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The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The Caspar Wistar Miller photograph albums contain approximately 172 photographs stored in two albums that document travels in the western United States, Alaska, and Europe by Philadelphia-area physician Caspar Wistar Miller during the late 19th-century.

Volume 1 (33.5 x 40 cm) has maroon and black leather covers with “Photographs” stamped in gold on the spine and contains 87 photographs related to Miller’s travels in the western United States and Alaska from May to August of 1888. Many images appear to include glass plate negative numbers. Traveling mostly by rail, Miller’s itinerary and layovers can be tracked from the photographs, almost all of which note the date and location. Miller appears to have held an interest in photos of valleys looking first in one direction (“up”) and then the other (“down”), and he also regularly sought out possibilities for bird’s-eye views of towns. The album opens with a photo of a cantilever bridge in Niagara, New York, before documenting Miller’s time in Pullman, Illinois, where he observed the railroad baron George Pullman’s newly built factory town. It is likely that Miller traveled in Pullman railroad cars during this journey. Subsequent images show scenes from Colorado, New Mexico, and California, where Miller spent a month photographing various towns and cities along the Pacific coast before heading into the Northwest. Included are images of the area surrounding the Las Vegas, New Mexico hot springs; street scenes, historic sites, and Native Americans in Santa Fe; and views of buildings, historic sites and natural scenery in Californian locations including Pasadena, Los Angeles, Santa Barbara, Yosemite, Monterrey (including views of the Hotel Del Monte), Santa Cruz, San Francisco, and the Lick Observatory on Mount Hamilton. Images related to the Northwest include a bird’s-eye view of Portland, Oregon, and a series of photographs of acrobats performing in Tacoma, Washington. Also present are a series of images taken in early July 1888 after Miller joined a few dozen other travelers on a three-week Alaskan cruise exploring inlets, harbors, and villages. Alaskan images include a group portrait of Tlingit women and infants; photos showing a grave totem and totem poles at Fort Wrangell; Tlingit men and women selling wares on a wharf in Juneau; views of Juneau and Sitka; a block house in Sitka; the face of Muir Glacier; a Tlingit camp at Pyramid Harbor; a group portrait of officers in command of the sidewheel steamship “Ancon”; and group portraits of fellow travelers posing with various Tinglit items including a chilkat blanket. A newspaper clipping regarding Alaskan totem poles is also included opposite one of the totem pole images. Photographs taken during Miller’s return home include scenes from Port Townsend, Washington; Yellowstone National Park; and Minnehaha Falls in Minnesota.

Volume 2 (28.5 x 39 cm) also has maroon and black leather covers and contains 85 photographs related to Miller’s European travels between May and August of 1892. The vast majority of these images are high-quality commercially-made photographic prints documenting typical tourist attraction subjects such as historic buildings, street scenes, cathedrals and churches, sculptures, and landscape views. Many of these images were likely produced from glass plate negatives that were originally created in the 1870s and 1880s. A small number of half-tone reproduction images clipped from printed sources are also present. Many of the commercially-produced images include captions within the photographs that provide site information and negative or series numbers, while some also contain blind stamps bearing photographer or studio names. The album begins with images of scenes in Le Havre and Paris, France; the two Le Havre-related photographs appear to have possibly been taken by Miller, while the Parisian views were all purchased from the gallery “A Jeanne D’Arc Paris 3, Place Rivoli, 3.” Most, if not all, of the remaining photographs in the album were also purchased by Miller. Subsequent images include views of sites, sculptures, and Alpine scenery in the Swiss locales of Geneva, Vevey, Montreux, La Tour-de-Peilz, Bern, Zurich, Fribourg, Thun, Oberhofen, Interlaken, and Lucerne. Other Swiss-related images include views of the Lauterbrunnen Valley; the Jungfrau; the Lion of Luzern monument; a wall tower and hotel in Zug; a man operating a dog-powered milk cart; and the Rheinfall. Austrian views include scenes from locations such as Innsbruck, Kufstein, and Rattenberg, while German destinations such as Lindau, Munich, Nuremburg, Heidelberg, Frankfurt am Main, Koblenz, and Cologne are also represented. The back-end of the album contains images from Brussels, Belgium, including another photograph of a dog-powered milk cart.

The Charles and Silas Crowell papers consist primarily of Civil War-era letters addressed to and composed by Silas Crowell during his service with the 93rd Ohio Infantry Regiment. The collection also contains post-war correspondence from members of the Crowell family.

The Charles and Silas Crowell papers consist primarily of Civil War-era letters addressed to and composed by Silas Crowell during his service with the 93rd Ohio Infantry Regiment. The collection also contains post-war correspondence from members of the Crowell family.

The majority of the material dates from the final two years of the war, when Silas Crowell served in Tennessee. In his letters to his uncle, Silas M. B. Simpson, he recounted his experiences, which included his convalescence from a severe leg wound. In additional letters from November and December 1864, Crowell discussed a pair of custom-made crutches and a skirmish near the Smoky Mountains. During the war, Charles Crowell described his life and work at the Eastern Engine House in Dayton, Ohio. He also shared news of his daughters Clare and Katie and, in one letter, commented on Abraham Lincoln's re-election (November 10, 1864).

Postwar material relates to the Crowell and Simpson families. Ira A. Stout wrote Silas M. B. Simpson about farming in McLean County, Illinois, and took note of the large numbers of people leaving for Kansas and the West (July 26, 1866). Also included are letters between two sisters, such as a letter to "Carrie" about life in Los Angeles, California. An undated patriotic poem is entitled "Uncle Sam."

The Crittenden family papers contain the letters of a Kentucky family living in the California and Nevada frontiers. The material centers on the family of Alexander Parker Crittenden and his wife Clara Churchill Jones, and includes letters from their parents, siblings, and children. The collection also contains diaries, documents and financial records, and family photographs (daguerreotypes, ambrotypes, tintypes, cabinet cards, cartes-de-visite, and other paper prints). The collection documents the murder of Alexander Parker Crittenden as well as family members who fought on the Confederate side of the Civil War and who participated in mining and prospecting in the West.

The Crittenden family papers contain the letters and documents of the family of Alexander Parker Crittenden and his wife Clara Churchill Jones Crittenden. The bulk of the collection consists of personal correspondence between members of the extended family, including Mr. and Mrs. Crittenden, seven of their eight (surviving) children, Clara’s parents and siblings (the Jones family), and Mary Crittenden Robinson (Alexander's sister). In addition to correspondence, the collection contains diaries, documents and financial records, and 96 family photographs (daguerreotypes, ambrotypes, tintypes, cabinet cards, cartes-de-visite, and other paper prints), including one carte-de-visite of Laura Hunt Fair.

The Correspondence series (approximately 1,280 items) covers several topics of interest. The letters by Clara and Alexander Parker Crittenden (hereafter A.P.C.) illustrate the passionate courtship and strained marriage of a couple living in California in the 19th century; Laura Crittenden Sanchez’ correspondence presents a picture of a woman’s life on the 1860s western frontier in California and Nevada; and Ann Northey Churchill Jones’s letters to her daughter Clara provide frank commentary on womanhood. The following summary is a brief description of the collection’s major correspondents and the content of their letters.

The collection includes over 260 letters from A.P.C.to his wife Clara, which span the length of their relationship, from their first meeting until his death. The courtship letters are full of expressions of youthful passion. Especially valuable are A.P.C.'s letters describing San Francisco in the early 1850s, which contain information about the Gold Rush and early statehood, and include discussions about women in California, and troubles he experienced from not having a wife present to care for him. The 1860s letters written from Nevada to Clara in California provide a good account of early Nevada, as well as insight into their deteriorating marriage. However, the twenty letters written during Clara's 1870 transcontinental trip to the East Coast, exhibit an apparently genuine change of heart in Crittenden, who had purchased and redecorated a lavish new home as a surprise for Clara on her return. Almost every letter begs her to cut the trip short and return.

A.P.C.'s eldest son, Churchill, is represented by 62 letters to him from his father, and 62 letters written by Churchill to his parents and siblings, largely from 1858 and 1861, while he was studying at Hanover College. While at Hanover, Churchill developed Union sympathies, which upset his Kentucky-born father. Of note is a letter from A.P.C., who at the time was the leader of the southern wing of the California Democratic Party, to Churchill defending southern rights for secession (December 10, 1860). Churchill wrote six letters while in the Confederate Army. The collection also contains 60 letters from James Love Crittenden. His early letters discuss school life, ante-bellum politics, and family relations. He wrote 10 letters while fighting with the Confederacy.

Clara Jones Crittenden wrote 19 letters in the collection: two to her husband, one to her eldest son, Churchill, and sixteen to her daughter Annie (“Nannie”). The letters to Annie are almost all dated November-December 1864, and reflect the deep gloom Clara felt following the murder of her son Churchill in October 1864.

Laura Crittenden Sanchez wrote 71 letters to her mother, 87 to her sister Nannie, and a few to other family members. They present a view of domestic life on the 1860s western frontier. Of note are Laura’s routine comments that reflect the values of a woman raised to believe in the Southern ideals of gentility and womanhood. However, she also held advanced ideas on women’s rights and divisions of duties in the home. Her husband, Ramon B. Sanchez, shared these beliefs and described his role in housework and his ideas of manhood, in his letter to Nannie Crittenden (July 25, 1862).

This series holds 16 letters from A.P.C. to his daughter Nannie, 6 to her husband Sidney Van Wyck, and many letters of condolence received by the family at the time of Parker’s murder. Van Wyck, who held evangelical beliefs, was deeply concerned about the well-being of his pregnant wife. He sent 117 letters to Nannie between January and May 1870, while she was in San Francisco and was he in Hamilton, Nevada, attempting to strike it rich prospecting for silver. He gave a rich account of life in a snowy Nevada mining town. The collection also includes approximately 40 business letters concerning Sidney's mining interests between 1879 and 1882. After 1874, the collection constitutes letters addressed largely to members of the Van Wyck family, including 8 letters from Nannie's daughter Clara Van Wyck to her brother Sydney Van Wyck, Jr.

Mary Crittenden Robinson, A.P.C.'s older sister, wrote 23 letters to Clara Crittenden, almost entirely in 1863. They are domestic in content, with occasional references to politics and society. Mary also wrote to A.P.C., and to various nieces and nephews, and her children are represented as well: Mary, Kate, and Tod, Jr.

The collection also contains letters from Clara Jones Crittenden's parents and siblings.

Clara's father Alexander Jones, Jr., wrote 5 letters to Clara, including one offering consolation on her husband's murder (November 7, 1870), and 3 to his granddaughter Nannie. Ann Northey Churchill Jones, Clara's mother, sent her seven letters from 1839-1841. She provided a frank commentary on womanhood and discussed childbirth, the proper preparation of breasts for nursing, a mother’s role in fixing children’s values, marital relations and what a wife could do to improve them, and how a woman should deal with an unworthy husband.

Clara's brother Alexander Jones III wrote 21 letters to A.P.C. and Clara (1849, and 1857-1870). These describe frontier Texas, news of the Civil War, and Confederate patriotism. In one notable letter, he described life in Brownsville, Texas, and advised using birth control (January 30, 1860). Clara's sister Mary "Mollie" Farquhar Jones Joliffe wrote 15 letters, 1858-1870, primarily made up of family news. Her wartime letters are a window onto the hardships of Confederate civilian life. William Marlborough Jones is represented by 13 Civil War and Reconstruction era letters, which reflect on the costs of the war to both the family and the nation. Of note is a 12-page account of the war near Jackson, Mississippi (November 7, 1870), and his report on the fall of Vicksburg (July 7, 1863). Sister Rebecca Churchill Jones Craighill, wrote 13 letters (1858-1899) to multiple recipients. In 1866, she composed excellent reflections on the war and criticized a Virginia friend who had eloped with a Yankee officer.

The collection also contains letters from two of Clara’s uncles: 8 from Marlborough Churchill and 2 from George Jones.

The Journals series (2 items) contains an official transcript of a journal of Elizabeth Van Wyck, and a diary kept by Sydney Van Wyck. The Elizabeth Van Wyck journal is a transcript of a reminiscence of her life from age 7 until November 12, 1808, when she was 26. The copy was made in 1925, at the request of Elizabeth's great-grandson, Sidney M. Van Wyck, Jr. The second item is a detailed journal kept by Sydney Van Wyck during his time at school in the 1840s. In it, he described his life at school and many of his family members.

The Documents and Financial Records series is made up of four subseries: Estate Papers, Insurance Papers, Legal and Financial Documents, and Account Books.

The Estate Papers subseries contains 11 items concerning the property of A.P.C. and 24 items related to Howard J. Crittenden. These include A.P.C.'s last will and testament and court records surrounding his murder and the handling of his estate (1870-1875). The Howard J. Crittenden items document Howard's financial holdings at his death and how his estate was divided.

The Insurance Papers subseries (3 items) includes a record of the Hartford Fire Insurance Company (1871) and a fire insurance policy from Pacific Insurance Company for Clara Crittenden (1872).

The Legal and Financial Documents subseries (16 items) consists of bank notes, telegraphs concerning business dealings, receipts for goods and payments, contracts, and personal tax bills. Of note are contracts signing over gold and silver claims in Nevada to Howard Crittenden. These include locations in White Pine, Nevada, such as "Lucky Boy Tunnel" and "Adele mining ground" (1869).

The Account Books subseries (3 items) contains a 12-page account book for A. Hemme (1873), a 20-page account book for S. M. Van Wyck (1873-1874), and a mostly empty National Granit State Bank account book of Thomas Crittenden (1874).

The Photographs and Illustrations series contains 106 photographs of Crittenden family members. These include cartes-de-visite, tintypes, ambrotypes, daguerreotypes, cabinet cards, and several modern reproductions. They depict many of the Crittenden family members, including several Crittenden men in Confederate uniform, Clara Crittenden, Clara Van Wyck, and Laura Fair, among others. See Additional Descriptive Data for the complete list.

In addition to the photograph, this collection also contains an ink sketch of the floor plan of a San Francisco cottage (in the letter dated July 4, 1852).

The Miscellaneous series (9 items) contains school report cards, Laura Van Wyck's application to become a Daughter of the Confederacy (which includes a heroic account of Churchill Crittenden's death in the Civil War), Nannie Crittenden Van Wyck's address book (with contacts in Saint Louis, Chicago, Kentucky, New York, and Brooklyn), a newspaper clipping about mining in Nevada, and 3 unattributed writing fragments.

The folder of supplemental material relates to Robert E. Stewart's publication Aurora Ghost City of the Dawn, Las Vegas: Nevada Publications, 1996, including a copy of the book and 10 photographs taken by Stewart of Aurora and the Ruins of the Sanchez home.

This collection is made up of correspondence, speeches, a travel diary, and a published history related to the family of General George S. Patton. The bulk pertains to Patton's parents, George S. Patton, Jr., and Ruth Wilson Patton, and to his sister, Anne W. Patton ("Nita"), though items written by and addressed to General Patton are also present.

This collection (0.75 linear feet) is made up of correspondence, speeches, a travel diary, and a published history related to the family of General George S. Patton.

The largest selection of correspondence pertains to George S. Patton, Jr., and Ruth Wilson Patton. Letters written by Patton to Wilson during their courtship and after their marriage provide news of his life, work, and travels. Some items mention their son Georgie (George S. Patton III). Patton also wrote letters to his family, including five to his mother while participating in the punitive expedition to Mexico in 1916. Letters written by Nita Patton largely concern her experiences while living in London, England, in 1919. Some of her letters refer directly to her acquaintance and relationship with John J. Pershing, whom she met during a visit to New Mexico after the punitive expedition of 1916.

Multiple letters written by George S. Patton, Jr., relate to the future general's admission to and studies at the United States Military Academy at West Point, New York, in the 1900s. Patton provided his son with personal advice and encouragement, and news from home. The collection includes miscellaneous family letters, addressed to and exchanged between numerous family members between the 1870s and 1890s.

The Patton family papers contain a daily diary of Nelly Davenport and her father's trip to Antigua from December 1789-1790, taken in an attempt to improve Nelly's ailing health. The diary and an accompanying description relate Nelly Davenport's final illness, medical treatments, and death.

A selection of George S. Patton, Jr.'s, speeches is included in the collection. Most were delivered while Patton attended the Virginia Military Institute in the late 1870s, including his valedictorian speech. The speeches concern topics such as the Civil War, the Battle of New Market, and politics. One later item, the text of a speech delivered before the Sunset Club on November 25, 1904, concerns interactions between African Americans and Europeans, particularly with regard to black slavery and suffrage in the United States.

The Lancisco Hill collection consists of one full-length studio portrait of Pima Indian Lancisco Hill as well as three letters sent by Hill to a white American woman named Frances W. Anderson Gillette between April 1908 and July 1911.

The Lancisco Hill collection consists of one full length studio portrait of Pima Indian Lancisco Hill as well as three letters sent by Hill to a white American woman named Frances W. Anderson Gillette between April 1908 and July 1911.

The studio portrait is a gelatin silver print on a near cabinet card size mount (14.5 x 10.5 cm). Hill can be seen wearing traditional Plains Native American clothing while holding a tomahawk. The clothing and tomahawk were possibly studio props supplied by the unidentified photographer. A contemporary ink inscription on the verso reads "To Mrs. Wm. H. Anderson from Lancisco Hill 12/23th/05."

The first letter (ALS, 4 pages) is dated April 24, 1908, and is addressed to "Mrs. Frances W. Anderson, #254 N. Soto Street Los Angeles, California c/o Mrs. Ward Chapman." Hill asks Anderson if she would be able to locate the C. G. Conn's store and procure three baritone springs for him while she is in Los Angeles. Hill also describes recent weather and indicates that Anderson's horses (including "Joe" and "Alice") are doing well, that he purchased a new bag of hen feed, and that a former neighbor stopped by and will soon be calling on Anderson when they visit Los Angeles.

The second letter (ALS, 3 pages) is dated May 2, 1908, and is also addressed to "Mrs. Frances W. Anderson, #254 N. Soto Street Los Angeles, California c/o Mrs. Ward Chapman." In this letter, Hill lists several chores he has recently completed at Anderson's estate, including taking a book to an unnamed woman, shoeing horses, and letting the hens out. Hill also thanks Anderson for sending him lyrics for a song and states that he thinks he can "sing it for you now at any time we get some one to play for me. I go to the Arizona School of Music now and I know I am learning it right."

The third letter (ALS, 6 pages) is dated July 24, 1911, and is addressed to "Mrs. E. G. Gillette, #414 Andover Street, Lowell, Mass." Hill discusses goings on at the Phoenix estate including recent rainy weather, the birth of a bull calf, the cats being in good health, repair work that needed to be done following a storm, and his inviting a woman named "Ms. Howsel" over for meals regularly since she is "not very busy this summer." Hill also touches on how he borrowed a total of $100 from "Ida Larson" and "Walter" to pay for a musical instrument he named "Comet," and that he would appreciate it if Frances and her husband could assist him in clearing this debt.

The Raymond family travel and portrait photograph album contains approximately 315 items (including photographic prints and illustrated postcards) related to the family, acquaintances, and travels of Francis J. Raymond, Jr., of St. Louis, Missouri.

The Raymond family travel and portrait photograph album contains approximately 315 items (including photographic prints and illustrated postcards) related to the family, acquaintances, and travels of Francis J. Raymond, Jr., of St. Louis, Missouri. The album (25 x 34 cm) has black cloth pages and is largely disbound. The majority of photographs have printed or typewritten captions. Many images are posed individual and group portraits of men, women, and children wearing fashionable clothing in a variety of settings, including on porches, patios, indoors, and beside trains. Several photographs appear to have been taken at the Antler Hotel in Colorado Springs, Colorado, over a number of years, including images taken of a children's party on the hotel lawn replete with a group of Native American performers wearing war bonnets and carrying drums. Francis Raymond, Jr., is also shown visiting Charles L. Raymond and family in Detroit, as well as the Keelyn family and other friends in Los Angeles and Riverside, California. Other images show a golf outing; numerous cats and other animals; attractions in Colorado Springs, including the Cheyenne Mountain Lodge; scenes from Hawaii, including colored commercial prints of Mt. Muana Loa and a portrait of "Phillip Abdul" playing a ukelele on a Honolulu beach; several photographic silhouettes; a beach scene at Northport Point, Michigan; and a cottage at Topinbee, Michigan. Laid in images include two photographs of children's parties in 1917 and 1919, and two family groups from the same period.

This collection is made up of five photograph albums that belonged to Dr. Richard Root Smith of Grand Rapids, Michigan. From 1909-1915, Smith documented his family's trips to New England, Maryland, Europe, California, and Alaska, as well as his camping trip to the Lake Superior region.

This collection is made up of five photograph albums that belonged to Dr. Richard Root Smith of Grand Rapids, Michigan. From 1909-1915, Smith documented his family's trips to New England, Maryland, Europe, California, and Alaska, as well as his camping trip to the Lake Superior region.

The first volume (158 pages), titled "Automobile Trip from Grand Rapids to Boston and a Visit to Nantucket," concerns the Smith family's travels between July 25, 1909, and August 25, 1909. The album contains photographs (most of which include captions), brief typed diary entries about the family's daily travel and sightseeing activities, and maps. The Smith family drove their Oldsmobile from Grand Rapids, Michigan, to Boston, Massachusetts, by way of mid-Michigan, northern New York, Vermont, New Hampshire, and Maine, visiting locales such as Buffalo, New York; Niagara Falls; the Catskills; Mount Washington; Marblehead, Massachusetts; the Harvard University campus; and Nantucket. The photographs often depict natural scenery, city street scenes, and buildings, including private residences, writers' birthplaces, and hotels. Also included are informal outdoor portraits of the Smith family and their acquaintances, photographs of the Mount Washington cog railway, views of sailboats on "Marblehead Bay," pictures of golfers, and images of beaches and beachgoers along Marblehead Bay, and on Nantucket. Two loose photographs of Union Station in Grand Rapids, Michigan, are laid into the volume. The album's maps include printed route maps showing the locations of points of interest and hotels and printed maps highlighting the Smith family's travel routes.

Volume 2 (94 pages) contains photographs taken in Baltimore, Maryland; Grand Rapids, Michigan; and unidentified locations in or around 1910. Some images show members of the Smith family and the family's Oldsmobile. The pictures of Baltimore include views of a boardwalk, steamboats on the water, memorials, and a baseball game, as well as numerous street scenes. Other photographs show wintry wooded landscapes and a hot air balloon floating above a city street. A small group of images shows the interior of a pharmacy or chemistry lab. Photographs of Grand Rapids include views of the Blue Bridge and numerous homes in what is now the Heritage Hill district. Informal portraits include group portraits and a picture of a woman in riding goggles. The final pictures are interior views of a residential dining room and parlor; a Christmas tree is visible in one picture.

The third album (138 pages), also compiled in or around 1910, relates to the Smith family's visit to Europe. Many of the photographs show street scenes from Munich, Germany; Köln, Germany; and Antwerp, Belgium, as well as natural scenery in an Alpine region and along the Rhine River. One group of commercial prints shows scenes from a passion play. Several images focus on castles, towers, and other prominent structures, including the Köln Cathedral. Many of the later pictures were taken during the family's return from Europe on a large ocean liner, including a series of snapshots of a lifeboat drill. One picture shows a large crowd gathered on a Red Star Line pier.

Volume 4 (112 pages) contains photographs, ephemera, and brief typed diary entries about the Smith family's trip to California and Alaska from June 20, 1911, to August 1, 1911. The family first traveled to the Southwest, and the album contains photographs of New Mexico towns and natural scenery in New Mexico and Arizona; included are a colored panorama and other photographs of the Grand Canyon. Other groups of images show Los Angeles parks and street scenes, the Pacific Ocean, and landmarks in Yosemite National Park. After visiting California, where Dr. Richard Root Smith attended medical conference meetings, the Smith family traveled from Washington to Alaska on the steamerQueen ; their photograph album includes pictures of the Muir glacier, Alaskan scenery, Alaskan towns, Alaskan natives, and landmarks such as totem poles. Several images show tourists in rowboats on icy waters, and some were taken in British Columbia and Alberta during the family's railroad journey home. Several ephemera items are pasted into the volume, including commercial collections of colored images of Adolphus Busch's gardens in Pasadena, California, and images from Alaska; a small railroad map showing Atchison, Topeka, and Santa Fe Railway routes; a colored illustration of a totem pole, clipped from an unknown source; a booklet about Alaskan Indian mythology; and an itinerary and passenger list for theQueen .

The final volume (97 pages) pertains to a camping trip that Dr. Richard Root Smith took to the Lake Superior region in 1915. Most of the pictures are views of woodland scenery and of the campers' tents and activities, often involving fishing from the shore or in canoes. Some images focus on waterfalls, and one group shows a moose swimming in a small lake. A few of the photographs are printed out in shapes such as a pear, a fish, and a leaf, and a small number are colored. This volume contains a metal apparatus used to adjust its binding.

This photograph album contains pictures of mountain scenery and street scenes in British Columbia and Alberta; of rubble and refugee camps taken in San Francisco after the 1906 earthquake; of people relaxing near Long Beach, California; and pictures taken during a hunting trip near Oracle, Arizona.

This photograph album (18cm x 25cm) contains 99 photographic prints taken in British Columbia, Alberta, California, and Arizona in the early 20th century. The album's covers are brown pebbled leather, and the title "Photographs" is stamped in gold on the front cover. Most items have manuscript captions.

A majority of the photographs are scenic views of mountain ranges, lakes, forests, and glaciers in British Columbia and Alberta, including pictures taken in Banff, Alberta; in the Canadian Rockies; and in the Selkirk Mountains. This section of the album also contains views of the British Columbia Parliament Buildings in Victoria, and street scenes in Victoria and Vancouver, British Columbia; a large totem pole is visible in one of the pictures of Victoria. A second group of photographs shows scenes of rubble and refugee tent camps in San Francisco following the 1906 earthquake.

The third group of items consists of photographs taken in and near Long Beach and Los Angeles, California. Groups of tourists are evident in several of these pictures, and some focus on pairs of male travelers. Pictured locales include Eastlake Park in Los Angeles, an orange grove in Redlands, California, and "Follows Camp." These are followed by photographs of desert scenes near Oracle, Arizona, where a group of hunters, including at least one woman, occupied a semi-permanent tent. The photographer captured images of natural scenery such as large cacti, balance rocks, and a box canyon. The final items are a group portrait of young men, identified by a manuscript caption on a note laid into the album; an unidentified mountainous scene; and an outdoor portrait of a girl.

The Shriners' excursion tour photograph albums (2 volumes, each 15.5 x 20 cm) contain 95 photoprints of photographs taken during a cross-country train and ship excursion by a group of Shriners ca. 1898.

The Shriners' excursion tour photo albums (2 volumes, each 15.5 x 20 cm) contain 95 photoprints of photographs taken during a cross-country train and ship excursion by a group of Shriners ca. 1898. Images show a range of different places around the United States, including: St. Joseph, Missouri; Des Moines, Iowa; Big Spring, Texas; Phoenix and Tuscon, Arizona; Redlands, San Francisco, and Los Angeles, California; and Honolulu, Hawaii. The Shriner group appears to have chartered their train as there are photographs documenting a train breakdown in Arizona and stops in various stations show it to be decorated with banners. Several images includes women and young boys wearing fezzes, indicating that families participated in the trip. There are also several photographs of cowboys and Native Americans in Arizona and Texas. Images taken in California include views of Los Angeles rooftops, Golden Gate Park and San Francisco Bay, Mt. Shasta and San Bernadino, and palms and a grapefruit grove at Baldwin's Ranch in Redlands. There are several images of ships including the S.S. Sierra, the committee boat Fearless, a quarantine boat, an Austrian training ship at Honolulu, the American battleship U.S.S. Wisconsin, and unidentified ocean steamers in San Francisco Bay.

The albums are half bound with red leather bindings, have red cloth boards and are housed in light blue boxes.