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Lawyer, Member of Michigan Supreme Court, 1842-1846, Democratic Governor of Michigan, 1846-1847, and holder of numerous other public offices; papers include correspondence and other papers documenting his career in public service.

The Alpheus Felch papers details the active life of this nineteenth century Michigan public servant. Not only are public issues discussed in the correspondence files but the researcher will also gain an understanding of some of the personal problems associated with public service. The collection also includes several files of other family members.

The Devereux papers consist primarily of essays and speeches written by the progressive philosopher and politician George H. Devereux between about 1840 and 1870 in Massachusetts. The collection also contains book reviews, biographies, fiction, and poetry by Devereux, along with a small number of his letters, legal documents, and printed items related to his sons' service in the Civil War.

The Devereux papers (205 items) consist primarily of essays and speeches written by the progressive philosopher and politician George H. Devereux between about 1840 and 1870 in Massachusetts. The collection also contains book reviews, biographies, fiction, and poetry by Devereux, along with a small number of his letters, legal documents, and printed items related to his sons' service in the Civil War.

The Correspondence series consists of 5 items including a four page letter from George Devereux’s son John Forrester from on board the frigate Constitution, describing Arthur's and his movements with the army (April 26, 1861). George Devereux copied a portion of a letter from his son Arthur that gave an account of his regiment saving the old frigate Constitution from the rebels in Annapolis. Another item is a brief undated letter from Nathaniel Bowditch (1773-1838) to his cousin John Forrester, inviting him to meet the President.

The Legal Documents series contains 2 items. First is a deed of sale transferring the late Reverend Thomas Carlile's "Chaise, Plate, and all the house-hold Furniture" to John Forrester from a group of Salem merchants. This document inventories every object of the house room by room. The second document is an 1866 quit-claim deed to George H. Devereux from Nathaniel Silsbee, husband of Marianne Cabot Silsbee, Georges' sister.

The Essays, Speeches, Poems, and Other Writings series contains 189 items and comprises the bulk of the Devereux Collection. The series consists of essays, speeches, poems, and works of fiction, written by George H. Devereux, between about 1840 and 1870. These reflect his deeply held political and social progressive viewpoints. Devereux wrote an extensive, mulit-part work on the French Revolution and Emperor Napoleon I; 7 essays are on historical topics (including two on the Civil War written during the war); 13 are on philosophical topics (common sense, time, mythology, human nature); and several minor essays are on a wide range of topics, including abolitionism, modern science, spiritualism, Unitarianism, proper names, and woman's rights. He wrote orations for the Children's Friend Society, and on topics of free thought, the forest, and the Massachusetts Legislature (pre-Civil War). While in Maine, Devereux wrote an essay on Moosehead Lake, and composed another on Maine's climate.

Other writings include book and literature reviews concerning Roman and Greek literature, both popular and modern literature; biographical sketches on Lord Byron and Colonel Timothy Pickering; and poetry, of which the most substantial item is Camillus, A Roman Legend, a poem in two parts with illustrations. Many of Devereux's poems are based on Aesop's Fables, such as The Frogs, The Dog and Bone, The Crow and Urn, The Wolf and the Crane, and other animal-themed verses. Other poem titles are: The Sun and the Wind, The Two Curses, The Youthful Wanderer (1836), and The Retrospect (1859). Several of the poems have multiple drafts. Some fragments of untitled prose and one 32-page work entitled Zeke Cutter are writings of fiction. Finally, this series includes three undated and untitled pages of writing and manuscript instructions for card tricks.

• The Weal = Reaf The Record of the Essex Institute Fair Held at Salem: September 5-8 (1860), which describes the vendors and activities, and features contributions from Nathaniel Hawthorne and his son.
• A copy of Our Roll of Honor, a collection of poems written by John Forrester Devereux. These poems commemorate his friends from the Salem Light Infantry who died in the war.
• A pamphlet reprint of the Essex Institute's October 1963 article, "The Nineteenth Massachusetts Regiment at Gettysburg," by Hugh Devereux Purcell, which describes Colonel Arthur Devereux’s role at Gettysburg.

The Graphics and Realia series consists of one photograph, a carte-de-visite of John Forrester Devereux in the 11th Massachusetts Infantry, taken by Childs and Adam, Marblehead, and a of a pair of his epaulets.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

This volume was owned by successive generations of the Hoyt family in Stamford, Connecticut, and Hudson, Michigan, in the 18th and 19th centuries. Its contents include military accounts from St. Johns, Newfoundland; arithmetic problems and solutions; and drawings of animals and natural scenes, including two hunters' encounter with a bear.

This book was owned by successive generations of the Hoyt family in Stamford, Connecticut, and Hudson, Michigan, in the 18th and 19th centuries. The front cover of the hide-bound volume bears the faint remnants of the English royal arms. Writing on the inside of the front cover indicates that the volume was owned by Jonah Hoyt (or Hait) before being presented to his grandson, Fred L. Hoyt, on his 21st birthday. The early pages include 7 pages of accounts for the receipt of military stores and provisions at St. Johns, Newfoundland, between September 1762 and August 1764. The section also contains a birth register regarding the children of Jonah and Anna Polmateer Hoyt.

The bulk of the volume is mathematical problems and solutions, including exercises related to multiplication, division, fractions and decimals, currency reduction, and the rule of three (cross-multiplication). Several measurement conversion tables, brief poems, penmanship exercises, and geometric line drawings are interspersed throughout this portion of the book, which also includes signatures by Jonah Hoyt and his son Lewis. Most of the poems are brief and humorous, with longer poems concerning a visit to London and the virtue of patience. Newspaper clippings regarding the death and funeral of George Washington, the wealth of Cornelius Vanderbilt, presidential election results from 1789 to 1872, and Ralph Waldo Emerson's poem "Boston" are laid and pasted into the volume. A few plants are also laid in, as well as a letter from T. Andrews to Mary Andrews about life in Ypsilanti, Michigan, in February 1837. Decorated cutouts made from colored paper are pasted into the volume.

Emery Hoyt and other family members created many drawings, which appear after the arithmetic problems. Two are colored: a partially colored view of a church resembling a castle and a reproduction of an engraving showing a waterfront scene (the original engraving is laid into the volume). Most of the remaining pictures are pencil drawings and sketches of wild animals, including woodland creatures such as squirrels and deer; farm animals such as horses, cattle, and pigs; and African animals such as elephants, an oryx, and rhinoceroses. Other scenes of note show two hunters during an encounter with a bear, with one of the hunters preparing to hit the bear with the butt of his rifle; a safari hunter beside an elephant; and cavalry officers stabbing and shooting Native Americans. Also included are an outline of the state of Maine and a sketch of a sailing ship.

The Puffer papers consist of items relating to the family history and tea room operated by the Puffer sisters in Nobleboro, Maine; much of the material is undated.

The most significant item in this collection is a typescript manuscript in two parts, "Recollections and Recipes," written by Mary Sophia Puffer, and "Nobleboro Community Kitchen", written by her sister, Alice. In addition, there are seven unique copies of Community Kitchen menus and several seemingly unrelated land deeds.

The first part of the typescript is aptly described by the author: "Around the seasons and through the years with a suburban Boston family, from Massachusetts to Maine and New Jersey, with happy memories and good eating made possible by old Yankee recipes handed down from generation to generation, culminating in the successful operation of a popular tea-room." This account of family travels and customs is interspersed with over sixty recipes. A tremendous appreciation for food fuels this reminiscence, which seems to have been written much later in life.

Alice Puffer goes on to describe the "birth and death of a tea room in the pre-war days of plenty" and provides some more recipes, including ones for lemon meringue pie, "the best seller and reputation maker... no ordinary haphazard confection," and the original recipe for Parker House rolls. The roll recipe was obtained by the Puffer's father directly from the chef at the Parker House, but the sisters found ways to improve it.

Two Community Kitchen menus are for afternoon tea and have watercolor paintings on the front. There are also five black menu cards painted by a "gifted art student" and four handwritten menus to accompany them. Lobsters are naturally featured ("We boil our own lobsters and Maine deep-sea lobsters have a flavor all their own"), as well as berry pies, "lemon pie, with a wonderful meringue", "rich creamy milk from a herd of registered cows" and "community pickles."

The six deeds are all for properties in the Nobleboro area and date from 1830 to 1912. They seem to be unrelated to the Community Kitchen materials, even though one deed, dated 1911, is from Robert W. and wife Blanche Puffer to O. C. Nutting. There is also a sketch of property lines done by Frank Bulfinch for Charles M. Hall in 1907.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)