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Professor of geology and paleontology at the University of Michigan, director of the Michigan Geological Survey, and chancellor of Syracuse University, popular lecturer and writer on scientific topics and as a Methodist layman who worked to reconcile traditional religious beliefs to nineteenth-century developments in the fields of evolutionary biology, cosmology, geology, and paleontology. Papers include extensive diaries, field notes and maps from travels and geological expeditions, correspondence, speeches, articles and other publications and photographs.

The papers of Alexander Winchell are those of an orderly man who carefully documented his own life through well-organized correspondence, diaries, notebooks, and scrapbooks. Winchell kept thorough evidence of his activities, writings, lectures, and thoughts, for most of his life. The only area that seems poorly documented is his university teaching. The collection does not appear to include significant material relating to relationships with students in the classroom.

"Alexander Winchell, an editorial tribute," published in The American Geologist (Feb. 1892, MHC call number DB/2/W759/A512), includes a year-by-year account of Winchell's life, based on the papers, and probably written by his brother N. H. Winchell. Although there are no footnotes in this work, it provides a useful summary of Winchell's activities and clues to the existence of documentation in the collection.

The collection is divided into six major series: Biographical, Correspondence, Diaries and journals, Writings and lectures, Reference and research files, and Scrapbooks; and three smaller series: Visual materials, Processing notes, and Card files.

Winchell's bibliography is located in Box 1 (the most complete copy is in the "Permanent memoranda" volume), and drafts of many of his writings are found in Boxes 8-14. Copies of many, but not all, of Winchell's publications are found in the MHC printed collection. The card catalog includes details for all separately cataloged items. There are also three collections of pamphlets that are not inventoried: two slightly different bound sets prepared by N. H. Winchell after Alexander Winchell's death (MHC call numbers DA/2/W759/M678/Set A and DA/2/W759/M678/Set B) and a two-box collection of pamphlets collected by the University Library (MHC call number Univ. of Mich. Coll./J/17/W759).

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

Volume first used for poetry and notes by an unidentified Civil War soldier, then either sold or given to Hoyt's father, who used it briefly for farm accounts. It was then taken up by Anna Hoyt and used for poetry, arithmetic calculations, and various notes and sketches.

The Devereux papers consist primarily of essays and speeches written by the progressive philosopher and politician George H. Devereux between about 1840 and 1870 in Massachusetts. The collection also contains book reviews, biographies, fiction, and poetry by Devereux, along with a small number of his letters, legal documents, and printed items related to his sons' service in the Civil War.

The Devereux papers (205 items) consist primarily of essays and speeches written by the progressive philosopher and politician George H. Devereux between about 1840 and 1870 in Massachusetts. The collection also contains book reviews, biographies, fiction, and poetry by Devereux, along with a small number of his letters, legal documents, and printed items related to his sons' service in the Civil War.

The Correspondence series consists of 5 items including a four page letter from George Devereux’s son John Forrester from on board the frigate Constitution, describing Arthur's and his movements with the army (April 26, 1861). George Devereux copied a portion of a letter from his son Arthur that gave an account of his regiment saving the old frigate Constitution from the rebels in Annapolis. Another item is a brief undated letter from Nathaniel Bowditch (1773-1838) to his cousin John Forrester, inviting him to meet the President.

The Legal Documents series contains 2 items. First is a deed of sale transferring the late Reverend Thomas Carlile's "Chaise, Plate, and all the house-hold Furniture" to John Forrester from a group of Salem merchants. This document inventories every object of the house room by room. The second document is an 1866 quit-claim deed to George H. Devereux from Nathaniel Silsbee, husband of Marianne Cabot Silsbee, Georges' sister.

The Essays, Speeches, Poems, and Other Writings series contains 189 items and comprises the bulk of the Devereux Collection. The series consists of essays, speeches, poems, and works of fiction, written by George H. Devereux, between about 1840 and 1870. These reflect his deeply held political and social progressive viewpoints. Devereux wrote an extensive, mulit-part work on the French Revolution and Emperor Napoleon I; 7 essays are on historical topics (including two on the Civil War written during the war); 13 are on philosophical topics (common sense, time, mythology, human nature); and several minor essays are on a wide range of topics, including abolitionism, modern science, spiritualism, Unitarianism, proper names, and woman's rights. He wrote orations for the Children's Friend Society, and on topics of free thought, the forest, and the Massachusetts Legislature (pre-Civil War). While in Maine, Devereux wrote an essay on Moosehead Lake, and composed another on Maine's climate.

Other writings include book and literature reviews concerning Roman and Greek literature, both popular and modern literature; biographical sketches on Lord Byron and Colonel Timothy Pickering; and poetry, of which the most substantial item is Camillus, A Roman Legend, a poem in two parts with illustrations. Many of Devereux's poems are based on Aesop's Fables, such as The Frogs, The Dog and Bone, The Crow and Urn, The Wolf and the Crane, and other animal-themed verses. Other poem titles are: The Sun and the Wind, The Two Curses, The Youthful Wanderer (1836), and The Retrospect (1859). Several of the poems have multiple drafts. Some fragments of untitled prose and one 32-page work entitled Zeke Cutter are writings of fiction. Finally, this series includes three undated and untitled pages of writing and manuscript instructions for card tricks.

• The Weal = Reaf The Record of the Essex Institute Fair Held at Salem: September 5-8 (1860), which describes the vendors and activities, and features contributions from Nathaniel Hawthorne and his son.
• A copy of Our Roll of Honor, a collection of poems written by John Forrester Devereux. These poems commemorate his friends from the Salem Light Infantry who died in the war.
• A pamphlet reprint of the Essex Institute's October 1963 article, "The Nineteenth Massachusetts Regiment at Gettysburg," by Hugh Devereux Purcell, which describes Colonel Arthur Devereux’s role at Gettysburg.

The Graphics and Realia series consists of one photograph, a carte-de-visite of John Forrester Devereux in the 11th Massachusetts Infantry, taken by Childs and Adam, Marblehead, and a of a pair of his epaulets.

The Edwin Wright letters are 28 letters written between Jan. 14, 1862, and July 14, 1865, by Edwin Wright, a soldier in the 9th N.Y. Cavalry. The letters were written from various places in Virginia and Washington, D.C., and describe life as a Union solder. Also included are short poems written by Loanda Lake, composed on the letter's envelopes, and one small photograph of Wright.

This collection consists of 28 letters written between Jan. 14, 1862, and July 14, 1865, by Edwin Wright, a soldier in the 9th N.Y. Cavalry. Twenty-six of the letters were to Loanda A. Lake in Charlotte, N.Y., and Hammonton, N.J. Two letters and a photograph (carte-de-viste) were sent to Miss Lotte Carle in Leon, N.Y. The letters were written from Washington, D.C., and various places in Virginia (Arlington Heights, Sperryville, Stafford Court House, Culpepper, Point City, Shepherdstown, White House Landing, and Winchester). Two of the letters have illustrated letterheads. One has the Capitol Building with the caption: "THE HOUSE THAT UNCLE SAM BUILT" (in brown ink). The accompanying envelope (in blue ink) depicts a mounted soldier with the U.S. flag flying in front of a camp (Jan. 14, 1862). The second letterhead (in black ink) depicts the Capitol Building (Oct. 8, 1863).

The early letters describe daily life (lining up at the "Colorline", caring for their horses), living conditions (acquiring a stove, the arrival of "Sibley Tents"), listening to brass band music, and food (drinking coffee that was available 3 times a day, but tea only once a week; cutting down a "bee tree" to get honey). He talks of the dullness of camp life leading to desertions (March 4, 1862), and he much prefers scouting to standing picket duty or carrying dispatches, which often result in his separation from his regiment when they go into battle. He describes the forbidden fraternization of Union and Rebel pickets. "... we would meet them halfway between the lines and exchange papers and have a chat, etc. and after a while shake hands and each return to his post" (July 22, 1864). He writes of bitter winters in Virginia, with half of their horses dying in February 1863, and men suffering from frozen feet in January 1865. He describes his regiment forming a line to stop a stampede of fleeing Union soldiers on the road to Centerville (Sept. 10, 1862), and capturing a recently made flag from one of A.P. Hill’s North Carolina units. "...on it was printed all the battles in which they had participated. The latest date was the battle of Cold Harbor" (Aug. 6, 1864). He writes of being "brushed" on his left side and forefinger by a twelve pound shell (July 18, 1864) and in an August 23, 1864, letter tells of his disobeying an order to withdraw so that he could stay at the side of a dying friend and bury him. Brief mention is made of the execution of a member of his regiment (March 3, 1864).

Worth noting are the 14 very short poems that Loanda Lake jotted on the envelopes of Edwin Wright’s letters. As was customary, Loanda often wrote the date that she answered his letters on the envelopes. Below that notation, she sometimes wrote very short poems about the weather.

"And snow upon the ground

But every body seems alive

And so keeps tramping around"

The longest poem is six lines (March 20, 1865). The shortest one is a single word, "Wind", below a whimsical double loop, representing the wind (March 3, 1864). In addition to Loanda’s short poems, a single longer poem that Edwin sent to her is included: a parody of "The Lord’s Prayer" -- "Our Father who art in Washington Uncle Abraham be thy name... give us this day our daily rations of Crackers and Pork and forgive our Short Comings as we forgive our Quarter Masters...".

This collection also includes 1 carte-de-visite of Wright.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances in the early 1860s. Emily Bellair was from Detroit.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances throughout the early 1860s. She received the book, whose decorative cover bears the title "Wreaths of Friendship," from W. E. Gentle, who inscribed a two-page letter proclaiming the pair's friendship. Family members also contributed autographs and poetry, including several poems dedicated specifically to Emily that explored themes of friendship and parting. Her brother, Albert F. R. Arndt, wrote a poem from Cairo, Illinois, after he had "gone off to the seat of War." (March 16, 1862). The final page contains a copy of "Auld Lang Syne," as well as several shorter poems that are darker in mood than the other verses.

• "Escape of Carrara"
• "Wreaths of Friendship," depicting a ship in a stormy sea
• "The Bird Trap"
• "The Bride"
• "Kishna"
• Unlabeled: A scene with a tree-lined pond

The Hair documents, ephemera, and prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair.

The Hair Documents, Ephemera, and Prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts from British monarchs George II and George III relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair. The material spans from 1717 to the late 1980s, with the bulk of materials dating from the late eighteenth century to the end of the nineteenth century. A majority of the materials are from England, although some are from Belgium, France, Switzerland, and Scotland. Many of the items are satirical and are commentary on fashion and the idea that the local barber was the "jack of all trades." Two similar items, a comical manuscript resume of "Isaac Morgan" and a fictitious advertisement for the varied services of "Isaac Factotum" offer exaggerated illustrations of how a barber did more than cut hair. Of interest is a series of mid-nineteenth century Valentines which center around the love-lives of barbers. Also included is a letter from Alex Campbell to his relative John Campbell, the Cashier of the Royal Bank of Scotland during the Jacobite rising of 1745. There is also sheet music from the composer (Franz) Joseph Haydn (1732-1809), A Pastoral Song, better known as My Mother bids me bind my hair. Of note are prints by British satirists William Hogarth, Isaac and George Cruikshank, and Thomas Rowlandson.

Dairy farmer in Willis, Michigan; personal and family correspondence and farm account books.

Personal and family correspondence, including letter 1865, of Matthew Day written from Joe Holt Hospital; letters, 1892-1935, concerning Holstein-Friesian cattle and the activities of the Holstein-Friesian Association, and Day's dairy farm; also bills, receipts, cattle transfer certificates, records of milk poundage, account books, poetry, recipe book, and other miscellaneous papers.

This notebook was kept by Julia J. Bolton while a student at La Grange Female College, La Grange, Georgia. It includes seven short essays on moral philosophy, meditations, and poetry, and sentiments and poems from other students.

Julia J. Bolton's 124-page notebook begins with seven essays she wrote on eleven pages. The essays are titled: Wills, Charity, Dueling, Moral Sense, Promises, Virtue, and Slavery and include Julia's thoughts on each subject. Following that are three lists of books and two pages devoted to chemistry definitions. Most of the notebook is taken up with 56 poems written to Julia by various students, including Julia's cousin Mary E. Montgomery. These poems are mainly focused on friendship and are signed and dated, almost all from June 1852, however two are dated 1853, and one each from 1854 and 1855. Under some of the poems are notes written by Julia at a later time such as "deceased." Mixed in with the poems are Julia's meditations on love, life, womanhood, religion, reading, writers, and fishing, as well as her poetry and quotations. Two small pencil sketches are in the book, one of a bunch of grapes, and one of a heart and arrow.

Owen Lovejoy (1811-1864), brother of Elijah Parish Lovejoy, was a prominent abolitionist and congressman who staunchly supported President Lincoln during the Civil War. His papers primarily contain correspondence, speeches, and writings related to his family life, ministerial duties, and congressional activities, with additional materials from his descendants.

The Owen Lovejoy papers primarily consist of the correspondence, speeches, and writings of Owen Lovejoy, with additional material from his descendents. The collection contains 170 letters, 13 land records and indentures, a diary, 3 documents and 10 checks, 27 speeches and writings, 3 images, 11 commemorative items, and 26 newspaper clippings. The correspondence of Owen Lovejoy includes 71 letters written by him, mostly to his wife and children, and 40 letters received from family and friends. The other correspondence in the collection is primarily that of his son, Elijah Parish Lovejoy, II.

The earliest letters, from Owen Lovejoy’s student days at Bowdoin College, include affectionate advice from his parents and news from his siblings. He received 8 letters from his parents between 1830 and 1837. His mother’s letters are filled with religious references, and her strong faith is clear from her writing. She wrote passionately against the “crying sin of slavery,” and also supported the temperance cause (14 July 1836). Sister-in-law Sarah Moody Lovejoy wrote two letters to him in 1836, filled with news of the family and church. His sister Elizabeth, who ran a school, kept him informed about her endeavors and news of the family in three letters from 1836. Brothers Joseph and John also wrote occasional letters to Owen. The collection also contains three love letters written by Owen Lovejoy as a young man, including a poem he wrote entitled “Autumn pale fading autumn.”

The family was worried about Elijah Parish Lovejoy, the eldest brother, whose antislavery activities were becoming increasingly dangerous. His mother wrote to Owen in 1836, “you doubtless know what outrages they have committed in regard to destroying the types in that affair” (14 July 1836). His sister Elizabeth wrote, “E.P. does not write us at all why not I cannot divine & I wish I was there now” (30 July 1836).

A number of friends came to the aid of the Lovejoy family after Elijah Parish Lovejoy’s death in November 1837. Rev. Edward Beecher, the son of Lyman Beecher and brother of Harriet Beecher Stowe, wrote a letter to Owen Lovejoy, in which he urged him to “collect and file all documents which have a relation to you brother’s life & efforts since he acted upon his course as editor…They will be read with interest in future ages” (14 November 1837). In 1838, Beecher wrote his best-known work, Narrative of Riots at Alton, on the subject. Owen and Joseph Lovejoy, meanwhile, were working on their own book commemorating their brother. Joseph wrote to Owen in December 1837, “The death of P. has made a very deep & strong sensation through this & indeed through all the country. A great many sermons have been preached & meetings are held in almost every village through the land” (7 December 1837). Owen also corresponded with his other siblings during this time.

Correspondence from a later period in Owen Lovejoy’s life reflects his growing involvement in politics. A letter from Abraham Smith in 1846 describes the activities of the Liberty party, of which Owen Lovejoy was a leader. Owen also corresponded with Gerrit Smith, an abolitionist and founding member of the Liberty party.

Owen Lovejoy’s letters from 1854 onward were addressed to his wife and children, while he was away from home on political business, usually in Washington, D.C. From October to November 1861, he wrote a number of letters to his family from the Missouri battlefield, having received a commission as colonel under General Frémont in the Western Department of the army. After returning to Washington, D.C., he wrote to his younger children of the death of Abraham Lincoln's son: "I have just been up to the White House to see the President. He feels very much the loss of his little boy Willie who is about the age of Parish…His father says he was a very gentle and amiable boy" (23 February 1862).

The correspondence of Elijah Parish Lovejoy, II, Owen Lovejoy's son, includes 36 letters written and received by him regarding his genealogical research on the Lovejoy family. He received a number of inquiries from others about his family history, and also conducted his own research. A number of his letters are correspondence with C.E. Lovejoy, the author of The Lovejoy Genealogy with Biographies and History, 1460-1930, published in 1930. He assisted C.E. Lovejoy with research and loaned him some materials from his own collection for the publication. The miscellaneous correspondence series includes the letters of other Lovejoy family members, as well as a few apparently unrelated letters. (For a listing of Owen and Elijah Lovejoy's correspondents, see the Additional Descriptive Data.)

The Butler Denham business papers contain 12 records of land purchases and an indenture contract with a young boy. Denham was the first husband of Eunice Storrs Denham, who married Owen Lovejoy after Denham's death in 1841.

A small pocket diary, dated 1857, contains appointments, expenses, personal notes, and what appear to be notes for a speech. The documents series includes Owen Lovejoy's call from the Hampshire Colony Church in 1839, his certificate of admission to the Illinois Bar in 1857, a note to his son E.P. Lovejoy for five dollars, and several checks written in 1862 and 1863.

Speeches and writings by Owen Lovejoy comprise three sermons, pamphlets of six political speeches, several printed copies of "An Agricultural Poem," written in 1859, and a copy of his last public prayer in Princeton from 1863. Excerpts from all of these have been republished in a comprehensive collection of his speeches entitled His Brother's Blood: Speeches and Writings, 1838-64. A draft of a poem entitled "The Wild Horses," is also included. The collection also contains writings about Owen Lovejoy, including articles and speeches written after his death, such as "Addresses on the Death of Hon. Owen Lovejoy" and "The Great Anti-Slavery Agitator Hon. Owen Lovejoy as a Gospel Minister." Also included are the recollections of Parker Earle on the nomination of Owen Lovejoy to Congress.

The scrapbook (29 disbound pages) includes newspaper clippings, articles, pamphlets, memorials, and manuscripts pertaining to various members of the Lovejoy family, particularly Elijah Parish Lovejoy (1802-1837) and Owen Lovejoy (1811-1864). The items about Elijah P. Lovejoy concern his death, his religious beliefs, and his memorial at Alton, Illinois. The scrapbook also has contemporaneous articles about Owen Lovejoy's abolitionist work and about Illinois politics around the time of the Civil War. Other articles, biographies, speeches, memorial programs, and memorial poems concern the lives and deaths of Owen G. Lovejoy, Lucy Lovejoy, Charles P. Lovejoy, Eunice Storrs Lovejoy, and members of allied families. One article describes Helsinki, Finland.

The collection is rounded out by three printed images of Owen Lovejoy, materials regarding memorials and commemorations for Owen Lovejoy and his brother Elijah Parish Lovejoy, and newspaper clippings about Owen Lovejoy and his descendents. Several of the commemorative materials pertain to the Lovejoy Monument Association, including a booklet of music for the dedication ceremonies of the Lovejoy Monument. The Lovejoy papers also contain correspondence and an inventory regarding the Lovejoy collection located at the Bureau County Historical Society of Illinois.