Collections : [University of Michigan Bentley Historical Library]

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48 linear feet

Chairman of the Center for Automotive Research (CAR) and previously Director of the University of Michigan’s Office of Automotive Transportation (OSAT). Collection documents Cole’s activities as the Director of OSAT and his consulting work.

The papers of David E. Cole document his activities as the Director of the Office for the Study of Transportation (OSAT) and his consulting work. This collection contains nine series: University of Michigan; Associations and Government; Company Files; Correspondence; Research; Speaking Engagements; Publications, Papers and Clippings; Topical Files; and Audio-Visual Material.

1 result in this collection

26.3 linear feet — 691 GB

Established as a separate unit of the university in 1946, the University of Michigan Museum of Art serves as a research and teaching facility for the university and surrounding communities. The record group documents the museum's exhibitions and installations of the permanent collection and complementary interpretive programming. Records include exhibition files; executive committee minutes and director's correspondence; photographs; publicity files; and material related to the Museum Practice Program.

The records of the University of Michigan Museum of Art document its exhibition program, administration and its educational function through the Museum Practice Program. The UMMA record group has been arranged into seven series: Exhibition Files, Executive Files, Photographs, Publicity, Museum Practice Program, Historical Background, and Docents. The records include correspondence, committee minutes, publicity material and photographs. Exhibit catalogs and other publications are described separately in the Museum of Art Publications finding aid.

Top 3 results in this collection — view all 4
Folder

Photographs, 1913-1998

Photographs (1913-1998; 0.3 linear ft.) document the museum's facilities, both exterior and interior; its staff; and a small number of events throughout its history. Portraits of docents can be found within the Docent series, as well as additional photographs of staff members in the early 1990s. If exhibition installations are identified they are within the Exhibition Files series. Otherwise they are included within this series, under 'Galleries,' which also contains installation shots of the permanent collection galleries. The series includes various media: black and white and color prints, 35mm slides, 35mm negatives and glass plate negatives.

The 1913 images of the galleries in Alumni Memorial Hall depict the Mum Show held in November of that year where pieces of the university's collection of sculpture were displayed in the building's apse with flowers. The photographs were taken by George R. Swain, university photographer from 1913 to 1947, and are identified in more detail by Swain in an index of his work. The six images are on glass plate negatives (one of which is cracked) but there are prints of two and all but one has been scanned.

Folder

Historical Background, 1862-1989

The Historical Background series (1862-1989; 0.2 linear ft.) is largely material gathered by museum staff in preparation for the 1986 exhibition celebrating the UMMA's fortieth anniversary. The majority of these documents are photocopies though there are two manuscripts relating to the museum's history, one written in 1951 and the other in 1970, in the 'General' file. Also part of this series are files on directors and assistant directors which contain curricula vitae and publicity of new appointments and/or resignations.

52 linear feet (in 83 boxes)

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.

54 linear feet

Records of University of Michigan office (and its predecessor administrative offices) responsible for external fund raising and development activities, including subject files of development officials Arthur Brandon, Lyle Nelson, and Michael Radock; staff files; and photographs.

The records of the Vice President for Development date from 1948 to the present and measure 39.5 linear feet. They reflect the basic concerns of the office for these four decades: preserving and improving the university's public image and planning major fundraising efforts. Unfortunately, both activities are incompletely documented. In the area of public relations the records tend to discuss how immediate problems will be dealt with, rather than overall conceptions of the university's image. The thought behind the innovative fundraising devices created or employed by the office is sometimes recorded through consultant reports, but in general is not well documented.

The manuscript records have been divided into two subgroups, one representing the records of the vice president (or senior staff person, for those years in which there was no vice presidency), the other containing records created by the development office. The Vice Presidents subgroup has been divided by the name of each person who has held the office: Arthur Brandon, Lyle Nelson, and Michael Radock. Researchers should note that since Nelson and Radock used their predecessor's files for some time before inaugurating their own records, the relationship between office tenure and file dates is not an exact one. The Development Office subgroup contains records of that office and its subsidiary units. Several accessions of Development Office records received in 1989 and 1990 have been grouped together as Development Office subgroup: 1989-1990 accessions.

19 linear feet

Records of various officers of the Michigan Conference of the National Organization for Women collected by one-time state presidents Margot Duley-Morrow and Alicia Perez-Banuet. Presidential files of Duley-Morrow, Nan Frost-Welmers, Shirley Monson, Lynn Hierholzer, Gloria Woods, and Alicia Perez-Banuet; files of state chapter developer Rhonda Drinan, and Macomb County chapter president Doris Little; contain correspondence, newsletters, clippings, mass mailings, agendas and minutes, photographs, and other materials concerning the formal and personal aspects of this feminist organization. Topics covered include the Equal Rights Amendment, the Project for Equal Education Rights, Women's Assembly III, and other issues pertaining to women's rights.

The Michigan NOW record group includes administrative records, files of individual presidents, newsletters from local chapters, records of the Michigan NOW PAC (Political Action Committee), and topical files of subjects of interests to the Michigan Conference such as the ERA, educational equity, and abortion rights.

The organization of the collection is rather artificial, both because the documents were in extremely poor order upon their accession and because there is only the broadest unity to the collection's components. The records have been grouped under the name of the individual most responsible either for their creation or for their accumulation and preservation. There were two individuals primarily responsible for these records coming to the Bentley Library. They were Margot Duley-Morrow (two-term president, 1981-1983) who donated records in 1984 and Alicia Perez-Banuet (president, 1997-1998) who donated materials in three major accessions.

51 linear feet (in 52 boxes) — 1 oversize folder — 5.9 GB (online)

Ninth president of the University of Michigan, 1967-1978, later president of the Corporation for Public Broadcasting, chairman of the National Institute for Dispute Resolution, and member of the boards of the MacArthur and Johnson Foundations. Personal files, including general and family correspondence, papers detailing service with the U. S. Army military police in Europe during World War II, records concerning activities as labor arbitrator, topical files relating to work at universities of Illinois, Wisconsin, and Michigan; files relating to activities with the Corporation for Public Broadcasting concerning in part the Annenberg/CPB project; and photographs relating to his life and career.

The Robben Fleming collection documents a career marked by diversity in the areas of his public service. The cornerstone of his life is no doubt his years as ninth president of The University of Michigan. While this role is certainly documented in these papers, there is considerable other materials relating to his service in World War II, his work as a labor arbitrator and law professor, his work with the Corporation for Public Broadcasting, and his advocacy in other arenas of the importance of higher education. As Fleming worked in various educational and corporate settings, the records of that service properly belonged to those agencies. This collection, by and large, consists of personal materials retained by Fleming or copies of records given to Fleming as his own. Thus, for example, while this collection includes speeches, invitations, and personal correspondence, maintained while he was President of The University of Michigan, the records of the Office of the President for Fleming's tenure have been received and cataloged separately. Even so, the content of these materials is highly valuable on any number of topics, but specifically higher education broadly defined.

The series in the collection are Correspondence; World War II service; School materials; Labor Arbitration files; Career Activities to 1967; University of Michigan President, 1967-1978; Corporation for Public Broadcasting; Other Organizational Activities; Topical Files, 1978-2000; Knight v. State of Alabama; Publications, speeches, and reports; Personal and Autobiographical Materials; Travel Records; Clippings and Scrapbooks; Photographs; and Other visual and audio materials.

13.5 linear feet (in 15 boxes) — 7 folders

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

  1. Biographical and Professional Material [Bentley]
  2. University of Michigan Teaching Career [Bentley]
  3. Publications and research [Bentley]
  4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

2 results in this collection
Container

Drawings, #.00502-.00557, 1918-1935

56 sheets (various media; 97.9 x 100.5 cm.; 38-1/2 x 39-1/2 inches or smaller) — 97.9 x 100.5 cm.; 38-1/2 x 39-1/2 inches or smaller

Online

(This set consists of 41 pencil on tracing paper, 10 blueprints on paper, 3 blackline print on paper, and 2 ink on paper. Drawings 986.004.00552-.00557 studies of exterior perspectives of an unknown building, may actually belong to Job 33, G.E. Competition, which also includes a spiral staircase)

Container

Drawings, #.01641-.01726, #.02917-.02919, 1911-1950

89 sheets (various media; 74.9 x 107 cm.; 29-1/2 x 42-1/8 inches or smaller) — 74.9 x 107 cm.; 29-1/2 x 42-1/8 inches or smaller

Online

(This set consists of 27 blueprints, 5 blueprints with pastel, 6 blackline prints and 2 stats on paper; and 38 pencil, 8 pencil with pastel, 2 charcoal, and 1 pencil, pastel and ink on tracing paper. he majority of the drawings were produced between January-March 1941. Famaes Development was earlier referred to as Famaes Realty Co. of Pon Quogue, Long Island. Drawing 7 and 7-A (1986.004.02917-.02919) were originally filed with Job 127, Bay Avenue Development (Hampton Bays, N.Y.).)

51 linear feet (in 54 boxes) — 10.1 GB

Intended as a living memorial to former students, faculty, and staff who died in World War II, the Michigan Memorial Phoenix Project is dedicated to the study of peacetime applications of atomic energy. The records include significant material relating to the origins of the project and extensive documentation of research conducted over the course of nearly fifty years. In addition, the files include correspondence, minutes, reports, development and director topical files.

Records of the Michigan Memorial Phoenix Project were received in three major accessions and from three major donors: National Executive Chairman Chester Lang, 1958; Assistant Director Leonard Greenbaum, 1972; and Michigan Memorial Phoenix Project, 2000. In addition, one item, a copy of the Phoenix Project logo, was received from Jacqueline Kolle Haring in 2001. The material is described as two accessions and is primarily comprised of records related to fund-raising, research, and administrative functions. Series include files documenting the history of the project, prospects, donors, research grants, and outreach. Researchers tracking a particular topic should note that there is significant overlap between accessions.

The records of the first two accessions measure three linear feet and date from 1947 to 1959. They are primarily comprised of correspondence, speeches, minutes, financial reports, and research files and are arranged into four series: Chester Lang/National Executive Chairman Files; Fund-raising Campaign; Financial Reports; and Early Research.

The records accessioned between 2000 and 2001 range from 1948 to 1997 and add 46 feet of valuable and significant documentation to the Michigan Memorial Phoenix Project record group. While large portions of the records relate to development and fund-raising aspects of the project, there are also important correspondence, research, and committee files. In addition, the accession includes a rich group of materials documenting the history of the project, as well as files regarding the national and international involvement of Phoenix administrators and scientists in the nuclear energy field.

The records are organized into the following series: History; Minutes of Meetings; Development Topical Files; Director's Topical Files; Ford Reactor; Organizations; Prospects; Donors; Research; and Audio Materials. It is important to note that since the years covered in the development topical files and director topical files series overlap, the researcher is advised to examine both runs for material on a given subject.

104 linear feet — 5 oversize volumes — 1.36 GB (online)

Republican congressman form Michigan's Eighth District, 1952-1960, candidate for U.S. Senate, 1960; member U.S. Foreign Service, 1942-1950, delegate to 1962 state constitutional convention; University of Michigan regent and philanthropist. Papers include diaries, correspondence photographs and other material his political career and other varied interests.

The Alvin M. Bentley collection includes correspondence, speeches, subject files, and other materials relating to his political career and public service activities. Included are his files while serving as a member of Congress and as a delegate to Michigan's Constitutional Convention in 1961-1962, his campaign files from his race for the U.S. Senate in 1960 and his bid to be elected Congressman-at-large in 1962. Other series in the collection relate to his interest in issues of education, particularly higher education, as reflected in his service on the Citizen's Committee on Higher Education, his campaign for the State Board of Education and his tenure as a member of the University of Michigan Board of Regents. Of value in documenting the various phases of Bentley's career are series of diaries and journals, scrapbooks and clipping files, and photographs.

1 result in this collection

216 linear feet — 1 oversize volume

James Bennett Griffin was one of the major forces in the development of North American archaeology and served as the director of the Museum of Anthropology at the University of Michigan from 1946 to 1975. The papers contain correspondence, extensive research and photograph files on North American archaeological sites, cultures and artifacts, and information on Griffin's writing, professional activities, and teaching within the University of Michigan Department of Anthropology.

The James B. Griffin Papers are a rich source of information about Griffin's life, the history of the Museum of Anthropology at the University of Michigan, archaeological sites and topics, particularly in North America, and the overall development of the field of North American archaeology from the 1930s to the 1990s. The papers consist of 16 series: Biographical and Personal; Student Years; Correspondence, 1930-1975; Correspondence, 1975-1997; Radiocarbon Laboratory; Teaching and Advising; Conferences and Symposia; Professional Associations and Affiliations; Speaking Engagements; Travel and International Initiatives; Writings and Publications; Hopewell; Topical Files; Archaeological Sites and Projects; North American Archaeology Card Files; and Photographs.