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The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

The Anglo-Mexican mining photograph albums are a three-volume set containing approximately 446 images of southern English beaches, architecture of Mexico City, mining operations in Zacatecas, Mexico, and portraits of the Pott family of England.

The Anglo-Mexican mining photograph albums are a three-volume set containing approximately 446 images of southern English beaches, architecture of Mexico City, mining operations in Zacatecas, Mexico, and portraits of the Pott family of England.

Volume one (24 x 16 cm) contains approximately 223 photographs replete with detailed inscriptions as well as two clippings. On the inside front cover are portraits of Cyrus Pott taken in 1906 and 1908 while an image of his son Dennis, who frequently appears throughout all three volumes, can be seen on the first page. Subsequent images of interest include pictures of a 1915 trip to Bournemouth, England; an Easter Monday picnic near Mexico City in 1912; Pott family friends Marquarita and Gorden McCloskey; an interior photograph of the Pott residence at 165 Calle de Londres in Mexico City; and a British Boating Club regatta. Also of note are photographs of the steamer Furst Bismarck; a trip to Bognor Regis, England; a couple on their honeymoon in Bournemouth, English; beachgoers; the Firth of Forth in Scotland; and pictures and clippings related to Cyrus Pott’s service in the National Motor Volunteer Corps.

Volume two (18 x 24 cm) contains approximately 103 photographs and has fewer inscriptions than volume one. Images of interest include views of a trip to Brighton, England, in the fall of 1913; a group of people standing behind a wall captioned “Fleeing from Mexican shells, Feb. 1912”; a group of cooks captioned “Chinese and Mexican cousins. / Louis-Maria-Angela”; a trip on the Furst Bismarck on April 16, 1913; a 1913 trip to Havana, Cuba; a trip aboard the Corcovado on the Viga Canal; Mrs. Pott and friends at La Fe Mine in Guadalupe, Zacatecas; the vantage point from Adolf Goerz’s Mexico City office; and various sites in A Coruña, Spain.

Volume three (18 x 24 cm) contains approximately 120 photographs and has the fewest amount of inscriptions of all three albums. Images of interest include pictures of a bull fighting ring; Villistas at La Fe Mine; more views of the house at 165 Calle de Londres; Christmas at the University Club in Mexico City; Alfred Pott in a cradle on his christening day in 1913 in Stow, England; and Cyrus Pott at La Fe Mine. On the inside back cover there are two photographs of outdoor activities.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The album (26 x 31 cm) has black cloth covers with “Snap Shots” embossed in silver on the front. The 4 loose manuscript items are contained in a Mylar enclosure at the beginning of the album and include two letters from Marie Thibaudeau written to her mother and father while abroad in England in 1923; a booklet made of faux-bark paper containing a watercolor illustration and poem about fishing titled “Stower’s Fish”; and a hand-written recipe booklet containing 18 recipes for various dishes.

Around 111 loose photographs of various sizes and formats are also contained in a Mylar enclosure and mostly include individual and group portraits (both indoors and outdoors), natural landscape views, and images of homes. A small percentage of these photographs have captions on their versos, including some that identify subjects. Of the loose photographs, images of interest include a group portrait of young women at Wellesley College in 1918 during their freshman year; portraits of Marie Thibaudeau, including several showing her posing with her beloved dog Sam-Sam; snapshots taken during a trip to Rome in 1932; and numerous images showing exterior views of houses as well as swimming, fishing, boating, and other outdoor activities taking place near the Thibaudeau family cottage on the Georgian Bay in Ontario.

Approximately 197 photographs are pasted into the album proper. A number of these photographs are partially unglued and in some cases writing on their versos is accessible. The album has many photographs showing waterfront summer vacation scenes from what appears to be different trips to the family cottage over a span of several years; some of these images in the front end of the album have inscriptions on their versos which indicate those photographs were taken in August 1910 by “D.B.” Other images of note include a picture showing a group of young women in a large sleigh with the verso caption reading “Marie Thibaudeau ΖΣΕ Jan, 24, 1912”; a pair of photographs showing siblings Kenneth Fraser Allan and Dorothy Elizabeth Allan when aged 3 and 6 respectively; two group portraits of young men in military uniforms standing in formation; photographs taken at Wellesley College showing buildings, students, campus scenes, large group activities, and a commencement ceremony; two photographs of a biplane mid-flight; and a series of interior views of an unidentified home that appears to have a menorah above the fireplace.

The Bartlett family papers contain correspondence, documents, photographs, and a scrapbook related to Lieutenant Washington A. Bartlett of the United States Navy and to his descendants, including his granddaughter, author Lina Bartlett Ditson.

The Bartlett family papers contain correspondence, documents, photographs, and a scrapbook related to Lieutenant Washington A. Bartlett of the United States Navy and to his descendants, including author Lina Bartlett Ditson, his granddaughter.

The Correspondence series contains letters written to various members of the Bartlett family. The earliest items concern Washington A. Bartlett's naval career, including several letters between Bartlett and his wife Ruth. In a letter from May-June 1845, Washington Bartlett discussed political and military conflicts between the United States and Mexico. Much of his other correspondence is contained in a letter book, which covers the years 1835-1862.

Other items in the series are incoming personal and business letters to George L. Ditson, Bartlett's son-in-law. Some of these pertain to his appointment as United States Consul in Nuevitas, Cuba, a few of which are in Spanish. Later material includes a letter from Ronald Lodge to his mother, Oralie Ditson Lodge (Washington A. Bartlett's granddaughter) about his successful fitness examination for the United States Navy, enclosing a photograph of Lodge in uniform (April 17, 1917), and a letter on stationery from the White Star Line ocean liner Olympic (November 14, 1928).

The Documents and Financial Papers relate to several generations of the Bartlett family. Of note are a certificate about Washington A. Bartlett's qualification as a United States Navy midshipmen, signed by Martin Van Buren (November 20, 1839), and an authorized copy of Washington A. Bartlett and Ruth Budd Bloom's marriage certificate (June 17, 1861). The series also contains receipts and accounts.

The Writings series primarily contains typed copies of poems and stories composed by Lina Bartlett Ditson. Included are 8 poems, 1 group of poetry "Fragments," and 7 short stories. Two items, which may not be by Ditson, are in French, including an acrostic poem based on Ruth Budd Bartlett's name.

The collection's 8 Calling Cards and Invitations include manuscript and printed visiting cards for "Mr. and Mrs. Bartlett" and an invitation to the home of William H. and Frances Seward.

A single Illustration, dated August 1833, depicts the brig Mermaid at sea. A map of a portion of Albany, New York, shows the location of B. Lodge & Company.

The Photographs series has mounted and loose portraits, several cartes-de-visite and cabinet cards, a glass-plate positive of a young girl, and numerous snapshots. Early portraits depict Oralie Ditson Lodge and Lina Bartlett Ditson (occasionally in costume), and 130 20th-century snapshots were taken during a family vacation Eagle Lake in New York.

The Lena Bartlett Ditson Scrapbook contains newspaper articles, programs, and correspondence about Lina Bartlett Ditson, assembled by her sister Oralie after Lina's death. Most items pertain to Lina's artistic pursuits, such as vocal performances and published novels. Incoming correspondence to Lina and condolence letters to her family following her death are also present.

The Printed Items series is made up of postcards, newspaper clippings, pamphlets, and other items. Newspaper Clippings pertain to numerous topics, such as William S. Lodge's political career, interstate commerce legislation, labor news, and members of the Bartlett family.

• Defence of Washington A. Bartlett, Ex-Lieutenant, United States Navy: Read and admitted to Record, by Naval Court of Inquiry... New York: Harper & Brothers, 1857.
• International Association for the Total Suppression of Vivisection. "The Woman" and the Age: A Letter Addressed to the Right Hon. W. E. Gladstone, M.P., First Lord of the Treasury. London: E. W. Allen, 1881.
• Olcott, Henry S. The Spirit of the Zoroastrian Religion. Bombay: 1882.

Other printed material includes poems by Barrington Lodge; engravings of Washington A. Bartlett; a colored print showing a woman in a dress that Ruth Budd Bartlett wore during a royal reception; and a campaign poster for William S. Lodge's mayoral campaign in Albany, New York.

The Genealogy series contains information about Washington A. Bartlett's descendants and allied families, particularly the Lodge family.

The Bonynge family photograph collection consists of ten photograph albums and approximately 600 loose photographs pertaining to the Bonynge family of New Jersey. The albums center on Henry Arthur Bonynge Jr., M.D., his wife Elizabeth and daughter Marjorie. Images include snapshots of family life in the northeastern United States, trips to Wyoming, El Salvador, Bermuda, Cuba, and Europe.

The Bonynge family photograph collection consists of ten photograph albums and approximately 600 loose photographs pertaining to the Bonynge family of New Jersey. The albums center on Henry Arthur Bonynge Jr., M.D., his wife Elizabeth and daughter Marjorie. Images include snapshots of family life in northeastern United States, trips to Wyoming, El Salvador, Bermuda, Cuba, and Europe. The albums are roughly arranged in chronological order while the loose photographs are organized by location.

Volume One: The Bonynge family Hoboken album (27.25 x 36.25 cm, lacks covers) contains approximately 90 snapshots of Henry Bonynge Jr.'s family when he was a young man. A majority of these images are dated from 1898-1901 and were taken at 931 Washington Street in Hoboken. Images of note include domestic interior views, a Christmas tree, charming casual portraits, street snapshots, photographs of Henry Bonynge Sr.’s sister Florence graduating from high school, an October 1899 trip to visit landmarks in New York City, and visits to the Jersey Shore.

Volume Two: The Christ Church Hospital, Jersey City album (26.5 x 30.5 cm, black leather cover with gilt title) contains approximately 30 professional quality photographs related to Henry Bonynge Jr.'s medical internship in 1906-1907. There are several carefully composed views of hospital exteriors, interiors, equipment, and staff in uniform. Of note is a view across Hoboken rooftops, the Hudson River, to New York City. Also a fine image of the hospital kitchen and staff. Includes one card photograph of employees with a stretcher in front of a hospital ambulance.

Volume Three: The Bonynge family early snapshots album (26.75 x 36.75 cm, black leather cover in poor condition) contains approximately 400 photographs documenting Henry and Elizabeth Bonynge's early years of marriage as well as Marjorie's infancy. Images of interest include photographs of daily life and family trips from 1910 to 1917 in the Bahamas, Bermuda, Lake Waramaug (Connecticut), Prince Edward Island, Lake George (New York), Newport, Rhode Island, Maine, Atlantic City, New Jersey and Mount Vernon, Virginia. Includes notable images of recreational activities, early automobile travel, horseback riding, construction of the Prospect Street house in Ridgewood, New Jersey, and a July 4th parade. Later notes from Susan B. Strange identify many individuals represented in the album in addition to captions written by Elizabeth and/or Henry.

Volume Four: The Bonynge family snapshots album (27.25 x 36.75 cm, black leather cover, poor condition) contains approximately 250 photographs of Henry, Elizabeth and Marjorie. While some of the images included in this album were taken in 1911, most date to ca. 1918-1925. Images of interest include photographs of Marjorie as a young child riding horses (including ‘Lightning’, a Shetland Pony), trips to Niagara Falls, Quebec, and Lake George in 1921, a trip to Mohonk Mountain House in New Paltz, New York in 1922 and a pictures from a "Charley trip," possibly to Wyoming.

Volume Five: The New Preston, Ridgewood, and Nantucket album (24.25 x 36.75 cm, black leather cover) contains approximately 45 high quality photographic prints of people and places in New Preston, Connecticut, and Nantucket, Massachusetts as well as the family home in Ridgewood, New Jersey. There is a partial index for the album which was likely filled out by Marjorie. Images of note include Elizabeth and Marjorie with a pony in 1918, interior photographs of the house at 107 Prospect Street and ten photographs of Nantucket.

Volume Six: The Marjorie Bonynge childhood album (19 x 29.25 cm, black leather cover) contains approximately 40 photographs, including numerous portraits of people and of Marjorie as a child from 1920-1929. Of note is an image of children dressed for a Halloween party.

Volume Seven: The Bonynge European travel album (23.5 x 35.5 cm, black leather cover) contains approximately 70 photographs of a Atlantic crossing aboard the U.S.S. Minnetonka in 1925. The photographs focus on Cherbourg (France), Edinburgh (Scotland), Stratford-upon-Avon, (England), and Volendam (the Netherlands). Images of interest include several views of Henry Bonynge Jr.'s mother's home in Bath, England.

Volume Eight: The Bonynge Wyoming trips album (23.5 x 35.5 cm, black leather cover) contains approximately 65 photographs of a family trip to the Fred Richard Ranch near Cody, Wyoming in 1922. Images include views of hunting, mountain vistas, and horseback riding. There are also copies of three newspaper clippings describing Henry Bonynge Jr.'s near death experience on the trip while hunting.

Volume Nine: The Bonynge Nantucket trips album (23.5 x 35.5 cm, black leather cover) contains approximately 150 photographs of two trips to Nantucket in 1923 and 1924.

Volume Ten: The Bonynge Yellowstone trip album (24.25 x 36.75 cm, black leather cover) contains approximately 150 photographs of a trip to Yellowstone National Park and Shoshone Canyon ca.1920-1922. Notes have been added by both Susan B. Strange and likely Henry Bonynge Jr. Images of interest include photographs of a ranch and horseback riding in an unmarked location, probably near Cody, Wyoming.

The 600 loose photographs in this collection are stored in 11 separate envelopes and have been sorted according to the location they were taken. The majority of these images were taken during a number of family vacations during the 1930s. There are several images that are duplicates of photographs that appear in the albums.

Envelope One and Envelope Two contain approximately 60 images of family, pets, school groups and Ridgewood and Hoboken, New Jersey.

Envelope Three contains approximately 30 images of a cruise to what appears to be Bermuda.

Envelope Four contains approximately 38 images of horses and views of locations in Kentucky.

Envelope Five contains approximately 70 images of multiple trips to Salmon, Idaho. Photographs document the Bonynge family partaking in horseback riding and rodeo at a friend's ranch.

Envelope Six contains approximately 80 images of trips to various locations in the United States from 1936 until ca. 1940. The images have been separated by note cards with locations and dates.

Envelope Seven contains approximately 60 images of a trip taken by Marjorie in March of 1937 to El Salvador and Central America in order to visit a friend from high school named Eva Duke.

Envelopes Eight and Nine contain approximately 170 images from a 1937 Caribbean Cruise aboard the S.S.Quirigua. Many of the images depict Havana, Cuba.

Envelope Ten contains approximately 58 images from a number of unidentified places as well as two photographs from a 1932 trip to Venice, Italy.

Envelope Eleven contains approximately 45 images of unidentified people. Some images appear to be from ca. 1900, though most of the photographs are of friends or neighbors of the Bonynge family in the 1930s.

This collection is made up of correspondence, military records, photographs, newsletters, scrapbooks, and other items pertaining to the military career of Charles H. Foster, who served in the United States Navy from 1898-1934.

The Charles H. Foster collection consists of correspondence, military records, photographs, newsletters, scrapbooks, and other items pertaining to the military career of Charles H. Foster, who served in the United States Navy from 1898-1934.

The collection's correspondence (144 items) primarily relates to Foster's naval service after 1902. Letters, memorandums, orders, and reports concern his ship assignments and work at the Naval Gun Factory (Washington Navy Yard) during World War I. One group of letters from the early 1920s relates to the acquisition of dependent's pay for Foster's mother. A series of World War II-era documents respect Foster's fitness for active duty. After World War II, he received letters from military acquaintances and veterans of the Spanish-American War.

Charles H. Foster's 1918-1919 diary concerns his travel on the Huron between the United States and France. Notes, newspaper clippings, and a telegram laid into the volume regard deaths, the military, and historical inquiries.

The papers include 4 of Charles H. Foster's scrapbooks, which contain materials related to the USTS Alliance's 1897-1898 training mission; naval ships, personnel, and theatrical and musical programs and performances; the Mexican Revolution and Mexican politics in the mid-1910s; and naval equipment, camps, and weapons tests.

Sixty-three photographs depict U.S. Navy sailors and vessels. One group of pictures show scenes from the Huron's voyage between France and the United States during World War I. The collection also features photographic postcards sent by Charles H. Foster and others from Mexico, the Philippines, Japan, Germany, and Borneo.

Financial records, legal documents, and service records primarily pertain to Charles H. Foster, with a focus on his time on the USS West Virginia in the 1920s and his mother's financial dependency. Documents, blueprints, photographs, and other items relate to devices patented by Charles H. Foster and others. Two service ribbons appear in the collection, mounted onto a wallet printed with "United States Battle Fleet, Sydney, 1925," which also contains a travel pass and membership card for Charles H. Foster.

The collection includes 429 typescripts about early American history, the Civil War, South Carolina Confederate soldiers, the Spanish-American War, aviation, and the US Navy. Rosters of American Navy ships and personnel include information on Union vessels during the Civil War; casualties from the 1898 USS Maine explosion; USTS Alliance naval apprentices in 1898; USS West Virginia officers in 1926; and the names and addresses of members in several naval veterans' associations.

A "Personal Log" by Royal Emerson Foster relates to his service on the SSAC Bedford in early 1919, with descriptions and illustrations of naval equipment, ship construction, signaling, personnel, and other subjects. The navy publication Rules to Prevent Collisions of Vessels also appears in the Log.

US Naval Ex. Apprentices Association materials include copies of Trade Winds, the association's newsletter, from 1939-1964. The newsletters are accompanied by a list of Alliance apprentices in 1898. A copy of Rocks and Shoals, a publication for former crewmen of the USS Memphis, is also present. Other printed works include military publications about equipment and procedures, a handbook on medicine, the Mariner's Pocketbook, A History of Guantanamo Bay, newspaper clippings, a souvenir book from the US Naval Training Station in Newport, Rhode Island, a death announcement, and a map of Arlington National Cemetery.

Notes, reports, and a bound volume concern the history of the Foster, Yates, and Lindstrom families.

This collection consists of 53 correspondences from Santa Ana, California, Spiritualist Charlotte Elizabeth Dresser to her niece and grandniece. The papers are dated from February 4, 1907, to November 7, 1928. This collection also includes two photographs and a typed copy of "automatic writing" spirit communications with deceased "Sis" dating between June 28, 1928, and July 28, 1928.

This collection consists of 53 correspondences from Santa Ana, California, Spiritualist Charlotte Elizabeth Dresser to her niece and grandniece. The papers are dated from February 4, 1907, to November 7, 1928. This collection also includes two photographs and a typed copy of "automatic writing" communications with deceased "Sis" dating between June 28, 1928, and July 28, 1928.

The recipients of Dresser's correspondence were her niece Martha Wood and great-niece Ernestine Wood, daughter of Martha. Dresser frequently mentioned her close friends, Carrie-Bell Richards Rafferty (Mrs. Rafferty) and Fred Charles Rafferty (Mr. Rafferty, "Uncle Fred", "F. R."), Martha's husband Ernest Wood, and estranged family members Van and Gertrude. The letters contain detail about parties, theatre productions, and concerts attended by Dresser and Mrs. Rafferty, including a concert by organist Bruce Gordon Kingsley. Dresser often reported on the medical concerns of herself and her circle of close friends and family. Such concerns include "breakdowns", lumbago, miscarriage, neuritis, rheumatism, sciatic nerves, spinal issues, sprains, and ulcerated/abscessed teeth. Personal concerns of Dresser included the grippe and a sprained ankle and foot.

In her later letters, Dresser wrote about her experiences with "automatic writing" and meetings with other spiritualists, including writer and physician Sir Arthur Conan Doyle, parapsychologist and founder of the Boston Society for Psychical Research Walter Franklin Prince, parapsychologist Carl A. Wickland, and medium Anna W. Wickland. Dresser also touched upon the success of her 1922 book Spirit World and Spirit Life: Automatic Writing.

This collection concludes with typed spirit communications dating between June 28 and July 28, 1928 and two photographs showcasing moments of Dresser's time as a musician and music educator.

The Chilocco Indian School collection consists of 1 piece of realia, 1 school yearbook, 1 pamphlet, 1 manuscript, 1 graduation certificate, and 107 photographic images in various formats related to the Chilocco Indian School in northern Oklahoma.

The Chilocco Indian School collection consists of 1 piece of realia, 1 school yearbook, 1 pamphlet, 1 manuscript, 1 graduation certificate, and 107 photographic images in various formats related to the Chilocco Indian School in northern Oklahoma. Many of the images are portraits of individuals, structures, and activities associated with the Chilocco Indian School; most are individual and group portraits of Native Americans, but there are also several images showing school buildings, agricultural activities, sports teams, and white American adults and children. The majority of the images are real photo postcards from the 1910s.

A total of 16 tintypes (mostly 8 x 5 cm) are present in the collection. Included are studio portraits of Native American men, women, boys, and girls wearing western clothing. Many of the tintypes have been moderately hand-colored. None of the subjects nor their tribal affiliations have been identified.

Also present are 18 photographic prints (6 unmounted and 12 mounted). The 6 unmounted prints are all 11 x 6.5 cm snapshots taken in 1920 that appear to have been taken by tourists and were once stored in a photograph album. Inscribed captions include the following: "Gold Fish Pond Chilocco OK 1920"; "Three Indian Boys"; "View of the lake at Chilocco"; "Little Girls Dormitory at Chilocco Government School 1920"; "Dairy at Chilocco"; "Chilocco OK Indian School Stadium 1920." Of the mounted photographs, there are 10 of approximately the same size (8.5 x 6.5 cm; all albumen prints) that show individual and group studio portraits of Native American men, women, boys, and girls. The remaining two mounted photographs (12.5 x 8.5 cm and 10.5 x 6.5 cm respectively; both albumen prints) are studio portraits of a very young Native American girl and a Native American boy with his mother which bears the verso inscription "T. Wolf." None of the subjects nor their tribal affiliations have been identified.

Real photo and photomechanical postcards (mostly 14 x 8.5 cm) make up the remaining 73 photographic images in this collection. Most images consist of individual and group portraits of Native American and white people, the latter of which many appear to have been affiliated with various Indian Agencies and/or boarding schools.

Items of particular interest include an image of a young Native American boy captioned "Jim McKay's kid"; a studio portrait of an unidentified Native American man by George B. Cornish; a studio portrait of a man possibly identified as "Red Fox" through an inscription on the verso; a studio group portrait of an unidentified married Native American couple captioned "New Year Eve. 08-09" in which the photographer appears to have edited the negative by painting fake snowflakes on the subjects; a group portrait of Umatilla Agency superintendent E. L. Swartzlander's children Lawrence and Inez; views of Chilocco Indian School buildings such as Haworth Hall, Home One, the Printing Department, and the inside of a classroom; and three photographs showing young men dressed in World War I-era army uniforms.

Sports-related images include group portraits of the 1912-13 Chilocco men's basketball team, the 1906 and 1915 Chilocco women's basketball teams, the 1945-46 Chilocco men's football team, and a Chilocco men's baseball team from an unknown year.

A relatively small number of postcards have been signed. Of the postcards that have signatories, there are eight signed by Samson B. Harjo (Seminole; name also spelled "Sampson B. Harjo"); one signed by "John Wolf" (tribal affiliation unknown); one signed by "Silas Beal Brown"; three signed by Chief Tishomingo's grandson Joe F. Factor (Chickasaw); and five signed by Umatilla Agency clerk Alvin Barbour.

The Alvin Barbour postcards (6 in total) are the only postcards in the collection that contain correspondence. Writing from Pendleton, Oregon, Barbour was in communication with a girl at the Chilocco Indian School named "Anna" of unknown tribal background who appears to have come from the Umatilla Agency. In one postcard with a view of a school building dated March 4 1914, Barbour expresses delight that Anna was "pleased with the pennant" he sent her and that he hopes it will "remind you of home and of the sender." In another postcard bearing an outdoor portrait of Barbour dated April 18 1914, Barbour states that he is glad Anna has recovered from an illness and that he sent her some Easter lilies. Two postcards dated April 27 1914 show images of Barbour and a Native American girl from the Umatilla Agency identified as "Ruth" taking turns sitting on a fallen tree trunk. Two postcards do not bear any correspondence and include an outdoor portrait of Barbour (signed "Yours very truly, Alvin Barbour") and an unsigned outdoor group portrait of Barbour with two other men posing on a bridge.

The realia item is a double-handled silver basketball trophy (10 x 15 x 6 cm) bearing the engravings "Chilocco Basket Ball League 08" and "Bird's Head - Escudero - Du Bois - Taylor - Jones." The trophy was awarded to "Team Jones" in 1908 after they won all four of their matches in their five-team intramural league. "Bird's Head" may possibly be Jesse Bird's Head, while "Escudero" may possibly be Cipriano Escudero (approximately 1882-?).

Printed publications include a 1932 Chilocco Indian School senior class yearbook as well as an illustrated libretto and associated program from a 1907 Chilocco Indian School production of Hiawatha. The front cover of the libretto bears the inscription "Lulu Gregory, Tonkawa, Okla."

The manuscript item consists of a three-page handwritten document regarding the "Crimson" flag of an unidentified University Preparatory School (possibly the Tonkawa U.P.S.) and its importance being "similar to that of the Stars & Stripes to the United States." The document is unsigned and undated.

Also present is a graduation certificate (51 x 40.5 cm) granted by the Chilocco Indian School in 1897 to Myrtle M. Long (tribal affiliation uncertain). The diploma was signed by Superintendent Benjamin F. Taylor, principal teacher Philena Everett Johnson, and teacher Anna D. Burr.

The David V. Tinder Collection of Michigan Photography consists of over 120,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The Emmett M. Smith photograph album contains approximately 790 photographs and 6 pieces of ephemera related to the experiences of American soldier and engineer Cpl. Emmett Merle Smith while he served with the United States Army Air Service’s 800th Aero Repair Squadron in France during World War I.

The Emmett M. Smith photograph album contains approximately 790 photographs and 6 pieces of ephemera related to the experiences of American soldier and engineer Cpl. Emmett Merle Smith while he served with the United States Army Air Service’s 800th Aero Repair Squadron in France during World War I.

The album (28 x 37 cm) has black cloth covers with “Postal Souvenirs” stamped on the front; the covers and spine are in poor condition, as are a relatively small number photographs (some of which bear signs of insect damage).

On the inside of the front cover is a tipped-in copy of A History of the 800th Aero Repair Squadron, an official unit history account of the squadron published by its members in 1919. A small group of 10 loose photos and 6 pieces of ephemera are also present, including postcards, snapshots, YMCA guides to Paris and Marseilles, and two programs related to jointly held French and American Mother’s Day celebrations in Paris in May 1919 that were organized by L’Association des French Homes.

The first pasted-in photographs in the album are a series of 24 panoramic views showing Parisian scenery and famous landmarks. This section ends with another YMCA guide to Paris and a matriculation card for the Université de Paris Faculte des Sciences 1918-1919 for Emmett M. Smith that includes a portrait. Smith appears to likely have been the compiler of this album as he appears in numerous other photographs throughout. He was a member of the 800th Aero Repair Squadron’s Flight A, who were stationed at Camp de Souge near Bordeaux.

From pg. 15 through to the end of the album photographs are individually numbered from 1 to 781. While a typescript index describes photographs #25-28, there is no overarching index for the entire series. Numerous photos have captions (including manuscript captions), though the majority do not. Images come in a range of sizes and appear to have originated from numerous sources including German and French photographers as well as snapshots possibly taken by Smith himself. “AR” also appears on several photographs, possibly indicating that these images were taken by 800th Aero Repair Squadron photographers. However, by and large photographers are not identified for specific images.

In general, this album contains frontline scenes of battlefields, dead soldiers and animals, trench views, and ruined structures as well as images documenting camp life, military bases, and aerial reconnaissance views. Numerous photographs of military equipment, weaponry, airplanes, tanks, warships, soldiers, and street scenes showing cities/towns and civilians are also present. Post-war scenes include documented stays in Paris, southern France, Italy, and Spain.

• #3 (image showing charging soldiers, some in gas masks, with one man appearing to be clutch his throat while falling; captioned “Actual photo of action at Verdune”)
• #7, 651 (800th Aero Repair Squadron group portraits)
• #12 (shot of Kaiser Wilhelm talking with German officers)
• #15, 17 (aerial views of Albert, France, in November 1916)
• #48, 70.1 (pictures of German tanks)
• #73, 76 (view of citadel with German signage and view showing street signage by ruins; amongst other views that appear to be in Belgium)
• #109 ("Toul - French plane ready for a flight")
• #110, 111 (images showing the French and American sections of the 1918 panoramic painting Panthéon de la Guerre)
• #142, 143 (two images of a train wreck by “Chiljian,” possibly Armenian American photographer Pvt. Henry B. Chiljian)
• #146, 148 (two images showing plane crash wreckage)
• #167 (French observation balloon being inflated)
• #209 (Georges Clemenceau visiting aviation field)
• #219 (clipping showing aftermath of the Halifax explosion with inscription reading “Spent 10 day aboard ship here right after explosion was supposed to have been here just before explosion but was delayed”)
• #374 (post-war image captioned “U.S.A. bound” which precedes series of naval voyage images)
• #451+ (images from Italy and Southern France)
• #525 (railroad scene with “Chicago Opera Association” sign in view)
• #631 (view of three men at typewriters working in an office with maps and aerial photographs pinned to the wall)
• #638 (aerial view captioned “My aviation camp. Camp de Souge - North of Bordeaux from the 2nd Artillery Aerial Observation Island 1917-1918-1919”)
• #649 (view showing surgery being performed on a man in operating room captioned “Hell - without [anesthesia]”)
• #699 (view showing a queue outside of a YMCA in Bangor, Maine)
• #712, 715 (two portraits of young women captioned “My Italian fiancée” and “My Spanish fiancée”)