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Architectural photographer based in Troy, Mich. Photoprints and copy negatives, chiefly a portfolio entitled "Man's Presence," a study of Michigan's manmade environment.

Representing but a tiny fraction of Korab's oeuvre, the collection held at the Bentley Library will nevertheless appeal to a broad range of researchers. Especially in a collective sense, Korab photographs are not only about architecture and architectural photography, but also about art, technology, modernism, photography's history, the environment, urbanism, ruralism, and the creative process itself. They also document one individual's spirited commitment to a life's work -- work expressed both analytically and emotionally.

The essence of the collection is a Korab portfolio entitled Man's Presence, a study of Michigan's man-made environment that drew him to dozens of towns, cities and rural areas in the upper and lower peninsulas. Photographs capture the quiet magnificence of silos and barns, the elegance of 19th century mansions, the utilitarian architecture of iron foundries and grain elevators. There are also pictures depicting ways man has wasted resources (an abandoned lumber mill, a barren tract of bulldozed land. A superb example of Korab's lifelong fascination with vernacular architecture, Man's Presence is a deliberate effort to capture on film Michigan worlds that otherwise might go unnoticed or become lost to future generations.

The collection is comprised of three series: Biographical Materials; Man's Presence Contact Sheets; and Man's Presence Copy Prints and Copy Negatives.

Ed Beach was an amateur photographer whose photographs document his hometown of Howell, Michigan and historical sites in other Michigan communities. His collection consists of photographic negatives (with some prints) and albums with prints of historic plaques and markers, statues of famous statesmen and their gravesites, early school buildings, historic houses, gristmills, sawmills, and county courthouses.

The Ed Beach collection consists of photographic negatives (with some prints) and albums with prints of historic plaques and markers, statues of famous statesmen and their gravesites, early school buildings, historic houses, gristmills, sawmills, and county courthouses. Other subjects include tourist sites in Michigan (such as Greenfield Village or Mackinac Island) and state parks, especially those in the Upper Peninsula. His hometown of Howell, Michigan is also heavily documented.

The Beach collection is arranged into three series. In the Kodak series the negatives measure 2 3/4 by 4 1/2 inches in size and cover the years 1931 to 1948. The Leica series consists of 35-millimeter strips and were taken between the years 1936 and 1938. The third series consists of seven albums of carefully identified photographs.

An item-level listing of the contents of the Kodak and Leica series is available at the library. To aid researchers a geographic and subject index has been created and is attached to this finding aid. These indices provide the best introduction to the collection.

Beach created the photograph albums around broad topics, and each has a title. The albums include: "Michigan Historic Places," "Around Lake Erie in Ontario. Trip to Chicago Century of Progress," "Michigan Courthouses," "Michigan Ships, Monuments, Historic Places, Buildings, Creek Scenes," "Indian and Trail Markers," "Around Michigan: Historic Places, Buildings, Mills, Dams, Bridges, Masonic Buildings," and "Michigan Governors' Homes, Michigan Trees, Old Buildings of Michigan." The photos in the albums include Beach's negative number.

Copies of letters from Swedish immigrants to Michigan to family and friends in Sweden.

This is a collection of copied letters from the holdings of the Emigrantinstitutet in Växjö, Sweden. The letters are from Swedish immigrants in Michigan and Indiana to their friends and families in Sweden. The letters are from various Michigan communities, including Benton Harbor, Calumet, Chippewa Lake, Custer, Elk Rapids, Escanaba, Grand Rapids, Hancock, Iron Mountain, Ironwood, Kalkaska, L'Anse, Ludington, Manistee, Marquette, Menominee, Michigamme, Montague, Muskegon, Rapid River, Tustin, and Vulcan. One of the letters is from Johan G. R. Baner of Ironwood, Michigan. In addition, there is daybook maintained by an immigrant recounting travels in America in 1890.

Lake Superior Scenery consists of 26 watercolor sketches produced by artist Albert L. Rawson during a steamboat tour of the Great Lakes (primarily Lake Superior) in 1865. The sketches were compiled into a presentation album gifted to Louise C. Ely, a fellow traveler befriended by Rawson during the tour.

Lake Superior Scenery consists of 26 watercolor sketches produced by artist Albert L. Rawson during a steamboat tour of the Great Lakes (primarily Lake Superior) in 1865. The sketches were compiled into a presentation album gifted to Louise C. Ely, a fellow traveler befriended by Rawson during the tour.

The album (27 x 35.5 cm) has full pebbled burgundy Morocco leather covers replete with gilt decoration and blind-stamped ornamentations. The words “Presented to Mrs. Louise C. Ely By ***** ***** A Lake Superior friend,” “Album,” and “Lake Superior Scenery” are gold stamped on the front cover, spine, and back cover respectively. The binder’s ticket of “Dean Smeal & Hoffman Blank Book Manufacturers and Book Binders 148 Lake Street up stairs, Chicago” appears on the inside of the front cover, likely indicating that Rawson traveled through Chicago at some point during the 1865 steamboat tour. A calling card of “Mrs. C. Arthur Ely” is also tipped-in and includes an inscription reading “Elyria, Lake Superior Views in Water Colors.”

• No. 1 Grand Portal Pictured Rocks.
• 2 Grand Portal, Interior.
• 3 Miners Castle.
• 4 Cascade.
• 5 Cliff, where Steamer Superior was wrecked 1859.
• 6 Sail Rock and Profile.
• 7 Wrecker’s Hut.
• 8 Stranded Fleet.
• 9 Carp River. Near Marquette.
• 10 Cascade near Miner’s Castle.
• 11 [blank] (untitled scene showing railroad tracks, a train with smoke billowing, a river, and a colorful sky)
• 12 Lake Michigumi. Round Islands.
• 13 Chapel. From the Water.
• 14 Chapel and Fall, East.
• 15 Dead River, near White’s Burnt Mill.
• 16 Grand Island Harbor.
• 17 Superior Iron Mine.
• 18 In the Woods near Chocolat.
• 19 Fort Mackinac.
• 20 Washington Harbor - Lake Michigan.
• 21 Lake Michigami.
• 22 Marquette from Chocolat.
• 23 Marquette from the Water.
• 24 Picnic Point, near Presque Isle.
• 25 View near Marquette. Partridge Isle, Picnic Point Presque Isle and grand Island in the distance.
• 26 Chapel, West.

The table of contents accurately lists the relative position of each watercolor within the album except for the first two items (“Grand Portal Pictured Rocks” appears to be located on pg. 2 while “Grand Portal, Interior” is located on pg. 1).

• Eight views depicting various formations of The Pictured Rocks such as the Grand Portal, Miners Castle, Sail Rock, Stranded Fleet, and the Chapel.
• The view titled “The Wrecker’s Hut” (No. 7) showing a man sat near a birch-bark hut erected on Chapel Beach close to the site where the steamer Superior was wrecked in 1856. The view titled “Cliff where Steamer Superior was wrecked 1859” (No. 5) appears to have gotten the year of the wreck wrong.
• The view titled “Cascade Near Miner’s Castle” (No. 10) showing the steamboat Comet (built 1857 as a cargo vessel before being converted to hold passengers; she sank in 1875 while carrying seventy tons of Montana silver ore, making her the one and only treasure ship of Lake Superior)
• Several views of scenes near Marquette, Grand Island, and Lake Michigamme.
• The view titled “Superior Iron Mine” (No. 17) showing a group of miners at work with sledgehammers and horse-drawn carts.
• The view titled “Washington Harbor, Lake Michigan” (No. 20) showing a docked steamer at Washington Island, Wisconsin.

Collection of stereograph images of views of Michigan’s Upper Peninsula in the late nineteenth century.

This collection consists of six envelopes of stereographs published by Bailey & Whitesides, C. B. Brubaker, and A. G. Emergy, and some photographed by B. F. Childs. The images are scenes of Michigan's Upper Peninsula in the late nineteenth century, including Michigamme, Houghton, Hancock, and Sault Sainte Marie, Michigan and the Pictured Rocks.

Postcard views of Michigan cities and the University of Michigan.

The Michigan Historical Collections postcard collection contains picture postcards of Michigan scenes. The collection was brought together by MHC staff. The postcards depict a large number of Michigan communities, with the largest number of cards relating to Ann Arbor, the University of Michigan, and Detroit.

The postcards are arranged by the name of the town shown in the picture. In cases where names have changed, or for rural places that might be identified with several surrounding towns, the postcards are filed according to the name used on the card. For instance, postcards of the Irish Hills region can be found under that name as well as under the nearby towns of Brooklyn and Onsted.

Outsize postcards are located in Box 12, and a few postcards too large for that box are located with the medium sized photographs in UCCm.