Collections : [University of Michigan William L. Clements Library]

The Charles Caldwell lectures are manuscript notes taken by an observer of Caldwell's medical lectures - most likely in Lexington, Kentucky in 1825.

The manuscript lectures in this collection are unsigned, but are circumstantially attributed to Caldwell on the basis of internal references to a 30 year career in medicine, including an association with the Pennsylvania Hospital, to experience and research in pestilential epidemics, and to the author's "timely investigation of the sanguiniferous system." The manuscript probably represents a student's notes taken during a series of Caldwell's lectures in about 1825. They are not in Caldwell's hand.

The lecture series represented by this manuscript comprises an introductory course in medicine, covering nutrition, blood and the circulatory system, pathology, the nervous system, etc. Of particular interest are lectures on dreams, pleasure, memory and understanding, and differences between the sexes

The Thomas Smith collection includes a disbound sketchbook of eighteen watercolors and six drawings depicting scenes in the northeastern United States and Canada made between 1820-1826 as well as three letters written by Smith between 1820-1822.

The Thomas Smith collection includes a disbound sketchbook of eighteen watercolors and six drawings depicting scenes in the northeastern United States and Canada made approximately between 1820-1826 as well as three letters written by Smith between 1820-1822.

The Visual Materials series contains eighteen watercolors and six drawings from a disbound sketchbook that depict scenes in the Eastern United States and Canada. While the watercolors and drawings themselves contain no exact information on their precise dates of creation, there is one unfinished pencil sketch of Fort Niagara that shows architectural features that were only in place from 1818 to 1823. Additionally, two pages contain watermarks in the paper that read "Turkey Mills J. Whatman 1818," while an inscription on the inside of the detached front cover also reads: "Thomas Smith. American Sketches 1820 to 1826." Smith is known to have made one trip to New York in the late spring and summer of 1820 and also returned from another trip there in the fall of 1821. Although presumably an amateur artist, Smith showed an uncanny eye for accurate detail, a keen ability to depict the scale of landscapes, and a vivid sense of color and light.

• 1) [Unidentified building] (fragment on oval sheet; pen and ink)
• 2) [Portrait of unidentified man] (fragment; pencil)
• 3) Point - Entrance of Chaudiere (pen and ink)
• 4) Palmetto trees East side Sullivan's Isld. South Carol,,a
• 5) Wappoo, Cooper River, S. Carolina
• 6) [Niagara Falls]
• 7) River Delaware. Fort Gaines to the left, to the right Fort Mifflin
• 8) [Presumed to be Delaware River]
• 9) Unfinished
• 10) [Niagara from the American side]
• 11) [Estuary with a Rowing Boat]
• 12) [The Mouth of the Niagara River at Fort George, Ontario] (pencil)
• 13) [Quay on an Estuary]
• 14) [Thousand Islands, Ganaoque (near Kingston), Ontario]
• 15) Cohos Falls, Mohawk River
• 16) [Niagara Gorge from Goat Island]
• 17) [Hudson River landscape]
• 18) Entrance of the Patapsco River into Chesapeake Bay near Baltimore Maryland
• 19) New York Harbor
• 20) [Queenston Heights - looking down the Niagara River towards Lake Ontario]
• 21) [New York Harbor]
• 22) [Town on an Estuary] (pencil)
• 23) [Niagara Falls from below]
• 24) [Landscape with a Waterfall] (pencil)

The Correspondence series contains three letters written by Thomas Smith to family members. The first letter, dated April 1820, is addressed to Smith's sister Eliza Elizabeth "Betsey" Smith (1802-1876) and bemoans her general lack of communication before discussing differences between American and English women, mentioning acquaintances including a "Mr. Lucas" and a "Mr. and Mrs. Maxwell", and describing events related to the wedding of a "considerable" rice planter and "Miss Lucas...now Mrs. Cordes" that took place in Charleston, South Carolina in March. This was likely the wedding of James Jameison Cordes (1798-1867) and Mary Lucas (1802-1873). Smith also makes reference to a bridesmaid named "Miss McLeod...a lady of large fortune worth as these things are estimated in S Carola: 300 negroes" while stating that "negro servants" accompanied the wedding party on horseback on their way to Middleburgh plantation. The second letter, also dated April 1820, is addressed to Smith's brother Joseph Smith VI (1800-1876) and contains a description of deer hunting conducted in the "American mode" in which several concealed hunting stands were occupied "100 to 150 yards apart" before "the negroes are sent with the hounds to drive the swamps or ponds where the deer generally conceal themselves." Smith elaborates on an unsuccessful hunting trip led by a planter named "Mr. Bryan" in which the party consisted of "Mr. Bryan, Mr. Lucas, Mr. Cordes, Mr. Hume & myself, with 2 negro slaves, all on horseback" during which Smith and Mr. Hume managed to become briefly lost in the woods. Also included are mentions of various wildlife encountered in the countryside, references to regional flora Smith intends to procure seeds of, and a description of typical South Carolinian cuisine had for breakfast, lunch, and dinner during different times of year. The third letter, dated February-March 1822 and partially written from aboard the steamship Robert Fulton while in the Gulf of Mexico, is addressed to Betsey (now "Mrs. Alfred H.") at "Messr: Jos. Hardcastle & Sons London." Betsey married Alfred Hardcastle (1791-1842) in 1821. This letter describes Smith's return to Charleston in Novemeber of 1821 following a trip to New York, spending the Christmas holiday period at Mr. Lucas's plantation, a four-day excursion in Havana, Cuba, made during the present voyage while en route from New Orleans to Charleston, and avoiding a close encounter with a "suspicious looking Schooner" off the Cape of Florida.

The Auguste Hervieu watercolors consist of seven watercolor illustrations attributed to French painter and book illustrator Auguste Hervieu.

The Auguste Hervieu watercolors consist of seven watercolor illustrations attributed to French painter and book illustrator Auguste Hervieu. These illustrations are not known to have been used in any publication(s), and while it is unclear what publication(s) they were originally associated with it is possible that many were produced in relation to Hervieu’s collaboration with Frances M. Trollope during their travels together in the United States of America in the late 1820s. A number of items feature inscribed titles in an unidentified hand.

• [Boy with hogs] - a young barefoot boy wearing tattered clothing wields a stick while opening the door to a hog corral.
• “Love among the Quakers” - a Quaker man and woman stoically sit near each other while cupid is sat between them. Both the woman and cupid have their eyes closed while the man looks straight ahead.
• [Fourth of July event] - a tough looking well-dressed young man who has taken his hat off while extending a hand (possibly signifying that he is a ticket-taker) poses near an open stone archway leading to a courtyard occupied by soldiers in uniform listening to a man giving a speech. The stone wall next to the young man bears several inscriptions including “Order of Celebration of the 4th July,” “502 Hog,” “Declaration of Independence,” and a partially illegible inscription reading “Tales ? ? Slaves’.”
• “The Village Politicians” - two men and one woman holding a child observe a sign that reads “Reportie - Black List.”
• “Love among the Negroes” - a well-dressed African American couple sit closely next to each other on a park bench while cupid covertly observes their romantic interaction with a smile. The man can be seen using a monocle to intimately examine a miniature portrait kept in the woman’s locket while she uses a fan to partially cover her face. A white waiter carrying a wine bottle and wine glasses also looks on from the background.
• “A Philadelphia Exquisite” - a well-dressed African American man stands carrying a hat in one hand while holding a stick monocle to his eye in the other.
• “The sad reality on arrival” - view showing the interior of a house with a group of people (possibly the Trollope family). At the center of the room there is a comically large fire that appears to have been fueled by furniture that was hewn in desperation while several leaks are shown pouring through the roof. The woman at left can be seen holding an umbrella.

The Thomas Thorbury War of 1812 poetry consists of three fragmentary poems written postwar by an American soldier and prisoner at Melville Prison.

The collection consists of a single volume, which contains three fragmentary poems. The first poem (pp. 2-25), which is untitled, consists of 582 lines of rhyming couplets. Seven of its lines are unreadable due to paper degradation. In an extended satire of the conflict between the United States and Great Britain in the War of 1812, the poet described the savage feud between two farmers, Jack and Sam, indentified as the narrator's uncles. The conflict arose over the use of roads, bridges, and waterways, for which Jack charged tolls. Goaded by his wife, Sam hesitantly entered into battle with Jack, and defeated him on land and water, but only after both men suffered from wounds and exhaustion. They reached an agreement allowing Sam's sons to go unmolested to market, but how long the peace would last "no tongue can tell."

The second poem (pp. 26-43) is also untitled, and concerns a group of Americans taken prisoner on the shores of Ontario and held in Melville Prison. In the poem, Thorbury described their capture, the taking of their clothing, and the recording of their names and ranks by a British agent. He also recounted their separation into groups: "The Boatswain next in messes places/ Each one according to their faces./ The whites are separate from the blacks,/ And yanky Tars from monsier Jacks." The poem also gives descriptions of prison food, sleeping conditions, and fights among the prisoners. It ends with the declaration of peace and the return of 300 captives to the United States.

The final poem (pp. 43-44), entitled "Tom and Joe [a] Dialogue," is a small fragment, with only four legible lines, describing an autumn walk to meet a friend.

Also included with the volume are transcriptions of each poem and notes made in 2006 by the donor, David P. Harris, who provided annotations, background information, and a well-researched collection description.

A stalwart of the Moravian community in Salem, N.C., Christian Ludwig Benzien was connected in spirit and blood with some of the most prominent of American Moravians. The Benzien manuscript is a complex document comprised of occasional poetry, hymns, and songs written largely, but apparently not exclusively, by Christian Ludwig Benzien.

The Benzien manuscript is a complex document comprised of occasional poetry, hymns, and songs written largely, but apparently not exclusively, by Christian Ludwig Benzien. A Moravian minister, the son and step-son of ministers, Benzien was also a talented poet in German, and his work shows the evidence of a highly developed literary and musical aesthetic, deeply interconnected with an equally highly developed spiritual devotion.

Most of the works were written in celebration or commemoration of special days set aside throughout the year, including Christmas and New Years, birthdays, childbirths, arrivals and departures, Lord's Suppers, and Love Feasts. The volume provides insight into the Moravian religious world view, and perhaps even more into their social and familial relations through sensitive depictions of the nature of friendships between men (and women), family members, and members of church organizations -- particularly the various choirs with which Benzien was associated.

The manuscript appears to have been transcribed in about 1810-1815 by Dorothea Sophia Bötticher, and is written in two hands, entirely in old script German.

The Hopkins family papers contain wide variety of materials relating to the Hopkins family of Vermont and California. A few of the wide variety of topics covered include the Episcopal Church, student life at the University of Vermont, the 1849 Gold Rush and 19th-century life in California, the San Francisco Earthquake of 1906, art, and music.

The Hopkins Family papers document the activities of several generations of the Hopkins family of Vermont and California, whose members included prominent 19th century artists, musicians, religious figures, and writers. Among its notable figures are John Henry Hopkins (1792-1868), the first Episcopal bishop of Vermont; John Henry Hopkins, Jr., best known for writing the song "We Three Kings"; and Caspar Hopkins, a writer, early explorer of southern Oregon, and miner and entrepreneur during the California Gold Rush. Perhaps the most extraordinary aspect of the Hopkins family was the wide extent of their collective talents and experiences. As a result, their collection touches on numerous historical subjects, including the Episcopal Church, the insurance business in California, shipping, Vermont in the 19th century, California during and after the Gold Rush, gothic architecture, classical and religious music, education, and family life during the 19th century. Spanning 1800 to 1932, and comprising four linear feet of material, the collection contains a huge variety of material, including correspondence, documents, printed matter, drawings, manuscript and printed music, photographs, broadsides, pamphlets, monographs, periodicals, and maps.

The Correspondence series contains approximately 400 incoming and outgoing letters, spanning 1824 to 1932, with the bulk concentrated in the years between 1830 and 1890. Caspar Hopkins contributed the largest number of letters to the collection, writing approximately 25%; followed by his brother, John, Jr., (15%); his mother, Melusina (10%); his wife, Almira (5%), and his father, John, Sr., (5%). Caspar wrote frequent letters to his wife and family, and they document many stages of his life, such as his 1849 voyage to California via Mexico and his participation in the Gold Rush as a speculator and businessman, his exploration of the Umpqua River in southern Oregon in the early 1850s, and his career as president of the California Insurance Company in the 1860s through the 1880s. His Gold Rush letters in particular contain incisive comments on the miners he encountered and on their way of life. On October 14, 1850, he wrote a letter to "Friend Clarke," describing frontier conditions, the attitudes of settlers, and the habits of Native Americans in the Klamath River Valley. Many letters also discuss religious and intellectual matters, two areas of interest for Caspar.

Bishop John H. Hopkins' letters span 1831-1866 and contain a great deal of advice to Caspar, as well as his thoughts on religious matters, the Civil War, family affairs, and many other topics. In a few early letters written to Caspar when he was a young man, John described his views on the raising of children and gave advice on being successful (December 11, 1850); he lamented Caspar's lack of interest in the ministry as a career (February 20, 1851). Other letters by the bishop touch on the satisfaction of worship (August 17, 1854), contain pro-South speculation as to the causes of the Civil War (May 28, 1861), and mention his upcoming golden wedding anniversary with Melusina (March 10, 1865). In a letter of August 10, 1866, John addressed Caspar's growing skepticism toward organized religion, urging him to return to the church "to which you and your dear family rightfully belong," despite its "earthly" defects. John Henry Hopkins, Jr., wrote several dozen letters, primarily concerning his experience as a member of the clergy, touching often on pedagogical subjects which ranged from arguments on why Lincoln was a bad president to theological discourses, some even written in Latin. On February 25, 1844, he wrote a particularly good description of student life at the University of Vermont, and bemoaned the "inveterate practice of loafing into each other's rooms in study hours" and "lolling on each other's beds." The Hopkins women are also well-represented among the letter-writers. Melusina Mueller Hopkins, the wife of Bishop Hopkins, wrote numerous letters to Caspar, which include biographical information about Caspar's siblings and father, as well as other family news. Others female writers include Amelia Muller (Melusina's sister), and Caspar's sisters Caroline Hopkins Canfield and Matilda Hopkins Camp.

The Bishop Hopkins' Sermons and Pastoral Letters series contains ten manuscript sermons (including one fragment), two printed sermons, and two printed pastoral letters. The manuscript items note the various dates on which Hopkins read them before his congregation; he frequently performed them multiple times between 1824 and 1862. The printed sermons and pastoral letters all date to the period of 1850-1855. They touch on numerous religious and scriptural themes and shed light on the Episcopal Church in Vermont and Hopkins' own views on morality, the meaning of life, and the role of the church. Many additional items written by Hopkins are housed in the Book Division, and listed under "Additional Descriptive Data."

The Caspar Hopkins' Writings and Documents series contains one linear foot of material, dating from Hopkins' college years (1845-1847) to the end of his life in the 1890s. Containing both manuscript and printed items, it includes four subseries. The General Writings subseries consists of 24 items, including essays that Hopkins wrote for classes at the University of Vermont, several plays, and articles that he wrote on topics as diverse as divorce law, happiness, American government, and the insurance agency. The second subseries, Berkeley Club Writings, contains 16 manuscript essays that Hopkins wrote between 1873 and 1889 for presentation to the social and intellectual organization, the Berkeley Club. They pertain to such topic as evolution, agnosticism, religion in public schools, and marriage and divorce. The Autobiography subseries consists of three copies of Hopkins' self-published biography, written in 1889, which provides biographical information and insightful commentary on himself and various other members of the Hopkins family. The final subseries, Documents, includes three documents relating to Caspar Hopkins dated between 1873 and 1893: a publishing contract, a printed petition, and a will.

The Printed Matter and Clippings series contains miscellaneous printed items related to or collected by members of the Hopkins family, dating ca. 1850 to ca. 1940. The series comprises printed playbills and concert programs, newspaper articles relating to members of the family, and other printed material. It also includes an undated phrenology chart for Caspar Hopkins. Two printed broadsides in this series are housed in the Graphics Division. For more information, see "Separated Materials" under "Additional Descriptive Data."

The Genealogy series contains manuscript and printed information on various lines of the Hopkins family, gathered primarily in the early 20th-century.

The Music series includes manuscript and printed music played or written by various members of the Hopkins family. Among the many items of interest are a volume of music written by Bishop John Hopkins; a set of scores written and copied by Caspar Hopkins while in California, 1861-1865; and two ca. 1800 books of German songs belonging to the sisters of Melusina Mueller, Charlotte and Theresa.

The Art series contains the drawings, sketches, watercolors, and hand-colored botanical paintings produced by Bishop John Hopkins, his mother (Elizabeth Fitzackerly), and his children. Included are six volumes of drawings and watercolors by the bishop, which depict scenes he encountered while traveling in upstate New York in 1825, gothic churches, landscapes, and human hands. Of particular note are nineteen large plates from Hopkins' 1834 Vermont Flower Book, nine of which his children hand-painted, as well as a letter from William Bayard Hopkins, laid into the volume, describing their habit of working together around the dining room table. Also of interest are botanical paintings by Hopkins' mother, Elizabeth Fitzackerly, dating to the late 18th- or early 19th-century.

The Photographs and Maps series includes approximately 50 photographs of various members of the Hopkins family, including John Hopkins, Sr.; Melusina Hopkins; Caspar Hopkins; John Henry Hopkins; Jr.; Frances (Hopkins) Hinckley; William Bayard Hopkins; and various family groups, landmarks, and homes. Formats include cartes de visite, cabinet cards, tintypes, and a glass plate positive. Also present are two large views of San Francisco shortly after the destruction of the 1906 San Francisco earthquake. The collection also includes three maps, housed in the Map Division. They include an 1849 sketch of San Francisco by Caspar Hopkins; a map of Penobscot County, Maine (ca. 1900); and one of the Union Pacific Railroad and its rail connections (1872). For more information, see "Separated Materials" under "Additional Descriptive Data."

The Benjamin Latrobe watercolors collection is made up of seven small watercolor sketches of tropical landscapes and one facsimile of a watercolor sketch of Dickinson College; all eight visuals are attributed to the British neoclassical architect Benjamin Latrobe.

The collection is made up of a single tray case containing eight items: seven water colors, each encapsulated, along with a facsimile of a watercolor.

The collection consists of tropical landscape views attributed to Benjamin Latrobe, possibly in Central America or southern United States, including a sugar mill and huts that are likely slave quarters. The facsimile in the collection is a rendition of the building "Old West" at Dickinson College in Carlisle, Pennsylvania, designed by Latrobe in 1803 and built in 1822.

This anonymous commonplace book, written in French, contains quotations on moral topics from widely read French authors of the later 18th century.

The unidentified author of this commonplace book extracted quotations on moral topics from some of the most popular, widely read French authors of the later 18th century, including Voltaire, Corneille, Rousseau, LaFontaine, Sédaine, and Béranger. While there is no indication of when the book was assembled, the handwriting appears consistent with a late 18th century origin, though the inclusion of a work by Béranger (1780-1857) and a work by Chemin-Dupontès published in 1798 suggests that it must have been at the very end of the period.

An unusually elegant piece, great care was lavished on the preparation of this commonplace book, suggesting that it was valued as an object, as much as for its literary worth. Bound in leather with gold tooling at the edges, 16mo, the book is written in a meticulous hand, with red borders around the text on each page, presenting a highly attractive, even impressive appearance.

The first section, the longest devoted to a single writer, is taken from Jean-Baptiste Chemin-Dupontès' Morale des sages de tous les pays et de tous les siècles, ou collection épurée des moralistes anciens et modernes (Paris, 1798). This is followed by selections of poetry in various genres, songs, and a section of riddle-like word games.

This travel account of Abbé Montesquiou was written in 1798 three years after his trip to American from 1758-1832. The journal covers Montesquiou's travels as well as his thoughts on America, Canada and the mid-Atlantic areas he visits.

Montesquiou's 'journal' is not a standard travel account: it goes beyond pure description to include discussions of the philosophy and the history, the people and government of the nation. The journal appears to have been written following the Abbé's return to France with internal evidence suggesting 1798 as the most likely date. Perhaps because of the time that had elapsed between his voyage and its writing, the journal includes as many opinions on his experiences in North America as it does actual description of what he has seen. Montesquiou is naturally analytical in his writing style, and he has a penchant for 'augmenting' his personal observations with views and opinions that appear to have been culled from written sources. Thus his discussion of the Philadelphia Yellow Fever epidemic of 1793 contains information that may have been derived from the opinions of contemporary scientists, and his discussions of the relative merits of monarchy and democracy are sufficiently generic that the American context seems almost incidental.

Montesquiou is generally an unsympathetic observer of the young United States; while he appreciates the scenery and the productivity of the nation he is strongly critical of the hypocrisy of 'Republican' slaveholders, of the nation's leaders -- particularly Washington and Jefferson. While he admires the Philadelphia prison system, he is repelled by what he considers the crass, ultra-capitalist sensibilities of Americans. Among the more interesting aspects of the 'journal' are his extended discussions of the prison system and a theory of crime and punishment, slavery, the American character, and democracy and monarchy.

The bulk of this volume is made up of 15 military/navy songs, many of them variants of published versions. One song, beginning "In a mouldering cave" laments the death of General James Wolfe on the Plains of Abraham (pages 57-63). The volume also contains accounts and an inventory of clothes of General Harry Burrard, 1st Baronet of Lymington, and was likely kept either by him or by one of his close circle.

The volume was apparently rebound sometime in the 20th century with a 15th century manuscript cover.

• Harry Burrard/J. L. Nixon Account, June 4, 1798 (pages 2-5, 9)
• 1. Hunting Song, by Chas. Pawlett (pages 11-19)
• 2. Joe's Lamentation, by Chas. Pawlett (pages 20-33)
• 3. The Soldiers Adieu, by Dibden (pages 34-41)
• 4. The Sailors Adieu, by Dibden (pages 41-47)
• 5. Song, beginning "Vulcan contrive me such a cup" (pages 47-51)
• 6. Song, beginning "Come my lads time parts away" (pages 51-55)
• 7. Song, beginning "In a mouldering cave, where the wretched reside" (pages 57-63)
• 8. Song, by Sheridan, beginning "When twas night, and the mid watch was called" (pages 63-67)
• 9. Song, beginning "If gold cou'd lengthen life I swear" (pages 67-71)
• 10. Song, beginning "Bid me when forty winters more" (pages 71-77)
• 11. Song, by R. Cumbd. Esqr., beginning "What do I see before mine eyes" (pages 77-79)
• 12. Song, beginning "Then farewell my trim built wherry" (pages 81-83)
• 13. Hunting Song, by Chas. Pawlett (pages 83-97)
• 14. Song, beginning "Round duthers gay table some wish to be gambling (pages 99-103)
• 15. [Untitled], beginning "Dear Tom this brown Jug which now foams with mild ale" (pages 105-109)
• Accounting (pages 112-113)
• Acct. of General Burrards Cloaths (pages 117-118)

The collection consists of five journals and one memoir that document Quaker missionary John Parrish’s travels throughout Pennsylvania, New York, Michigan, and Ohio from 1773 to 1793, during a treaty negotiations between the U.S. government and the Six Nations Iroquois.

The Parrish journals consist of six volumes that document relations with several Native American tribes during and following the Revolutionary War (1775-1783). He was present during the creation of a series of treaties that attempted to end the conflicts over land ownership, such as the Newtown Point Treaty of 1791 and another treaty negotiated at Sandusky, Ohio, in 1793. Parrish’s journals provide a great deal of insight into the often hostile and tenuous relationship between White people and Native Americans, while at the same time giving an idea of what daily life was like for men and women residing in these much contested territories.

Written during the late 18th century, the five journals are dated 1791 (1) and 1793 (4). The sixth item in the collection is a memoir that describes events occurring in 1773, yet appears to be written much later, possibly as early as 1790. Parrish traveled through Ohio, Pennsylvania, New York, and Michigan and encountered many different Native American groups. The tribes with whom he had the most contact were the Shawnee, the Wyandot, the Seneca, the Stockbridge, the Chippewa, the Delaware, the Tuscarora, the Miami, and the Oneida. He also encounters many Native Americans who belong to the Moravian sect. Many of these tribes were part of the Six Nations Iroquois present at the treaty councils.

Each journal varies considerably in content, yet all contain very detailed descriptions. The memoir, which describes events occurring in 1773, documents Parrish’s journey to Newcomers Town in Ohio to meet with members of the Delaware tribe, most importantly Captain White Eyes and Chief Netawattwaleman. Traveling with fellow Quakers Lebulon Heston and John Lacy, the men embarked on the journey primarily as missionaries. Despite their intentions, however, the men become embroiled in the political volatility of the time. On his way to Newcomers Town, Parrish encountered Chief Logan (1725-1780), a Native American of the Mingo tribe, whose family was killed in what is known as the “Yellow Creek Massacre.” Logan, who delivered a speech referred to as “Logan’s Lament,” is quoted by Thomas Jefferson in his Notes on the State of Virginia and likewise verbatim in Parrish’s memoir. In addition to the Delaware tribe, Parrish also met members of the Shawnee and Wyandot tribes. The memoir is thought to have been written sometime after 1773, the earliest possible year date being 1790, given Parrish’s reference to historical information occurring after this time, such as the “Yellow Creek Massacre,” Dunmore’s War, and Thomas Jefferson as Secretary of State.

Parrish’s 1791 journal serves as a description of the Treaty of Newtown Point and the events leading up to it. Originally the council was to take place at Painted Post in New York, but was changed to Newtown Point due to the low water levels of the Tioga River. Over 600 Native Americans were present for the treaty, and Parrish faithfully records sentiments expressed regarding attitudes towards White people and land ownership. He was especially careful to document several interviews and speeches of prominent Native American leaders, such as the Stockbridge chief Hendricks, Pater of the Onieda tribe, the Seneca chief Red Jacket, and a chief named Cayasuter. In addition to describing Native American customs, attitudes, and the events that transpired during the council, the issue of alcoholism among the tribes proved to be a chief concern for Parrish. Consequently, he asked Col. Pickering to cease the distribution of whiskey at the council fearing that it was hindering the negotiation process while simultaneously making the Native Americans vulnerable and easily exploitable.

Ultimately the Newtown Point council was unsuccessful, and the three volumes dated 1793 relate another attempt by Pickering to secure peace with the tribes. Although the Six Nations had agreed with Pickering’s terms, the western tribes were still rebellious and discontented. This necessitated the scheduling of yet another council to form a treaty. In the first volume Parrish -- accompanied by Beverly Randolph, John Elliot, Joseph Moore, and Pickering -- traveled to Detroit as a point from which they could easily meet with several tribes, while being close to Sandusky on Lake Erie -- the site of the upcoming council. Parrish noted that the tribes insisted on Ohio as the eastern boundary for their lands, remaining persistent in their demand despite the abundance of gifts that Pickering bestowed upon them. The second volume is mainly a discussion of Native American customs and the problem of slavery, especially the multitude of white captives. The narrative of Parrish's departure from Detroit to attend the council appears at the end of the second and beginning of the third volume. This treaty too failed, the tribes rejecting Pickering’s gifts in lieu of the restoration of their lands. At the end of the third volume, Cornplanter (1750-1836) -- chief of the Seneca -- delivered a moving speech to President Washington on the selling of their lands. Parrish related how Cornplanter demanded of Washington, “Brothers of our Fathers where is the place which you have reserved for us to lie down upon?....all the Lands we have been speaking of belong to the Six Nations no part of it ever belonged to the King of England and he could not give it up to you” (1793, No. 3, p. 11, 13). The latter replied and a brief exchange ensued.

Parrish’s last journal entitled “Some Notes on Indian Affairs,” which also dates to 1793, seems to have been written after returning home from Detroit and Sandusky. Much of the information recorded serves as a summary of some of his work described in the previous journals, as well as commentary on the situation of the tribes. He discussed in particular the Gnadenhütten massacre. This massacre, carried out by Lt. Col. David Williamson (1749-1814) and 160 of his militiamen on March 8, 1782 near Gnadenhütten, Ohio, left approximately 96 Moravian Indians dead. Parrish deplored this and other crimes committed against the tribes.

Parrish wrote intelligently and clearly, alternating between descriptions of events and his personal thoughts. His religious beliefs figured prominently in his attitudes and opinions, and they informed his desire for social justice for Native Americans, as well as for African American slaves. Present in all these journals is his sympathy for the human suffering he encountered, which he hoped to see eradicated. These journals thus prove to be not only rich in historical information, but also detailed in the accounts of Parrish's quest for a more peaceful coexistence between whites and Native Americans.

This cypher book, by Theophilus Norris of Epping, New Hampshire, contains mathematical rules, examples, and exercises. Entries also relate to practical uses, including surveying, weights and measures, and compound interest. Several handwriting exercises are also present, as well as brief genealogical notes relating to Elizabeth Brier and Elizabeth Norris.

This volume is a signal book used by a French fleet under the command of Charles Henri, comte d'Estaing, in the late 18th century. The book is a collection of naval flag signals, which are accompanied by colored manuscript illustrations. The signals indicated wind direction, enemy movements, fleet formations, and other information.

This volume, entitled "Signaux de Jour pour l'armée combine aux orders de Mr. Le comte d'estaing Vice amiral de France," is a 115-page signal book (4.75" x 7.25") used by a French fleet under d'Estaing's command in the late 18th century. The book is an index of naval flag signals communicating wind direction, enemy movements, fleet formations, and other information. Each signal is accompanied by a hand-drawn, color illustration of the flag or flags to be used. Explanatory text includes details about the meanings of each signal and appropriate use. Many signals are set apart by illustrated tabs, formed by a cut-away section of each page. In 1780, a sub-lieutenant named d'Hargenvillier of the Infantry Regiment from Penthièvre, then stationed on the ship Bien Aime, owned the volume.

This volume contains 44 pages of signals and roughly 46 pages of instructions and explanatory information pertaining to the Royal Navy's operations under Richard Howe around the time of the American Revolution. The book provides details about signals to be used while sailing by day, in fog, in battle, and at night, and it includes color illustrations of signal flags and lantern configurations. The binder's title is "Ld Howes Instructions."

This volume contains 44 pages of signals and roughly 46 pages of instructions and explanatory information pertaining to the Royal Navy's operations under Richard Howe during the American Revolution. The book provides details about signals to be used while sailing by day, in fog, in battle, and at night, and it includes color illustrations of signal flags and lantern configurations. The binder's title is "Ld Howes Instructions."

The first 6 pages are comprised of instructions ("Explanatory Observations") for making and using naval signals and an index to the signals in the volume. The following 44 pages hold information about specific signals. Color illustrations of flags are drawn along the margins, and some lantern configurations are illustrated with ink drawings. Accompanying explanations include details about the meanings of each signal and appropriate places of deployment.

The second section of the book contains "Instructions for the Conduct of the Ships of war explanatory of, and relative to the Signals contained in the Signal-Book" (46 pages). These instructions provide information on the conduct of British ships while in full sail, during engagements with the enemy, and in limited sight conditions such as fog and darkness. The night instructions refer to signals that are explained elsewhere within the volume.

This volume contains the bookplates of W. T. H. Howe (1920) and Edith Barbara Tranter.

The Rowland Stephenson scrapbook contains numerous clippings, engravings, illustrations, notes, and ephemera primarily related to British banking and finance, the Royal Family, and prominent political and historical figures.

The Rowland Stephenson scrapbook contains numerous clippings, engravings, illustrations, notes, and ephemera primarily related to British banking and finance, the Royal Family, and prominent political and historical figures.

The scrapbook (23 x 18 cm) has brown board covers, is lacking a spine, and contains 184 pages in total. While it is unlikely that Stephenson himself created the scrapbook, it does appear that it may have been compiled by a close associate or relative of Stephenson's. Dated contents range from ca. 1767 to 1840 and generally speaking include numerous engraved portraits of various individuals (mainly royal personages, aristocrats, politicians, military and religious leaders, writers, artists, doctors, scientists, athletes, eccentrics, criminals, and historic figures), engravings and illustrations of buildings and other scenes, handwritten notes and ephemeral materials related to various subjects including royal finances and banking, multiple pasted in signatures, and newspaper clippings regarding various subjects including a reward notice for information on Stephenson's whereabouts after his disappearance following his embezzlement scandal. A number of engravings appear to have been clipped from European Magazine as well as R. S. Kirby’s Wonderful and Eccentric Museum; Or, Magazine of Remarkable Characters. Many undated engravings of pre-18th century historic figures were likely produced prior to 1767.

• Pressed plant life remnants of a “Willow from the grave of Buonaparte at St. Helena. 1838” (pg. 1)
• Engraved portraits of King George III, Aleksandr Suvorov, and the Duke of Wellington (pgs. 2-4)
• Handwritten list of debts held by Prince Regent George IV coupled with a newspaper clipping expressing caution about how to deal with being in debt (pg. 7)
• Engraved portrait of Prince Regent George IV with handwritten notes summarizing "Debts of this King paid by Parliament"; includes juxtaposed clipped engraving of a man with hand-drawn sight lines drawing attention to the total debt amount of £3,113,061 (pg. 8)
• Handwritten list of expenses for the coronation of King George IV, July 19, 1821 (pg. 9)
• Invitation to the coronation of King George IV (pg. 10)
• Printed poem about death of Princess Charlotte of Wales, November 6, 1817 (pg. 13)
• Handwritten list detailing pensions paid to certain dukes, duchesses, princes, and princesses (pg. 15)
• Two engravings showing portraits of Queen Victoria (ca. 1837) and the 1st Earl of Munster (ca. 1834) encircled by statistical references regarding “The Population of the British Empire according to the last census” (pgs. 16 & 48)
• Handwritten list showing stats related to the “Total personal charge of a King of England, on the scale of the reign of George the Third” (pg. 17)
• Engraved portrait of surgeon Charles Aldis (pg. 19)
• Engraved view of the comet of 1811 (between pgs. 19 and 20)
• Clipped handwritten cookery list dated December 29, 1767 (pg. 20)
• Engraved portrait of “Her late Most Excellent Majesty Sophia Charlotte, Queen of Great Britain,” dated December 1818 (pg. 23)
• Engraved view of “Frogmore, the favorite residence of Her late Majesty” coupled with smaller engraving of people ice skating (pg. 24)
• Handwritten notes detailing the history and operations of the Bank of England (pgs. 25, 27, 29, & 31)
• Three Bank of England checks dated February 14, 1826, Dec 10, 1818, and March 6, 1818, all marked with “Forged” stamps, accompanied by handwritten notes (pgs. 26, 28, & 30)
• Two unfilled stock certificates for £1 and £10 from the Hibernian Bank, Dublin, illustrated with vignettes (pg. 32)
• Handwritten statement detailing the Bank of England’s net profits from 1797 to 1816; includes tipped-in engraved portrait from 1803 of Abraham Newland, Chief Cashier for the Bank of England (pgs. 33-35)
• Handwritten note about scented “love letter paper” made in New Jersey alongside an engraved portrait of Raphael (pg. 37)
• Engravings including depictions of four honorary medals and views of “The Car on which the Remains of Lord Nelson were conveyed to St. Paul’s Jany. 9, 1806,” the "Palaquin presented by the Marquis Cornwall to Prince Abdul Calic, Eldest Son of Tippoo Sultaun…Sepr. 1796," and "A West View of the Iron Bridge over the Wear near Sunderland" (pgs. 39-41)
• Handwritten notes detailing the history of the Rothschild Family (pgs. 43 & 44)
• Engravings of Thomas Coram and the Foundling Hospital as well as a funding solicitation notice seeking contributions for the Foundling Hospital (pgs. 45 & 46)
• Tickets and other ephemera related to various lotteries (pgs. 49, 50, 52, 54, 55, 56, & 58)
• Engraved view of the Globe Theater (pg. 53)
• Clipping regarding election anecdote related to Lord Chief Justice John Holt accompanied by a tipped-in engraved portrait of Holt (pg. 62)
• Handwritten notes on the "Character of a Good Woman" (pg. 63)
• Handwritten notes on Freemasonry (pg. 64)
• Hand-drawn view of the comet of 1811 (pg. 65)
• Engraved portraits of Benjamin Thompson, the Count Rumford; John Elwes; Joanna Southcott; Thomas Paine; Rev. Thomas Raffles; Richard Carlile; Sir Richard "Dick" Wittington and his cat; Joseph Priestley; Prince Albert; engraver John Rowe; and London eccentric Ann Siggs (pgs. 74-85)
• Engraved depiction of a sleeping woman named Elizabeth Perkins of Morley, Norfolk, accompanied by handwritten notes detailing her sudden and mysterious entrance into a coma in 1788 (pg. 86)
• Ca. 1839 advertisement for a showing of Brother Jonathan, the mammoth ox from America (pg. 87)
• Engraved portraits of boxer James Belcher, eccentric dentist Martin van Butchell, and Madame de Staël Anne-Louise-Germaine Necker (pgs. 88-90)
• Plan of the King’s Theatre (pg. 94)
• Engraving showing the three defendants in the 1823 Radlett Murder: John Thurtell, Joseph Hunt, and William Probert (pg. 101)
• Handwritten copy of a letter sent from Rotterdam, Netherlands, dated August 18, 1817, instructing Stephenson’s firm to pay £100 to someone who was purpsoefully injured by one of their clients (pg. 103)
• Engraved portraits of Thomas Hobson accompanied by a printed poem, Henry Jenkins of Ellerton in Yorkshire “who lived to the Surpizing Age of 169,” and Thomas “Old Tom” Parr (pgs. 110-112)
• Engraved view of London and the observatory erected over the cross of St. Paul's Cathedral that was used by Thomas Hornor to create his panoramic view of London accompanied by a handwritten note about an individual nearly falling to their death after slipping on top of the cathedral's dome (pgs. 115 & 116)
• Engraved portraits of Lady Morgan Sydney Owenson and Charlemagne (pg. 117)
• Ca. 1840 advertisement for London-based rubbish collector John Allford attached to French cologne advertisement (between pgs. 117 & 118)
• Clipping regarding Edmund Burke's description of the Bible, an engraved portrait of Burke and an engraving of two Biblical-era priests preparing sacrifices (pgs. 123 & 124)
• Engraved portraits of Rev. Rowland Hill and George Savile, Marquis of Halifax (pgs. 125 & 128)
• Cut and pasted signatures of various individuals (pgs. 129-168)
• Engraved portraits of Governor Joseph Wall, Sir Francis Burdett, Lord Brougham and Vaux, Lord Durham, John Bellingham, T. S. Duncombe, Colonel George De Lacy Evans, Lord Thomas Erskine, George Canning, Granville Sharp, Henry Hunt, Richard Watson, Joseph Hume, William Cobbett, Daniel O'Connell, Charles Lennox the Duke of Richmond, Lord Palmerston, Thomas Spring-Rice, William Henry the Duke of Portland, Sir James Shaw, Lord Bexley Nicholas Vansittart, Sir Matthew Wood, Robert Waithman, W. T. Raynal, Sir Richard Birnie, Joliot de Crebillon, John Gully, Sir John Oglander, John Soane, Sir Nicholas Conyngham Tindal, Hippocrates, Josiah Ricraft, Dr. Herman Boerhaave, Henry Hastings, Marie and Catherine de Médicis, James Cook, Rev. Obadiah Sedgwick, Lord Burghley, King William IV, and Queen Victoria (pgs. 133-183)
• Hand-colored engraved portrait of Stephenson accompanied by his own clipped signature as well as a newspaper clipping of a reward notice offering £1000 pounds for Stephenson's apprehension following his alleged embezzlement and flight from London (pg. 171)
• Four tipped-in manuscript items including an undated note from Stephenson quoting "Lev: 12: Blair" about choosing one's path in life; a letter dated January 9, 1804, from B. Pratt to Stephenson regarding the importance of being careful with money; a letter dated August 29, 1827, from “Rody Moroney” to Stephenson thanking the latter for favors; and a letter dated March 23, 1822, from "the Independent Inhabitation of West Looe" to innkeeper Robert Reath inquiring about the whereabouts of Stephenson's friends and remarking on business matters impacted in the wake of a contested election (between pgs. 171 & 172)
• Clipping of a poem dated January 10, 1829, regarding Stephenson's alleged embezzlement and lamenting the volume of negative newspaper coverage devoted to Stephenson as well as to the Duke of Wellington (pg. 173)
• Loose letter dated March 19, 1828, from Michael Meredith to Stephenson expressing the former's willingness to work for Stephenson again in Leominster "if it should happen that your Honour should call on me again at any future Election" (between pgs. 173 & 174)
• Handwritten notes regarding the "Expenses of the Coronation of Queen Victoria" accompanied by a clipping that details the approximate value of the jewels found in Her Majesty's Crown (pg. 184)
• Engraved view of the passenger steamboat SS British Queen (pasted inside back cover)

The Arithmetic book collection includes a number of manuscript workbooks from the late colonial period through the 1820s that were used by students studying arithmetic and geometry.

The Arithmetic book collection includes a small number of manuscript workbooks used by students studying arithmetic or geometry, ranging in age from the late colonial period through the 1820s.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

In this 12-page essay, titled Brief Discours qui montre en substance combien il seroit important de reusser dans deux entreprises proposees et contenuel en ce memoire, Louis-Armand de Lom d'Arce, baron de Lahontan, proposed a plan to drive French forces from Acadia and to promote British alliances with local Native American tribes.

In this 12-page essay, titled Brief Discours qui montre en substance combien il seroit important de reusser dans deux entreprises proposees et contenuel en ce memoire , Louis-Armand de Lom d'Arce, baron de Lahontan, proposed a plan to drive French forces from Acadia and to promote British alliances with local Native American tribes.

Lahontan addressed his detailed plan to Daniel Finch, the 2nd Earl of Nottingham and secretary of state under Queen Anne. He suggested an attack against Port Royal, Nova Scotia (now Annapolis Royal), and advocated British trading alliances with Native Americans in the Great Lakes region. He described the area around Port Royal, provided information about its European inhabitants, and anticipated the benefits of a British victory to colonists in New England.

Breve Trattato di Geografia is a 55-page, 17th-century Italian work on celestial and terrestrial geography, including several maps and diagrams of the world. Assistant Curator of Maps Mary Pedley transcribed and translated the 2-page index that follows the text of the volume: Breve Trattato di Geografia Index .

Breve Trattato di Geografia is a 55-page, 17th-century Italian work on celestial and terrestrial geography, including several maps and diagrams of the world. The treatise is divided into four primary sections and, within them, individual chapters. Early chapters in the book mention the zodiac and celestial features, while later chapters focus on the world's landmasses and degrees of latitude and longitude. The latter half of the volume contains several hand-drawn maps that depict the contemporary view of the world on several scales and according to different projections. One map of the world shows North and South America and "Terra Australe Incognita," while another map of North and South America is labeled "Mexicana" and "Peruana," respectively. Azimuthal projections of Africa and Asia and of the northern hemisphere and a map of Italy showing the location of Rome are also included. Assistant Curator of Maps Mary Pedley transcribed and translated the 2-page index that follows the text of the volume: Breve Trattato di Geografia Index (.pdf).

The Matthias papers are a small, miscellaneous collection of letters and documents relating to Robert Matthias (a.k.a. Robert Matthews), the leader of the Kingdom of Matthias cult. They touch upon the lives and circumstances of Matthias; his wife, Margaret Matthias; cult follower Benjamin Folger; and Matthias’ legal counsel, Henry Western and N. Nye Hall.

The Matthias papers include seven miscellaneous items: three letters from Robert Matthias’ wife, Margaret, to his legal counsel, Henry Western; two letters to Robert Matthias while he was living in Sing Sing, New York; and two legal documents. A full description of each item is located in the Detailed Box and Folder Listing.

The Saint Lawrence River photo album contains 33 photographs taken during a vacation in northern New York State including views of the Saint Lawrence River, Lake Placid, Lake George, and Cornell University in Ithaca, New York.

The Saint Lawrence River photo album contains 33 photographs taken during a vacation in northern New York State including views of the Saint Lawrence River, Lake Placid, Lake George, and Cornell University in Ithaca, New York. The album (14 x 20 cm) is bound in a black cloth binding. Images of particular interest include views of a steamboat leaving Clayton, New York, the grounds of the Thousand Island House in Alexandria Bay, views of Wilmington Notch in the Adirondack Mountains, and a picnic scene at Big Rock near Elizabethtown, New York.

The Piñon Lodge, Crystal, New Mexico photograph album contains 49 photographs of log buildings and other structures of Piñon Lodge in Crystal, New Mexico, and picturesque views of the surrounding area.

The Piñon Lodge, Crystal, New Mexico photograph album contains 49 photographs of log buildings and other structures of Piñon Lodge in Crystal, New Mexico, and picturesque views of the surrounding area. The album (18.5 x 29 cm) has string-bound black leather covers and is partially disbound. Individual photographs are affixed to black paper leaves, with sketches of desert scenes and captions drawn in the margins with white ink; on the verso of the front cover is a sketch of a man in Western wear on horseback, signed by W. E. Wells.

Images of include views from locations such as Bridge Canyon, Bonito Canyon, Canyon de Chelly, Canyon del Muerto, ruins in Chaco Canyon, Coal Canyon, the Four Corners Region, the Grand Canyon, Inscription Rock at El Morro (with a photograph of the Spanish inscription from 1620), the Arizona village of Kayenta, Monument Valley, Painted Desert, petrified forests, Rainbow Bridge, and the Venus Needle near Crystal. Pictures of Native Americans, mainly focusing on the Navajo, include views of Navajo hogans, a loom, and women on the steps of Piñon Lodge; the Hopi settlement of Hotevilla, with corn drying on the rooftops of pueblo dwellings; and a Zuni pueblo with Thunder Mountain in the distance. Opposite several photographs are pasted typescript copies of a Piñon Lodge advertisement which includes a sample trip itinerary and describes the region's attractions for camping and hiking.

The Heath family photograph album, Ilion and Dolgeville, N.Y., contains approximately 60 photographs primarily taken in Herkimer County, New York, related to the Heath family.

The Heath family photograph album, Ilion and Dolgeville, N.Y., contains approximately 60 photographs primarily taken in Herkimer County, New York, related to the Heath family. The album (18 x 27 cm) has black cloth covers, and some photographs bear manuscript captions. Images include street views of Dolgeville, the Dolge factory complex, tree-lined residential streets, a patriotic parade and rally in Ilion, a procession of young women holding rifles marching beside a cemetery, and the interior of a room stocked with chemicals (possibly a photographic darkroom). Other images show farm scenes, posed individual and group portraits, and people with horses. One subject is identified by caption as "Clark Heath."

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple. The album (18.5 cm x 29 cm) has black cloth covers and is tied with black string. Towards the beginning of the album there are 20 photographs of Native Americans (likely members of the Confederated Tribes of the Umatilla Indian Reservation) with tipis at an encampment and on horseback in full regalia during a parade in Walla Walla, Washington; a river view with paddle steamers; and two views of a parade with the marching band from the U.S. Indian School in Chemawa, Salem, Oregon. Subsequent images from further south along the Pacific coast include views of Golden Gate Park; Sutter Fort and the Capitol building in Sacramento, California; the outdoor organ from the Panama-Columbian Exposition in San Diego; Balboa Park; an early Loughead Model G seaplane on a dock with a sign offering passenger rides; and the Santa Barbara Mission and rocky coastline nearby. Also present are views of Multnomah Falls, Oregon, and giant redwoods. Towards the back end of the album are four photographs showing a parade on a suburban street with 5 women wearing uniform caps, possibly factory workers, sitting in an open automobile decorated with American flags and a sign on the back that reads "Doing our bit."

The Marble, Colorado photograph album contains approximately 55 photographs related to industry built around the marble quarry and stone works of Marble, Colorado.

The Marble, Colorado photograph album contains approximately 55 photographs related to industry built around the marble quarry and stone works of Marble, Colorado. The album (20 x 28 cm) has brown leather covers and is partially disbound. Numerous images have manuscript captions on their versos. Images of interest include views of the marble quarry; the town of Marble; the trolley used to move marble slabs; the school and cottages made for the workers; the saw mill, finishing mill and planer; power generators; a 3-photo bird's-eye view of the marble deposit and quarry; a 2-photo panorama of the mill and village; the lathe making marble columns; a cave for mining called the Wilson Opening; and elements of the Denver-based U.S. Post Office and Federal Building (now the Byron R. White U.S. Courthouse) and Cheesman Park Memorial being constructed. The last photograph of the album bears the stamp of Arthur Luckhaus.

The Hampton, Virginia, photograph album contains approximately 120 photographs, mainly panoramic images, showing waterfront views of the Hampton Roads region of Virginia as well as images of a rural farm or estate.

The Hampton, Virginia, photograph album contains approximately 120 photographs, mainly panoramic images, showing waterfront views of the Hampton Roads region of Virginia as well as images of a rural farm or estate. The album (28 x 38 cm) is half bound in brown leather. Images of interest include several exterior and interior views of a beach cottage; men, women, and children in swimming apparel, bobbing in the surf, strolling the beach and the boardwalk, and posing on the cottage porch swing and lawn; two photographs of a family group dining on the cottage veranda while an African American servant holds a fan; and a well-dressed African American couple on the porch steps.

Other photographs include views of the Chamberlain and Buckroe Beach hotels; the Cape Henry lighthouse; the Hampton Institute from across the water; the Ocean View Resort in Norfolk; the electric railway bridge over the water; and the Hampton soldier's home. Marine subjects include views of numerous small boats manned by sailors; possibly engaged in a rowing exercise; a naval station and battleship in the background; a Navy monitor under steam; and sailing boats moored in a harbor. An additional series of photographs show exterior views of a large country house in a landscaped setting, with elegant horse-drawn carriages, a farmyard with livestock, an African American man plowing a field, workers harvesting fruit in an orchard, and two African American men tending a steaming vat over an open fire.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in Virginia, New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The album (26 x 35 cm) has a black cloth binding. Photographs of interest taken in Vermont and New York include rural views, country roads, a woman bicycling, and a group relaxing beside the Batten Kill River in Eagleville, New York. Images from Sioux City, Iowa, include views of public buildings, a golf tournament between Sioux City and Le Mars, a football game between Sioux City and Council Bluffs, an interior view of a woman working at a desk, a high school group on stage in blackface, a shooting expedition, and group portraits of young people at the Sioux City High School and in costume at a "hobo party." Michigan-related photographs include views of Charles Canfield's cottage in Onekama, Michigan, Canfield's yacht "Uvira," views of forests in Manistee, and a lumber camp scene captioned "Camp 4 near Luther, Mich." Photographs from unidentified locations include views of a sawmill, flum, and lumber camp, several home interiors, mountains, and giant trees likely indicative of the West Coast. Two photographs also show a canoe with a Native American family on a lake in Northern Minnesota.

The Franconia Notch and Washington, D.C. photograph album consists of 65 photographs primarily showing landscape scenes of Franconia Notch, New Hampshire, architectural views of Washington, D.C., and a camping trip to an unidentified location likely somewhere in the Northeast.

The Franconia Notch and Washington, D.C. photograph album consists of 65 photographs primarily showing landscape scenes of Franconia Notch, New Hampshire, architectural views of Washington, D.C., and a camping trip to an unidentified location likely somewhere in the Northeast. The album (18 x 27 cm) is half bound in brown leather with brown cloth boards. Washington, D.C.-related views include the White House with an interior ballroom, the Washington Monument, the Teasury Building, the U.S. Capitol, the Smithsonian Castle (with the Capitol in the background), and the Senate and House chambers. Camping-related images include photographs of a wooded lakeside area showing campers hiking, boating, painting, fishing, playing guitar, reading, and contemplating the scenery. In one view of a tent encampment in a grove of trees, a table is set for a meal, and a man stands beside a camera on a tripod. Several people from the camping trip are shown in various other settings: in a back garden, in front of a frame house with fencing, and in several Victorian-style interior rooms. Additional photographs show the Maplewood Hotel in Bethlehem, New Hampshire, and a boardwalk (possibly in Atlantic City, New Jersey).

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

The Drew family photograph album contains 27 photographs related to a New York family including images of children, family pets, family tombstones, a man posing with a horse and gig, group rowboats, and the Canadian steamboats Hamilton and Spartan.

The Drew family photograph album contains 27 photographs related to a New York family including images of children, family pets, family tombstones, a man posing with a horse and gig, group rowboats, and the Canadian steamboats Hamilton and Spartan.

The album (16 x 20 cm) is half-bound with black leather binding and black cloth boards. Lacking spine.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts. The album (26.5 x 32 cm) is fully bound in leather with gilt lettering "Kodak" on the front cover. Most of the locations depicted are represented in one or two photographs with the exception of Yellowstone (approximately 20 images) and the Grand Canyon (approximately 12 images). Other photographs show trains and train tracks, with two photographs of train station gardens in Sacramento and Ypsilanti, Michigan. Non-western locations and objects depicted include the Hudson, Niagara, and Mohawk Rivers, Niagara Falls, Minnehaha Falls, and Stone Arch Bridge in Minneapolis. In general people appear to be incidental to the scenery, save for two photographs showing posed groups; one in front of a topiary maze, and another in a grove of giant trees. Most photographs have numbers and captions derived from labeled negatives.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The album (21 x 27 cm) is half bound in black leather and has a detached front cover.

City scenes include views of townhouses on a city block in winter; a woman entering a carriage beyond a decorative wrought iron fence; a well-dressed couple in a two-wheeled carriage; an infant in a wicker baby buggy; a housekeeper or servant standing at a side door; and women and a young girl standing on a city street in elegant winter capes, muffs and hats. One woman stands on a snowy sidewalk holding a Kodak Brownie camera in her gloved hands. Five photographs show well-furnished formal interiors.

Rural scenes include views of a log house on a wooded lake whose well-furnished interior includes bookshelves, Native American baskets and textiles, snowshoes, a wolfskin rug, a desk, a chaise, and a piano. Men and women are shown with guns and gamebirds, fishing from a dock and in a rowboat, and partaking in an elaborate outdoor tea party. One photograph shows a Native American man sitting on the cabin steps. Nature views include images of logs in a flooded river, streams, a small wooded island, and a spotted fawn.

This collection of 22 items bearing printed letterheads from various women's suffrage organizations. A portion of the collection is blank stationery. The correspondence relates to expenses, event planning, donation solicitations, and advocacy efforts. The majority originated from organizations based in Boston, Massachusetts. One letter has an anti-suffrage tone.

• Bay County League of Women Voters (Bay City, Mich.)
• Congressional Union for Woman Suffrage
• The Empire State Campaign Committee (New York, N.Y.)
• Equal Suffrage League
• Leslie Woman Suffrage Commission, Inc. (New York, N.Y.)
• Leslie Woman Suffrage Continuing Committee (New York, N.Y.)
• Marcus Ward Company Incorporated
• Massachusetts Woman Suffrage Association
• National American Woman Suffrage Association (New York, N.Y.)
• New York State Woman Suffrage Association
• Springfield Equal Suffrage League
• Suffrage Referendum State Committee
• Suffrage Study Club (Sea Cliff, N.Y.)
• The Woman's Journal and Suffrage News

This volume (7.5"x6") contains John Greenwood's memoirs about his experiences during the Revolutionary War (approximately 163 pages) and about his family and personal life (17 pages). During the war, Greenwood was a fife player with a Massachusetts regiment and served on privateers and other vessels in the Caribbean Sea. He originally composed his Revolutionary War memoirs in 1809; this item is a later copy made by his son Clark.

This volume (7.5"x6") contains John Greenwood's memoirs about his experiences during the Revolutionary War (approximately 163 pages) and about his family and personal life (17 pages). During the war, Greenwood was a fife player with a Massachusetts regiment and served on privateers and other vessels in the Caribbean Sea. Greenwood originally composed his Revolutionary War memoirs in 1809; this item is a later copy made by his son Clark.

After a brief note by Clark Greenwood, who transcribed his father's memoirs, the main narrative opens with John Greenwood's brief account of his early years in Boston and in Portland, Maine, and of the unrest that eventually led to the American Revolution (5 pages). Pages 5-51 consist of Greenwood's detailed recollections about playing the fife in a Massachusetts regiment in the Continental Army, and about his experiences in the military. After page 51, the memoirs focus on the interception of British ships in the Caribbean Sea, during which time Greenwood was captured as a British prisoner of war. In addition to his wartime experiences, he also briefly recounted some stories of his postwar life, such as the beginning of his dental practice (pp. 85-89). The remaining parts of the volume include a note by a Greenwood family member who had recently read the memoirs (January 11, 1894), and an additional 17-page autobiographical account by John Greenwood.

Informally titled "Schedule of Titles to the real property of James O'Hara West of the Allegheny Mountain", this volume contains 12 pages of O'Hara's Pennsylvanian real property transactions in Westmoreland, Washington, and Allegheny Counties, and "Western Territory." The entries include summary information about specific patents, grants, indentures, deed polls, bills of sale, releases, articles of agreements, and land warrants. In addition, the volume includes seven untitled property maps showing numbered lots in and around the confluence of the Monongahela and Allegheny Rivers, Pittsburgh and Allegheny. The most robust map includes scattered names of owners and renters in Pittsburgh. The volume may have been compiled over a period of time, but the latest portion appears to date after 1798.

Informally titled "Schedule of Titles to the real property of James O'Hara West of the Allegheny Mountain", this volume contains 12 pages of O'Hara's Pennsylvanian real property transactions in Westmoreland, Washington, and Allegheny Counties, and "Western Territory." The entries include summary information about specific patents, grants, indentures, deed polls, bills of sale, releases, articles of agreements, and land warrants. In addition, the volume includes seven untitled property maps showing numbered lots in and around the confluence of the Monongahela and Allegheny Rivers, Pittsburgh, and Allegheny. The most robust map includes scattered names of owners and renters in Pittsburgh. The volume may have been compiled over a period of time, but the latest portion appears to date after 1798.

This volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The full title of this manuscript reads, "A Relation of the different Military Operations since the Year 1755 & amongst others taking of Fort St. George in No. America--From a French Manuscript taken upon the Surrender of Louisberg in 1758." Containing 28 pages of writing, this volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The account begins with a short reflection on the English Fort St. George [Fort William Henry], the strategic advantages gained by the French upon gaining control of it, and English losses during the war. The narrative continues with detailed descriptions of French military actions from January 21, 1757, with the Battle on Snowshoes near Fort Carillon and Fort St. Frédéric, through an attempt on Fort William Henry in March 1757. The account highlights French command, Native American military participation, and the strategic focus on forts, watercraft, and communication lines.

The section entitled "Advantages gain'd over the English in July 1756" details reconnaissance efforts concerning the English Fort St. George [Fort William Henry] and Fort Lydius [Fort Edward], naval engagements, and military encounters with British forces.

The manuscript continues with "An Account of the Taking Fort St. George--(or Fort William Henry," from the engagement's commencement in late July 1757 to the English surrender on August 9. Copies of the articles of capitulation, correspondence between Louis-Joseph de Montcalm and the British commander of the Fort, George Monro (ca. 1700-1757), and intercepted British correspondence are included. In his letters Montcalm uses his inability to "restrain the Savages" as a plea for the fort's surrender. The author mentions French attempts to counter Native American "Fury," a reference to cannibalism, and Native American military support of both English and French troops.

A copy of an unattributed letter from Quebec, from August 17, 1757, describes "particulars relating to the Government of this Country, which is the Theater, and Primum, Mobile of the War." This letter details naval operations around Quebec and Louisbourg, as well as the state of local provisions, troops, and morale.

The "Account of the Damage our fleet sustain'd from the Gale of Wind and the yet Greater, sustain'd by the English Squadron" describes operations against Isle Royale [Cape Breton Island], English timidity in regards to the French fleet, and the damage both navies suffered during a heavy storm. This account likely references the 1757 Louisbourg expedition and the fleet under Francis Holburne's (1704-1771) command that was damaged in a storm on September 24. This account also reflects on Native American warfare, noting incidents of scalping.

The volume closes with a "List of the French Ships of War under Mr. du Bois de la Mothe," referencing the ships under the command of Emmanuel-Auguste de Cahideuc, Comte DuBois de la Motte (1683-1764). The list includes the names of the ships, number of guns, and commanders.

The Robert A. Green memoir contains Green's reminiscences about his service in the United States Navy during World War II. Green spent most of the war as an office worker at Oak Knoll Naval Hospital in Oakland, California.

The 68-page Robert A. Green memoir contains Green's reminiscences about his service with the United States Navy during World War II. The document begins with a 2-page introduction in which Green explains the importance of the war to those who lived during the 1940s and reflected on the occasional inaccuracy of his memory. The typescript is written from memory, with excerpts from Green's war-era letters and diaries (Green directly addressed occasional inconsistencies). The memoir covers Green's experiences between the bombing of Pearl Harbor, which occurred just before his graduation from high school, and the summer of 1946, when he fully returned to civilian life. He described his training and military experiences at Harvard University, where he was a member of the V-12 Navy College Training Program; at Oak Knoll Naval Hospital in Oakland, California, where he mainly worked in offices; and at the University of Illinois Medical School in Chicago, Illinois, where he began his medical education. Green recalled specific stories about his friends in the military, friends from home, girlfriends, and superior officers. He often traveled around California and was sometimes able to accompany wounded sailors home. The typescript concludes with brief notes about the post-war lives of Green and his military acquaintances.

This recipe book, which belonged to William D. Wilkins of Detroit, Michigan, in the mid-19th century, contains instructions for making several kinds of baked goods and puddings.

This recipe book (80 pages, not all of which are used), belonged to William D. Wilkins of Detroit, Michigan, in the mid-19th century. The first 33 pages consist of recipes for cakes, cookies, gingerbreads, puddings, jellies, "domestic yeast" (p. 27), "hop beer" (p. 31), and a "knickerbocker pickle" (pp. 53-54). The volume also contains instructions for using molasses as a preservative (p. 28), dyeing paper blue, and calculating a numerical puzzle (pp. 62-63). Page 51 includes a brief record of accounts with Ann English; one entry gives the value of a bonnet.

This volume contains pre-printed music staves, on which Jane Patton wrote musical notes and lyrics for compositions ranging from light opera to popular songs. Most of the works are instrumentals, but a number of vocal pieces are present. Some of the titles include "Hewitt's Quick Step" by T. Rebhun, "Listen to the Convent Bells," "La Poule," Kathleen Mavoreen," and "Oh! Dinna Ask Me," as well as a few pieces by Thomas Haynes Bayley, such as "Isle of Beauty, Fare Thee Well." Some tunes have manuscript notations such as "from Harriet Taylor" or "from Harriet Scott." The printed pages are marked "ORRS' IMPROVED."

This volume contains pre-printed music staves, on which Jane Patton wrote musical notes and lyrics for compositions ranging from light opera to popular songs. Most of the works are instrumentals, but a number of vocal pieces are present. Some of the titles include "Hewitt's Quick Step" by T. Rebhun, "Listen to the Convent Bells," "La Poule," Kathleen Mavoreen," and "Oh! Dinna Ask Me," as well as a few pieces by Thomas Haynes Bayley, such as "Isle of Beauty, Fare Thee Well." Some tunes have manuscript notations such as "from Harriet Taylor" or "from Harriet Scott." The printed pages are marked "ORRS' IMPROVED."

This arithmetic copybook was compiled by an anonymous student in the nineteenth century. It includes rules and examples for addition, subtraction, multiplication, and division, as well as practical examples relating to money and weights and measures.

The Harriet Hodges commonplace book, created at an unknown location sometime in the 19th century, contains 25 pages of copied poetry, apparently from serial publications, including multiple entries titled "For an Album" and "From an Album." Other poems include "The Daughter's Dream," "Wee Willie," "The Legend of the Crossbill," "Address to Columbus dying," "Death of Napoleon," "The Bridal Day," and several fragments. Flipping the volume over, Harriet wrote eight pages of a story titled "Imogene Howard, or Self Conceit." The commonplace book is bound with a plaid cover.

The Harriet Hodges commonplace book, created at an unknown location sometime in the 19th century, contains 25 pages of copied poetry, apparently from serial publications, including multiple entries titled "For an Album" and "From an Album." Other poems include "The Daughter's Dream," "Wee Willie," "The Legend of the Crossbill," "Address to Columbus dying," "Death of Napoleon," "The Bridal Day," and several fragments. Flipping the volume over, Harriet wrote eight pages of a story titled "Imogene Howard, or Self Conceit." The commonplace book is bound with a plaid cover.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide social commentary especially on race, ethnicity, gender, and class.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide especially social commentary on race, ethnicity, gender, and class.

At least seven of the illustrations relate to women, including drawings referring to women's rights and various women's roles as mothers, performers, physicians, and cooks. One, labelled "What is home without a mother," may be a reference to a song by the same name published in 1854, and it features a woman with a monstrous face. Another titled "HANNAH LONG" depicts a woman peddling "Quaker Bitters" (probably the Providence, Rhode Island, patent medicine by that name) and may be referring to Hannah Longshore (1819-1901), who graduated from the first class of the Women's Medical College of Pennsylvania in 1851.

Many of the caricatures focus on impoverished or working class people, showing individuals in tattered clothing or in lower-paying professions such as a farmer, a shoeshine, and a seeming gravedigger. A number of illustrations depict men in various stages of intoxication or alcoholism. Forms of social disorder are highlighted in caricatures of a convict and of a knife-wielding murderer labelled "THE MAN THAT KILLED JOHN GILPIN." Commentary on physical and mental disability are also represented, in drawings of a mentally ill man labelled "Luny" and a man with unaligned eyes and feet labelled "On exhibition."

Other caricatures reflect racial, ethnic, and religious stereotypes. Two racist caricatures depict African Americans, including one of a Black Congressman and one of an Uncle Remus character. Another caricature depicts a recent immigrant, while two are anti-Semitic (those labeled "The Torturer" and "NAME IT"). Two figures depict high religious figures, from Catholic or Orthodox Christian churches; one wears a robe, a fur-brimmed mitre, and snowshoes. The word "KAMSCHASA" is written near the bottom of the robe, likely referring to the Kamchatka peninsula in Russia.

Other caricatures highlight people based on their height, weight, profession (such as a king, a knight, an editor, a lecturer), or social posturing. For example, attitudes like dignity, contentment, nosiness, and bashfulness are spotlighted. Others appear more innocuous, such as illustrations of someone reading the morning newspaper and another of someone taking "Rush's Pills," but underlying subtexts for many of the images likely have additional meaning.

The Wabash (Ind.) family photograph albums contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century.

The Wabash (Ind.) family photograph albums (both 14cm x 10cm) contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century. The first volume contains 19 tintypes and five cartes-de-visite, and the second volume contains 16 tintypes and nine cartes-de-visite; an index of subjects in included at the back of the second album. Some of the tintypes have raised decorated borders on their cardstock frames, and many include hand coloring. Most items are individual portraits, though some men and women posed in pairs. One man appears in a Masonic sash and apron. Each album has a brown leather cover with a raised geometric design and floral patterns stamped in gold.

This volume contains handwriting exercises produced by David Ziegler in German Schrift during the 19th century. The penmanship practice is in a blank book with a printed cover headed "Ships," with an illustration of ship and a short passage using sailing as a religious metaphor. "Stereotyped by L. Johnson of Philadelphia."

This volume contains handwriting exercises produced by David Ziegler in German Schrift during the 19th century. The penmanship practice is in a blank book with a printed cover headed "Ships," with an illustration of ship and a short passage using sailing as a religious metaphor. "Stereotyped by L. Johnson of Philadelphia."

This volume contains the author's reminiscences about his service with the 319th Field Artillery Regiment, Battery C (part of the 173rd Airborne Brigade), in Vietnam from June 1968-June 1969. He listed the fire support bases where he was stationed and recalled anecdotes about combat, his relationships with other soldiers and officers, and other aspects of military life.

This volume (31 pages) contains the author's reminiscences about his service with the 319th Field Artillery Regiment (part of the 173rd Airborne Brigade) in Vietnam from June 1968-June 1969. The first 7 pages consist of a numbered list of the locations where his unit was stationed during his time in Vietnam, including several identified as fire support bases, the city of Bảo Lộc, and Cambodia, along with brief notes.

The bulk of the volume (24 pages) consists of notes written on December 13, 1983. The author reminisced about many aspects of his military service, including his participation in artillery support for infantry troops ("grunts") and the clearing and construction of landing zones and bunkers. He named some of his friends and discussed their activities, including frequent drinking and, on one occasion, the use of "coke." He sometimes interacted with local residents, who often sold goods to the soldiers, and frequently mentioned eating rations and local foods such as cucumbers and green lemons. On a few occasions, he recounted interactions with superior officers, and he once bragged about his ability to calculate data faster than a field computer. The memoir contains some descriptions of the scenery near the army's fire support bases and bombed-out villages. The memoir is written in a spiral-bound notebook with an image of an Asian woman on the front.

The William L. Babaian collection is made up of correspondence, photographs, greeting cards, and newspaper clippings related to Babaian's life, including his service with the United States Army during the Vietnam War.

The William L. Babaian collection is made up of correspondence, photographs, greeting cards, and newspaper clippings related to Babaian's life and army service during the Vietnam War. The 16 items in the Correspondence series document his second term of military service. He wrote to his sister and brother-in-law, Marguerite and George Harms of Ann Arbor, Michigan, about his family. Several letters relate directly to his army experiences, including a lengthy letter in which he described his medical clinic in Vietnam (December 31, 1969) and a letter attaching two reports he composed on soldiers' health and obesity (February 10, 1970). He often attached photographs of his wife, children, and locations in Vietnam. A postcard depicts the Japanese "Aquapolis" from the 1975 World's Exposition.

Four additional Photographs show Babaian in uniform during each of his two terms of military service. The collection's Greeting cards are a humorous birthday card Babaian sent to Marguerite Harms, and a Christmas card he wrote from Korea (long after his military service), in which he described his impressions while revisiting the country. The Newspaper clippings series includes 4 clippings regarding Babaian's educational and military accomplishments.

This volume of typed commentary is a transcript of the audio between Buzz Aldrin, Neil Armstrong, Michael Collins, and Mission Control in Houston, Texas, documenting the moon landing of Apollo 11 (July 20, 1969, 20:34 CDT to 22:31 CDT). Produced as a resource for reporters, it provides an in-depth look at the preparation for lunar landing and the initial moments on the Moon's surface.

This volume of typed commentary is a transcript of the audio between Buzz Aldrin, Neil Armstrong, Michael Collins, and Mission Control in Houston, Texas, documenting the moon landing of Apollo 11 (July 20, 1969, 20:34 CDT to 22:31 CDT). Produced as a resource for reporters, it provides an in-depth look at the preparation for lunar landing and the initial moments on the Moon's surface. Protocols for spacecraft operation, communication, and navigation were discussed, as well as the geography and terrain of the Moon, and instructions for astronaut movements and tasks.

This collection consists of two letters from Jacqueline Onassis to Douglas Mansell, thanking him for the 4th grade field trip he led at the Bethlehem Steel Corporation's shipyard in Hoboken, New Jersey. In one letter, she enclosed 19 handwritten reflections by the students about the shipyard visit. The field trip was for Onassis's son, John F. Kennedy, Jr., and his class at the Collegiate School for Boys in New York. Five photographs depicting the class and their chaperones at the shipyard, featuring Onassis and her son, accompany the correspondence.

This collection is made up of around 180 letters that L. Michael Hardt ("Mike") wrote to his girlfriend and future wife, Dale Weeks, while serving in the United States Navy during the Vietnam War.

This collection is made up of around 180 letters that L. Michael Hardt ("Mike") wrote to his girlfriend and wife, Dale Weeks, while serving in the United States Navy during the Vietnam War. The largest group of items consists of around 160 letters that Hardt wrote to Weeks while serving with the commander of Carrier Division Nine in the Gulf of Tonkin, South China Sea, and Coral Sea from July 13, 1966-January 14, 1967. His daily letters concern his love for Weeks and he frequently discussed their upcoming marriage, planned for January 28, 1967. He also commented on ship life and sent an invitation to a party for the division (September 1, 1966).

From July 14, 1967-September 21, 1967, Hardt wrote 5 letters to Weeks, who had by then become his wife, about his service on the USS Stribling (DD-867) near Mytilene, Greece. He briefly described the town's residents and discussed personal finances. The final group of items is comprised of 17 letters that he wrote from Vietnam between April 5, 1971, and June 19, 1971. He was stationed primarily in Saigon and commented on officers' quarters, complained about his lack of work, shared his opinions of Vietnam and its people, and assumed that the war was winding down. His letter of June 19, 1971, mentions his wife's artistic work and encloses a newspaper clipping about the recovery of El Greco's "Assumption of the Virgin."

This collection is made up of letters that Eunice Landers sent to Helen and Charles Boswell of Union County, Oregon, while living in Frankfurt, Germany, in the early 1960s. She wrote about her travels in Germany and other European countries, the United States military, and family news.

This collection is made up of 5 letters that Eunice Landers sent to her acquaintances Helen and Charles Boswell of Union County, Oregon, while living in Frankfurt, Germany, in the early 1960s. Landers described aspects of her life in Frankfurt and her travels around Germany and to countries such as Belgium, the Netherlands, and France. She often provided news of David G. Andrews, a United States serviceman, and of "Ginny" and Mary, possibly her daughters. Though primarily personal in nature, her letters contain references to the Soviet Union (August 18, 1961), the Berlin Wall, and John F. Kennedy. She also wrote about military subjects such as promotions and an officer's farewell party.