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Collection

American Gold Star Mothers, inc. Washtenaw County Chapter records, 1950-1975

1 linear foot

Organization of mothers of servicemen who died in action. Minute books, scrapbooks, photographs, citations and certificate of service, and miscellanea.

The record group consists of minute books, 1950-1975; scrapbooks, 1950-1968; and miscellaneous other materials, including scattered photographs.

Collection

Arthur J. Tuttle Papers, 1849-1958 (majority within 1888-1944)

108 linear feet — 1 oversize folder

U.S. District Court Judge, Eastern District of Michigan; Federal trial court case files, personal and professional correspondence, scrapbooks, University of Michigan student notebooks, and other materials concerning legal activities, Republican Party politics, prohibition, the election of 1924, Sigma Alpha Epsilon affairs; also family materials, including grandfather, John J. Tuttle, Leslie, Michigan, Ingham County official and businessman; and photographs.

The Arthur J. Tuttle Papers are arranged in 13 series: case files, opinions and jury instructions, topical office files, conciliation commissioners, criminal files, correspondence, letterbooks, scrapbooks, University of Michigan, financial matters, miscellaneous biographical materials, Tuttle family materials, and visual materials.

Collection

Charles H. F. Daigneault and Ren W. Philbrick drawing book, 1901-1905 (bulk 1904)

1 volume

Charles H. F. Daigneault, a teenager in Hudson, New Hampshire, filled this pre-printed account ledger with pencil, pen, and ink drawings between 1904 and 1905 (mostly dated February 1904). The volume had been used sparsely by Ren W. Philbrick as early as 1901; between 1903 and 1905, Ren and possibly other Philbricks contributed a small number of drawings. Daigneault's illustrations feature the Philbricks' "Deer Field Farm," the Hudson schoolhouse, vehicles and transportation, caricatures and anthropomorphic animals, decorative patterns, clothing (uniforms, stockings, garters, shoes, hats, etc.), people and faces, Masonic symbolism and imagery, astrological and horoscope content, mystical and occult symbolism, sideshow performers, museum objects and oddities, American Civil War scenes, historical and mythological torture devices, the use of torture by religious groups, and much else.

Charles H. F. Daigneault, a teenager in Hudson, New Hampshire, filled this pre-printed account ledger with pencil, pen, and ink drawings between 1904 and 1905 (mostly dated February 1904). The volume had been used sparsely by Ren W. Philbrick as early as 1901; between 1903 and 1905, Ren and possibly other Philbricks contributed a small number of drawings.

Daigneault's drawings feature the Philbricks' "Deer Field Farm," the Hudson schoolhouse, vehicles and transportation, caricatures and anthropomorphic animals, decorative patterns, clothing (uniforms, stockings, garters, shoes, hats, etc.), people and faces, Masonic symbolism and imagery, astrological and horoscope content, mystical and occult symbolism, sideshow performers, museum objects and oddities, American Civil War scenes, historical and mythological torture devices, the use of torture by religious groups, and much else.

Charles Dagneault drew pictures of vehicles and transportation, including a view of an electric railroad car full of passengers (page 57), a train engine and part of a coal car with a man shoveling coal (page 69), a rough drawing of a ship looking vaguely like the Merrimack (page 67), a whaling ship beside a whale (page 130), and a U.S. Navy ship (page 66). Daigneault also contributed drawings of horse drawn fire engines, which he labeled "Philbrick Fire Dep. 1904"/"Boston Fire Engine No. 4" (page 49), "Philbrick Fire Dep."/"Chemical No. 1" (page 53), and "Philbrick Fire Dep." (with a row of firefighter helmets and buckets, page 55). In addition to the fire engines, Daigneault made a drawing of fire company hats/helmets, titled "Styles Fire Dept U.S.A." and labeled by years 1811-1850; 1850-1860; 1860; and "First in America Penna"/"Hibernia Philla" (page 88).

Caricatures, full length portraits, busts, faces, limbs, feet, hands, and profiles of humans and anthropomorphic animals are found throughout the volume. Among the caricatures are an "American Schoolteacher" (page 64), "Jewish Junk dealer" (page 58), a cricket player (page 46), and military and police figures. Daigneault drew a number of women's legs in stockings, heeled shoes, and garters. He drew a buttocks in the shape of an upside-down heart with an eye in the middle (page 52) as well as a group of seven overlapping profiles of faces, marked "The Know-alls" (page 59).

The most prevalent imagery in the volume is Masonic symbolism, decorative and sigil-like illustrations, occult and mystical content, horoscope content, and related visuals. Squares and compasses, Eyes of Providence, crosses and cross pattée, five-eight pointed stars, a Masonic owl, ornate swords, hearts, and more. Many of these are doodled onto pages, but others are the subjects of drawings. A few of the latter include:

  • Slightly curved sword with a loopguard and small tassel. Marked "NEVER DRAW me without Cause or Sheath me in Dishonor Sword owned By C. H. F. Daigneault New, Hampshire N H 1904" (page 48)
  • An ornate sword with a loopguard and quillion over crossed dirk and hand-axe. The sword and hand-axe bear a symbol of a cross atop a sun cross atop a heart. Marked "C. H. F. D 1904 -- Feb --" (page 52)
  • An owl decorated with Masonic symbols, "HOOT-HOOT, HOOT" (page 62)
  • A page containing a variety of text and images pertinent to Freemasonry. "3. Points." The name "Peter. Denn" is underlined with a sword and followed by the three points/dots (top dot filled, lower dots not filled). List including "Malice & Revenge" and "Vibration." Other text includes "Moses -- [eye drawing] -- was (a (murderer --" and "Call off your dogs." Drawing of three steps/degrees and a "Holy Bible F.A.M. (Chart)" book atop a podium; sword on top of the book; cross bookmark; E-W arrow and skull and crossbones beside a candelabra with three candles. At the bottom of the page is the text "Apprentice" "Led To the Light" "IV.K.D." (page 100)
  • A page containing a variety of text and images pertinent to Freemasonry. "4. Points." Drawing of a goat with square and compass, a triangle with an eye in the middle labeled "DONT LOSE ME CHARLEY." Arm with square and compass, holding a snake. Two hearts. "The Bluff and Poker Game." Marked "C H. F D 1904." "5.P." "What is the Sharpest Lance of a F.A.M." followed by a triangle made up of nine dots. At the bottom of page is a drawing of a Chi Rho cross. Above it the words "Phallic worship" and beside "S.P.O.R.", "I.H.S.", "K.M.", "Past Meridian", "P.G.M.", and "C.H.F.D." (page 101)

The volume contains two sections of numbered illustrations. One is a gallery of sideshow performers and oddities/curiosity museum objects and animals (pages 110-119) and the other is a gallery of mystical, occult, historical, and mythological religious practices/symbols, many of them violent, including torture devices (pages 134-139).

Numbered gallery of illustrations (1): Sideshow performers and oddities/curiosity museum objects and animals--many of which are noted "musee," "C. H. Daigneault museum," or "Bunker Hill museum."

  • Unnamed "Simesse [Siamese] Twins" (men connected at the chest area, page 110)
  • Millie Christine McCoy (Carolina Twins, page 111)
  • "Sir Taemoto" shown reclining with very large feet (page 111)
  • "Tivery Skelington / dean Barton / Born France" of a very thin man wearing a French military helmet and epaulettes and carrying a sword (page 112)
  • "Elephant Boy" / "Born In England" (page 113)
  • An animal that appears to be a bipedal anteater with a rat-like tail and sharp teeth beside a tree; a man running away in the background. "France / woods / Distroyed / Houses / People / Village." (page 113)
  • "The Warf Twins 1620" (two seated figures connected at the shoulder or neck, page 114)
  • Two-headed calf with the label "2-Headed Calf / Thomas Jefferson / C. H. Daigneault museum / Bunker Hill / museum / 1875" (page 114)
  • Two mermaids facing each other, with the label "Mermaides / Ollalu)=olu= / at C. H. D. museum 1875" (page 115)
  • Raccoon, with the label "Largest -- Racoon Ever / Caught / at Bunkehill museum / owned By C.H.D. / Proptier" (page 115)
  • "A Fine Turtle -- From U.S.S. / old Kersarge" with a drawing of a turtle; on its shell is the text "at C.H.D / Museum / -(1859)- / 1875" (page 116)
  • Cannonball broken in half with the year "1861" written on it; "-1875- / First. Second Shell Fired / Into Fort Sumpter / Presented To C H. F. D / Museum" (page 116)
  • Long straight pipe, with the text "1875 musee / -Chinese pipes-" (page 116)
  • "Musee / Fat Woman / <-580 Pounds- / Madme Waldon," a woman wearing a crown and holding a mirror, wearing a dress, with a heart tattoo on her arm (or heart on an armband) (page 117)
  • A horse standing on its rear legs, "alive / Born without Fore legs." To the left is a small drawing of a walled tent "CHFD / W.F." on the roof; with text "Show Run / Union / Haymarket / Square / (C H F. D) / W. (Bill Friend)" (page 118)
  • Drawing of a very tall thin man with a tall, pointed hat and carrying what looks like a sheathed sword. In a word bubble the man says, "See all In this Book -- PAY 5c For the Boyes BANK". Next to him is a standing sword swallower, with a sword mostly ingested (page 119)
  • Not part of this numbered sequence of drawings, but related content: "Rooster / Born with / 5 Legs - / at / Roxton / Pond / Canada / East." "C H F D / $5.00" (page 128)

Numbered gallery of illustrations (2): Mystical, occult, historical, and mythological religious scenes and practices:

  • Elaborate drawing of Moses standing in front an altar, around which are four winged human angels with trumpets. A six-pointed star marked "VENUS" shines down on the altar. The altar has a lit menorah on it, beside skull and crossbones. The symbols on the altar include a snake, a royal crown, crossed shepherd staffs, crescent moon and six-pointed stars, a manicule pointing at a sun and triangle. The Moses figure is wearing a garment covered in similar symbols and is reading a scroll with similar symbols on it. The Moses figure is standing on a snake. "Law / Giver / Moses / In / 7th veil / of The / Temple". The title of the drawing appears to be "No. 3. anchent mode worship / Seeing 4 Holy Angles-" "C H F. D 1904" (page 134)
  • Kneeling man at an altar, holding up a sun toward a large sun shining down on him. A pot on the altar emits smoke. The title of the drawing appears to be "2d. Religious worship -- of world" or "worship of The Sun / The Dural Sign." Two rebuses are present on the page. (page 135)
  • Drawing of two priest-like figures standing over a person laying on an altar. One carries a staff with a dragon, serpent, or chicken head and wings on it. The other carries a sword dripping with blood and the heart he has cut from the person laying on the altar. The altar has a serpent, six-pointed stars, crescent moons, and other symbols on it. "No 4 / Religion / Mexico / Virgin / Mexico / Temple" (page 136)
  • Drawing of a wicker man and moon. "No. 5. / Religion / The Wicker / Man / Yew-Tree / Moon / In Line / Druids / in / England / Inocent / Virgins / Boyes / men / &c / Burned / In / Wicker / Man" (page 137)
  • Drawing of a disemboweled man nailed upside-down on a board/rack. "No 6" "The Inquisition / The State Inquisition / & Religions." To the right is a drawing of a person being on a spit over a fire, being turned by an unseen figure. "No. 7. The Zoroaster order." Cross pattée. (page 138)
  • "Mans Humanity." Drawing of two men in hats, one heating lead over a furnace and the other pouring "hot lead" onto the body of a tied victim. "No 8 Inquisition." A cross pattée. Below is a drawing of a person hung by their thumbs with a weight tied to their ankles "No. 9. Inquisition" "Thumbs Torture." Beside is an eye of Providence and a cross pattée with an arrow pointing to the rope/thumbs. To the right is a drawing of an iron maiden and a person about to be placed into it. The bottom of the iron maiden has a rotating blade, and a tunnel below has drawings of rectangles and triangles marked "chop up." (page 139)

Other selected content includes:

  • A Punch or Rumpelstiltskin type figure with a tall, pointed hat and a devil on his nose, holding a baby in its arms (page 42)
  • Drawing of a bird with a long and segmented neck, stork-like legs, and a raptor beak: "A HARTEPOCHNIA of MYTH AGE" (page 109). Another drawing of the same bird, standing by eggs that are being stalked by a rat, has a speech bubble reading "Say Rats" (page 92)
  • Crescent moon and six-pointed star "(Kismet) means Fate." Beneath is a full length drawing of a man wearing a fez (which has a crescent moon and six-pointed star on it), what looks like a Hussar pelisse (with sword and six pointed star on it), sword and gun through waist belts, carrying a spear, with garter socks, a kilt-looking bottom and lettings bearing a flower (page 104)
  • Horoscopes by "Prof. Daigneault" for members of the Philbrick family, with additional notes on clairvoyancy/mesmerism/hypnotism (pages 122-127)
  • Recipe for pickled cucumbers [pickles] (page 127)

Collection

Fred E. Benz motion picture collection, 1929-1950

62 reels (in 5 boxes)

Amateur photographer; sixty-two reels of film shot by Benz on various trips.

When the University of Michigan Media Resources Collection was accessioned by the Bentley Historical Library, a number of films were discovered in the vault that were not related to that collection. Within that material were travel films shot by Fred E. Benz. These films document Benz's travels around the world between 1929 and 1950. The films had been edited together and were probably used by Benz for presentation to local groups and as home entertainment.

The Fred E. Benz Collection contains sixty-two, 400 foot reels of silent 16mm film. It is made up of eight series, one for each trip taken. The series are: Africa, Australia/New Zealand, Guatemala, Havana, Mexico, Russia, South America, and a World Cruise. The contents of each reel are described in the finding aid. Benz has included handwritten descriptions of the images found on the Russian and World Cruise series attached to the inside lids of each can of film. Benz was careful to document most of the locations with a handwritten note displayed before the camera. When cities or natural markers are noted in the finding aid, the identifying information was taken from that supplied by the film maker on the screen or from his notes in the can lids. The spelling of geographic locations in the finding aid reflect the information on the film and not current spellings.

Short notes found with the Mexican footage indicate it was the result of two different trips. The reels retain their original numbering because the numbered reels (1,2,3,4) appear to comprise one trip and numbered/lettered reels (1a, 3a, 4a) comprise the second trip.

The value of the collection is that it captures moments in time, documenting lifestyles, architecture and modes of travel which no longer exist or have evolved over time. Footage exists of London on the eve of war and Shanghai one year before being destroyed by the Japanese invasion.

Perhaps the greater value lies in the depiction of the indigenous lifestyles captured on film. Benz, as an amateur photographer, was interested in the common events that he experienced as he traveled. The collection features extensive recordings of people working or playing, and children of different cultures going about their daily activities. The films show barren huts in remote areas of Russia in the 1930s, families living under stone bridges outside of Buenos Aires, life-saving competitions in Sydney and the plethora of street markets found in most cultures and countries that he traveled through.

Because these are travel films, the scope of the footage included often extends beyond the geographic area used to identify the series. For example, the Australia footage includes material filmed on various Pacific islands, the Asian continent and Japan. The Russian trip contains footage of England and Northern Europe, and the South American films contain shots of the departure from New York. Each series should be examined for additional geographic content.

Special attention should be given to the Mexican series containing film recordings of Mt. Rushmore with construction only partially complete. Included as well are extensive shots of bullfighting in addition to other Mexican scenes. Also of note is the extensive depiction of women throughout all of the series. On the canister containing reel 5 in the Russia series is a receipt from United States Navy Department stating that this reel was being forwarded to Chicago for study of the shots of Kirkenes, Norway.

The color in the Africa, Guatemala, Havana, Mexico and South America series is excellent. The wide, clean, lush cityscapes of Havana and Capetown are richly captured in color and give an indication why they were popular travel destinations at this time.

In addition to the eight travel series, the collection also included one reel of World War II footage assembled by Castle Films from public domain footage. This type of film was sold through camera stores and mail order houses and Benz probably purchased a reel for his own use. The identifying writing on the film can is in Benz's handwriting and clearly belonged with his collection.

Collection

George W. Baber Papers, 1942-1970

1 linear foot

Bishop of the African Methodist Episcopal Church, pastor of various churches in Michigan and elsewhere. Correspondence, prayers and speeches, clippings, and programs; collected A.M.E. minutes, published material, and miscellaneous; and photographs illustrative of his career activities.

The papers of Bishop George Wilbur Baber are divided into seven series: biographical, correspondence, prayers and speeches, clippings, programs, African Methodist Episcopal Church, and photographs.

Collection

Pi Lambda Theta, Xi chapter (University of Michigan) records, 1922-1983

1 linear foot

University of Michigan chapter of Pi Lambda Theta, a national honorary education association; chapter records.

The record group is arranged into a single series of materials that include membership books, scattered minutes, newsletters and printed materials, photographs, and clippings and scrapbooks detailing chapter activities.

Collection

Rachel Josephine Andresen papers, 1948-1986 (majority within 1955-1970)

2 linear feet

Founder of Youth for Understanding, teenage exchange program. Papers include correspondence, newspaper articles, and subject files relating to Youth for Understanding; also photographs.

The papers of Rachel J. Andresen cover the years 1948 to 1986, primarily 1955-1970, and measure two linear feet. Papers include correspondence, newspaper articles, and subject files relating to Youth for Understanding; also photographs.

The files are arranged alphabetically and divided into subject headings. Included is background information on Youth for Understanding, the Michigan Chorale, and the Wind Ensemble, correspondence, photographs, publications, newspaper articles and newsletters.

The papers focus primarily on Youth for Understanding (background, publications, newsletters, bylaws, and guidelines). The most extensive papers include student placement lists. These student lists include names of American and foreign students that have participated in the program and host families in the United States as well as abroad.

Collection

Rebecca Mason Downey White photograph collection, 1888-1890, 1915

1 envelope

University of Michigan alumna and Pi Beta Phi, Michigan Beta chapter member. Consists of group portraits of Pi Beta Phi sorority members as well as one 1915 photograph of an initiation ceremony.

The collection consists of group portraits of Pi Beta Phi sorority members as well as one 1915 photograph of an initiation ceremony.

Collection

Roscoe O. Bonisteel Papers, 1903-1972

13 linear feet (in 14 boxes)

Ann Arbor, Michigan, attorney, Republican regent of the University of Michigan. Correspondence and other materials relating to state and local Republican party affairs, particularly the election of 1944 and the Constitutional Convention, 1961-1962; organizational files, primarily concerning activities with the Rotary Club, the Free and Accepted Order of Masons, the National Music Camp at Interlochen, the American Bar Association, the First Presbyterian Church of Ann Arbor, the Historical Society of Michigan, Cleary College, Dickinson College in Carlisle, Pennsylvania, and the Wayne State University Board of Governors; and photographs.

The Roscoe Bonisteel collection dates largely after 1950, when Bonisteel had already reached an age at which most men retire. Because of this, many of Bonisteel's activities are either poorly documented or altogether absent from his papers. Despite this, the papers do contain some illuminating material.

The collection is divided into ten series: biographical and personal, colleges and universities, financial, historical organizations, legal, Masons, political, Presbyterian Church, Rotary, and Photographs.

Collection

R. R. Rives photograph collection, 1940, 1948, undated

1 envelope

R. R. Rives, Jr. (born 1906) was a minister of the Garden City Presbyterian Church in Garden City, Michigan. Collection consists of a photograph of Rives performing a mortgage burning ceremony, interior photos of Garden City Presbyterian Church, and exterior photos of East Nankin Presbyterian Church (the former name of Garden City Presbyterian Church).

The collection consists of a photograph of Rives performing a mortgage burning ceremony, interior photos of Garden City Presbyterian Church, and exterior photos of East Nankin Presbyterian Church (the former name of the Garden City Presbyterian Church).