Collections : [University of Michigan William L. Clements Library]

The Abbott family papers consist primarily of the correspondence of Bessie Abbott, an aspiring singer and stage performer, written to her family during the early 20th century.

The Abbott family papers consist primarily of the correspondence of aspiring vocalist Bessie Abbott, written to her parents and other family members in the early 20th century.

The Correspondence series makes up the bulk of the collection, and covers the years 1881-1922. The earliest letters in the collection originated from a variety of Abbott family members and acquaintances. Of particular interest is an item describing Bessie and Stanley's time in a tent city in Coronado, Mexico (June 19, 1907). After 1912, Bessie was the primary correspondent, and in her letters she discussed aspects her life during her late 20s. In the personal, richly detailed letters from 1912-1914, Bessie described her time in Brooklyn, New York, where she studied with a vocal coach. In 1913, she took a vacation to Washington, D. C. for the Wilson inauguration, and, while there, injured her hand and, as a result, initiated an unsuccessful insurance dispute. After her return to California in 1914, Bessie wrote more frequently about her health and, after a subsequent move to Hawaii, her continued professional success. Following her stint in Hawaii, Bessie's correspondence focused more heavily on business interests, and, in a late series of letters written in the early 1920s, she wrote about her travels throughout southeast Asia, including visits to the Philippines and to Saigon.

Other correspondents represented in the collection include Will Abbott, Bessie's brother; Stanley Howland, Bessie's husband; and Tracy and Linnie Abbott, Bessie's parents.

• A photograph of an unidentified man, taken by Eduard Glaubach in Greifswald, Germany, on March 10, 1880
• A Christmas card, signed by Billy Warren
• A program from a music recital in Honolulu, Hawaii

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection is made up of two journals kept by her mother, Myrilla M. Anderson, plus letters, writings, artwork, family photographs, printed programs, sheet music, and other materials related to this Decatur County and Indianapolis, Indiana, family.

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection consists of two journals kept by her mother, Myrilla M. Anderson, plus approximately 1 linear foot of letters, writings, artwork, family photographs, printed programs, sheet music, books, newspaper clippings, and other materials related to this Decatur County and Indianapolis, Indiana, family.

Margaret's mother, Myrilla Anderson Alexander, wrote two journals during Margaret's early life and stages of her musical career. The first, kept between 1894 and 1896, documents Myrilla's experiences during Margaret's infancy and a list of musical lessons, associated fees, and required books. The second journal covers 1907 to 1917, and focuses primarily on Margaret's musical performances, complemented by enclosed newspaper clippings, correspondence, and programs.

The Alexander family papers include Myrilla M. Anderson Alexander's sketchbook of ink, watercolor, and charcoal illustrations. A hand bound book appears in the collection, written for Myrilla Alexander by R. E. Sylvester, which contains poetry and sketches.

The collection includes 4 letters by Myrilla Alexander, picture postcards, calling cards, 2 blank living wills from the state of Florida, and a 1945 marriage certificate for Carl F. Grouleff and Vonya Kurzhene. A typed document titled "Remembrances of Anna Stover and Edith Surbey" recounts the friends' lives from their early education through their ongoing religious charity work. Other items include a handwritten description of Margaret June Alexander's 1913 performance at Carnegie Hall, a list of quotations, and a certificate regarding the eligibility of Mary Alexander Tarkington and Caroline Anderson Haugh to join the Daughters of the American Revolution.

Approximately 110 photographs depict Margaret June Alexander, her performance partner Mischel Kurzene, and members of the Alexander, Anderson, and Tarkington families. An address book kept by Myrilla Alexander includes addresses and birthdays of family and friends.

The collection's printed items include programs for musical events, sheet music, newspaper clippings, and two books. Approximately 50 programs reflect Margaret June Alexander's musical career between 1907 and 1927. Obituaries for members of the Alexander and Tarkington families appear within the collection's newspaper clippings. Multiple copies of an undated, printed advertisement for "Dr. Alexander's Effervescing Headache Powders" are also present. The collection's 2 books are G. W. H. Kemper's A Medical History of the State of Indiana (Chicago: American Medical Association Press, 1911) and Joseph Tarkington's Autobiography of Rev. Joseph Tarkington (Cincinnati: Curts & Jennings, 1899).

The Russell A. Alger family papers contain personal and professional correspondence of Alger, who served as governor of Michigan (1885-1887), United States Secretary of War (1897-1899), and United States Senator (1902-1907). The collection also includes military correspondence related to the Spanish-American War, materials from a distant branch of the Alger family in Ohio and Missouri, and letters related to United States Representative Bruce Alger's experiences in the Army Air Corps during the Second World War.

The Russell A. Alger papers contain personal and professional correspondence of Russell Alger, who served as governor of Michigan (1885-1887), United States secretary of war (1897-1899), and United States senator (1902-1907). The collection also includes military correspondence related to the Spanish-American War, materials from a distant branch of the Alger family, and letters related to United States Representative Bruce Alger's experiences in the Army Air Corps during the Second World War.

The Russell A. Alger materials series contains three subseries: Correspondence, Documents, and Scrapbooks. The Russell A. Alger Correspondence subseries is made up of 5 sub-subseries.

The Russell A. Alger incoming correspondence sub-subseries (1842-1919; bulk 1863-1865 and 1885-1907) contains 1.5 linear feet of letters, documents, and other items received by Russell Alger during his lifetime, with a particular focus on his military service in the Civil War, his political activities as a leading Republican Party member in Michigan, and his service and legacy as secretary of war under William McKinley during the Spanish-American War. The earliest letters in the collection are official correspondence from military leaders about the 5th Michigan Cavalry's service from 1862-1865. Several post-war letters concern Russell Alger's reputation, which opponents called into question during his rise to political prominence.

Items from the 1880s and early 1890s include many written by the era's leading Republicans, such as Mark Hanna, James G. Blaine, and Benjamin Harrison, who wrote a series of approximately 20 letters about Russell Alger's presidential campaigns in 1888 and 1892. Much of the later correspondence relates to Alger's service as secretary of war during the Spanish-American War, with letters from military personnel and political figures including J. Pierpont Morgan, Nelson A. Miles, William R. Shafter, Leonard Wood, Theodore Roosevelt, and William McKinley. Roosevelt wrote several letters to Alger during his own military service and during his presidency, regarding various political appointments. Two letters illustrate Roosevelt's hopes that Alger will support the reinstatement of the annual army-navy football match (August 17, 1897) and canal-building efforts in Panama (June 18, 1906). Much of William McKinley's correspondence (61 items) respects Alger's service as secretary of war, and includes the president's official acceptance of Alger's resignation from the cabinet (July 20, 1899). Much of Alger's incoming post-war correspondence pertains to efforts to secure his reputation following the Spanish-American War and to his published book on the conflict.

The Russell A. Alger outgoing correspondence sub-subseries contains items written by Russell A. Alger, including a small amount of Civil War-era correspondence and a larger number of letters written during his later political career. The bulk of the series, written from 1884-1907, represents Alger's tenure as governor of Michigan (1884-1887) and as secretary of war (1897-1899). Of interest is a letter of April 13, 1898, regarding the sinking of the Maine in Havana Harbor and the declaration of war against Spain. Other topics in Alger's letters include a shipment of reindeer from Norway (March 21, 1899), affairs in Alaska, the Panama Canal, and political endorsements for both local and national positions.

The items regarding the tour of officers & soldiers in the election of 1896, & the endorsement of Russell A. Alger as a member of President McKinley's Cabinet sub-subseries contains correspondence about Russell A. Alger and William McKinley's tour throughout Michigan during the presidential campaign of 1896, and about Alger's other efforts in the campaign. Of note is a letter from Senator Jacob H. Gallinger, who wrote to William McKinley, "I express the hope that you may invite General Alger into your official family. He will make a model Secretary of War, and will be a strong and reliable man in the Cabinet" (January 23, 1896).

The Letters and Telegrams from General Miles sub-subseries contains 564 once-bound pages of chronologically ordered copies of official military correspondence exchanged during the Spanish-American War. Army generals Nelson A. Miles and William R. Shafter are the most prominent correspondents in the subseries. They provided updates on the Cuban theater of the war. The series spans the entire calendar year of 1898.

The Russell A. Alger semi-official letters, semi-official orders, and telegrams sub-subseries contains 28 bound volumes of carbon copies dating from Alger's service as secretary of war. The series contains 20 volumes of semi-official letters (March 9, 1897-July 24, 1899), 2 volumes of semi-official orders (June 4, 1898-August 1, 1899), 5 volumes of telegrams (July 9, 1897-August 1, 1899), and one volume of letters relating to the GAR (October 1, 1889-November 28, 1894).

The collection also includes 9 volumes of typed transcripts, including incoming and outgoing correspondence as well as documents and materials related to Alger's military service.

The Russell A. Alger documents subseries contains four sub-subseries.

The Russell A. Alger Civil War service documents sub-subseries includes original and manuscript copies of documents related to Alger's Civil War service record and actions during the conflict. The subseries also contains two postwar documents. One of two postwar documents is a list of Civil War battles in which Alger participated.

The Testimony of General Alger Before the War Investigation Committee is a typed copy of Russell A. Alger's testimony regarding the hygiene of American soldiers and camps during the summer of 1898, given before the Dodge Commission later that year. The testimony includes manuscript annotations.

The Gervasio Unson proclamation and affidavits sub-subseries contains the original Spanish text and a translated English copy of Provisional Secretary Gervasio Unson's proclamation and accusations regarding the treatment of guerillas in the Philippines and the general conduct of American officials in the islands. Several documents appended to the proclamation lend factual support to the various allegations.

The Correspondence and documents regarding Florida, Puerto Rico, and Cuba sub-subseries is made up of the following items: correspondence describing rail systems in Florida in the early 20th century; a report on the island of Puerto Rico made on March 14, 1898; letters related to military supplies during the Spanish-American War; several letters regarding the publication of Washington the Soldier by General Henry B. Carrington, including a printed copy of the book's preface; the typescript of an interview given by Russell A. Alger to Henry Campbell of the Milwaukee Journal, March 24, 1900; a booklet on regulations for import/export officers; and a printed copy of the Cuban census of 1900.

• Alger's campaign for the Republican presidential nomination, April-June 1888
• Alger's campaign for the Republican presidential nomination, February-April 1892
• "Presented to General Russell A. Alger by the Citizens of Detroit upon his return to his home. August Second, 1899," July-August 1899
• "Politics: Detroit Newspapers," regarding Alger's campaign for Michigan's vacant Senate seat, August 1902-May 1903
• "Politics: State Papers," pertaining to Alger's campaign for Michigan's vacant Senate seat, August 1902-May 1903
• "In Memoriam Hon. Russell A. Alger," January 1907

The Alger family materials series contains eight subseries.

The Alger family correspondence subseries is divided into the seven sub-subseries: David Bruce Alger correspondence, Bruce Alger correspondence, Clare Fleeman Alger correspondence, Oberlin college correspondence and documents, Richard Edwin ("Eddy") Alger correspondence, Albert W. Alger correspondence, and Miscellaneous Alger family correspondence.

The David Bruce Alger correspondence contains numerous letters from Alger to his parents, Richard Edward Alger and Esther D. Reynolds, about David's time at Oberlin College in the early 20th century; the birth and early childhood of his son, Bruce Reynolds Alger; and about St. Louis, Missouri, in the 1920s, including descriptions of "plucky boy" and celebrated pilot Charles Lindbergh. Incoming correspondence consists of Civil War-era receipts; documents and letters of David Baker Alger; a letter from Russell A. Alger, Jr., to a sibling; a letter from an American soldier serving in France in 1917; several letters from David Bruce Alger's father written in 1943; and a 1975 letter regarding recent physical problems.

David Bruce Alger's Oberlin College correspondence and documents consist of items associated with Oberlin College in the 1910s, including ephemera. Of interest are a program from an Oberlin Glee Club concert (1912), three copies of a pamphlet for the "Eezy Cheezers," and an 1882 promotional thermometer.

The Bruce Alger correspondence consists primarily of Bruce Reynolds Alger's letters to his parents, written during his time in the Army Air Corps in the Second World War. Bruce wrote about his training at Kerry Field, Texas, and in California. In a number of letters from 1945, he described the end of the war as he experienced it in the Pacific theater. The sub-subseries also includes the annotated text of a 1937 chemistry examination from Princeton University, reports of Alger's academic progress at Princeton, and a newspaper article about his football career.

The Clare Fleeman Alger correspondence is made up of correspondence and documents related to David Bruce Alger's wife, Clare Fleeman Alger. In letters to her parents and to other friends and family, Clare described her life as a newlywed and, later, as a new mother. Miscellaneous items in this series include several religious tracts, drafts of poetry and essays, and documents regarding Bruce Reynolds Alger's academic progress at Princeton.

The Richard Edwin ("Eddy") Alger correspondence contains incoming letters, 1885-1921, written by family members to "Eddy" or "Cousin Ed." The group also includes a typed collection of several of his short poems.

In the Albert W. Alger correspondence are a number of letters written to various family members by Albert W. Alger.

The Additional Alger family correspondence, documents, and printed items consists of seven Civil War-era documents by various Alger family members, items related to the St. Louis Writers' Guild, invitations to various weddings and graduation ceremonies, a marriage certificate for Melvin C. Bowman and Mary H. Parcell, and a commemorative stamp from Lundy Island. Of note are two pages of a Civil War-era letter by John H. Houghes, who described a military engagement and the burial of a fallen soldier in the surrounding mountains. The group also contains books, pamphlets, and newspapers. Books include the Student's Reference Work Question Manual and Russell A. Alger's copy of Roswell Smith'sEnglish Grammar on the Productive System . The pamphlets are promotional material for a 1904 World's Fair exhibit, issues of various periodicals belonging to Clare Fleeman Alger (many of which contain her writing), and a copy ofAn Outline History of Richfield Township, 1809-1959 . Other items are newsletters from 1916 and 1921, with contributions by Clare Fleeman Alger; a printed map of the Alger Park neighborhood in Dallas, Texas; a newspaper clipping from the St. Louis Post-Dispatch; a program from a piano recital; and scripts for two radio-based language-learning programs (French and German).

The collection includes 40 volumes of Alger family diaries. Six volumes include a book kept by David Bruce Alger and five volumes belonging to Esther Reynolds Alger, written between 1878 and 1881. Among other materials are an early item likely composed by Richard Edwin Alger (1891), a "Note Book for Sunday School Teachers and Workers" probably kept by Esther Reynolds Alger in the late 19th century, and an Esther Reynolds Alger diary from 1900.

The remainder of the series contains material, spanning 1905-1973, that belonged to David Bruce Alger. His early diaries include a "Foxy Grandpa" notebook (1905) and a series of annual daily journals written from 1910 to 1919. Two five-year diaries chronicle 1920-1924 and 1926-1930, followed by single and two-year volumes kept between 1931 and 1937. An uninterrupted series of five-year volumes covers 1938-1975, although his entries taper off around 1973. David Bruce Alger kept his diaries regularly, composing a few lines about the weather and his activities on a near-daily basis.

The Clare Fleeman Alger manuscript submission records are a series of index cards. They are filed alphabetically by poem or essay title. Each record contains the name of a work, the publication to which the manuscript was submitted, and the date. The records pertain to works written in 1917 and from 1931 to 1943. Occasional rejection letters and drafts are interfiled within the subseries.

The Receipts subseries consists of 9 items dating to the 19th century.

In the Documents subseries are manuscript copies of correspondence regarding Alger's Civil War service, made and authorized by the War Department at a later date. The subseries also includes two typed copies of Lieutenant Philip H. Sheridan's "Account of the Battle of Booneville," and two copies of a "Statement of the Military History of Russell A. Alger."

The Photographs subseries contains four photographs. One is a portrait of Russell A. Alger's wife, Annette Henry Alger, labeled "Aunt Nettie."

The Newspapers and clippings subseries contains a small number of short articles, dating primarily in the 1930s. The clippings relate to various members of the Alger family; for example, one item pertains to the death of Russell A. Alger's son, Frederick Moulton Alger, in 1934. The subseries also includes three full size Kansas City, Missouri, newspapers from 1883, 1897, and [1898].

The William H. Anderson Family Papers are made up of 177 letters, one manuscript map, 28 printed items, two photographs, and other materials of this Londonderry, New Hampshire, and Lowell, Massachusetts family. William Anderson wrote around 150 letters to his family and friends while at primary school in Londonderry, New Hampshire; Pembroke Academy in Pembroke, New Hampshire; Phillips Academy in Andover, Massachusetts; Kimball Union Academy in Meriden, New Hampshire; and Yale College in New Haven, Connecticut. Anderson's correspondence includes 12 descriptive letters home from the Sligo cotton plantation near Natchez, Mississippi, where he worked as a teacher from 1859 to 1860, with content on plantation life, the enslaved workers, cotton processing, and educational matters. The remainder of the collection is William Anderson's post-Civil War letters, written while a lawyer in Lowell, and letters of Anderson's aunts Annis Nesmith Davidson and Anna B. Davidson Anderson Holmes from Londonderry and Wyoming County, New York.

The William H. Anderson Family Papers are made up of 177 letters, one manuscript map, 27 printed items, two photographs, and other materials of this Londonderry, New Hampshire, and Lowell, Massachusetts family.

The Correspondence Series. William Anderson wrote around 150 letters to his family and friends while at primary school in Londonderry, New Hampshire (5 letters, 1849-1850); Pembroke Academy at Pembroke, New Hampshire (15 letters, 1852-1853); Phillips Academy at Andover, Massachusetts (3 letters, 1853); Kimball Union Academy at Meriden, New Hampshire (19 letters, 1854-1855); and Yale College at New Haven, Connecticut (60 letters). The letters from Londonderry, Pembroke, Andover, and Meriden are filled with details about his curricula, course work, school uniforms, teachers, boarding houses, school uniforms, secret societies, local politics and political events (Whig and Democratic; he ran into Franklin Pierce on October 25, 1852), updates on friends and family, visits to nearby towns, and more. Anderson helped offset the cost of his education by taking on various farm jobs. Detailed letters to his parents, brother, and friend Mary A. Hine from Yale College similarly include content on curricula, course work, professors, societies, examinations, graduation, finances, and other aspects of being a student in higher education.

Upon graduation from Yale, he began work at the Sligo Plantation near Natchez, Mississippi, where he taught a school comprised of students from Sligo and the nearby Retirement Plantation, from 1859 to 1860. During this time, he wrote 12 letters home to his parents and to his future wife Mary A. Hine. He arrived at Bennett's Retirement Plantation in early September 1859, and shortly thereafter settled in at David P. Williams' Sligo Plantation. He described his relative isolation, loneliness, teaching and wages, corporal punishment, thoughts on slavery and the enslaved men and women on the plantation, games he played with his scholars, travel between the Sligo and Retirement plantations, and leisure activities such as hunting and horseback riding. In late December 1859, he provided a lengthy description of a (largely) steamboat trip to New Orleans with his students for Christmas.

Anderson noted that no poor white people lived between Sligo and Natchez; he was uncomfortable with the aristocratic lifestyle of white people living in the south, and expressed this view on multiple occasions in his correspondence (see especially September 30, [1859]). Although his father appears on list of members of the American Anti-Slavery Society, William H. Anderson did not write with disgust at slavery, but rather used racist epithets, accepted the "servants" who assisted him in various ways, and wrote unmoved about abuse doled out to children (see especially June 9, 1860). In one instance, he wrote about enslaved women who gathered near to the house in the evenings before supper to sing and dance (October 25, 1859). One of the highly detailed letters in the collection is William H. Anderson's description of the use of the cotton gin on the Sligo Plantation, which includes remarks on its history, its functioning, the various jobs performed by enslaved laborers, and the rooms in which the jobs took place. He included calls made by enslaved workers between floors of the "gin house" and the roles of elderly men and women in the grueling labor ([October 1859]). In 1860, Anderson planned to take a summer break in Tennessee and then teach another year, but on the death of his oldest scholar Susie (14 years old) by diphtheria, Williams decided against having a school the next year (July 4, 1860).

The remaining letters by William H. Anderson, dated 1861-1887, contain scattered information on family matters, such as visits and health. He wrote little of his law practice or his life in Lowell, Massachusetts. Anderson's correspondence includes a variety of printed letterheads and one inset map: a rough floorplan of the Brother's Society Hall (January 14, 1856); the printed letterhead "INGENIUM LABORE PERFECTUM" "YALE" of Sigma Delta (ca. August/September 1856 and July 10, 1858); a partially printed letter sheet beginning "IN order to secure the regular attendance...", respecting Anderson's discipline (July 20, 1857); and the printed letterhead "STEVENS & ANDERSON, Attorneys and Counsellors at Law" Lowell, Massachusetts (August 16 and September 27, 1872).

The collection includes around 25 letters by William Anderson's aunts Annis Nesmith Davidson (1801-1877) and Anna B. Davidson Anderson Holmes (1798-1875). Anna wrote alternately to her sister Jane Davidson Anderson and her sister-in-law Annis Davidson, from Londonderry, New Hampshire; Pike, New York; and Genesee Falls, New York, between 1828 and 1874. Her letters pertain largely to domestic life, boarders, troubles keeping hired girls (including Irish girls) to help with housework, news of family births, marriages, and deaths, local ministers, and her children's schooling. The few letters by Annis Davidson from Pike and Genesee Falls, New York, regard family updates and visiting.

The collection's Map, Receipt, and Photographs include a partially printed receipt for William Anderson's tuition and fees for the term ending April 14, 1857. The pencil map identifies particular buildings in New Haven, Connecticut, around where College, Temple, Church, Orange, and State streets intersect with Chapel and Crown streets. The photographs are cartes-de-visite of William Henry Anderson and "Annis Davidson Anderson Holmes" [most likely Anna B. Davidson Anderson Holmes].

The Printed Items are made up of materials largely pertaining to William Anderson's time at Yale College. These include:

• BROTHERS IN UNITY. Prize Debate in the Class of 1859, January 12, 1856. William H. Anderson listed as a participant.
• JUNIOR EXHIBITION. Class of 1859, April 6, 1858, invitation to Mary Hine, with William H. Anderson listed as a speaker.
• JUNIOR EXHIBITION. YALE COLLEGE, April 6, 1858 (E. Hayes, printer), program.
• INITIATION, June 11, 1858, program, with manuscript annotations identifying an oration delivered by W. H. Anderson.
• James Robinson & Co. (Boston, Mass.) printed letter requesting information about academies, [1858].
• FIFTY-NINE. 'Oυ δοκέιν αλλ' είναι. Presentation Songs, June 15, 1859 (Morehouse & Taylor, printers).
• YALE COLLEGE. PRESENTATION OF THE CLASS OF 1859, June 15, 1859 (Morehouse & Taylor, steam printers).
• "Esto Perpetua." '62. Pow-wow OF THE CLASS OF '62, June 15, 1859 (Morehouse & Taylor, printers).
• '59. OWLS FROM THE NORTH!, July 17, 1859, flier/advertisement.
• DE FOREST ORATIONS, June 17, 1859, flier.
• CATALOGUE OF THE OFFICERS AND STUDENTS IN YALE COLLEGE . . . 1859-60. New Haven: E. Hayes, 1859.
• JUNIOR EXHIBITION, April 3, 1860, order of exercises. New Haven: E. Hayes, 1860.
• '61's INITIATION OF '62, pink heavy-stock card with a printed image of two anthropomorphic donkeys boxing.
• CLASS CIRCULAR, March 20, 1862, seeking feedback from 1859 graduates in anticipation of their triennial meeting.
• Class '63 Day, June 19, 1863, heavy-stock card invitation.
• SONGS FOR THE THIRD ANNUAL SUPPER OF THE Yale Alumni Association, January 27, 1868.
• "INGENIUM LABORE PERFECTUM" Sigma Delta symbol of a wreath surrounding a crown.
• Annis Davidson visiting card.

The remaining printed items include four copies of an engraved portrait of William H. Anderson by W. T. Bather of N.Y. and published by The Lewis Publishing Co., and five newspaper clippings.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 items including photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection. Mr. Anderson assembled this collection from dealers, antique shops, and individuals. His motivation stemmed from a desire to document and to provide historical perspective on various end-of-life practices which, in the 20th century, fell into taboo and disfavor.

The majority portion of the photographic items in the collection are neither dated, nor attributed, although approximate dates can often be determined by when particular photographic formats were in use (see timeline at www.graphicatlas.org.). Consequently, the materials have been organized first to accommodate their sizes, formats, and preservation needs, and second to reflect major subject themes present, though scattered, throughout the entire collection. These non-mutually exclusive subjects are as follows:

• Post-mortem portraits
• Post-mortem scenes
• Funeral tableaux
• Funerals and funeral processions
• Floral arrangements and displays
• Memorial cards and sentimental imagery
• Cemeteries and monuments
• Funeral industry
• Mourning attire
• Unnatural death

The first three subjects - post-mortem portraits, scenes, and funeral tableaux - all depict the recently deceased, and so fall into the narrowest definition of a post-mortem photograph. Their distinction into three separate subjects is a partly arbitrary decision, made to break up what would otherwise be a large and unwieldy grouping of photos, but also to roughly shape the order of the collection (post-mortem portraits without décor tended to date earlier chronologically than broader, beautifying scenes).

Post-mortem portraits:

The post-mortem portrait photographs, comprising 251 items in the collection, depict the bodies of dead family members and friends. These images show the deceased, sometimes posed with living family members, and for the most part do not include elements of a larger scene, such as floral arrangements, banners, or other décor.

These portraits include the earliest photographic images in the collection, including 28 cased daguerreotypes, ambrotypes, and tintypes. 78 cabinet card photographs date from the late 1860s to around the turn of the century. Among many notable cabinet cards are two images of Frances Radke, taken and retouched by R. C. Houser, showing her image before and after Houser's post-capture work (3.1 and 3.2). Also of note is a framed crayon enlargement of infant Adelaide Banks by photographer/artist Edward Stuart Tray (26) and a post-mortem carte de visite of an unidentified African American infant taken by photographer S. P. Davis of Danielsonville, Connecticut (4.282u).

Post-mortem scenes:

The post-mortem scene photographs, numbering 155 items in total, are similar to the portraits described above, except that they show the deceased as part of a larger environment, whether in a private home, a funeral home, or out-of-doors. Most of these views are mounted photographic prints from the 1880s to the early decades of the 20th century, frequently centering on the corpse, lying in a casket or coffin, amidst an abundance of floral arrangements, banners or flags, family members or friends, and/or personal belongings. Their caskets are often lined with white cloth.

Many of these images have unique qualities; several examples illustrate the variety of postmortem scenes in the collection. Six photographs by W. Jakubowski and Co. and Jos. Ziawinski, of Detroit, Michigan, include five wedding photographs (of the bride and groom, bridesmaids, and family members) and one post-mortem scene of the wife. She appears to have died within a short time following the marriage; the funeral home scene image contains one of the wedding photographs and a banner marked "Dearest Wife" (18.5-18.10). One mounted photograph depicts a dog, laid on linen, in a homemade casket (14:17). The collection also contains examples of different persons on display in the same funeral home/parlor (e.g. 18.1-18.4). A set of two cabinet card photos of a child in a buggy is accompanied by one of the buggy's metal lanterns (23.1-23.3). Also of note is a photogravure of the 1888 painting "Requiescat" by British artist Briton Rivière showing a dog seated next to its deceased owner (25.2).

Funeral tableaux:

The collection's 35 funeral tableaux photographs show the deceased in an open casket or coffin, typically in front of a church or homestead, with a posed assembly of funeral attendees or mourners. They often show a large group of family and friends, and so are frequently large format prints. Group portraits of this sort were occasionally framed and displayed in the home. Most of the examples in this collection are large prints (many of them mounted), with smaller examples, including a real photo postcard, two snapshots, and one cabinet card. Particular items of note include a framed tableau on the steps of the Church of The Descent of The Holy Ghost in Detroit by Thomas Hoffman (27), a photomontage image of a nun's funeral (28), two tableaux scenes by F. A. Drukteinis taken outside of the same church in Detroit during different seasons and involving the same family (20.12 and 20.15), and three related tableaux scenes (two mounted and one unmounted) involving a presumably Hungarian family that were taken outside of what appears to be a Catholic church in Cleveland, Ohio, during three different funerals (20.16a-20.16c).

Funerals and funeral processions:

The 70 items depicting or pertaining to funeral gatherings show various aspects of the movement of the deceased from the home or funeral home to the cemetery and funeral and burial ceremonies. This group is comprised of real photo postcards (22 items), snapshots (13 items), and a variety of other formats. Examples include an albumen print depicting the Plymouth Church decorated for Henry Ward Beecher's funeral in 1887, and snapshot and postcard photographs of a burial at sea.

Floral arrangements and displays:

Additional documentation of funeral decoration may be found in the collection's 176 still life portraits of floral arrangements and other decorations. A portion of the floral display photographs include pre- or post-mortem photos of the deceased either incorporated into the display or added to the image after printing. One particularly fine example is a large format photograph of a floral arrangement for the funeral of Joshua Turner Mulls; the display included a cabinet card photo of Mr. Mulls and a modified enlargement of the cabinet card. Accompanying the floral arrangement photograph is the cabinet card depicted in the display, with artist's instructions for coloring the enlargement (22.1-22.2).

Memorial cards and sentimental imagery:

The collection includes 105 memorial cards and ephemeral items bearing sentimental imagery. Memorial cards were created as tributes, often displaying birth dates, death dates, and other information about the deceased. Many of these cards include border designs and some bear photographs of the departed. Black-fronted memorial cards gained popularity from 1880 to 1905. Of many interesting examples, the collection includes two examples of memorial cards which haven't yet been personalized (4.306-4.307) and two reflecting World War I-related deaths (4.316 and 4.317). Materials with sentimental imagery include items such as a photograph of an illustration entitled "Momma is in Heaven," a memorial book dedicated to Olive C. Partridge in 1897, and other items.

Note: an advertisement for the Memorial Card Company of Philadelphia is located in the 'Funeral Industry' section of the collection (14.35).

Cemeteries and monuments:

61 photographs, printed items, and realia explicitly pertain to cemeteries, burial markers, or monuments. Some of the cemeteries and monuments are identified, such as the Garfield Memorial at Lakeview Cemetery in Cleveland, Ohio (4.1-4.3). The collection includes examples of cemetery-related realia, including an ovular, porcelain headstone photograph (pre-mortem) of the deceased.

Note: cemeteries may be seen as background for many photographs throughout the collection.

The funeral industry:

The Mark A. Anderson collection of post-mortem photography holds a diverse selection of photographs, ephemera, and printed materials related to the business aspects of death, dying, and bereavement. This group contains around 153 items overall, including receipts (1896-1956); various types of advertising materials (including an undertaker's advertising card, a cabinet photograph of the Arbenz & Co. storefront advertising undertaking as a service, fans from a church and the A. C. Cheney funeral home, a thermometer, and other items); and 118 coffin sales photographs (illustrating a massive selection of different casket models offered by the Boyertown Burial Casket Company of Pennsylvania).

Two photograph albums, that of Clarence E. Mapes' furniture store and funeral home and that of the Algoe-Gundry Company funeral home, provide visual documentation of a rural and an urban funeral home (respectively) in Michigan in the first half of the 20th century:

The photo album and scrapbook of Clarence E. Mapes' furniture store and funeral home in Durand, Michigan, dating from ca. 1903-1930, contains interior and exterior photographs of the furniture and undertaker portions of the shop. The album includes photographs of casket showroom display mechanisms; an example of a "burglar proof" metallic vault; a posed photo of the embalmer standing over a man on the embalming table; images of carriage and motorized hearses; business-related newspaper clippings; and various family and vacation photographs. Several prints, dated August 1903, appear to depict the aftermath of the Wallace Brothers Circus train wreck on the Grand Trunk railroad at Durand. Among these photographs are carriage hearses, a horse-drawn cart carrying ten or more oblong boxes (for transportation and perhaps burial of victims of the wreck), a man standing in an alleyway near three stacked boxes, and a large group of persons standing in a largely unearthed section of a cemetery. The Mapes album is accompanied by a C. E. Mapes Furniture advertising fly-swatter.

The Algoe-Gundry Company album dates from ca. 1924 to 1960 and contains (almost exclusively) 8"x10" photographs of this Flint, Michigan, funeral business. The album includes images of the exterior and interior of Algoe-Gundry buildings, hearses, ambulances, and billboard advertisements.

One album was produced ca. 1939 by the Central Metallic Casket Co. of Chicago, Illinois. Titled "Caskets of Character," the album contains images of patented (or soon to be patented) casket designs as well as a printed cross-sectional view detailing the company's "Leak-Proof" Separate Inner Sealer.

Also of interest is funeral director's license granted by the Michigan State Board of Embalmers and Funeral Directors to Vincent J. George of Fowler, Michigan, in 1938. (25.1)

Mourning attire:

In America, mourning attire tended to follow trends set in Europe. The bereaved wore mourning clothing according to current fashion trends and societal expectations. Mourning clothing styles, often dark-colored and somber, depended on how close the mourner was to the deceased and local societal expectations. Seventeen portrait photographs show men and women wearing mourning attire without the deceased present. This group includes cabinet cards, a 1/9 plate ambrotype of an adult woman, two tintypes, and one carte-de-visite.

Note: persons wearing mourning attire may also be found scattered throughout the other sections of the Mark A. Anderson collection. While most are concentrated in the funeral photographs, mourners are also present in postmortem portraits, postmortem scenes, and cemetery photos.

Unnatural death:

43 photographs (mostly snapshots) depict "unnatural deaths," deaths not caused by age or naturally occurring disease, such as suicides, accidents, murders, and war. The larger portions of the snapshots are mid-20th century police photographs of crime or accident scenes.

Nine Indiana State Police photographs show a train-automobile accident; a group of eight unmarked photos depict the body of woman, apparently violently murdered, at the location of her death and in a morgue; 14 are of a man struck down, beneath a train; two are of a rifle suicide; and the others are of varying accidents. One World War I-era real photo postcard appears to show a man who was shot dead in a foxhole. A stereoscopic card by photographer B. W. Kilburn shows the burial of Filipino soldiers after the Battle of Malolos, Philippine Islands [ca. 1899].

Note: The photograph album/scrapbook of the Clarence E. Mapes furniture and undertakers shop contains several photographs of what appear to be the aftermath of the Wallace Brothers Circus train wreck, Durand, Michigan 1903 (see above description in the 'Funeral Industry' section of this scope and content note).

The Great Lakes Region cities and rivers photograph album contains approximately 125 photographs of Detroit, Grand Rapids, Chatham, Minneapolis, and Saginaw from 1916 to 1919.

The Great Lakes Region cities and rivers photograph album contains approximately 125 photographs of Detroit, Grand Rapids, Chatham, Minneapolis, and Saginaw from 1916 to 1919. The images show many of the same people canoeing, skiing, and fishing. Most album pages include handwritten captions with date, location, and names, and some photographs have handwritten notations on the back. Individuals referred to as John, Mother, Wahnita, and Aunt Anna appear most frequently. Also included are images of a Peace Day and Armistice Day parade in 1918 and a Standard Oil fire in July, 1919. A few images show scenes from the Panama Canal Zone.

The album is 21.75 x 13.5 cm with dark brown cloth covers.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906. The album begins with scenes of Colorado. These images show views from a railway through the Rocky Mountains and a trip to Garden of the Gods in Colorado Springs.

A majority of the photographs were taken in San Francisco, California. These photos date from May, 1906, just after the San Francisco earthquake and fire. Many of the images show refugee camps and temporary housing, displaced businesses, and damage on Van Ness Ave, which was used as a firebreak by the United States Army. The McKinley Parade, also known as Fiesta de Los Angeles is photographed as well. Other California scenes include Cliff House in San Francisco, an ostrich farm in Pasadena, vineyards, and orchards of olive trees, palm trees, and lemon trees.

The last portion of the album is of Long Island, New York State. These scenes include people on a boat in the water near Westhampton, people swimming in Jamaica Bay, and Apacuck Point.

The album is 18.5 x 14 cm with red cloth covers.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908. Included are cyanotypes, albumen prints, and postcard photo prints. Photographs consist of a railroad crossing tower, railroad station, trestle bridge, freight and passenger steamers, downtown street views, family photographs, grandstands, earth embankments, buildings under construction, and Galveston's seawall and grade raising project. Amusement/water parks shown include Electric Park (Galveston, Texas), Chutes Park (Galveston, Texas), and Lake Cliff Park (Dallas, Texas).

The album is 19 x 14.5 cm with brown paper covers. A cyanotype of an unidentified building is pasted to the front cover.

This collection is made up of correspondence, documents, financial records, newspaper clippings, and other items related to Salem, New York, and its residents, primarily from the 1780s-1890s.

This collection is made up of correspondence, documents, financial records, newspaper clippings, and other items related to Salem, New York, and its residents, primarily from the 1780s-1890s. Many of the items were once bound together.

The Correspondence series is comprised of around 60 incoming and outgoing letters related to Salem, New York, and to the history of the state of New York. Early letters between residents of Salem and other locales concern a wide range of topics including education, political offices and appointments, and legal cases. After 1856, most items are incoming letters to James Gibson, a native of Salem who was state senator, judge, and president of the Washington Academy. Three letters written during the Civil War concern military commissions and officers. Many of Gibson's incoming letters, particularly later items, relate to his genealogical work; some correspondents offered or requested information about their ancestors.

The Documents series contains over 140 indentures, financial records, petitions, and other items, primarily related to residents of Salem, New York, in the 18th and 19th centuries. Many of the indentures concern land ownership in Washington, County, New York, and personal financial agreements. Other material relates to the Washington Academy, including a list of pupils. Legal orders largely concern private debts, and one document pertains to a local election. Some documents have newspaper clippings pasted onto them, and others were once bound together. One item is a diploma that the Washington Academy issued to James McEl. A group of land indentures is housed in a large bound volume.

The collection's Printed Items include articles, programs, and newspaper clippings. The majority of newspaper clippings concern the Washington Academy in Salem, New York. Other articles concern the "Bench and Bar of Washington County," the Bancroft Public Library, and the family of William Williams. Some clippings are pasted onto large sheets of paper, with manuscript annotations; a small number of complete newspapers are present. The series also has several copies of a program from the dedication ceremony of the Bancroft Public Library in July 1890.

The Photograph, Essay, Notes, and Fragments series is made up of items pertaining to Salem, New York. The carte-de-visite photograph depicts J. B. Steele. The various notes, essay, and fragments pertain to genealogy.

The United States Signal Corps Photographic Collection contains approximately 1,630 photographs of the American Expeditionary Forces taken by the Signal Corps during WWI throughout the Western Front. The collection is divided into three volumes and one box, all loosely arranged by topic. General topics include destruction, battlefields and trenches, artillery, monuments, and postwar celebrations.

The United States Signal Corps photographic collection contains approximately 1,630 photos (many of which are duplicates) of the AEF taken by the Signal Corps during WWI throughout the Western Front. The collection is divided into three volumes and one box, all loosely arranged by topic. General topics include the AEF, warfare destruction, battlefields and trenches, artillery, monuments, and postwar celebrations.

Numerous photographs have handwritten and typewriter captions on the back, often stating location and subject matter. Also found on the back are different stamped inscriptions, including "Passed as Censored."

Many photos have an alpha-numeric code handwritten on verso that corresponds to the Catalogue of official A.E.F. Photographs. Washington, D.C.: Government Printing Office, 1919, which can be found online through the Internet Archive.

Volume 1 contains approximately 270 photographs taken in France, Germany, Belgium, and the U.S. The bulk of these photos are of monuments in Paris, the Palace of Versailles, Rhineland-Palatinate, and unidentified rural areas depicting farmland and civilian life.

• Paris, France
• Washington, D.C.
• Château-Thierry, France
• Bacharach, Germany
• Vincennes, France
• Fontainebleau, France
• Dordogne, France
• Pierrefonds, France
• Bad Neuenahr-Ahrweiler, Germany
• Bendorf, Germany
• Bernkastel-Kues, Germany
• Andernach, Germany
• Altenahr, Germany
• Pont-à-Mousson, France
• Saint-Léger, Belgium
• Humes-Jorquenay, France
• Montsec, France
• Varennes-en-Argonne, France
• Joué-lès-Tours, France
• Soissons, France
• Brieulles-sur-Meuse, France
• Vaux-lès-Palameix, France

Volume 2 contains approximately 270 photographs taken in France, Germany, and Belgium. Much of these photos relate to the Meuse-Argonne Offensive, destruction (both urban and rural), casualties, battlefields and trenches, artillery, cemeteries, various AEF training schools, naval operations, and prisoners.

• La Ferté-sous-Jouarre, France
• Mayschoß, Germany
• Forest of Argonne, France
• Brieulles-sur-Bar, France
• Les Petites-Armoises, France
• Varennes-en-Argonne, France
• Exermont, France
• Chatel-Chéhéry, France
• Étraye, France
• Grandpré, France
• Cochem, Germany
• Pinon, France
• Saint-Remy-la-Calonne, France
• Montfaucon-d'Argonne, France
• Berzy-le-Sec, France
• Dannevoux, France
• Romagne-sous-Montfaucon, France
• Saint-Quentin, France
• Soissons, France
• Ypres, France
• Hooglede, France
• Mouzon, Ardennes, France
• Château-Thierry, France
• Verdun, France
• Metz, France
• Rémonville, France
• Juvigny, France
• Péronne, France
• Chaudun, France
• Chavignon, France
• Moirey-Flabas-Crépion, France
• Reims, France
• Cambrai, France
• Neuvilly, France
• Vaux-Champagne, France
• Haudiomont, France
• Paris, France
• Koblenz (Coblenz), Germany
• Oberwinter, Germany
• Mont-Saint-Michel, France
• Chamonix, France
• Nanteuil-lès-Meaux, France
• Lucy, France
• Thiaucourt-Regniéville, France
• Seicheprey, France
• Nonsard-Lamarche, France
• Colombey-les-Belles, France
• Épieds, France
• Boureuilles, France
• Beaumont, France
• Dormiers, France
• Bertricamp, France
• Bois de Hesse, France
• Gondrecourt-le-Château, France
• Langres, France
• Le Charmel, France
• Villers-Bretonneux, France
• Saint-Aignan, France
• Landreville (Ardennes), France
• Imécourt, France
• Nantillois, France
• Stenay, France
• Butgnéville, France
• Le Mort Homme, France
• Saint-Maur-des-Fossés, France
• Gland, France
• Herbeville, France
• Vacherauville, France
• Baleycourt, France
• Marseilles, France
• Vaux-Andigny, France
• Saint-Juvin, France
• Brieulles-sur-Meuse, France
• Bohain-en-Vermandois, France
• Mézy-sur-Seine, France
• Badonviller, France
• Bois de Belleau, France
• Bazoches, France
• Châteauvillain, France
• Ploisy, France
• Suresnes, France

Volume 3 contains approximately 270 photographs taken in France, Germany, Italy, England, Ireland, Denmark, Switzerland, and the U.S. The most substantial topics are the Treaty of Versailles, postwar parades and celebrations, Interallied Games, U.S. strategic army maps, drawings of army corps and division insignias, and aircrafts. Notable figures include President Woodrow Wilson, General John J. Pershing, Prime Minister Georges Clemenceau, President Raymond Poincaré, and Marshal Ferdinand Foch.

• Chaumont, France
• Langres, France
• Versailles, France
• Paris, France
• Le Havre, France
• Sainte-Menehould, France
• Gironde, France
• Château-Thierry, France
• New York City, United States
• Hoboken, United States
• Bendorf, Germany
• London, England
• Dublin, Ireland
• Copenhagen, Denmark
• Montreux, Switzerland
• Florence, Italy
• Vinets, France
• Reims, France

Box 1 contains approximately 820 photographs taken in France, Germany, Belgium, Monaco, and the U.S. This box contains all of the aforementioned topics supplemented by French Riviera, Loire Valley, ruins of Reims, Château de Fontainebleau, Pyrenees, Alps, AEF, and personal photographs.

• Ypres, Belgium
• Albert, France
• Dun-sur-Meuse, France
• Reims, France
• Saint-Quentin, France
• Montsec, France
• Cantigny, France
• Château-Thierry, France
• Paris, France
• Koblenz (Coblenz), Germany
• Meaux, France
• Vincennes, France
• Versailles, France
• Fontainebleau, France
• Joinville-le-Pont, France
• Monte Carlo, Monaco
• Lourdes, France
• Menton, France
• Nimes, France
• Roquebrune-Cap-Martin, France
• Saint-Jean-Cap-Ferrat, France
• Mont-Saint-Michel, France
• Saint-Germain-en-Laye, France
• Azay-le-Rideau, France
• Loches, France
• Amboise, France
• Montrésor, France
• Le Lude, France
• Rigny-Ussé, France
• Saumur, France
• Chinon, France
• Langeais, France
• Blois, France
• Saint-Savin, France
• Luz-Saint-Sauveur, France

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910. The images consist primarily of informal snapshots of family, friends, and travel. There are no captions or notations beyond an inscription on the front inside cover which reads, "Mildred W Drury."

The first pages of the album include photographs taken in New York City. On a few of these pages, Columbia University's Low Memorial Library can be seen. On page 15, a woman sculpting a bust and a sculptor's studio are shown. The next few pages show various views from the grounds of Château de Versailles. In particular, Hameau de la Reine can be seen in the background on page 20. Also taken in France, photographs on pages 68 through 70 show views from the Eiffel Tower. On page 21 are photographs of Ely Cathedral. The next series of photographs were likely taken in the Netherlands. Images show canals, canal boats, towpaths, and traditional dress and architecture of the region. Following, are five pages of the Alps, traveling through the mountains, and hotels. Photographs on pages 48 through 52 were taken in Italy and show Amalfi, Amalfi Drive (Strada Statale 163), Piazza San Marco, gondolas, and women doing laundry. The last portion of the album includes photographs likely taken in the United States. These photographs show family gatherings, snowshoeing, golfing, and canoeing.

The album is 20.25 x 14.75 cm with green cloth covers.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928. Each photograph includes notation naming location, individuals, and some dates. Multiple photographs are missing. The first portion of the album shows various locations in Arizona including the Sentinel (Arizona), Gillespie Dam, San Xavier Mission and Grotto, Casa Grande Ruins, Wickenburg Mountains, Granite Dells, Hopi Point and Powell Memorial at the Grand Canyon, Painted Desert, and Canyon Lake. Locations in New Mexico include Elephant Butte Dam, Hot Springs, and Raton Pass. Auto camps shown include "Stumble Inn," (Tucson, Arizona), Rowe's Well Camp (near the Grand Canyon), and Texas Home Camp (Hot Springs, New Mexico). The last image is of the Oklahoma State Capitol.

Many captions name William and Mattie Mulholland in the photographs. Also included is one loose photograph of poodles from "Baby Doll Kennels," in Erie, Pennsylvania.

The album is 20.5 x 13.5 cm with black artificial leather covers.

The Pennsylvania, Virginia, and Washington D.C. photograph album contains 44 photographs of Pennsylvania, Euclid (Ohio), George Washington's Mount Vernon Estate, and Washington D.C. from 1898 to 1933.

The Pennsylvania, Virginia, and Washington D.C. photograph album contains 44 photographs of Pennsylvania, Euclid (Ohio), George Washington's Mount Vernon Estate, and Washington D.C from 1898 to 1933. Some of the photographs have handwritten or typed notations on the back often identifying location and/or date. The first half of the album shows scenes of a "Decoration Day" Parade in 1918 and the Pennsylvania countryside. There are two images on page 17 of Euclid Beach (Ohio) crowded with beachgoers. The next series of images show various views of George Washington's Mount Vernon Estate and its grounds. The last few pages of the album contain images of Washington D.C. Specific sites include the Thomas Jefferson Building (Library of Congress), United States Capitol, and Union Station. Three photographs were found housed behind mounted photographs and are now loose. These can be found on pages 17, 18, and 22.

The album is 13 x 19.5 cm with black cloth covers.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

A carte de visite and postcard are loose in the front of the album. The carte de visite of an unidentified man photographed in Pottstown, Pennsylvania. The postcard depicts the Basilica of Sainte-Anne-de-Beaupré, Quebec.

The first few pages of photographs depict Mount Gretna, Pennsylvania and show the Pennsylvania National Guard’s encampment, a river (possibly the Susquehanna River), and three men identified as Captain Arthur C. Colahan, Lieutenant Edward Hoopes, and Lieutenant William P. Wattles. Only the first two pages include captions.

The next series of photos likely show the Pennsylvania National Guard's encampment near El Paso, Texas, which they occupied until early 1917. These photos show border patrol, artillery training, drills, supply wagon trains, a polo team, game of baseball, a dust devil, reconnaissance aircraft, cavalry maneuvers, and a cavalry charge.

Interspersed throughout are photographs of civilian and family life. These images include a woman and newborn child, likely the unidentified compiler's wife and child. Some of these photos show picnics, a bullfight, racehorse track, a ranch, and scenic landscapes. Many show small towns and vernacular architecture, specifically mission style which was common to the area. Of particular note is a parade with a large sign, "We're from El Paso Tex/ Berlin or Bust."

The remaining portion of the album contains images of Texas, showing scenes at a park, the Capitol Building, and more family photos. Other identifiable locations include the Alamo, Kern Place, Hotel Sheldon (El Paso, Texas), and Elephant Butte Dam and Reservoir.

This collection is made up of typescripts and copies related to Lewis C. Mead's service in the 22nd Michigan Infantry Regiment, Company I, during the Civil War, including his time as a prisoner of war. He wrote letters home while serving in Kentucky, Tennessee, and Georgia, and during his imprisonment in Libby Prison and other Confederate prisoner-of-war camps.

This volume (177 pages) contains typescripts and copies related to Lewis C. Mead's service in the 22nd Michigan Infantry Regiment, Company I, during the Civil War. The collection includes an introduction by Mead's youngest daughter.

Pages 1-148 largely consist of letters that Mead wrote to his parents and sister during his military service. He described camp life, marches, and scenery in Kentucky, Tennessee, and Georgia (particularly in and around Lexington, where the regiment was stationed for much of the winter of 1862-1863). He mentioned Lexington's African American population, his African-American servant in Nashville (shared with his tent mates), promotions and officer elections within his company and regiment, executions of deserters, and a skirmish with Confederate forces. From October 1863 to November 1864, he wrote from Libby Prison and other Confederate prisoner-of-war camps. Mead discussed his health and his possible release or exchange. By the time he resumed his correspondence in March 1865, he had returned to the regiment. He remained with the unit until at least May 1865.

A small number of letters by other writers include an early order by J. W. Trueman authorizing Mead to raise a company for a regiment of lancers (October 3, 1861) and several written to the Mead family during the war. E. S. Woodman, an acquaintance, and other soldiers provided news about Lewis C. Mead's capture and imprisonment in October 1864. Postwar correspondence includes family letters and a letter from H. S. Dean to Lewis C. Mead regarding a visit to the Chickamauga battlefield by Michigan veterans (October 25, 1893).

The letters are followed by Mead's ca. 1886 reminiscences of his Civil War service, including his experiences during the Battle of Chickamauga and his subsequent imprisonment (pp. 149-164); a speech by Mead about the 22nd Michigan Infantry Regiment's Civil War service (pp. 165-172); and additional reminiscences written after a 50th anniversary visit to the Chickamauga battlefield, Chattanooga, Tennessee, and other locations related to Mead's wartime experiences (pp. 173-177).

The volume contains a photocopy of a newspaper obituary for Lewis C. Mead, published in The Daily Press. Photocopied photographs include Lewis C. Mead around the time of his enlistment and as an older adult; "Johnny Clem," a 12-year-old soldier who was embedded with Mead's regiment (pictured in uniform holding a gun); James Arthur Gallery wearing Mead's dress uniform; and Owen Carlisle Frost in a World War I-era army uniform.

A typescript copy of a letter by William Hayden Smith regarding his experiences with the 1st Michigan Infantry Regiment around the time of Robert E. Lee's surrender at Appomattox is pasted into the volume's back cover (April 9, 1865).

This photograph album contains 72 photographs of a Shriners International trip to Glacier and Grand Canyon National Parks in 1920.

This photograph album contains 72 photographs of a Shriners International trip to Glacier and Grand Canyon National Parks in 1920. Each page includes handwritten notations stating location. The album begins with images of La Crosse (Wisconsin), Vista House along the Columbia River (Oregon), Grand Canyon, and Garden of the Gods. Following, are views of Glacier National Park including Saint Mary Lake, Many Glacier, Many Glacier Hotel, and Shriner members dancing with "waitresses." Of particular note are images of Shriner members among Blackfeet and Hopi Native Americans. The album ends with two images of San Francisco; a birds-eye view of the city and the Golden Gate strait.

The album is 20.5 x 14.5 cm with brown paper covers. "Shrine Trip 1920" is handwritten on the front cover.

The San Antonio, Texas family photograph album contains approximately 115 photographs of a family taken in and around San Antonio, Texas from ca. 1910-1930.

The San Antonio, Texas family photograph album contains approximately 115 photographs of a family taken in and around San Antonio, Texas from ca. 1910-1930. The photographs vary in size and a few include handwritten notations on the front or back. These notations mention first names (Art, Uncle Ed, and Allan) and the address of one of the frequently appearing houses, 624 E Guenther St, San Antonio, Texas. The images show a family over a period of approximately a decade, featuring Allan throughout his childhood. Allan can be seen with multiple dogs, cats, and chickens, swimming, in a baseball uniform, and with his family. One photo is of particular interest; Allan, as a toddler, is holding a rifle and is standing with two men in baseball uniforms and military gear at a military encampment. Also noteworthy, a small portion of the photographs have a "Fox Tone Picture," stamp on the back. Some photographs are loose throughout the album and others are housed in folders between pages.

The album is 18.5 x 14 cm with black cloth covers.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928. Images show children with parents and dogs, at the beach, and playing with toys including wagons, tricycles, and a pedal car.

The album is 15.5 x 9.75 cm with brown cloth covers.

This photograph album contains 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Much of the images show the Murray High School for Girls and its students.

This photograph album 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Many of the images show the Murray High School for Girls and its students. Young girls are shown in the school yard being led through routines and stretches, in class portraits, on a riverboat, and likely participating in May Day celebrations dancing around a maypole. The girls are shown wearing two-piece qipao uniforms with a white blouse and black skirts or trousers. In several photographs students can be seen waving the first national flag of the Republic of China. Two images include a stamp on the back that reads, "Dr. Evalena S. C. Fleming, American Presbyterian Mission, Tsinanfu North China." Dr. Fleming was an amateur photographer and likely the owner of the album. The accordion style album also contains five loose photographs in a mylar sleeve.

The album is 18.25 x 12 cm with decorative cloth covers.

The Portland, Washington, D.C. photograph album contains 74 interior and exterior photographs of The Portland apartment building in Washington, D.C. from 1900 to 1903.

The Portland, Washington, D.C. photograph album contains 74 interior and exterior photographs of The Portland apartment building in Washington, D.C. from 1900 to 1903. Most photographs have handwritten notation stating date, location, or subject matter. Exterior images show The Portland and Thomas Circle from various viewpoints. Interior images show various rooms in an apartment; the parlor, bedrooms, dining room, and den. Many of these images appear to include family members, friends and neighbors. The last photograph is of a woman near the shore in Marblehead, Massachusetts.

The album is 14.5 x 12 cm with red artificial leather covers.

This volume is a typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

This volume is a 27-page typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

The Lake George camping party consisted of at least seven acquaintances: Charles W. Byrnes, Alice B. Byrnes, William L. Brown, Georgia B. Sumner, Edwin W. Andrews, Maybelle Ramsay, and R. C. Sargent. Maybelle and a man referred to as "the Doctor" left the group partway through the trip. The account, titled "Wotlarks: A Camping Journal," opens with an epigraph by William Henry Harrison Murray, followed by 24 pages of recollections. The campers embarked from Caldwell, New York, on July 31, 1892, spent 2 weeks on the lake, and then boarded a train for Boston from the area around Fort Ticonderoga on August 13, 1892.

The author of this typescript (possibly camper William L. Brown), described the scenery, meals, and notable incidents. He or she also quoted poems by P. Buchanan Read and Isaac Ogden Rankin. The 7 party members signed the final page of the typescript. Twenty-one photographs, pasted onto sturdy boards between pages of the journal, depict scenery around Lake George, the campers in their canoes, men and women posing with guns, a man fishing, the group near their tents, and other scenes.

The volume includes a carefully drawn or traced manuscript map of Lake George, marked with the places that the campers visited.

The Bremen, Germany photograph album contains 22 photographs of Heligoland and the Bremen region along the Weser River from 1935 to 1936.

The Bremen, Germany photograph album contains 22 photographs of Heligoland and the Bremen region along the Weser River from 1935 to 1936. Each photograph contains notation in German stating date, time, and location. Images show the Weserwehr (dam), Weserdeich (dike), Oberneuland, Wesermünde, the shoreline in Bremerhaven, and a fish auction at Fischereihafen (Bremerhaven). Also included are images of a trip to Heligoland; a steamer traveling to/from Roter Sand lighthouse, and views from the main island. The album ends with a family photograph.

The album is 10.5 x 7.5 cm with brown paper covers.

The Souvenir of Orlando, Florida photograph album contains 42 photographs of the southeastern United States from ca. 1940 to 1950.

The Souvenir of Orlando, Florida photograph album contains 42 photographs of the southeastern United States from ca. 1940 to 1950. Photographs show steamboat tours of New Orleans (Louisiana), a replica tourist attraction of Native American trading posts, a harbor, construction, laborers harvesting crops, and a parade.

The album is 16.5 x 12.75 cm with brown artificial leather covers. "Snapshots / Souvenir of Orlando, Fla." is stamped on the front cover in silver.

The New York (N.Y.) medical registers contain demographic and medical information about New York City residents suffering from various ailments in the late 1890s; some entries include graphic photographs related to patients' physical health. Entries list the patient's name, country of origin, and address, as well as providing detailed descriptions of the patient's medical history, current condition, and treatment.

The New York (N.Y.) medical registers contain demographic and medical information about New York City residents undergoing medical treatments in 1898 and 1899; some entries include graphic photographs related to patients' physical health. Each volume contains around 300 pages of medical records, and each has an alphabetical index listing patients' names and ailments. The unnamed hospital primarily treated adult men and women, though some records pertain to children.

Each entry begins with the patient's name, age, country of origin, occupation, and address; most belonged to the working class. The registers provide further detailed information about the patient's relevant medical history (at least one patient had previously been admitted to Bellevue Hospital), current condition, and treatments, including examination notes and descriptions and results of operations. The writers also noted the date of discharge. Some entries include photographs of patients, including many who suffered from tumors, hernias, and lesions, often located between the abdomen and the feet. Others suffered from appendicitis and, on fewer occasions, broken bones and bullet wounds. At least one image utilized x-radiation.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905. The first portion of the album consists of natural landscape and scenic cyanotypes. Also included are photographs of a flood, street-railroad cars, city street views, a photographer's studio, children, a farm, dogs, a drugstore, and a soda fountain. The last few pages of the album contain 60 small portraits.

The album is 20 x 14.5 cm with black cloth covers.

The Jerome, Arizona mining photographs consist of 56 photographs (including 33 real photograph postcards) related to mining operations, anti-labor vigilantism, and Arizona scenery.

Most of these images appear to have been taken by an anonymous photographer who referred to himself as "Bob" and who may have been associated with a Philadelphia-based contracting firm, Charles A. Sims & Co., that was hired by the United Verde Mine. Many of the photographs have handwritten captions and bear evidence of having previously been mounted in a scrapbook; many captions have been rendered partially illegible after being affected during the removal process. The captions directly refer to details within the photographs, particularly related to mining operations.

A total of 33 real photo postcards are present, including 14 locally produced images by The Fotoplace and Areldson Studio. Several real photo postcards bear correspondence, and "Bob" appears to have sent some of these images to a woman named "Kitty."

Items of particular interest include at least two photographs depicting J. E. O'Rourke (the superintendent of the United Verde Mine); multiple views of Jerome, Arizona, including street and bird’s-eye views; multiple views of mining facilities and encampments; three images of Native Americans (likely Yavapai); two views of the Montezuma Castle cliff dwellings; a view of stalactites taken from the inside of a cavern; and eight images documenting the expulsion of I.W.W. strikers in Jerome in July 1917 by local citizens who were organized into a vigilance committee. Also present are at least five images taken near present-day Tonto Basin, Arizona, north of the Theodore Roosevelt Dam, which may be associated with another project on which the Charles A. Sims & Co. firm was contracted. While the dam itself does not appear in any of these images, the photographer wrote that the area depicted was to be inundated. Since the dam was constructed by the U.S. Reclamation Service between 1903 and 1911, these images are likely older than those taken in Jerome.

For a complete list of the collection’s contents, see the Detailed Box and Folder Listing section below.

The HM Sloop Penguin collection contains watercolor illustrations, photographs, a crew member's letter, and a journal, all related to the British cruiser that was sunk by the American Navy, just after the end of the War of 1812.

The HM Sloop Penguin collection consists of 4 watercolor illustrations, 2 photographs, 1 letter, and one journal.

The Watercolor illustrations series contains four scenic views, presumably of St. Helena or Tristan da Acunha, tall ships in a small harbor, two distinct land masses, and a small settlement with fortifications.

The letter, dated February 18, 1815, is from a HM Sloop Penguin crew-member, writing to his sister, Mrs. Samuel Trigge, in Chelsea, England. The letter recounts many of the Penguin's movements as they search for an American privateer that had recently captured an English ship. The letter describes the Penguin's upcoming trip, which they did not complete, from the Cape of Good Hope to St. Helena, then on to the Island of Ascension and Tristan da Cunha, and finally back to the Cape of Good Hope. The letter describes the author's employment prospects and the possibility of returning to England, as well as his observations of life at the Cape of Good Hope.

The photographs are reproductions of a silhouette of a military man, presumably James Dickinson, and of a fine pen and ink drawing of a ship in a storm.

The journal has a monogram on the spine reading "S B." The volume's 81 pages (148 blank pages) document the Penguin's voyages from August 17, 1814-March 22, 1815. The author dutifully noted wind and weather conditions and often included important events on the ship and ashore. The journal's daily entries vary from a few lines to an entire page, and ends on March 22, just one day before the Penguin's capture.

This collection contains letters, legal documents, receipts, and printed images related to mayors of Philadelphia, Pennsylvania, from 1705-1976. The content pertains to Philadelphia commerce and politics, as well as to mayors' personal affairs.

This collection contains 52 individual letters, legal documents, receipts, and printed images related to 25 mayors of Philadelphia, Pennsylvania. The content pertains to Philadelphia commerce and politics, as well as to mayors' personal affairs.

• Four 18th-century documents, bearing the Philadelphia city seal and ordering the sheriff to assemble 24-person juries. Joseph Willcox (March 13, 1705), Nathan Stanbury (December 18, 1706), Richard Hill (June 17, 1715), and Thomas Lawrence (December 18, 1764)
• A letter from John Inskeep to the Common Council, discussing administrative issues and forwarding "a copy of a letter…from Thomas Howell at New York containing propositions to furnish the Corporation of this city with three engines of a peculiar kind which he imported from England for the Corporation of New York" (December 4, 1800)
• A partially printed order to apprehend Francis Barrett for being "an idle drunk or vagrant following no legal visible means for a support," signed by Robert Wharton (November 16, 1815)
• A letter to Joseph Watson from Benneville Keim, president of the Farmer's Bank of Reading, regarding counterfeiting issues (May 16, 1827)
• A letter from John M. Scott respecting his fire insurance policy and investments (July 11, 1827)
• A letter of recommendation for "William Magill, late proprietor and Editor of the 'Daily Keystone,' for a Situation in the Customs. He has been an efficient co. laborer in the Democratic ranks, battled faithfully and long to maintain the continued supremacy of the Party, and is in our opinion highly entitled to a position commensurate with his services and merits," signed by Richard Vaux and others (November 1846)
• Appointment of Addison B. Burk as Philadelphia's official delegate to the 1911 National Rivers and Harbors Congress, by John E. Reyburn (November 10, 1911)
• 11 partially printed receipts from the Department of Receiver of Taxes for "city and school taxes" paid by Margaret B. Stewart, George F. Caldwell, and Elsie M. Caldwell (1919-1929)
• Brief notes from 20th-century mayors responding to requests for autographs

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905. A majority of these images show Martha's Vineyard and Newport, Rhode Island. Many of these images show scenes of tourist destinations. Notable destinations include Paul Revere's House, the Thoreau-Alcott House, The Breakers, Touro Synagogue Cemetery, and the Marine Hospital of Vineyard Haven. Also shown are views of beaches and people in swimwear.

The album is 18.5 x 14.5 cm with dark brown cloth covers.

The Florida vacations and silent movies photograph album contains approximately 300 photographs of people vacationing in southern Florida and production sets of Fox Film Corporation silent movies, dating from 1916 to 1920.

The Florida vacations and silent movies photograph album contains approximately 300 photographs of people vacationing in southern Florida and production sets of Fox Film Corporation silent movies, dating from 1916 to 1920. Identifiable silent movies consist of The Jungle Trial (1919), A Woman There Was (1919), and A Fallen Idol (1919). The style of the album includes photographs creatively cut to various shapes and sizes. The majority include captions and names.

Named individuals include Theda Bara, Evelyn Nesbit, William Farnum, Lizzie Sexton, Dick Stanton, and Adolf Stahl. The album likely covers several trips to Florida and shows various groups of family and friends at the beach and traveling.

Specific locations shown are Miami, Jacksonville, Daytona, Palm Beach, and St. Augustine. Images show people visiting Coconut Grove, Arch Creek, Hotel Poinciana, Musa Isle, and Fort Marion (Castillo de San Marcos). Other images of interest include photographs of African American children who were likely movie extras, captioned “More nature;" Farnum standing next to two film cameras; porpoises on display; house boats; men drinking "in a dry state;" and Seminole Indians in traditional dress.

The album is 26 x 18.5 cm with brown cloth covers.

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Füssen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Fussen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The first 50 photos housed in the album consist primarily of interior views of the apartment. Handwritten notes provide general descriptions of the view (e.g. "looking from salon through little room where the books are into the salottino"). One specific piece of furniture mentioned is a credenza; which, according to the note, came from the British Embassy. Also included are images of a garden terrace (covered in snow), rooftop cityscape views of Rome, and three individuals (man, woman, and maid). The woman, likely the creator of the album, is referred to as Mable and the maid as Livie. In addition, there is one photo of the Holywell Ford House at Magdalen College, Oxford.

The remaining 24 photos are loose and housed in an envelope. These images show scenes of traveling and sightseeing throughout Europe. Specific sites include the House of Agnes in Canterbury, Sacro Speco in Subiaco, and downtown views of Weesen and Füssen. Of particular note is a photo of a pile of empty fiaschi. The handwritten notation on the back reads "This is our pile of empty wine flasks. I don't belong to the WCTU."

The album is 20.5 x 15 cm with black cloth covers.

This custom-made volume contains newspaper clippings that follow the investigation of and trials for the murder of Lillian "Lilla" Hoyle of Webster, Massachusetts, on September 1, 1887. The unresolved case involved abortion, accusations of incest, and speculation and sensationalism in press reporting. The elaborately made volume also contains a calligraphic title page and two portrait photographs, one of Lilla Hoyle and the other of her sister Alice Hoyle.

This custom-made volume contains newspaper clippings that follow the investigation of and trials for the murder of Lillian "Lilla" Hoyle of Webster, Massachusetts, on September 1, 1887. The unresolved case involved abortion, accusations of incest, and speculation and sensationalism in press reporting. The unknown compiler carefully mounted each clipping in hand-cut windows on heavier stock paper. They created a calligraphic title page, "Detailed account of the Murder of Lilla Hoyle, Webster Mass", with "Worcester Mass 1887" at the bottom of that page. It also contains two original portrait photographs, one of Lilla Hoyle and the other of her sister Alice Hoyle. Spine title: "THE CASE OF LILLA HOYLE".

This collection pertains to William Ray Antis (1887-1943) of Detroit, Michigan, who served in the 484th Aero Squadron of the American Expeditionary Forces during World War I. The collection includes eight letters to his mother Jessie Antis Germond, two military documents, a scrapbook of postcards kept during his time in France, photographs, two printed maps, three books, and four cloth/embroidered/painted-cloth items (incl. sergeant's stripes and a handkerchief case). The materials also include items from 1961 related to Sergeant Antis' daughter Dorothy J. Antis and Gerald "Jerry" Dumas, including original artwork from a Beetle Bailey comic strip.

This collection pertains to William Ray Antis (1887-1943) of Detroit, Michigan, who served in the 484th Aero Squadron of the American Expeditionary Forces during World War I. The collection includes eight letters to his mother Jessie Antis Germond, two military documents, a scrapbook of postcards kept during his time in France, photographs, two printed maps, three books, and four cloth/embroidered/painted-cloth items (incl. sergeant's stripes and a handkerchief case). The materials also include items from 1961 related to Sergeant Antis' daughter Dorothy J. Antis and Gerald "Jerry" Dumas, including original artwork from a Beetle Bailey comic strip.

Antis wrote to his mother from San Antonio from December 1917 to January 1918; Aviation Branch, Virginia, in February 1918; and unspecified locations in France from May 1918 to December 1918. He wrote about his training in Texas, inoculation, carpentry, anticipation of leaving for the front, French farming and villages, expectation of getting a YMCA with a separate entertainment space, women's ability to wear service stripes corresponding to sons' and husbands' ranks, and more. He wrote several letters on printed "WITH THE COLORS" YMCA stationery. A final document is William R. Antis' selective service registration certificate, April 24, 1942, Detroit, Michigan.

One World War I era scrapbook contains largely souvenir picture photographs, with a number of greeting postcards, from Arcis-Sur-Aube, Vinets, Ramerupt, Lhuître, Mailly-le-Camp, Longeaux, Villers-Le-Sec, Ligny-en-Barrois, Bar-Le-Duc, Foug, Pagney-derrière-Barine, Bicqueley, Domgermain, Verdun, and Bezonvaux. The volume also includes several photographs and a French Woodrow Wilson postcard bearing a mounted silk portrait of the U.S. President.

The collection's newspaper clippings include recognition for Antis' service stripes and a published excerpt of one of his letters from France. It also includes two large, printed, detailed maps of France. A photographic portrait of William R. Antis is present.

A bundle of three items relate to Gerald "Jerry" Dumas during his visit to see his parents in Detroit in the spring of 1961. It includes a newspaper clipping and a manuscript letter from Jerry to Dorothy June Antis, accompanied by the original artwork for a 1960 Beetle Bailey comic strip.

The Appleton-Aiken papers contain letters and documents relating to the family of John Aiken and his wife Mary Appleton of Lowell and Andover, Massachusetts. The collection contains correspondence about textile mills at Lowell, collegiate education, and the development of the towns of Lowell and Andover, Massachusetts, and Brunswick, Maine. The family letters also include numberous personal references to Mary Aiken's sister, Jane Appleton, both before and after her marriage to the future 14th president of the United States, Franklin Pierce.

The Appleton-Aiken papers contain over 575 letters and documents relating to the family of John Aiken and Mary Appleton, his wife, of Lowell and Andover, Massachusetts. The collection contains correspondence documenting family life among the upper classes in Massachusetts in the early industrial age, and contains useful information on the textile mills at Lowell, collegiate education, and the development of the towns of Lowell and Andover, Massachusetts, and Brunswick, Maine.

The correspondence centers on the interests of a large and powerful family. Mary and John Aiken's children were all well-educated and wrote erudite letters. Many of the Appletons and Aikens were professionally involved in education, and several series of letters include valuable information on college life and curricula at mid-nineteenth century. Charles and William Aiken attended Dartmouth College in the 1840s and 1850s, and their letters are filled with an undergraduate's opinions on coursework, professors, and education. There are also several examples of secondary school writing assignments from John and Mary Aiken's children and grandchildren.

In a different vein, the letters of Alpheus Spring Packard written while he was professor of natural history at Bowdoin College, offer a unique perspective on the development of that institution, and particularly of its science curriculum. There are many other letters relating to Bowdoin College, since the entire Appleton family seems to have retained a strong interest in the college for years after the death of Jesse Appleton, its former president. For example, Mary Aiken's mother, Elizabeth, writes particularly interesting letters about the progress of the college after the death of her husband, in 1819. Also worthy of note are several letters written by Jennie Snow, whose husband was on faculty at the University of Kansas during the 1870s.

The Aikens were heavily involved in capitalizing textile mills throughout northern New England. A few items provide particularly interesting information on the mills at Lowell, including an October, 1836, letter in which Mary describes a walk-out and strike at the mill, and a letter from her brother, Robert Appleton (1810-1851), describing a shipment of cotton arriving at the mill in 1835 from London. Robert also inspected Governor William Badger's (1799-1852) new cotton factory at Gilmanton, New Hampshire. In 1871, Mary and John's daughter Mary describes a book, Lillie Phelps' The Silent Partner, designed to improve the condition of the mill "operatives." Two other items are of some interest for the study of mill life, one a letter from J. Whitney regarding the acts of sabotage against the mill performed by Edward Webb, an employee (1834 May 1) and the other a letter in which a woman suggests women learn sewing, a skill badly deteriorating under industrialization.

The collection includes a letterbook with 25 letters written by John Aiken to his family from Europe. He wrote these letters during one of his business trips to examine textile operations; along with general travel descriptions, he reported information about cloth production and marketing. Additionally, the collection contains a diary kept by John Aiken during this trip. In the volume, which covers the dates September 1, 1847, to December 20, 1847, Aiken briefly recorded his current location or recent travel, the weather, and any sightseeing or social activities that occupied his day. Aiken noted visits to tourist attractions, including the Tower of London and the Tuileries Garden, and also used the volume to track several financial accounts accrued throughout the period. Detailed notes at the back of the volume also reflect his keen interest in the textile industry and the mills he visited while abroad.

On a more general level, the Appleton-Aiken papers are an useful resource for studying family dynamics among the upper class. The letters are filled with discussions of family members, relations between husband and wife or parent and child, and include some interesting commentary on local religious life, revivals, church meetings, and family piety.

Two photographs have been transferred to the Clements Library's Graphics Division for storage. Photocopies of these are included in Box 6 in the folder containing Miscellaneous items.

The Aronson-Grant papers contain correspondence, financial records, photographs, and ephemera related to Calvin Aronson and his wife, Pearl Goldblatt (later Grant) Aronson.

The Aronson-Grant papers contain correspondence, financial records, photographs, and ephemera related to Calvin Aronson and his wife, Pearl Goldblatt (later Grant) Aronson.

The Correspondence series, which comprises the bulk of the collection, mostly consists of letters addressed to Pearl Goldblatt between 1921 and 1934, as well as some letters that she wrote to her husband. The letters reveal much about the couple's personal life and relationship, including Aronson's joyful reaction after hearing that Goldblatt had accepted his marriage proposal (February 14, 1924). Pearl Goldblatt Aronson tended to use her adopted surname, "Grant," in her later letters. In contrast to the couple's courtship correspondence, many letters by Grant's friends hint at marital difficulties between Aronson and Grant, including a brief threat of divorce. Some items have enclosures such as drawings and the couple's wedding certificate (February 26, 1927), and one letter is on stationery with the caption "Shh- Mr. Aronson is in deep thought" (April 6, 1926). Three letters enclose photographs (July 16, 1924; August 3, 1924; and May 14, 1929). Many of the postcards within the series have pictures of scenes in Europe.

The Business and Financial Papers series (57 items) contains receipts, bills, cancelled checks, and other items pertaining to the Aronsons' fiscal affairs, including their accounts with the Mechanics' Bank in Brooklyn, New York.

Most of the Photographs (61 items) show scenes around Como, Italy, and several are pictures of young women posing near water and in rowboats.

The Printed Items and Ephemera series contains greeting cards, newspaper clippings, invitations, calling cards, programs, and other items. The newspaper clippings concern politics, playwrights, and human interest stories. Other items include a printed map of the "Harbour of Nassau" and Act IV of Will Shakespeare, a play by Clemence Dane.

The letters in the Peter B. Mereness papers were written by Mr. Mereness to Helen A. Arthur during his Civil War service in the 5th New York Heavy Artillery Regiment.

All of the letters in the Mereness papers were written by Peter Mereness to Helen A. Arthur -- "Nelly," as he called her -- who seems to have been his sweetheart. Most follow the same format: introduction, description of weather, other information, close. In a few cases, the information section includes accounts of war-related events, and particularly of Mereness' frustration with military service, but all of the letters possess the kind of back home gossip exchanged between close friends.

Mereness spent most of the war in three forts: Carroll, C.F. Smythe, and Stone. Although he includes details of several battles and skirmishes, Mereness never mentions having been in combat himself, and in one letter he refutes charges of being a "featherbed soldier." Mereness chronicles Capt. Smith's dishonorable discharge and Smith's attempts to be reinstated. He also recounts the death of his friend, Maurice, from smallpox and the railroad's refusal to take the corpse back home for burial. Mereness obviously disliked "soldiering" from the start of his service, and was determined to stay in close touch with "Nelly." He alludes several times to wanting to marry her.

Mereness does not write in great detail about his experiences in the war, and his occasional notices of military events are usually brief. He does however repeat an account that had John S. Mosby (1833-1916) killed by a Loudun Ranger in 1865. Mereness also writes of his entry into Charleston, West Virginia, shortly after its occupation by Union forces. Battles mentioned are: Vicksburg; Port Hudson; and Centreville, Virginia.

Mereness was very active in veterans' organizations after the war, and the collection contains 13 ribbons worn by Mereness at encampments or organization meetings. There is also a tintype of Mereness taken on April 8, 1864.

The Baker-Marshall papers contain personal correspondence, financial documents, and other items related to Timothy Baker and Ichabod Marshall, two early settlers of Norwalk, Ohio, who became prominent local merchants.

The Baker-Marshall papers contain 19 personal letters, 100 financial papers and documents, 3 maps and diagrams, 8 printed items, 1 photograph, 3 additional manuscripts related to Timothy Baker and Ichabod Marshall, two early settlers of, and prominent merchants in, Norwalk, Ohio.

The Correspondence series contains personal letters written between members of the Baker family, including letters written by William Baker and Timothy Baker, Jr., to their parents during their time at college. The series also includes letters written between the siblings, providing news of their families, and a memorial poem written upon the death of Timothy Baker, Jr., in 1845. The collection also includes a 1926 letter inviting Willard H. Bennett, of Norwalk, Ohio, to purchase tickets for the University of Wisconsin's football games, along with two order forms.

The Financial papers and documents series regards Ichabod Marshall's land and business interests in Norwalk, Ohio, in the early 19th century. The series is comprised of 100 receipts, indentures, and accounts, including deeds and tax receipts for land in Trumbull and Huron counties. Several of the items are signed by Moses Kimball, an auditor in Huron County.

Three undated manuscript Writings include a draft of a petition "To the Mayor and Village Council of Fredericktown Ohio," requesting the removal of a local saloon; a 1-page religious essay; and instructions for making bricks.

The collection's single Photograph is a carte-de-visite of an unidentified man.

The three undated manuscript Maps and diagrams include a surveyor's map of Norwalk, Ohio; a floor plan for a house; and a seating arrangement for a Masonic lodge.

The Printed items series consists of 2 items related to Baldwin University; Mrs. Lewis C. Laylin's calling card; and newspaper clippings. The Baldwin University items are a program for the annual exhibition of the junior class, March 25, 1874, and a printed version of the "Alumni Song," June 7, 1876. The newspaper clippings include one regarding a lawsuit between Ichabod Marshall and several owners of the Norwalk Manufacturing Company.

The Grace D. Banker collection contains letters, photographs, and newspaper clippings written by or relating to Grace D. Banker, a telephone operator who served during World War I as part of the U.S. Army Signal Corps in Europe with the American Expeditionary Forces.

Banker sent two letters to Georgette Poulard, an American immigrant of French origin. On April 8, 1918, in French, Grace Banker informed her friend that she did not see any submarines on the voyage to France, described her appreciation for the French countryside, and gardens, and assured her that she did not carry a revolver as she was not in danger. On September 10, 1918, Banker wrote about the news of her father's death, the picturesque quality of her surroundings, and her current lodgings in a French home. Accompanying the letters are three empty envelopes addressed to Poulard, one containing a newspaper clipping about Banker's decoration and some plant material in a small envelope labelled "My Four and Five and six/leaf clovers/Georgette/Poulard."

The collection includes a silver gelatin portrait photograph of Grace Banker in uniform, mounted in a separated trifold photo mat. A contemporary newspaper clipping, "First Passaic Girl to join the Army," includes a newsprint reproduction of the portrait; it is pasted on the damaged mat.

This collection consists primarily of incoming personal and professional correspondence received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s.

This collection consists primarily of approximately 1,150 incoming personal and professional letters received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s. The papers also include 5 photographs, 4 printed portraits, and a small group of additional printed items.

The Correspondence series spans most of Barbour's career. The bulk is comprised primarily of letters John Barbour received between 1883 and 1899, reflecting the everyday lives of clergy in Connecticut and New England, as well as Barbour's work with the Episcopal Church and at Berkeley Divinity School. Many of the letters contain professional inquiries and reports of the writers' daily lives and work with local churches. Several relate to Barbour's role as the librarian of the Berkeley Divinity School, including factual questions and inquiries about specific volumes. Other letters request his services as a minister, including several from the Connecticut Hospital for the Insane in Middletown, Connecticut, and from other clergy requesting substitutes. Additionally, many of the letters concern religious education and mention prominent bishops and others in the Episcopal Church.

Two early items relate to John Barbour's father, Henry S. Barbour, and to administrative affairs of the town of Torrington, Connecticut, in 1852 and 1857. The series also includes a timetable for trains between Hartford, Connecticut, and New York City, and a manuscript complaint from attorney John R. Wittig to the Rt. Rev. Bishop Williams, issued against John Barbour, claiming that Barbour colluded with Wittig's wife in a conspiracy to "get rid" of him and seize his property (March 17, 1885).

The Photographs and portraits series holds 5 carte-de-visite photographs of members of the Barbour family, including Henry S., Sylvester, Herman H., Julia, and Joseph L. Barbour, as well as 4 printed portraits of Episcopal clergy.

The Printed items series contains biographical sketches of bishops, Episcopal clergy, and other figures, removed from published books and newspapers. Among those represented are Bishop John Williams and librarian Melvil Dewey. The series also includes approximately 20 invitations, programs, circular letters, and advertisements. One advertising card for the Fannie C. Paddock Memorial Hospital of Tacoma, Washington Territory, bears an engraved image of the facility.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service during the war. A majority of the collection are personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service in the American Expeditionary Forces. The majority of the collection is comprised of personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The album begins with 92 personal photo-postcards, many of which have a short handwritten caption on the front. The majority were taken while Barnum was stationed near the Rhine River, in Mayen, Germany. They show daily life, the ammunition dump, M.O.R.S. details, studio portraits, monuments and castles along the Rhine, and a Rhine River boat tour. One image is of the men he served with, "Billet #6," and lists the name and hometown of each man. There are a few images included from his training at Camp Hancock in Augusta, Georgia.

Seemingly unrelated to Barnum’s service, are five photos likely taken in the United States of construction on a neighborhood street. Following, are an image of captured American soldiers, one of a simulated gas attack, and 15 smaller images similar in content to the photo-postcards. Most of these smaller images have handwritten captions on the back.

This album includes a total of 78 picture postcards include a complete collection of 20 black and white views from the painting Panthéon de la Guerre. Other locations depicted include Paris, Southampton, Koblenz, and Camp Dodge and Rock Island in the United States

The last portion of the album contains ephemera from Barnum's military service, with the exception of one letter from August 6, 1905 written by Barnum to his mother while on vacation with his father and brother. Other items include the board game Trench Checkers, a Third Army Carnival program, a Mother’s Day pamphlet, an honorable discharge chevron, a USS Santa Paula billet card, and a "Souvenir Roster of the New York Masonic Club of the Army of Occupation."

The Bartlett family papers contain correspondence, documents, photographs, and a scrapbook related to Lieutenant Washington A. Bartlett of the United States Navy and to his descendants, including his granddaughter, author Lina Bartlett Ditson.

The Bartlett family papers contain correspondence, documents, photographs, and a scrapbook related to Lieutenant Washington A. Bartlett of the United States Navy and to his descendants, including author Lina Bartlett Ditson, his granddaughter.

The Correspondence series contains letters written to various members of the Bartlett family. The earliest items concern Washington A. Bartlett's naval career, including several letters between Bartlett and his wife Ruth. In a letter from May-June 1845, Washington Bartlett discussed political and military conflicts between the United States and Mexico. Much of his other correspondence is contained in a letter book, which covers the years 1835-1862.

Other items in the series are incoming personal and business letters to George L. Ditson, Bartlett's son-in-law. Some of these pertain to his appointment as United States Consul in Nuevitas, Cuba, a few of which are in Spanish. Later material includes a letter from Ronald Lodge to his mother, Oralie Ditson Lodge (Washington A. Bartlett's granddaughter) about his successful fitness examination for the United States Navy, enclosing a photograph of Lodge in uniform (April 17, 1917), and a letter on stationery from the White Star Line ocean liner Olympic (November 14, 1928).

The Documents and Financial Papers relate to several generations of the Bartlett family. Of note are a certificate about Washington A. Bartlett's qualification as a United States Navy midshipmen, signed by Martin Van Buren (November 20, 1839), and an authorized copy of Washington A. Bartlett and Ruth Budd Bloom's marriage certificate (June 17, 1861). The series also contains receipts and accounts.

The Writings series primarily contains typed copies of poems and stories composed by Lina Bartlett Ditson. Included are 8 poems, 1 group of poetry "Fragments," and 7 short stories. Two items, which may not be by Ditson, are in French, including an acrostic poem based on Ruth Budd Bartlett's name.

The collection's 8 Calling Cards and Invitations include manuscript and printed visiting cards for "Mr. and Mrs. Bartlett" and an invitation to the home of William H. and Frances Seward.

A single Illustration, dated August 1833, depicts the brig Mermaid at sea. A map of a portion of Albany, New York, shows the location of B. Lodge & Company.

The Photographs series has mounted and loose portraits, several cartes-de-visite and cabinet cards, a glass-plate positive of a young girl, and numerous snapshots. Early portraits depict Oralie Ditson Lodge and Lina Bartlett Ditson (occasionally in costume), and 130 20th-century snapshots were taken during a family vacation Eagle Lake in New York.

The Lena Bartlett Ditson Scrapbook contains newspaper articles, programs, and correspondence about Lina Bartlett Ditson, assembled by her sister Oralie after Lina's death. Most items pertain to Lina's artistic pursuits, such as vocal performances and published novels. Incoming correspondence to Lina and condolence letters to her family following her death are also present.

The Printed Items series is made up of postcards, newspaper clippings, pamphlets, and other items. Newspaper Clippings pertain to numerous topics, such as William S. Lodge's political career, interstate commerce legislation, labor news, and members of the Bartlett family.

• Defence of Washington A. Bartlett, Ex-Lieutenant, United States Navy: Read and admitted to Record, by Naval Court of Inquiry... New York: Harper & Brothers, 1857.
• International Association for the Total Suppression of Vivisection. "The Woman" and the Age: A Letter Addressed to the Right Hon. W. E. Gladstone, M.P., First Lord of the Treasury. London: E. W. Allen, 1881.
• Olcott, Henry S. The Spirit of the Zoroastrian Religion. Bombay: 1882.

Other printed material includes poems by Barrington Lodge; engravings of Washington A. Bartlett; a colored print showing a woman in a dress that Ruth Budd Bartlett wore during a royal reception; and a campaign poster for William S. Lodge's mayoral campaign in Albany, New York.

The Genealogy series contains information about Washington A. Bartlett's descendants and allied families, particularly the Lodge family.

The Vacation days on the Cedar River photograph album contains 11 photographs of a summer cottage and vacation along the Cedar River, Cedar Rapids, Iowa in 1915.

The Vacation days on the Cedar River photograph album contains 11 photographs of a summer cottage and vacation along the Cedar River in 1915. The inside front cover page includes a typed note naming Miss Christine Peper, likely the owner of the album, and William Baylis, a landscape photographer based in Cedar Rapids. William Baylis' name can be found on the back of each photograph. The images show people canoeing, fishing, sawing, and eating watermelon on the porch of a small cottage. On the inside back cover page, below a photograph of the cottage, is a typed note stating, "This summer-cottage on the Cedar river is for rent by the day, week or month. EVERY SEASON." Two photographs appear to have been torn out.

The album is 18 x 14 cm with black paper covers. The front cover includes a pasted on photograph of a sailboat. "Vacation Days on the Cedar River - Billy's Cottage, 1915, Cedar Rapids, Iowa" is handwritten on the front cover in white

The Binney family papers, compiled by Boston real estate agent Amos Binney in the late 1800s, contain correspondence, documents, newspapers, and photographs related to his ancestors John Binney, Amos Binney, and Horace Binney, Jr. John and Amos Binney served in the War of 1812, and Horace was a lawyer in Philadelphia. The collection also includes a published copy of Genealogy of the Binney Family in the United States, with manuscript annotations and enclosures.

Amos Binney, a Boston real estate agent, compiled the Binney papers (57 items) in the late 1800s. They include correspondence, documents, newspapers, and photographs related to his ancestors John Binney, Amos Binney, and Horace Binney, Jr.

The Correspondence and Documents series, originally housed in a red leather file folder, consists of several thematically distinct groups of material. The first is a series of six letters that Captain John Binney wrote to his brother Amos between 1809 and 1811, about his military service near Wiscasset, Maine. He defended his honor against recent defamations, discussed supplies for the forts under his command, and commented on the international tension immediately preceding the War of 1812. This group also includes an indenture for land Binney purchased in Plymouth County, Massachusetts (October 18, 1813).

The next group of items is a pair of legal documents concerning Horace Binney, Jr., and a transaction involving land in Philadelphia, Pennsylvania. The documents list payments made between 1844 and 1852. The third group is a set of three letters between the younger Amos Binney and the United States auditor of the treasury concerning the Binney family genealogy. Binney requested information about Amos and John, his ancestors (particularly their military service), and received responses from Samuel Blackwell (August 18, 1894) and F. M. Ramsay (September 5, 1894). The series also holds an undated letter written by John A. Binney and a map showing property bordered by North, East, Bridge, and Short Streets in an unknown town.

• Nonconsecutive issues of the Boston Castigator, bound together (August 7, 1822-October 2, 1822)
• The Independent Bostonian (October 5, 1822)
• American Statesman and Evening Advertiser, with several additional clippings pertaining to Amos Binney's service as navy agent in Boston (November 18, 1822)
• Bostonian & Mechanics' Journal (November 23, 1822)
• Boston Patriot & Daily Mercantile Advertiser (November 25, 1824)

The third series is a printed, annotated copy of Genealogy of the Binney Family in the United States , which includes enclosures compiled by the younger Amos Binney in the 1890s. Several entries, such as those on Amos and John Binney, have margin notes. The annotations and loose items provide additional information on the family's history, and include family trees, letters between the younger Amos Binney and his uncle, and photographs of Binney family residences and graves.

John A. Bodamer's journal documents his service in the 24th New York Cavalry during the Civil War. He fought in the Spotsylvania Campaign and the Battles of North Anna River, Cold Harbor, and Petersburg, and was a prisoner at the Confederate camps, Belle Isle and Danville.

John Bodamer's diary begins on the day he mustered in for his second enlistment. His entries are uneventful and very brief until the beginning of May, but from that point for a solid month, beginning with the "Battle of Pine Plain" (near the Wilderness) on May 6th, Bodamer records an almost continuous sequence of hard marches, little sleep, poor food, skirmishes, and battles, as the 24th Cavalry fought successively through the Spotsylvania Campaign and the Battles of North Anna River, Cold Harbor, and Petersburg.

The heart of the diary is the passages recording his experiences as a prisoner at the notorious Belle Isle and Danville camps. Although the entries are brief, they are powerful testimony to the harsh conditions and inhumane treatment of prisoners. After December, Bodamer's diary entries become more scattered and shorter, perhaps as a result of his deteriorated condition.

The collection includes a tintype and two letters, one from his commander informing Bodamer's family of his capture and the other, his honorable discharge from the Army as 1st Lieutenant in the 10th Cavalry, November, 1870.

The Ingle family papers center around Olive Ingle, the daughter of a Free Methodist minister. The collection includes her diary and family record album, family correspondence, and photographs.

The papers include the diary of 16 year old Olive, which runs from 13 January to 14 March 1880. The collection also includes one letter from a boyfriend to Olive written in 1884, two letters written by members of the Ingle family in 1849, five other family letters, a funeral notice, notes for a funeral service, a family record album, and photographs of Olive, her father, her friends, and her husband, James Bortel.

In her diary Olive wrote about the things that were important to a young girl living in a rural area in the 1880s: home life, school, family, friends, and above all, boys. A young man who received much consideration in the early pages of her diary was a fellow named Frank. On Friday, January 16 Olive wrote, "Oh, I wish he would write for I want to hear from his so bad." On January 20 she did receive a letter from him and wrote, "I was fearful glad to hear from my darling once more."

One of Olive's recurring problems was how to handle competing suitors. On January 21, she considered one boy, Will Doll, who seemed to like her. "He thinks I like him but I do not it will never do him any good to think any thing of me." On January 25 she discussed two other boys, "Johnie Hartsell and Mr. Golden wanted to go home with me but I would not let them. Oh how I wish that they had not asked me for I did hate to say no but I would not let either go with me as long as I am corresponding with Frank he is all the one I care a bout at one time." It seems that Johnie Hartsell was persistent; Olive noted three occasions when he did serve as her escort. Soon, his name appears with frequency and there is no further mention of Frank. The relationship between Mr. Hartsell and Olive can be characterized as slightly competitive as well as affectionate. She wrote on February 6 of a social event that she and John Hartsell both attended, "he thought he was going to act so smart that evening but I did not care. I can act just as smart as he can." By February 13, Olive and her friend Esther were scheduling rendezvous with John H. and his friend Dan G.

Olive wrote about her young girl friends, Amy, Daisy, Nancy, Emma, and in particular, Esther. Olive and her girl friends spent their days in school or at home ironing, baking, cooking, and cleaning. Their social lives revolved around choir meetings, social functions, Church, Sunday school, and house calls. Their greatest thrills were being a little bit bad and flirting with boys. On February 18, Olive's school teacher had to separate her from Esther for talking too much during class. On February 28, Olive and Esther had an adventure together:

Esther and I went out calling went to Simptons and then to Uptergrass and while us was thair, thair was to tony fellows cam a long on the side walk they was a going to Fremont one he through a kiss at me and I through one back and then Esther and I both got to flirting with them (Oh we had a boss time).

In the same entry, Olive divulged, "Had my fortune told to night. She told me I would have an offer of marrage from a tall heavy set person light completion blue eyes dark brown hair She does not know everything."

In addition to news about boys and friends, Olive's diary also discussed her parents, especially when they were absent. Her parents were often away, presumably because of Thornton Ingle's work on the circuit. Olive did not write about her father's work. Instead, she discussed its impact on her, particularly her sadness about being left alone and in charge of the house keeping.

The Ingle collection also includes several letters. The first, written July 25 1849, is from Ann E Cowdrick, Olive's relative on her mother's side. Ann wrote home from Turkey, [New York] to her friend Sarah A. Clapp of Henry Co. Ohio. Ann apologized to Sarah for behaving badly before leaving Henry, regretting that they parted on such bad terms. "I am a great way from you I may take sick and die or perhaps a watery grave may be my doom on my return you know there is danger on the lake and on the land also. But I hope Sarah to return safe home to meet you in friendship for I am sure there is nothing else between us."

A later letter is directed to Olive Ingle from a suitor, known only as A.F.W. He wrote to Olive on September 22, 1884, relieved that she had written, as he thought she no longer wanted to correspond with him. A farmer, he seemed to want to convey a sense of his financial success, and discussed why his career was more promising than others. He responded to Olive's mention of attending a holiness meeting, which suggests that Olive was following the family tradition of religious involvement.

The last part of the Ingle family papers is Olive's family record album, in which she recorded the detailed history of her family. She recorded birth, marriage, and death dates for several generations. By the time that she recorded her family's history, she had married James Bortel and had two children; Doris, born in 1892, and Genevieve, born in 1894.

Olive's family record begins with an account of the life and death of her maternal grandparents, Joseph and Margrat Cowdrick, and her paternal grandparents, Isaac and Susan Ingle. Of her grandmother Cowdrick's death she wrote, "I remember when I stood beside her coffin, the peaceful smile that rested on her dear old face and the hands folded on her breast that had so often waited on me."

Religion is a recurring theme in Olive's album. Of her parents she wrote, "I have all way[s] had good Christian parents who tryed to raise us in the way of christians and the fear of the Lord. How thankful we aught all to be for good Christian parents, for how may children have drunken fathers and mother, who never speaks a pleasant word." Olive also described the conversion experiences of her father and mother, "My mother was converted when but a girl she was a good Baptist. She was baptized when thair was ice in the river. they cut a hole in the ice a baptize them."

The Frederick Gilbert Bourne collection is made up of correspondence, photographs, printed items, and ephemera related to Bourne, president of the Singer Manufacturing Company and commodore of the New York Yacht Club, and to his son-in-law, Ralph Strassburger, who served as consul general to Romania, Bulgaria, and Serbia in 1913.

The Frederick Gilbert Bourne collection is made up of 73 letters, 11 telegrams, 9 photographs, 1 photograph album, 17 invitations and pieces of ephemera, and 22 printed items related to Bourne and to his son-in-law, Ralph Strassburger.

The Correspondence series (84 items) comprises the bulk of the collection, and is arranged by author and recipient. Bourne composed 45 letters to his daughter May and her husband, Ralph Beaver Strassburger, offering financial advice and sharing news of his social and leisure activities near his Long Island home and during his vacations on Jekyll Island, Georgia. These vacations often included hunting trips and yachting excursions. Several letters composed in 1912 and 1913 reflect Strassburger's time as a diplomat in Eastern Europe, with content respecting his father-in-law's efforts to secure him a reassignment following a local cholera outbreak. Bourne commented on the 1912 presidential election and controversial office appointments made by the outgoing Taft administration.

Incoming correspondence to Frederick Gilbert Bourne documents the social lives of his wealthy friends and family members in the early 20th century. Additional correspondence includes personal letters addressed to Ralph and May Strassburger and to Mrs. Emma Bourne from various acquaintances. The telegrams (11) contain messages between members of the Bourne family, most related to travel arrangements.

The Photographs series includes 9 individual photographs and one photograph album. Nine silver gelatin prints and real photo postcards depict Frederick Gilbert Bourne; "The Towers" on Dark Island, New York; and Indian Neck Hall, Bourne's estate in Oakdale, Long Island, New York (including 1 panoramic photo). The photo album, ca. 1904-1914, contains over 100 images of yachts and automobiles, as well as scenes from Jekyll Island, Georgia, and the leisure activities of wealthy Americans (including sailing races).

The Printed Items and Ephemera series includes 6 visiting/calling cards, a menu, 10 invitations, 7 picture postcards, 13 newspaper and magazine clippings, a magazine, and a book. The calling cards and invitations pertain to the activities of Frederick and Emma Bourne; the postcards depict the Bourne's estates and other buildings; and the clippings, magazine, and book concern Frederick Bourne (including yachting articles from The Rider and Driver and The Illustrated Sporting News). One of the calling cards is personally addressed to Bourne by J. Pierpont Morgan. The book is Henry H. Klein's Dynastic America and Those Who Own It (1921). The series also contains a reproduction of a document commending Bourne's lengthy service with the Singer Manufacturing Company (March 7, 1906) and a composite image of Frederick Bourne working in various occupations.

The Media series is comprised of 6 compact discs containing digital images of the Frederick G. Bourne family, the Jekyll Island Club, and Airy Hall Plantation, the South Carolina plantation owned by Robert George Elbert, another of Bourne's sons-in-law. The series also includes a VHS tape with filmed views of Bourne's estates and of Ralph Strassburger's home, transferred from a 28 millimeter reel from 1918.

This collection is made up of correspondence and legal documents pertaining to Martha Bradstreet of northern New York State. Much of the material pertains to Bradstreet's efforts to recover titles to her inherited land along the Mohawk River. The collection also contains materials related to Samuel Bradstreet and a group of Civil War letters from Silas E. Crandall to Phoebe Bradstreet.

This collection is made up of correspondence and legal documents pertaining to Martha Bradstreet of northern New York State. Much of the material pertains to Bradstreet's efforts to recover titles to her inherited land along the Mohawk River. The collection also contains materials related to Samuel Bradstreet and a group of Civil War letters from Silas E. Crandall to Phoebe Bradstreet.

The Martha Bradstreet Papers are divided into subseries of Martha Bradstreet Correspondence (126 items) and Martha Bradstreet Documents (25 items). The correspondence, including letters by and to Martha Bradstreet, largely pertains to her legal and financial affairs. Many items concern disputes over the land she inherited in upstate New York. Bradstreet's personal correspondence includes letters that she received from her children while traveling and letters to her children and others about their personal activities, such as her daughter Sarah's return to an abusive husband (November 26, 1840). Bradstreet's children wrote to one another about their personal lives, their mother's legal difficulties, and finances. The series' legal documents concern Bradstreet's New York property disputes, the will of Elizabeth Livius, and a civil suit between Elizabeth C. Bennett and Washington Garlock. A map of Mary Bradstreet's land along the Mohawk River is housed in the Map Division.

The Samuel Bradstreet Correspondence (138 items), dated 1800-1866, reflects the contentious relationship between Martha Bradstreet, her brother Samuel, and her husband, Matthew Codd, particularly with regard to real property and inheritance. The series includes several items written by Samuel's sons and grandsons.

The S. E. Crandall and Phoebe Bradstreet Correspondence (12 items) largely consists of letters that S. E. Crandall sent to Phoebe Bradstreet, whom he addressed as "Mother," while serving in the 17th Army Corps during the Civil War. He discussed his experiences in and around Atlanta, Georgia. He also sent letters before and after his military service about his life in Minnesota and about possible conflicts with the Sioux Indians (June 6, 1863).

The Photograph is a large portrait of a woman, mounted in a card frame.

This collection is primarily made up of the incoming and outgoing correspondence of Emily F. and Evangeline Brady. From 1943-1945, Emily F. Brady received letters from members of the United States military and from acquaintances in Cuba and South America, and from 1949-1950 she wrote letters to her siblings about her life in Chile and Brazil.

This collection is comprised of 121 items, mostly the incoming and outgoing correspondence of Emily F. and Evangeline Brady. From 1943-1945, they received letters from soldiers in the United States military and from acquaintances in Cuba and South America, and from 1949-1950, Emily wrote letters to her siblings about her life in Chile and Brazil. The only item that is not a letter is a photograph of four teenagers at a swimming pool.

The first group of letters consists primarily of incoming letters to Emily and Evangeline Brady. The first few items pertain to Emily Brady's unsuccessful efforts to secure teaching positions in Cuba, Chile, and at the Universidad Femenina de México. The Brady sisters later received letters from servicemen in the United States servicemen during World War II, including their brother George of the USS Birmingham; John Landry of the Army Air Forces' 110th Bombing Squadron; J. G. Francis Wilber ("Walt") of the Birmingham and Camp Elliot, California; and Michael Kimla of the 336th Army Medical Dispensary. Emily also received letters from Berta Montero in Havana, Cuba; Lopez Arias of Buenos Aires, Argentina; and C. E. Gonzalez ("Enrique") of Popayán, Colombia. The soldiers commented on many aspects of their service, such as Kimla's time in Puerto Rico, Landry's visits to London and other English cities, and Wilber's duties at a personnel center at Camp Elliot. Wilber also shared news of a visit to Mexico. One of Montero's letters encloses a Spanish-language printed program for a harp recital.

Emily Brady wrote to Evangeline, George, and others between December 23, 1949, and September 19, 1950, while she lived in Chile and Brazil. She described everyday life in Santiago, Chile, and Rio de Janeiro, Brazil, and mentioned her travels to other towns, such as Huiscapi, Chile, and Porto Alegre, Brazil. In the summer of 1950, she often commented on recent World Cup matches. Her letter of May 17, 1950, has a very rough sketch of the layout of Rio de Janeiro.

The Brasee-Scofield family papers are made up of correspondence, documents, and ephemera related to Elnathan Scofield, John Trafford Brasee, and John Scofield Brasee, who lived in Lancaster, Ohio, in the early 1800s. The collection concerns their business affairs, Lancaster's early history, the Lancaster Lateral Canal, and the Lancaster Canal Mill Company.

The Brasee-Scofield family papers are made up of correspondence, legal and financial documents, and ephemera related to Elnathan Scofield, John Trafford Brasee, and John Scofield Brasee, who lived in Lancaster, Ohio, in the early 1800s. The collection concerns their business affairs, Lancaster's early history, the Lancaster Lateral Canal, and the Lancaster Canal Mill Company.

Personal and business letters, indentures, military documents, and other items concern many aspects of the men's business careers and personal lives, including Scofield's surveying work in central Ohio, John T. Brasee's studies at Ohio University, John T. Brasee's courtship with Mary Jane Scofield, and John Scofield Brasee's Civil War service. Local legal cases are also represented. Of particular interest are letters by William Tecumseh Sherman (December 3, 1883) and Edwin L. Stanton (August 7, 1863, and December 4, 1864) to Morton Brasee. Among other topics, Stanton discussed West Point admissions and the 1864 presidential election.

The collection holds legal documents and ephemera pertaining to the early history of central Ohio, particularly the area around Lancaster. Materials relating to the Lancaster Lateral Canal (1825-1838), the Lancaster Canal Mill Company (1840-1846), and railroad companies are also included.

The collection also contains ephemera and other items, such as family photographs, funeral notices, printed programs, newspaper clippings, a political cartoon, and lists of toasts used on different occasions.

The Julius Bromet papers are made up of letters, postcards, and a diary that Bromet wrote while serving with the 305th Field Hospital (later the 305th Ambulance Company) during World War I. In his letters to his parents and brother, Bromet described his experiences at Camp Upton, New York, and in France; his diary pertains to his time in France during and after the war. The collection has four photographs.

The Julius Bromet papers are contains 145 letters and postcards and a diary that Bromet wrote while serving with the 305th Field Hospital (later the 305th Ambulance Company) at Camp Upton, New York, and in France during and after World War I. The collection also has 4 photographs: 2 photographs attached to the letter of December 7, 1917, and 2 in a separate series.

The Correspondence series consists of 145 letters and from Julius Bromet to his parents, Solomon and Annie Bromet; his brother, Louis Bromet; and "Minnie and Baby;" all letters were sent to his father's home in Brooklyn, New York. From March 7, 1917, to March 14, 1917, and again from December 9, 1917, to April 2, 1918, he wrote from Camp Upton on Long Island, New York, about his training and equipment. He also related rumors of his unit's upcoming transfer to Europe. After a brief period with the 152nd Depot Brigade in December 1917, Bromet returned to the 305th Field Hospital, which traveled to France via England in April 1918. In one 10-page letter from April 1918, he described his transatlantic voyage.

After his arrival in France around April 21, 1918, Bromet wrote about aspects of life near the front, including his account of witnessing a German and French "aeroplane fight" (July 26, 1918), and reported rumors that an armistice was imminent. After the war, he was stationed near Chaumont and Solesmes, France, where he described the scenery and conveyed the pleasures of sleep unhindered by the sounds of airplane raids and machine guns (November 12, 1918), though he admitted having an eerie feeling about the silence (November 14, 1918). He left France in May 1919. Two photographs of a soldier are enclosed in his letter of December 5, 1918. Illustrated postcards of various French scenes; new recruits at Camp Upton, New York (4 items, December 4, 1917); and several uniformed soldiers (3 items, undated). Bromet's co-workers sent him a postcard wishing him a safe return from the war (December 7, 1917).

Julius S. Bromet kept a Diary (53 pages) between April 6, 1918, and May 7, 1919, during his service in France. In daily entries, he noted the weather and interesting occurrences, such as a burial at sea during the voyage to France (April 18, 1918) and a close encounter with falling shrapnel (May 9, 1918). He also witnessed occasional air raids and unfavorably compared U.S. Army quarters to British quarters. He wrote his final entry just after arriving in Hoboken, New Jersey, on May 7, 1919, and expected to be mustered out within the next two days; he wrote down "Thurs May 8" but did not complete the entry. The diary also contains addresses and a list of letters that Bromet mailed home.

The Photographs series includes a portrait of a soldier, which is housed in a frame with the word "Welcome," illustrations of American flags, and the date (May 10, 1919), and a picture of a man and three women in a domestic environment. Two additional photographs are attached to the letter of December 5, 1918.