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The Blanche and Lena Smith letters consist of the correspondence of the Smith sisters as young women living in the Western United States including their time spent at a sanitorium in Colorado Springs.

Although most of this correspondence relates to Lena and Blanche Smith, the earlier letters include six excellent courtship letters from their mother to their father, while she was still in Connecticut and he was in Chicago. There are a handful of letters from Fannie's sister Jennie and other relations, and from Horace's Aunt C. Manning Watson, and her daughter Elizabeth. Most of the letters are from Blanche's friends and Lena's boyfriend Will Brown; there are also a significant number from the sisters, written from Colorado Springs, back home to their parents. In addition to over 500 letters, there is a large amount of ephemera, including school papers, sketches, unidentified photographs, invitations, and some items relating to tuberculosis.

Miss Fannie had a wonderfully forthright writing style. She informed Horace, "I do not want to deceive you, and I tell you frankly, that we are poor but respectable, and that we work for what we have" (1876 April 16). Fannie had learned dressmaking, and was prepared to support herself if necessary. Although she liked to tease Horace, she also seemed to write straight from her heart. For instance, she reflected on the continuing impact of her father's death: "I thought I shed as many tears as I could when he died, but I have found I was mistaken for there are times when I miss him as much if not more than at first. And if he had lived I don't think I should have ever have left home seeing I was the youngest and the only one left, and he was lame and thought so much of his home, and of having me stay there" (1876 May 3).

Both Horace and Fannie's complaints about their health foreshadowed their daughter's tuberculosis. Horace had "weak lungs," and when they were courting, Fannie informed Horace that "I think sometimes I am troubled by Catarrh, but not as bad as I was before I went West, the climate helped me I think for I did not doctor for it any. I am so afraid it will lead to Consumption if not taken care of at first I was frightened about myself once but it was more imagination than anything else" (1876 May 17).

For her part, Blanche maintained a fairly straightforward, patient view of her illness, which was often tinged with humor. She described her doctor in San Francisco as "just like all the other doctors in Calif. thump you a little, ask you a string of questions just for show, & charge you $10.00" (1904 December 2). Once she was in Colorado, she wrote her parents. "You know I don't want to keep any thing from you, but I do hate to fill up a letter with my aches & pains. I can stand it better than being punched twice a day" (1904 December 30).

She kept true to her word about not wanting to keep anything from her parents. She wrote frankly about the Ranch -- "The only thing I think is wrong about the place is their emptying all the old slop right out on the ground about 20 ft. from my tent..." -- and her inner workings: "I eat all I possibly can & have quite a time keeping my bowels in order. I drink 6 glasses of milk & take 6 raw eggs a day" (1905 January 5, January 20).

Both sisters also kept their parents well-informed about each other's good and bad behavior. Lena often got frustrated with her needy sister, and after working all day, did not always want to sit with her, or devote her time to writing letters home or to her boyfriend back in Friend, Will Brown. Blanche complained about feeling lonely, and that Lena was spending too much time with various men. One man "always turns up just at the right time. If Will Brown knew half she was doing I think he would make sure of her inside of a month. Some of her actions surprise me, and that's saying a good deal" (1906 January 15). In her last letter to her father, marked "Private," Blanche was still sharply voicing her concern about her sister's behavior (1906 March 9).

Blanche may well have been jealous of the attentions paid to her sister, and of the men who took up Lena's free time. Her reports, however, were probably not exaggerated. One letter in the collection, from "Sam," to Lena, includes this startling bit: "I do love you Lena today as much as any time we were together and I do hope all will go well as we had planned. Do you still hope the same?" (1904 May 24).

Will Brown began writing to Lena in 1902, and after reading his prolific letters it is easier to sympathize with the errant Lena. Will was constantly traveling on business, and would write Lena tedious descriptions of where he was, what he was doing, and what his prospects for the future were. The fact that all of his plans for getting ahead in business fell through, year after year, probably did not enhance Lena's reading experience. In June of 1905 she evidently berated Will for his writing style, but although he admitted "I have felt that my letters to you were not what they should be," he excused himself by saying he thought Blanche would probably be reading the letters too, so he did not want to get too personal (1905 June 22). Lena even confided in her father about Will, telling him, "I'm afraid I feel more each day that I'm getting out of the notion of marrying anyway -- that I'd rather take care of myself again," indicating that caring for Blanche was taking its toll on her sister (1906 February 9).

Will never did get very romantic, and his overall tone was more one of defeat. Even a turn as a successful hotelier in Loveland, Colorado, was brought to a screeching halt by an appendectomy, which left Will in terrible debt and unable to work for several months. He released Lena from her engagement, and although she was entertaining a very familiar correspondence with Billy Taylor, whom she had met in Colorado, and complaining again about Will's letters and the long delay in their plans, Lena did eventually marry Will Brown (1907 November 9, 1908 July 5).

Blanche corresponded with friends she had made at various stages in her life. Lulu Hall, Carrie Roehl, and the Browns were all people she had met while living in Friend. Her California friends included Babe Sinclair, Miss Rich, Isis Gasaway, Freda Wisner, and Charles Putnam, a boy she had probably gone with in San Francisco. Charles seems rather immature, and Blanche evidently found him too "spoony" and got tired of him writing about how much he loved her (1905 April 17). Charles thought she was only discouraging him because of her sickness, and relied on that old but effective trick, jealousy, to warm her up again. After nonchalantly describing various events he had attended as the escort of "Miss C.," Charles apparently began hearing from Blanche more regularly.

Isis and Freda both got married while Blanche was in Colorado. Isis still lived with her family, which she found a bit disconcerting. She confided in Blanche, "as it is, it just kind of seems like Sherm just came here to stay with all of us. Don't tell anybody but the only time it really seems like I'm married is when I go to bed with Sherm" (1906 February 17).

After she moved into the cottage in Colorado Springs, Blanche received a few letters from Fred Davis and Bob Ferris, two "lungers" she had met at the ranch. Fred, who had moved on to the Adam Memorial Home in Denver, wrote, "I am so tired of these institutions. I long -- oh how I long for a home with a little h where I can put my feet on the parlor furniture and hoist the curtains above see-level and go to the pantry and detach choice bits from the cold turkey left from dinner and -- oh just holler" (1906 January 23).

In the last few months of her life, Blanche met and began going to see Mrs. Carpenter, a Christian Scientist who changed the way Blanche thought about her illness. "It isn't our body that's sick, its the thought," she informed her parents (1906 January 26). Lena thought the influence of Christian Science might do Blanche some good, for Mrs. Carpenter "told Bee that fear was one of her greatest troubles -- that because she had this trouble she was scared all the time for fear she wouldn't get well" (1906 February 9). Putting her faith in God as a healer freed Blanche from her fear. In her last letter to her "Popsie" before her death, even as her limbs were swelling up "large & hard," Blanche wrote: "Christian Science is wonderful and O, so much good is done by it. I feel such a decided change going on, all over my body & I know its God's healing power. He is healing me every day papa & I want you to know it. Think it & declare it every day for your thots will do me so much good" (1906 March 9). Within three weeks, Blanche had died.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British army's 25th Regiment of Foot known as The King's Own Borderers. The images are cartes de visite, with some larger albumen prints and tintypes interspersed. The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album appears to have evolved over time in several different stages.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British Army's 25th Regiment of Foot known as The King's Own Borderers. The images are largely cartes de visite, with albumen prints and tintypes interspersed. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The album appears to have had at least three different stages of construction. The first as a traditional 1860s carte de visite photograph album kept by its namesake G. Ormond Stoney (hereafter referred to as Ormond) comprised of photographs of family members interspersed with related newspaper clippings.

The album appears to have been revised with significant additions in the 1870s-1880s, including more photographs of family members as well as commercial photographic prints. The majority of those represented were army officers, with Anglican priests and politicians; many being contemporaries and associates of Ormond's father, George Butler Stoney (1819-1899). Clipped autographs of many are included beneath the photos and appear to be from correspondence to George Butler Stoney.

Various clues to point to Ormond Stoney's sister Jane (Janie) Stoney Smith as a contributor to the album. Not only is she frequently represented in the album, but the album has several pictures of her husband Arthur Smith and his family--many more so than any other family that married into the Stoney family. Arthur and Janie married on September 19, 1867--the same date on the autograph posted under Arthur's picture. Arthur died in 1870 leaving Janie a pregnant widow with a young son, Herbert (see p.24 for his portrait), and an even younger daughter, Ethel Maud. Newspaper clippings around the portrait of Arthur on p.13 mention his death as well as the birth of Herbert and Ethel, though not of Florence, the youngest daughter. Although Jane's two daughters are not represented in the album, on page 44 it appears that at one point a photograph of both of her daughters was extant.

While Jane's younger sister Wilhelmina married Colin McKenzie Smith, another son of William Smith, she did not do so until 1889. The focus on Janie's husband Arthur and their children, suggests Jane rather than Wilhelmina as a significant contributor to the album.

George Ormond's wife Meylia has not been identified in the album and may not be present, however, her father, Sinclair Laing is represented. Laing appears to have been a correspondent with George Butler Stoney.

At some later date, likely in the late 19th century, decorative gold painted borders were added, along with chromolithograph stickers, known as "scraps." These include a series illustrating Robinson Crusoe. Unlike the earlier additions which point to Janie Smith, these later additions might have been the work of a child playing with what would have been a 30 year old album. The gold paint overlapping earlier items (see p. 28 for example) suggests a later date, as do the "scraps" made popular after 1880. The seemingly random nature of the placement of the "scraps" is quite the opposite of the carefully placed and planned addition probably done by Janie Smith.

Of the children represented in the album, three of them would be killed in World War One: Thomas Ramsay Stoney (1882-1918), George Butler Stoney (1877-1915), and Herbert Stoney Smith (1868-1915).

• Two group portraits of young men in military uniform, presumably with George Ormond present in both photographs (p.2, and back inside cover).
• A portrait of a dog that if viewed from another angle appears to be an individual with a disfigured face (p.7).
• A commercial carte de visite of a Zulu warrior identified as King Cetewayo (likely incorrect, the chief of the Matabele) (p.41).
• A portrait of Napoleon, Prince Imperial, in his military uniform ca. 1879 before he died in the service of the British Army during the Anglo-Zulu War (p.40).
• A print of Rosturk Castle in County Mayo, Ireland (p.47).
• A retouched portrait of a dog posed with a military hat, cane and pipe. (p.23).
• An 1873 program for an "evening reading" of two different farces, "Little Toddlekins," and "The Dead Shot," done to raise money for Mrs. Palmer, the retiring battalion nurse (p.53). On the outside of the program is a print of Portland House, a manor owned by members of the Stoney family.