Search

The Hair documents, ephemera, and prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair.

The Hair Documents, Ephemera, and Prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts from British monarchs George II and George III relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair. The material spans from 1717 to the late 1980s, with the bulk of materials dating from the late eighteenth century to the end of the nineteenth century. A majority of the materials are from England, although some are from Belgium, France, Switzerland, and Scotland. Many of the items are satirical and are commentary on fashion and the idea that the local barber was the "jack of all trades." Two similar items, a comical manuscript resume of "Isaac Morgan" and a fictitious advertisement for the varied services of "Isaac Factotum" offer exaggerated illustrations of how a barber did more than cut hair. Of interest is a series of mid-nineteenth century Valentines which center around the love-lives of barbers. Also included is a letter from Alex Campbell to his relative John Campbell, the Cashier of the Royal Bank of Scotland during the Jacobite rising of 1745. There is also sheet music from the composer (Franz) Joseph Haydn (1732-1809), A Pastoral Song, better known as My Mother bids me bind my hair. Of note are prints by British satirists William Hogarth, Isaac and George Cruikshank, and Thomas Rowlandson.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances in the early 1860s. Emily Bellair was from Detroit.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances throughout the early 1860s. She received the book, whose decorative cover bears the title "Wreaths of Friendship," from W. E. Gentle, who inscribed a two-page letter proclaiming the pair's friendship. Family members also contributed autographs and poetry, including several poems dedicated specifically to Emily that explored themes of friendship and parting. Her brother, Albert F. R. Arndt, wrote a poem from Cairo, Illinois, after he had "gone off to the seat of War." (March 16, 1862). The final page contains a copy of "Auld Lang Syne," as well as several shorter poems that are darker in mood than the other verses.

• "Escape of Carrara"
• "Wreaths of Friendship," depicting a ship in a stormy sea
• "The Bird Trap"
• "The Bride"
• "Kishna"
• Unlabeled: A scene with a tree-lined pond

A stalwart of the Moravian community in Salem, N.C., Christian Ludwig Benzien was connected in spirit and blood with some of the most prominent of American Moravians. The Benzien manuscript is a complex document comprised of occasional poetry, hymns, and songs written largely, but apparently not exclusively, by Christian Ludwig Benzien.

The Benzien manuscript is a complex document comprised of occasional poetry, hymns, and songs written largely, but apparently not exclusively, by Christian Ludwig Benzien. A Moravian minister, the son and step-son of ministers, Benzien was also a talented poet in German, and his work shows the evidence of a highly developed literary and musical aesthetic, deeply interconnected with an equally highly developed spiritual devotion.

Most of the works were written in celebration or commemoration of special days set aside throughout the year, including Christmas and New Years, birthdays, childbirths, arrivals and departures, Lord's Suppers, and Love Feasts. The volume provides insight into the Moravian religious world view, and perhaps even more into their social and familial relations through sensitive depictions of the nature of friendships between men (and women), family members, and members of church organizations -- particularly the various choirs with which Benzien was associated.

The manuscript appears to have been transcribed in about 1810-1815 by Dorothea Sophia Bötticher, and is written in two hands, entirely in old script German.

This notebook was kept by Julia J. Bolton while a student at La Grange Female College, La Grange, Georgia. It includes seven short essays on moral philosophy, meditations, and poetry, and sentiments and poems from other students.

Julia J. Bolton's 124-page notebook begins with seven essays she wrote on eleven pages. The essays are titled: Wills, Charity, Dueling, Moral Sense, Promises, Virtue, and Slavery and include Julia's thoughts on each subject. Following that are three lists of books and two pages devoted to chemistry definitions. Most of the notebook is taken up with 56 poems written to Julia by various students, including Julia's cousin Mary E. Montgomery. These poems are mainly focused on friendship and are signed and dated, almost all from June 1852, however two are dated 1853, and one each from 1854 and 1855. Under some of the poems are notes written by Julia at a later time such as "deceased." Mixed in with the poems are Julia's meditations on love, life, womanhood, religion, reading, writers, and fishing, as well as her poetry and quotations. Two small pencil sketches are in the book, one of a bunch of grapes, and one of a heart and arrow.

The Devereux papers consist primarily of essays and speeches written by the progressive philosopher and politician George H. Devereux between about 1840 and 1870 in Massachusetts. The collection also contains book reviews, biographies, fiction, and poetry by Devereux, along with a small number of his letters, legal documents, and printed items related to his sons' service in the Civil War.

The Devereux papers (205 items) consist primarily of essays and speeches written by the progressive philosopher and politician George H. Devereux between about 1840 and 1870 in Massachusetts. The collection also contains book reviews, biographies, fiction, and poetry by Devereux, along with a small number of his letters, legal documents, and printed items related to his sons' service in the Civil War.

The Correspondence series consists of 5 items including a four page letter from George Devereux’s son John Forrester from on board the frigate Constitution, describing Arthur's and his movements with the army (April 26, 1861). George Devereux copied a portion of a letter from his son Arthur that gave an account of his regiment saving the old frigate Constitution from the rebels in Annapolis. Another item is a brief undated letter from Nathaniel Bowditch (1773-1838) to his cousin John Forrester, inviting him to meet the President.

The Legal Documents series contains 2 items. First is a deed of sale transferring the late Reverend Thomas Carlile's "Chaise, Plate, and all the house-hold Furniture" to John Forrester from a group of Salem merchants. This document inventories every object of the house room by room. The second document is an 1866 quit-claim deed to George H. Devereux from Nathaniel Silsbee, husband of Marianne Cabot Silsbee, Georges' sister.

The Essays, Speeches, Poems, and Other Writings series contains 189 items and comprises the bulk of the Devereux Collection. The series consists of essays, speeches, poems, and works of fiction, written by George H. Devereux, between about 1840 and 1870. These reflect his deeply held political and social progressive viewpoints. Devereux wrote an extensive, mulit-part work on the French Revolution and Emperor Napoleon I; 7 essays are on historical topics (including two on the Civil War written during the war); 13 are on philosophical topics (common sense, time, mythology, human nature); and several minor essays are on a wide range of topics, including abolitionism, modern science, spiritualism, Unitarianism, proper names, and woman's rights. He wrote orations for the Children's Friend Society, and on topics of free thought, the forest, and the Massachusetts Legislature (pre-Civil War). While in Maine, Devereux wrote an essay on Moosehead Lake, and composed another on Maine's climate.

Other writings include book and literature reviews concerning Roman and Greek literature, both popular and modern literature; biographical sketches on Lord Byron and Colonel Timothy Pickering; and poetry, of which the most substantial item is Camillus, A Roman Legend, a poem in two parts with illustrations. Many of Devereux's poems are based on Aesop's Fables, such as The Frogs, The Dog and Bone, The Crow and Urn, The Wolf and the Crane, and other animal-themed verses. Other poem titles are: The Sun and the Wind, The Two Curses, The Youthful Wanderer (1836), and The Retrospect (1859). Several of the poems have multiple drafts. Some fragments of untitled prose and one 32-page work entitled Zeke Cutter are writings of fiction. Finally, this series includes three undated and untitled pages of writing and manuscript instructions for card tricks.

• The Weal = Reaf The Record of the Essex Institute Fair Held at Salem: September 5-8 (1860), which describes the vendors and activities, and features contributions from Nathaniel Hawthorne and his son.
• A copy of Our Roll of Honor, a collection of poems written by John Forrester Devereux. These poems commemorate his friends from the Salem Light Infantry who died in the war.
• A pamphlet reprint of the Essex Institute's October 1963 article, "The Nineteenth Massachusetts Regiment at Gettysburg," by Hugh Devereux Purcell, which describes Colonel Arthur Devereux’s role at Gettysburg.

The Graphics and Realia series consists of one photograph, a carte-de-visite of John Forrester Devereux in the 11th Massachusetts Infantry, taken by Childs and Adam, Marblehead, and a of a pair of his epaulets.

The Uriah Lee family collection (39 items) contains 32 letters, 3 diaries, and 4 additional items related to Lyman Uriah Lee of Foxcroft, Maine. Uriah Lee wrote 27 letters to his family while serving in the Union Army during the Civil War, his brother Leonard wrote 3 letters while serving with the Union Army at Fort Sumter, and family members exchanged 2 additional letters. Also included are 3 diaries that Elizabeth M. Lee kept between 1851 and 1878, a poem, Uriah Lee's discharge papers, and a photograph.

The Uriah Lee family collection (39 items) contains 32 letters, 3 diaries, and 4 additional items (1850-1912) related to Lyman Uriah Lee of Foxcroft, Maine. Uriah Lee wrote 27 letters to his family while serving in the Union Army during the Civil War, his brother Leonard wrote 3 letters while serving with the Union Army at Fort Sumter, and family members exchanged 2 additional letters. Also included are 3 diaries that Elizabeth M. Lee kept between 1851 and 1878, a poem, and Uriah Lee's discharge papers.

The Correspondence series (32 items) contains 27 letters that Uriah Lee wrote to his family while serving in North Carolina, Virginia, and Washington, D. C. Lee provided details about his daily life as a soldier, and discussed soldiers' attitudes toward officers, food, and clothing; encounters with former slaves; the weather; and political issues. He also mentioned specific battles, and his letter of May 18, 1863, includes a hand-drawn map of his company's route from New Berne, North Carolina, to Washington, D. C. Leonard Lee wrote 3 letters during his Civil War military service, and discussed similar topics. In his postwar letters, Uriah Lee offered advice to his younger siblings and discussed family affairs. Anne Lee wrote a letter to Lyman Lee in which she recounted the events surrounding the death of a man named Edward, and Chauncey received an unsigned letter about his wife Eva's visit to the writer.

Elizabeth Lee kept 3 Diaries between July 1851 and November 1878, concerning her thoughts and activities as a wife and mother. Among other topics, she discussed housework, the weather, her family, social engagements, and religion. Most of her entries are brief lines about the weather and the housework she was able to finish, with details of church meetings provided every few days.

The Documents, Poetry, and Miscellaneous series is comprised of 5 items. Fanny Hosier wrote Uriah Lee a poem that reflected positively on Southern rights and secession. Uriah Lee's military discharge papers from 1863 and 1865 are also included. A piece of ephemera illustrates 4 badges of the Grand Army of the Republic.

Owen Lovejoy (1811-1864), brother of Elijah Parish Lovejoy, was a prominent abolitionist and congressman who staunchly supported President Lincoln during the Civil War. His papers primarily contain correspondence, speeches, and writings related to his family life, ministerial duties, and congressional activities, with additional materials from his descendants.

The Owen Lovejoy papers primarily consist of the correspondence, speeches, and writings of Owen Lovejoy, with additional material from his descendents. The collection contains 170 letters, 13 land records and indentures, a diary, 3 documents and 10 checks, 27 speeches and writings, 3 images, 11 commemorative items, and 26 newspaper clippings. The correspondence of Owen Lovejoy includes 71 letters written by him, mostly to his wife and children, and 40 letters received from family and friends. The other correspondence in the collection is primarily that of his son, Elijah Parish Lovejoy, II.

The earliest letters, from Owen Lovejoy’s student days at Bowdoin College, include affectionate advice from his parents and news from his siblings. He received 8 letters from his parents between 1830 and 1837. His mother’s letters are filled with religious references, and her strong faith is clear from her writing. She wrote passionately against the “crying sin of slavery,” and also supported the temperance cause (14 July 1836). Sister-in-law Sarah Moody Lovejoy wrote two letters to him in 1836, filled with news of the family and church. His sister Elizabeth, who ran a school, kept him informed about her endeavors and news of the family in three letters from 1836. Brothers Joseph and John also wrote occasional letters to Owen. The collection also contains three love letters written by Owen Lovejoy as a young man, including a poem he wrote entitled “Autumn pale fading autumn.”

The family was worried about Elijah Parish Lovejoy, the eldest brother, whose antislavery activities were becoming increasingly dangerous. His mother wrote to Owen in 1836, “you doubtless know what outrages they have committed in regard to destroying the types in that affair” (14 July 1836). His sister Elizabeth wrote, “E.P. does not write us at all why not I cannot divine & I wish I was there now” (30 July 1836).

A number of friends came to the aid of the Lovejoy family after Elijah Parish Lovejoy’s death in November 1837. Rev. Edward Beecher, the son of Lyman Beecher and brother of Harriet Beecher Stowe, wrote a letter to Owen Lovejoy, in which he urged him to “collect and file all documents which have a relation to you brother’s life & efforts since he acted upon his course as editor…They will be read with interest in future ages” (14 November 1837). In 1838, Beecher wrote his best-known work, Narrative of Riots at Alton, on the subject. Owen and Joseph Lovejoy, meanwhile, were working on their own book commemorating their brother. Joseph wrote to Owen in December 1837, “The death of P. has made a very deep & strong sensation through this & indeed through all the country. A great many sermons have been preached & meetings are held in almost every village through the land” (7 December 1837). Owen also corresponded with his other siblings during this time.

Correspondence from a later period in Owen Lovejoy’s life reflects his growing involvement in politics. A letter from Abraham Smith in 1846 describes the activities of the Liberty party, of which Owen Lovejoy was a leader. Owen also corresponded with Gerrit Smith, an abolitionist and founding member of the Liberty party.

Owen Lovejoy’s letters from 1854 onward were addressed to his wife and children, while he was away from home on political business, usually in Washington, D.C. From October to November 1861, he wrote a number of letters to his family from the Missouri battlefield, having received a commission as colonel under General Frémont in the Western Department of the army. After returning to Washington, D.C., he wrote to his younger children of the death of Abraham Lincoln's son: "I have just been up to the White House to see the President. He feels very much the loss of his little boy Willie who is about the age of Parish…His father says he was a very gentle and amiable boy" (23 February 1862).

The correspondence of Elijah Parish Lovejoy, II, Owen Lovejoy's son, includes 36 letters written and received by him regarding his genealogical research on the Lovejoy family. He received a number of inquiries from others about his family history, and also conducted his own research. A number of his letters are correspondence with C.E. Lovejoy, the author of The Lovejoy Genealogy with Biographies and History, 1460-1930, published in 1930. He assisted C.E. Lovejoy with research and loaned him some materials from his own collection for the publication. The miscellaneous correspondence series includes the letters of other Lovejoy family members, as well as a few apparently unrelated letters. (For a listing of Owen and Elijah Lovejoy's correspondents, see the Additional Descriptive Data.)

The Butler Denham business papers contain 12 records of land purchases and an indenture contract with a young boy. Denham was the first husband of Eunice Storrs Denham, who married Owen Lovejoy after Denham's death in 1841.

A small pocket diary, dated 1857, contains appointments, expenses, personal notes, and what appear to be notes for a speech. The documents series includes Owen Lovejoy's call from the Hampshire Colony Church in 1839, his certificate of admission to the Illinois Bar in 1857, a note to his son E.P. Lovejoy for five dollars, and several checks written in 1862 and 1863.

Speeches and writings by Owen Lovejoy comprise three sermons, pamphlets of six political speeches, several printed copies of "An Agricultural Poem," written in 1859, and a copy of his last public prayer in Princeton from 1863. Excerpts from all of these have been republished in a comprehensive collection of his speeches entitled His Brother's Blood: Speeches and Writings, 1838-64. A draft of a poem entitled "The Wild Horses," is also included. The collection also contains writings about Owen Lovejoy, including articles and speeches written after his death, such as "Addresses on the Death of Hon. Owen Lovejoy" and "The Great Anti-Slavery Agitator Hon. Owen Lovejoy as a Gospel Minister." Also included are the recollections of Parker Earle on the nomination of Owen Lovejoy to Congress.

The scrapbook (29 disbound pages) includes newspaper clippings, articles, pamphlets, memorials, and manuscripts pertaining to various members of the Lovejoy family, particularly Elijah Parish Lovejoy (1802-1837) and Owen Lovejoy (1811-1864). The items about Elijah P. Lovejoy concern his death, his religious beliefs, and his memorial at Alton, Illinois. The scrapbook also has contemporaneous articles about Owen Lovejoy's abolitionist work and about Illinois politics around the time of the Civil War. Other articles, biographies, speeches, memorial programs, and memorial poems concern the lives and deaths of Owen G. Lovejoy, Lucy Lovejoy, Charles P. Lovejoy, Eunice Storrs Lovejoy, and members of allied families. One article describes Helsinki, Finland.

The collection is rounded out by three printed images of Owen Lovejoy, materials regarding memorials and commemorations for Owen Lovejoy and his brother Elijah Parish Lovejoy, and newspaper clippings about Owen Lovejoy and his descendents. Several of the commemorative materials pertain to the Lovejoy Monument Association, including a booklet of music for the dedication ceremonies of the Lovejoy Monument. The Lovejoy papers also contain correspondence and an inventory regarding the Lovejoy collection located at the Bureau County Historical Society of Illinois.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

The Starbird family papers contain the incoming and outgoing correspondence of three of the Starbird siblings: Solomon and George, who served in the Civil War in the 127th New York Infantry and 1st New York Mounted Rifles respectively, and Marianne, who operated a struggling art school in New York City.

The Starbird family papers contain approximately 345 items, spanning ca. 1845 to 1864. The Correspondence series contains approximately 331 letters, arranged chronologically, with undated items at the end; the letters cover 1848 to 1864. Thirty letters in the collection predate the Civil War; these primarily concern the schooling and careers of the Starbird siblings, Marianne Starbird's health, social visits, religious observations, and various family matters. The bulk of the collection centers on the years 1862 to 1864, when Solomon and George served with the 127th New York Infantry and the 1st New York Mounted Rifles, respectively. George wrote to Marianne quite frequently during his service, at which time he was mainly stationed in Virginia and North Carolina. He participated in a number of skirmishes in southern Virginia, as well as the Siege of Suffolk, but otherwise did not see much heavy fighting. His outgoing letters, as well as those he received from fellow soldiers, are notable for their frankness about camp life and the war experience, as well as for their content regarding African Americans. Solomon Starbird wrote less frequently to his siblings, but produced very lengthy letters, which cover numerous topics, including the war camp activities, and duties.

The war-era letters open with a discussion of George's enlistment in the 1st New York Mounted Rifles, including his own rationale for enlisting (July 30, 1862). George's early letters primarily document his daily activities at Camp Dodge in Suffolk, Virginia, and a few skirmishes nearby. He frequently gave accounts of his participation in scouting parties and pickets, as well as his pastimes during quiet periods. Among the skirmishes in which he participated are one near Blackwater, Virginia (October 5, 1862); an attack by "bushwhackers" (December 28, 1862); and a skirmish at Providence Church (December 29, 1862) near Windsor, Virginia. He also gave a lengthy description of being fired on during a picket, when, at the same time, a sergeant was mortally wounded (January 15, 1863). In a letter of September 2, 1862, he described the capture of 112 Confederate prisoners on their way to Richmond, and noted that they were given coffee and generally treated well by their Union captors. He also mentioned the explosion of ordnance stored at Yorktown, Virginia, (December 17, 1863) and the search for a Confederate spy near Williamsburg (January 16, 1864).

George's letters are especially significant for the attention that they give to African Americans. He found himself in frequent proximity to slaves near Suffolk, Virginia, where he recorded their stories and noted the assistance that they provided to his company. On October 10, 1862, he recounted a conversation with the slave whom he paid to wash his clothes and cook sweet potatoes for him. The "old negro" told Starbird about his master, Nathaniel Redden, a member of the Congress of the Confederate States. Redden had left Suffolk, but tried to persuade his slaves to stay on his plantation by telling them that northerners would work them three times as hard as southerners and deny them food. According to the unnamed slave, Redden also told him, "Lincoln is going to take you to Cuba and sell you off to pay off his soldiers." In another letter, dated October 25, 1862, Starbird told his sister about a slave Tom, who "lays awake nights heaps worrying for fear the rebels have carried off his wife he left down in Carolina." Starbird also noted the work performed by contraband, such as building stables (January 15, 1863), and the assistance given to Union troops by African Americans, which included giving them corn and making them coffee (October 14, 1862).

George provided descriptions of camp life, including the soldiers' enjoyment of the barracks at Camp Suffolk, their roughhousing, and their heavy drinking. In a letter of January 1, 1863, he noted that the officers got "beastly drunk" and could barely stay on their horses; indeed, several had fallen and could not perform their duties later in the day. He also described a soldier who was nearly 60 years old and had dyed his hair and beard to appear young enough to enlist (February 9, 1863). Other topics covered in his letters include the lack of pay to the soldiers (January 18, 1863), his duties (which included compiling the monthly returns, November 5, 1863), and the hiring of substitutes (August 18, 1863). He also called his fellow soldiers a "Hard Crowd" and described their vicious brawls with one another (August 9, 1862).

George received correspondence from friends in other regiments. One man in particular, Jesse Kimball, who called himself "Barnes," wrote very frankly about the sex available to soldiers from white and black women. He mentioned rampant venereal disease (March 3, 1863), whores in Virginia (November 17, 1863), and sex with girls in his hometown (March 11, 1864).

Solomon Starbird wrote less frequently, but his letters tended to be long, rambling, and filled with details of camp life. On January 23, 1863, he wrote to Marianne concerning the lack of pay to soldiers and the slovenliness of the privates. In his letter of August 21, 1863, he described a military gathering on Folly Island and Union positions in South Carolina. In other letters he gave accounts of being fired on during picket duty (September 30, 1863) and Christmas celebrations in camp (December 22, 1863). A talented sketcher, he included in a letter of October 8, 1863, a penciled map of Cole's Island, South Carolina, labeled with the "old fort;" the 127th Regiment's camp; and the surrounding marshes.

Marianne's letters to her brothers are notable for their accounts of the administration of a struggling art school in New York City during the period. On March 8, 1863, she described her studio and enclosed a flier for the school. In another letter, she shared the necessity of supporting herself by painting portraits, though her greater talent lay in other areas (March 29, 1863). Her later letters reveal increasing health problems, and the difficulty of attracting pupils (February 22, 1864), as well as her attendance at a Sanitary Commission Fair in Brooklyn (February 7, 1864).

The Essays and Poetry series contains 14 essays and poems covering 92 pages. Marianne wrote many of these items, and submitted them in the 1840s to a Norridgewock, Maine, journal called the Social Repository. Of particular interest is an essay, likely written by Marianne, entitled "My School Days," which describes the small schoolhouse that she had attended as a girl. Also included are poems on the topics of love, autumn, the death of a mother, and friendship, and a piece by "C.B.E." entitled "The Mission of Woman." The latter defends the education and ambitions of women and notes that their rightful place in life is as "the equal, not the toy of men," but urges them to dismiss "the sneers, the prejudice, the conventionalities of the world."