Collections

The Zonta Club of Owosso records (1929-2017) consist of founding documents, bylaws, correspondence, notes, conference proceedings, board meeting minutes and agendas, newsletters, newsletters from its international district, scrapbooks, audio-visual materials, and other records documenting the administrative duties of the club. The Zonta Club of Owosso is one of many local units of Zonta International, a global organization of executives and professionals working together to advance the status of women worldwide through service and advocacy.

The Zonta Club of Owosso records (1929-2017) consist of founding documents, bylaws, correspondence, notes, conference proceedings, board meeting minutes and agendas, newsletters, newsletters from its designated Zonta district in Michigan, scrapbooks, audio-visual materials, and other records documenting the administrative duties of the club. The record group is divided into three series, Chronological Files (6 linear feet), Visual Materials (1 linear foot), and Scrapbooks (2 linear feet and 1 oversize box).

Yale Kamisar, the Clarence Darrow Distinguished University Professor, was a professor in the University of Michigan Law School from 1965 to 2004. An expert in criminal law, particularly the exclusionary rule of the Fourth Amendment and the Miranda right based on the Fifth Amendment, Kamisar was a proponent of defendant rights, and wrote extensively on the subject. In the 1960s, his arguments were influential as Chief Justice Earl Warren's Supreme Court ruled on several key defendants' rights issues, such as search and seizure (Mapp v. Ohio), guaranteed legal counsel to the poor (Gideon v. Wainwright), the right to counsel while in custody (Escobedo v. Illinois), and the right to remain silent (Miranda v. Arizona). Kamisar also wrote and lectured extensively on assisted suicide, euthanasia, and mercy killing. His collection consists of research topical files; speech, debate, lecture, and presentation files; teaching files; and writings.

The Yale Kamisar papers include biographical information, topical files, correspondence with law school colleagues, Supreme Court justices, judges, lawyers, and students. They also include teaching files and articles on constitutional and criminal law, particularly the exclusionary rule and the Miranda rule, as well as material on Kamisar’s work on assisted suicide, euthanasia, and mercy-killing and other topics. The papers are divided into four series: Research Topical Files; Speech, Debate, Lecture, and Presentation Files; Teaching Files; and Writings.

Singing group established in 1902 as the University of Michigan Girls' Club before changing the name to Women's Glee Club in the 1940s. The group performed on campus and throughout Michigan as well as touring nationally and internationally. The group disbanded in 1953 and was reactivated in 1976. This records include concert programs and posters, fundraising information, correspondence, photographs, audio/visual recordings of performances, newspaper clippings and scrapbooks. Also included are administrative papers including budget information, schedules, rosters and rules.

The Women's Glee Club collection dates from 1903 to 2017 and is comprised of multiple accessions. Because these accessions came with little discernible structure, and because their contents overlapped, they were combined into one collection made up of printed and manuscript materials, as well as posters, scrapbooks, sound and video recordings in a few different formats. The collection has been divided into four series: Audio/Visual Materials, Topical File, Scrapbooks and Concert Posters. The first two series of the collection have been arranged alphabetically by topic, and chronologically within the files. The Scrapbooks series is contained in Box 2, and each scrapbook has retained its original organization.

Established in 1984, disbanded in 1992, the Washtenaw County chapter of Women's Action for Nuclear Disarmament (WAND), was a local women's initiative advocating peaceful alternatives to armed conflict. The group's members sought to accomplish this goal through coalition-building with other peace and justice organizations, education, political action, and promotion of nonviolent conflict resolution. The record group includes meeting agenda and minutes of the Coordinating Committee (the central organizing body) and subsidiary committees (Executive, Political Action, Strategic Planning). Also included is the WAND newsletter, summaries of member surveys (1985-1987), flyers of special events, and videotapes of protest demonstrations.

Women's Action for Nuclear Disarmament, Washtenaw County Chapter records include meeting agendas and minutes of the Coordinating Committee (the central organizing body) and subsidiary committees (Executive, Political Action, Strategic Planning). Also included is the WAND newsletter, summaries of member surveys (1985-1987), flyers of special events, and videotapes of protest demonstrations. The WAND records are organized into four series: Administrative Records, Newsletters, Campaign files and Audio and Visual Materials.

Support group founded at the University of Michigan to aid minority women employed as office and professional staff members in combating racial and sexist stereotypes and in providing counsel on matters of career planning, job hunting, and development of communication skills. Records include subject files detailing activities of the Task Force, especially to those conferences it sponsored; also history, minutes, correspondence, photographs, publicity, publications, and videotapes.

The Women of Color Task Force (WCTF) records include subject files detailing activities of the Task Force, especially to those conferences it sponsored; also history, minutes, correspondence, photographs, publicity, publications, and videotapes. The Women of Color Task Force (WCTF) records are divided into three series: Administrative, Events and Audio-Visual

Gerontologist, faculty member at the University of Michigan, first with the Bureau of Psychological Services, later with the Institute for Human Adjustment, and as co-director of its successor unit, the Institute of Gerontology. Files detailing her participation at various meetings and conferences, her other professional activities and affiliations, research projects files, University of Michigan administrative and teaching materials, and videotapes of presentations at 1979 conference, "White House Conferences as Agents of Social Change", also photographs.

The Wilma T. Donahue papers document her career as a teacher, researcher, and administrator at the University of Michigan. The papers span the years 1945-1990 with the bulk of the material falling within the two decades bound by 1949-1969. The Donahue papers are a subset of the Michigan Historical Collections/Institute of Gerontology Joint Archives in Gerontology and can best be understood as an integral element of that larger set.

The Donahue papers provide a clear insight to the development of the field of gerontology as an academic discipline and as an area of concern for policy makers and the general public. The earliest files reflect Donahue's training as a psychologist as it relates to her research on testing, returning veterans, and the blind. In the late 1940s Donahue and Clark Tibbitts began to research and publish articles on the aging population in America. Donahue's papers reflect this new interest as the focus of her writings now turns to issues of aging: housing, mental and physical health, adult education, and the economics of retirement. These issues dominated Donahue's research for twenty years and her papers document her increasing stature as an influential figure in gerontology at the state and national levels, especially her involvement with the University of Michigan Annual Conferences on Gerontology, the Michigan Commission on Aging, and her "cutting edge" research on housing the aging.

The collection came to the library in different accessions and from different sources. Although there is some overlap, the files as received represent distinct series. These series are Articles, Conferences, Addresses and Meetings, 1949-1970; Professional Activities and Affiliations, 1953-1970; Research Projects, 1955-1971; University of Michigan: Administration and Teaching, 1946-1968; Videotapes: White House Conferences as Agents of Social Change, 1979; International Center for Social Gerontology; and Miscellaneous.

Wayne County sheriff, 1969-1982, Wayne County Executive, 1983-1986, and Republican candidate for governor of Michigan, 1986. Correspondence, subject files, clippings, videotapes, and photographs primarily concerning his work as sheriff and county executive, and his gubernatorial campaign.

The William Lucas Papers consist of manuscript and audiovisual materials which primarily document economic and social affairs in Wayne County, when Lucas served as county executive, and Lucas's campaign for governor in 1986. There are few materials on Lucas's career prior to his service as Wayne County executive. His gubernatorial campaign is documented in a somewhat piecemeal fashion, and study of it would be enhanced by the use of oral interviews. Media coverage of the campaign, however, has been preserved quite thoroughly. The Lucas Papers (34 linear feet) are comprised of six series: Personal, Wayne County Offices, Political, Clippings, Videotapes, and Photographs.

Dearborn, Michigan newspaper publisher; candidate for mayor of Dearborn in 1957. Papers relating to the Dearborn Independent newspaper; collected materials detailing the career of Dearborn mayor Orville Hubbard; campaign files documenting Mills' unsuccessful bid to unseat Hubbard in 1957; and photographs.

The Mills collection, approximately 1.3 linear feet of correspondence, clippings, photographs, and related materials, covers the period of 1920 to 1988. The great bulk of the collection dates from the years of the late 1940s to 1957.

Although Mills was a newspaper publisher for a long period, the Mills collection relates only in part to this phase of his life. The great majority of materials concern his unsuccessful campaign against Orville Hubbard in 1957. Of interest are the series of articles that Mills wrote, titled "How Dearborn got a dictator mayor."

A series of photographs that Mills collected are of especial importance. Many of these do relate to the activities and operation of the Dearborn Independent, to the cities of Dearborn and Fordson, and to Mills' extensive ties with the Ford Motor Company and the Ford family.

Presbyterian minister actively involved in bridging the Christian and Islamic faiths based in Dearborn, Michigan. The collection consists mainly of records documenting his interfaith initiatives, writings, and correspondence.

The collection consists of two series: Professional Papers and Visual Materials. These series document William Gepford's efforts to bridge the Muslim and Christian faiths, both within his own ministry as well as international efforts. These efforts include seminars, interfaith worship services, and international initiatives. The collection also documents his everyday activities with the Presbyterian Church and interaction with the Detroit community.

William D. Ratcliff (1941-) was an educator within the Ann Arbor, Mich. Public School system for over 30 years who took an active interest in the education of African-American youth in the Ann Arbor school district. This collection covers the time Ratcliff spent as the Executive Director of the Saturday Academy for African American Students, as well as his time as a guidance counselor within Ann Arbor Public Schools. The collection includes general information about the Ann Arbor Public School district, and information regarding the many organizations and programs that Ratcliff took part in.

William D. Ratcliff (1941-) was a counselor within the Ann Arbor Public School system for over 30 years. This collection documents his time within Ann Arbor Public Schools, as well as his work promoting the achievement of African-American youth in the Ann Arbor educational system. The collection is of value to those interested in collections reflecting community efforts to relieve educational disparities seen among minority students and for documentation on how a successful non-profit organization functions. The collection is divided into six series: the Saturday Academy series (divided into 2 subseries, Administrative and Academics), the African-American and Minority Organizations/Programs series, the Educational Organizations/Programs series, the Ann Arbor Public Schools series, the Newspaper Clippings series, and the Audiovisual materials series.

Democratic Congressman from Michigan's 15th District, 1964-1994, member of the Labor and Education Committee his entire career - becoming chairman in 1991, also chairman of Post Office and Civil Service Committee; papers include subject files, legislative and committee files, campaign material, photographs and videotapes.

The William D. Ford papers are divided into seven series: Subject Files, Legislative Files, Committee Files, Campaign Material, Public Relations, Photographs, and Audiovisual Material. The collection is primarily an office file which documents Ford's activities as a local representative, federal legislator and politician. Constituents' opinions and concerns are represented as well, particularly in the correspondence and questionnaire response files.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Professor of accounting at the University of Michigan from 1914 to 1959, consultant and expert witness for court cases, specialist in areas of valuation, utility rates, and income measurement. Transcripts of testimony given in various court cases; correspondence with colleagues and friends, including prominent political and economic conservatives; and topical files containing reports, surveys and teaching materials; also a National Bureau of Economic Research Study (1930) and Salary Amortization Surveys (1919) containing information about the financial organization of various American corporations; and photographs, videotape, and audiotapes.

The William A. Paton papers span the years 1919 to 1984 and mainly document his consulting work, the last two decades of his teaching career, and his post retirement activities. The collection is divided into six series: Testimony; Correspondence; Topical Files; Photographs; Videotape; and Audiotapes.

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.

Professor of education and psychology at the University of Michigan, director of child development research, 1929-1952, and dean of the University's School of Education, 1952-1970. Professional correspondence and topical files concerning his interest in the University's elementary school, the Interamerican Society of Psychology, and UNESCO; reprints and manuscripts of writings; speeches relating to education, child development and child psychology; and visual materials.

The Willard C. Olson collection consists of professional correspondence and topical files concerning his interest in the University's elementary school, the Interamerican Society of Psychology, and UNESCO; reprints and manuscripts of writings; speeches relating to education, child development and child psychology; and visual materials. The collection is organized into the following series: Personal/Biographical; Correspondence; Manuscripts, articles, reviews, and speeches; Topical files; Miscellaneous; Visual Materials; and Topical Files transferred from the U-M School of Education record group in 1995.

Church originally established by German immigrant families to Ann Arbor, Michigan. Quarterly and annual reports of the church, records of church boards and commissions, Sunday School minutes and reports, subject files, publications, visual materials, and sound recordings.

The West Side United Methodist Church (Ann Arbor, Mich.) record group contains all extant records of the West Side United Methodist Church of Ann Arbor from its founding as the Erste Deutsche Methodisten Kirche in 1847 up to the 1990s. All records dating prior to World War I are in German, those from later time periods are in English.

Records from the German period are not complete, but do include quarterly conference meeting minutes (1847-1867 and 1883-1916), official board minutes (1897-1908), Sunday School board meeting minutes (1876-1915), Sunday School attendance and contribution records (1901-1918), a record of baptisms (1857-1901), minutes of meetings of the leaders (1901-1908), Epworth League minutes (1900-1917), and records on receipts and expenditures (1879-1893).

Records from the years since World War I vary in completeness depending on the time period. Records from the years prior to the move to the church on Seventh Street in 1952 are less complete than those for the most recent decades. For the period from World War I to 1952, the collection contains quarterly conference reports for most years; official board minutes (1922-1931 and 1944-1952); Board of Christian Education minutes and correspondence (1943-1952); Ladies Aid/Women's Society for Christian Service records (1935-1952); Sunday School board minutes and records on attendance, contributions, and expenditures (1923-1952 - incomplete); letters from former pastors and their wives upon celebrating the 40th anniversary of the Jefferson Street church (1934); photographs of the church building and activities of the congregation, yearbooks (1946-1952), and correspondence concerning the sale of the Jefferson Street church and the construction of the Seventh Street church (1949-1952).

The records for the years since 1952 are relatively complete and quite extensive. Included are quarterly (more recently annual) conference reports, minutes and correspondence of major boards and commissions (Administrative Council, Board of Trustees, Education, Evangelism, Finance, Memorials, Council on Ministries, Missions, Nominations, Outreach, Staff-Parish Relations, United Methodist Women, and Worship) plus various short-lived temporary committees and task forces, correspondence chronological files, subject files on special projects and events, church newsletters, Sunday bulletins, directories, and photographs of the church building and activities of the congregation.

The record group is arranged in six series: Quarterly and Annual Reports, Boards and Commissions File, Sunday School File, Topical File, Publications File, Photographs File, and Audiotapes, Films and Video.

Researchers interested in baptismal and marriage records should contact West Side United Methodist Church.

Pilot, member of the Tuskegee Airmen during World War II. Military orders and other communications received while serving during World War II; commemorative programs and other publications relating to the Tuskegee Airmen; and a video recording.

Military orders and other communications received while serving during World War II; commemorative programs and other publications relating to the Tuskegee Airmen; also related videocassette.

Professor of Fine Arts at the University of Michigan and widely exhibited painter with studios in Pinckney, Michigan and Gloucester, Massachusetts. Collection includes digital still images, video files, and promotional materials related to Castagnacci's classroom instruction, his artwork, and his personal influences.

The Vincent Castagnacci collection documents Castagnacci's dual careers as an Professor of Fine Arts and a widely exhibited painter. Teaching materials (lecture notes, handouts, and readings) provide access to his four decades as an educator and are complemented by video footage of his classroom instruction. Digital reproductions of artwork and video of Castagnacci in his studio suggest the range and extent of his creative pursuits. Additional video footage of interviews and conversations with colleagues along with depictions of the natural environs of Gloucester, Massachusetts further contextualize Castagnacci's approach to education and art.

This collection includes material regarding the activities of the Vietnam Veterans of America, Inc., Chapter 9 (Detroit, Mich.). Some members of this group have also been involved in the Vietnam Veterans of America (VVA) State of Michigan Council, as well as the Michigan Veterans Trust Fund and Vietnam Monument Commission so materials from these groups have also been included in this collection.

This collection has five series: Vietnam Veterans of America, Inc. Chapter 9 (Detroit), Vietnam Veterans of America, Inc., Michigan Veterans Trust Fund, Vietnam Monument Commission, and Audio and visual material. Records in this collection include administrative documents, Vietnam Veterans of American national convention materials, and VVA chapter newsletters and publications.

American biographer; participated, researched, and wrote about individuals involved in movements central to New York City's Lower East Side, including the Beats and the Punks. Papers include correspondence, notes and notebooks, clippings, other resources, manuscripts (drafts, proofs, galleys), photographs, and audiovisual materials.

The Correspondence series is comprised of approximately 2.5 linear feet of material, foldered alphabetically by author with individual letters and cards within each folder arranged chronologically. The majority of the correspondence discusses Bockris' professional endeavors, including correspondence between publishers, lawyers, and sources. Additionally included are some personal correspondence such as letters, notes, and cards. Within the series are several notable, lengthy correspondence partners including Isabelle and Jean Louis Baudron, 1984-1997 (5 folders); Gerard Malanga, 1977-1996 (10 folders); Miles, 1977-1998 (7 folders); Elvira Peake, 1984-1999 (5 folders); Claude and Mary Beach Pelieu, 1983-1996 (5 folders); and especially Ingrid von Essen, 1983-2001 (31 folders); Christopher Whent, 1985-2002 (7 folders); and Andrew Wylie, 1974-2000 (41 folders). Correspondence with von Essen is of particular note as she was both a professional collaborator and personal friend of Bockris, and in addition to incoming correspondence, outgoing correspondence from Bockris to von Essen, 1977-2001 (17 folders), is included in the series.

The series also includes correspondence from notable individuals, poets such as Anne Waldman and Allen Ginsberg, John Giorno, Jeff Goldberg, artists and personalities including Lawrence Ferlinghetti, Art Garfunkel, Bobby Grossman, John Waters, Aram Saroyan, and book subjects Bebe Buell, William Burroughs, Debbie Harry, and Terry Southern.

The Notebooks and Journals series is comprised of approximately .5 linear feet, and consists of 17 volumes or items (including one that is oversize). The volumes' contents seem to span the range of Bockris' subjects, although it is difficult to discern the exact contents given the handwriting.

The Topical Files series is approximately .25 linear feet, and contains materials surrounding important topics and persons to Bockris' work. Included in the files are coverage on the subject matter of writing biographies, manuscript fragments, and information on various personalities including those that were featured in some of Bockris' work, like Lydia Lunch, collaborators including Andrew Wylie and Gerard Melanga, and individuals whom Bockris pursued as potential biography subjects such as Art Garfunkel.

The Events series is approximately .1 linear feet, and contains gallery invitations and speaking engagements sent to Bockris. These materials do not correspond specifically to any of Bockris' works, nor do they involve him as an artist or speaker, and thus are separated into their own series.

The Muhammed Ali series is approximately .5 linear feet and pertains to the works that Bockris wrote about Muhammed Ali. Although one of the smaller series of Bockris' works within the collection, it still contains a multitude of information, and is broken down into six subseries: Correspondence; Notes and Notebooks; Scrapbook; Clippings and Articles; Manuscripts; and Reviews. The correspondence is primarily from 1993-2002 and consists of letters between Bockris and his publishers. Within this subseries, items are arranged chronologically by date. The Notes and Notebooks, and Scrapbook subseries both contain Bockris' thoughts and collections of information he gathered on Muhammed Ali. Similarly, the Clippings and Articles subseries contain assorted clippings and photocopies of text about Ali. The Manuscript subseries contains drafts of four works that Bockris wrote about Ali, and the Reviews subseries contains clippings and photocopies of reviews of these works.

The Beat Punks series is approximately 1.5 linear feet, and contains materials related to the subjects within Bockris' Beat Punks book (also published as NYC Babylon) and related works. Correspondence within this series is primarily from Bockris' publisher. The series contains significant information on Allen Ginsberg, including a scrapbook, clippings and articles, and the National Arts Club Literary Aware Dinner manuscript. Other notable individuals mentioned in this series include clippings and articles related to Lydia Lunch and a transcript documenting an interview between Bockris and Legs McNeil.

The Blondie/Debbie Harry series is approximately 2.25 linear feet, and its contents pertain to both Blondie and its lead singer Debbie Harry. Also heavily represented is Blondie member (and Harry's former partner), Chris Stein. Although the Correspondence subseries mostly concerns the book and publishers, there is a handwritten letter by Debbie Harry. The Transcripts subseries features numerous transcriptions of interviews and conversations featuring both Harry and Stein. Other resources noted within the series include both song lyrics and visual materials such as images of both Harry and Blondie.

The manuscript series fastidiously documents the evolution of the Making Tracks monograph written by Bockris, Harry, and Stein. Included are multiple, often annotated drafts of the manuscript beginning with when it was still referred to as Above Fourteenth Street. This documented evolution continues even after the manuscript was renamed to Making Tracks, and includes not only drafts but galleys, sample layouts, second blues, and book covers. In addition to this manuscript, also included are drafts of From Eat to the Beat to Autoamerican and Meeting Famous People.

The smallest series (.2 linear feet) within the collection documenting one of Bockris' works, the Bebe Buell series documents Bockris' and Buell's biography, Rebel Heart. The Correspondence subseries is comprised of two handwritten letters to Bockris from Buell. However, the most notable items within the series are a series of photocopied love letters written by Elvis Costello to Buell. Additionally included are several drafts of Rebel Heart, and documentation of legal issues concerning quotes within the book.

The William Burroughs series is 1.25 linear feet and contains an assortment of materials used by Bockris to write his works on Burroughs. The Correspondence subseries includes letters from publishers and sources, as well as from Burroughs himself, including a small painting sent to Bockris as a Christmas card. The Events subseries includes several gallery invitations specifically sent to Bockris, as well as postcards of his own speaking engagement, In America All We Do is Work.

The Transcripts subseries includes transcripts featuring a wide breadth of individuals such as William Burroughs, James Grauerholz, Richard Hell, Debbie Harry, Christ Stein, Allen Ginsberg, Jean Michel Basquait. Also found in this subseries are transcripts from Burroughs interviewing Patti Smith.

Finally, the Manuscript subseries includes several drafts of many of the works Bockris wrote about Burroughs (including A Report from the Bunker and With William Burroughs). Also included are drafts of shorter works, including the cover, back copy and page mock ups of William Burroughs Cool cats, furry cats, and aliens, but no purring, which Bockris printed in a limited edition of only 100 copies, each of which he signed and numbered.

The John Cale series is .75 linear feet and documents the writing of Cale's biography, as well as the related disagreements about its publication between Cale and Lou Reed.

The Correspondence subseries primarily consists of letters from Lou Reed, Sylvia Reed, and Chris Whent, documenting legal issues and disagreements between Cale and Reed, concerning their past as members of the Velvet Underground, and potential future as collaborators. Also of note are items from Mo Tucker (another member of the Velvet Underground).

Also included is the Other Resources subseries, which contains papers about Cale, his assorted lyrics and writings, and album covers. The Manuscripts subseries provides insight into Cale's biography from proposal, to early draft, to proof, to galleys. The series concludes with clippings and photocopies of What's Welsh for Zen reviews.

At approximately 12.5 linear feet, the Lou Reed series is the largest within the Bockris Collection. Each of its subseries, Correspondence; Notes and Notebooks; Clippings and Articles; Events; Sketchbooks; Transcripts; Other Resources; Manuscripts; and Reviews are sizeable and detailed, providing an enlightening look into Bockris' research and writing processes.

The Correspondence subseries contains numerous letters both from publishers and sources, the most notable of whom include Shelley Corwin (nee Albin), Reed's former girlfriend, Elizabeth Kronstad, Reed's first wife, and Andrew Wylie, Bockris' agent and former collaborator who struck up a friendship with Reed. The Notes and Notebooks subseries is extensive, containing a variety of notes, some of which were arranged by Bockris by subject, and others which were arranged by year. Bockris also participated in several speaking engagements related to his Lou Reed book, the promotional materials for which are documents in the Events subseries.

In addition to notes, Bockris's research also generated a vast quantity of clippings and articles (11 folders), serials and books (7 folders), and an assortment of Lexis-Nexis article print outs, spanning the years 1950 – 1989. Bockris also filled seven volumes of sketchbooks (the Sketchbooks subseries) with Lou Reed Content. Also utilized as source material, Bockris conducted numerous taped interviews, many of which were transcribed and are contained within the Transcriptions subseries. Interviewees of note include Shelley Corwin (nee Albin), Roberta Bayley, Legs McNeil, Richard Mishkin, Billy Name, Bob Quine, Lou Reed, Maureen Tucker, Chris Whent, and Andrew Wylie.

Other Resources also played a role in Bockris' research, and may be found in the subseries of the same name. Included are Reed's college magazine, The Lonely Woman Quarterly, Lou Reed: The Collected Lyrics, and information from Lou Reed's fan club. However, the most extensive portion of this series is the Manuscript subseries which documents Bockris' Transformer: The Lou Reed Story from early proposal all the way to U.S. galleys as well as the U.K. edition galleys, providing a meticulous documentation of the book's evolution. The drafts are organized based on the various arrangements that Bockris utilized. Similar to the arrangement of the Notes and Notebooks subseries, this results in some of the drafts organized chronologically by year range, and others organized by subject or chapter. Numerous final drafts are also included, which reveal different versions of the monograph in its entirety. The series concludes with the Reviews subseries, containing clippings and photocopies the book's reviews.

The Keith Richards series is approximately 3.75 linear feet, and documents Bockris' writing of Keith Richards. Most of the Correspondence subseries is comprised of communications from publishers and fans, however, there are several handwritten letters from Richards' former girlfriend, Anita Pallenberg, although they merely describe materials she sent to Bockris as well as signed certification that the information she provided is truthful. The arrangement of the Notes and Notebooks subseries remains as Bockris sent it, chronological and divided by year. Additional background materials may be found in the Sketchbook, Scrapbook, and Clippings and Articles subseries, the last of which includes copies of Rolling Stones newsletters Beggars Banquet and Basement News. Bockris also made use of taped interviews, the transcripts of which are provided in the Transcripts subseries, including one between him and Marianne Faithful. The Manuscript subseries contains an assortment of drafts of Bockris' work on Richards. These range from drafts focusing on specific people or time period to edited galley proofs and book covers. This broad spectrum of the manuscript provides a view inside Bockris' writing process and style. Finally, the Reviews subseries includes clippings and photocopies of reviews of this work.

The Patti Smith series is composed of approximately .75 linear feet of materials, documenting Bockris' writing of Patti Smith: A Biography. The Correspondence series primarily documents the communication between Bockris and his publisher, Fourth Estate. The remaining subseries, Notes and Notebooks; Scrapbook; Events; Clippings and Articles; and Other Resources all provide background materials for Bockris' writing.

The Manuscript subseries recounts Bockris' writing process, beginning with the early draft of Smith's biography, and ending with several portions of the finished work including the unbound galley, index, cover image, and image galleys. Also included are several drafts documenting the process Bockris underwent to get from early draft to completed galley. The final subseries, Reviews, provides clippings and photocopies of the book's reviews.

At .25 linear feet, the Terry Southern series is one of the smaller series in the collection that describes one of Bockris' works. Correspondence in this series includes a letter written by Southern, as well as several letters by Lee Hill (a Terry Southern biographer) written to Bockris. Also included is a Transcript subseries which features the transcript of a conversation between Southern and William Burroughs. The largest portion of the series is the Other Resources subseries containing several works by Southern and Hill. Unlike the other series documenting Bockris' works, the Southern series provides very little Manuscript subseries content. Indeed, the only item is an untitled early draft. Thus, in this case, little insight is provided into Bockris' writing process or the final work.

The Velvet Underground series is approximately .5 linear feet, and documents the making of Bockris' Uptight: The Story of the Velvet Underground. The Correspondence subseries mainly contains communication from publishers. The bulk of the contents in this series are research materials, including subseries Notes and Notebooks; Clippings and Articles; and Other resources which includes an interview with former Velvet Underground member Moe Tucker. The Events subseries provides information on several speaking engagement of which Bockris was a part.

The Manuscript subseries has two drafts, but is primarily composed of galleys, both for the U.K. edition in 2002 and the new edition. The Reviews subseries contains numerous clipped and photocopied reviews of the book. Also of interest is that some of Bockris' materials, ranging from notes to drafts also appear to have been referenced and utilized during the writing process of his Transformer: The Lou Reed Story book. The Andy Warhol series is approximately 3.5 linear feet. The bulk of the Correspondence subseries is comprised of communication between Bockris and his publishers. However, there are two letters of note, both from Warhol's brother, John Warhola, written directly to Bockris. Also included with one of these letters is a photograph of Bockris at Warhol's grave, taken by Warhola.

Much of the background research for the work is found in the Notes and Notebooks, Clippings and Articles, and Other Resources subseries. The Events subseries includes promotional materials for several speaking engagements made by Bockris as well as student feedback on a lecture presented by Bockris. The Manuscripts subseries documents the evolution of Bockris' The Life and Death of Andy Warhol from original manuscript to page proofs. Additionally included are drafts of related pieces written by Bockris including How I wrote a Biography of Andy Warhol and Pittsburgh Andy. Also included is the Reviews subseries which provides numerous clippings and photocopies of reviews of Bockris' pieces on Warhol. The series concludes with the Scripts subseries which includes several scripts based on Warhol's life and Bockris' biography. These include a potential script for Andy Warhol the Motion Picture and several annotated copies of the script Pop.

The Proposals and Drafts series is approximately .75 linear feet and documents an assortment of research on proposed subject including Ornette Coleman, Dennis Hopper, Fred Hughes, and Charles Plymell. Also included are collaborative pieces with Andrew Wylie like Which Way Did Doris Day Go? drafts of Bockris' shorter works such as Negative Girls and some of his Gadfly pieces. The Photographs series is approximately 2.25 linear feet. The photographs are primarily arranged by subject, including many of the subjects of Bockris' books (Ali, Blondie/Debbie Harry, Burroughs, Cale, Reed, Richards, Smith, the Velvet Underground, and Warhol). Photographs featuring unidentifiable or multiple subjects were filed under "Various." Additionally, there is a folder of negatives. Also included are three volumes of Bockris Contact sheets, chronologically divided into three binders, and covering 1972-2001 in total. Three more binders create the three volumes of Photographs by Victor Bockris, with each binder focusing on a different subject, Burroughs, Warhol, and Ginsberg respectfully. Finally, additional photographic materials may be found in the two oversize boxes, including the AliWarhol 24 Panel Piece, a Debbie Harry photograph, and various photographs. The Audiovisual subseries is approximately 2.5 linear feet, primarily containing cassettes of taped interviews conducted by Bockris. Of particular interest are interviews including Burroughs, Jaguar, Warhol, Ali, John Warhola (Warhol's brother), Buell, Harry, Stein, Cale, the Allen Ginsberg Memorial at the Poetry Project, Gerard Melanga, Legs McNeil, Roberta Bayley, Chris Whent, and Sterling Morrison. Also included among the cassettes are various published materials such as Lou Reed albums. In addition to the cassettes, a Terry Southern CD is also included. The VHS tapes found within this series are primarily published and feature Lou Reed. Similarly, the LPs in this series are all published. Most of these records feature Bockris' subjects including Blondie/Debbie Harry, Cale, Reed, and the Velvet Underground. Other notable individuals include Susan Sontag and Maureen Tucker. Cassette tapes from boxes 36 and 38 have been reformatted and CD use copies have been created. Use copies are located in boxes 45-47