Collections

Goldie Sherwood (1882-1960) was a Holly, Michigan resident. Descriptions of activities and family letters.

Descriptions of activities of young adolescent girl; and miscellaneous letters of other family members.

Professor of geology at the University of Michigan; Correspondence, journal, photographs, film and other materials relating to the University's 1926-1933 scientific expeditions to Greenland.

The Belknap collection consists primarily of material documenting the 1932 expedition to Greenland and the efforts to establish a memorial to Arctic explorer Admiral Richard E. Peary at Cape York, Greenland. The papers include correspondence, journal, photographs, other materials. Also included is a film of the 1926 voyage to Greenland. activities of the first expedition in Greenland.

Saginaw and Chesaning, Michigan newspaperman; member of the Michigan Legislature; founder of the Chesaning Showboat, an important Michigan tourist attraction. Biographical material; correspondence, 1941-1990, including letters about Howell written after his death; travel diaries, 1923-1952; Chesaning Showboat file; newspaper clippings; and photographs.

The Papers of Chester M. Howell measure .25 linear feet and are contained in three series: Papers, Newspaper Clippings, and Photographs.

The Papers series is comprised o Biographical Material, Correspondence, travel Diaries, and Chesaning Showboat files. The Correspondence (1941-1990) file includes some letters written after Chester M. Howell's death that recount his life and activities.

The Newspaper Clippings series contains articles by and about Howell, especially relating to the Chesaning Showboat and the Chesaning Argus newspaper.

The Photographs series includes images of Saginaw, Michigan and of Howell's newspaper activities in Saginaw and Chesaning; photographs taken while a state legislator; photos of Mackinac Bridge; and miscellaneous personal photos.

Researchers should note that other than the photographs there is not much material relating to Howell's political life. The material predominantly relates to the Chesaning Showboat and the Chesaning Argus.

University of Michigan professor of economics and accounting, businessman, U-M regent; papers include biographical material, topical files, correspondence, publications and speeches, audio-visual material, and scrapbooks.

The papers of Robert P. Briggs document aspects of his career as educator and administrator at the University of Michigan, and his experience as businessman and advocate for business. The papers are arranged in seven series: Biographical/Family Material; Topical files; Correspondence; Publications, Speeches, and Addresses; Audiovisual Material; and Scrapbooks.

This collection consists of reminiscences (written about 1919?) of Hodnett's experiences in France during World War I; a diary (1913-1918) of his father (name unknown), an army clerk in the Philippines and later along the Mexican border, a genealogical notebook of the Oram family, and photographs. The photographs are portraits, some of which are in uniform.

Naturalist and historian at the Nankin Mills Nature Center near Westland, Michigan. Nankin Mills was also used by Henry Ford in the manufacture of automobile parts. Nankin Mills files including notebook with research notes and jottings about the Nankin Mills area, newspaper clippings, and deeds; collected historical material including child's diary, 1902-1903, and Pontiac, Michigan family papers containing essay about women's suffrage, 1881; photographs of the Nankin Mills and related areas in western Wayne County, Michigan; copy prints of Pike's Peak, Colorado, 1887.

The Mary Ellsworth papers consist of two types of materials: 1) papers which relate specifically to Nankin Mills and to her work as naturalist, and 2) historical materials collected or received by Mary Ellsworth.

Governor of Michigan, writer, businessman; papers include correspondence, business records, speeches, writings, visual materials, diaries.

The Osborn collection consists of correspondence, diaries, business papers, scrapbooks, photographs, and other materials accumulated during his life. Materials prior to 1889 are scarce possibly because of a fire which destroyed Osborn's home; thereafter and up to the time of his death in 1949, the Osborn papers are voluminous, documenting each of this man's varied activities. Although his career as elected public official was limited to one term as governor, the collection reflects the importance of his life in areas beyond politics alone. His voice was heard, in letters and speeches and monographs, speaking out on the issues of the day - prohibition, conservation, the New Deal, and of course his life-long interest in the development of Michigan's Upper Peninsula economy and natural resources.

University of Michigan staff photographer, 1913-1947 and commercial photographer in Ann Arbor, Michigan. Collection includes some manuscript material but is primarily photographic prints and negatives made by Swain. Photo subjects include university buildings, faculty, and student activities, archeological expeditions to the Near East and, Ann Arbor scenes and landscapes form his travels in the western United States and Canada.

The papers and photographs of George R. Swain mainly document Swain's accomplishments as university photographer at the University of Michigan from 1913 to 1947. Researchers should note, however, that this is only a sampling of the photographer's work during these years. The Kelsey Museum of Archaeology at the University of Michigan has an extensive collection of Swain's archaeological negatives and prints, and researchers interested in his full career will want to also look at the Kelsey collection. The Bentley Library material, while including several folders of fine photographs Swain made on his travels with Professor Frances Kelsey, for the most part documents Ann Arbor and the University of Michigan.

The collection at the Bentley Library consists of three series: Miscellaneous Papers; Photographers Log; and Photographs (prints; negatives; and lantern slides. Since the bulk of the collection is comprised of early twentieth century images of Ann Arbor and the University of Michigan, the materials will be of most interest to researchers searching for visual documentation of this part of the state in that time period. There are very few materials beyond the visual, although the lengthy captions attached to many overseas images and the essays, diaries, and letters, are extremely interesting and offer insight into how Swain approached his craft, both as a professional photographer and in his personal work.

Papers collected by Minnie C. M. Fay of Battle Creek, Michigan. Genealogical, and family records, and photographs.

The Minnie Fay collection consists of genealogical and family records, family photographs, and a diary, 1857-1858 probably of a Henry Chandler.

The Blanchard family papers document the lives and careers of several members of the Blanchard, Cobb, and Proctor families from the mid-nineteenth century through the late twentieth century. Includes visual materials, publications, personal writings, and extensive correspondence files.

The Blanchard Family Papers document the professional achievements and personal lives of several generations of a scientifically minded and artistically gifted family. The papers focus heavily upon the eminent plant pathologist and nematologist Nathan A. Cobb, his wife Alice Vara Cobb, their daughter, biologist Frieda Cobb Blanchard, and her husband, herpetologist Frank Nelson Blanchard (the latter two of whom were professors at the University of Michigan). In addition to the photographs, drawings, correspondence, journals, and writings of these four individuals, the collection is rich in family correspondence, diaries, and personal papers from other members of the Cobb and Blanchard families (and their forebears and branches, including the Bigelow, Proctor, Ross, White, and Randall families). The Blanchard Family Papers will be of value to researchers interested in a variety of topics: scientific endeavors and methodologies (and in particular those related to agronomy, nematology, botany, and herpetology); the visual arts and the development of photography in the late nineteenth and early twentieth centuries; colonial and provincial life in Australia and Hawaii (respectively); and the daily affairs of American (and Michigan) families throughout the twentieth century. The Blanchard Family Papers consist of seven series: Nathan A. Cobb, Alice Vara Cobb, Frieda Cobb Blanchard, Frank Nelson Blanchard, Blanchard and Cobb Family Letters, Other Family Members, and Isaac G. Blanchard.

Resident in China from Farwell, Michigan; papers concern her family life in Farwell, and missionary activities; include letters, diaries, and accounts of father, Josiah L. Littlefield, Farwell lumber dealer and visitor to China, 1916-1917; letters, 1918-1928, of husband, Dr. Dennis V. Smith, medical missionary to China, describing in part Chinese politics and civil war, 1918-1920; letters and other papers of Hazel Littlefield Smith, including materials concerning various European travels, and manuscripts of writings about Irish author Lord Dunsany, her father, and Farwell, Michigan; and photographs. Other correspondents of Hazel Smith include world-renowed scientists (Edwin Hubble and William Beebe), from Chinese Princess Der Ling, and from distinguished European writers and actors (Pierre LaMure, Selma Lagerlof, Brian Aherne, and Ronald Colman).

This collection was accumulated by Hazel Littlefield Smith and consists of materials concerning her career and interests and those of her family, specifically her husband, Dr. Dennis Smith, and her father, Josiah Littlefield (1845-1935), a pioneer lumberman and businessman in Farwell, Michigan.

The collection is particularly valuable for three topics: early days (late nineteenth and early twentieth centuries) in Farwell, Michigan; missionary life in China in the period ca. 1915-1928; and the travels and writings of Hazel Littlefield Smith. The materials include correspondence, compositions and business-related materials of Josiah Littlefield; correspondence and other materials of Dr. Dennis Smith, Hazel Littlefield Smith (and Josiah Littlefield) concerning conditions in early republican China; and correspondence and other materials of Hazel Littlefield Smith concerning her travels in Europe (1920s-1950s), her management of the family farm near Farwell, Michigan (1940s), and her essays, poetry and other publications, including Lord Dunsany: King of Dreams.

The three principal figures in the collection--Hazel Littlefield Smith, Dennis Smith and Josiah Littlefield--were highly perceptive observers of persons and events. Their letters are rich in detail, whether describing travel experiences or everyday life in rural northern Michigan.

The collection is arranged into six series: Littlefield Family, China-related materials, Hazel Littlefield Smith, Miscellanea, Dr. Dennis V. Smith, and Visual Materials.

Michigan family from Adrian and Flint, Michigan. Family papers, sound recordings, and photographs.

The collection is arranged by family name: Tomlinson, Pomeroy, and Raab. The earliest item is an account maintained by Alexander Tomlinson of Sherwood, Michigan. Within the Raab family papers are diaries, 1891-1892, of Florence Raab concerning her life in Adrian, Michigan. In addition, the collection includes papers and audio-tapes of Irving T. Raab reminiscing about his student life at the University of Michigan in the years before 1900. These tapes also concern his life in Flint and career as Presbyterian clergyman. The photographs in the collection are of family members.

Upper-class Michigan family in the nineteenth and early twentieth centuries with various business interests including lumbering, mining, and land transactions in Montana, Michigan, California, West Virginia, and British Columbia. The family was also active in the development of the Orchard lake area, especially during in the 1920s through the 1940s. The collection contains both business and personal materials including correspondence, subject files, legal records, maps, blueprints, and photographs.

The Palmer Family papers document the activities of an upper-class family in nineteenth-century and early twentieth-century Michigan. The strength of the collection is its documentation of the growth of early business in Michigan. The Charles Henry Palmer (Senior) series contains the bulk of this information, with papers documenting his activities as an investor in mining and railroads in Michigan's Upper Peninsula from the 1850s through the 1880s. The balance of the collection contains both business and personal materials documenting the lives of various Palmer family members. Materials include correspondence, legal materials, business records, photographs, diaries and journals, and newspaper clippings.

Records, 1802-1884, of the American Fur Company at Mackinac Island; records of the collector of customs; records concerning history of Mackinac Island, Sault Ste. Marie, Chippewa County, and Mackinac County, including marriage records for Chippewa County, 1824-1870, minutes of Chippewa County Automobile Association, 1917-1930, and miscellaneous personal diaries.

The strength of the Sault Ste. Marie collection is the records of the American Fur Company at Port Mackinac. These records date as early as 1802 and include shipping documents from the Sault Ste. Marie area and nearby ports from 1802 to 1884. Among these documents are shipping manifests, clearance documents, bills of sale, enrolment bonds, Treasury Department circulars to custom collectors at the Port of Sault Ste. Marie and nearby ports, and personal and business correspondence.

Other portions of the collection are files maintained by Myron W. Scranton. Scranton was a son-law and business partner of Peter B. Barbeau.

The Connecticut Woman's travel diary recounts the author's social activities during several weeks spent mingling with high society in New York City; Washington, D. C.; Aiken, South Carolina; and Charleston, South Carolina.

The Connecticut Woman's travel diary (56 pages) recounts the author's social activities during several weeks spent mingling with high society in New York City; Washington, D. C.; Aiken, South Carolina; and Charleston, South Carolina. Throughout her trip, she spent much of her time at balls and meeting with acquaintances and notable figures, among them Attorney General Charles R. Devens, a daughter or daughter-in-law of Zachary Taylor, and Admiral William Rogers Taylor. While in the capital, the author and her traveling companion, Isabella, made a trip to the White House to meet Mrs. Rutherford B. Hayes (p. 3). Though the diarist focused on social prestige and social customs, she reported her brief impressions of Forts "Sumpter" and Moultrie in Charleston (pp. 38-39).

Translations of letters, 1847-1850, of Gotthardt Bechtold describing his trip to, impressions of, and settlement in America; also diary, 1861-1865, of Frederick W. Bechtold, soldier in Co. B, 12th Missouri Volunteers during the Civil War (partially in German); typescript translations of Bechtold's diary and of his letters, 1862-1864; and miscellaneous other family letters (some in German).

This travel account of Abbé Montesquiou was written in 1798 three years after his trip to American from 1758-1832. The journal covers Montesquiou's travels as well as his thoughts on America, Canada and the mid-Atlantic areas he visits.

Montesquiou's 'journal' is not a standard travel account: it goes beyond pure description to include discussions of the philosophy and the history, the people and government of the nation. The journal appears to have been written following the Abbé's return to France with internal evidence suggesting 1798 as the most likely date. Perhaps because of the time that had elapsed between his voyage and its writing, the journal includes as many opinions on his experiences in North America as it does actual description of what he has seen. Montesquiou is naturally analytical in his writing style, and he has a penchant for 'augmenting' his personal observations with views and opinions that appear to have been culled from written sources. Thus his discussion of the Philadelphia Yellow Fever epidemic of 1793 contains information that may have been derived from the opinions of contemporary scientists, and his discussions of the relative merits of monarchy and democracy are sufficiently generic that the American context seems almost incidental.

Montesquiou is generally an unsympathetic observer of the young United States; while he appreciates the scenery and the productivity of the nation he is strongly critical of the hypocrisy of 'Republican' slaveholders, of the nation's leaders -- particularly Washington and Jefferson. While he admires the Philadelphia prison system, he is repelled by what he considers the crass, ultra-capitalist sensibilities of Americans. Among the more interesting aspects of the 'journal' are his extended discussions of the prison system and a theory of crime and punishment, slavery, the American character, and democracy and monarchy.

The collection consists of five journals and one memoir that document Quaker missionary John Parrish’s travels throughout Pennsylvania, New York, Michigan, and Ohio from 1773 to 1793, during a treaty negotiations between the U.S. government and the Six Nations Iroquois.

The Parrish journals consist of six volumes that document relations with several Native American tribes during and following the Revolutionary War (1775-1783). He was present during the creation of a series of treaties that attempted to end the conflicts over land ownership, such as the Newtown Point Treaty of 1791 and another treaty negotiated at Sandusky, Ohio, in 1793. Parrish’s journals provide a great deal of insight into the often hostile and tenuous relationship between White people and Native Americans, while at the same time giving an idea of what daily life was like for men and women residing in these much contested territories.

Written during the late 18th century, the five journals are dated 1791 (1) and 1793 (4). The sixth item in the collection is a memoir that describes events occurring in 1773, yet appears to be written much later, possibly as early as 1790. Parrish traveled through Ohio, Pennsylvania, New York, and Michigan and encountered many different Native American groups. The tribes with whom he had the most contact were the Shawnee, the Wyandot, the Seneca, the Stockbridge, the Chippewa, the Delaware, the Tuscarora, the Miami, and the Oneida. He also encounters many Native Americans who belong to the Moravian sect. Many of these tribes were part of the Six Nations Iroquois present at the treaty councils.

Each journal varies considerably in content, yet all contain very detailed descriptions. The memoir, which describes events occurring in 1773, documents Parrish’s journey to Newcomers Town in Ohio to meet with members of the Delaware tribe, most importantly Captain White Eyes and Chief Netawattwaleman. Traveling with fellow Quakers Lebulon Heston and John Lacy, the men embarked on the journey primarily as missionaries. Despite their intentions, however, the men become embroiled in the political volatility of the time. On his way to Newcomers Town, Parrish encountered Chief Logan (1725-1780), a Native American of the Mingo tribe, whose family was killed in what is known as the “Yellow Creek Massacre.” Logan, who delivered a speech referred to as “Logan’s Lament,” is quoted by Thomas Jefferson in his Notes on the State of Virginia and likewise verbatim in Parrish’s memoir. In addition to the Delaware tribe, Parrish also met members of the Shawnee and Wyandot tribes. The memoir is thought to have been written sometime after 1773, the earliest possible year date being 1790, given Parrish’s reference to historical information occurring after this time, such as the “Yellow Creek Massacre,” Dunmore’s War, and Thomas Jefferson as Secretary of State.

Parrish’s 1791 journal serves as a description of the Treaty of Newtown Point and the events leading up to it. Originally the council was to take place at Painted Post in New York, but was changed to Newtown Point due to the low water levels of the Tioga River. Over 600 Native Americans were present for the treaty, and Parrish faithfully records sentiments expressed regarding attitudes towards White people and land ownership. He was especially careful to document several interviews and speeches of prominent Native American leaders, such as the Stockbridge chief Hendricks, Pater of the Onieda tribe, the Seneca chief Red Jacket, and a chief named Cayasuter. In addition to describing Native American customs, attitudes, and the events that transpired during the council, the issue of alcoholism among the tribes proved to be a chief concern for Parrish. Consequently, he asked Col. Pickering to cease the distribution of whiskey at the council fearing that it was hindering the negotiation process while simultaneously making the Native Americans vulnerable and easily exploitable.

Ultimately the Newtown Point council was unsuccessful, and the three volumes dated 1793 relate another attempt by Pickering to secure peace with the tribes. Although the Six Nations had agreed with Pickering’s terms, the western tribes were still rebellious and discontented. This necessitated the scheduling of yet another council to form a treaty. In the first volume Parrish -- accompanied by Beverly Randolph, John Elliot, Joseph Moore, and Pickering -- traveled to Detroit as a point from which they could easily meet with several tribes, while being close to Sandusky on Lake Erie -- the site of the upcoming council. Parrish noted that the tribes insisted on Ohio as the eastern boundary for their lands, remaining persistent in their demand despite the abundance of gifts that Pickering bestowed upon them. The second volume is mainly a discussion of Native American customs and the problem of slavery, especially the multitude of white captives. The narrative of Parrish's departure from Detroit to attend the council appears at the end of the second and beginning of the third volume. This treaty too failed, the tribes rejecting Pickering’s gifts in lieu of the restoration of their lands. At the end of the third volume, Cornplanter (1750-1836) -- chief of the Seneca -- delivered a moving speech to President Washington on the selling of their lands. Parrish related how Cornplanter demanded of Washington, “Brothers of our Fathers where is the place which you have reserved for us to lie down upon?....all the Lands we have been speaking of belong to the Six Nations no part of it ever belonged to the King of England and he could not give it up to you” (1793, No. 3, p. 11, 13). The latter replied and a brief exchange ensued.

Parrish’s last journal entitled “Some Notes on Indian Affairs,” which also dates to 1793, seems to have been written after returning home from Detroit and Sandusky. Much of the information recorded serves as a summary of some of his work described in the previous journals, as well as commentary on the situation of the tribes. He discussed in particular the Gnadenhütten massacre. This massacre, carried out by Lt. Col. David Williamson (1749-1814) and 160 of his militiamen on March 8, 1782 near Gnadenhütten, Ohio, left approximately 96 Moravian Indians dead. Parrish deplored this and other crimes committed against the tribes.

Parrish wrote intelligently and clearly, alternating between descriptions of events and his personal thoughts. His religious beliefs figured prominently in his attitudes and opinions, and they informed his desire for social justice for Native Americans, as well as for African American slaves. Present in all these journals is his sympathy for the human suffering he encountered, which he hoped to see eradicated. These journals thus prove to be not only rich in historical information, but also detailed in the accounts of Parrish's quest for a more peaceful coexistence between whites and Native Americans.

Lisa Marshall Bashert is a lesbian feminist witch from Ypsilanti, Michigan. She was involved in various causes and local organizations, especially relating to gay-lesbian activism in Michigan. She is a graduate of the University of Michigan and a life-partner of Beth Bashert. The Bashert collection consists almost entirely of her journals which are a combination of diaries, musings and other personal reflections about such topics as her sexuality, her personal relationships, and her involvement in feminist, lesbian, and pagan organizations.

The Bashert collection consists almost entirely of her journals which are a combination of diaries, musings and other personal reflections about such topics as her sexuality, her personal relationship, and her involvement in feminist, lesbian, and pagan organizations. In many journals, Bashert discusses her relationship with her partner, Beth Bashert. Digital transcripts of her journals are also kept online.

Another series in the collection, Local Organization and Projects, contains files related to environmental sustainability, and gay and lesbian rights organizations in Ypsilanti during the 2000s. Bashert was invited by the mayor of Ypsilanti in 2007 as an active member of the community, to work on the Ypsilanti 2020 Task Force. Files from this project include reports and recommendations on improving the cities infrastructure and economic development. Bashert was also a board member for many sustainability organizations, and as such many of the meeting minutes and reports are found within the series.

Law student at University of Michigan; administrative assistant to Michigan Democratic State Senator John T. Bowman. Legislative log recounting debate over Congressional reapportionment in the Michigan Legislature; case study entitled, "Congressional Redistricting in Michigan After the 1970 Decennial Census"; and letter received by John Bowman on the subject of cross-district busing.

The George C. Steeh collection is comprised of those records created from his period of service to Senator Bowman. Included is a series of folders which Steeh labeled his "Legislative Log." Covering the period of January to May 1972, the log consists of Steeh's daily notes on Bowman's actions and maneuvers during the debate over Congressional redistricting in the State Legislature. This is followed by an extensive (174 p.) narrative and analysis of the Michigan redistricting struggle entitled, "Congressional Redistricting in Michigan after the 1970 Decennial Census: A Case Study." Steeh based his analysis upon the work he did for Bowman, a series of interviews with the principal participants in the redistricting debate, and examination of the Senate and House Journals and newspaper coverage of the debate. Beyond this, the collection includes a scattering of correspondence received by Bowman on the issue of cross-district busing.

Jimmie Howard Reynolds (1925-2013) was a band director from Louisiana who taught and directed music programs at the high school and collegiate level. During the 1970/1971 academic year, Reynolds took a sabbatical leave from his position as Director of Bands at Louisiana Polytechnic University to serve as a graduate assistant under Dr. William D. Revelli during his final year as Director of Bands at the University of Michigan. Reynolds kept a journal of rehearsals and performances from that time and wrote extensively about the pedagogical practices Revelli employed as Director. This diary is a digital transcription of the entire diary as written, prepared by Reynolds' son, Dr. Patrick Allen Reynolds, in 2021.

The Jimmie Howard Reynolds diary, titled "Rehearsals with WRD", was maintained by Reynolds during the 1970-1971 academic year at the University of Michigan. Reynolds was a graduate student assistant for William D. Revelli during his last year as Director of Bands. The diary held by the Bentley Historical Library is a transcription, prepared and edited by Reynold's son, Dr. Patrick Reynolds, in 2021. Dr. Reynolds transcribed the diary as written, with minor changes to punctuation and grammar to aid in clarity. Dr. Reynolds also added some additional information to the text, usually to clarify names, dates, or events as written about by his father; these additions are added in brackets.

While Reynolds and Revelli maintained a close professional relationship for forty years, the diary documents criticisms Reynolds had of Revelli's conducting and pedagogy. In some entries, names have been removed by Dr. Reynolds to avoid embarrassment on behalf of the performers. A full note regarding Dr. Reynolds' transcription work is included in the digital file.

Nuclear engineer, professor and eleventh president of the University of Michigan (1988-1996), leader in efforts to transform the University of Michigan, and higher education generally, into a culturally diverse, financially secure, and technologically advanced institution. Collection consists of both paper and digital documents, including speeches, presentations, writings and images. Portions of the collection are restricted. This collection represents the "personal papers" of president Duderstadt. Other material relating to his presidency is located in the record group "University of Michigan. President."

The James J. Duderstadt papers span the years from 1963 to the present, although the bulk of the material covers 1970 to 1996. The collection, consisting mainly of Speeches, Position Papers, and Presentations, effectively documents Duderstadt's vision, agenda, and planning process. There are two subgroups in the collection: Paper Documents and Digital Documents.

The Paper Documents subgroup is comprised of thirteen series: Biographical / Background Material, Speeches and Accompanying Material, Computer Printouts of Speeches, Position Papers, Publications, Presentations, Correspondence, Research, Topical Files (Pre-Presidency), Teaching, Presidential Transition Files, Strategic Planning, and Diaries and Notebooks. It includes a few papers from his years as engineering dean and his term as provost, along with a substantial amount of material from his years as professor of nuclear engineering and as president of the university.

A second subgroup, Digital Documents, is comprised of material created and maintained in electronic form (utilizing a number of software programs), and is particularly strong for representing Duderstadt's entire term as president of the university. The subgroup includes eight series: Speeches, Idea Files, Strategy, Position Papers, Presentations, Write Files and Legacy Files. The digital files of speeches and position papers frequently contain various and well-organized iterations of key documents. Of particular note are the Strategy Files, which hold substantial planning documents, many designed to encourage and promote vigorous response to change at many levels within the university. The subgroup also contains a series of Digital Images, most of which appeared in the 1996 publication Rebuilding the University: 1986-1996.

Student activist who was involved with SDS, co-founded Kalamazoo Gay Liberation at Western Michigan University in 1970, and was involved with the Gay Liberation Movement at Michigan State University in the early 1970s. Greg Kamm later became an ESL teacher and served in the Peace Corps before teaching English in Thailand, South Korea, and Saudi Arabia. Collection includes photographs, personal journals, and papers documenting Kamm's involvement with various organizations.

Due to his involvement with SDS in the late 1960's and the Gay Rights movement in the early 70's, the Greg Kamm papers are a highly valuable resource for scholars and citizens interested in the history of student activism in Michigan. The papers are especially important for understanding the evolution of Lesbian, Gay, Bisexual, and Transgender rights in the state because Kamm, as cofounder of Kalamazoo Gay Liberation and an officer of the Gay Liberation Movement at MSU, was intimately involved with the movement in the years immediately succeeding the Stonewall riots. At the same time, materials related to Kamm's experiences abroad as a traveler and ESL teacher offer a Michigander's view of the world and his 31 years' worth of journals provide a fascinating insight into Kamm's transitions from activism to eastern philosophy and, ultimately, to the consolation of his early Catholicism. The Greg Kamm papers are divided into four series: Biographical Materials, Student Activism, Visual Materials, and Journals.

Graduate of the University of Michigan School of Social Work (1966). Peace Corps volunteer in Pakistan. Letters to parents, a diary fragment, and other materials relating to social work in the United States and Pakistan.

Letters to her parents in Detroit, Michigan, a diary fragment, newspaper clippings and miscellanea relating to social work in the United States and Pakistan.

A Detroit, Mich. native, Barbara Bassett McIver was part of the second cohort of Peace Corps volunteers and part of the first Peace Corps group to go to the Philippines. The bulk of the material is dated between 1961 and 1964, and includes McIver's diary, a scrapbook, letters home, and ephemera relating to McIver's experiences in the Philippines. Also included in the collection are Peace Corps 25th and 50th anniversary program materials.

The bulk of the material in the collection relates to McIver's time as a volunteer in the Peace Corps. The majority of items dated between 1961 and 1964 include McIver's correspondence (mostly letters to her mother) her diary, and a scrapbook. McIver's letters and her diary describe her daily activities, thoughts, and concerns regarding the Philipines, the Filipino culture, the Peace Corps, and other volunteers. McIver's scrapbook contains maps of the Philippines, photographs of McIver, the Peace Corps volunteers, Filipino students and citizens. Of note (within the scrapbook) are two signed letters to McIver from President John F. Kennedy and four letters from R. Sargent Shriver, the first director of the Peace Corps, as well as two letters from Congresswoman Martha W. Griffiths (D-Michigan; 1955-1974) commending McIver for her work in the Philippines. The scrapbook also contains newspaper clippings (scattered dates), a 1967 Outstanding Young Women of America certificate, a 1961 Peace Corps Volunteer certificate, and a 1961 Pennsylvania State-Peace Corps Training Completion certificate, among other items.

The collection also includes the Peace Corps 25th and 50th anniversary program announcements and itinerary.

Delegate to the Michigan Constitutional Convention of 1961-1962; diary, correspondence, and topical files from his work as delegate; Human Resources Council of the Upper Peninsula Committee for Area Programs chairman’s files.

The collection consists of three series: Constitutional Convention Delegate File; Upper Peninsula Committee for Area Progress (UPCAP) Human Resources Council papers; and University of Michigan Extension Service. The bulk of the collection relates to the constitutional convention and includes a diary of his convention experiences, correspondence with constituents and interest groups, and subject files on the issues discussed at the convention. Some of his correspondents included Alvin M. Bentley, Prentiss M. Brown, and Neil Staebler.

Letters to parents and friends regarding his Peace Corps activities; also diary, June 1962, commenting on life in a rural village in Colombia.

Clarinet player in the University of Michigan Symphony Band which toured the Soviet Union, Near East, and Eastern Europe in 1961. Includes Mark's journal, photographs, and material collected while on tour.

The Michael L. Mark papers (0.4 linear feet) comprise materials collected and produced during the University of Michigan Symphony Band Tour of 1961. The collection is organized in two series, Band Tour Papers and Visual Materials.

The Ronald R. Stockton collection consists of various writings, most on topics relating to his research and teaching interests. These topics include Arab American relations, religion, historical and genealogical subjects, and articles about Kenya.

In 2000, Ronald Stockton began a journal which was intended to be read by his descendents. In it, he wrote of his daily activities interspersed with reflections on current events. In his journal, Stockton wrote of his daily activities interspersed with reflections on current events. This journal dates from 2000 to 2005 and continues with 2010. This journal is currently closed to research until 2025.

The Tom Hayden Papers largely consist of materials generated while Hayden was in the California State Assembly and Senate during the 1980s and 1990s as well as the research he conducted for many of his books.

FBI Files: The FBI files are files Hayden petitioned to be released through the Freedom of Information Act in the 1970s. The bound documents are not in strict chronological order with many dates overlapping, since many of the documents are reports from various field offices from different parts of the U.S. reporting to central headquarters in Washington D.C. Different types of source materials such as photocopies of newsletters, newspapers clippings, pamphlets or any other relevant information are attached to some reports. Some pages are redacted in the reports and not all files are complete with pages missing. Some pages are marked by Tom Hayden with Post-It notes and other notes possibly used for his writings.

Files of interest include a transcript of Hayden’s testimony before the House Committee on Un-American Activities in Washington, D.C. in regard to the Chicago riots during the Democratic National Convention in December 1968. Other documents of interest include reports on Tom Hayden’s first trip to Vietnam in 1965, and transcripts of phone calls between Hayden and Black Panther members during 1969-1971.

The FBI indexes contain a list of document numbers or pages generated in relation to Tom Hayden, a brief description of the document, a description of deletions made or information withheld from documents, exemptions to the deletions and cross references to other pages. The indexes do not match or list all the pages found in the archive. Referral documents means information or specific pages sent to other field offices or agencies such as the CIA.

In the Counter Intelligence Program and New Left folders the FBI the documents were generated either from headquarters (Washington D.C.) or different field offices. COINTELPRO and New Left locations are from different field offices throughout the US, and from Japan and Puerto Rico. The documents show the FBI’s monitoring and infiltrating of colleges and student organizations and their publications, activities and whereabouts. Included in the reports are examples of student publications and copies of articles in these publications and correspondence on how to counteract student organizations and their political activities from 1968-1971.

In the Jane Fonda FBI section, the Reports and Reactions folders contains reports from agents in regard to the Jane Fonda anti-Vietnam war FTA tour/show ( seen under various names such as Free Theater Associates or Free the Army and also the Peace Tour), which later became part of a larger peace tour in locations such as Okinawa, Japan and Manila, Philippines. Documents include reports of itineraries and names of people involved in the tour. Also included is correspondence received by the FBI from the public expressing negative reactions to Jane Fonda's FTA show and comments she made in public captured by the press.

The Freedom of Information Act folders include requests submitted by Tom Hayden and Jane Fonda’s lawyers for any government documents with information pertaining to them in the FBI, CIA, U.S. Department of Justice or NSA files. Subsequently, a lawsuit was filed in 1976 after certain documents were withheld by the CIA. Correspondence between their lawyers, Ira M. Lowe and Martin Echter and various government agencies can be found as well as correspondence addressing both Tom Hayden and Jane Fonda since they filed FOIA requests jointly. Any correspondence or law documents referring to both Tom Hayden and Jane Fonda have been filed under Tom Hayden and any documents referring only to Jane Fonda are in the Jane Fonda FBI section. Cases such as Joan C Baez v. U.S. Department of Justice and other cases are included.

1960s-1970s: The Writings folders contain articles written by Hayden in the 1960s-1970s. This is not a comprehensive list of all his articles written during this time period. The majority of the articles are not originals or drafts but photocopies.

The Notebooks section contains spiral bound notebooks of various sizes Hayden used to jot down notes, ideas, outlines for articles and meeting notes. Some of the notebooks outline his trips to North Vietnam. The notebooks are organized according to identifying information on each notebook such as year or location of when the notebook was initially used. Many of the notebooks include various loose sheets of paper or items such as stamps or business cards folded into the notebook. These items have been included in the same folder.

The Students for a Democratic Society section contains bulletins, reports, newsletters and publications under SDS from 1961-1964 and some undated documents. The Indochina Peace Project section has a selection of publications by the organization from 1972-1975 and some undated material.

Personal: The personal section reflects Hayden’s childhood, family, and interests. The files in this section include ancestry information, Royal Oak Dondero High School materials, University of Michigan materials, family greeting cards, and baseball clippings and photographs. The largest file in the Personal section includes ancestry reports Hayden had conducted in 1986 outlining and researching his family history and heritage.

Political Career: The Political Career section is organized according to year and type of campaign. In 1976 Hayden ran for U.S. Senate against John V. Tunney in the Democratic primary. He lost the Senate campaign, but later won the 44th State Assembly seat for the Santa Monica area in 1982. He later went on to serve 18 years in the California assembly and senate. Hayden served five terms in the California State Assembly from 1982-1992 and two terms in the California State Senate from 1992-2000. In 1997, he ran for Mayor of Los Angeles against Republican Richard Riordan and lost. In 2000, he considered a bid for the 42nd California State Assembly District Campaign, but reconsidered and instead ran unsuccessfully for City Council in Los Angeles. He also served as California’s first energy official.

As part of the California State Assembly, he served as Chair of the Assembly Subcommittee on Higher Education and Chair of the Assembly Committee on Labor. As part of the California State Senate, he served as Chair of the Senate Natural Resources Committee and member of the Senate Committee on Education, the Senate Budget Committee on Natural Resources and the Joint Committee for Review of the Master Plan.

The correspondence folders contain letters sent to Jane Fonda in regard to Hayden’s campaign which she supported through various fundraisers and campaigning. Also included are "thank you" notes addressed to Tom Hayden and a folder on business cards.The general correspondence section has various letters from constituents and from his political networks throughout the United States. Highlights include correspondence with Bill Clinton and Jimmy Carter. Each campaign has a folder labelled propaganda which refers to campaign propaganda such as flyers, pamphlets and mailers used for each campaign.

Of note is the Campaign for Economic Democracy folders, an independent political movement started by Tom Hayden that led the way in progressive issues such as environmental protections, solar energy and renters rights. CED led the campaign for Proposition 65 in 1986 requiring labels on cancer causing products.

The press clippings sections includes clippings Hayden and his staff were reading or collecting during each campaign to research and measure public opinion.

Legislation: This section is divided into general correspondence, budgets, press releases and different types of bills. The Education, Environment and the the Metropolitan Transportation Authority(MTA) sections are three areas in which the archive has the most documents in which Hayden actively researched, authored or co-authored bills. The Senate and Assembly bills folders are legislation that Hayden authored or co-authored while in the Assembly and Senate. The folders are arranged alphabetically according to topic and some single subject folders contain several bills for that one topic. At the end of the alphabetical section the bills are organized by year.

Education: The education section contains correspondence, bills and drafts, and clippings about California’s education system. The higher education section focuses on the University of California and California State University systems as well as independent and community colleges. Admissions contains information about affirmative action across California’s higher education institutions as well as accusations of favoritism at UCLA. Other notable topics include governance, the cost of higher education and legislation aimed at making college more affordable, and the enrollment crisis, which documents how California’s higher education system struggled to handle an increase in the college-aged population. K-12 contains information about the Los Angeles Unified School District (LAUSD). Notable topics include the potential breakup of LAUSD into multiple districts as well as the Equal Opportunity to Succeed initiative. Information on Toxic Schools and the Belmont Learning Center can be found in the environment section of legislation.

Environment: The environment section contains correspondence, clippings, bills, booklets, and notes about environmental legislation in Califorinia. One of the major issues Hayden tackled in the 1990s was toxic schools, which demonstates his concern for both the environment and education. Materials are arranged by theme, and the themes are then organized alphabetically. The six boxes are comprised of smaller bills that are arranged alphabetically. While there are no subheadings on the folders, materials within boxes are futher grouped by format, and the clippings and correspondence are in chronological order. There are materials in both English and Spanish.

MTA: These files contain information of multiple bills associated with the Metropolitan Transportation Authority (MTA). The files contain correspondence, general information, bill information, and clippings regarding MTA legislation. The files are organized by date with undated materials at the end of each section.

Publications: The Publications folders contain correspondence, drafts, book tour schedules and reviews of Hayden’s books. This section is not a comprehensive listing of all of Hayden’s book publications or articles. He contributed to a variety of newspapers and journals from 1980-2000 (please see the 1960s-1970s section for writings from that decade).

In the articles section folder sections are organized alphabetically according to topic and another group of folders are organized by year. These folders and their headings are topics created by Hayden and his staff for reference files much like the name and topical files.

International Interests: This section includes other countries Hayden was involved with or interested in besides Vietnam. Hayden’s Vietnam War activism can be found in the 1960s-1970s section.

One of the largest sections, Ireland, includes correspondence, clippings, and notebooks of notes he took while on several trips to Ireland. Please refer to the Publication section to see a section on his writings about Ireland as well.

The El Salvador section contains general information on El Salvador as well as folders on the Alexander Sanchez case. Alexander Sanchez is an ex-gang member from Los Angeles with ties to El Salvador and accused of racketeering and conspiracy to commit murder. Charges against him were dismissed. Documents in this section include court documents, court transcripts and notes on the case.

Name and Topical Files: These files contain Hayden’s reference files for people and topics around the world. Several of the topics in this section were later referenced in his writing and legislation. Included in these files are newspaper clippings, reports, and correspondence. Notable topics are President Bill Clinton correspondence and Chicago 7 Trial newspaper clippings. Particularly well documented topics include Kosovo, Corcoran State Prison, and salmon protection.

Los Angeles Name and Topical Files: These files contain Hayden's reference files for people and topics in the Los Angeles area. Files include newspaper clippings, reports, and brief correspondence on people, administrative bodies and various topics relevant to LA. The construction of new buildings in the LA area is particularly well-documented, including especially sports stadiums and arenas such as the Coliseum. Other topics that receive substantial coverage include earthquakes, water policy and the riots and subsequent Rebuild LA effort following the Rodney King police brutality incident.

Photographs: The photographs contain Hayden's family photos and trips and pictures with various political figures including Bill Clinton, Jimmy Carter, John Kerry and Jerry Brown. Many of the pictures depict Hayden's involvement in social justice and environmentalist movements including his participation with Students for a Democratic Society and trips to Ireland and Vietnam. The unidentified folders contain more pictures of political events and protests between the 1960s and 1980s. Clippings: The clippings include articles from 1965 to 2009 that document Hayden's political career, literary pursuits,personal life, and interests. Many of the clippings contend with themes such as reflections on his time as a radical activist, political campaigns, environmentalism, and the MTA strike. There are also articles that pertain to general news events. Several of the clippings are in Spanish and one is in Japanese.

David D. Dexter was a cornet player in the University of Michigan Symphony Band. In 1961, the Band toured and performed across the Soviet Union, Eastern Europe, and the Middle East. The collection includes digitized slides, correspondence, diaries, and audio recordings documenting the Band's experiences and performances. Also, a sound recording of an interview that was given by Dexter to a TV station in Ohio.

Digital images of slides, writings, and digitized sound recordings constitute the majority of items in the collection. Also included Dexter's packing lists, newsletter issues, and ephemera. All material relates to the University of Michigan Symphony Band's 1961 tour of the Soviet Union, Eastern Europe, and the Middle East.

Nicholas Delbanco (1942-), came to the University of Michigan in 1985, from Bennington College and Skidmore College, and has served as Director of the MFA Program in Creative Writing and as Robert Frost Collegiate Professor of English Language and Literature.He has also served both as Director and Chair of the Avery Hopwood and Jule Hopwood Awards Program. He has published over twenty-four books (novels, short stories, non-fiction, and textbooks), as well as many essays, reviews, and articles, and edited selected works of his friends and mentors, John Gardner and Bernard Malamud. The Nicholas Delbanco Papers includes correspondence, manuscripts, personal materials, professional records, and clippings. The correspondence is a rich collection of personal and professional letters exchanged over many years with fellow authors, publishers, and literary agents. Several manuscripts in various stages are also included.

The Nicholas Delbanco Papers were acquired by the Special Collections Library, University of Michigan, in September, 2006. Five boxes were added in November, 2009. The papers span over 40 years and include a particularly rich collection of correspondence with nearly 800 authors, educators, family members, and friends. Well known authors include, among others, John Updike, John Gardner, Joyce Carol Oates, Annie Dillard, and Raymond Carver. The correspondence traces the growth of friendships and professional relationships over many years. Other materials demonstrate the development and publication of Delbanco's manuscripts, articles, commentaries, speeches, and other writings as well as his professional careers at Bennington College and the University of Michigan. Delbanco's dedication to his students and the advancement of literature are demonstrated in his professional records, the depth of comments offered on student writings, and his active participation in associations and workshops. Personal materials include correspondence with family members, educational records, photographs, and journals from his early years.

The Nicholas Delbanco Papers are divided into six series: Name and Topical, Writings, Personal, Professional, Computer Disks, and Clippings. Books and serial publications have been separated from the collection to be catalogued individually.

The Name and Topical series contains 10 linear feet, Boxes 1-10, of mainly correspondence with fellow authors, academians, literary agents, and publishers. Topics relevant to the collection, such as university and organizational correspondence or special events are also included. Relevant photographs, clippings, ephemera, manuscripts are generally kept with related names and topics although there may be overlap in the Writings Series, especially when Delbanco and his fellow authors reviewed each other's work. The series is arranged alphabetically, and chronologically within. Incoming and outgoing correspondence are not separated. Each name or topic is given a folder as long as there are at least three letters of correspondence or if the person is of significant status. Names or topics that do not meet these minimum requirements are filed by letter in the alphabet, but are not arranged alphabetically nor chronologically within. The correspondence within these folders spans the years of the collection. There are also several folders that have unidentified correspondence in them because signatures are illegible or incomplete. Identified but undated material are generally placed in the back of related folders.

The largest segments of this series include correspondence with Frederick Busch, John Updike, Jon Manchip White, Andrea Barrett, Alan Cheuse, Richard Elman, Jim Landis, and publishers such as Brandt & Brandt, Warner Books, and Paul R. Reynolds, Inc. Although Jim Landis represented William Morrow as Delbanco's editor, the importance of his friendship with Delbanco appears greater than the business relationship; because of the depth of this friendship, the correspondence is arranged under Landis' name. Correspondence with John Gardner includes correspondence before Gardner's death and then with Gardner's family after his death in 1988, after which Delbanco was assigned to be his literary executor. Other notable correspondents include, among many others, Carly Simon, Joan Didion, Annie Dillard, George Garrett, and Wallace Stegner. Any photographs of correspondents or photographs of Delbanco by the correspondents that were originally with letters remain with those letters. Delbanco initially formed many of these friendships and professional relationships in college, graduate school, as a professor at Bennington College, and through writing workshops and conferences at Yaddo, Bennington, and Bread Loaf.

The Writings series is approximately 29 linear feet, Boxes 11-40, and encompasses many but not all of Delbanco's published writings. The series contains six subseries: Fiction, Short Stories, Nonfiction, Editorial Works, Other, and Writings by Others. Titles are arranged chronologically within the Fiction, Short Stories, Nonfiction,and Editorial Works subseries. Each title may contain a variety of formats which are noted – manuscripts, corrigendas, page proofs, typescripts, mock ups, galleys, penultimates, and unbound signatures, etc. These are arranged chronologically and often are titled as such by Delbanco in his notes. Correspondence that relates directly with manuscript materials that were originally with these manuscript materials, remains in this series, while there may be complementary information in Name & Topical.

The bulk of the material in the Fiction subseries, approximately 14 linear feet, is from The Martlet's Tale, News, Fathering, Small Rain, What Remains, and The Vagabonds. It is evident in the collection that some manuscripts were written under a variety of titles before the final decision was made as to the what the published title would be. Every attempt has been made to distinguish and attach these to the final product. One example is Fathering, which was written during the creative process under titles such as "Plague Year", "Times Fool", and "Leave Taking", before settling on the final title.

The Short Stories subseries contains approximately 1 linear foot of materials, Box 25, tracing development of About My Table and four folders, mainly reviews, on The Writer's Trade, and Other Stories. Individual short stories may be found in the Other subseries.

The Nonfiction subseries, Boxes 26-35 with additional materials in oversize Boxes 45-48 and 50, contains material primarily from Beaux Arts Trio, and two textbooks, The Sincerest Form: Writing Fiction by Imitation, and Literature: Craft and Voice. The Beaux Arts Trio was inspired by Delbanco's father-in law, Bernard Greenhouse, a cellist for the original trio.

The Sincerest Form: Writing Fiction by Imitation, a teaching textbook, was a project undertaken with students from Delbanco's English 417 and Strategies in Prose classes. Materials for this textbook include student critiques, opinions, and exercises for the purpose of learning the basics of writing fiction through imitation, "to encourage the students to develop a much more careful and critical eye when reading" (Instructor's Manual, Box 31), and at an advanced level, "to develop what they learn in class into serious critical essays" (Instructor's Manual, Box 31). Student papers, their releases for usage, and Delbanco's comments in response to their writings are included with these materials.

Literature: Craft and Voice is a three volume textbook written in collaboration with Alan Cheuse, covering works of fiction, poetry, and drama by various masters and commentaries on them. The textbook includes "nonfiction accounts of the process of composition (memoirs by playwrights, letters by poets, essays by short story writers, etc.) in which the authors discuss the problems posed and artistic challenges met." (Prospectus, 2003, Box 33).

The Editorial Works subseries contains approximately 1 linear foot, Box 35, of materials for which Delbanco served as editor. These include works by John Gardner, a colleague at Bennington College, who was killed in a motorcycle accident in 1982, at the age of 55. Delbanco was a great admirer and good friend of Gardner and his family. There are only a few materials relating to Stillness and Shadows, but there is overlapping information and also correspondence in Name and Topical (Gardner, John), reflecting Delbanco's and Gardner's relationship and the trust held by Gardner's family for Delbanco's handling of Gardner's unfinished manuscripts.

In materials relating to Talking Horse: Bernard Malamud on Life and Work, which was a collaboration with Alan Cheuse, there are correspondence, drafts, and an introduction by Delbanco regarding published and unpublished prose by Bernard Malamud. Malamud was Delbanco's mentor at Bennington College; other materials demonstrating Delbanco's and Malamud's relationship are contained in Name & Topical.

The Other subseries, approximately 4 linear feet, Boxes 35-39 and oversize Box 50, contains a variety of materials such as essays, short stories, commentaries for a WUOM radio program with Alan Cheuse, early writings from the late 1950s and early 1960s, articles for various magazines and newspapers such as Travel Holiday and Harper's, reviews on Delbanco's writings, reviews by Delbanco, and unidentified writings. Autobiographical and biographical materials are also located here as well as interviews with, Kurt Delbanco, Bernard Greenhouse, and Amy Tan. This subseries contains some materials for which it is undetermined whether publication occurred.

The Manuscripts by Others subseries, 1 linear foot of materials, in Box 40, contains writings by Robert Boyers, an article by Thomas and Andrew Delbanco (brothers of Nicholas), Jim Landis (friend and editor at William Morrow), and Stewart O'Nan, fellow author. These writings were submitted to Delbanco for his professional review; the reviews are included here.

The Personal series encompasses 1.5 linear feet of a variety of materials, Boxes 40-41, that pertain to Delbanco's childhood, education, and family. There is correspondence with his brothers, mother, father, uncle, and grandmother; also, marriage telegrams, birthday cards, and get well cards addressing his hospital stay and surgical procedure due to heart problems in 2003. Materials collected while at Fieldston, Harvard University, and Columbia University include correspondence, yearbooks, publications, ephemera, and writings. There are limited marriage, financial, and selective service records. Fifteen folders contain photographs of family, friends, travel, and professional portraits. A diary and handwritten journals contain notes and writings dated 1958 through 1966, with some undated material also. In oversize Box 50, inside Sketchbook #2, is a story written and signed by Delbanco as a very young child.

The Professional series contains 3.5 linear feet of material, Boxes 42-45, divided into subseries: Bennington College, Skidmore College, University of Michigan, Associations and Workshops, and Ephemera.

The Bennington College and Skidmore College subseries' include mainly class notes, professional correspondence relating to his academic positions, clippings, and thoughtful, detailed reviews of student work by Delbanco.

The University of Michigan subseries includes class notes, professional correspondence relating to Delbanco's academic status, clippings, lecture notes, certificates of awards and honorary degrees, and over 40 folders containing Delbanco's commentaries on student works, both at undergraduate and graduate levels. Comments on students' works provided by Delbanco are referred to as "comments"; year end evaluations of classes by students are referred to as "class evaluations". Some students are Hopwood Awards winners. There is commentary in this subseries between Delbanco and Elizabeth Kostova regarding her work for the MFA Program and debut novel, The Historian, which won an award for best Novel in Progress through the Hopwood Awards Program, and went on to be purchased for 2 million dollars by Little Brown and Company in 2004.(See Fiction, Comments, 2002.) Also included are speeches and correspondence regarding the Hopwood Awards Program.

The Associations and Workshops subseries contains correspondence, applications, meeting and agenda documents, ephemera, judging and recommendations notes and documents, and fellowship and grant awards information. Bennington Summer Writing Workshops (with photographs), Bread Loaf Writer's Conferences, Pen/Faulkner, the National Book Foundation, the Woodrow Wilson National Fellowship Foundation, and the NY Writers Institute are highlighted.

The Ephemera subseries contains flyers and pamphlets that relate to Delbanco's appearances, readings, and publications. There are also catalogues of trade publications and in oversize Box 50, 6 posters.

The Computer Disks series contains unidentified 3.5" and 5.25" floppy disks.

The Clippings series is arranged by decade and contains articles and reviews written about and by Delbanco from the New York Times, Chicago Tribune, Ann Arbor News, etc. Reviews and articles can be found with related subjects as well throughout the collection in related files.

The Gerard B. Palmer journal consists of short entries and sketches by a Unites State Navy Lieutenant at the end of the Korean War.

With the exception of a two week period in April, when engaged at Wonsan Harbor, North Korea, Gerard Palmer's diary entries are very short and slight. Many dates are left entirely blank, either for fear of censorship, lack of time, or simply from never having developed the regular habit of keeping a diary. Although scant in detail, the diary provides some information useful in reconstructing the chronology of U.S. naval operations on the North Korean coast during the final months of the Korean War, and Palmer's pen drawings of naval life are as entertaining as they are roughly hewn.

Of particular interest among the illustrations is Palmer's pencil-sketch plan of Wonsan Harbor, labeled confidential. This drawing indicates the positions of North Korean gun emplacements and the American base of Yo Do, as well as notes on the areas of operation for U.S. ships, and it is accompanied by the densest description in the diary, documenting the activities of the Owen during a period of relatively heavy action. Palmer's sketch of South Korean Marines huddled on shore during a covert raid to gather intelligence is also worth noting, as are the humorous pair of sketches of an officers' club and serviceman's club in Singapore.

Ann Arbor, Michigan, poet and journal writer. Journals, manuscripts of poetry and short stories, photographs, scrapbooks and other materials documenting her struggles as a polio survivor to cope with her disability and to lead an independent life; papers concern in part her association with the youth culture of the 1960s and 1970s.

The Andrea Cappaert papers date from 1952 to 1980 and measure 3 linear feet. The papers document Andy's involvement in the youth culture of the late 1960s and 1970s, and reflect her struggles as a handicapped woman to be an active participant in the world she lived in.

Papers include correspondence, diary, clippings, and photographs relating to his experience as a prisoner; correspondence relating to his Purple Heart award and the Prisoner of War medal. Also included a memoir by Sidney Esensten about his experience as an American P.O.W. during the Korean War.

Visual materials include photos relating to his experience as a prisoner; videotape entitled "P.O.W.--Americans in Enemy Hands" (1986), which includes interview with Fletcher; videotape of 1990 presentation by Fletcher and three Tuskegee Airmen, African American World War II aviators, describing their military experiences, and an undated videotape "Priority: P.O.W."

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary. He traveled to various places in northern California, took camping trips with friends, participated in outdoor activities, and attended dances and plays. Some entries reflect racial tensions in Stockton.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary (134 pages). The diary's frontispiece is a poem by Nick Kenny entitled "Youth."

Though he occasionally mentioned his schoolwork and grades, Sanford wrote most frequently about his social life and leisure activities, almost all of which involved his friend Glenn. They and other friends went camping, attended theatrical performances (often at the College of the Pacific) and dances, and participated in outdoor activities throughout the year. Sanford traveled around northern California, writing about trips with friends and family to Mount Diablo (April 1949), Yosemite National Park (June 1949), Santa Cruz (July 1949), and the "Old Hearst Ranch" (August 1949). He played saxophone in the school marching band and briefly participated in the Sea Scouts during the summer. Some entries refer directly or indirectly to Mexican and African-American residents of Stockton, including Sanford's attempts to communicate with persons who "spoke Mexican" and the presence of African Americans at a December school dance. Some clipped images of locations that Sanford visited and unidentified individuals participating in fishing and similar outdoor activities are pasted into the volume. Sanford's diary also contains pencil sketches of a man painting on a ladder, a birthday cake, and other subjects. A program from a school talent show is also pasted in.

William Edward Wise was a student at the University of Michigan and graduated from the College of Architecture in 1951. He was a photographer for the Michiganensian yearbook and the collection documents football games and other campus events, 1948-1955.

The William Edward Wise collection documents the University of Michigan campus and events, 1948-1955 and consists of two series, Negatives and Prints. The Negatives series consists of 29 envelopes of 4x5 black and white negatives arranged in two subseries, Football, 1948-1951 and Other campus photographs, 1948-1955. The Football subseries consists of ten envelopes of negatives, four of which pertain to the 1951 Rose Bowl. The Other campus photographs subseries contains images of student groups, dances, campus landscapes and buildings, and other campus events during Wise's tenure as a student from 1948-1951. One additional envelope depicts the University of Michigan's North Campus in 1955. The Prints series contain four folders of prints relating to campus buildings, groups shots, sports and student life. Many of the prints appear to have been developed from the negatives in the collection.

American poet; co-founder of the Jack Kerouac School of Disembodied Poetics at Naropa University. Papers include correspondence, poems, essays, photographs, art, biographical material, and audiovisual materials.

The Anne Waldman Papers were purchased by the Special Collections Library in 1998. Periodic additions to the collection have been made.

The papers document Waldman's personal and professional life from childhood to adulthood in great detail, and provide a rich and unique source for the study of American poetry. The collection includes textual material, photographs, audiovisual material, and artwork that extensively document Waldman's writing, publishing and performance efforts; her administrative leadership and teaching activities at the Poetry Project at St. Mark's Church-in-the-Bowery and Naropa University's Writing and Poetics program; and her relationships and interactions with a remarkable number of prominent poets, writers, and artists.

The Biographical series (approximately .5 linear feet) contains biographical summaries written by Waldman and others, resumes, travel and work itineraries, and publicity material such as press releases, pamphlets, and quotes and "blurbs" for books.

A highlight of the series is Waldman's autobiographical essay and drafts for the Contemporary Authors' series. A small folder of poems written about Waldman is also included. The researcher should note that additional material written about Waldman can be found in the Correspondence and Name File Series.

The Correspondence and Name File series (25 linear feet of material, divided into several subseries) provides insight into Waldman's professional activities and relationships, and her personal relationships with many poets, writers, and artists. Poets including Allen Ginsberg, Ted Berrigan, Joe Brainard, Tom Clark, Diane di Prima, Kenward Elmslie, Joanne Kyger, Bernadette Mayer, Ron Padgett, and many others are well represented in the series, as are visual artists such as Alex Katz, Jasper Johns, Robert Mapplethorpe, Larry Rivers, and James Rosenquist. Material in the Correspondence and Name File was created during Waldman's college years and adulthood (approximately 1962-1999). Correspondence from Waldman's childhood and teenage years, and correspondence with family members can be found in the Early Years and Family series respectively.

The Name File subseries is an alphabetical file consisting primarily of more prominent personalities and frequent correspondents. Although the bulk of the material in the Name File is correspondence, manuscripts and other material created by or related to the person listed may also be found in the files. Where large amounts of material related to a person exist, the type of material has been grouped by genre and indicated separately in the finding aid. In cases where the type of material is not listed separately, the file contains mainly correspondence, but may also include small amounts of other material, most likely manuscripts. The researcher should note that some manuscripts submitted to Waldman and a small amount of correspondence related to Waldman's specific publishing ventures or specific subjects have been left with the appropriate subject file or organizational records.

The Miscellaneous Correspondence subseries contains more routine correspondence. This subseries is arranged alphabetically.

The Unidentified and Fragments subseries consists of approximately .75 linear feet of material from correspondents who did not identify themselves, identified themselves by their first name only, or whose signatures were illegible. This material is arranged chronologically, and is divided in to unidentified correspondence and unidentified manuscripts. Although every effort was made to arrange correspondence in the appropriate place in the Name File and Miscellaneous Correspondence subseries, researchers interesting in viewing all the correspondence from a particular person may want to examine the Unidentified and Fragments subseries.

The series also includes two folders of Anne Waldman's outgoing correspondence, as well as several folders of printouts of Waldman's outgoing and incoming email. The email correspondence spans the years 1997 and 2009. Researchers should note that there is substantial overlap between the Email and Correspondence and Name File subseries.

The Writing series (11 linear feet) consists of Anne Waldman manuscripts and other material, such as correspondence, administrative files, and ephemera, related to her writing. This series is divided into five subseries: Early Work; Fiction; Essays, Speeches, and Interviews; Poetry; and Contributions to Other Works.

The Fiction sub-subseries is divided into Drama and Short Stories. Much of this material is also early work, from Waldman's college years or shortly thereafter. Within Drama and Short Stories, the pieces are arranged alphabetically by title.

Essays, Speeches, and Interviews comprises Waldman's prose work, consisting of essays, articles, speeches and addresses, and interviews, as well as book blurbs, introductions, forewords, and reviews. Many of these pieces exist in various stages, from handwritten notes to published articles. The Essays grouping contains essays and articles written for various publications. The Speeches grouping, arranged chronologically, consists of speeches and speaker introductions made by Waldman at various events. Undated material is located at the end of the section. The Interviews grouping is divided into interviews of Anne Waldman by others, arranged chronologically, and interviews of others, which for the most part have Waldman as either interviewer or co- interviewee. These interviews are arranged alphabetically by name of interviewee.

Also included in the Essays, Speeches, and Interviews subseries are "Biographical Sketches" of other authors. (Biographical and autobiographical sketches of Anne Waldman can be found in the Biographical series.) Most of these sketches appear to have been written by Waldman, although some were contributed by the authors themselves. In addition, the researcher will find a Notes grouping, made up of Waldman's loose collected notes, both literary jottings and everyday work lists. Some of the notes are of unknown authorship, although a few appear to have been Reed Bye's.

The Poetry subseries is divided into two sub-subseries, Published Works and Single Titles. Although Waldman's poetry can be found throughout the Writing series--and indeed throughout the entire collection--the bulk of it resides here. Published Works incorporates Waldman's stand-alone or collected works, most but not necessarily all of which have been published. The Published Works sub-subseries begins with an Alphabetical File containing Waldman's shorter works intended for publication. These files are arranged alphabetically by title.

A Collaborations section of collaborations between Waldman and others, and a Translations section, with a small number of works by others which Waldman translated or helped translate into English are also included in the Published Works subseries. The Collaborations section is arranged alphabetically by collaborator. The translation section contains only three works, which are arranged alphabetically according to the original author.

The Published Work subseries also contains three linear feet of separate material for Iovis I, II, and III and Kill or Cure. This material consists generally of original manuscripts (handwritten drafts and typescripts) of single poems, drafts of the whole work, proofs, and a small amount of related correspondence. The Iovis I and Iovis II files strongly reflect Waldman's work process for the creation of these long, fragmentary epic poems. Namely, the Notes Drafts, and Research Material files, which have been left almost as-is, consist of seemingly randomly arranged clippings, correspondence, previously written material, and many different current drafts, merged together. The researcher may find this portion of the collection difficult to use, owing to its haphazard arrangement. Items which seemed of special significance have been flagged or pulled and foldered separately, the "Questions for men for Iovis" being one example. In some cases, the original has been removed and placed elsewhere within the collection. Details are noted in the contents list. Among these items are poems by Waldman's son, Ambrose, and letters written by Anne Waldman's grandfather to his future wife (due to extremely their fragile condition, the originals have been removed and placed in separate storage). The other portions of the Iovis material present a clearer arrangement, consisting as they do of draft and proof copies of the entire work. The Iovis III portion to date is quite small, consisting only of a version of Waldman's journal entries from a trip to Vietnam in 2000.

The material used in Kill or Cure has a clearer organization, although it should be noted that much of the content and order within the "Drafts/Collected Poems" portion remains unclear. It was impossible to ascertain whether some of the pieces included in the original folders labeled "Kill or Cure" were originally intended for the book and not used, or if they became misfiled. Too, some material may be missing, removed by the author from its original location in order to be used for other purposes, such as the creation of Iovis II . In fact, there is considerable overlap between some of the material in Iovis and Kill or Cure, the latter being published in between Iovis I and Iovis II .

Single Titles consists of the many loose poems that were originally scattered throughout the collection and which could not be easily placed within the context of a larger work. They are arranged alphabetically by title or first line. There are several folders of poem fragments as well, found at the end of this grouping. In the case of some of these poems, it has been difficult to ascertain whether they are in fact fragments or are rather complete, untitled poems. In general, when the title of a poem has undergone changes, all of the drafts of that poem have been grouped under what appears to be the latest version of the title. There may, however, be some exceptions to this arrangement.

Contributions to Other Works is a small subseries consisting of pieces which Waldman wrote for publication in larger works by other authors. Both poetry and prose works are represented here.

The Journals and Notebooks series (5 linear feet) consists of more than 110 journals, notebooks, appointment books, and address books kept by Anne Waldman. (For the sake of convenience, all of these items are referred to here as "journals.") A small number of journals kept by others is also represented. The journals offer a diverse array of content, from random jottings and to-do lists, to literary notes and drafts, to intensely personal diaries. In some cases distinct literary pieces have been recorded, and sometimes the line between journal and handmade book is somewhat blurred. There are collaborative works, such as those with Bill Berkson and Reed Bye. Other pieces were clearly written for friends such as Joe Brainard, Jim Carroll, and others.

The Journals and Notebooks series is broken into two subseries, Anne Waldman and Others, representing journals kept by Waldman and journals kept by others. The Anne Waldman subseries is arranged chronologically by decade, from the 1960s through the 1990s. There are many undated journals as well. The Others subseries contains journals by Lewis Warsh (including one that was co-written with Waldman) and journals very likely by Reed Bye. Of note within one of the journals from the 1970s in the Anne Waldman subseries is a drawing of Anne Waldman made by Bob Dylan.

The Editing and Publishing series (approximately 12.5 linear feet) is comprised of Anne Waldman's work in editing and publishing, often as a joint venture with those in her circle. The most important subseries, Small Press and Little Magazine, represents her work with The Poetry Project at St. Mark's Church-in-the-Bowery, Angel Hair, Full Court Press, and Rocky Ledge. For the most part, all of the Small Press and Little Magazine files consist of a mixture of the literary--manuscript contributions, drafts, mockups, proofs--and the administrative--reports, correspondence, sales and expense records, and so forth.

Perhaps the most significant portion of Small Press and Little Magazine, the Poetry Project grouping is divided into General, Adventures in Poetry, The World, and St. Mark's Church. "General" consists of correspondence; administrative material such as reports, notes, and budgets; poster, flyers, and other performance-related material, including speeches and introductions to Poetry Project events. Correspondence is related to the running of the Poetry Project, the newsletter in particular. Much of this correspondence appears to have been managed and kept by Frances Waldman, who edited the Poetry Project Newsletter from 1976 to 1978. There are also loose poems, which were printed and distributed singly, and many issues of the Poetry Project Newsletter (although not a complete run), along with original manuscript submissions for the newsletter.

Adventures in Poetry was a mimeographed literary magazine edited and published at St. Mark's Church by Larry Fagin using Poetry Project resources. A small number of submissions and publications appear here.

The most important division within the Poetry Project grouping are the files relating to The World, the magazine of the Poetry Project, which Waldman directed from 1968 through the late 1970s. Included are what can loosely be labeled "Administrative Material" as well as Submissions. Two files of Administrative Material are topical in nature, including an Author-title Index from 1979. In addition, there are the usual minutes, mailing lists, and the like. Submissions are for the most part arranged alphabetically by author. There are also two folders with material specific to individual issues of The World . Items of unknown authorship are placed at the end of these files. The researcher may find the aforementioned Author-title Index of some assistance in identifying these submissions.

"St. Mark's Church" refers to items which are church-specific; that is, related to St. Mark's as a religious institution or physical entity rather than to the Poetry Project: Such concerns as building preservation and restoration, youth projects, and church services are covered. Much of this material appears to have been maintained by Frances Waldman, including but not limited to files which are labeled as hers.

The Angel Hair files consist of material from Angel Hair Books and Angel Hair magazine, both of which Waldman co-founded and co-edited with Lewis Warsh. Press and magazine materials are commingled. Angel Hair is divided into Catalogues, Administrative Material, Proofs, and Submissions.

Full Court Press, which Waldman started with Ron Padgett and Joan Simon, was dedicated to publishing quality editions of out-of-print works. The volume of material in this collection is quite slim, consisting of only one folder.

Rocky Ledge refers to the mimeographed magazine, Rocky Ledge, which Waldman started with Reed Bye in Boulder. It was published in eight issues from 1978 to 1981. Some books were also published through Rocky Ledge Cottage Editions. There is a folder of general Administrative Material and another slim folder of manuscripts published by Rocky Ledge Cottage Editions. In keeping with the original organization of the material, the rest of the files are arranged by the individual issue of Rocky Ledge , with administrative materials mixed in with each issue of the magazine. Types of material found in the Rocky Ledge files include draft or mockup versions of the magazine; manuscript submissions; correspondence; cover art, both originals and facsimiles; receipts; and editors' notes. In some cases, the original manuscript submissions appear to have been used in the creation of the draft versions of the magazine. A separate division deals with submissions that were either not used in Rocky Ledge, may not have been intended for use in Rocky Ledge in the first place, or are unidentified.

Also included is a small amount of material labeled "Cherry Valley." Waldman summered in this small New York town in the late 1970s, Waldman's family and Allen Ginsberg maintained houses there for a time, and some work produced by Waldman and her circle was published by "Cherry Valley Editions." However, the exact nature and extent of literary activity from this period and location is unclear, and extant files in this collection are unrevealing.

The rest of the Editing and Publishing is divided along the lines of the individual book titles which Waldman edited or co-edited: The Beat Book, Nice to See You, Out of This World, Talking Poetics, and Disembodied Poetics.

The Beat Book files consist of some correspondence and, primarily, a draft version and a proof version of the work. Nice to See You, which is a tribute to poet Ted Berrigan, consists mainly of submissions by friends of Berrigan's. There are also files of background material, notes, a small number of photographs, correspondence, a draft, proofs, and publicity and reviews. Out of This World is an anthology of work from The Poetry Project. The Out of This World files consists of correspondence (dealing mainly with publishing permissions), early versions of the preface and introduction, drafts, and proofs.

Both Talking Poetics and Disembodied Poetics are anthologies of lectures delivered at Naropa University by Writing and Poetics Department faculty and visiting poets. These files are comprised mainly of transcripts of these lectures; manuscript reworkings and revisions by the authors; correspondence between authors, editors, and publishers; and various drafts of the whole work. In some cases, the name referenced in the correspondence file is the subject of the correspondence rather than its author. Administrative material is also included.

In the Talking Poetics files, the Drafts and Proofs section is divided into Early Work and Complete Drafts. Much of the Early Work section is fragmentary in nature, in particular, the Early Drafts material. Although at some time all of the individual pieces of Early Drafts were collated and paginated, much is missing or has been placed elsewhere. The existing pieces are now arranged alphabetically by author. Particularly noteworthy in this section is a handwritten John Cage score, a part of his work Lecture IV. Complete Drafts are arranged by page number.

The Disembodied Poetics files are arranged in a similar fashion, with individual pieces placed in the Early Contributions and Ideas and Early Drafts portions and later, more complete drafts arranged in or nearly in book order. It should be noted that the designations of the drafts as "A," "B," and "C" were assigned during processing and do not necessarily reflect chronological order. The order within each draft follows the table of contents for that draft, none of the drafts being paginated as a whole.

The subseries, General Publishing, consists of miscellaneous contracts, proposals, copyright application material, and financial material covering royalties, honoraria, book sales, and so on. The Unpublished material subseries consists mainly of miscellaneous pieces of writing that could be part of books that are published or unpublished or drafts of works with an unknown title.

The Naropa series (8 linear feet) consists of material related to Waldman's involvement with the Naropa Institute, now Naropa University, in Boulder, Colorado. It is comprised of the following subseries: Course Material, Administrative Material, Conferences and Panels, Publications, Printed Material, Other Teaching Activities, and Personal.

Course Material is divided into the following sub-subseries: Anne Waldman, Others, and Summer Writing Program. Anne Waldman course material is arranged chronologically and topically and contains many sourcebooks or bound copies of readings for her classes. Course material of others is arranged primarily chronologically, as is, for the most part, material from the Summer Writing Program. The Summer Faculty and Visiting Poets folder under Course Material includes contracts, correspondence and resumes from guest lecturers such as Amiri, Baraka, Ted Berrigan, Diane Di Prima, Tom Clark, Robert Creeley, Kenward Elmslie, Joy Harjo and Harry Smith and is organized alphabetically. Administrative Material is divided into General, Writing and Poetics Department, and Summer Writing Program. Within all levels of the Administrative Series can be found correspondence which includes emails, memos, minutes and reports, planning material, notes, etc. "Early Planning Material" within the Writing and Poetics Department files includes documents penned by Anne Waldman and Allen Ginsberg which formulate aspects of the founding of the Jack Kerouac School of Disembodied Poetics. Also included in the Writing and Poetics files are departmental newsletters. Student and instructor evaluations also appear. Evaluation files, barring those of Anne Waldman, are closed due to privacy legislation and concerns.

Conferences and Panels consists of notes for talks given at Naropa along with transcripts and schedules. Speeches and Interviews covers those speeches and interview given at Naropa, although there may be some overlap with material in the Writing series. Speeches are arranged chronologically. "A Declaration of Interdependence," although grouped with Speeches, is not a speech per se, but rather a protest document mirroring in structure the Declaration of Independence. It was penned by multiple authors, including many Naropa faculty members as well as other poets and activists. Interviews are listed alphabetically by interviewee.

Publications consist of Campus Periodicals (student newsletters and literary magazines); Class Publications, including those of the Summer Writing Program; and a small number of works by faculty members. Printed Material consists of Catalogs and Brochures; Posters, Flyers, and Programs; and Clippings. Arrangement at the folder level is chronological. Additional class publications can be found within the Course Material subseries.

In addition to her role at Naropa, Waldman has taught at several other institutions. These activities are reflected in the Other Teaching Activities subseries, which includes work at the Schule für Dichtung in Vienna and the Stevens Institute of Technology in New Jersey, among other institutions. Because the bulk of Waldman's teaching activities is tied up with Naropa, these files are included within the Naropa series. Material for each institution is arranged chronologically.

The final subseries of the Naropa series is Personal, which includes ephemera, correspondence, topical files, contracts, and notes. Correspondence is both incoming and outgoing and consists of both Naropa-related 'official' correspondence that is addressed solely to Waldman and correspondence that is personal in nature but which refers to Naropa (here, there will naturally be some overlap with Waldman's correspondence in the Correspondence and Name file series). Material within folders is arranged chronologically.

The Other Activities series is comprised of 1 linear foot of material, and documents Waldman's activities outside of writing and publishing. The series includes material related to conferences and festivals that Waldman attended or participated in, as well as material related to Bob Dylan's Rolling Thunder Revue Tour, various video and audio recording projects, and attempts to sell Waldman's archive, or portions of it. The series also includes a significant amount of material documenting Waldman's involvement in social protest issues.

The Personal series is a topical file consisting of 1.5 linear feet of material not primarily related to Waldman's writing or professional activities. Material documenting Waldman's interest in Buddhism and her 1967 wedding to Lewis Warsh can be found in the series. Of particular note is a collection of memorabilia, including material from Waldman's travels, and various playbills, museum programs and ticket stubs. Legal and financial records, as well as various and unidentified notes, jottings and telephone messages, are also included in this series.

The Early Years series contains 2 linear feet of material documenting Waldman's school years, as well as her early interests in writing, acting and drama. The series includes material from Waldman's elementary school, middle school, high school and college years. Early writings can be found in each of the Pre-High School, Friends Seminary and Bennington College subseries, as well as the Early and Unidentified Writings subseries. Highlights include childhood and family newsletters titled "Our Life and Times" and "The Penguin News," school publications in which Waldman was first published, production material from Waldman's high school newspaper (of which she was editor), and manuscripts and typescripts of early poems. The Friends Seminary and Bennington College subseries contain class notes and papers, a high school report card, college grade reports and other school-related material. The Bennington College subseries also includes correspondence and notes from Howard Nemerov and other professors.

The Acting and Theater subseries includes material from various productions, theater companies and organizations with which Waldman was involved in the 1950s and 1960s. The Correspondence subseries consists primarily of correspondence from Waldman's middle school and high school friends, but also includes a folder of notes that appear to be notes passed in class. This folder also includes school love poems that appear to have been written for Waldman. The Early and Unidentified Writing subseries consists primarily of unidentified or undated material that could not filed with the other subseries.

The Family series (approximately 4 linear feet and 1 oversize box) includes material related to Waldman's mother, father, brother, son and other relatives.

The bulk of the series is comprised of material created by, or related to Waldman's mother, Frances Waldman. The Frances Waldman subseries includes 1.5 linear feet of correspondence between Waldman and her mother, spanning the years 1958-1981. Several folders of Frances Waldman's correspondence with other people, including many New York poets and writers, can also be found in the subseries.

The subseries also includes several folders of Frances Waldman's manuscripts, translations and miscellaneous material. Although the majority of the material related to other family members is correspondence, manuscripts and other material can also be found in the series. Of special note are the manuscripts found with the Ambrose Bye material, which include some poems written with or transcribed by Anne Waldman.

The Handmade Books series (3 linear feet) is comprised of one-of-a-kind books made by Waldman and her friends. Often they were presented as gifts on special occasions. They are divided into three subseries: Anne Waldman, representing books by Waldman; Collaborations, representing collaborations between Waldman and others; and Others, that is, works by others.

Included in Others are books printed at Naropa University either through a print workshop or class, or through the school's Kavyayantra Press. Within the Waldman subseries, books are listed alphabetically by title, with untitled books at the back. Collaborations, all of which have Waldman as a coauthor, are arranged alphabetically by the collaborator's last name, as are works in the Others subseries.

Many of the handmade books bear inscriptions indicating maker, recipient, date, and other information, which has not been included in the contents listing. Included in the Handmade Books series are some limited edition volumes, such as those produced by Waldman's Erudite Fangs Press.

The Printed Material series (4 linear feet, 1 oversize box, and 1 portfolio) encompasses the subseries Broadsides; Posters, Flyers, and Programs; and Clippings. Broadsides are broken down into those by Anne Waldman, Collaborations (between Waldman and others), and Others--that is, works by others. Within these divisions, work is arranged alphabetically, first by author, then by title. Also included in Broadsides are postcards and bookmarks printed by various small presses. Oversize broadsides are housed separately.

Material in the Posters, Flyers, and Programs subseries is for the most part grouped chronologically. Separate, topical divisions have been made for undated material. Small press book catalogs and newsletters are included as separate divisions. Oversize posters are housed separately. The section labeled "Newsletters" consists of should really be viewed as a set of clippings, consisting as it does of single issues of various newsletters and some journals, most of which appear to have been saved for particular articles.

Clippings are arranged in rough chronological order by decade, where date is known. The vast majority of the clippings pertain to Waldman and her circle, although some clippings reflect topical interests. Some of these appear to have been saved by Waldman's mother, Frances LeFevre Waldman. In some cases, whole publications have been saved, either due to their content or to their rare or unusual nature.

Art (1 linear foot, 10 oversize boxes, and 1 portfolio) is made up of artworks by Waldman and her family and friends, as well as various pieces she has collected over the years. Work in many different media exists, including prints, paintings, sketches, drawings, and collages. Much of Waldman's work consists of prints done while a student at Bennington College. There are also exquisite corpses (collaboratively created pictures and writings, done in-the-round) by Anne Waldman, Reed Bye, and Ambrose Bye. According to Waldman, this was a frequent after-dinner pastime when Ambrose was young, and friends and guests, such as Bobbie Louise Hawkins, were invited to participate.

Cover Art includes "Collaborations," which consist of collaborative book-length works and not just cover art per se. Additional cover art may be found in the among the Rocky Ledge files within the Editing and Publishing series. Noteworthy among the artists represented are George Schneeman and Joe Brainard.

The Photographs, Slides and Negatives series consists of approximately 2.5 linear feet of photographic materials documenting a variety of subjects, including Waldman's childhood and school years, her large circle of friends and colleagues, and her publishing and performance activities.

The Personal subseries contains personal and informal photographs of Waldman and others. Photographs in the "Family and childhood" folder include photographs of Waldman as a child, as well as other family members. The high school and college photographs include several photographs of Waldman as a young actress. The bulk of the Personal subseries consists of the "Friends and colleagues" photographs. These photographs include images of many prominent late twentieth century poets, Waldman's husbands and significant others, and other friends and colleagues. Waldman herself is pictured in some of the friends and colleagues photographs.

One of the strengths of the Professional subseries is the large amount of photographs of Waldman performing. The performance photographs, which date from the late 1960s to mid 1990s, sometimes include images of other poets and performers. Also included are several folders of portraits and publicity photographs, photographs created for various book and publishing projects, photographs of Bob Dylan's Rolling Thunder Revue Tour, and photographs documenting Waldman's activities at Naropa University and the St. Marks Poetry Project. The St. Mark's photographs include images of New York School and other poets performing at the church. The Professional subseries also includes several photographs taken by photographer, poet, and filmmaker Gerard Malanga. Although Malanga photographs can be found within several of the groupings in the Professional subseries, the majority can be found within the portraits grouping. A Malanga portrait of Waldman and her mother, Frances, has been filed with the family photographs.

The Outsize subseries consists of photographs too large to be housed with the rest of the photograph series. The highlights of the outsize photographs include two photographs taken by Allen Ginsberg which include handwritten captions by Ginsberg.

The Albums and Scrapbooks subseries complements the friends and colleagues photographs found in the Personal subseries. In addition to photographs documenting Waldman's travels in Greece and Egypt in the early sixties, the albums contain numerous photographs of Waldman and her circle in the late sixties and early seventies. Photographs of Lewis Warsh, Michael Brownstein, Joe Brainard, Ron Padgett, Ted Berrigan, Tom Clark, Bill Berkson, and others can all be found in the albums. The albums have been arranged chronologically.

The Slides and Negatives subseries consists primarily of miscellaneous and unidentified slides and negatives. The subseries does contain a few slides of Waldman performing.

The researcher should note that a small number of photographs sent to Waldman by specific correspondents can be found within the Correspondence and Name File series.

The Audiovisual Series has been divided into four subseries: Sound Recordings, Video Tapes, DVDs, and Digital Files. The series provides a unique perspective on Waldman's activities, and thus complements and expands the manuscript and photographic holdings. Including recordings of readings, lectures, and interviews given by Waldman and others, the series strongly represents the sounds and voices of late 20th century American poetry.

The Sound Recordings subseries has been organized according to format, including LPs and 45s, Compact Discs, Reels, and Audio Cassettes. In order to facilitate access, each sound recording has been numbered. Recordings are numbered sequentially within each subseries. Titles indicated in quotation marks in the finding aid are quoted directly from the labels of the recordings. In a few cases, particularly within the Commercial Recordings grouping, quotation marks are also used to indicate the title of a poem or work.

The LPs and 45s, Compact Discs, and Reels represent a relatively small part of the subseries. The LPs and 45s include the 1977 LP "John Giorno and Anne Waldman," as well as Waldman's "Uh-Oh Plutonium" 45, and a "voice-o-graph" recording of Waldman and Michael Brownstein. The Compact Discs subseries consists of commercial recordings of Waldman, including a live 1991 performance in Amsterdam which includes an accompanying booklet of poems.

Reels include recordings related to a variety of subjects. Included are Waldman performances at radio stations and elsewhere, television shows related to poetry, a commercial recording of Fast Speaking Woman , and a recording of Waldman while acting. To facilitate access, the recordings in this group have been transferred onto recordable compact discs. The numbering and labeling of the compact discs corresponds to the numbering of the reels.

The largest part of the subseries is comprised of Cassettes, which include readings and lectures by Waldman and other poets, interviews, radio broadcasts featuring Waldman, commercial recordings, Waldman's recording projects, and other miscellaneous recordings. Spanning the years 1971-2002, the readings include recordings of Waldman reading with Ted Berrigan, Allen Ginsberg, Diane di Prima, Gary Snyder and others. In addition, there are several recordings of readings not by Anne Waldman, including performances by Ginsberg, John Ashbery, Robert Creeley, Philip Whalen and others. Lectures by Waldman at Naropa Institute and in other settings, and lectures by William Burroughs, Allen Ginsberg, Ted Berrigan, Carl Rakosi, and Peter Orlovsky are included.

Interviews and conversations represent the strongest part of the series. In addition to an interview of Waldman conducted by Larry Fagin, tapes of interviews of Joe Brainard, Edwin Denby, Diane di Prima, Robert Duncan, Allen Ginsberg, and Philip Whalen are included, many conducted by Waldman. There are two recordings of "conversations," one with Waldman, Clark Coolidge, Lewis MacAdams, and others, and one with Waldman, Tom Clark, Lewis Warsh, Lewis MacAdams, and Philip Whalen. Of note is a cassette recording of Allen Ginsberg orally composing the introduction to Talking Poetics from Naropa Institute: Annals of the Jack Kerouac School of Disembodied Poetics. To facilitate access, the cassette recordings have been transferred onto recordable compact discs. The numbering and labeling of the compact discs corresponds to the numbering of the cassette tapes.

Video recordings consists of 42 VHS videocassettes, one 8mm film reel and ten DVDs. The readings, performances and lectures grouping includes performances from 1990 to 1998 and is the primary strength of the subseries. In addition to Waldman's performances, the tapes include readings by Allen Ginsberg, Gary Snyder, Michael McClure, Ed Sanders and others. Most of the tapes in the programs and television shows grouping were produced commercially or for television shows. The highlight of the grouping is a tape which includes seven episodes of "Word One," a Boulder, Colorado cable access television show hosted by Waldman, which includes performances by Allen Ginsberg, Kenward Elmslie and other poets. The programs and television shows grouping also includes a tape of "poetry videos" from the Manhattan Poetry Video Project, including music videos of Waldman's "Uh-Oh Plutonium," Allen Ginsberg's "Father Death Blues," and Bob Holman's "Rapp It Up." The personal and miscellaneous grouping includes a videotape copy of a home movie of Waldman, Lewis Warsh, Ted Berrigan and others. DVD copies of the first 27 videotapes and the film reel in the subseries (WALDVID-1 to WALDVID-27) are available for viewing in the reading room of the Special Collections Library, with advance notice for retrieval and setup. The ten original DVDs in the subseries are labeled with the prefix WALDDVD- and consist mainly of Anne Waldman poetry readings, and collaborative events such as Transatlantic Howl! A Dedication to Allen Ginsberg, a multivenue event featuring poetry readings and poetic theatre pieces celebrating Ginsberg's poem Howl.

The Digital Files subseries includes backups of email correspondence, files on Waldman's poems and books, such as parts I and II of the Iovis Trilogy and the anthology Civil Disobediences, and interviews. Most of these materials are stored on floppy disks and have not been transferred to viewable digital media.

Nurses' aide in the nursery of University Hospital, Ann Arbor, Michigan (1931-1956). Diaries describing daily life and work activities.

Diaries describing daily events, work activities, church attendance, weather.

The U.S. Army Hospital Ship Marigold diary concerns a payroll clerk's experiences on the Marigold during a tour of duty in the Pacific Theater in the Second World War. The diarist described daily life onboard the ship, discussed crew discipline, and noted the places he visited. Hand-drawn illustrations and maps depict the Marigold's voyage through the Panama Canal and sections of the Papua New Guinea coast.

The U.S. Army Hospital Ship Marigold diary (105 pages) concerns a payroll clerk's experiences on the Marigold during a tour of duty in the Pacific Theater in the Second World War. The diarist described daily life onboard the ship, discussed crew discipline, and noted the places he visited. Hand-drawn illustrations and maps depict the Marigold's voyage through the Panama Canal and sections of the Papua New Guinea coast.

The first entry is dated in Charleston, South Carolina, on October 9, 1944, just prior to the Marigold's departure for the Pacific Ocean. The diary covers the author's daily experiences and observations through May 5, 1945, including his descriptions of scenery and details about ship life. In mid-October, he wrote about and sketched the journey through the Panama Canal (pp. 2-10). In November, he reported that the 6th had been "cancelled" as the ship crossed the International Date Line (p. 26) and that the 11th had been celebrated for the armistice (p. 28). His comments on everyday routines and experiences included observations on passengers, the weather, crew discipline, submarine scares, and air raids. Further entries follow the ship's progress toward New Guinea and the Philippines, where he mentioned destroyed cities such as Manila and its harbor (pp. 90-95). At the time of the final entry (May 5, 1945), the Marigold had just passed Hawaii on its return journey to the United States.

In addition to the Panama Canal sketch, the diary has maps of the Marigold's layout (p. 18); Finchhaven, Papua New Guinea (p. 29); the port at Milne Bay, Papua New Guinea (p. 38); and Hollandia Bay, Papua New Guinea (p. 58).

An anonymous Mormon airman kept this diary while serving with the 15th Air Force in Italy during World War II. Entries pertain to the airman's daily activities, including bombing missions in Italy and Central Europe, and to his postwar plans.

An anonymous Mormon airman kept this diary (138 pages) while serving with the 15th Air Force in Italy between December 9, 1944, and March 24, 1945. The diary begins with biographical information about the author, a 19-year-old draftee from Houston, Texas. He occasionally mentioned his Mormon faith, expressing his desire to meet Mormon friends and his hope that he and his sister would both marry within the faith (March 11, 1945). Most entries pertain to the author's daily activities, which included visits to Taranto, attending movies and USO shows, and attending church services. He frequently discussed his participation in bombing missions over northern Italy and Central Europe, mentioning the presence of antiaircraft fire and, occasionally, damage to his and other planes; one crew was forced to land in Yugoslavia. The diary names multiple bombing targets. On several occasions, the diarist expressed his desire to return home and wondered about the health of his mother, father, and sister.

Seaman James R. Sturn kept this diary while serving onboard the destroyer Moale in the Pacific Theater during World War II. Sturn commented on sea life, reported the ship's movements, and described his experiences in multiple naval engagements.

Seaman James R. Sturn kept this diary (172 pages) while serving onboard the Moale in the Pacific Theater during World War II. Sturn commented on sea life, reported the ship's movements, and described his experiences in multiple naval engagements.

Before commencing regular diary entries, Sturn recapitulated his experiences in the United States Navy between March 1943 and November 1944. From around November 3, 1944-August 4, 1945, he wrote about daily life on the Moale, which was stationed in the Philippines, near various Japanese islands, and in Hawaii. Sturn noted the ship's movements, listed other ships in the Moale's task force, and reported news of sunken ships and battles. He witnessed kamikaze attacks and described the ship's engagements, which included action in Leyte Harbor, the Battle of Ormoc Bay, the invasion of Mindoro Island, the invasion of Luzon, and bombardment operations. Other entries pertain to Sturn's leisure activities and drinking habits at Ulithi Atoll and Pearl Harbor, where the Moale went for repairs in early 1945. After returning to the Pacific, the destroyer assisted with minesweeping and antiaircraft efforts around Okinawa and other Japanese islands.

Newspaper clippings and parts of the Moale's newsletter are pasted into the diary. Most reflect the Pacific Fleet's progress; one is an article by Ernie Pyle, and one has a drawing of male and female mermaids. Sturn pasted the Moale's daily orders from April 13, 1945, and May 13, 1945 into the volume's endpaper and first pages. Five unlabeled snapshots of a United States sailor and a note about Sturn's genealogy are laid into the volume.

Career army officer, speechwriter for military and political figures on army-related topics. Speeches, diaries, 1971 and 1973, copy of his mystery novel, and photographs.

The papers of Marvin M. Meerse consist of one linear foot of material and cover the years 1943-1978. Though the collection includes both professional and personal papers, the vast majority of the papers are professional, mostly texts of speeches written by Meerse from 1955 to 1968.

As these speeches are often discussions of freedom, containment, and the threat of communism, they provide insight into the soldier's perspective on these topics. Included in the collection are speeches written by Meerse for generals: A.C. McAuliffe, Bruce C. Clarke, Paul Freeman, Dwight Beach, C.H. Bonisteel, Creighton W. Abrams, Jr., George T. Duncan, Louis W. Truman, and W.C. Garrison. There is also a speech written by Meerse and delivered by President John Kennedy and speeches by Attorney General Robert Kennedy and Secretary of the Army Wilber Brucker, presumably also written by Meerse.

This diary pertains to a United States serviceman's experiences in Italy between October 1943 and September 1945. He kept records regarding his correspondence and commented briefly on his travels in the Mediterranean and some of his daily activities.

This pocket diary (95 pages) pertains to a United States serviceman's experiences in Italy between October 1943 and September 1945. The volume's inside front cover contains a partial itinerary of the soldier's European service, as well as a woman's photograph (cut out in the shape of her head). The diary entries are mostly arranged chronologically, with some small sections appearing out of place. The author regularly reported on his correspondence, particularly with a woman named Ann, and recorded addresses on the book's final 2 pages. Entries include brief comments about Mediterranean scenery, soldiers' leisure activities, and the end of the war. The author encountered Italian prisoners of war while in Morocco in late 1943, and a ship in his convoy was sunk by a German submarine while the author sailed from Morocco to Italy on the Liberty ship SS Jonathan Worth in December 1943.

Nursing student at the University of Michigan during World War II. Diary detailing daily experiences as a nursing student.

Diary detailing daily experiences as a nursing student during World War II era. Entries mention aspects of training, work in the hospital, and student life.

This collection contains military records, photographs, printed publications, maps, and ephemera related to Horace Mitchell Miner's service with the United States Army Counter Intelligence Corps in North Africa and Europe during World War II.

This collection contains military records, photographs, printed publications, maps, and ephemera related to Horace Mitchell Miner's service with the United States Army Counter Intelligence Corps in North Africa and Europe during World War II.

The Military Papers series (27 items) contains reports, orders, and other material related to campaigns in North Africa and Europe during World War II. The documents pertain to military personnel, orders, intelligence procedures and policies, counterintelligence operations, and the progress of the war in Central Europe. A small group of items pertains to a tea hosted by King George VI and the queen consort, Elizabeth, in November 1943. The series includes Miner's military identification, a translation of a "captured diary" (Lemiers, [Netherlands], September 16, 1944-September 29, 1944); a document promoting Otto Sulzbach to SS-Sturmbannführer of the Waffen-SS, signed by Heinrich Himmler (December 8, 1941), a signed note of thanks by Heinrich Himmler (undated), and a Counter Intelligence Directive for Germany issued by the 12th Army Group headquarters (April 18, 1945). Later items include a 1953 essay by Horace Miner about the actions of the II Corps in Tunisia and Sicily, printed letters from George H. W. Bush and Gordon R. Sullivan (October 1991), and a veterans' newsletter (July 15, 1992).

The Photographs and Maps series is comprised of photographs, printed and manuscript maps, a photographic aerial map, and a group of arranged and mounted photographs and colored manuscript maps.

The group of mounted photographs and maps respect the German invasion of France in 1940. The maps show the Wehrmacht's increasing progress through Belgium, Luxembourg, and France, and the photographs depict German soldiers, military cemeteries, German soldiers' graves, military equipment, destroyed buildings, and concrete bunkers. Some items are annotated in German. Two loose photographs are images of the Buchenwald concentration camp after Allied liberation, and a third shows a plaque donated to Clifton College by former members of the 1st United States Army's Headquarters Regiment in 1991.

The Printed Items and Ephemera series contains manuals, articles regarding military campaigns, propaganda, and other items related to North Africa, Italy, and Germany. One handbook and two manuals concern the Allied Forces' counterintelligence operations. La Favola Vera del Britanno, an illustrated book in Italian, is a work of propaganda in the form of a children's book, negatively depicting Great Britain. Three books about Hitler, the Nazi Party, and the SS were published in Germany between 1933 and 1940. Six items in the series are catalogued separately (see below). Ephemeral materials include items written in Arabic, a humorous poster regarding best practices for civilian blackouts, and United States, United Kingdom, and Romanian flags.

The Victor Leroy Rushfeldt, Jr., collection contains an assortment of materials including a diary, photograph album, paper files, and a VHS tape, all of which pertain to U.S. Army Air Corp pilot 1st Lt. Victory Leroy Rushfeldt, Jr.’s service in the 20th Combat Mapping Squadron during World War II.

The Victor Leroy Rushfeldt, Jr., collection contains an assortment of materials including a diary, photograph album, paper files, and a VHS tape, all of which pertain to U.S. Army Air Corp pilot 1st Lt. Victory Leroy Rushfeldt, Jr.’s service in the 20th Combat Mapping Squadron during World War II.

The diary (15 x 8.5 cm) contains entries written by Rushfeldt, Jr., during the year of 1941. In the first entry on New Year’s Day, Rushfeldt, Jr., expressed a desire to join either the United States Army or Navy as a pilot and wondered “where I will be next New Years?” After failing his physical service exam with the Navy due to “crooked teeth,” he decided to first finish securing his private pilot’s license before sending applications to the Army Air Corps on January 31. On March 8 1941, Rushfeldt, Jr., attended a physical exam for flying cadets at Fort Snelling where again he was told that they would not “O.K. my teeth” but was instructed to send a plaster dental cast to Washington, D.C. On March 21, he traveled to Abilene, Texas, before heading for San Diego, California by car on March 25. After hitchhiking to Los Angeles on April 4 he subsequently sought job opportunities in the area while staying at the home of a local couple, including applying for a position at the Lockheed Aircraft Co. and interviewing with the Vega Airplane Co., the latter of whom he felt he could’ve obtained employment with “except for the fact that I will probably be drafted soon.” On April 20, Rushfeldt, Jr., began hitchhiking back to Albert Lea, noting stops in Nevada, Colorado, Nebraska, and Iowa before arriving home April 27. On August 12, he recorded having completed his U.S. Army Air Corps physical exam while on August 15 he took his flight test for “Stage C of the secondary C.P.T.” Towards the back of the diary there are several phone numbers and addresses listed for friends and acquaintances as well as a “Brief History of My Flying Course” listing the duration and type (dual or solo) of Rushfeldt, Jr.’s training flights in Albert Lea from October 8 1940 to February 20 1941. Also of note are numerous entries involving women that Rushfeldt, Jr., was dating.

The photograph album (26 x 34 cm) contains approximately 114 images and is string-bound with brown covers. The album begins with a series of photos showing various young women, American servicemen in uniform, and older adults interacting at what appears to be a wedding reception. Subsequent photographs of interest include a portrait of fellow pilot Jerry Smith holding a large camera; images of various aircraft; portraits of various officers identified by pen inscriptions including “Lt. Connely,” “Lt. Everhardt,” “FO Luther,” “Lt. Raymer,” “Lt. Gireau,” “Capt. Lake,” “Lt. Thye,” “Lt. Riddle,” “FO Stone,” “Charles Enoch,” “Lt. Smith,” “Lt. Glenn Jensen,” and numerous photos (including group portraits) of Victor Rushfeldt, Jr.; images of campsites, barracks, and other buildings possibly in Nadzab, New Guinea; several images documenting the wreck of an F-7B aircraft nicknamed “Idle Curiosity” which crash landed on the Biak Island airstrip while Rushfeldt, Jr., was onboard; and several photographs of indigenous Papuans (including pictures of nude women and women breastfeeding animals). Also present are twenty-one images showing painted illustrations on the sides of various aircraft, many of which were designed Cpl. Al G. Merkling. Numerous illustrations involve nude or scantily clad women posing suggestively. Nicknames of documented planes include “The Wango Wango Bird,” “Photo Queen,” “Cherokee Strip,” “TS Sympathy Remembrance,” “I’ll Be Around,” “American Beauty,” “Hangover Haven,” “Little Joe,” “Round Trip,” “Liberty Belle,” “Patched Up Piece,” “Ready Willing and Able,” “Idle Curiosity,” “Pappy’s Passion,” “Sweet Sixteen,” “St. Louis Blues,” “V…-Sure Pop,” “The Rip Snorter,” “Bourbon Boxcar,” “Ole’ Tomato,” “Mission Belle,” and “Tail Wind.”

The paper files include an envelope of informational materials from the “Reunion Project Office b-24/50th Anniversary” related to the planning of a 1989 reunion event; an overseas document file case containing three souvenir buttons from the first and second 20th Combat Mapping Squadron reunion events in 1982 and 1984, several empty letter envelopes addressed to Rushfeldt, Jr., a register of Rushfeldt, Jr.’s vaccinations and other medical data from December 28 1941 to Jan 27 1945, and an official notice from March 7 1943 declaring that Rushfeldt, Jr., qualified as “Marksman” with a .45 caliber pistol after achieving a score of 106; and a vertical file containing numerous materials related to 20th Combat Mapping Squadron reunions, events, newsletters, and other documents, including a draft of “A Pictorial History of the 20th Combat Mapping Squadron, 6th Photo Group that Served so Honorably in the Southwest Pacific Area During WW II” consisting of photocopies of images donated by former squadron members and compiled by Maj. Lawrence E. Thibault, Sr.

The VHS tape purportedly contains footage of the "Idle Curiosity" crash on the Biak Island airstrip. Rushfeldt, Jr., was aboard this aircraft at the time of the crash.

This diary contains Dominick Miele's recollections of and information about his service in the United States Army from January 28, 1941-October 11, 1945. Miele, a member of the 47th Infantry Regiment and the 383rd Military Police Battalion, trained at Fort Bragg, North Carolina. He participated in active combat in North Africa, Sicily, and mainland Italy, and served behind the lines in England and France.

This diary (1 volume) contains Dominick Miele's recollections of and information about his service in the United States Army from January 28, 1941-October 11, 1945. Miele, a member of the 47th Infantry Regiment and the 383rd Military Police Battalion, trained at Fort Bragg, North Carolina. He participated in active combat in North Africa, Sicily, and mainland Italy, and served behind the lines in England and France.

Miele recorded details about his military experiences in a pre-printed diary entitled "My Life in the Service." The volume's inside covers bear printed illustrations of army and navy insignia, and each diary page includes a printed quotation, often pertaining to military service, democracy, or patriotism. The diary contains several labeled sections, as well as printed illustrations of soldiers. The first 3 sections list men and women whom Miele encountered while in the military: "My Buddies in the Service" (pp. 1-31), "Officers I Have Met" (pp. 33-41), and "Civilians I Have Met" (pp. 43-47). Miele and his friends recorded their names and notes about their relationships.

The main portion of the volume consists of Miele's recollections, including both retrospective narration and daily diary entries (pp. 53-118). Miele opened his account with a history of his life prior to his army induction, and commented on his distaste for Fort Dix, New Jersey, where he spent the first three days of his military career. After moving to Fort Bragg, North Carolina, in February 1941, where he joined Company M of the 47th Infantry Regiment, Miele described daily life and training maneuvers, particularly after the United States's declaration of war against Japan, Germany, and Italy. Miele kept daily diary entries in early December 1941; on December 6, 1941, he wrote about Hitler's alliance with Mussolini (pp. 79-81). In October 1942, the 47th Infantry traveled to North Africa, where Miele discussed his experiences in the foxholes. He also participated in active combat in Sicily and mainland Italy until the Italian surrender in September 1943. Miele recounted his service in western Europe, beginning with his work with the 10th Replacement Depot in Litchfield, England, from May-October 1944. He then recorded his experiences with Company A of the 383rd Military Police Battalion in Cherbourg, France, and in Belgium, which included time guarding prisoners of war in Belgium during the Battle of the Bulge. Miele traveled around France during and after the final months of the war, and served with the 794th Military Police Battalion in Dijon, France, until September 1945, when he returned to the United States. He was discharged on October 11, 1945, and worked in a post office.

The final sections of the diary include a "Recipe for Happiness" (p. 208), a list of Miele's Italian military friends (pp. 210-211), a note from a friend (p. 212), addresses of family members and acquaintances (pp. 213-217), notable dates from Miele's military service (pp. 218-219), a list of gifts that Miele received in 1941 and 1942 (p. 220), a record of his travels during his early military service (pp. 224-227), and autographs (pp.228-229). The final pages contain printed instructions for giving first aid medical treatment.

Records, 1940-1945, of the Engineering Science and Management War Training Program at the University of Michigan during World War II. Includes diaries, August 1941-August 1945, of Robert H. Sherlock, coordinator of the program.

Records include the programs for each year, a trainee file, and the diaries of Sherlock during the time he served as coordinator, 1941-1945.

Myron Ezra Wegman, 1908-2004, was a leader in public health and clinical pediatrics for seven decades. The collection consists of personal and professional papers covering his career in medicine and public health and includes correspondence, reports, speeches, travel diaries, course material, reprints, and minutes and notes on organizations to which he belonged.

The Myron Ezra Wegman collection is divided into seven series: Biographical and Early Materials, 1939-2004, University of Michigan, 1960-1988, Comprehensive Health Planning Organizations, 1968-1979, Associations, Committees, and Projects, 1949-1990, Post-Retirement Period, 1974-1993, Reprints, 1930-1989, and Topical Files.