collection consists of sixteen magnetic tapes containing audiovisual recordings of programs, interviews, and events recorded by Bread and Roses Productions between 1978 and 1983.

The collection consists of twelve magnetic tapes containing audiovisual recordings of programs, interviews, and events recorded by Bread and Roses Productions between 1978 and 1983. Topics include interviews with Mollie Haskell, Lois Garmen, andBread and Roses co-founder Marge Greene; programs about women's equality, lesbian rights, and the Family Protection Act; interviews and programs related to relaxation and polarity therapy; a Holly Near concert; and a recording of a presentation by Tom Hayden and Jane Fonda.

Materials have been reformatted, and CD use copies have been created.

The Noël Sturgeon Papers are a collection of materials regarding the research and activism work of Noël Sturgeon from 1977-2002, with the bulk of the material originating from 1983-1993.The ealiest papers primarily concern the organization of an anti-nuclear demonstration held at the Nevada Test Site in 1983, and the Mother's Day Action protests in the 1980s. Later material includes Sturgeon's doctoral research and dissertation, including interview transcripts, as well as her work with the Ecofeminist Newsletter throughout the late 1980s and 1990s. Materials are generally arranged chronologically (as recieved), with some unsorted materials at the end. A collection of 9 audio recordings of interviews is included at the end of the collection.

The collection is 4.0 linear feet in size, and contains 8 series detailing the research an activism of Noël Sturgeon, a feminist scholar and organizer in the late twentieth and early twenty-first century. The collection is primarily comprised of papers, especially newsletters and associated materials, and correspondence related to activism and demonstration planning. Materials are from 1983-2002, and the early papers are primarily concerned with anti-nuclear protests and demonstrations at the Nevada Nuclear Test Site. Other papers include Sturgeon's research materials, including research consent forms, interview transcripts, and a copy of her doctoral dissertation. Nine audio cassettes of recorded interviews are also included. The bulk of the material concerns the Ecofeminist Newsletter, which Sturgeon spearheaded, and include subscription information, mailing lists, and article submissions.

The paper and printed portion of the collection is organized into 9 series. The first 5 are organizations with which Dallas Denny was involved or interacted. These series are: I. American Educational Gender Information Service, II. Human Outreach and Achievement Institute, III. Outreach Institute for Gender Studies, IV. Atlanta Pride Committee, and V. International Foundation for Gender Education. The remaining paper series are: VI. Conferences, VII. Miscellaneous Publications, VIII. Shuttle Harry Benjamin, and IX. Photographs (unidentified). Boxes 5 through 14 contain ephemera, memorabilia, photographs, videotapes, computer media, and audio tapes. An item listing is provided in most instances. Boxes 15 through 19 contain correspondence that was processed at a different time than the rest of the collection. For this reason, and because the materials are somewhat different than the rest of the collection, it has been kept separate. The correspondence is organized into 5 series: I. Correspondence, Individuals A-I (Closed), II. Correspondence, Individuals J-Z (Closed), III. Correspondence, 1989-July 1995, IV. Correspondence, August 1995-December 1998, and V. Miscellaneous. The AEGIS files are divided into nine parts based on delineations present in the original file structure. These represent the activities and governance of the organization. Correspondence files are most often organized chronologically within a folder, except for the General Mailings. A larger collection of correspondence can be found further on in the collection. The Survey folders contain survey responses in regard to the experiences of transgendered individuals with therapy and their familiarity with the Standards of Care. Some of the responses included identifying information; these have been removed and replaced with photocopies that have such information blacked out. The Human Outreach and Achievement Institute is the predecessor to the Outreach Institute for Gender Studies and therefore the original host of Fantasia Fair. However, for the sake of continuity, the Fantasia Fair materials for 1992 and 1993 are housed with the rest of the Fair materials in the Outreach Institute series. Most materials within the Miscellaneous Publications series are housed in individual folders; however, a couple folders have multiple publications because they dealt with the same topic area. Boxes 7 through 11 contain a variety of objects, memorabilia, and paraphernalia. In most cases the items are listed individually within the main box divisions. Further description is provided for some items in interior boxes as needed. Box 10A contains photographs that have been divided into sections based on the envelopes and order in which they were found. Only a few of the sections had identifying information and this is reflected in the finding aid. Beginning with Box 15, this portion of the collection consists mainly of correspondence. It includes 4 linear feet of correspondence and 0.5 feet of miscellaneous materials. Correspondence, written by and to Denny, is separated and arranged by name or date, depending on the quantity of communication between Denny and a particular individual. Denny maintained regular correspondence with several people over extended periods of time. Because of the sensitive nature of the subject matter, several people signed only their first names. Thus, several folders in the "Correspondence by Name" section are filed under the first name. The greatest portion of the correspondence is from transgender and transsexual individuals seeking information and advice. Many of these individuals are isolated from others with a common experience and, therefore, turned to AEGIS and Denny as their strongest (if not only) source of support. The correspondence, which ranges from discussion of hormones to coming out to family members, reveals not only the services that AEGIS offered, but also the emotional and physical needs of the transgender community. Individuals' letters are extensive and offer a glimpse into the day-to-day struggles of those who identify as transgender. Women and men write about cross-dressing, surgery options, experiences in other countries, living without surgery and many other issues. Because of the sensitive and personal nature of these letters access to them is restricted until the year 2050. Correspondence also include letters written between Denny and AEGIS board members and other leaders in the transgender community. Denny's involvement with other organizations and in organizing events reveals how important AEGIS was within the MTF community. Also of interest are correspondence between Denny and various other organizations. The gender community is a diverse group that does not always see eye-to-eye and tension arises occasionally between cross-dressers and transsexuals, male-to-females and female-to-males, etc. Letters from and to a heterosexual cross-dressers group and a female-to-male organization reveal Denny's on-going attempts to raise awareness of and reach an understanding with these groups.

This collection contains material related to the Ann Arbor- and University of Michigan- based magazine the Leaping Lesbian, which grew from a local to national profile over the course of its publication. Although the records contain little information on the magazine's administrators, they provide a descriptive view of both the local and national lesbian community. The publications themselves reflect these communities through submitted articles, letters to the editor and news releases. Business correspondence vividly portrays the growing network of lesbian and women's enterprises in the late 1970s. And personal correspondence shows the emergence of a similar network within the social community.

The Leaping Lesbian Records are comprised of materials relating to the publication and the administration of the Leaping Lesbian publication, from 1977 until 1981. Although they adequately reflect the operations behind the publication, little information is present about the women who made up the collective. Meeting minutes hint at strained relationships and uneven workloads, but conclusive evidence as to why the collective disbanded is missing. The records do, however, provide a descriptive view of both the local and national lesbian community. The publications themselves reflect these communities through submitted articles, letters to the editor and news releases. Business correspondence vividly portrays the growing network of lesbian and women's enterprises in the late 1970s. And personal correspondence shows the emergence of a similar network within the social community. Overall, the records of the Leaping Lesbian collective display a lesbian community growing increasingly self-assured. Although an attempt has been made to follow the collective's original organizational system, a few changes have been made in order to make the records more easily accessible. File folders, most maintaining the originally designated titles, have been arranged alphabetically within series. Materials within files have been arranged chronologically. Records containing no identifying date have been placed in front of marked records with file folders. The records are organized into four series: Publication Materials, Organizational Materials, Financial and Legal Materials and Previously Unopened Incoming Correspondence. The Publication Materials Files contain all materials related to the publishing aspect of the organization. Included are contributed materials, press releases, and layouts of publications. The Organizational Materials Files contain all material related to the administration of the organization. Included are incoming correspondence from both businesses and patrons, mailing lists, meeting agendas and minutes, as well as advertising and sales information. The Miscellaneous Memorabilia folder in this series includes flyers and publicity photographs from various organizations and events. The Financial and Legal Materials Files contain all material related to the financial and legal operations of the organization. Included are financial and legal papers, receipts, account statements and records of subscriptions. The Previously Unopened Incoming Correspondence Files contain material that arrived at the Leaping Lesbian office after the final disbanding of the organization. This is the only series that does not reflect the collective's original organizational system. Included is correspondence from businesses, correspondence from patrons and national event notices and press releases.

The Ari J. Kane Papers (1976-2016) document the activities of the sex and gender studies therapist, educator, and advocate Ari J. Kane, who founded Fantasia Fair and the Outreach Institute for Gender Studies (OIGS). The collection contains personal materials such as correspondence, research materials, educational presentations created by Kane, and other miscellaneous materials from Kane's involvement in the LGBT community. Included in the collection are organizational correspondence and records relating to the Outreach Institute of Gender Studies and the Educational Institute for Sex and Gender Diversity. Also included are event programs, planning information, workshop materials, member lists, and correspondence from events and programs such as Fantasia Fair, the Gender Attitude Reassessment Program, GAYLA, and various professional organizations' annual meetings. The collection contains photographs from Kane's participation in events, parties, and travels around the United States.

This collection documents the activities of Ari J. Kane, who founded Fantasia Fair and the Outreach Institute for Gender Studies (OIGS), and was a sex and gender studies therapist and educator. The collection contains personal materials such as correspondence, research materials, educational presentations created by Kane, and other miscellaneous materials from Kane's involvement in the LGBT community.

It also contains materials documenting the OIGS, such as organizational correspondence; financial records; board of directors meeting minutes; endeavors with organizational support such as the Gender Attitude Reassessment Program (GARP), Fantasia Fair, and the Journal of Gender Studies; publications created by and collected by the OIGS; and miscellaneous promotional materials and flyers. Gender Attitude Reassessment Program materials consist of drafts; research materials; workshop proposals, exercise handouts, and transparencies; correspondence; and a completed manuscript. Fantasia Fair materials consist of event programs, member lists, correspondence, planning notes, newsletters, and flyers. Journal of Gender Studies materials consist of issue proofs, submissions and content to be published, flyers, and mailing lists.

The Educational Institute for Sex and Gender Diversity (EISGD) is also documented in the collection. The EISGD is an offshoot of the Outreach Institute for Gender Studies that formed around 2001-2002. These materials contain organizational correspondence and records such as meeting minutes, expense reports, brochures, and flyers.

The Conferences and Events series contains materials relating to events that Kane was a part of, as well as conferences she presented at or attended. The GAYLA subseries consists of event programs, correspondence, photographs, newsletters, member lists, and planning notes. GAYLA is an annual summer event for gay men held at Ferry Beach, Maine. The American Association of Sex Educators, Counselors, and Therapists (AASECT) subseries contains conference event programs, presentation proposals and submissions, correspondence, workshop materials, research articles, and AASECT publications. Most of the materials in this subseries relate to Dave Prok, a longtime board member of OIGS and EISGD and professor at Baldwin Wallace University in Berea, Ohio. Prok served as a conference proposal abstract reviewer for AASECT. The Easton Mountain subseries contains brochures, event programs, notes, newsletters, and materials relating to Gay Spirit Camp and the Maturing Gay Man series of workshops. Easton Mountain is a retreat in upstate New York. Ari J. Kane and Dave Prok collaborated on a workshop for aging gay men called the Maturing Gay Man that they presented at Easton Mountain. The Various Conferences subseries contains event programs, invitations, correspondence, proposals, and presentations from many different events.

The Photographs series consists of photographic prints and photograph albums. The photograph albums depict Fantasia Fair and GAYLA events. The photographic prints depict various events such as Fantasia Fair; GAYLA; Society for the Scientific Study of Sexuality and American Association of Sex Educators, Counselors, and Therapists conferences; parties and celebrations; and various travels around the United States. People depicted in the photographs include Ari J. Kane, Jane Peabody, Carole Mayfield aka Dick Arms, Bob Cowart, Winnie Brant, Ron Roy, and Candy Scott, among others. The photographs remain in original order.

The Audiovisual Material series consists of VHS tapes, cassette tapes, floppy disks, and compact discs containing media from Fantasia Fair 1994 and 1996, The Sissy Show, the Gender Attitude Reassessment Program.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes course lists and promotional materials for several American and European cooking schools. Publications date from 1976-2001.

Smith, a former juvenile and adult offender, became an activist for prisoners' rights, especially those of gay inmates, while incarcerated in federal penitentiaries across the country in the late 1970s. As a victim himself he was particularly interested in the problem of prison rape. After his release in 1980, he continued to advocate prison reform through POSRIP (People Organized to Stop Rape of Imprisoned Persons). The papers include an autobiography/chronology of Smith's experiences in and out of juvenile detention centers and prisons; extensive correspondence with friends in the International Committee to Free Russell Smith (ICFRS) concerning prison conditions, his personal safety, his transfers from prison to prison, his efforts to provide legal assistance to other inmates, and his plans for post-release activities; records of legal suits and complaints filed by Smith; and formal reports about Smith filed by prison officials. Copies of the POSRIP Newsletter (1980-1981) can be found with the Labadie's serial holdings.

Comprise autobiography, personal correspondence, 1976-1980, and legal records, 1978-1980.

This collection documents the activities of Jacques Girard, who was an activist, organizer, and researcher of LGTBQ issues in France from the 1970s to the late 1990s. The collection consists of records relating to organizations that Girard was a part of, personal research papers, and manuscripts and print ephemera. Many of the materials are in original folders labeled by Girard. The collection contains three series: General Records, CUARH Records, and Research Records.

This collection documents the activities of Jacques Girard, who was an activist, organizer, and researcher of LGTBQ issues in France from the 1970s to the late 1990s. The collection consists of three manuscript boxes of records relating to organizations that Girard was a part of, personal research papers. These documents include correspondence, meeting minutes and articles of incorporation, press releases, flyers, manuscripts, financial statements, and newspaper clippings from 1975 to 1999. Many of the materials are in original folders labeled by Girard. The collection contains three series: General Records, CUARH Records, and Research Records.

Novelist, University of Michigan graduate; includes correspondence, typescripts, notes, screenplays, interviews, and print material, such as reviews, interviews, and announcements, mostly relating to her works Ordinary People and title Second Heaven.

The Judith Guest collection consists of correspondence, typescripts, notes, screenplays, interviews, and print material, such as reviews, interviews, and announcements. The papers are divided into five series: Correspondence; Promotional material, reviews, interviews; Serials; Speeches; and Works, which contains the Ordinary People and Second Heaven subseries. Guest's initial correspondence with Viking regarding the manuscript for Ordinary People, which may be found in the Correspondence series, is particularly evocative of the excitement surrounding its publication.

The Promotional material, review, interviews; Serials; and Speeches series consist of ephemera relating to Guest's career as a writer including numerous clippings of biographical profiles and book reviews. These series also document some of the author's professional and promotional activities, such as publication tour interviews and speeches.

The emphasis of the collection is on Guest's creative process in writing Ordinary People and Second Heaven, which comprises the Works series. Many drafts of both novels are included, with editorial and authorial marginalia and corrections. The metamorphosis of the bestselling Ordinary People into a screenplay is well documented in Guest's attempt, followed by screenwriter Alvin Sargent's final shooting script.

The Performer's Awards of Detroit Records (1974-2008) consists of materials relating to the Performer's Awards of Detroit (P.A.D.), an organization that promoted gay entertainment in Detroit, Michigan. The materials represent a portion of gay culture and entertainment in Detroit, Michigan and the Southeast Michigan region. The collection contains administrative records, event flyers and programs, correspondence, performer information, posters, pageant applications, handbooks and regulations, and other documents relating to the organization and its members and events.

The Performer's Awards of Detroit Records (1974-2008) consists of materials relating to the Performer's Awards of Detroit (P.A.D.), an organization that promoted gay entertainment in Detroit, Michigan. The materials detail the organizational history through administrative records such as meeting minutes and correspondence; the annual awards show and its preparation, promotion and performers; other shows and pageants in the metropolitan Detroit, Michigan area; official USA Pageantry documentation such as handbooks and applications; and posters, awards, and audiovisual materials. The items represent a large portion of gay culture and entertainment in Detroit, Michigan and the greater Southeast Michigan region from the mid-1970s to the mid-2000s.

The Performer's Awards of Detroit Records were collected by David Marshall, aka Vicki Martin. Many of the items in the collection bear personal inscriptions to Marshall/Martin, and contain handwritten notes by Marshall.

The collection consists of seven series:

Administrative Records Consists of P.A.D. board meeting minutes, correspondence, rules and regulations, by-laws, award and election nomination lists, member registration lists, newsletters, mission statements, candidate statements, event flyers and other organizational notes. Folders were kept as they were received and usually contain one year's worth of P.A.D. records.

P.A.D. Annual Awards Show Records Consists of records relating to the annual awards show organized by P.A.D. Shows from the First Annual Show in 1976 to the 33rd Annual Show in 2007 are represented. There is a folder to represent each year of the show, containing the event program, ballots, flyers, and many that contain handwritten notes, photographs, newspaper and magazine clippings, speeches, performer information, obituaries of entertainers who have participated in the shows, and other information pertaining to the awards shows.

Other Pageant Records Contains various event flyers from Detroit gay bars: primarily Gigi's, but others as well. Also contains event programs, pageant applications, performer headshots, correspondence, newspaper clippings, advertisements, and performer lineup lists. Some files are pageant specific, i.e. Mr. Gay Michigan, Miss Gigi's, Royal Queen of Queens.

USA Pageantry Records Consists of pageant preliminary records, promoter's packages, and handbooks, rules and regulations for specific pageants held by USA Pageantry, including Miss Gay Heartland, Miss Gay USA, Mr. Gay Heartland, Mr. Gay Michigan, Mr. Gay USA, Miss Gay Michigan At-Large, Miss Great Lakes USA and Gay Jr. Miss Michigan. Also included is correspondence, event photographs, performer headshots, notes, and event flyers.

Posters Posters include promotions for various shows and other events held in Detroit, Michigan. A notable inclusion is a poster promoting the 1982 "2nd Annual Moonlight Cruise on the Bob-Lo Boat," which includes a Boblo Boat felt pennant. The Boblo Boats transported passengers to Boblo Island, a former amusement park on Bois Blanc Island in the Detroit River.

Awards Awards consist of trophies, a tiara, and an inscribed softball, as well as a plaque from P.A.D. to award Vicki Martin (David Marshall) for being "a pioneer in gay entertainment."

Audiovisual Materials One VHS tape and four ¼" tape sound recordings.

Papers of Ann Arbor artist, writer, and musician who specialized in artwork involving bondage, fetishism, sadomasochism, cross-dressing, and transsexuality. Included are correspondence, personal items, original artwork, original writings, photographs, scrapbooks, and audiovisual materials.

The Personal series contains various personal effects of Middlesex, including driver's licenses, yearbooks, journals, a coffee mug, a pair of high-heeled shoes, and a false eyelash. Photographs of Middlesex and others in her life are included in this series, including a limited number of projector slides.

The Name and Topical series contains a wide variety of materials from across the course of Middlesex's life. This series contains all correspondence between Middlesex and others which ranges from the mid-1980s to the early 2000s. The correspondence files are organized based on the last name of the correspondent. Correspondence range varies, from some folders only containing one letter to other files which contain letters mailed over a period of years. Where a photograph was found with a particular letter, it is in the same folder as that letter. Some folders, such as those of Bill Johnson and John Anton Lang, contain original artwork and collages by those people. An Unidentified folder contains letters to Middlesex that were either not signed at all or not signed legibly. Other than personal correspondence, a couple of folders, including Jeri, Versatile Productions, Inc., and Smoke Signals, involve her business dealings with the magazines in which she published. The Name and Topical series also contains magazine and newspaper clippings organized thematically. This series also includes documentation of a presentation that Middlesex gave to a University of Michigan psychology class about cross-dressing. This particular subseries includes many photographs, papers written by students based on the presentation, and Middlesex's own recounting of the experience.

The Writings series contains writings by Lisa Middlesex. These include fictional short stories, some previously organized into a series by Middlesex. There are also a range of songs written by Middlesex, some including musical notation. The Jokes subseries includes jokes written by Middlesex, most likely for future publication. The Autobiography subseries consists of the first few pages of a planned autobiography by Middlesex. Three issues of the magazine "Reflections" in which Middlesex published her art are also included in this series.

The Scrapbooks series is comprised of twelve scrapbooks constructed by Middlesex out of bound sketchbooks. The Scrapbooks are fairly uniform in their content, in that they include magazine and newspaper clippings and Middlesex's own writings, drawings, and sketches. Scrapbook 12, filled with magazine, comic book, and newspaper clippings, appears to have been used for the purpose of illustrated models for Middlesex's artwork.

The Photographs series contains photographs of unidentified people other than Lisa Middlesex. Most of these photographs were sent to Middlesex along with correspondence from people responding to personal advertisements she placed in magazines, though they did not accompany particular letters in the collection and are not signed. Many are of an erotic or sexual nature.

The Photograph Albums series consists of albums of photographs of Middlesex and other individuals in her life. In the first subseries, half of the albums contain photographs of a primarily sexual and erotic nature. The other half of the albums in the second subseries contains various non-sexual photographs. One of the albums, Album 10, appears to have been the only one assembled by someone other than Middlesex and given to her as a gift.

The Audiovisual series contains both videotapes and musical audiocassette tapes. The videotapes are primarily of an erotic or sexual nature, most featuring transgender individuals and/or sadomasochistic and bondage themes. A few videotapes are mainstream films and television shows.

The Artwork series is the largest series in the Lisa Middlesex Papers. Her artwork spans a wide variety of genres and formats. She made sketches, drawings, paintings, and collages. Her themes include bondage, sadomasochism, smoking fetishism, other erotic drawings, cross-dressing, transsexuality, comic books, superheroes, and science fiction and fantasy. She also created art and promotional materials for musical acts, including her own band, The Wild Prayers. A subseries includes a wide variety of original artwork by others. This series is organized by topic and then by size within each topic. Some subseries, though, were created by Middlesex while still in her possession. Many of the subseries also include photocopies of the original artwork.

Margaret LaFoy Rossiter (1914-1991) was an internationally recognized author. A founder of the Women's Studies Program and a professor of Modern European History at Eastern Michigan University in Ypsilanti, Michigan, she was an alumna of Bryn Mawr College and Douglass College of Rutgers University. She was the author of several articles and the book, Women in the Resistance. The bulk of the collection documents the research that went into writing Women in the Resistance. It contains approximately seven linear feet of interview transcripts and audio recordings, government documents, correspondence, articles, excerpts, photographs, ephemera, questionnaires, personal accounts and drafts of chapters as well as some research for, and reprints and drafts of, other works.

The Margaret L. Rossiter Women in the Resistance Papers were deposited with the Special Collections by her estate in 1998. The collection primarily offers insight into the strategies, challenges and day to day workings of French resistance groups, also referred to as the maquis, who were engaged in underground efforts to liberate France from German occupation during World War II and the personal experiences of the people involved. Artifacts document the lives of pilots and resisters (many of whom were women and sometimes referred to as helpers), military plans and the international world of politics during this time, particularly in France. The collection contains the research that was the basis of Rossiter's book and also offers a look at the resistance research she did not include because it may have been beyond the book's scope. The collection also offers a look into Rossiter's research and political interests outside the French resistance.

Consisting of seven linear feet of material, the Margaret L. Rossiter Women in the Resistance Papers are divided into ten series: Escape and Evasion; Name Files; Military Action and Intelligence; The Resistance; General History (France- World War II); Ephemera; Drafts; Publication and Distribution; Other Research; and Audiovisual Materials . Researchers should note that most series relate to the subject matter and research involved in Women in the Resistance , whereas the series "Other Research" pertains to research and subject matter Rossiter pursued in addition to work towards the book.

The Escape and Evasion series consists of one and a half linear feet. It contains materials pertaining to the experience of American and British Air Force pilots who became evaders and escapers (those who managed to get out of German-occupied territory or were captured and managed to get out of concentration camps) during World War II. The terms escaper and evader often seem to be used interchangeably throughout the book and collection to refer to the soldiers the resisters aided via escape lines. Escape lines, also known as escape organizations or escape networks, were manned land-routes out of German-occupied territory. The escape lines were organized by resistance groups to aid Allied soldiers. This series primarily contains information about experiences of members of the American Air Force Escape and Evasion Society (AFEES) and information on the workings of specific escape lines. Included are the research questionnaires Rossiter distributed to many AFEES members who served in World War II, and the many detailed, personal accounts she received back from them. Rossiter had substantial correspondence over the years with many of these men. The series also contains National Archives and Records Administration (NARA) documents and other materials pertaining to AFEES members and their experiences. The Escape Lines subseries contains primarily government documents along with some of Rossiter's notes, articles, excerpts and correspondence which provide general information about escape lines as well as information about specific lines. The list of specifically-named lines is not exhaustive. Information on escape by sea and pertaining particularly to members of the British Royal Air Force is also included.

The Name Files series consists of two linear feet of material organized by name. If listed in the index of Women in the Resistance, which usually employs the name a person used at the time of the French resistance, that name was used here. If the person has since changed his or her name, either first or last, that name is indicated in parentheses. This series contains information mostly about the women resisters on whom the book focuses as well as some materials about other individuals who were involved in, or particularly knowledgeable about, the resistance. It contains a collection of interview transcripts, for some of which the audio recordings can be found in the Audiovisual Materials and Descriptive Information series (Box 7). It also contains government documents, newspaper and magazine articles, excerpts of books and photographs as well as correspondence with and about the subject of the file.

The Military Action and Intelligence series consists of approximately one linear foot. It contains information on American, British and Free French government-proscribed military plans, action and information-seeking during World War II. The Bombings, Planes and Losses subseries consists of government documents, pamphlets, Rossiter's calculations, book excerpts and correspondence pertaining to the number of Allied planes dispatched and lost as well as military personnel casualties. The Sabotage subseries consists primarily of book excerpts and some articles and official documents describing activities of "irregular" military organizations, such as the Special Operations Executive (SOE) and the Bureau Central de Renseignements et d'Action (BCRA). These organizations were formed in order to prepare secret armies, instigate revolt, gather intelligence and disrupt and destroy Nazi initiatives and equipment via less traditionally employed military means. The SOE was a British organization that was separate from intelligence organizations MI 6 and MI 9 and worked specifically with the resistance in France. The BCRA was a Free French intelligence agency based out of London. The Military Intelligence Service (MIS-X) was a United States Intelligence organization formed to assist evaders and prisoners of war. The MIS-X subseries primarily contains government documents pertaining to strategies and actions of the organization during World War II. The Office of Strategic Services (OSS) and the Central Intelligence Agency (CIA) subseries trace the history of those organizations and their functioning during World War II. The OSS was a United States intelligence agency formed during World War II. Over half of the OSS subseries consists of National Archives and Records Administration (NARA) documents, and the other half consists of articles, book excerpts, pamphlets, government documents and other research material, all pertaining to OSS actions during World War II and the transition of the OSS into the CIA. The CIA being the current manifestation of the OSS, the CIA subseries is divided between government documents provided by the CIA pertaining to OSS actions during World War II, articles about the Freedom of Information Act (FOIA) and Rossiter's FOIA requests for information from the CIA. The Military Archives Division is part of NARA and this subseries documents Rossiter's correspondence and phone conversations with John Taylor, an archivist there. Taylor assisted Rossiter with locating documents for Women in the Resistance and also put her in contact with government people who were involved in the French resistance. The Women in the Military subseries provides readings, pamphlets and government documents relating to the roles of women in the British and United States military during World War II.

The Resistance series consists of about half a linear foot. It contains NARA documents, articles, maps, book excerpts and information about books related to the contribution of resistance groups to Allied Forces military initiatives and the women involved. It also contains specific information on the Comité d'Oeuvres Sociales de la Résistance (COSOR) which was created by the Algiers government to provide social services to resistance groups, as well as information on military decorations awarded to members of the resistance and timelines of events.

The General History (France- World War II) series consists of three folders containing government documents, Rossiter's notes, ephemera and book excerpts relating to the religious and governmental environment in France during World War II. The materials relate particularly to Protestantism, Catholicism and deportation and internment.

The Ephemera series consists of twelve folders. It contains artifacts such as brochures, newsletters and articles that pertain to organizations, events and memorials commemorating the French resistance.

The Drafts series is a little over half a linear foot and is made up of drafts of sections of Women in the Resistance and research materials, including articles and book excerpts, related to those sections. The chapter order and contents do not necessarily reflect those of the final version of the book. Because the majority of the collection consists of research materials Rossiter used in writing the book, the research materials in this series do not appear to be the only sources Rossiter used for the drafts with which they are included, but reflect the original order of the materials as they were donated.

The Publication and Distribution series consists of fifteen folders containing writing guidelines, correspondence and articles and excerpts about how to get published as well as correspondence with editors and potential publishers. The materials include some photographs, and related permissions, that were included in the book, reviews of Women in the Resistance and correspondence and documents relating specifically to Rossiter's relationship and negotiations with University of Michigan Press, Yale University Press and finally Praeger Publishers.

The Other Research series consists of roughly half a linear foot. It contains reprints and drafts of Rossiter's works other than Women in the Resistance and research materials on what appear to be additional academic, political and personal topics. Rossiter researched the history of women in Europe and the United States and the History of Women subseries contains related pamphlets, articles, book excerpts and essays as well as a selected bibliography, Rossiter's notes and newsletters from feminist organizations. She also followed the Klaus Barbie trial and the Klaus Barbie subseries contains relevant articles. Her political interests appear to have included U.S. government involvement in Iran, Libya and Nicaragua in the 1980s. The Political subseries contains articles about the government's involvement as well as Rossiter's letters protesting the government's actions in these regions to government officials and members of the media. Rossiter may have done some research towards her personal travel as this series also contains a few articles and pamphlets on travel in France, Michigan, New Zealand and Tahiti contained in the Travel subseries.

The Audiovisual Materials series consists of one linear foot of audio tapes and a folder of note cards. Some tapes are not labeled or are only partially labeled and the contents are yet to be determined. The labeled tapes contain interviews, lectures, conferences and talks primarily about the French resistance but contain some information relevant to Rossiter's other research on women's studies and Libya as described above. The interviews are with evaders, resistance members, professors and other people particularly knowledgeable about the French resistance. These interviews were performed by Rossiter or her assistants or recorded from television. The note cards give descriptions of the audio cassettes' contents but the numbering on the cards does not match the numbering on the cassette labels. The content of the cassettes as indicated on the cards does reflect the content as indicated on the cassette labels but in a different order.

Contains leaflets, open letters, administrative documents, newspaper clippings, and other materials related to the strike by the University of Michigan's graduate student union, the Graduate Employees Organization (GEO), in 1975.

This collection contains ephemera, documents, and publications related to the 1975 General Employee Organization strike. The bulk of the collection consists of publicity materials, such as open letters and flyers, about contract negotiations leading up to the strike and the strike itself (including campus reactions to the strike). Some of the material is related to the the Black Action Movement's (BAM) demands of the university. A small amount of material from faculty of the Residential Communities is also included. Most material is pro-GEO and pro-strike but a few materials present an opposing position. Also included are administrative materials, such as meeting minutes and position papers, from GEO. Finally, the collection contains newspaper clippings and entire newspapers documenting the strike, from both campus and local news sources.

Correspondence between the donor, Beni, and Franklin and Penelope Rosemont, who were surrealist artists, writers, activists, and publishers.

This small collection primarily consists of correspondence between Beni and Franklin Rosemont regarding the collecting of IWW and Surrealist publications. Beni was initially interested in receiving more of the Rosemonts' publications in Arsenal. As their correspondence became more robust, both men collaborated on a search for materials relating to various figures in the history of IWW publications. In the 2000s, their correspondence moved to e-mails that include a network of activists, librarians, and scholars invested in the discovery and preservation of labor history materials. After Franklin Rosemont's death in 2007, Beni continued to collaborate with the curator of the Labadie Collection to acquire rare materials related to the Rosemonts' own activities.

The Figures press was founded by poet Geoffrey Young in Berkeley, California in 1975. The records include correspondence, publication materials, business records and print materials.

The Figures Records are comprised of four series: (i) Name and Topical, (ii) Publications, (iii) Business and Financial, and (iv) Oversize Material. At approximately 34 linear feet, the records document the business affairs of a small press, as well as the professional life of its founder, Geoffrey Young. Spanning the years between 1973 and 2000, this material includes correspondence with writers, customers, and businesses, as well as manuscripts, production materials, and financial documents.

The Name and Topical series contains material related to writers and other associates of The Figures and Geoffrey Young. It is arranged by the individual’s name, and is further divided by the nature of the material (i.e. correspondence, clippings and articles, and flyers and announcements), although it is mostly correspondence. While much of this series is strictly business-related, there is a sizable portion that is of a more personal nature, which highlights the close relationships Young maintained with writers and associates.

The Publications series is the most voluminous of the four series, and is comprised of materials related to The Figures publications, which includes mostly manuscripts and production material. Production material includes galleys, proofs, negatives, invoices, and some correspondence. The series is arranged according to the name of the author, and is divided further by the title of the publication.

The Business and Financial series is divided into two subseries: (i) Business correspondence and (ii) Financial documents. Business correspondence is further organized by function, and contains material concerning book orders, submissions, permissions, and review copy requests, as well as awards, grants, and charity work. The financial documents subseries are primarily invoices, but also include quarterly reports. This subseries mainly documents transactions between book distributors, but also includes transactions and other financial information related to suppliers, typesetters, and printers. While this is not a complete financial record of The Figures, this series provides significant insight to the financial activities of a small press.

Oversize Material contains items that have been separated from the rest of the collection due to their larger size. This includes flyers and announcements, broadsides, calendars and production materials related to The Figures publications.

The Hash Bash collection consists of materials collected by Richard "Rich" Birkett relating to the organization and celebration of Hash Bash, an annual event held in Ann Arbor, Michigan, to advocate for the legalization of marijuana. The collection includes promotional and event flyers, photographs, newspaper clippings, and organizational information, as well as several court documents relating to permit bans and other legal issues related to Hash Bash events.

This collection contains materials related to the Hash Bash festival in Ann Arbor, Michigan. The bulk of the collection consists of newspaper clippings, photographs, event flyers and posters, and other advertisements. Also included are several court documents detailing legal disputes between Rich Birkett and Ann Arbor and University of Michigan authorities over the right to host Hash Bash on the University's campus.

The Rudolph papers include scripts, articles and clippings, publicity and press materials, books, photographs, artifacts/realia, audio and moving image materials, posters, awards, and branded crew garments and caps from many of Alan Rudolph's projects. Photographer Joyce Rudolph is represented by hundreds of professional and personal slides and photographs, including many candid on-set shots.

The collection consists of professional and personal correspondence, assorted clippings, film festival awards and memorabilia, and scripts and production documents related to Alan Rudolph's filmmaking career, spanning his early work in Riot (1969), through 2002's The Secret Lives of Dentists. Also included are a plethora of documents from various unproduced projects. In the Artifacts and Graphics series are a small selection of props from Rudolph's films, most notably The Moderns, along with an assortment of film cast and crew branded gear, including caps, shirts, and jackets, movie posters, and a representation of some of the numerous awards won by the Rudolphs.

A small sub-series of material devoted to friend and mentor, Robert Altman, consists of articles and reviews, assorted programs, and, most notably, photographs taken by Joyce Rudolph.

Joyce Rudolph is represented by hundreds of her professional and sought-after on-set photographs, company stills, and candid shots, all taken during the filming of projects by Alan Rudolph and a wide variety of other notable filmmakers.

A series of Audio and Moving Image material consists of several VHS tapes, several movie video disks as well as two soundtracks. The Artwork series contains an assortment of drawings and paintings, most likely created by Alan Rudolph, along with two large acrylic paintings used as props in The Moderns.

This collection consists of letters, prints, and brochures that children's authors and their publishers sent to Chamberlain, a school librarian.

This collection consists of letters, prints, and brochures that children's authors and their publishers sent to Chamberlain, a school librarian. The letters date from late 1972 to fall of 1973. The collection consists primarily of type- and hand-written letters on various stationary. Some authors wrote on or signed brochures or book pages. A few included printed illustrations.

Authors discuss subjects such as their upcoming work, their inspirations, the importance of reading and fun in childhood, and censorship in children's literature.

Notable items include an authentic signature from Charles Schulz, an illustration from Patricia Coombs' Dorrie and the Goblin, and a series of exchanges between Chamberlain, Roald Dahl, and a magazine editor concerning a critical review of Charlie and the Chocolate Factory>.

Joan Blos is a writer of children's literature who lives in Ann Arbor, Michigan. She is best known for her novel A Gathering of Days: A New England Girl's Journal, 1830-32, which in 1980 won the American Library Association's Newbery Medal.(1) Blos has written several other works of historical fiction as well as picture books for younger readers. The collection documents her career as a writer through items including development materials, correspondence, manuscripts and illustrations of both published and unpublished works.

The Joan W. Blos papers span the years 1971 through 2007 and are made up of some personal materials with the majority of the material. related to her literary works. The Personal series includes correspondence, manuscripts by students and others, and articles, announcements, events information, and awards not related to a specific literary work.

The remaining series are designated by book title and appear in publication order. Unpublished works follow published works and are listed in order of conception. Titles in the collection are: Just Think!; A Gathering of Days; Martin's Hats; Brothers of the Heart; Old Henry; Lottie's Circus; "Pioneers" (in Michigan Traditions); The Heroine of the Titanic; A Seed, a Flower, a Minute an Hour; Brooklyn Doesn't Rhyme; The Days Before Now; The Hungry Little Boy; Nellie Bly's Monkey; Bedtime!; Brother's of the Heart (a dramatization); Hello Shoes!; Letters from the Corrugated Castle; Bringing The Jackson Home; Thisca!; Brave Sisters, Fighting Women; When Times Square Was New; The Applesauce Tree; The Happy Park Day; Old Henry II; Samuel Foote's Nonsense; She's Busy!; The Scribble Scrabble Surprise; Rhymes and Reason; Bathtime; and Ker-choo! A Wintertime Story. Within each title series are several possible subseries:

Development Materials include items such as news clippings, photocopies of articles and stories, early handwritten and typed notes by the author, travel information, postcards, maps, brochures, and library request slips.

Correspondence is primarily with editors, publishers, and some illustrators. This section also includes corresponding manuscripts and drafts that have been edited by the author or editor.

Manuscripts are arranged chronologically and include correspondence from an editor or publisher.

Articles and Announcements include newspaper clippings, programs, announcements, reviews, advertisements for book signings and other promotional events, and interviews.

Events and Awards achieved by the author during her career.

Realia includes items such as playbills for the dramatization of Brothers of the Heart and a handmade quilt inspired by Brooklyn Doesn't Rhyme.

Illustrations, Artwork, and Publication Materials relate to the production of the corresponding title. Examples include mock-ups, color proofs, and unbound signatures for several of the picture books.

Audiotapes include a reading of A Gathering of Days , interviews, and Blos' Newbery acceptance speech for A Gathering of Days.

Study Guides include those associated with the dramatization of Brothers of the Heart.

The Blos papers provide a rich resource for scholars of children's literature along several different avenues. Blos' painstakingly thorough research process is evident in the almost two boxes of materials from her Letters from the Corrugated Castle. One is able to gain an understanding of Blos' creative process through the evolution of the manuscript for this piece of historical fiction. Nellie Bly's Monkey and The Heroine of the Titanic are longer picture books both researched and written as historical fiction. In addition to text, these materials, among other picture books in the collection, provide valuable insight into the collaborative process between author and illustrator. Correspondence between Blos and her editors and publishers provides a window into the business of children's book publishing over the span of Blos' writing career.

Forms part of the Robert Altman Archive. Includes materials related to films Brewster McCloud, Buffalo Bill and the Indians or Chief Sitting Bull's History Lesson, The California Split, Images, The Late Show, The Long Goodbye, Mash, McCabe and Mrs. Miller, Nashville, A Perfect Couple, The Quintet, Remember My Name, Rich Kids, Thieves Like Us, 3 Women, A Wedding, and Welcome to L.A.. Records include scripts, legal files, publicity materials, photographs and correspondence.

This collection contains materials about the gay communities of Ann Arbor and San Francisco, primarily in the 1970s and early 1980s. The materials were collected by Lionel Biron, who as a graduate student in Ann Arbor was instrumental in the founding of the Graduate Employees Organization and the Gay Community Services Center. The bulk of this collection relates to gay and artistic life and political activity in Ann Arbor, but San Francisco is also represented. The final series includes Biron's books of photography.

The bulk of the material deals with Biron's political and artistic activities in Ann Arbor. These include documents and correspondence related to the founding of the Gay Community Services Center (GCS), as well as flyers (many designed by Biron) for events and handouts from consciousness-raising sessions. The Ann Arbor series also includes folders related to Tristain Tzara (about whom Biron curated an exhibit in Hatcher Graduate Library) and Fernando Arrabal (whom Biron interviewed in Ann Arbor). The San Francisco series consists primarily of posters and flyers for events. Another highlight is a folder of materials related to the magazine Gay Sunshine, including correspondence between Biron and Winston Leyland. Although some of the collection dates from the early 80s, there is no material related to HIV/AIDS. Biron's own books of photography, and some of his work published elsewhere, comprise the last series.

Materials related to the Marxist-Leninist group Motor City Labor League, active in Detroit in the 1970s. Divided into series based loosely on date and group. The group had an acrimonious split in the early 1970s, with the alliances of the resulting organizations constantly shifting.

Materials related to the Motor City Labor League (MCLL)'s activities in the 1970s. Includes administrative materials from planning meetings and statements regarding the intragroup conflicts that divided the MCLL beginning in 1972. The sub- and splinter- groups that were party to this schism include Changeover and Aliance. These groups' activities with the reading group Conflict, Control, Change is also represented. Also includes materials from the Christian-Marxist Diaglogue and Marxist-Leninist reading materials, which formed part of MCLL members' program of self-education.

The Jonathan Demme Papers consist of materials related to Demme's extensive filmography from 1970-2008, including "The Silence of the Lambs". Materials are arranged chronologically by project, and cover most aspects of pre- and post-production, as well as publicity and related awards. As of November 2023, only the "Silence of the Lambs" series has been processed and made available. Additional series will be completed at a later date.

The Jonathan Demme Papers consists of approximately 150 linear feet of materials from 1970-2000. Materials include correspondence, legal and business documents, and photographs, as well as extensive documentation of film production, including pre- and post-production phases. In some cases, awards and publicity materials are also included.

The "Silence of the Lambs" series consists of approximately 13 linear feet. The material follows the project through the phases of production, and includes many drafts of the final script and novel adaptation, as well as extensive pre-production and location scouting information.

As of November 2023, only the "Silence of the Lambs" series has been processed and made available to researchers.

The Duncan Perry Collection consists of materials that document political and economic developments in eastern Europe from 1990-1994. The materials that have been processed, and that are represented in this finding aid, specifically cover the countries of southeastern Europe: Albania, Bulgaria, Romania, the states of the former Yugoslavia, and Turkey.

The Duncan Perry Collection consists of materials that document political and economic developments in eastern Europe from 1990-1994. The materials that have been processed, and that are represented in this finding aid, specifically cover the countries of southeastern Europe: Albania, Bulgaria, Romania, the states of the former Yugoslavia, and Turkey. The majority of this material originates from the Research Institute at RFE/RL. These materials include wire reports, re-reprinted news articles, program briefs, research reports, draft reports, and media/opinion surveys. The remaining materials originate from other European and American news agencies and research institutes. These non-RFE/RL materials also include wire reports and research reports on political and economic developments in eastern Europe.

The Duncan Perry Collection is not limited to news and research publications. The collection also consists of materials produced by various eastern European religious groups, political parties, and government agencies. While the bulk of the collection covers the period from 1990-1994, the collection also contains materials that Duncan Perry compiled while working at the Open Media Research Institute from 1994-1997, as well as materials from when he was an independent scholar (1997-2003).

This collection contains the correspondence between David Belin and numerous influential Jewish philanthropists, writers, rabbis, and officials of Reform Jewish organizations on the topic of Jewish Outreach. It also contains writings, speeches, articles, newspaper clippings, and published materials about Jewish outreach topics. Well-represented subjects include conversion to Judaism, outreach to intermarried couples, rabbinic officiation of marriages between Jews and non-Jews, Jewish population studies, anti-Semitism in late 20th century United States, and Zionism in the Reform Judaic movement.

The David Belin Jewish Outreach Papers measure 19.1 linear feet and date from 1970-1999. This collection consists primarily of papers related to Belin's leadership in promoting Reform Jewish outreach. The collection is arranged in six series: Correspondence; Organizations; Manuscripts, Typescripts, and Notes; Topical Files; Publications; and Audiocassettes. The Correspondence series consists of letters Belin exchanged with major figures within Reform Judaism. This series includes a rich exchange of ideas, opinions, plans, writings, and reports. The Organizations series reflects Belin's accomplishments while an officer and member of the boards and committees of several Jewish organizations. The Manuscripts, Typescripts and Notes series reveals Belin as an accomplished writer and speaker and also includes many writings and speeches by others. The Topical Files series includes newsletters, newspaper clippings, pamphlets, and other publications that Belin filed according to subject. Topical files that pertain to specific organizational activities are filed in the Organizations series. The Publications series consists of journals, magazines, and monographs about Judaism in general; materials published by individual organizations are included in their respective Organizations series. The Audiocassettes series includes 17 audiocassettes. Some are recordings of Belin, while others are recordings of convention speakers, board meetings, interviews, and commercially produced educational tapes.

The arrangement within each series follows the filing system used by Belin wherever possible. Belin filed most of his correspondence by the organization it concerned. Thus the Correspondence series consists of correspondence in general while the Organizations series includes the correspondence about organizational matters--although there is considerable overlap. Each organization also has topical files and publications that Belin filed according to the related organization. The exception to this rule is that all manuscript/typescript speeches and writings by Belin and others has been separated into a separate Manuscripts, Typescripts, and Notes series. This has permitted the writings and speeches to be arranged alphabetically by author. Correspondence that accompanied a typescript has been kept with it.

Manuscripts, research notes and other material related to his writing and work as literary scholar.

The Russell A. Fraser Papers consist primarily of literary manuscripts and materials associated with their creation and publication: research notes, drafts, proof sheets, and some correspondence. The Papers do not reflect Fraser's personal life. Also present are a few original letters by and to Richard P. Blackmur.

The Lon G. Nungesser Hope for Humanity Papers, 1970-1989 comprise correspondence, drafts of unpublished and published manuscripts, ideas for research projects, family history material, publishers' contracts, placement files, and copies of his three books: Homosexual acts, actors and identities (Praeger, 1983), Epidemic of courage: facing AIDS in America (St. Martin's, 1986), and Notes on living until we say goodbye: a personal guide (St. Martin's, 1988). The papers reflect Nungesser's struggle against homophobia and particularly his battle with AIDS and coping with terminal illness. Correspondents include Dana H. Bramel, Stuart Kellogg, and Philip G. Zimbardo.

Although there is some memorabilia from his high school years and some personal mementoes, the bulk of this collection reflects Nungesser's struggle against homophobia, and particularly his battle with AIDS. The papers include published and unpublished writings, contracts with publishers, book reviews, drafts of research projects and grant proposals, correspondence, college placement files, articles and interviews, photographs, and clippings. There are two videocassettes, one of a call-in talk show with Nungesser as guest, and the other of Nungesser reading from Notes on Living until We Say Goodbye. In addition, there are two audio cassettes of radio interviews of Nungesser. The 1984 interview concerns Homosexual Acts, Actors and Identities and the 1988 interview discusses his battle with AIDS and Notes on Living until We Say Goodbye. These audio cassettes have been reformatted.

Nungesser is a prolific writer. There are several unpublished, book-length manuscripts in the papers, as well as dissertation and grant proposals and other writings. All relate to the social psychology of homosexuals, and several concern AIDS. Copies of Nungesser's three books have been cataloged for the Labadie Collection.

In April 1989, Lon began sending his correspondence and writings to the Department of Rare Books and Special Collections on computer disks. The files on these disks have been printed and those that did not duplicate materials already in the collection were interfiled. The disks are stored separately from the collection (in Case 2). Each of the printed files are labeled with the name of the file and its date of creation.

The papers have been divided into five series.

Phil Cushway was a student activist at the University of Michigan in the early 1970s. His involvement in the various student protests (Vietnam War, Attica lockdown) of that time, as well as his work with the Michigan Daily, led to this collection of materials which document some of his activities during that time. Cushway was active in the Indochina Peace Campaign, and much of the collection is made up of materials from that organization.

The bulk of materials document Cushway's activities at the University of Michigan during the early 1970s. The Series have been divided thus: Indochina Peace Campaign, Peoples Bicentennial Commission, Attica Brigade, Impeach Nixon Campaign, Radical Student Union, and Student Activities Committee.

Volantini (flyers), publications, manuscripts, and flyers relating to the activities of Lotta Continua and other elements of the Italian Workerist movement at the Pirelli tire factory in Milan's Bicocca district.

The bulk of the Publications Series consists of flyers, pamphlets, and periodicals created by Lotta Continua or other leftist groups to address events at the Pirelli factory.

The Research Materials Series includes drafts of documents analyzing the Pirelli factory struggle, as well as class struggle more generally. These drafts were likely written by the anonymous collector of these materials. Also included are miscellaneous ephemera and news clippings that appear to have served as research for the draft documents.

Bi-weekly newspaper based in Highland Park, Michigan reflecting the view of the "International Socialists." Consists primarily of marked up editorial copy and some miscellaneous administrative files.

The collection consists almost exclusively of marked-up editorial copy. The material in box 3 was organized for the most part by issue number, and this organization has been maintained. The material in boxes 1 and 2, however, arrived at the library without any prior separation into issue numbers. It appears that the articles in boxes 1 and 2 are essentially in chronological order, and this material has been separated by issue number where possible, but it must be stressed that this separation may be not be completely accurate.

With a very few exceptions, most of the articles in this collection appear to have been published in Workers' Power. Researchers are advised to start with the published newspaper; the Alternative Press Index may also be helpful.

In addition to the marked-up copy, there are nine folders of miscellaneous material, including items regarding finances, form letters giving general information about the newspaper, marked-up galleys, and lists of articles for various issues.

The collection contains a series of letters from Robert "Ed" Stover to William "Bill" Goring, his lawyer and confidante. The bulk of the letters are from Stover's incarceration in San Quentin prison, where he died in 1972.

The letters consist primarily of hand-written letters from Stover to Goring, but also included are photocopies of Goring's letters to Stover. Also included are some note- and postcards, as well as several newsletters and other serialized mailers. Newspaper clippings shared between the two men are also included, as well as photocopies of a document titled "Notebook of a Convict in the Alameda County Jail."

Materials are generally arranged chronologically.

This collection consists of 21 35mm slides with color illustrations depicting the traditional Vietnamese story of Thánh Gióng, accompanied by two pages of descriptive information.

This collection consists of 21 35mm slides with color illustrations depicting the traditional Vietnamese story of Thánh Gióng, painted by Tạ Thúc Bình and published by the Vietnamese Ministry for Education and Training in 1970. The slides are accompanied by two typed pages that provide a description of each image and a brief history of Thánh Gióng.

This collection consists of physics professor and anarchist George Salzman's manuscripts, writings, correspondence, photographs, teaching materials, and ephemera.

This collection consists of physics professor and anarchist George Salzman's manuscripts, writings, correspondence, photographs, teaching materials, and ephemera. Salzman organized his papers around various themes, places, and organizations of importance to him, which is reflected in the labels he used.

The majority of papers fall under three general categories: Salzman's teaching materials for Science for Humane Survival, writings and ephemera related to Mexico, and essays from and correspondence pertaining to Salzman's website.

Salzman's teaching materials consist of slides, diagrams, and lecture notes that he used to teach Science for Humane Survival. Most of these were created during the mid-70s.

The papers about Mexico comprise ephemera from various indigenous activist groups, including the Asamblea Popular de los Pueblos de Oaxaca (APPO), formed during the 2006 uprising, and the Zapatistas. Salzman took part in the Zapatistas' 2001 march across Mexico for indigenous rights, which he touches on in some of his correspondence. He documented the 2006 Oaxacan uprisings in detail, saving pictures, logging the dates and times of important incidents, and writing descriptions and analysis of the events as he understood them. In addition to these documents, Salzman collected various essays, manuscripts, and ephemera about environmental protection in Oaxaca and Mexico more generally. These materials span from the late 1990s to roughly 2008.

The essays from Salzman's website were penned by a variety of writers and cover a range of subjects related to anarchism, revolution, environmentalism, and identity. Featured heavily are essays about the Israel-Palestine conflict written by Israeli peace activist Uri Avnery. These materials span from the mid 90s to roughly 2008.

Other materials of note include Salzman's correspondence with fellow anarchist, James Herod; records of Salzman's donations to various institions and causes; and photos of Salzman's home in Oaxaca.

Forms part of Robert Altman Archive. Includes Business and Financial records and a Chronological series (30 linear feet) that includes daily logs and correspondence for many of Robert Altman's production companies.

The Business and Financial series (68 linear feet) are business records that range from payroll, paid bills, general ledgers, insurance, banking transactions, residuals and other financial documents. There are two sub-series beginning with the Personal sub-series, and ending with the Accounting and General Business sub-series both organized chronologically. The documents range in date from 1969-2007.

The Legal series (7.5 linear feet) are legal documents with the majority of documents originating from three law firms, Lane & Mittendorf, and Mitchell, Silberberg & Knupp, and Frankfort, Garbus, Klein & Selz all of which represented Robert Altman personally and professionally from 1969-2005. The series largely consists of business and financial documents. The series includes personal, business and financial, real estate and expandable file folders from Jerome Walsh's law office. The majority of files were created by Robert Altman's lawyer Jerome Walsh.

The Chronological series (30 linear feet) includes daily logs and correspondence for many of Robert Altman's production companies. Materials consist of daily logs, desk calendars, daily planners and correspondence consisting of incoming and outgoing faxes created during production of several of his films.

Librarian and manager of technical information services at the Institute for Defense Analysis, Arlington VA. Expert on production and dissemination of technical reports by government agencies. Active in a variety of groups including the Committee on Information Hang-ups; later joined the staff of the National Technical Information Service. The collection contains correspondence, meeting minutes, agendas, reports, notes, and articles.

The Smith Papers document the work of the COMMITTEE ON INFORMATION HANG-UPS from 1969 to 1986, related USER GROUPS from 1971 to 1981, the SHARED BIBLIOGRAPHIC INPUT EXPERIMENT from 1973 to 1981, and the DEPOSITORY LIBRARY COUNCIL TO THE PUBLIC PRINTER from 1974 to 1979. The collection contains correspondence, meeting minutes, agendas, reports, notes, and articles. Also included are IDA LIBRARY/TECHNICAL INFORMATION SERVICES annual reports, covering the work of Smith and her staff between 1970 and 1980, and PUBLICATIONS of the Committee on Information Hang-Ups and other user groups. The bulk of the collection dates from the time when Smith served at IDA. Very little is from after she joined NTIS.

The focus is on the work of user groups in influencing policies on the pricing and dissemination of information of Federal government agencies, especially the Defense Documentation Center, the National Technical Information Service, and the Government Printing Office. A name index to correspondence in the collection is available.

Materials related to the trial known variously as the Chicago Seven/Eight Trial or the Conspiracy Trial, which took place in Chicago between 1969 and 1970, gathered by Jenny Stiller. Stiller, at the time a Michigan Daily reporter, attended the trial and took detailed notes. After the close of the trial she interviewed members of the media and wrote a book called "The Movement" based partially on these interviews. The bulk of the collection is Stiller's own writing, including her notebooks and unpublished manuscript. Collection includes six notepads, the book manuscript, Stiller's press passes, and a statement from attorney William Kunstler.

Collection includes six notebooks' worth of Stiller's handwritten notes (five from the trial, one from her interviews with members of the press following the interview), her press passes, a typed statement by defense lawyer William Kunstler, and her typed manuscript with handwritten annotations.

Dates for each notebook are listed below. Note that Stiller was present at the beginning and end of the trial only. Her notes do not include the day Bobby Seale was bound and gagged in the courtroom or the day his case was separated from the others. Her notes do include the sentencings for contempt of court but not for the conspiracy and incitement charges.

The collection consist of copies of the author's two published books; about a third of his estimated fifty essays; several pamphlets; a limited series of mostly email correspondence dating from the turn of the millennium; and a small set of papers documenting workplace policies and politics. Of special interest are the thorough correspondence with George Salzman; the hard-to-find Autonomous Marxism: An Annotated Course Syllabus and Bibliography, by Harry Cleaver; and the set of documents pertaining to the Lucy Parsons Center.

The collection consist of copies of the author's two published books; about a third of his estimated fifty essays; several pamphlets; a limited series of mostly email correspondence dating from the turn of the millennium; and a small set of papers documenting workplace policies and politics. Of special interest are the thorough correspondence with George Salzman; the hard-to-find Autonomous Marxism: An Annotated Course Syllabus and Bibliography , by Harry Cleaver; and the set of documents pertaining to the Lucy Parsons Center.

The subject matter is diverse: topics include the destruction of capitalism, radical democracy, play, anarchism, health, the politics of protest, HIV and AIDS, commercial films, sectarianism, revolution, indigenism, majority rule, and schooling.

Many of the materials represented in this collection have been published on Mr. Herod's website http://jamesherod.info. Additional essays appear there, along with notes on a variety of topics.

It is hoped that one day additional materials from the website will be included in this collection. Noticeably missing from both locations are photographs, older correspondence, and any supporting ephemera or newspaper documentation.

Many items in the collection have been edited or annotated by Mr. Herod. Some have been written under pen name Jared James.

The James Herod Papers are arranged in four series: CORRESPONDENCE; ESSAYS; PUBLICATIONS AND BIBLIOGRAPHIES; and WORKPLACE ACTIVISM.

CORRESPONDENCE. The Correspondence series consists of personal correspondence as well as general correspondence in the form of open letters or participation in online forums. It consists mostly of e-mail written between 1998 and 2001. Personal correspondence consists almost entirely of email exchanged with George Salzman. General Correspondence includes open letters and participation in online forums.

ESSAYS. The collection includes 17 of about fifty essays spanning the author's adult life from 1968 to the present.

PUBLICATIONS AND BIBLIOGRAPHIES include the privately published Papers from the Struggle (1987) and Getting Free (1998 and 2007). It also includes the author's pamphlets and book reviews from What's Left in Boston . The collection includes a copy of Harry Cleaver's Autonomous Marxism: An Annotated Course Syllabus and Bibliography.

WORKPLACE ACTIVISM documents the author's time spent with the Boston Typographical Union, Dorchester Community News, and, most notably, with the Lucy Parsons Center (formerly the Red Book Store).

Other publications were donated with the collection but have been cataloged in other parts of the Labadie Collection. These include:

The New York City Star (first two issues)

What's Left in Boston (set of twenty-five issues)

Jill Boskey's The Split at The Liberated Guardian

Pamphlets and other materials from The Committee of Returned Volunteers

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. These records document a portion of the history of the Detroit-based African-American-owned publisher of poetry broadside, anthologies and other works.

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. The ten linear feet span the years 1968 to 1998, with the bulk of materials falling between 1985 and 1996. Records are arranged in ten series: Correspondence (0.5 linear feet), Book Production Material (1 linear foot), Broadsides (0.25 linear feet), Programs and Events (0.5 linear feet), Business Records (1 linear foot), Financial Records (1 linear foot), Photographic Material (0.5 linear feet), Audiovisual Material (0.5 linear feet), Ephemera (1.5 linear feet), and Realia (.25 linear feet).