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Architectural photographer based in Troy, Mich. Photoprints and copy negatives, chiefly a portfolio entitled "Man's Presence," a study of Michigan's manmade environment.

Representing but a tiny fraction of Korab's oeuvre, the collection held at the Bentley Library will nevertheless appeal to a broad range of researchers. Especially in a collective sense, Korab photographs are not only about architecture and architectural photography, but also about art, technology, modernism, photography's history, the environment, urbanism, ruralism, and the creative process itself. They also document one individual's spirited commitment to a life's work -- work expressed both analytically and emotionally.

The essence of the collection is a Korab portfolio entitled Man's Presence, a study of Michigan's man-made environment that drew him to dozens of towns, cities and rural areas in the upper and lower peninsulas. Photographs capture the quiet magnificence of silos and barns, the elegance of 19th century mansions, the utilitarian architecture of iron foundries and grain elevators. There are also pictures depicting ways man has wasted resources (an abandoned lumber mill, a barren tract of bulldozed land. A superb example of Korab's lifelong fascination with vernacular architecture, Man's Presence is a deliberate effort to capture on film Michigan worlds that otherwise might go unnoticed or become lost to future generations.

The collection is comprised of three series: Biographical Materials; Man's Presence Contact Sheets; and Man's Presence Copy Prints and Copy Negatives.

The Charles J. Merz photograph album contains approximately 147 images, the majority of which show places and people around the area of Detroit, Michigan, during the late 19th and early 20th-centuries.

The album (27 x 36 cm) has maroon faux leather covers with "Photographs" stamped on the front and shows signs of considerable wear, including a damaged spine and detached front cover. While the album contains some traditional formal portraits, the majority of the photographs of people are more candid snapshots in nature. Images are presented on 9 x 12.5 cm prints with four to a page. Most photographs were taken in the Detroit-area (presumably all or mostly by Merz), with images including pictures of Belle Isle Park, elevated perspectives of city streets, boats (such as ferries, sailboats, and cargo boats) on the Detroit River, scenes from the aftermath of the Buick and Sherwood factory fire, Elmwood Cemetery, bridges, railroads, carriages, and family and friends in informal settings, including one portrait of an individual dressed in blackface. Also of interest are 32 photographs related to a militia group, with images showcasing training sessions such as rifle practice and marching drills, tongue-in-cheek portraits of militia members posing humorously in front of their tents at camp, and four views of a military parade in Washington, D.C. near the U.S. Capitol. The militia group being documented was likely the volunteer militia known as the Detroit Grays; one photograph is captioned “Detroit Gray’s Camp Sylvan Lake” while “Detroit Grays” also appears on flags present in some of the images. It may be the case that Merz was a member of the Detroit Grays. There are also a few images taken in Chicago and Colorado, including views of Michigan Avenue and the Garden of the Gods.

Several details help provide a date range for this album. One caption below a photograph of young men with bicycles simply reads “1888,” while the Buick and Sherwood factory fire (the aftermath of which is depicted in several images) took place in 1892. A flag visible in one of the militia camp photographs also reads, “Detroit Grays Organized May 7, 1895,” and a picture of the side paddle ferry Greyhound indicates that it was part of the White Star Line, which acquired the Greyhound in 1902. Finally, the caption of a view of the Belle Isle Power House states that the site represented is “where the casino is today.” Since a casino was built at that location in 1907, this would suggest that the album may have been compiled a number of years after the photos were taken.

Merz himself is identified in a photograph showing him holding a box camera and standing next to two other young men on a city street. He is identified in the caption as “Charles J. Merz Photographer,” and stands alongside two other young men identified as "Charles Rapp" and "Gus Hartman." A self-portrait of an unidentified young man and his camera taken in a mirror could also possibly be Merz, and he appears to show up in other photographs as well. He may also be pictured some of the militia photos, but due to the general lack of captions it is difficult to be certain. Two unused pages at the end of the album are covered with childish doodling, including one drawing adjacent to the inscribed name “Olive Merz”, Charles’s daughter, which would suggest that the album was once in the possession of the Merz family.

Ed Beach was an amateur photographer whose photographs document his hometown of Howell, Michigan and historical sites in other Michigan communities. His collection consists of photographic negatives (with some prints) and albums with prints of historic plaques and markers, statues of famous statesmen and their gravesites, early school buildings, historic houses, gristmills, sawmills, and county courthouses.

The Ed Beach collection consists of photographic negatives (with some prints) and albums with prints of historic plaques and markers, statues of famous statesmen and their gravesites, early school buildings, historic houses, gristmills, sawmills, and county courthouses. Other subjects include tourist sites in Michigan (such as Greenfield Village or Mackinac Island) and state parks, especially those in the Upper Peninsula. His hometown of Howell, Michigan is also heavily documented.

The Beach collection is arranged into three series. In the Kodak series the negatives measure 2 3/4 by 4 1/2 inches in size and cover the years 1931 to 1948. The Leica series consists of 35-millimeter strips and were taken between the years 1936 and 1938. The third series consists of seven albums of carefully identified photographs.

An item-level listing of the contents of the Kodak and Leica series is available at the library. To aid researchers a geographic and subject index has been created and is attached to this finding aid. These indices provide the best introduction to the collection.

Beach created the photograph albums around broad topics, and each has a title. The albums include: "Michigan Historic Places," "Around Lake Erie in Ontario. Trip to Chicago Century of Progress," "Michigan Courthouses," "Michigan Ships, Monuments, Historic Places, Buildings, Creek Scenes," "Indian and Trail Markers," "Around Michigan: Historic Places, Buildings, Mills, Dams, Bridges, Masonic Buildings," and "Michigan Governors' Homes, Michigan Trees, Old Buildings of Michigan." The photos in the albums include Beach's negative number.

Bishops files, records of executive and administrative bodies and of diocesan organizations, staff files, parishes and mission's materials, and visual materials and sound recordings.

The records of the diocese of Michigan have been arranged into the following series: Bishops' files, Executive and administrative bodies, Diocesan organizations, Diocesan programs, Diocesan staff, Parishes and missions, Clergy, Audio and visual material, and Miscellaneous.

The record group is most valuable for its documentation of the history of the diocese and the individual churches within its administration, with a lesser amount of material pertaining to religious functions performed and to the operation of diocesan administrative groups and departments. For a number of reasons, there is scant material pertaining to the administration of the diocesan office or to the special programs that have been initiated by it over the years. Some of this material may be found in the papers of individual bishops whose papers have also come to the library and are separately cataloged. These include Samuel McCoskry, Samuel Smith Harris, Charles D. Williams, Herman Page, and Richard Emrich.

Ann Arbor, Michigan, Landscape architect, speaker and lobbyist on behalf of conservation and beautification, president of the Michigan Parks Association, and member of the Citizens' Advisory Committee on Recreation and Natural Beauty during the Johnson Administration. Correspondence, reports, oral history interviews, and other materials concerning her interest in state and national conservation legislation; and photographs.

The Genevieve Gillette collection documents Gillette's concern for the development of Michigan's parks and outdoor recreation opportunities, and her work to promote scenic roads in Michigan and nationwide.

Among the issues most fully documented are the fight to establish and develop Sleeping Bear Dunes National Lakeshore, acquisition and development of Sylvania Recreation Area and McCormick Experimental Forest, threats to wilderness in the Porcupine Mountains State Park, the controversy over the proposed Mill Creek Metropark, the financing of Michigan's state park system, especially the 1968 campaign to approve recreation bonds, and the development of the Rouge River floodplain near the University of Michigan--Dearborn.

The work of the Citizens' Advisory Committee on Recreation & Natural Beauty (1966-1968), the Michigan Parks Association (1959-1975), and the Washtenaw County Parks and Recreation Commission and predecessor organizations (1960-1974) are also documented.

The collection includes very little documentation of Gillette's professional work as a landscape architect, and includes almost nothing relating to her parks and recreation work before the late 1950s.

The collection is divided into three major series--Personal, Correspondence, and Topical file--and two small series--Photographs, Audio tape cassettes.

Steel industry engineer; vice-president in charge of engineering of Great Lakes Steel Corp., Ecorse, Michigan; chief of steel plant facilities for steel division, U. S. War Production Board, during World War II. Correspondence, writings, professional papers, and files relating to activities with the Association of Iron and Steel Engineers.

The Julius Clauss collection has been arranged into the following series: Personal / Biographical; Writings, Presentations and Background material; Organizational files; Photographs; and Motion Pictures. Although reflecting all phases of Clauss' career, the bulk of the collection relates to his work with Great Lakes Steel and his overall interest in the history of the steel industry.

Photographs (positive and negative), slides, and transparencies taken by the company's photographers to document company activities, products, services, employees at work and at leisure, company exhibits and commemorations, and the response of the company to natural disasters and civil disturbances.

In 1993, Michigan Bell as a corporate entity was subsumed within the Ameritech Corporation. As a by-product of this reorganization and the downsizing resulting from it, the company agreed to deposit with the Bentley Historical Library its extensive archive of photographic images. Totalling approximately one million images, the Michigan Bell Telephone Company photo archive consists of negatives, copy prints, and color transparencies taken in the period since World War II (the bulk beginning in 1949). The collection does not include photos taken since 1983; interspersed throughout, however, are numerous images from before 1949.

The collection has been maintained in the order received with two principal series: Positives and Negatives.

The content of the photographs in the two series varies considerably. Naturally the collection documents the products of the company (phones and other communication devices) and the services provided (e.g. employees at work or the company reacting to a specific customer need). These photos were taken both to inform the general public as accompaniment to press notices and advertising copy and as a communications vehicle within the company, informing employees through the company news publication, Tielines, of activities going on in other divisions of the company or among the various regional Bell offices.

More importantly perhaps, the collection has value for its documentation of events and activities that are common to all large companies. These include images relating to: 1. The activities of employees within the corporation at their work (office workers, repairmen, operators, various support personnel, managers, etc.); 2. The activities of employees outside their work routine as members of corporate social groups (i.e., the company baseball or ice hockey team), at home engaged in leisure time activities, or involved in company-sponsored charitable or public service functions; and 3. Commemorations of specific milestones or events (company parade floats, area office open houses, corporate displays at public events such as fairs, etc.).

In addition, the collection documents the extraordinary and unforeseen as the phone company reacts to events and emergencies not within its control (floods, tornadoes, fires, the 1967 Detroit riot, strikes, and the like) or as a participant in history-making events (the announcement in Ann Arbor of the success of the Salk polio vaccine or the preparation involved in the 1980 Republican National Convention that convened in Detroit).

Postcard views of Michigan cities and the University of Michigan.

The Michigan Historical Collections postcard collection contains picture postcards of Michigan scenes. The collection was brought together by MHC staff. The postcards depict a large number of Michigan communities, with the largest number of cards relating to Ann Arbor, the University of Michigan, and Detroit.

The postcards are arranged by the name of the town shown in the picture. In cases where names have changed, or for rural places that might be identified with several surrounding towns, the postcards are filed according to the name used on the card. For instance, postcards of the Irish Hills region can be found under that name as well as under the nearby towns of Brooklyn and Onsted.

Outsize postcards are located in Box 12, and a few postcards too large for that box are located with the medium sized photographs in UCCm.