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Photographer from Comins, Michigan. Consists of postcard views of Comins, Michigan, as well as photos of farming, lumbering, and related activities.

The collection consists of postcard views of Comins, Michigan, as well as photos of farming, lumbering, and related activities.

Papers and photographs collected by Robert D. Aldrich relating to the history, people and institutions of Concord village in Jackson County, Michigan; include correspondence, diaries, account books and other papers of Concord residents; records of Concord social organizations, businesses, schools, and church and governmental bodies.

The Robert D. Aldrich collection consists of materials--manuscript, printed, and photographic--documenting the history of Concord, Michigan, in western Jackson County. The collection spans the period from the arrival of the first settlers in 1831 to the 1980s. There are a few items dating back into the eighteenth century (as early as 1783) since the papers of some pioneer families predate their arrival in Concord. The bulk of the collection, though, falls in the period since the Civil War.

The collection documents every facet of life in Concord. Included are the papers of numerous Concord citizens consisting of personal correspondence, diaries, account books and newspaper clippings about them. In addition, Aldrich collected the records of various Concord businesses and organizations, as well as some church, school, and governmental records.

The collection has been divided into two series: Manuscript and Printed Materials, and Visual Materials. Both series are arranged alphabetically either by personal name or name of organization, or by general subject area, such as Circus, Underground Railroad, etc.

Wyandotte, Michigan, businesswoman, chairwoman of the President's Task Force on Women's Rights and Responsibilities during the Nixon Administration, later deputy assistant secretary of state for public affairs. Papers and photographs relating to her interest in women's rights, the equal rights amendment, Republican Party politics, the activities of International Women's Year, 1975, and the National Federation of Business and Professional Women's Clubs.

The Virginia R. Allan Papers have been grouped both according to types of documents covering her entire career (biographical, correspondence, writings and speeches, etc.). These are followed by three series of files pertaining to Allan's activities and organizational affiliations within specific time periods in her career. These chronological divisions (with some overlapping of dates) are 1950s-1972, 1971-1977, and 1977-1985. Although each of these chronological series documents Allan's life-long interest in women's issues, there are obvious highlights to each. The first chronological series - 1950s-1972, is especially solid with material relating to Allan's association with the Michigan and the National Federation of Business and Professional Women, and her service on the President's Task Force on Women's Rights and Responsibilities. The second of these series - 1971-1977 - obviously documents Allan's work at the State Department, her role with the International Women's Year and her participation in the Mexico City Conference in 1975. And the third chronological series - 1977-1985 - contain files pertaining to her participation in the second and third United Nations International Women's Conferences and to her faculty responsibilities at George Washington University.

The collection concludes with a small series -- Groups and Activities -- which contains both material dated after 1985 as well as earlier materials, a series of Personal materials, and a series of Audio-Visual materials that includes photographs, a videotape, and sound recordings.

Formerly the Anti-Saloon League of America. Correspondence, reports, minutes, legal files, speeches by temperance leaders, bills relating to the prohibition question; papers (1934-1956) concerning National Temperance and Prohibition Council; pamphlets relating to temperance; and photographs.

The records are primarily of the Office of General Counsel and Legislative Superintendent of the Anti-Saloon League of America (1883-1933). Additionally, there are later materials (1934-1969) of the organization following the repeal of the prohibition amendment. The record group consists of seven feet of correspondence, reports, speeches and legal files.

Minutes of meetings, 1921-1992; Administrative files include annual reports, membership materials, committee records, correspondence, and subject files relating to fundraising events and charitable activities; and scrapbooks, 1932-1983, containing clippings about activities with a scattering of photographs and letters.

The records of the American Legion Auxiliary, Erwin Prieskorn Post #46, Ann Arbor, Michigan, date from 1921 to 1992. The record group is divided into three series: Minutes, Administrative, and Scrapbooks.

Philanthropic organization established to aid the needy through the resale of merchandise. Minutes of board and general meetings, financial records, constitution and by-laws, history, and photographs.

The Thrift Shop Association of Ann Arbor record group has been arranged into six series: Historical/Background Materials, Minutes of Board and General Meeting Minutes, Committee Records, Topical Files, Photographs, and Chronological Files.

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.

The Meadville (Pa.) and Scandia (Kan.) photograph album contains cabinet cards, cartes-de-visite, and other photographs of men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century. Pictures of the National Monument to the Forefathers and a grave marker are included, as is a remembrance card for Nancy Anderson.

The Meadville (Pa.) and Scandia (Kan.) photograph album (27cm x 22cm) contains 38 items, including 26 cabinet cards, 8 cartes-de-visite, 1 tintype, and 3 additional photographic prints. The volume's purple-padded covers are bound in cloth, and it has a large metal clasp. A metallic plate shaped as the word "Album" was once affixed to the front cover and is now laid into the volume.

Most of the photographs are studio portraits of individual men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century; the children pictured are infants and toddlers. Occasionally, the subjects are shown with a drum, a book, a dog, and one man posed on the sill of an artificial window. Two items laid into the volume are outdoor portraits of adults standing in front of a house, with a windmill visible to the side. A piece of tissue paper affixed to one of the cabinet cards has printed line drawings of a girl's face and flowers. The remaining items are a photograph of the National Monument to the Forefathers in Plymouth, Massachusetts; a photograph of a headstone for members of the Smock family; and a black card dedicated to the remembrance of Nancy Anderson (1818-1889), with a brief poem and other details printed in gold.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide social commentary especially on race, ethnicity, gender, and class.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide especially social commentary on race, ethnicity, gender, and class.

At least seven of the illustrations relate to women, including drawings referring to women's rights and various women's roles as mothers, performers, physicians, and cooks. One, labelled "What is home without a mother," may be a reference to a song by the same name published in 1854, and it features a woman with a monstrous face. Another titled "HANNAH LONG" depicts a woman peddling "Quaker Bitters" (probably the Providence, Rhode Island, patent medicine by that name) and may be referring to Hannah Longshore (1819-1901), who graduated from the first class of the Women's Medical College of Pennsylvania in 1851.

Many of the caricatures focus on impoverished or working class people, showing individuals in tattered clothing or in lower-paying professions such as a farmer, a shoeshine, and a seeming gravedigger. A number of illustrations depict men in various stages of intoxication or alcoholism. Forms of social disorder are highlighted in caricatures of a convict and of a knife-wielding murderer labelled "THE MAN THAT KILLED JOHN GILPIN." Commentary on physical and mental disability are also represented, in drawings of a mentally ill man labelled "Luny" and a man with unaligned eyes and feet labelled "On exhibition."

Other caricatures reflect racial, ethnic, and religious stereotypes. Two racist caricatures depict African Americans, including one of a Black Congressman and one of an Uncle Remus character. Another caricature depicts a recent immigrant, while two are anti-Semitic (those labeled "The Torturer" and "NAME IT"). Two figures depict high religious figures, from Catholic or Orthodox Christian churches; one wears a robe, a fur-brimmed mitre, and snowshoes. The word "KAMSCHASA" is written near the bottom of the robe, likely referring to the Kamchatka peninsula in Russia.

Other caricatures highlight people based on their height, weight, profession (such as a king, a knight, an editor, a lecturer), or social posturing. For example, attitudes like dignity, contentment, nosiness, and bashfulness are spotlighted. Others appear more innocuous, such as illustrations of someone reading the morning newspaper and another of someone taking "Rush's Pills," but underlying subtexts for many of the images likely have additional meaning.

This album contains gem tintype photographs of men and women of various ages, including young adults and children. One tintype shows a dog sitting on a chair.

This album (8.5cm x 8.5cm) contains 69 tinted gem tintype photographs of men and women of various ages, plus an image of a dog sitting on a chair. Each tintype is placed four to a page, in oval windows about 2.2cm high and 1.7cm across. A few of the people pictured wore accessories such as scarves and hats, and the men, who outnumber the women, appear with facial hair in numerous styles. The album's red leather cover has a raised geometric design on the front and back and previously included a metal clasp.

This scrapbook includes clipped articles and images, original drawings, and written entries within the pages of a 1850s blankbook of receipts. Contextual clues indicate that individual(s) added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine. Original drawings primarily center on themes of violent encounters between scouts and Native Americans, romantic entanglements, and conflict. Sometimes illustrated newspaper and magazine clippings are pasted throughout the volume, many relating to themes of marriage, love, women, family, and memory. Several pages were used to copy a portion of an undated letter, an essay, and a manuscript poem.

The individual(s) who created this scrapbook pasted items, drew scenes, and wrote entries within the pages of a 1850s blankbook of receipts, seemingly created for use by a Boston shipping or exportation company. Contextual clues indicate that persons added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine.

Penmanship exercises and short notes are written on many of the pages, either where no additional content has been added or where clippings have been pasted on top. The names James Randall Reeves and Orren Cunningham appear on some of these pages, as well as place names of Bennington and Windsor, Maine, possibly indicating one of the early owners of the volume. The handwriting appears to match the text that accompanies the original illustrations.

Original drawings made using pencil, colored pencil, and ink can be found throughout the volume, sometimes with dates added, ranging from 1863 to 1869. Remnants of clippings that had previously been affixed to the page indicate that an owner of the volume must have pasted items into the scrapbook at a later date than the drawings were originally produced. Many of the images depict scenes of conflict or relate to two fictional characters, Hezekiah and Ezekiel. The two men appear to be scouts, and the images depict their encounters with villains, Native Americans, and a love interest, Flora. Violence, unrequited love, and emotional disappointment are central themes, and the concept of a "gas of hope" that spontaneously streams from Ezekial's head appears several times when the character experiences excitement or distress.

• Page 1: "Back Villains for your lives, says Peter, or you shall all die at the break of day by Cats." At the base of the page: "Indifference.". The illustration shows a man carrying a revolver in one hand while a woman holds his other arm. She extends an arm out behind her towards two men following them, one with a darker complexion and a machete raised over his head and the other pointing a musket at them.
• Page 3: "As the Villains again leaped against the door, an arm was thrust through the broken hand, and a voice cried out." The illustration is a nighttime scene with three men with a battering ram striking at a closed door of a house, where a man points a pistol out of an opening at them.
• Page 6: "Rescued from fire..." (the text is partially obscured by remnants of a newspaper clipping). The drawing depicts a firefighter descending a ladder from second story that is ablaze, holding a woman in his arm.
• Page 8: "...burly scout. A Sioux Chief captured" (the text is largely obscured by affixed clippings). The drawing shows a mustachioed man in military garb, a fur hat, and a cape who is holding a knife covered in blood. He is grabbing the arm of a Native American man who has dropped his knife and who is bleeding from a wound in his arm. Two ink drawings of insects (a beetle and a dragonfly) are pasted on the page.
• Page 10: "Perrilous adventure of Hezekiah the Scout, under cover of the darkness at the haunted schoolhouse." The image is a nighttime scene of a small building with a man climbing through a window. Another man runs behind him saying, "stop villain stop."
• Page 12: "The fate of Hezekiahs beaver is inevitable" and "Wonderful adventure of the Scout, Hezekiah cries out with a loud voice Ezekiel come here, help me bind these knaves." The drawing is of a bare-chested man in a green hat, holding two Native American men by the throat, one in each hand. A pencil marking indicates the year 1865.
• Page 16: "...The robber of the Rhine" (at least one additional word is partially obscured). The drawing depicts a balding man smoking a long pipe, wearing a musket on his back, and holding a bloody sword in front of him. A pencil marking indicates the year 1866.
• Page 18: "Death of Heavy [?]" and "Desperate adventure of Hezekiah, Slatt down in Kintuck..." The image is of a shirtless man (with a green hat) facing off with a Native American man, the former wielding his musket overhead and the latter his tomahawk each to strike the other. They stand over three dead or dying Native American men.
• Page 21: "Ezekial, & he knows who, on sunday eve, at the schoolhouse coming from meeting, by cats." The drawing depicts a man kneeling beside a seated woman who is holding a handkerchief or piece of cloth. One of his hands is on her shoulder, the other holds one of her hands. Another man lies face down in the corner.
• Page 24: "Weep stricken one your sorrows will have an end." Text at the bottom of the page is largely obscured by clippings, but "Ezekiel" and "Flora" are both visible. The drawing shows an upset man with mussed hair and arms akimbo, holding a handkerchief. One of the clippings over the man's head is "FIRST LOVE." A pencil marking indicates the year 1866.
• Page 26: "A streak of hope for Ezekial." The drawing shows a smiling man wearing a yellow hat that is releasing a stream of green gas, labelled "gas of hope."
• Page 27: "weep on str[i]cken one thy sorrows shall never end." The image depicts two men standing before a small grave with headstone reading "Dead Hope." Ezekiel, wearing a yellow hat from which "gas" spews, points down to the grave, saying, "What Have You Buried There Hezekiah." Hezekiah, barefoot, wearing a green hat and ragged pants, and holding a shovel, replies, "A. Dead Hope. I. Thought. She. Loved Me. But. She Did. Not Oh. Dear. What. Shall. I. Do Boo Hoo Boo Hoo." The illustration is marked in ink: "Drawn by Ezekiel himself in 1867."
• Page 30: "N.E. View of the royal oak of Shag Town, May 2d 1867." The drawing is a landscape featuring a large barren tree with a wooden plank/case/contraption and musket leaning against it. A sun smiles in the sky.
• Page 32: "View of Mud Pond, & Poccihog Hill, Sketched on the eastern rock, At half past three O'Clock." A landscape drawing shows a lake and a heavily wooded hillside. A smiling sun is in the sky and a person rows a boat on the lake.
• Page 36: Portrait of a bearded man in military uniform, with blue and gold epaulettes.
• Page 38: "A sorrowful meeting of the two scouts, Dialogue. Ezekial - 'Oh the letter, the letter, she loves me not.' Hezekiah - "Weep not Bro Scout, I pronounce it a forgery, by cats." The image is of two men wearing hats, muskets, and powder horns. One holds a slain animal in his hand, and the other cries while holding a letter and gas spews from his hat.
• Page 40: "Tallow plenty, or courting by candle-light, Stebbins telling Flora about his farm, out west." The drawing is an interior scene of a room with wallpaper, curtains, chairs, and a table. A man and woman embrace while holding candles, and additional candles are located on the table, chair, and floor.
• Page 44: Text at the top of the page is partially obscured but reads in part, "Bachelor . . . the famous scout," while additional text at the bottom reads "The inocent subject of my contempt by day, and my dreams by night." The drawing is a portrait of a man in a rumpled green hat, shirt, and suspenders, likely representing Hezekiah. A printed, pasted-on caption reads "THE GHOST OF OAK GROVE."
• Page 46: The letters "P.L.L." appear at the top of the page, and the note "Signed in the first degree, P.L.L." appears beside a highly stereotyped pencil portrait of an African American man.
• Page 48: Portrait of a bearded man.
• Page 50: Portrait of a man with moustache and goatee, with the text, "Art. Miller, California" written beside him.
• Page 52: "Poor old maniac, but once powerful scout, now dwindled away with sorrow for the lost Flora." The image shows Ezekial holding a wooden cane and a large "grief bag" on his back that has a vent spewing gas. On the bag is a printed, pasted-on caption reading "THE HAND OF FATE". He is wearing ragged pants and his hat spews green gas. Hezekiah wears his green hat and proffers something to Ezekial, saying, "Poor old fellow you must be hungry. Can I do anything for you, you seem to be weary of life. I guess I take you to a place of safety at once." Ezekial: "Answers with great vigor. I'm not hungry it is grief that gnaws like hunger at my very vitals. No never. You are the man that ruined me, if I was a smart man as I [...] I would kill you."
• Page 54: "Ezekial goes home with -- gets near home when the old scout jumps through the gateway inclosed in a sheet, See the consequences, of his rush act." The image shows a man draped in a white sheet standing in the doorway of a round stone structure. A well-dressed man and woman run apart from each other, leaving their hats on the ground. On the opposite page, several notes are written: "The identical hat worn by Hezekiah at the siege of Tattletown"; "The hat worn by Hezekiah at the destruction of Troy"; and "The sad effects of first love."
• Page 56: A man wearing a feathered hat and cape brandishes a sword while standing with one foot on the back of a slain man who has dropped his sword. He continues to fight with a man in a robe with a cross on it. A woman sits on the ground with a hand to her head. A printed, pasted-on caption reads "WHO''S TO WIN." A pencil marking indicates the year 1869.
• Page 58: "The burly scout, the stabbed scout, & Frankrifle, outscouted, by the bank scout at the old barn . . . gets valuable information concerning the conspiracy, by cats." The image shows four men in a hayloft, one, likely Ezekial, wears a yellow hat that is expelling gas. A printed, pasted-on caption reads "HUNTED DOWN."
• Page 60: "In dishabille," and at the bottom of the page: "Stebbins - 'Get out of my bed, Oh get out of my bed!" The drawing is of a woman wearing a shift and draped with a blanket reclining in a bed. A man in a nightshirt is seated on floor gesticulating at her.
• Page 62: "Who's Been here?" The drawing shows a woman looking out the window, while a man in a nightshirt, carrying the rest of his clothes, flees from the open door. A nicely dressed man with cane approaches him. A printed, pasted-on caption reads "TAUGHT BY EXPERIENCE."
• Page 64: "My idea of domestic bliss. or High life in the Lowlands." Text at the bottom of the page reads, "Stebbins about played out. 20 years hence." The drawing shows a man holding a hatchet in one hand, while wearing ragged clothing and a green hat spewing gas. A woman hits him over the head with a broom, while many small children are strewn about the floor and pull on the adults. A pencil marking indicates the year 1864.
• Page 66: A flying lizard/dragon with a shouting sun.
• Page 90: A checkerboard.

Newspaper and magazine clippings are pasted throughout the volume. While content varies, many relate to themes of marriage, love, women, family, and memory. Poetry is heavily represented. A fair number of the clippings include jokes, humor, and wordplay. Several are directions for household maintenance or preventing pests, and a number of others relate to scientific topics.

In addition to articles and written text, the compiler also pasted in clipped illustrations from newspapers and magazines. Several feature Union Army officers, most of whom appear to have a connection to New York State. Landscapes of New York City and the Amazon River are also included, as well as several satirical illustrations and animals.

A number of the printed images relate to women, including Tennie C. Claflin, Victoria C. Woodhull, and Elizabeth R. Tilton. Rev. Henry Ward Beecher's image appears twice in the volume, including once where he is placed facing Elizabeth R. Tilton and a chain connecting the figures by the nose has been added in by pen (page 14). A short poem written in ink appears below it, reading:

Henry W. B., so buoyant with glee,

And Lizzie R. T., so innocent and free,

As happy as bees in the sweet apple trees

Raised a slight (?) breeze and made the whole world sneeze!

Several pages appear to have been used to copy a portion of an undated letter, which referenced a trip from Portland to Augusta, Maine, on the Maine Central Railroad, attitudes towards funerals, the teaching profession, arguments, and placebos (beginning page 57). Another passage appears to be an essay entitled, "to old Bachelors & maids" (pages 86-88) and a manuscript poem is written on the back inside cover that seems related to scouts and Native Americans.

The Irene Levis Roberts album, entitled "Flowers of Loveliness," contains poems by W. H. Green and A. H. Roberts of Smyrna, Delaware, and Edmund Brewster Green of New York, New York. A note about Roberts's baptism is also present.

The Irene Levis Roberts album, which has the title "Flowers of Loveliness" imprinted on the cover, includes 9 entries (17 total pages): 8 poems and 1 note. The poetry, mostly written by A. H. Roberts, concerns topics such as nature and the seasons, religion, travel, and death (see below for a full list of titles). The note by Thomas C. Murphy, pastor of the Methodist Episcopal church in Smyrna, Delaware, pertains to the baptism of Irene L. Roberts on performed on March 11, 1855. Colorful crayon scribbles appear over one of the poems and on several of the later pages.

The book contains a series of colored prints show women dressed and decorated as flowers, each representative of a virtue.

• "To My Niece," by W. L. Green, November 25, 1852 (1 page)
• "The Flight of Time," by Edmund Brewster Green, September 7, 1844 (2 pages)
• "To My Friends," by A. H. Roberts, undated (2 pages)
• "On the Death of Mrs. S. M. of This Place," by A. H. Roberts, undated (2 pages)
• "Lines Suggested on Witnessing the Burial of Mr. D. Carr, Respectfully Addressed to His Widow," by A. H. Roberts, undated (2 pages)
• "The Home of the Christian," by A. H. Roberts, undated (2 pages)
• "The Hindoo Mother," by A. H. Roberts, undated (3 pages)
• "Reflections on My Past Visits to Cantwells Bridge, Addressed to E. D. Clark," by A. H. Roberts, copied by I. Roberts, May 1863 (2 pages)

A currently unidentified shipping merchant operating out of New York, New York, maintained this daybook between 1811 and 1813, recording the daily financial transactions of his firm which was trading with the West Indies, along the Atlantic seaboard, and France, among other ports. Business records document details about traded goods including sugar, rum, and other wares, as well as labor costs and more.

A currently unidentified shipping merchant operating out of New York, New York, maintained this daybook between 1811 and 1813, recording the daily financial transactions of his firm which was trading with the West Indies, along the Atlantic seaboard, and France, among other ports. Main customers included Hoffman & Glass, Francis Markoe, Thomas Masters, David Finlay, Pratt & Kintzing, and William Heyling among others. Several entries relate to transactions with Elizabeth Heyliger, daughter of trader William Heyliger of the West Indies (July 31, 1811; December 31, 1811; September 1, 1812).

The firm was trading in St. Croix sugar and rum as well as shipping "sundries from New York to St. Croix." Other goods traded included sugar from Brazil and Cuba, mahogany, tea, whiskey, wine, tobacco, flour, corn meal, and other foodstuffs, molasses, coffee, cigars, and fabrics. Business expenses were also recorded, such as costs relating to laborers, ship maintenance and hire, advertising, cartage and wharfage, custom duties and port fees, storage, and insurance. One entry for December 5, 1812, notes the capture of the ship Olive Branch en route from Kiel, Germany, to Philadelphia, and dealing with insurance to cover its loss, possibly in relation to War of 1812 privateering. Another entry dated March 30, 1813, refers to proceeds from Madeira wine, sweet almonds, and ship materials "received by the Ship Swift, Howland master from Liverpool which were taken up at sea, from the wreck of the Spanish Brig General Ballesteros from Madeira."

One color printed illustration of a woman and child seated before a birdcage was clipped and pasted in the volume, and another illustration of women was pasted in and later partially removed.

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the accidental death of railroad fireman Joseph Ronk in Wooster, Ohio.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the death of a railroad fireman.

The album (26.5 x 21.5 cm) has red velvet covers and a metal clasp. While the album itself and all the photographs in it date to the 19th/early 20th century, these materials were compiled by a noncontemporary individual with an interest in historic images of people reading. Also present are three newspaper clippings related to the accidental death of railroad fireman Joseph Ronk (1865-1888) following a train derailment in Wooster, Ohio, in July 1888.

Ann Arbor, Michigan, family. Family correspondence, photographs, and miscellanea.

The collection consists of letters of Ellen Botsford Bach written while touring Europe and while attending the University of Michigan. Her other papers include reminiscences of her early life in Ann Arbor before 1900 and a recipe book. The papers of Waldo Bach consist of letters he wrote while serving in the Spanish American War.

Dr. Charlotte LeBreton Johnson Baker was a University of Michigan alumna (M.D., class of 1881) and San Diego, California physician who specialized in obstetrics and gynecology. Widely regarded as San Diego's first female physician, Baker was a prominent suffragist who also participated in numerous San Diego organizations. Consists of individual and group photographs of Baker and family members.

The collection consists of individual and group photographs of Baker and family members.

Republican state representative, 1907-1912, speaker of the Michigan House of Representatives, 1911, state senator, 1919-1922, and official of the Farmers' National Council, the National Gleaner Federation, the Michigan State Grange and other farm and insurance organizations; includes correspondence, clippings, photographs and scrapbooks, concerning his political and business activities.

The collection spans the dates 1904-1926 and contains five linear feet of correspondence, clippings, photographs and scrapbooks concerning Baker's political and business activities.

The collection consists of photographs (copy negatives and prints) of members of the Fuller family, their Ypsilanti Township, Michigan farm, and of well drilling and other agricultural activity. Some of these photographs were taken by Ella Fuller.

Correspondence and other files of Margaret Bell, chairman of the Department of Physical Education for Women of the University of Michigan, and physician in the University Health Service. Materials relate to University activities, conferences and speeches, copies of articles and other writings, and photographs.

The papers support the work and activities of Margaret Bell as Professor of Physical Education, Chairman of Department of Physical Education for Women, and a physician in Health Services at the University of Michigan from 1923 to 1956, and are divided into two sub-groups of personal activities and those specific to the University of Michigan.

The strength of the papers is found in the correspondence and reports which show the growth of physical education programs for women at the University and the identification of issues important to physical education and health in the 1930s, 1940s, and 1950s, with the correspondence, speeches, and publications of Margaret Bell. Historical records about the Women's Athletic Building and the Women's Athletic Association are also important.

Significant correspondents include: Amos Alonzo Stagg, John Dewey, and Elmer D. Mitchell, as well as other physical education professionals: Elizabeth Halsey, Ernest Jokl, Julian Smith, Ruth Glassow, Jay B. Nash, Charles Harold McCloy, Mable Lee, Vance Blanchard, and Charles Forsyth.

Topics of special note include the article, "Athletic Competition for Women," written for AAU March, 29, 1954, as well as other articles about the physiological effects of exercise and sport for women. During the 1950s and early 1960s college women participated in playdays and sportsdays, rather than the organized intercollegiate athletic programs of the present day. There was concern that women were not physically capable of such strenuous demands of full-court basketball and were limited by the rules to half-court play during the 1950's, with two rovers being added in the 1960's.

Amateur photographer; sixty-two reels of film shot by Benz on various trips.

When the University of Michigan Media Resources Collection was accessioned by the Bentley Historical Library, a number of films were discovered in the vault that were not related to that collection. Within that material were travel films shot by Fred E. Benz. These films document Benz's travels around the world between 1929 and 1950. The films had been edited together and were probably used by Benz for presentation to local groups and as home entertainment.

The Fred E. Benz Collection contains sixty-two, 400 foot reels of silent 16mm film. It is made up of eight series, one for each trip taken. The series are: Africa, Australia/New Zealand, Guatemala, Havana, Mexico, Russia, South America, and a World Cruise. The contents of each reel are described in the finding aid. Benz has included handwritten descriptions of the images found on the Russian and World Cruise series attached to the inside lids of each can of film. Benz was careful to document most of the locations with a handwritten note displayed before the camera. When cities or natural markers are noted in the finding aid, the identifying information was taken from that supplied by the film maker on the screen or from his notes in the can lids. The spelling of geographic locations in the finding aid reflect the information on the film and not current spellings.

Short notes found with the Mexican footage indicate it was the result of two different trips. The reels retain their original numbering because the numbered reels (1,2,3,4) appear to comprise one trip and numbered/lettered reels (1a, 3a, 4a) comprise the second trip.

The value of the collection is that it captures moments in time, documenting lifestyles, architecture and modes of travel which no longer exist or have evolved over time. Footage exists of London on the eve of war and Shanghai one year before being destroyed by the Japanese invasion.

Perhaps the greater value lies in the depiction of the indigenous lifestyles captured on film. Benz, as an amateur photographer, was interested in the common events that he experienced as he traveled. The collection features extensive recordings of people working or playing, and children of different cultures going about their daily activities. The films show barren huts in remote areas of Russia in the 1930s, families living under stone bridges outside of Buenos Aires, life-saving competitions in Sydney and the plethora of street markets found in most cultures and countries that he traveled through.

Because these are travel films, the scope of the footage included often extends beyond the geographic area used to identify the series. For example, the Australia footage includes material filmed on various Pacific islands, the Asian continent and Japan. The Russian trip contains footage of England and Northern Europe, and the South American films contain shots of the departure from New York. Each series should be examined for additional geographic content.

Special attention should be given to the Mexican series containing film recordings of Mt. Rushmore with construction only partially complete. Included as well are extensive shots of bullfighting in addition to other Mexican scenes. Also of note is the extensive depiction of women throughout all of the series. On the canister containing reel 5 in the Russia series is a receipt from United States Navy Department stating that this reel was being forwarded to Chicago for study of the shots of Kirkenes, Norway.

The color in the Africa, Guatemala, Havana, Mexico and South America series is excellent. The wide, clean, lush cityscapes of Havana and Capetown are richly captured in color and give an indication why they were popular travel destinations at this time.

In addition to the eight travel series, the collection also included one reel of World War II footage assembled by Castle Films from public domain footage. This type of film was sold through camera stores and mail order houses and Benz probably purchased a reel for his own use. The identifying writing on the film can is in Benz's handwriting and clearly belonged with his collection.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

Teacher and Methodist missionary to India, 1924-1927.Correspondence and printed material concerning her work in India, college notebooks and papers from Detroit Teachers College; thesis "Economic Detroit--1860-1870"; family letters, many in Swedish, relating in part to Michigan's Upper Peninsula at the end of the nineteenth century; and miscellaneous journals, papers, and photographs.

The papers of Irma Bielenberg cover the period of 1893 to 1974 and include correspondence and printed material concerning her work in India, college notebooks and papers from Detroit Teachers College, a thesis entitled, "Economic Detroit--1860-1870," travel diaries, photographs from India and from South America, and family letters (many in Swedish) relating to life in the Upper Peninsula of Michigan at the end of the nineteenth century.

Author and social and religious commentator. Papers include correspondence, newspaper clippings, photographs, scrapbooks and drafts of articles and books, and other papers, including material concerning his student years at the University of Michigan, as Congregational minister, educational director of the Amalgamated Textile Workers of America, assistant editor of The Nation, chief of the New York City Department of Investigations and Accounts under Fiorello La Guardia in the 1930's, economic analyst for the Caribbean Committee of the U.S. State Department during World War II, and free lance writer noted for his observations on the Catholic Church in America and abroad.

The Paul Blanshard papers include correspondence, newspaper clippings, scrapbooks, drafts of articles and books, and speeches. The papers covering the period of 1912 to 1974 document the variety of Blanshard's life: his student years at the University of Michigan (1910-1914), his career as Congregational minister in East Boston, Massachusetts and Tampa, Florida (1917-1918), his work as educational director of the Amalgamated Textile and Clothing Workers of America in Rochester and Utica, New York (1900-1924), as secretary and lecturer of the League for Industrial Democracy (1924-1933), as correspondent and associate editor of The Nation (1928-1929), as director of the City Affairs Committee of New York (1930-1933) and head of the New York Department of Investigations and Accounts under Mayor Fiorello La Guardia (1934-1938), as director of the Society for the Prevention of Crime (1941-1942), as senior economic analyst and consultant to the director of the Caribbean Commission of the U.S. Department of State; and as freelance writer and critic of the Roman Catholic Church in America and abroad. The Blanshard collection also includes papers of his first wife Julia Blanshard and his second wife Mary Hillyer Blanshard.

The collection has been arranged into seven series: Correspondence; Writings and Related Materials; Biographical Information; Sound Recordings; Photographs; Julia Anderson Blanshard papers; and Mary Hillyer Blanshard papers.

Detroit portrait painter and feminist activist. Correspondence, printed material, newspaper clippings, photographs, reports, speeches, articles and other papers documenting her career as an artist, and with the Michigan Women's Commission, the National Association of Commissions for Women, the National Organization for Women (NOW) and other civic, Republican, and feminist organizations.

While most of the material relates directly to Patricia Hill Burnett, the papers also relate to the more general women's movement during the 1970s and early 1980s.

Battle Creek, Michigan, resident; glass negatives of houses and house interiors, of children, women, boating scenes, and a railroad car, possibly taken in the Battle Creek, Michigan area.

The collection is arranged into a single series of glass negative with two subseries for different sizes (4"x5" and5"x8"). The negatives are unidentified, but they are probably of a Battle Creek area family or families, perhaps the family of Burns's wife, Betty Hoyt.

Prohibitionist from Bay City, Michigan, dean of Bay City Junior College. Correspondence, 1930-1940; memoranda of various prohibition organizations, 1927-1941; materials relating to revision of the constitution of the Central Association of Congregational Churches of Michigan; other materials concern the Bay City Council of Churches, Crystal Falls, Michigan, and the Michigan Association of Junior Colleges; and photographs.

The Butterfield papers include correspondence, 1930-1940; memoranda of various prohibition organizations, 1927-1941 and materials relating to revision of the constitution of the Central Association of Congregational Churches of Michigan. Other materials concern the Bay City Council of Churches, Crystal Falls, Michigan, and the Michigan Association of Junior Colleges; and photographs.

The papers have been arranged into the following series: Correspondence; Prohibition Organizations; Clippings and published material; Topical Files: Other organizational activities and historical interests; and Other Materials.

The Calvin Mixter papers are primarily comprised of seventy-five letters written from stateside military camps during the Spanish-American War. Mr. Mixter served as a drummer in the Fifth Massachusetts Infantry Regiment.

The Calvin Mixter papers are primarily comprised of seventy-five letters written from stateside military camps during the Spanish-American War. Most were addressed to members of the family of William H. Campbell at his home in Massachusetts. These letters provide interesting accounts of routine military activities, such as dress parades, monthly inspections, and band rehearsals and marches. The collection also contains newspaper clippings, photographs, and miscellaneous items (including 2 military passes).

The collection documents not only the various rumors circulating at the military camps, but also how the regiment dealt with death and sickness. The high mortality from disease, much of it preventable, was a hot topic with Mixter and his fellow soldiers, and runs throughout the collection. Having remained healthy himself, Mixter was able to take several small trips in the vicinity of the camps, and in one letter, gives a fine description of Gettysburg and the battle that took place there during the Civil War.

The collection also contains numerous references to African-Americans, with whose culture Mixter seems to have had little direct experience. Mixter considered their church services "amusing," though he felt at least that they were "earnest." He and his friends easily fell into disparaging comments, such as Will Mann's comments of September, 1898, Frank B. Harmon's of November, 1898, or Mixter's own notice of a cook at Camp Meade who had been dismissed for stealing (October, 1898).

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

• The name of the individual who provided the hair.
• The place the person lived, such as Stanford [i.e. Stamford, Vermont]; Wilmington, [Vermont]; North Adams, [Massachusetts]; and Northfield, Minnesota.
• Short sayings or further identifying information. For example, the entries for Charles C. Phipps, Anna Phipps, and Anna Canedy mention their relationship to the compiler: grandfather, grandmother, and mother, respectively.
• The age of the individual when the clipping was taken.

Maryette Canedy's hair sample is missing.

Ann Arbor, Michigan, poet and journal writer. Journals, manuscripts of poetry and short stories, photographs, scrapbooks and other materials documenting her struggles as a polio survivor to cope with her disability and to lead an independent life; papers concern in part her association with the youth culture of the 1960s and 1970s.

The Andrea Cappaert papers date from 1952 to 1980 and measure 3 linear feet. The papers document Andy's involvement in the youth culture of the late 1960s and 1970s, and reflect her struggles as a handicapped woman to be an active participant in the world she lived in.

The collection consists of two letters and five empty envelopes written between 1868 to 1879 by various businesses relating to human hair goods and services. They are addressed to C. E. Hartung & Company, hair importers and dealers of New York.

The collection consists of two letters and five empty envelopes written between 1868 to 1879 by various businesses relating to human hair goods and services. They are addressed to C. E. Hartung & Company, hair importers and dealers of New York. The two letters include one written on May 5, 1870, by H. Holcomb, "Manufacturer and Dealer in Human Hair Goods" of Galesburg, Illinois, on printed, illustrated stationery featuring a white woman with curled hair. He acknowledged he would not be able to pay his bill on time. The other was written by A. Domec, an importer of human hair from Louisville, Kentucky, ordering hair products. All of the envelopes in the collection are advertising covers for the various hair businesses.

The empty envelopes date from 1868 to 1879, with several undated.

• Madame Zwick of Cincinnati, Ohio, "Ladies' Wig Store, Braids, Fronts, Curls &c. All kinds of hair jewelry done to order. The Hair furnished by customers always used, and the Gold warranted."
• N. Demongeot of Washington, D.C., "Importer of Human Hair and Perfumery, Ladies Hair Dresser and Wig Maker."
• Mrs. M. Survey of Utica, New York, "Manufacturer of all kinds of Ornamental Hair Work."
• J. Y. Smyth of Peoria, Illinois, "Manufacturer and Dealer in Human Hair, at Wholesale and Retail."

The collection consists of two letters and five empty envelopes written between 1868 to 1879 by various businesses relating to human hair goods and services. They are addressed to C. E. Hartung & Company, hair importers and dealers of New York.

The collection consists of two letters and five empty envelopes written between 1868 to 1879 by various businesses relating to human hair goods and services. They are addressed to C. E. Hartung & Company, hair importers and dealers of New York. The two letters include one written on May 5, 1870, by H. Holcomb, "Manufacturer and Dealer in Human Hair Goods" of Galesburg, Illinois, on printed, illustrated stationery featuring a white woman with curled hair. He acknowledged he would not be able to pay his bill on time. The other was written by A. Domec, an importer of human hair from Louisville, Kentucky, ordering hair products. All of the envelopes in the collection are advertising covers for the various hair businesses.

The empty envelopes date from 1868 to 1879, with several undated.

• Madame Zwick of Cincinnati, Ohio, "Ladies' Wig Store, Braids, Fronts, Curls &c. All kinds of hair jewelry done to order. The Hair furnished by customers always used, and the Gold warranted."
• N. Demongeot of Washington, D.C., "Importer of Human Hair and Perfumery, Ladies Hair Dresser and Wig Maker."
• Mrs. M. Survey of Utica, New York, "Manufacturer of all kinds of Ornamental Hair Work."
• J. Y. Smyth of Peoria, Illinois, "Manufacturer and Dealer in Human Hair, at Wholesale and Retail."

Grand Rapids, Michigan, clubwoman, officer in the Grand Rapids chapter of the Young Women's Christian Association, president of the national YWCA, 1967-1973. Primarily speeches delivered on topics relating to the YWCA, civil rights, citizenship, and the family; speeches reflect in part her thoughts as a black woman on questions of school and housing segregation; and photographs.

The Helen J. Claytor papers primarily document her leadership in both the National and Grand Rapids YWCA, her community work on a local and national level, as well as the speeches she delivered, ca. 1940-1985, on topics relating to her activities in the YWCA, the civil rights movement, and the Episcopal Church.

Curator of the University of Michigan Botanical Gardens and professor in the Department of Botany; journals, films, photographs, plant list, and drawings of plant habitats from the 1938 Nevill's Colorado River Expedition and following travels in 1939; also articles written about the expedition.

The Elzada Clover collection consists almost entirely of material relating to the 1938 Nevill's Colorado River Expedition. Included are Clover's journals, motion pictures of the trip, photographs, plant list, and drawings of plant habitats both from the 1938 Expedition and from later travels in 1939. There are also articles written about the expedition.

In 2009, DVD use copies were made of the motion pictures.

Battle Creek attorney, justice, later chief justice of the Michigan Supreme Court. Correspondence, clippings, speeches, and topical files relating primarily to the ceremonial, out-of-court, responsibilities of a supreme court justice, and to her election campaigns in 1971 and 1980; also files concerning her interest in juvenile justice and the reapportionment of the Michigan Legislature and miscellaneous photographs.

The Mary S. Coleman Collection is arranged by series or topic: Biographical/Personal; Correspondence; Miscellaneous Topical File; Speeches; Supreme Court Topical Files; Miscellaneous; and Visual Materials. While a portion of the collection contains pre-1972 material, the bulk concerns the 1972-1982 period during which Judge Coleman served on the Michigan Supreme Court.

Professor of sociology at University of Michigan. Papers contain correspondence, including letters, 1881-1884, written to his family while traveling in Europe, and correspondence with his parents, Mary E. and Thomas M. Cooley, and his wife, Elsie Jones Cooley; addresses, notes, essays, book reviews, notes and material for sociology courses; student notebook, 1893-1894, on lectures given by John Dewey; diary of a trip through the Smokey Mountains in 1883; and journals detailing his personal thoughts and tracing the evolution of his ideas on sociology and democracy; and photographs.

The Charles Horton Cooley papers consist of correspondence, journals, Cooley's notes for lectures, student notebooks, various writings by Cooley, articles about Cooley and reviews of his books and photographs. The papers, particularly the correspondence, reveal much about Cooley's personal and family life. The journals and lecture notes provide insight into the development of Cooley's ideas and his place in the field of sociology. Though the collection includes only a small amount of correspondence with other leading sociologists, the journals and lecture notes record Cooley's comments on and critiques of the theories and methods in the developing discipline.

Professor of astronomy at University of Michigan. Personal correspondence, mainly with family, describing his various astronomical expeditions to Chile and Sumatra; also speeches and photographs.

The collection consists mainly of copies of letters to family describing his work in astronomy, trips to Mexico, Sumatra and Europe and comments on current events with frequent references to personal family matters. There is one letter, July 19, 1925, concerning the teaching of evolution in the schools with comments about Clarence Darrow, William Jennings Bryan, and the Scopes trial.

Michigan based author of adventure stories set in Alaska and Canada, screen writer and motion picture executive, and conservationist, a founding member of Izaak Walton League and member of Michigan Conservation Commission. Papers documenting his literary, film and conservation activities include manuscripts of books, screenplays and other writing and correspondence and photographs.

The James Oliver Curwood papers include correspondence, newspaper clippings, scrapbooks, manuscripts of publications, copies of books, and miscellanea; include material concerning his literary activities, the writing and production of motion pictures, his promotion of conservation causes, especially forest fire prevention, deer herd management, and the campaign against water pollution, and his work with the Conservation Commission, particularly his disputes with the Michigan Department of Conservation, Governor Alexander J. Groesbeck, and state director of conservation, John Baird; also copies of correspondence collected by Ivan Conger.

Photographs include pictures taken on hunting and fishing trips to British Columbia, the Canadian Northwest, and other areas of Canada; portraits; and photos of the Saginaw River (Michigan), and of pollution caused by the Michigan Sugar Company; also one film (two videotape copies), including scenes from God's Country and the Law.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

Mattie wrote, "You are requested to draw your picture, with appropriate remarks" on the front paste-down. The bulk of the drawings were done by her female classmates, and their writing often referenced memories involving Mattie. Some made self-deprecating remarks about their appearances. "A. H." wrote, "When this you see/don't forget the eve we played and I beat you all at dominoes." Adilia H. wrote, "The rose is red/the violet blue/sugar is sweet/and so are you Mattie. Ever your friend." Many include the note, "Class '78 C.H.S." One pink ribbon is laid into the volume.

The Blandina Diedrich Collection is a selection of manuscript items compiled by her son Duane Norman Diedrich and dedicated to her memory. The content of these letters, sermons, documents, and other materials reflect the life and interests of Blandina Diedrich (1903-1996), most prominently subjects pertinent to Christianity, home, and the family.

The Blandina Diedrich Collection is a selection of manuscript items compiled by her son Duane Norman Diedrich and dedicated to her memory. The manuscripts reflect the life and interests of Blandina Diedrich, most prominently Christianity, home, and the family. Items include sermons from prominent ministers or preachers of different Protestant denominations, documents related to church operations and discipline, letters by prominent and everyday persons respecting their faith and beliefs, correspondence of missionaries, and reflections on religion's role in all manner of human endeavor.

The collection is comprised of over 260 letters, manuscript sermons and hymns, documents, and other items. For a comprehensive inventory and details about each item in the collection, please see the box and folder listing below.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

For an item-level description of the collection, with information about each manuscript, please see the box and folder listing below.

Founder and president of the Center for Military Readiness (CMR), opponent of the Equal Rights Amendment (ERA) from Livonia, Michigan. Collection includes anti-ERA materials authored and collected by Donnelly as National Media Chair of Phyllis Schlafly's Eagle Forum and founder of the Michigan Stop-ERA Committee, 1974-1983; also materials on the International Women's Year Conferences, 1977-1978; transcript, 1983, of testimony before a Subcommittee of the U.S. House Committee on the Judiciary; publications of Donnelly Media Associates of Livonia, Michigan, 1984; files relating to her interest in issues arising from the participation of women serving in the military, especially her work as executive director of the Center (formerly Coalition) for Military Readiness and her activities as a member of the Presidential Commission on the Assignment of Women in the Armed Forces; and photographs.

The Donnelly collection (1 linear foot) contains a wide variety of materials relating to her political activities. The collection has been arranged into two series: Topical Files and Women in the Military. The Topical Files series is arranged alphabetically by topic, and composed of clippings, correspondence, articles, press releases, newsletters, brochures, and schedules. There are four folders dealing with Donnelly's anti-ERA efforts (1973-1986). Also included here material concerning her endorsement of political candidates, including Ronald Reagan (1980, 1984), Jack Kemp (1986-1988), and Richard Chrysler (1986).

The Women in the Military series documents her work as executive director of the Center (formerly Coalition) for Military Readiness and her activities as a member of the Presidential Commission on the Assignment of Women in the Armed Forces.

Owner of Marquette, Michigan's Brunswick Hotel. Consists of photographs of the Winchester Hotel in Au Sable, Michigan, and the Brunswick Hotel in Marquette, Michigan.

The collection consists of photographs of the Winchester Hotel in Au Sable, Michigan, and the Brunswick Hotel in Marquette, Michigan.

Kalamazoo, Michigan local Church of God congregation; general files consisting of church newsletter, annual reports, advisory council records, and subjects; church bulletins; scrapbooks of the women's missionary society; and audiotapes of church meetings; also photographs.

The records of the Eastwood Church of God (5 linear feet) span the years 1937 to 1989. The papers contain four series: General Files, Bulletins, Scrapbooks, and Audiotapes. The majority of records consist of minutes from the many committees at Eastwood.

The Fenno-Hoffman papers contain the personal correspondence of three generations of the Fenno and Hoffman families of New York City. Correspondence from, to, and between the family members of Maria Fenno Hoffman, daughter of John and Mary (Curtis) Fenno of Boston and Philadelphia, and wife of Josiah Ogden Hoffman of New York.

The Fenno-Hoffman papers contain the personal correspondence of three generations of the Fenno and Hoffman families of New York City. It appears that the collection was initially assembled by Maria Fenno Hoffman, who was the bridge linking the Fennos and Hoffmans, or one of her children. The majority of the letters in the collection are addressed to Maria, and those written following her death are mainly from her three children. As a whole, the collection forms a diverse and uniformly interesting resource for the study of family life, politics, and literary culture in the early Republic. The Fennos and Hoffmans seem all to have been blessed with literary talent and excellent educations, enjoying interests ranging from politics and commerce to publishing and writing, but cursed with short lives and disastrous fortune. Their correspondence creates a vivid impression of a once-wealthy family struggling with adversity and personal loss. Yet despite all of their connections to the centers of political and social power, and despite all the setbacks they encountered, the overriding impression gleaned from the Fenno-Hoffman correspondence is of the centrality of family in their emotional and social lives.

The collection can be roughly divided into two, interrelated series: the letters of the Fenno family, and the somewhat later letters of the Hoffmans. Within the Fenno series are 25 letters from John Fenno to his wife, Mary, and six from Mary to John, written primarily during two periods of separation, in the spring of 1789, and summer, 1798. This correspondence conveys a sense of the passionate attachment these two held for each other, expressed with their exceptional literary gifts. John discusses the founding of the United States Gazette in 1789, including a visit with Benjamin Franklin in Philadelphia where he had gone to purchase type. His letters are full of political commentary relating to the establishment of the federal government in 1789 and the young nation's Quasi-War with France, 1798. Although Fenno's letters to his wife are filled with political opinions, he urged her not to get involved in political controversies herself, nor to form opinions of her own. Mary apparently felt free to express herself to her husband, but significantly, her letters tend to mirror his staunchly Federalist political sympathies. The collection also contains four letters from John Fenno to his children, in which he discusses the French Revolution (1794) and general political news (1797-98), while doling out some fairly standard fatherly advice.

All nine of the Fenno children who survived infancy are represented as writers in the Fenno-Hoffman Papers, each one of whom seems to have been blessed with literary talent. The most frequent correspondents among the Fennos -- Maria, Charles J., and Edward -- display an intense interest in the affairs of their family, and express a powerful attachment for one another.

The collection contains twenty letters from Maria Fenno Hoffman (1781-1823), wife of lawyer and judge Josiah Ogden Hoffman (1766-1837), and most of the other letters in the collection were addressed to her. The letters written by Maria were nearly all addressed to her children and contain information on the family, laden with large doses of motherly advice. Among her most notable letters is one addressed to Washington Irving, whose fiancée, Matilda Hoffman, Maria's step-daughter, had died shortly before their wedding day.

The young British Navy officer, Charles J. Fenno, wrote thirty-nine letters, all to his siblings, and the collection also includes one letter to Charles from British Navy officer Charles Williamson (1757-1808), advising him to take an appointment in the West Indies. Fenno's letters include detailed descriptions of his attempts to cope with the debts incurred by his brother, John Ward Fenno, his part in the Tripolitan War and the turmoil in Haiti in 1802-3, naval sparring between French and English on the high seas, and family matters. With the typical Fenno style, Charles' letters provide an excellent view of these conflicts from the perspective of a young junior officer. His last letter was written while on vacation at Coldenham, N.Y., five weeks before his death.

Charles' younger brother, Edward, wrote 69 letters to his sister and surrogate mother, Maria, and 31 to his brother, James, along with a few miscellaneous letters. As lengthy as they are literate, Edward's letters provide an engrossing, running commentary on all facets of life in New Orleans during the 1820s and 30s, when it was still more a French city than American. His interests range from politics to business, high society to love affairs (his own, as well as others'), the annual yellow fever season, death and dying, race relations, piracy, and military exploits. They offer an intimate and detailed view of Louisiana during the years in which it was undergoing a rapid Americanization, and Edward's membership in the American militia, and his keen observational abilities provide a memorable account of the changes. His last letter to Maria, written a month before her death, discusses the necessity of family loyalty.

Comparatively speaking, the other Fenno children are represented by only scattered letters. Only two letters survive from the shortest-lived of the adult Fennos, John Ward, both written in 1797. In these, Jack discusses the acute controversy between Benjamin Rush (1745-1813) and the Federalist Gazette of the United States. Three of Harriet Fenno Rodman's letters survive -- containing social news and observations -- along with seven poems, including love poetry to her husband. Harriet's daughter, Anne Eliza Rodman, is represented by 24 letters, mostly addressed to her aunt Maria Hoffman, that include excellent descriptions of politics, society, and race relations in St. Augustine. George Fenno's four letters, also to his sister Maria, reflect the tedium felt by an educated urbanite set down in the countryside. Mary Elizabeth Fenno Verplanck's nine letters describe social life in Philadelphia, Fishkill, and Ballston Springs, and her efforts to mend a serious rift between her fiancée (later husband) and her brother-in-law Josiah. The ill-fated Caroline Fenno apparently had little time to write before dying, leaving only two letters describing life in Albany in 1804. James Bowdoin Fenno's six letters concern the business climate in South Carolina and Georgia and, as with all other Fenno correspondence, underscore the importance of family ties.

The second major series of correspondence in the Fenno-Hoffman Papers is centered on the children of Josiah Ogden Hoffman and his second wife Maria Fenno, Charles Fenno, George Edward, and Julia Hoffman. This series also includes eight letters from Josiah to his wife and sons, consisting principally of advice to his wife on how to run the household and, to his sons, on how to study industriously and become a credit to their "indulgent father." The letters he received in his old age from his children are particularly revealing of Josiah's personality. In these, Josiah appears as a hypochondriac and as a literal-minded businessman obsessed with commerce who had difficulty understanding any mindset other than his own.

As a poet and writer, Charles never ceased to perplex and irritate his father. Charles was a sensitive, observant man and an exceptional literary talent whose ability to express his thoughts and feelings grew as he grew older. His 62 letters to his brother (1826-1834, 1845) and sister (1833-1845) include discussions of many issues close to his heart, from his literary career to the "place" of the artist in society, from the continual rack and ruin of his personal finances to his family relationships, pastimes, politics, and general reflections on life. His letters to George are pun-filled and witty, even when he was in the throes of adversity. Charles wrote nine letters during his famous western trip, 1833-34, some of which were rough drafts intended for publication in the American after his sister Julia edited them. His letter of July 22, 1829 offers a marvelous description of an all-night party, and the single extant letter to his father (April 26, 1834) exhibits an uncharacteristic interest in politics, perhaps to please the elder Hoffman. There are also five excellent letters from a classmate of Charles, written while Charles was recuperating from the loss of his leg in New York. These are enjoyable, but otherwise typical schoolboy letters describing the typical assortment of schoolboy pranks.

The largest run of correspondence in the series of Hoffman letters, and the core of the collection, consists of the 63 letters from Julia to George. Julia's letters (1834-45) relate her experiences in several residences, particularly in the Philadelphia home of Jewish philanthropist, Rebecca Gratz (1781-1869). Julia comments frequently on Charles's literary activities and George's checkered career as a civil engineer. Much of what she writes is commonplace yet her style makes each episode intrinsically interesting. There are no letters from George. Considering that George was Julia's executor in 1861 and was responsible for Charles's well being after being committed to an asylum in 1849, suggests that George may have assembled the collection. The only item in the collection written by George is a love poem written for Phoebe on their first wedding anniversary. He was the recipient of letters from his brother and sister, but also his cousin William J. Verplanck, niece Matilda Whitman, sister-in-law Virginia Hoffman, and nephew Ogden Hoffman, Jr.

There is a single letter from Ogden Hoffman (1794-1856), Josiah's son by his first marriage to Mary Colden, in which he gives friendly advice to his young half-brother Charles. Ogden appears to have been a valued friend to his half-siblings. He was considered the outstanding criminal lawyer of his generation. There are no letters from the servant, Caty, but there are several excellent discussions of her, particularly in Julia Hoffman's letter of February 18, 1837 and James Fenno's letter of December 1, 1821.

Among the few miscellaneous pieces written by non-members of the family are four letters from Rebecca Gratz, a close friend of the family whose name runs throughout the entire collection, particularly in Julia Hoffman's correspondence.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

The 1861 copybook was sold by William Maxwell of Easton, Pennsylvania, and features an illustrated front cover showing three female figures, including one with dark skin, seated at a wharf, likely allegories representing industry and commerce. Fisher added pen-and-ink drawings of quills on the front cover and inside front cover.

The 1863 copybook was produced by Kiggins & Kellogg, booksellers and stationers in New York. It has printed covers bearing illustrations of children outside of a public school and a multiplication table.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

The 1861 copybook was sold by William Maxwell of Easton, Pennsylvania, and features an illustrated front cover showing three female figures, including one with dark skin, seated at a wharf, likely allegories representing industry and commerce. Fisher added pen-and-ink drawings of quills on the front cover and inside front cover.

The 1863 copybook was produced by Kiggins & Kellogg, booksellers and stationers in New York. It has printed covers bearing illustrations of children outside of a public school and a multiplication table.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Acquaintances in Kansas wrote additional entries in the 1880s. Thirty-two photographs of signatories are pasted or tipped into the volume, along with other materials like a fabric swatch with a hair clipping attached, embellished paper, and a pressed leaf.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Some entries include notations written in another hand, primarily indicating if someone was a teacher. Acquaintances in Kansas contributed additional entries in the 1880s.

Many persons signing the album added elements to their entries, such as poems, proverbs, comments, and drawings. Twenty-seven photographs of women were pasted into the volume alongside their signatures, with an additional five photographs enclosed in a letter written by Mrs. E. A. Husey to Mrs. F. W. Frost in 1893 (concerning classmates from the State Normal School). The volume includes various other materials tipped or pasted in, such as a fabric swatch with an attached hair clipping, embellished paper, and a pressed leaf.

Edith A. Moore Frost first inscribed the volume on December 25, 1860, indicating this "Forget Me Not Album," which features engraved illustrations of women, may have been given to her as a Christmas gift. She later wrote, beneath a photograph of herself, "Edith A. Frost. Class of 1868. Mass. State Normal School. Framingham Mass. Pictures of graduating Class 1868."

Corydon Fuller's journals document the travels of a young bookseller (from the Northern Midwest) in Arkansas, bordering areas in Louisiana, and in Mississippi in the years preceding the Civil War.

Corydon Fuller's intriguing journals (marked "Vol. 6th" and "Vol. 7") follow the path of the young itinerant bookseller in a fascinating series of situations and places. A college graduate, Fuller wrote both well and copiously, recording the events and his impressions with impressive clarity and depth.

As a man prone to some reflection on the political and social issues of his day, Fuller's journals are a valuable resource for study of the hardening sectional lines in the Trans-Mississippi South. By 1857, Fuller believed that an impasse had been reached, reflected both in his reporting of adamant Southern views on slavery and states' rights, and in his own hot-tempered opinions on moral right versus wrong.

Resident of Ypsilanti Township, Michigan. Collection consists of glass negatives and contact prints depicting farm life, the Fuller family and their neighbors and relatives, recreation, houses, and barns

This collection of visual images taken by Ella Fuller who was not a professional photographer provide a unique glimpse of daily rural life. Through her camera, Fuller recorded the activities of family and acquaintances. She had a natural talent to capture people as they were, at work and at play, thoughtful, interested in what they were doing. As May Davis Hill wrote, "The Fuller photographs provide an unselfconscious, direct view of rural life in a seemingly idyllic period. Reflecting a genre quality, the images record ordinary scenes from everyday life."

Lawyer with the Bendix Corporation and the Ford Motor Company, and member of numerous legal and public service organizations. Speeches, articles and public statements; material relating to his activities with the American Bar Association, the National Legal Aid and Defender Association, and other legal groups; some files concern his interest in such topics as business ethics, campus government and student dissent in the 1960s, electoral college reform, and legal education; there is also material detailing his involvement in public service organizations concerned largely with civil rights and education; also contracts, agreements, and other documentation relating to reorganization of Wesco Corporation (later National Theatres Corporation), 1933-1936; and reorganization of Fox Film Corporation and Twentieth Century Pictures, July-August 1935.

The William T. Gossett collection chronicle his professional career as a lawyer and businessman as well as those many public service activities in which he was active. The collection was received in two accessions, 1981 and 1997. The 1981 accession, the largest of the two, consisted of the following series: Vita; Speeches, Articles, and Statements; Professional Activities; Topical Files; Public Service Files; Hospitals and Organizations; Colleges Universities, and Schools; and Personal Correspondence. The smaller 1997 accession included these series: Biographical and Personal Materials; Speeches, Articles, and Statements; Photographs; and Twentieth Century-Fox. There was some slight overlap in the content of the two accessions, particularly in Gossett's speeches and articles. No attempt was made, however, to intersperse this similar material.

The John Irwin Griffith photograph album contains tintype and carte de visite portraits of members of the family of Democratic politician and writer, John Irwin Griffith.

The John Irwin Griffith photograph album (15 x 19 cm) contains 33 cartes-de-visite, and 37 tintype photographs of members of the family of Democratic politician and writer, John Irwin Griffith. Included are portraits of infants and one photograph of a man with a long beard. One man is appears standing, wearing a Masonic sash. The photographs were taken in Ohio, Indiana, Iowa, and Nevada.

The album's brown leather cover is embossed in high relief; double clasp with one clasp missing and is housed in a light blue box.

Detroit, Michigan, attorney, Democratic member of the U.S. House of Representatives, 1955-1974, and member of the House Ways and Means Committee. Congressional papers, arranged by term, include legislative files, bills files, topical files, schedules, sound recordings, photographs, motion pictures, and scrapbooks. The collection details relationship with colleagues and constituents and pertains to committee activities, legislation sponsored, and issues of the day. Topics of interest include civil rights, the war in Vietnam, Sleeping Bear Dunes, the humane slaughtering of animals, the economy and the fiscal policy of the federal government, women's rights, the Equal Rights Amendment, economic problems of women, and the need for national health insurance legislation.

The Griffiths collection consists primarily of correspondence exchanged with constituents and lobbying groups on matters of pending or proposed legislation and on topics of current interest. The collection's great value is its documentation of the workings of this one congressional office and its perspective on the issues confronting the nation in the period of 1955 to 1974. With the Democrats in control of the Congress, these years witnessed legislative efforts to use the power of the Federal Government to rectify the ills of society on matters of civil rights, assistance to the poor, health care for the aged, environmental protection, and so forth. It was also a time of strife in society resulting from the war in Vietnam, tension among the races, and the Watergate crisis. The Griffiths collection documents these issues with letters from constituents and her response to the concerns of the people.

Beyond general issues, the Griffiths papers have importance for their documentation of the specific contribution of this one woman member of Congress, who served for twenty years, and who was rewarded by her colleagues with increasingly responsible committee positions. Especially significant was her appointment to the powerful Ways and Means Committee under the chairmanship of Wilbur Mills. Griffiths' files from her work on W and Means Committee detail the major pieces of tax reform legislation of the 1960s, notably Griffiths' efforts to legislate some equity into the benefits accorded to American women.

The Martha W. Griffiths papers, with few exceptions, have been maintained in the arrangement scheme used by the Griffiths office.

Suffragist, leader of the Michigan Branch of the National Woman's Party, and candidate for the Michigan legislature in 1924. Correspondence, newspaper clippings, pamphlets, periodicals and other materials concerning her activities in the Michigan Equal Suffrage Association, the Legislative Council of Michigan Women, the National Woman's Party, and the Republican Party; and photographs.

The Grimes papers have been arranged into the following series: Correspondence; Other Papers (non-correspondence); Subject files; Bills introduced in the Michigan legislature; Newspaper clippings; Printed material; Scrapbooks; and Miscellaneous.

Vice chairman of the Democratic Party State Central Committee, primarily during the gubernatorial administration of G. Mennen Williams. Office files concerning party conventions, election issues, and the work of the state central committee, particularly the role of women in the party and the Women for Humphrey organization during the election of 1968; and scrapbooks and photographs.

The Hart papers consist almost entirely of files created in her capacity as Democratic vice chairman and as member of the Democratic party 17th congressional district. The files have been maintained in their original order by topic. National Democratic Conventions; State Democratic Conventions; Election Campaigns; State Central Committee General; State Central Committee Women's Activities; Jefferson-Jackson Day Dinner; Topical Files; Conferences; Program Service; Correspondence; Memoranda; and Scrapbooks and Photographs.

Instructor and professor of physical education, 1930-1977, and first director of women's athletics, 1972-1976, at the University of Michigan. Papers document the history of physical education and recreational sports for women and the development of women's varsity athletics at the university as well as Hartwig's involvement in various professional associations and her work with recreation programs at Interlochen Music Camp.

The papers of Marie Hartwig consist of 6 linear feet of material and one oversize volume concerning the career, activities, and thought of Marie ("Pete") Hartwig. The papers document Hartwig's wide range of activities as educator, coach and women's athletics administrator at the University of Michigan and her work with the recreation program at the National Music Camp at Interlochen, Michigan.

The papers contain material relating to the history of women's physical education, recreation and athletics at the University of Michigan from the 1930s to 1980s; the history of recreational activities and the Camper Education Program at the National Music Camp in Interlochen, Michigan from the 1940s to 1980s; and the evolution of Hartwig's ideas about instruction in sports, the training of counselors and management of recreational camps, and recreational programs for children and adults.

Republican Party official from Romeo, Michigan, National Republican Committeewoman, secretary of the Republican National Convention, 1948. Correspondence, scrapbooks, political miscellanea and photographs largely relating to the Republican National Convention held in Philadelphia and the election of 1948.

The Regina Hay collection documents her work with the state and national Republican Party. The correspondence relates primarily to her work in the election of 1948, especially in the period leading up to the party's national convention. The scrapbooks provide excellent documentation of her entire political career beginning in the 1930s and culminating in the election of Dwight Eisenhower.

Christian Hoffman, of Cincinnati, Ohio, and Newport, Kentucky, compiled this 201-page book of poetry, largely in the German language, with eight poems in English. Hoffman's selections include poems or poem fragments by Henry Kirke White, Lord Byron, Agnes Franz, Friedrich Rückert, Christian Hoffmann von Hoffmannswaldau, Friedrich von Sallet, August Henrich Hoffmann, and others. Christian Hoffmann apparently included several original spiritual poems, such as "Des Kinder schwingender Geist" (pages 18-24) and "Die Absched des Prindes Gottes" (pages 169-170). Several blackletter script titles, decorative initials, and illustrations are present. The three illustrations include an urn with flowers (page 69), an angel with a harp (page 168), and a vignette of three maidens holding a banner with the words "O laube", "Liebe und" and "Hoffman" (page 76).

Christian Hoffman, of Cincinnati, Ohio, and Newport, Kentucky, compiled this 201-page book of poetry, largely in the German language, with eight poems in English. Hoffman's selections include poems or poem fragments by Henry Kirke White, Lord Byron, Agnes Franz, Friedrich Rückert, Christian Hoffmann von Hoffmannswaldau, Friedrich von Sallet, August Henrich Hoffmann, and others. Christian Hoffmann apparently included several original spiritual poems, such as "Des Kinder schwingender Geist" (pages 18-24) and "Die Absched des Prindes Gottes" (pages 169-170). Several blackletter script titles, decorative initials, and illustrations are present. The three illustrations include an urn with flowers (page 69), an angel with a harp (page 168), and a vignette of three maidens holding a banner with the words "O laube", "Liebe und" and "Hoffman" (page 76).

Research scientist. Correspondence, scientific reports and publications, other papers, and photographs, primarily concerning her interest in the problems of nutrition and aging, including her work with the Merrill-Palmer School in Detroit, the Detroit Institute of Cancer Research, the Children's Fund of Michigan, and Grand Valley State College in Allendale; also materials relating to her membership on the White House Conference on Food, Nutrition and Health, 1969, and various White House conferences on children and youth.

The collection has been divided into the following series: Subject files (24.3 linear ft.); Lectures (0.7 linear ft.); Manuscripts of writings (0.5 linear ft.); Personal and Biographical Materials (2 linear ft.); and Published Materials (2 linear ft.). There are also three smaller series of genre materials: Photographs, Sound Recordings, and Artifacts.

This collection primarily consists of correspondence of U.S. diplomat Christopher Hughes; his twin sister Peggy Hughes Moore; his in-laws the Moore family; his spouse Laura Smith Hughes (1792-1832); their daughter Margaret Smith Hughes Kennedy (1819-1884); and Anthony Kennedy (1810-1892), his son-in-law. The papers largely date between the War of 1812 and the U.S. War with Mexico. Christopher Hughes corresponded with U.S. Presidents, Secretaries of State, and a large circle of friends and family on both sides of the Atlantic. The papers reflect American diplomatic policy in Europe after the War of 1812, particularly in Sweden, the Netherlands, Denmark, and France. They also present the lives and experiences of the social and personal lives of women and children who traveled as part of the duties of an American diplomat.

This collection primarily consists of correspondence of U.S. diplomat Christopher Hughes; his twin sister Peggy Hughes Moore; his in-laws the Moore family; his spouse Laura Smith Hughes (1792-1832); their daughter Margaret Smith Hughes Kennedy (1819-1884); and Anthony Kennedy (1810-1892), his son-in-law. The papers largely date between the War of 1812 and the U.S. War with Mexico. Christopher Hughes corresponded with U.S. Presidents, Secretaries of State, and a large circle of friends and family on both sides of the Atlantic. The papers reflect American diplomatic policy in Europe after the War of 1812, particularly in Sweden, the Netherlands, Denmark, and France. They also present the lives and experiences of the social and personal lives of women and children who traveled as part of the duties of an American chargé d'affaires.

The papers also include financial papers, military documents, property documentation, materials related to the San Pedro Company, writings, poetry, sketches, photographs, ephemera, and other printed items. Among the writings is an 1840 account of a visit by Christopher Hughes to physician Fru Jansen at Catherineberg for health care; 1842 travel writing by Margaret Hughes; and manuscript and printed poetry, including dinner toasts, a valentine poem, an acrostic on Margaret's name, translations, and more.

Other selected items include pencil sketches of four of the five peace commissioners at the Treaty of Ghent negotiations in Belgium, by Dutch artist P. van Huffel, January 1815. The portraits include John Quincy Adams, James A. Bayard, Henry Clay, Albert Gallatin, and Christopher Hughes (as secretary of the delegation). A group of 24 photographs from the early 1930s depict the grave of Laura Smith Hughes (1795-1832) and the church where she was buried, Bromme Church in Akershof, near Stockholm, Sweden, and a variety of other people and places.

Please see the Christopher Hughes Indices and Notes for an index of letter writers and inventories of non-correspondence materials.

Allegan County, Michigan, family; correspondence, diaries, photographs, and business papers.

The collection consists of family correspondence, genealogical materials pertaining to the history of the Hutchins and Robertson families, miscellaneous writings of Henry Hudson Hutchins, papers concerning the family's fruit growing interests, and the development of the Saugatuck and Ganges Telephone Co. The collection is of significance for materials relating to the history of Allegan County, Michigan.

Ann Arbor, Michigan, women's organization formed to provide friendship and assistance to foreign women visitors to Ann Arbor and the University of Michigan. Minutes, reports, bulletins and newsletters, slide presentations, and other materials relating to their activities.

The records of the International Neighbors document the activities, services, and organization of the International Neighbors. It is significant for showing the development of a community organization to satisfy needs of foreign women in Ann Arbor and for revealing social interactions among American and foreign women. The record group is organized into three series: Administrative Files, Activities, and Publications.

Ann Arbor, Michigan, photography firm. Photonegatives, and some photoprints, of images largely relating to Ann Arbor and the University of Michigan, but including Ypsilanti and other Michigan cities: buildings, businesses, houses, street scenes, community activities, and organizations; also photos of automobiles, storm damage, etc. taken to support insurance claims.

The Ivory Photo collection consists of an impressive array of negatives and prints taken by Ann Arbor photographer Mel Ivory from the 1920s to the early 1970s. Most of the photographs were taken by Ivory for customers, whether the University of Michigan, local businesses, or private citizens. The collection is probably most valuable for its extensive documentation of Ann Arbor and the University of Michigan, the two areas in which it bulks largest. However, because it spans a relatively long time period, the collection is also useful for illustrating changes in photography as an art and as a business, and for documenting social trends in twentieth-century America. Finally, the collection documents the career of a commercial photographer.

As a photographer for the University of Michigan in the 1920s and 1930s, Ivory took the standard pictures of campus events, buildings, and people, but the value of many photographs from this period is as much aesthetic as informational. Producing cover art for the Michigan Alumnus allowed him to experiment with unusual angles, lighting, and subject matter. (See, for example, photographs of the Clements Library and of students strolling through the Diag in the 1930s.) In stark contrast to these images is a large group of photographs of car wrecks that Ivory took for insurance companies between 1937 and 1969.

Besides providing thorough documentation of the physical plant of the University of Michigan, the Ivory collection evokes the flavor of life on campus in the 1930s and 1940s through photographs of football games and crowds, dance bands, social events, professors at work in laboratories, the Michigan Daily staff at work, and students in classrooms, libraries, and dormitories.

The Ann Arbor subseries includes numerous photographs of houses and businesses, filed by address to facilitate research into a particular building or site, as well as a rich assortment of photographs depicting life in Ann Arbor through more than four decades. There are numerous photographs of men and women at work in factories, stores, and other settings. Some show women at work in unusual settings (as cab drivers for Ace Cab Company, for example) while others depict women in stereotypically female occupations (as secretaries, store clerks, and ditto machine operators). Photographs of drug and department store display windows and of products in grocery stores illustrate trends in merchandising.

The Ivory collection is also remarkable for its documentation of social mores. Wedding photographs taken from the 1930s to the 1960s depict a variety of settings, fashions, wedding rituals, and even fads, such as a 1940 wedding at a roller rink. There is also a small group of photographs of funerals and an extensive series of portraits of children, families, and individuals.

Photographs of a depression-era hobo cooking near a railroad car, of lawn parties and country clubs, of the soap box derby and sports teams reflect diverse aspects of life in Ann Arbor. The home front during World War II is documented in views of an aluminum drive, a blitzkrieg game in a local tavern, a commuter bus with a female conductor, and the Judge Advocate General's school exercises in the Law Quad.

Although the Ypsilanti subseries is considerably smaller than the Ann Arbor and University of Michigan subseries, it contains a number of valuable photographs, such as the Cleary College photographs showing rows of students at typewriters, students relaxing on boarding house steps and in Cleary lounges and recreation rooms, and annual graduation processions. The Washtenaw County subseries contains rural scenes such as farms, country roads, and a county fair. The remaining subseries consist of businesses, street scenes, railroad stations, and a variety of other photographs representing Michigan towns and counties.

A few copy negatives made by Ivory from existing photographs are scattered throughout the collection. A late nineteenth or early twentieth-century anatomy lesson in the Medical School, for example, is filed in the "Colleges, Schools, and other Divisions" section of University of Michigan 5"x7" negatives.

The contents of the various subseries and sub-subseries are for the most part self-evident, but a few words of explanation about the Ann Arbor subseries are in order. "Buildings and Views" consists largely of exterior views of buildings. However, there are many interior scenes of people and activities in the "Churches," "Hospitals," and "Schools" sections. For example, photographs of Ann Arbor churches include views of the pastor and congregation, choirs, recreation rooms, meetings, and athletic teams in addition to interior and exterior views of the buildings. "Schools" contains photographs of sports teams, classroom scenes, social events, and buildings representing Ann Arbor public and parochial schools, but also Ann Arbor Secretarial School and Concordia College.

Researchers seeking images of commercial enterprises will find material in the "Buildings and Views" sub-subseries (listed under the street address in the "Houses and Businesses" section) and in the "Businesses" sub-subseries (under the name of the enterprise).

The "Houses and Businesses" negatives within the "Buildings and Views" sub-subseries are arranged alphabetically by street name and then numerically by address. Most of these photographs are exterior views, but interior scenes of businesses have been filed here in order to keep exterior and interior views of a particular business together. Photographs of products, equipment, people at work, and special events are filed in the "Businesses" sub-subseries when no building exteriors exist or when the address of the business was unknown. Researchers should look both places for photographs of businesses. Although some "see also" references have been added, they are by no means exhaustive. Researchers may also wish to examine the "Motor Vehicles" sub-subseries, which contains photographs of trucks owned by Ann Arbor businesses.

In the University of Michigan subseries, "Buildings and Views" consists of exterior and interior views of buildings, whereas "Colleges, Schools, and Other Divisions" contains photographs of professors and students in laboratories and classrooms as well as group photographs of staff and students.

Graduate of the University of Michigan, class of 1889. Group portraits of female class members as well as a group portrait of students at a boarding house.

The Harriet Crosby Jennings photograph collection is comprised of group portraits of female class members as well as a group portrait of students at a boarding house.

Papers of Thankful O. Jones and other members of the Jones and Burch families of New York state and Clinton County, Michigan. Civil War papers of son Harlem, soldier with Co. K, 11th New York Volunteer Cavalry; letters of other family members concerning daily activities, business and fraternal affairs, and life in Maple Rapids, Michigan, in the 1890s; also photographs.

The papers of Thankful O. Jones reflect the private interests and concerns of a nineteenth century woman and members of her family who lived variously in New York, Missouri, Illinois, and Michigan. The collection includes correspondence sent to Thankful Jones from her siblings and children, but does not contain any of her own writings.

The bulk of the letters was written by Harlem B. Jones during his service in the Civil War. Writing to his mother and sister Emily on a weekly or semi-weekly basis, Harlem describes in detail his unfavorable impressions of camp life; his observations on the military strategies of Stonewall Jackson, Joe Hooker, and Ambrose Burnside; and his participation in the battle of Bull Run and the assault on Baton Rouge. Harlem also relates briefly his impression of Washington, DC, Abraham Lincoln, and the Presidential Election of 1864.

Also included are Civil War letters from Thankful Jones's step-son, Amos S. Jones, and from her nephew, Nelson C. Burch. These letters pertain largely to family news and interests.

Thankful Jones also maintained extensive correspondence with her brother Varnum D. Burch of Madison County, Illinois and Jefferson City, Missouri, following the Civil War. These letters reflect a variety of topics, ranging from health and living conditions to the anguish caused by a sexual indiscretion and the subsequent relations with an illegitimate child. Other correspondents of the Burch family include Sabina Burch and Lucy R. (Burch) Jones, sisters of Thankful; nephews Nelson C. Burch of Jefferson City and John C. Burch of Crawfordsville, Indiana; niece Celestia A. Moore, Abbie R. Flagg, and Hattie Willard; and F. A. Willett, a brother-in-law. Several letters from Thankful's son Asa reflect his life in Maple Rapids, Michigan in the 1890s; and those of Libbie Anderson document Thankful Jones' interest in the Woman's Relief Corps of Maple Rapids.

The collection also contains numerous military documents reflecting the Civil War service of Harlem and J. Eli Jones, as well as numerous deeds and estate papers of William Jones. Thankful Jones's efforts to settle her husband's estate and to secure the pension of her son Harlem are reflected in her business and military service correspondence. The papers also contain some Jones family biographical and genealogical material.

The collection also includes some papers of the Matthews-Owen family of Pittsford, New York and Owosso, Shiawassee County, Michigan. Included are some military papers of Henry Matthews and several letters to Mary Ann Matthews from her sister Abigail L. Ely and cousin Julia Owen, dating from 1835 to 1841. The relationship of this family with that of Thankful O. Jones remains unclear, but the papers do reflect conditions in Penfield and Fairport, New York in the 1830s and 1840s. Among the letters is an account of a duel in Washington, DC in 1838.

Battle Creek, Michigan physician, food scientist, founder of the Battle Creek Sanitarium. Correspondence, student notebooks from University of Michigan and Bellevue Hospital, drafts of speeches and lecture notes, newspaper clippings and scrapbooks, and topical files; include material concerning medical theories and practices, especially matters of diet and hygiene, his work with organizations such as the National Vitality League, Race Betterment Foundation, Battle Creek Three Quarter Century Club, Chicago Workingmen's Home and Medical Mission, and Seventh-Day Adventists; also photographs.

The John Harvey Kellogg papers document the career of a medical doctor and health reformer and advocate. The collection provides telling insight to the operation of the Battle Creek Sanitarium. The papers span the years 1869 to 1965, with the bulk of the materials covering the years 1874 to 1943. Significantly, there are some collected published items in the collection that date as early as 1832. The Kellogg papers consist of correspondence, lectures, notes, memoranda, clippings, scrapbooks, notebooks, photographs, articles, and book manuscripts. These diverse sources provide ample documentation of Kellogg's life, and are an excellent source with which to examine early twentieth-century medicine in general and Kellogg's important innovations in health reform. The collection is also very strong on the development of the Sanitarium and the "Battle Creek idea" of natural health. Kellogg's zealous efforts to proselytize the world at large on the wisdom of the "Battle Creek Idea" are reflected in the papers. Also included are materials relating to his work with organizations such as the National Vitality League, Race Betterment Foundation, Battle Creek Three Quarter Century Club, Chicago Workingmen's Home and Medical Mission, and Seventh-Day Adventists.

The Kellogg collection came to the Michigan Historical Collections in two primary accessions, one in 1962 and another in 1972. Parts of the collection were reprocessed in 1988 prior to the entire collection being microfilmed. The collection is now divided into the following series: Biographical/Personal; Correspondence; Lectures, Speeches, and Related; Notes and Articles; Subject Files (medical missionaries); Clippings/ Scrapbooks; Bound Manuscripts/Published Volumes; and Photographs.

Battle Creek, Michigan physician, food scientist, founder of the Battle Creek Sanitarium. Correspondence, student notebooks from University of Michigan and Bellevue Hospital, drafts of speeches and lecture notes, newspaper clippings and scrapbooks, and topical files; include material concerning medical theories and practices, especially matters of diet and hygiene, his work with organizations such as the National Vitality League, Race Betterment Foundation, Battle Creek Three Quarter Century Club, Chicago Workingmen's Home and Medical Mission, and Seventh-Day Adventists; also photographs.

The John Harvey Kellogg papers document the career of a medical doctor and health reformer and advocate. The collection provides telling insight to the operation of the Battle Creek Sanitarium. The papers span the years 1869 to 1965, with the bulk of the materials covering the years 1874 to 1943. Significantly, there are some collected published items in the collection that date as early as 1832. The Kellogg papers consist of correspondence, lectures, notes, memoranda, clippings, scrapbooks, notebooks, photographs, articles, and book manuscripts. These diverse sources provide ample documentation of Kellogg's life, and are an excellent source with which to examine early twentieth-century medicine in general and Kellogg's important innovations in health reform. The collection is also very strong on the development of the Sanitarium and the "Battle Creek idea" of natural health. Kellogg's zealous efforts to proselytize the world at large on the wisdom of the "Battle Creek Idea" are reflected in the papers. Also included are materials relating to his work with organizations such as the National Vitality League, Race Betterment Foundation, Battle Creek Three Quarter Century Club, Chicago Workingmen's Home and Medical Mission, and Seventh-Day Adventists.

The Kellogg collection came to the Michigan Historical Collections in two primary accessions, one in 1962 and another in 1972. Parts of the collection were reprocessed in 1988 prior to the entire collection being microfilmed. The collection is now divided into the following series: Biographical/Personal; Correspondence; Lectures, Speeches, and Related; Notes and Articles; Subject Files; Clippings/ Scrapbooks; Bound Manuscripts/Published Volumes; and Photographs.

Bacteriologist with the laboratories of the Michigan Department of Health, 1920-1951, and resident lecturer in epidemiology at the School of Public Health of the University of Michigan. Files relate to her discovery and testing of a vaccine for whooping-cough; files concerning activities with the American Public Health Association and the Michigan Public Health Association; consultant's files relating to her work with vaccination programs in foreign countries under the auspices of the World Health Organization; correspondence, course and research materials; and photographs related to her career; also papers of her father, Milton Kendrick, a Free Methodist clergyman.

The Pearl L. Kendrick papers date from 1888 to 1979 and measure seven linear feet. The papers are arranged in nine series: Personal, Correspondence, Correspondence--Foreign, Michigan Department of Health, University of Michigan, Consultant Files, Professional Associations, Speeches and Articles, and Visual Materials. The collection is strongest in its documentation of the national and international network of public health practitioners, physicians, and scientists who corresponded with each other about their studies of various diseases and their prevention, in particular whooping cough. This voluminous correspondence reflects Kendrick's reputation as one of the world's foremost experts on pertussis. The collection is relatively weak in its documentation of Kendrick's work as an instructor at the University of Michigan.

Ann Arbor, Michigan family; papers, 1904-1928, of James A. Kennedy, Sr., Presbyterian clergyman; papers, 1925-1969, of James A. Kennedy, Jr., Ann Arbor, Michigan attorney, largely concerning organizational activities; and papers of Mrs. James A. Kennedy (nee Elizabeth Earhart), 1950-1956, concerning her activities in Ann Arbor civic and social organizations and miscellaneous Earhart family materials.

The collection has been arranged into three series: James A. Kennedy, Sr.; James A. Kennedy, Jr.; and Elizabeth Earhart Kennedy. The correspondence of James A. Kennedy Jr. includes letters from Charles H. Cooley, 1926, Edward H. Litchfield, 1938, Chase S. Osborn, 1926-1927 and 1937, and James K. Pollock, 1938. His papers also detail his work with such organizations as the Ann Arbor Rotary, the First Presbyterian Church of Ann Arbor, the Michigan League for Planned Parenthood, the Michigan Merit System Association, the Michigan Civil Service Commission, the Ann Arbor Chamber of Commerce, and the local Republican Party. The papers of Elizabeth Kennedy detail her work with the Ann Arbor Council of Social Agencies and the Community Chest, and other organizations. The photographs in the Elizabeth Kennedy series date back to the mid-nineteenth century and are of the Kennedy, Beal, and Stockdale families.

Detroit, Michigan, social activist and reformer. Correspondence and subject files relating to her interest in cooperatives, especially organizations concerned with low-income, open housing projects; also photographs and audio-tapes.

The Rose Parker Kleinman papers are almost entirely those from her years in Detroit and are limited in quantity (2 linear feet). They can be used by the researcher interested in compiling a short biographical study of the last twenty years of her life, or in the activities of one of the many white liberals in Detroit in the 1960s who promoted racial equality. They provide an introduction to the cooperative movement as a whole and in the state of Michigan in the 1960s and 1970s, and to the activities of one of the leaders in the field. Finally, the papers on low-income, open housing organizations in Detroit in the 1960s and 1970s can provide a limited supplement to those found in other libraries, such as the Mayor's Papers in the Burton Library in Detroit. There is very little in the collection, however, on Kleinman's efforts to have established the Michigan State Housing Authority. The researcher should approach the collection with the understanding that no one area or organization can be studied in depth, but that the character, ideas, and personality of Rose Kleinman are evident throughout the collection.

The Kleinman papers are arranged in five series: Personal; Correspondence; Cooperatives; Housing; and Miscellaneous.

University of Michigan graduate (A.B. 1909, LL.B. 1911), President of the University of Michigan Women's League; civic leader in Kalamazoo, Michigan. Correspondence primarily concerning the efforts of the Women's League of University of Michigan to raise money for Palmer Field and for a women's dormitory at University of Michigan. Group portraits and photos depicting student life at the University of Michigan.

Correspondence primarily concerning the efforts of the Women's League of University of Michigan to raise money for Palmer Field and for a women's dormitory at University of Michigan. Correspondents include: James B. Angell and Myrtle E. White; also photographs.

Group portraits of University of Michigan Class of 1909 and Law School Class of 1911 (some are of women only); also a photograph of the May Pole Dance, and various snapshots.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south." The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south."

The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician. One of the songs referenced is Charles Carroll Sawyer and Henry Tucker's "When Will This Cruel War Be Over?"

• A moving train, "ye adventurus maid going to the Sunny South."
• A battle scene, with firing cannon, and a freestanding chimney beside two men (one laying on the ground, the other standing), "Findeth ye home desolate."
• Boxes and barrels of goods, "Tobacco &c Tar & Turpentine" and "Pine Trees" beside a jug marked "apple jack."
• Barrels, with a pitcher and glass atop one of them marked "Buorbon" [i.e. Bourbon], "ye Stapels continued."
• A woman in a rocking chair weeping into a handkerchief while a man in a soldier's uniform walks away.
• A piano.
• Four people walking; the two in front are a man and a woman.
• A woman standing, holding what appears to be a fan.
• A farmhouse beside a fence, animals, a birdhouse, and a tree with gourds hanging from its branches (as homes for Martins).
• A woman seated, knitting.
• A woman playing the piano; another woman stands beside her with a hand on her shoulder. They are singing, "When this Cruel war is over-!"
• Vision of injured soldiers, one leg amputee standing with crutches.
• A woman seated and writing a letter.
• A physician seated at a tent opening, reading a letter.

The text includes a parody of physician's explanation and prescription to the disconsolate young woman. The instructions read:

"The exostotic exudation overcoming the endosmotic implication in the peri and endocardium, pluviates the sanguinious, and decalorificates the systemic platitudes. The circumambient exoteric disintegrates the envelope and allows the exoteric functions to retrospect the perihelion of animal deficiancies. The pia mater interconvoluted with the [?] covering and becomes simultaneously congested by contact with the [?] substance. Hence retrovision becomes duplicated and prevision imparalelized. The remedy is equally perspicuous and followed earnestly will inevitably effect a cure..."

The volume includes several lines and paragraphs written in German Kurrantschrift. The most robust is the final page, headed by the text "The Soldier's Lament" and "Der Betrübte-lammantiert Soldadt," followed by a poetic description of snow-capped mountains and remarks on girls' behavior, i.e. "Wie schön wäre es [wenn?] die kleine Mädchen immer die Wahrheit sprächen" (How nice would it be [if?] little girls always spoke the truth), etc.

Detroit, Michigan, attorney and judge, Democratic candidate for governor in 1934. Correspondence, legal case files, family materials, speeches, essays, diary notes, financial materials, newspaper clippings, scrapbooks, photographs, and transcript of oral interview.

The Arthur J. Lacy collection consists of correspondence and other papers documenting his political activities within the Democratic party and career as a Detroit attorney. The collection has been divided into the following series: Biographical information; Personal letters; Professional correspondence and related papers; Lacy Family papers; Speeches; Early personal materials; Writings, essays, etc.; Financial files; Miscellaneous; Newspapers clippings; Photographs; and Legal files.

The Lacy Collection documents particularly well Lacy's major legal cases (Wilson vs. White, the Ford Stock Tax Case, Mary A. Rackham Estate) and his transition from conservative Democrat to conservative Republican. His letters home from Valparaiso, Indiana and Ann Arbor and his letters to his future wife Beth Garwick give a detailed picture of college life in the 1890's. Major subjects covered in the public papers are the Detroit Domestic Relations Court, problems of taxation and banking in the depression, Lacy's friendship with James Couzens, and the campaigns of 1932 and 1934. A series of notes Lacy wrote to himself from 1915-1928 and 1946-1956 reveal his political ideals, personal morality, and his relationship to his family.

Within the Professional Correspondence and related papers series, the researcher will find correspondence with many notable political and business figures. These include John W. Anderson, William R. Angell, Art Baker, Arthur A. Ballantine, C.C. Bradner, John V. Brennan, Thomas E. Brennan, Prentiss M. Brown, Wilber M. Brucker, George E. Bushnell, Daniel T. Campau, Harvey J. Campbell, John J. Carson, E.R. Chapin, John S. Coleman, William A. Comstock, Calvin Coolidge, Grace G. Coolidge, Frank Couzens, James J. Couzens, John D. Dingell, Patrick J. Doyle, William J. Durant, Henry T. Ewald, Mordecai J.B. Ezechiel, James A. Farley, Homer Ferguson, Woodbridge N. Ferris, Clara J.B. Ford, Edsel B. Ford, Joseph Foss, Fred W. Green, Alexander J. Groesbeck, Edgar A. Guest, James M. Hare, Herbert C. Hoover, J. Edgar Hoover, Kaufman T. Keller, Stanley S. Kresge, David Lawrence, Arthur F. Lederle, John C. Lehr, Fulton Lewis, Percy Loud, William G. McAdoo, William McKinley, George A. Marston, Eliza M. Mosher, Frank Murphy, George Murphy, William J. Norton, George D. O'Brien, Elmer B. O'Hara, Hazen S. Pingree, Mary A. H. Rackham, Horace H. Rackham, Clarence A. Reid, George W. Romney, Eleanor Roosevelt, Franklin D. Roosevelt, Alexander G. Ruthven, W.M. Skillman, Albert E. Sleeper, Edward D. Stair, Arthur E. Summerfield, William H. Taft, Joseph P. Tumulty, Arthur H. Vandenberg, A. VanderZee, Murray D. Van Wagoner, Henry F. Vaughan, Carl Vinson, Matilda R.D. Wilson, Clarence E. Wilcox, and R.A.C. Wollenberg.

The Lacy Family papers are rich in detail about life in Michigan in the nineteenth and early twentieth century; the surviving letters document family crises and Lacy's role in them as the oldest and most successful child and later, as family leader. Lacy was the family genealogist and he collected and preserved the family correspondence of his uncles and aunt, some of which date back to the 1850's.

The Uriah Lee family collection (39 items) contains 32 letters, 3 diaries, and 4 additional items related to Lyman Uriah Lee of Foxcroft, Maine. Uriah Lee wrote 27 letters to his family while serving in the Union Army during the Civil War, his brother Leonard wrote 3 letters while serving with the Union Army at Fort Sumter, and family members exchanged 2 additional letters. Also included are 3 diaries that Elizabeth M. Lee kept between 1851 and 1878, a poem, Uriah Lee's discharge papers, and a photograph.

The Uriah Lee family collection (39 items) contains 32 letters, 3 diaries, and 4 additional items (1850-1912) related to Lyman Uriah Lee of Foxcroft, Maine. Uriah Lee wrote 27 letters to his family while serving in the Union Army during the Civil War, his brother Leonard wrote 3 letters while serving with the Union Army at Fort Sumter, and family members exchanged 2 additional letters. Also included are 3 diaries that Elizabeth M. Lee kept between 1851 and 1878, a poem, and Uriah Lee's discharge papers.

The Correspondence series (32 items) contains 27 letters that Uriah Lee wrote to his family while serving in North Carolina, Virginia, and Washington, D. C. Lee provided details about his daily life as a soldier, and discussed soldiers' attitudes toward officers, food, and clothing; encounters with former slaves; the weather; and political issues. He also mentioned specific battles, and his letter of May 18, 1863, includes a hand-drawn map of his company's route from New Berne, North Carolina, to Washington, D. C. Leonard Lee wrote 3 letters during his Civil War military service, and discussed similar topics. In his postwar letters, Uriah Lee offered advice to his younger siblings and discussed family affairs. Anne Lee wrote a letter to Lyman Lee in which she recounted the events surrounding the death of a man named Edward, and Chauncey received an unsigned letter about his wife Eva's visit to the writer.

Elizabeth Lee kept 3 Diaries between July 1851 and November 1878, concerning her thoughts and activities as a wife and mother. Among other topics, she discussed housework, the weather, her family, social engagements, and religion. Most of her entries are brief lines about the weather and the housework she was able to finish, with details of church meetings provided every few days.

The Documents, Poetry, and Miscellaneous series is comprised of 5 items. Fanny Hosier wrote Uriah Lee a poem that reflected positively on Southern rights and secession. Uriah Lee's military discharge papers from 1863 and 1865 are also included. A piece of ephemera illustrates 4 badges of the Grand Army of the Republic.

Graduate of the University of Michigan College of Engineering, Class of 1895. Glass negatives and prints of scenes at the University of Michigan, including Alpha Delta Phi fraternity, the Engineering summer camp, football and baseball games, the track team, University buildings and campus scenes, and views of the Huron River; also views of Bay City, Michigan, and portraits of members of the LeFavour, Shearer, and McMillan families.

The David LeFavour glass negatives collection documents a variety of activities, individuals, groups, and buildings in Ann Arbor and Bay City. As a member of the class of 1895, a year which was, coincidently, the first year of formal recognition for a Department of Engineering at the University of Michigan, LeFavour participated in an annual event for engineering students. A summer camp was set up outside the University to conduct field projects. The camp was periodically relocated and in 1895 a change was made from a grove on the outskirts of Leland, Michigan, at an outlet of Carp Lake (now Lake Leelanau), to a point further up the lake near the Fountain Point Hotel.

The scenes of the camp and the engineers depict several projects undertaken by the group, their campsite and equipment, and members of the entourage, including Professor Joseph B. Davis (Geodesy and Surveying) who was in charge of the operation. LeFavour also captured his peers at play, as a print of a baseball game at nearby Sutton's Bay reveals.

As a student, David LeFavour was also a member of the Alpha Delta Phi Fraternity. He photographed his fraternity house, his room, an unidentified ceremony, and several group portraits of his fraternal brothers and their dates.

Although there is no indication of any personal participation by LeFavour in university athletics, he did photograph members of the university track team and local football games. Other negatives and prints detail several university buildings and more "artistic" views of the Huron River and local Ann Arbor streets.

Those negatives and prints focusing on Bay City, Michigan, provide an insight into another facet of LeFavour's life and interests. Several exterior views are present, which detail the various Shearer homes in the city as well as those of other prominent residents. Interior views of the James Shearer home (where David grew up), reflect the style of life and living conditions of a prosperous Michigan family at the turn of the century.

Many Bay City buildings, including schools, hospitals, and government structures are identified. As was done in Ann Arbor, LeFavour also photographed street views and individuals. Two favorite subjects for LeFavour were children and women. He frequently photographed young relatives and used his photographic skills to show his sister Helen in particular. Often the young lady (or ladies) were posed with bicycles.

The LeFavour negatives were randomly described and dated. Available information has been provided when possible, however. All negatives were produced between 1894 and 1895, but no dates have been attempted for undated negatives or prints. The print collection is numbered so that one can refer back to the appropriate glass negative. There are over 155 glass negatives and a corresponding number of prints.

Ironwood, Michigan businessman and local historian; include correspondence, research notes and writings largely concerning the history of Gogebic County and Upper Peninsula iron mining; also papers concerning his work with the Gogebic Industrial Bureau.

The Victor Lemmer Papers concerns the history of the western portion of the Upper Peninsula of Michigan, particularly Gogebic County, as well as his work as the agent for the Gogebic Industrial Bureau. The collection has been divided into the following series: Correspondence; Photographs; Personal/Miscellaneous; Gogebic Industrial Bureau Files; Research Files; Collected Materials; and Writings/Speeches.

Clinton County, Michigan, general store. Business financial records, family correspondence and history, diaries, photograph album of the Sickels-Bates family, and miscellanea.

The record group consists of financial records detailing the operation of the L. G. Bates General Store and its predecessor firm, J. F. Hasty and Co. As the dates of some of the records precede the opening of the Hasty store, it is possible that some of the accounts and ledgers are of a Sickel family member. In addition, the collection includes family correspondence, diaries and notebooks probably of Bates, family history and genealogy, photographs, and printed material.

Professor of astronomy at the University of Michigan, friend and booster of U-M athletics and athletes; correspondence, speeches, class materials, and photographs.

The collection is comprised of three series: Correspondence, course materials, and other papers; Photographs; and Sound Recording. The photographs are of Losh family members, photos relating to University of Michigan athletics and other interests. There are also photos of Hazel Losh teaching in the classroom. The Sound Recording is of Professor Thomas Slavens interviewing Professor Losh about her life and career. A transcript has been made of this recording.

Ann Arbor and Ypsilanti, Michigan resident. Glass negatives and prints of photographs of unidentified family groups and other people, of Palmer's Drugstore in Ann Arbor, Michigan, of people with bicycles, of a military unit and band, and of the Homoeopathic Hospital at the University of Michigan.

The collection consists of a single series of glass negatives relating to people, places, and events in Ann Arbor and at the University of Michigan. The glass negatives have been arranged into the following broad categories: Businesses and public places; Casual views of unidentified individuals - Ann Arbor area; Military scenes and marching bands; and Casual views of unidentified individuals. There is no information about the photographer of these images.

Microfilm of a selection of the papers of the McCreery-Fenton families of Genesee County, Michigan. Civil War correspondence and other papers of William M. Fenton of Fenton and Flint, Michigan, Democratic state senator, and lieutenant governor, later colonel with the 8th Michigan Infantry; correspondence, diaries, and other materials of William B. McCreery of Flint, Michigan, Colonel in the 21st Michigan Infantry during the Civil War; and photographs.

This microfilm edition of a portion of the McCreery-Fenton family collection includes only materials relating to the Civil War service of William M. Fenton and William B. McCreery.

The McCreery and Fenton families were prominent Genesee county, Michigan residents some of whose members distinguished themselves in local and state government, as soldiers during the Civil War, and in the United States diplomatic service. Papers include diaries, correspondence and other material relating to the Civil War, local and state politics and aspects of diplomatic service in Central and South America.

The McCreery-Fenton family collection documents the individual careers of family members who served their community and their nation in a variety of roles. Through correspondence, diaries and other materials, the researcher will find information pertaining to the Civil War, to the history of Flint and Fenton in Genesee County, Michigan, and to facets of America's diplomatic relations with some of the countries of Central and South America. Arranged by name of the three principal family members represented in the collection - William M. Fenton, William B. McCreery, and Fenton R. McCreery, the papers also include series of general family materials, business records, and photographs.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements for the agency, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

The typed personal advertisements include physical descriptions and financial situations for four women from Pennsylvania, New York, and Michigan. The printed materials include a notice from O. C. Seemiller stating he sold his interest in the Columbian Agency to Walter McDonnell and a statement by McDonnell about his experience and skills, purporting to have introduced "thousands of happy and prosperous married couples." Other items include advertisements and price lists for the "Celebrated Columbian Photographs," "elegant pictures" rather than "the miserable stamp photos used by all other agencies and matrimonial papers." They also advertise free copies of the book, Reading Character from Photographs, sent to subscribing men. "Are you corresponding with a lady you have never seen? You want to know something about her character and disposition? Exchange photos and then study her photography . . . If the lady would make a true and loving wife, this book will say so."

A blank application form for McDonnell's Private Agency is present, requiring the applicant to list their physical description, their income, property or means, use of tobacco and liquor, occupation, nationality, religion, previous marital status, and what kind of correspondents were desired.

Women seeking matches are separated into two different classes depending on net worth. Private List No. 12 contains Class A advertisements of “Ladies Without Means or Property,” while Private List No. 13 contains Class B advertisements of “Ladies With Means or Property.” Each woman provided a short description of their appearance and/or personality traits, as well as abbreviations indicating their faith, nationality, occupation, weight, etc. The agency also includes an abbreviation for whether women would be capable of the duties of a farmer’s wife, or if the woman was a widow. List 13 also includes asterisks to identify women "willing to share the life of a poor man if he proves himself worthy, industrious and temperate." The list also notes that the agency has extensive profiles available "of thousands of ladies of all ages, living everywhere. By allowing us to select, you may get introductions to ladies living nearer your own residence."

Men seeking potential matches would receive a different number of photographs and introductions depending on how much they were willing to pay and what class of women they were requesting from.

There are two envelopes in the collection, one printed return envelope to Walter McDonnell, and the other addressed to Alfred Ames of Machias, Maine, possibly one of the agency's members.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements for the agency, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

The typed personal advertisements include physical descriptions and financial situations for four women from Pennsylvania, New York, and Michigan. The printed materials include a notice from O. C. Seemiller stating he sold his interest in the Columbian Agency to Walter McDonnell and a statement by McDonnell about his experience and skills, purporting to have introduced "thousands of happy and prosperous married couples." Other items include advertisements and price lists for the "Celebrated Columbian Photographs," "elegant pictures" rather than "the miserable stamp photos used by all other agencies and matrimonial papers." They also advertise free copies of the book, Reading Character from Photographs, sent to subscribing men. "Are you corresponding with a lady you have never seen? You want to know something about her character and disposition? Exchange photos and then study her photography . . . If the lady would make a true and loving wife, this book will say so."

A blank application form for McDonnell's Private Agency is present, requiring the applicant to list their physical description, their income, property or means, use of tobacco and liquor, occupation, nationality, religion, previous marital status, and what kind of correspondents were desired.

Women seeking matches are separated into two different classes depending on net worth. Private List No. 12 contains Class A advertisements of “Ladies Without Means or Property,” while Private List No. 13 contains Class B advertisements of “Ladies With Means or Property.” Each woman provided a short description of their appearance and/or personality traits, as well as abbreviations indicating their faith, nationality, occupation, weight, etc. The agency also includes an abbreviation for whether women would be capable of the duties of a farmer’s wife, or if the woman was a widow. List 13 also includes asterisks to identify women "willing to share the life of a poor man if he proves himself worthy, industrious and temperate." The list also notes that the agency has extensive profiles available "of thousands of ladies of all ages, living everywhere. By allowing us to select, you may get introductions to ladies living nearer your own residence."

Men seeking potential matches would receive a different number of photographs and introductions depending on how much they were willing to pay and what class of women they were requesting from.

There are two envelopes in the collection, one printed return envelope to Walter McDonnell, and the other addressed to Alfred Ames of Machias, Maine, possibly one of the agency's members.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

The Michigan Historical Collections Topical Photograph Collection offer a broad and varied glimpse into nearly one hundred years of Michigan history, from the 1860s into the 1950s. The provenance of most of the photographs has been lost and therefore these images have been grouped together by subject into an artificial accumulation. Subjects depicted range from industry and transportation to clothing styles and social customs.

The photographs in this collection were received from various sources. Subjects include carriages, automobiles, Great Lakes shipping, railroads, and mass transit, especially street railroads. There are also images documenting activities within the mining, forestry, and lumber industries, mostly in the Upper Peninsula of Michigan. Also included are photographs of various ethnic groups and their societies, notably of Native Americans (1870s-1930s) of the Manistee and Ludington, Michigan, areas. Some of the images are street views and private residences in various Michigan towns and cities. Of interest are photographs of Michigan units taking part in the Spanish-American War and the "Polar Bear Expedition" of World War I. There is also a series of bookplates, [acquired from?] William H. Bicknell, many of which relate to the University of Michigan.

Grace H. Miller was a school teacher in the Philippines during the 1920s. Her brother, James M. Miller, was a U.S. Army physician in Manila during the same period. The collection includes Grace H. Miller's diaries about life in the Philippines and her travel accounts; and correspondence of James M. Miller describing his life and work in Manila. Visual materials include photographs and an untitled oil painting depicting three indigenous Filipino women. The painting was attributed to Fernando Amorsolo by Ana Maria Theresa P. Labrador in 2022.

Diaries of Grace H. Miller (1921-1922) describing life in the Philippines and travel in China, South Asia, and Europe; correspondence of James M. Miller (1924-1926) describing life in the Philippines; and one letter (1938) from Miller's wife Bess describing life in the Canal Zone; and visual materials. Photographs of hospital and hospital staff, the Philippine people, and local and scenery.

The collection includes an untitled oil painting on wood panel that depicts three indigenous Filipino women in Baguio. The painting is signed and dated 1925. In 2022, the painting was attributed to Fernando Amorsolo (1892-1972). To learn more about the attribution, see Processing Information.

Lila Moran kept this notebook while a student in Norwich, Connecticut, in 1889. The bulk of the volume consists of compositions relating to British history and vocabulary terms and their definitions. Other content includes two drawings of women, a partial tracing of a hand, and directions for two supernatural rituals or games relating to predicting the future.

Lila Moran kept this notebook while a student in Norwich, Connecticut, in 1889. The bulk of the volume consists of compositions relating to British history and vocabulary terms and their definitions. Other content includes two drawings of women, a partial tracing of a hand, and directions for two supernatural rituals or games relating to predicting the future. They read:

"Start from bed and walk to the door reading 3rd. verse 3rd. chapter amor when you reach the door walk backwards to the bed still reading get in to bed backwards put the book under your pillow wish blow out the lamp without getting out of bed and go to sleep, you must sleep alone you will dream of your future husband"

"Put three saucers in a row put dirt in one a ring in another and watter in the other blindfold any body who wants to try it change the saucers round then lead the person up turn her round three times and stand her before the saucers which must be in a row then let her put her finger in one if she puts it in the one with watter in it she will take a voyag on the watter before a year if she puts it in the one with a ring in it she will be married before a year if she puts it in one with the dirt in it she will die before a year."

Two receipts and one bank notice for Samuel Moran of Norwich, Connecticut, dated between 1883 and 1905, are laid into the volume.

Physician and first Dean of Women at University of Michigan. Correspondence, largely of a personal nature with her niece Sarah Searing; biographical information; scrapbooks with notes and letters about travels abroad; and photographs.

The collection consists of materials accumulated by Dr. Mosher's niece Sarah Searing. It includes both letters received from Eliza to her niece, general family correspondence, and other Mosher materials which came into Sarah Searing's possession upon the death of Dr. Mosher. The collection has been arranged into the following series: Correspondence; Personal and biographical; Writings, speeches and lectures; Miscellaneous; Travel; Clippings and scrapbooks; Realia; and Photographs.

Records of the MADD's state coordinating council, files from the various county chapters, bulletins from the national headquarters of MADD, and programs and clippings describing state activities; also videotapes relating to the work of the organization, and audio-tapes promoting the organization and its aims.

The records of Mothers Against Drunk Driving (MADD), Michigan are divided into eight series: State Coordinating Committee Files; Outreach Programs, Panels And Workshops; Publicity And Publications; Topical Files; County Chapter Files; Visual Materials; Sound recordings; and Correspondence.

Socialist Labor Party member, later member of the League for Socialist Reconstruction. Correspondence, campaign files, audio-tapes, and other materials largely concerning his work with the State Central Committee of the Socialist Labor Party and Socialist Reconstruction, 1928-1992; and collected family materials including letters and memoirs of Levi Muncy, soldier during the Civil War; also photographs.

The Ralph Muncy collection consists primarily of papers relating to his interest in socialist political activities. A smaller portion of the collection documents the involvement of his wife, Lydia B. Muncy, in the socialist cause. Together they also collected materials relating to the history of their families (Muncy-Baird). Included is much original family material dating back into the nineteenth century. The Ralph Muncy papers have been arranged into the following series: Correspondence; Topical Files; and Ralph Muncy and Lydia Baird Muncy Personal.

The Joel Munsell collection contains two distinct groups of materials. The first series comprises letters and printed material related to printer and antiquarian Joel Munsell’s 1847-1850 investigation of the 1777 murder of Jane McCrea, and the second series consists of 19 letters from Munsell to Elias Nason, primarily concerning historical publications.

The Joel Munsell collection contains 26 letters, 2 essay fragments, a pamphlet, a clipping, and several transcriptions of letters, which the library acquired in two distinct groups. The groupings have been preserved as two series, within which items are arranged chronologically.

The Jane McCrea research series documents Munsell’s 1847-1850 investigation into the 1777 murder of Jane McCrea with correspondence, writings, and printed matter. The eight letters in the series concern the conflicting accounts of the murder by Epaphras Hoyt and Charles Neilson, including Munsell’s letters to each man, soliciting more information, and their responses. In his 9-page letter, dated January 30, 1849, Hoyt purported to describe the exact location of the murder, described the sources of his information, and gave his opinion on Neilson. Neilson’s much briefer letter of January 25, 1849, contradicts Hoyt’s claim that McCrea was "called by any other name than Jane" and describes gathering the information from his parents and other locals. Additionally, the collection contains a 1913 letter by J.T. Holmes that concerns reports of the McCrea murder. Also of interest are two short drafts that Munsell wrote; they shed light on his interest in the matter and express pity for McCrea, "consigned…to the tender mercies of the scribbles in all after ages, at whose hand she has been cruelly maltreated, for more than half a century." Rounding out the series is Hoyt’s version of the McCrea murder story, printed in the Proceedings of the New-York Historical Society (June 1847), and a newspaper clipping containing an 1851 eulogy for Hoyt by Luther B. Lincoln.

The Letters to Elias Nason series contains 19 letters written by Munsell to historian and Congregational minister Elias Nason between 1862 and 1866. Seven of the letters relate to various aspects of the New-England Historical and Genealogical Register, which Munsell published. Topics related to the serial include the inclusion of Dutch-Americans in the register (January 18, 1862), the publication's coverage of Boston (March 15, 1862), and the appropriateness of its commentary on current events (August 19, 1862). The remaining letters primarily concern the publication of two works by Nason, Sir Charles Henry Frankland, Baronet: or Boston in the Colonial Times (1865) and A Memoir of Mrs. Susannah Rowson (1870). Munsell wished to print the works but lamented the poor market for biographies, noting, "I have found it advantageous to disguise such books under some other name" (September 28, 1863). He also discussed errors in Nason's manuscripts (February 21, 1865), the financial concerns of printing Frankland (June 3, 1865), and the flaws in several atlases published by rival firms (November 2, 1865). Other subjects mentioned in Munsell's letters are the poor market for antiquarian books (January 18, 1862) and his views on social history: "I desire to rescue every man's memory from oblivion who has a history, and am garnering up names with facts attached to them…" (March 19, 1862).

Michigan-born lawyer, judge, politician and diplomat, served as Detroit Recorder's Court Judge, Mayor of Detroit, Governor General of the Philippines, Governor of Michigan, U. S. Attorney General and U.S. Supreme Court Justice. Papers include extensive correspondence, subject files, Supreme court case files, scrapbooks, photographs, newsreels and audio recordings, and other material.

The Frank Murphy Collection documents in detail the life and career of one of Michigan's most distinguished public servants. Through correspondence, subject files, scrapbooks, visual materials, and other documentation, the collection traces Murphy's life from his years as Detroit judge, later Mayor, to his service in the Philippines, his tenure as governor, his stint as U.S. Attorney General, and culminating in his final years as U.S. Supreme Court Justice.

The Frank Murphy Collection consists of eight series: Correspondence, Other Papers, Supreme Court Case Files, Speech File, Speech Material, Miscellaneous, Visual Material, and Newsclippings/Scrapbooks.

Birmingham, Michigan, businesswoman, Democratic Regent of the University of Michigan; contain materials relating to her life and interest in the Philippines, especially during the administration of Frank Murphy, during World War II, and during the presidency of Ferdinand Marcos; papers relating to her interest in University of Michigan history; and photographs.

The Irene Murphy collections has been arranged into the following series: Correspondence; Murphy family; University of Michigan Board of Regents; Philippines interests and activities; Other topics; Scrapbooks and clippings; Sound recording; and Photographs.

The Peter H. Musty papers are made up of two bound diaries, disbound diary entries, a letter book, ten loose illustrations, and two printed items belonging to Peter Henry "Hank" Musty of Greensburg, Ohio. In 1862, Musty enlisted in the 61st Ohio Infantry and served as a musician until his health-related discharge in 1864.

Peter H. Musty Bound Diaries. The earlier of the two bound diaries dates from Musty's enlistment and initial period of service in the army (January 1862- September 1862) and the later bound diary begins after Musty had been discharged and returned home (June 1864- February 1865). Throughout both diaries, Musty wrote personal names and the daily entries for July 2- September 16, 1864, in a numerical substitution code. Before enlisting, Musty made multiple visits to a gypsy camp near Greensburg, where he had his fortune told and received an invitation into a tent to sing for them (January 15-19, 1862). Shortly after his enlistment, Musty was appointed as a musician (drummer) and transferred to Field and Staff duty where his responsibilities included cooking and guarding prisoners. Musty described daily life at Camp Dennison and Camp Chase in Ohio, including mentions of petty thefts such as a soldier being placed in the guard house for stealing a pie as well as someone stealing his blanket.

Although not directly involved in combat with his unit at the second Battle of Manassas, Musty was impressed by the intensity of the heavy "cannonading and musketry," and mentioned the forced retreat with the entry: "Jackson after us. I run all night - no sleep at all - cold, cold." On July 31, 1862, he described flags flying at half-mast in their camp and "canons fireing in every direction," at the news of Martin Van Buren's death.

After being invalided out of the army in 1864, Musty's diary entries again focused on life in Greensburg, Ohio. Musty spent a large part of each day playing his violin, often for two or three different gatherings on the same day. He played at "apple cuttings," parties, school programs, and oyster dinners. He serenaded neighbors, often not returning home until well after midnight. Sometimes Musty was accompanied by friends on the "basse" and drums, and on several occasions they donned "blackface" by rubbing their faces with cork only to find that it was much easier to apply the cork than it was to remove it. Musty returned to helping his father with the coopering business and began working part time at the local post office, hoping to get well enough to return to Washington, D.C., to work for the Veteran's Relief Corp. On the local scene, the town of Greensburg worked actively to prevent the drafting of local men in 1864. Instead of individual men buying their way out of the draft by hiring replacements, a committee of Greensburg citizens went to Cleveland and hired replacements for all the Greensburg men subject to the new draft. The town then set about soliciting money from all the local families to cover this communally-incurred expense. Musty made a passing mention to visiting a photographic gallery in November 1864, where he saw "movements on negatives" and had his "picture taken with motion." The December 23, 1864, entry includes four small pencil sketches of a friend named Tom, showing his progression from civilian to soldier. Musty was fond of keeping lists, and in the back of his diaries he compiled the names of soldiers he served with, people who owed him money, letters he had received, and a six page chronological list ("Memorandum") of all the girls he had accompanied home from local events between April 1860 and February 1865.

Peter H. Musty Disbound Diaries. Pages disbound from diaries span from January 1, 1861, to August 7, 1863, with some ca. 1865 entries at the end. The early entries pre-date Musty's enlistment and describe his schooling, daily activities, and work. Musty occasionally mentioned topics like slavery (January 8, 1861; February 24, 1861), and by April 1861 he began to note military activity. Throughout the rest of 1861 Musty recorded local enlistments, drills, and military news alongside his daily work and activities, providing a glimpse of local reactions to the early war effort. Entries from January to September 1862 overlap with the bound diary for these dates, but with variant wording and occasionally more details. Musty described his enlistment on February 26, 1862, and his subsequent stay at Camp Dennison and Camp Chase, providing details about daily camp life. Musty commented on guarding Confederate prisoners at Camp Chase, some who were en route to Johnson's Island (April 26-May 27, 1862). Musty described the march through West Virginia, arriving in Strausburg, Virginia, on June 21. From June to November 1862, Musty wrote from Strausburg, Middleton, Sperrysville, Arlington Heights, Fairfax Court House, New Baltimore, and other Virginia encampments, describing marches, camp life, nearby Confederates and guerrillas, and recent military encounters. In his entry for September 10, 1862, he vividly recalled his first time in battle on August 22. From April to August 1863, the collection includes copies of letters Musty wrote while at the hospital at Brooks Station, Virginia, and convalescent camps near Alexandria, relaying news of nearby engagements and activity at the hospitals. In July 1863 he began working as a clerk at the Medical Head Quarters for the convalescent camp and subsequently the Invalid Corps Head Quarters. The entries for 1865 primarily detail his health complaints. Musty included occasional references to African Americans (May 4, 1862; May 28, 1862; July 30, 1862; June 9, 1863; June 25, 1863). Other items include lyrics to a song about alcohol, an extract from the Army Herald entitled "The Fruits of Rebellion," and several pages accounting for Ohio soldiers.

Musty's letter book contains eleven of his outgoing correspondences and eighteen incoming letters from friends (both male and female) during the Civil War. It also includes poems, songs, programs of performances at the local Greensburg school from 1859 to 1861, the constitution of the Tyrocinean Debating Society, and a list of other men from Greensburg who served in the Civil War. Among the copied letters is a formal letter of complaint against Captain Thomas Graham for being intoxicated on multiple occasions while stationed at the Invalid Corps Convalescent Camp in Virginia (November 7, 1863). A table of contents for the letter book appears between pages 101 and 104.

Ten illustrations drawn by Musty during his military service are present in this collection. He drew three of these sketches between February and April 1863, when his unit (61st Ohio Infantry) was stationed near Stafford Courthouse, Virginia. Of particular interest is a detailed drawing of General Adolph von Steinwehr's headquarters and the surrounding camp activities, with what appears to be a self-portrait of Musty sketching the scene in the foreground (March 6, 1863). The illustration is on the reverse side of a fragment of a letter in which Musty states that he and all of the soldiers he knows are not fighting for "the freedom of the collord race." Another drawing from around the same time shows a soldier carrying dispatches in front of a tent, with several wooden hitching posts in the foreground. The third illustration depicts a log cabin next to what appears to be an oven while two soldiers stand guard nearby. On the reverse side of this sketch is part of a letter to his brother Francis in which Musty mentions having received a valentine from a girl (whose name he rendered in code). The fourth sketch from this period is on the back of a letter dated May 28, 1863, and shows a long tent, possibly a field hospital, with a "No Admittance" sign over the entrance. A man is visible through the tent flap with a bucket at his side. The fifth sketch (undated) shows the fortifications at Aquia Bridge, Virginia, and the surrounding countryside. Two undated sketches depict women, one drawn in pencil with the title "Going By the Gate" and the other in black, blue, and red ink showing a woman with a striped hat. An undated pencil sketch, "The Signal Flag," shows soldiers atop a house waving the signal flag, an army encampment in the foreground, and soldiers marching in the background. A pen and ink drawing captioned "Near Cedar Mountain" shows three soldiers, one on horseback and two others cajoling a balking donkey. A dialog entitled "A Quaker on an argument" includes a pen and ink illustration of two men debating theology before a fireplace.

The last two items in this collection are printed items, a black and red print of Major General John C. Frémont torn from a letterhead and a Valentine containing an illustration of a man playing his guitar for a woman that includes the following poem:

"My song is mute, the strainWhich melodized each line,My sentiments conveyTo thee my Valentine."

Records of various officers of the Michigan Conference of the National Organization for Women collected by one-time state presidents Margot Duley-Morrow and Alicia Perez-Banuet. Presidential files of Duley-Morrow, Nan Frost-Welmers, Shirley Monson, Lynn Hierholzer, Gloria Woods, and Alicia Perez-Banuet; files of state chapter developer Rhonda Drinan, and Macomb County chapter president Doris Little; contain correspondence, newsletters, clippings, mass mailings, agendas and minutes, photographs, and other materials concerning the formal and personal aspects of this feminist organization. Topics covered include the Equal Rights Amendment, the Project for Equal Education Rights, Women's Assembly III, and other issues pertaining to women's rights.

The Michigan NOW record group includes administrative records, files of individual presidents, newsletters from local chapters, records of the Michigan NOW PAC (Political Action Committee), and topical files of subjects of interests to the Michigan Conference such as the ERA, educational equity, and abortion rights.

The organization of the collection is rather artificial, both because the documents were in extremely poor order upon their accession and because there is only the broadest unity to the collection's components. The records have been grouped under the name of the individual most responsible either for their creation or for their accumulation and preservation. There were two individuals primarily responsible for these records coming to the Bentley Library. They were Margot Duley-Morrow (two-term president, 1981-1983) who donated records in 1984 and Alicia Perez-Banuet (president, 1997-1998) who donated materials in three major accessions.

The Elmer Neill sketchbook, dating between 1893 and 1896, contains pencil, ink, and crayon/pastel drawings likely produced as educational exercises. Also in the volume are manuscript maps of North America, South America, and Africa, as well as calligraphic drawings of birds.

The Elmer Neill sketchbook, dating between 1893 and 1896, contains pencil, ink, and crayon/pastel drawings likely produced as educational exercises. Also in the volume are manuscript maps of North America, South America, and Africa, as well as calligraphic drawings of birds. The drawings in this volume include landscapes, geometric shapes, animals, flowers, a woman outside a log house, a ship, and others. The name Elmer Neill appears once.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. The volume includes engraved illustrations, several entries that feature artistic elements, and miscellaneous tipped in materials.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. Additional visual materials include a negative image of a leaf made by splattering ink, a watercolor painting of flowers, and a calligraphic rendering of Laura Earl's name. Places linked to writers include states such as Wisconsin, Iowa, Minnesota, Colorado, Missouri, New York, Illinois, Ohio, Kansas, Nebraska, Massachusetts, and Oklahoma. Later entries refer to Laura by her married name, Laura E. Nethers.

Laura L. Earl pasted or tipped in various materials to the volume, including printed poems, calling cards, newspaper clippings, leaves, a scrap of fabric, an advertising blotter, a printed set of four images with Biblical passages, a notice for Mrs. D. E. Denman's funeral services in 1928, and Laura (Earl) Nethers' newspaper obituary from 1932. One calling card is from Laura L. Earl, and includes a photograph of her affixed to it. One clipped newspaper or magazine image shows two white men seated at a table with an African American man serving beverages.

"Pensez A Moi" is printed on the front cover. "Laura L. Earl" is stamped on the front flyleaf, as well as a pencil inscription, "1860. A Christmas Gift from my father, Covington, Ky."

• Modesty and Vanity
• Pensez A Moi
• The Departure
• Fatal Signal
• The Balsille. Eng'd for this Work
• Little Rogues in Trouble

Ypsilanti, Michigan automobile salesman, antique collector for Greenfield Village, and real estate agent for the Ford Motor Company. Correspondence, newspaper clippings, and pamphlet material concerning his work for Ford Motor Company, and his interest in William H. McGuffey and Stephen Foster; and photographs.

The collection has been arranged into the following series: Correspondence; Newspaper clippings; Printed Material; Greenfield Village acquisitions; Real estate acquisitions; and Photographs.

The Nixon family papers document the lives of several branches of the Nixon family, including settlers in southern Ohio and women attending Mount Holyoke Female Seminary and Charlestown Female Seminary.

The Nixon family papers consist of 88 items: 84 letters, 3 legal documents, and a ledger. The materials cover the period between 1800 and 1889, with the bulk clustered around 1800-1851. They primarily concern the family's settlement on land in southern Ohio in the 1810s and 1820s and the education and social lives of Warren Nixon's daughters in Massachusetts in the late 1840s.

Thomas Nixon, Jr., and his attorney, Rufus Putnam, wrote most of the correspondence of 1800-1817, which relates to taxes and land values in southeastern Ohio. Several documents concerning the land also date from this period. Beginning in 1818, letters from Warren Nixon, Otis Nixon, and Richard Nichols describe clearing and planting in Morgan Township, Ohio, as well as their everyday lives there. Warren looked down on his neighbors, calling them "a poor ignorant lazy set of beings as ever inhabited the world," and disapproved of their religious practices --"the old women & girls will pretend to preach… and jump round a while and then fall down as if they were dead" (June 22, 1818). In many letters they described their hardships; these included the neighbors stealing their horses (December 3, 1819), the low prices paid for their crops (July 13, 1822), and widespread disease (August 10, 1823). Responses from Thomas Nixon, Jr., advised patience and frugality.

By the 1830s, Warren had returned to Massachusetts, and only Otis Nixon remained in Ohio. Otis wrote the majority of letters during this period to Warren and other relatives. In a letter of May 14, 1841, he described the events in Watertown, Ohio, leading up to William Henry Harrison's election: "We have had Harrison women and Harrison boys, tippacanoe poles, log cabins and hard cider in abundance besides dinners I don't know how many & balls not a few. Many have supposed that Gen Harrison lived in a log cabin and drinked hard cider and therefore would be an uncommon friend to the poor, but such was not the fact." Otis' later correspondence also gives details of his crops, farm buildings, and events within his immediate family circle.

Between 1846 and 1851, the focus of the collection shifts to several of the daughters of Warren Nixon and Salome Rice: Selina (1825-1916), Marcella (b. 1827), and Laurella (b. 1820). The sisters exchanged a series of letters concerning family news, church matters, Charlestown Female Seminary, and Mount Holyoke Female Seminary. In her letter of January 25, 1847, Marcella, a Baptist, worries that the "far off Western wilds" are filling with "Roman Catholics… undermining the minds of the young with their false religion." On April 13, 1848, while at Mount Holyoke, she gave an account of Mary Lyon's attitude toward missionaries: "Her whole soul is bound up in the missionary work and she would have her pupils cherish it as she does." Only five items represent the period after 1851. These include several letters from Otis Nixon and his son, George, updating the family on their health and endeavors.