Collections : [University of Michigan Bentley Historical Library]

Professor of architecture at the University of Michigan; includes correspondence, professional organizational activities files, documentation, photographs, and architectural drawings accumulated during his work with the Michigan Historic Buildings Survey

The Emil Lorch papers are valuable for their documentation of the career of this important architectural educator and for that material about Michigan architecture and historic structures that Lorch accumulated in the course of his professional study and organizational involvement. The collection includes extensive correspondence with many of the country's leading architects, most notably members of the "Chicago School," and architectural educators, and manuscript and photographic documentation resulting from Lorch's involvement with the Michigan Historic Buildings Survey and various restoration projects, including Mackinac Island.

Student papers documenting Michigan modern architecture prepared for class on preservation research techniques taught in the Historic Preservation Program at Eastern Michigan University. Papers document buildings and residences in and around Ann Arbor.

The Student Papers series (1.0 linear foot, 2010-2011) includes papers written by graduate students in the Preservation Research Techniques course taught in the Historic Preservation Program at Eastern Michigan University. Papers are from the Fall 2010 and Fall 2011 semesters. The papers organized alphabetically by author under subseries for each semester: Documenting Michigan Modern, Preservation Research Techniques, Fall 2010 and Documenting Ann Arbor Modern, Preservation Research Techniques, Fall 2011. Each course had a theme that students incorporated into their titles, beginning with "Documenting Michigan Modern" in Fall 2010 and "Documenting Ann Arbor Modern" in Fall 2011. Both terms focused on modern structures in coordination with a larger State of Michigan initiative on documenting modernism in Michigan called "Michigan Modern."

Professor of architectural history at the University of Michigan. Correspondence, topical files, college term papers written by Eaton, papers written by Eaton students (mainly concerning the architecture of Michigan buildings), and photographs; subjects include seventeenth century Dutch architecture, the Chicago school of architecture, and the career of Frank Lloyd Wright. Also included is Eaton's research file on the Palmer-Ryan House designed by Frank Lloyd Wright in Ann Arbor. The collection contains extensive correspondence with architect William Gray Purcell

The Leonard K. Eaton papers document his career as a professor of architectural history at the University of Michigan and reflect his interest in seventeenth-century Dutch architecture and the Chicago school of architecture. The papers cover the years 1950-1988 and reflect Eaton's activities as architectural historian, student advisor, author, and participant in architectural professional groups.

The Eaton papers have come to the library in three accessions. The first in 1988 came from Mr. Eaton; the second in 1996 consisted of materials that he had donated to the University of Michigan Art and Architecture Library and which they subsequently transferred to the Bentley Library. The third accession contained some topical files and material related to the Palmer House in Ann Arbor. The first accession has been retained in its original order and consists of five series: Correspondence, Topical Files, College Term Papers written by Leonard Eaton, Student Papers written by Eaton Students, and Photographs

The Correspondence series is arranged alphabetically and consists mainly of outgoing letters. Of special interest is the exchange of letters with Lewis Mumford dating from the late 1950s. Topical Files consists of notes and drafts of Eaton's published articles, which have been arranged by title. Also included in this series are articles relating to the landscape architect Jens Jensen as well as notes and published writings from the 2004 accession. College Term Papers written by Eaton series is arranged alphabetically. Mainly undated, these papers reflect Eaton's interest in literature, art and political theory. Student papers written by Eaton students series focuses on Michigan buildings and architecture. The Photographs series includes photographs used in his research on Dutch architecture and a Flint, Michigan, public housing project.

Ann Arbor, Michigan, apartment building for senior citizens of modest means; records of Senior Citizens Housing of Ann Arbor, the organization administering Lurie Terrace, including board minutes, office files, newsletters, and photograph albums and scrapbooks.

The Lurie Terrace records include documentation from Senior Citizens Housing of Ann Arbor, the organization responsible for the building, funding, and administration of the apartment building. Most important of these records are minute books of the organization's board of directors. The Office Topical Files are materials of Shata Ling who was instrumental in the building and operation and management of Lurie Terrace. These files include history and background information, biographical information about Ling, and documentation of Lurie Terrace's various anniversary celebrations. The Newsletters provide a complete perspective on the life and activities of the residents of the building. Within the scrapbooks, most them compiled by individual residents, the researcher will find photographs of group activities, holiday events, and individual informal photos of residents.

Papers of Washtenaw County, Mich. architectural historian and preservation activist Mary M. Culver. Collection includes records of Washtenaw County, Mich. historic preservation organizations, Culver's research files and presentations, and images of Michigan historic buildings.

Collection reflects Culver's work in the areas of and historic preservation and Michigan architectural history, and divided into two series: Committee Work and Research and Presentations.

Statewide organization established in part to create an awareness of Michigan's cultural heritage and architectural history and to encourage the preservation and stewardship of important state historic resources. Records document the administration and programs of the Network, including conferences, publications, training sessions, and awards given for local preservation achievements.

These records were assembled and processed in 2004 in preparation for a conference marking the organization's 25th anniversary. The records are organized in five series corresponding to the creators of the records.

Noted Michigan-based modern architect and former Professor and later Dean of the University of Michigan College of Architecture and Urban Planning. Metcalf's work includes over 150 buildings in Michigan and Ohio. The material in this collection spans the years 1942 to 2017, and includes architectural drawings, presentation boards, client files, photographs and slides, correspondence, newspaper clippings, journals, articles, and teaching material.

The Robert C. Metcalf papers include architectural drawings, presentation boards, presentation books, client files, photographs, slides, and negatives of Metcalf's work on residential, commercial, and community projects. The collection provides comprehensive documentation on virtually all of the projects undertaken by Metcalf. Projects are documented from design to construction and often subsequent additions and renovations. The materials in the collection are organized into three series: Project Files, General Files, and Visual Materials.

The General Files series includes personal material such as an audio interview with Robert Metcalf (2010), a date book (1974), and Metcalf's undergraduate student work from the University of Michigan (1942-1950).

Susan Wineberg is a historian of Ann Arbor, Mich., and historic preservationist. She became involved in historic preservation in 1974 and has served as a commissioner on the Ann Arbor Historic District Commission (1982, 1984-1988) and as a member on its committees since 1977. Wineberg also has authored books and articles on historic buildings in Ann Arbor and been active in other local organizations. The collection includes correspondence, articles, brochures, clippings, printed ephemera and realia, photographs, and subject files relating mostly to Ann Arbor, Detroit, and Michigan historic properties and businesses.

The Susan Wineberg Papers document local efforts to research and protect historic properties in the Ann Arbor area. The collection is a rich source of information for the history of many buildings and areas in Ann Arbor. Wineberg has assembled clippings, stories, records, and photocopies of pictures about local preservation, conflicts over preservation laws, and historic buildings. The collection documents not only Wineberg's involvement in historic preservation, but also the activities of governmental and community organizations that have sought to preserve Ann Arbor's heritage and encourage adoption of their sense of responsible development. Moreover, the records reveal the evolution of historic preservation since the 1970s. They document the debates within the community between those who favor governmental measures that aim to protect the city's historic properties and those who view such protective ordinances and regulations as an intrusion on individual property rights. Additionally, several of the series document the history of Ann Arbor, Detroit, Washtenaw County, and Michigan through collected photocopies, photographs, and assorted ephemera.

The collection is organized into 18 series: Personal Files, Ann Arbor Historic District Commission, Ann Arbor Historic Preservation and Development Materials, Audio Materials, Visual Materials, Research / Reference files, Printed Ephemera and Realia, Printed Ephemera and Realia, 1969-2004, Collected Historical Materials, and Washtenaw County Historical Society. The rest of the collection is arranged into series based on when they were received by the Bentley, and as such there may be some overlap in subject matter.

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

1. Biographical and Professional Material [Bentley]
2. University of Michigan Teaching Career [Bentley]
3. Publications and research [Bentley]
4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).