Collections : [University of Michigan Special Collections Research Center]

This collection consists of Hungarian-language newspapers related to the 1956 Hungarian Revolution, spanning the year of 1956, with most of the newspapers published between October 28 and Novemer 4 of that year.

This collection consists of newspapers related to the 1956 Hungarian Revolution, all published in Hungarian during the year of 1956. Newspapers are separated into folders based on title and organized chronologically.

Contains leaflets, open letters, administrative documents, newspaper clippings, and other materials related to the strike by the University of Michigan's graduate student union, the Graduate Employees Organization (GEO), in 1975.

This collection contains ephemera, documents, and publications related to the 1975 General Employee Organization strike. The bulk of the collection consists of publicity materials, such as open letters and flyers, about contract negotiations leading up to the strike and the strike itself (including campus reactions to the strike). Some of the material is related to the the Black Action Movement's (BAM) demands of the university. A small amount of material from faculty of the Residential Communities is also included. Most material is pro-GEO and pro-strike but a few materials present an opposing position. Also included are administrative materials, such as meeting minutes and position papers, from GEO. Finally, the collection contains newspaper clippings and entire newspapers documenting the strike, from both campus and local news sources.

Documents the microfilm operations of the Filmsort Company and before and after its acquisition by the Minnesota Mining and Manufacturing (3M) Company, including sales information, price lists, equipment photographs, correspondence, brochures, parts lists, manuals, and newsletters.

This collection consists of two series--one concerning Filmsort both before and after its acquisition by 3M and the other relating to other aspects of 3M's involvement in microfilm work.

The Filmsort Series contains sales information, price lists, equipment photographs, correspondence, memoranda, patents, product brochures, parts lists, equipment operating and service manuals, and newsletters. The bulk of this material pre-dates the sale of Filmsort to 3M. The folder of John Favorite and Charles Hann correspondence and memoranda is a file maintained by 3M about Filmsort, but many of the other materials were originally part of the records of the Filmsort Company and were acquired by 3M along with the other assets of Filmsort in 1959.

The 3M series contains newsletters, parts and service manuals, technical notes for customer service representatives, "know how" bulletins, and a camera marketing manual. These materials concern 3M microfilm work and products not specifically identified with the Filmsort division. The bulk of this series dates from 1958 to 1968 although two folders date from 1976.

Poet identified with progressive New York City literary circles of the 1930s and 1940s, teacher and translator of Yiddish poems and songs; lived most of life in New York City and Long Island. Includes correspondence files, manuscripts and notes, audio and video recordings of lectures and readings.

Aaron Kramer Papers includes biographical materials, correspondence, publications and translations, drafts, and audiovisual recordings of Kramer's works, ranging from 1930 to 1997. The papers are divided into six series: Biographical File, Correspondence, Collaborations, Works of Aaron Kramer, Works of Other Artists, and a 2017 Accretion.

Abe and Selma Bluestein were active in the anarchist movement in the U.S. in the 20th century. Abe worked as a reporter for the Freie Arveiter Stimme, a Yiddish anarchist publication in New York, and Selma was an artist and worked with the WPA. Both reported on the Spanish Civil War in 1937, which was foundational in the evolution of their anarchist philosophies. While in Spain, Abe also served as an information officer giving radio broadcasts for the anarchist fighters in Barcelona. Back in the U.S., Abe worked for several housing co-operatives while Selma raised their children. The collection documents the couples' personal and professional lives, including correspondence, writings, and art.

The Bluestein papers comprise a variety of materials, including correspondence, writings, translations, histories, family documents, artwork, and photographs. The bulk of these materials range from 1930 until 1990, although some of the photographs and family documents are dated earlier.

The Bluestein Family papers are separated into eight series: Correspondence, Family Documents, Biographies, Writings, Corporate Files, Subject Files, Modern School, and Photographs.

Correspondence contains 1 linear foot of letters to and from the Bluestein family. The files are arranged alphabetically, first generally A-Z, with unknown correspondents following, then by principle correspondent. There are two folders of correspondence between Abe and Selma Bluestein, labeled "Bluestein, Abe to Selma" and "Bluestein Selma (Cohen) to Abe." These letters are mostly dated early in their relationship (1930), then again in 1933 when Abe was living and working at Unity House in Phildelphia, again in 1937, when Selma returned from Spain a few months before Abe. There are a few letters from Abe to Selma in 1946, when he made several short trips away from home for business purposes.* Their letters are significant for the historical information as well as the intimacy they reveal.

In the folder labeled "Bluestein, Minnie", there is one letter to Abe from Minnie, and one letter from Lou (her husband?) while they lived at the Sunrise Cooperative Farm Community in Michigan in the mid-1930s. The letter from Lou discusses life at the Cooperative as well as some gossip and infighting.

There are also letters from Mollie Steimer and Senya Fleshin, Erika and René Fülöp-Miller, Sam Dolgoff, Federico Arcos, Paul Avrich, Augustín Souchy, Harry Kelly, Milly Rocker, Rudolf Rocker, and one three-page letter to Abe from Emma Goldman. Although most of the letters are in English, there are a few in Spanish without translations. Some of the letters are not written to the Bluesteins but are copies of correspondence sent to others.

Selma designed many of the family's greeting cards which were sent out every year, and several examples are included in her biographical file, along with press clippings regarding her art exhibits. Selma often sent Abe drawings in her letters to him, and these were not separated from the letters, so although there is a folder containing her artwork, several examples of her work can be found in the "Bluestein, Selma to Abe" correspondence files.

Several of Daniel Bluestein's published and unpublished works are included the series Writings (Daniel Bluestein). Daniel had a strong interest in his family's history, and in its anarchist past, and much of that interest shows in his writings. Daniel's humorous side shows through in a letter to Abe from "Ronald Reagan." In Writings (Abe Bluestein) can be found Abe's essays, histories, and translations, as well as transcriptions of his lectures. Other people's writings can also be found in this series, including those of Sam Dolgoff and Frank Miller.

There are many newspaper clippings on the subject of Spain during the 1970s, both from Spanish and American newspapers. It was during this time that Abe, frustrated by the lack of accurate information in the American press on the CNT and labor uprisings in Spain, decided to start News From Libertarian Spain, with Sam Dolgoff and Murray Bookchin. The title was later changed to Anarchist News, and after Dolgoff died in 1990, Gabriel Javsicas joined the group.

The Modern School series is of great significance to anyone interested in the perceptions of those who attended. As mentioned earlier, Abe's experience growing up at Stelton had a profound affect on him throughout the rest of his life. In a 1975 letter to Rina Garst he asks the question, "Why does the Stelton experience create such a warm, strong bond among us, regardless of our later living experiences?" His answer was "... living and growing in freedom fosters the development of the strongest possible roots in human beings." Abe started the Modern School Reunions in 1974, and as chair of the Reunion Committee, he held the files of each of the annual events. They are arranged chronologically (with no files for 1985, 1987, 1988), ending in 1991, when Abe handed the responsibility over to Jon Scott. The files contain minutes from the Modern School Reunion Committee meetings, as well as flyers announcing each reunion, clippings, and correspondence from each of the reunion attendees. The correspondence is particularly interesting; it contains not just the usual reunion business, but also reminiscences of childhoods spent at Stelton, thoughts and comparisons of living in a modern world, sad news of illness and death, good news of finding more old Stelton-ites, and some truly heartfelt stories. Some of the correspondents are also represented in the Correspondence series (Paul Avrich, Ahrne Thorne, Thomas Yane, Clara and Sidney Solomon, Nelly Dick, Audrey Goodfriend, Pearl and Victor Morris, Dora Keyser, Federico Arcos), however, the Modern School series correpondence relates only to the Modern School reunions and was kept with the Modern School materials by Abe. Abe saw the historic value in these documents, for in 1975, and again in 1983 he sent out questionaires about remembrances to all the reunion participants, and these responses are included. There are also several histories written by various people, as well as three original record books from the Stelton Modern School (1918, 1924-28, 1936).

There are many photographs in the collection, including a family album, several loose photos, and a large portrait of Abe as a small child with his mother, Esther and his sister, Mae(?). Most of the photographs are unidentified and undated, although David Bluestein helped to identify some of them at the time of the donation. As well as the Bluestein and Cohen families, there are photographs of Rudolf Rocker, Boris Yane, Clara and Sidney Solomon, and Federico Arcos.

Sometime during the 1980s Abe dictated a biography of his life onto cassette tapes. The cassettes were not found with the collection, and no one seems to know what happened to them, however, they were transcribed by Eileen Coto of Richmond Hill, New York in 1991 or 1992. The partially-edited transcription is included in Histories (Oral) - Abe Bluestein.

There are two cassette tapes in the collection. One is a microcassette of an interview with Abe about the Spanish Civil War (Biographies, Box 2). The other is a recording of the Ahrne Thorne Memorial Meeting which took place in New York City on March 27, 1986 (Box 3).

* According to American Labor and United States Foreign Policy by Ronald Radosh (Random House 1969), it appears that Bluestein was in Germany working for the AFL (pp 328-329).

The collection pertains primarily to Abu Shady's literary work and contains a range of his essays and poems. It also contains includes correspondence, photographs, and writings about Abu Shady, as well as material related to the funeral of Lebanese-Egyptian poet Khalil Mutran and correspondence between Abu Shady and journalist and reformer Salama Moussa.

The collection is arranged in folders without series or sub-series. It contains material related to Abu Shady's writing and includes a variety of his original poetry as well as correspondence and articles related to other prominent Egyptian writers.

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

The Rudolph papers include scripts, articles and clippings, publicity and press materials, books, photographs, artifacts/realia, audio and moving image materials, posters, awards, and branded crew garments and caps from many of Alan Rudolph's projects. Photographer Joyce Rudolph is represented by hundreds of professional and personal slides and photographs, including many candid on-set shots.

The collection consists of professional and personal correspondence, assorted clippings, film festival awards and memorabilia, and scripts and production documents related to Alan Rudolph's filmmaking career, spanning his early work in Riot (1969), through 2002's The Secret Lives of Dentists. Also included are a plethora of documents from various unproduced projects. In the Artifacts and Graphics series are a small selection of props from Rudolph's films, most notably The Moderns, along with an assortment of film cast and crew branded gear, including caps, shirts, and jackets, movie posters, and a representation of some of the numerous awards won by the Rudolphs.

A small sub-series of material devoted to friend and mentor, Robert Altman, consists of articles and reviews, assorted programs, and, most notably, photographs taken by Joyce Rudolph.

Joyce Rudolph is represented by hundreds of her professional and sought-after on-set photographs, company stills, and candid shots, all taken during the filming of projects by Alan Rudolph and a wide variety of other notable filmmakers.

A series of Audio and Moving Image material consists of several VHS tapes, several movie video disks as well as two soundtracks. The Artwork series contains an assortment of drawings and paintings, most likely created by Alan Rudolph, along with two large acrylic paintings used as props in The Moderns.

Alan Campbell , American actor and screenwriter, wrote, with his wife Dorothy Parker, screenplays for Hollywood studios during the 1930s. The collection contains the correspondence and writings of Alan Campbell and Dorothy Parker. Included is World War II correspondence, scripts, screenplays, fragments of several short stories, a play, as well as typescripts of pieces by some of Campbell and Parker's contemporaries.

The Alan Campbell and Dorothy Parker Collection consists of four series, Correspondence, Financial Papers, Writings and Miscellaneous. The Collection contains correspondence and writings of Alan Campbell and Dorothy Parker. Included is correspondence from Campbell to Parker, written during World War II; several letters from Zeppo Marx; and a few letters from Leland Hayward and Rosalie Stewart, with many references to other celebrities. Also included is a portion of the Campbell-Parker collaboration on the screenplay A Star is Born, written with Robert Carson. Campbell’s writings include the script for Told to the Children while Parker is represented by fragments of several short stories and her play The Coast of Illyria. The collection also includes typescripts of pieces written by contemporaries of Campbell and Parker, including Stephen Vincent Benét, Elliott Nugent, John O’Hara, Robert Penn Warren, and Sagittarius (aka Olga Katzin).

Collection of writings by and about Alexandre Dumas, père. Includes correspondence, literary manuscripts, and research.

The collection includes two series, Manuscripts and Research.

The papers of Alfred Rodman Hussey (1902-1964) span the years 1944-1998, with the bulk of the material concentrated in the years from 1945 to 1948. They include correspondence, memoranda, orders, reports, official and unofficial policy papers, draft legislation, drafts of writings, clippings, and printed matter relating to Hussey's work with the Government Section, Supreme Commander for the Allied Powers, during the Allied occupation of Japan following World War II and to the efforts of the Allies to reorganize Japanese government and society.

The papers of Alfred Rodman Hussey (1902-1964) span the years 1944-1998, with the bulk of the material concentrated in the years from 1945 to 1948. They include correspondence, memoranda, orders, reports, official and unofficial policy papers, draft legislation, drafts of writings, clippings, and printed matter relating to Hussey's work with the Government Section, Supreme Commander for the Allied Powers, during the Allied occupation of Japan following World War II and to the efforts of the Allies to reorganize Japanese government and society. The files consist of detailed information on nearly every aspect of postwar Japan, especially the drafting of the Japanese constitution, the reorganization of the Diet, and policy proposals in the areas of labor, civil rights, prisons, the economy, prostitution, and the imperial household. The collection also includes some personal papers and correspondence of Hussey relating to his interests in civil rights and in the Central Intelligence Agency, as well as his various writings. Oversize maps and charts have been left folded at this time but will be digitzed at a later date, which will help with both preservation and access. In addition, it should be noted that items in Folder 100-A were omitted from the Library of Congress microfilm due to their large size.

At the end of the papers are several cassette and magnetic tapes. In addition, there is a bibliographic essay concerning the collection written by John Bowden entitled "The SCAP Files of Commander Alfred R. Hussey" and an item-by-item checklist of the papers organized by document number. The reel list, corresponding to the mirofilm reels housed at the Library of Congress, provides the first and last document number for each of the twelve reels. The checklist and reel list should be consulted for locating specific documents. Finally, the last two boxes of the collection contain duplicate materials.

While the majority of the materials are in English, there is a significant portion of Japanese content, as well.

[Modified from the Library of Congress microfilm finding aid]

Algernon Charles Swinburne was an important Victorian poet and critic. The collection documents Swinburne's literary affairs and friendships, plus critical reactions to the poet. It consists of correspondence, writings, photographs, artworks, and printed material produced by Swinburne, his friends and associates, and present-day scholars. Over 200 pieces of holograph correspondence and manuscript material, over half of which is by Swinburne, are included. Also prominent is material by Theodore Watts-Dunton, Swinburne's friend and legal advisor.

This finding aid encompasses accessions of single manuscripts and small groups of manuscripts and other papers by or pertaining to Algernon Charles Swinburne, which the library has chosen to gather into one collection.

Much of the material in this collection forms part of the Kerr collection, formally titled the "Evelyn and Lowell Kerr Collection of Swinburne Books and Manuscripts in the Library of the University of Michigan." The Kerr collection was assembled by Lowell Kerr, a dedicated Swinburne collector. (See biographical entry.) In addition, Kerr worked for many years on the compilation of a descriptive catalog to the collection, which was, unfortunately, never completed. More information on arrangement of the Kerr collection can be found at the end of this section. All of the books from the Kerr collection, and many of the pamphlets, have been removed and cataloged separately.

The works and correspondence of Swinburne are well-represented here. Much of the selection of verse is fragmentary in nature--in some cases, leaves of a single work are spread across repositories; but Swinburne's prose pieces are notable in their completeness and number. Also showcased are the letters and works of important figures in the Pre-Raphaelite movement, as well as other literary luminaries of the day. The publishing interests of Swinburne and his circle are also detailed.

The collection is made up of six series: Works, Correspondence, The Swinburne Circle, Photographs and Art Images, Printed Material, and Swinburne Research and Collecting. Unless indicated otherwise in the contents list, items in the Works and Correspondence series are holograph works by Swinburne (or, rarely, in the hand of an amanuensis). Items in the Swinburne Circle series are letters or manuscripts in the hand of their respective authors, or their secretaries. In some cases, autograph material originally laid into books has been removed and added to the collection; in other cases, such items have been left in the books. Either way, a note to such effect has nearly always been made in the book's catalog record or in the contents list below. Moreover, for purchased material, copies of dealer descriptions often have been retained and may offer further details not included here.

A Note on the Kerr and Lang Numbers:

Since many of the pieces in this collection have already been cataloged individually, further details can often be found in the catalog records for those items. Furthermore, "Kerr numbers" have been assigned to many items. These numbers refer to entries in Lowell Kerr's catalog, in which he described the items that were originally from his collection. Along with library staff members, he continually updated and reworked the catalog up until his death. Library staff continued to revise the work through the 1980s, but it was never completed.

Although every effort has been made to respect the provenance of items from the Kerr collection, in some cases a Kerr number may have been assigned but is not noted in the finding aid. Researchers wishing for more information on items originally from the Kerr collection should consult the various drafts of the Kerr catalog, which are available in the Swinburne Research and Collecting series. The Kerr numbers in this finding aid refer to the most recent available draft of the Kerr catalog. The researcher should note that the Kerr catalog, while containing a wealth of information, is heavily anecdotal in nature, with a number of guessed-at facts and dates still in need of verification.

Cecil Lang, professor emeritus at the University of Virginia, is an eminent Swinburne scholar. Professor Lang is the author of the six-volume The Swinburne Letters (New Haven: Yale Univ. Press, 1959-1962). In this work, he assigns numbers to every item of Swinburne correspondence which he was able to locate, across repositories; thus, many items have both Kerr numbers and Lang numbers. Both numbers, where extant, are generally noted in the contents lists below.

The Allan L. Rock papers consist primarily of materials from the various court cases in which Rock was involved in the 1970's. The collection includes transcripts of hearings, submissions to various courts, and correspondence regarding the cases. Also included are transcripts and correspondence from several cases similar to Rock's, some of which directly benefited from the 1976 Rock decision. This collection presents some early and significant decisions about gay rights and is valuable in research about gay rights, especially surrounding issues of national security. The collection is divided into five main series: Correspondence, Intelligence Files, Litigation, Press and Topical Files.

The Correspondence series includes one folder of personal correspondence, which is primarily letters written to a 1968 love interest. The Press folder contains various letters and responses--from the obscene to the mundane -- to articles written about Rock. The primary portion of the Correspondence series is made up of letters separated from the litigation files which recount decisions and court actions. These are divide into two sub-series: non- Rock related cases and Rock. The non-Rock cases include all correspondence which came into Rock's possession from the cases of Dubbs, Fultun, Gayer, Kovalich, Preston, and Tabler. The Rock correspondence consists of 5 folders of material, is organized chronologically, and includes all correspondence between Rock and those involved in his litigation process. The Correspondence series provides a thorough chronological account of all legal actions and documents Rock's reactions to each of the cases.

The Intelligence Files series contains all files provided to Rock from the Air Force, Army, Defense Industrial Security Clearance Office (DISCO), FBI, Industrial Security Clearance Review Offices (ISCRO), Navy and the U.S. Civil Service Commission. The files date from 1960 through the 1970s. Rock's original organization of this material was largely preserved, since the materials often contain multiple dates (of the request and of the original investigation).

The Litigation series contains all briefs, filings and other legal documentation of cases, all of which involve questions of the rights of homosexual individuals to hold security clearance. The series begins with the sub-series of Non-Rock Related Cases. These include cases brought by Julie Dubbs, John Napier Eaves, Roy Lee Fultun, Richard Gayer, Jean Kovalich, Elisha Stroud Marsh, Warren Gene Preston, Jack Schwarz, Oliver W. Sipple, the Society for Individual Rights, Otis Francis Tabler and Bennington Wentworth. The largest amount of material is available from the Kovalich case, which includes all legal documents and several depositions. Her case is perhaps the most interesting because of her standing as a supervisor within the Department of Defense itself. When she admitted her homosexuality, she was demoted. Eventually, she won her case. The Wentworth and Tabler cases also contain large amounts of material.

The Rock sub-series of the Litigation files consists of 1 linear foot of material. It is organized primarily by case and by chronology within each case. The folders of legal documents and briefs are supplemented by nine bound transcripts and testimonies, all labeled and dated. This sub-series consists of all legal documents for each of the cases in which Rock was involved: Rock v. CIA, Rock v. Department of Defense, and Rock v. State of California.

The Press series is organized into clippings and articles, and press releases. Both of these sub-series contain non-Rock and Rock related divisions, and all material is organized chronologically. The Non- Rock related press clippings and articles are especially interesting for the context they provide, documenting one view of homosexuality in America in the 1970s. These folders contain information about various state decisions on the legalization of homosexual activity, as well as information about the 1973 decision by the American Psychiatric Association which declared that homosexuality was no longer considered a mental disorder.

The Topical Files include an unpublished book manuscript written by Rock in 1978 called In the National Interest. This manuscript details Rock's experiences in the court system and provides his perspective on the actions and decisions of the Department of Defense. This honest account is well researched and provides more than just a re-telling of the events already detailed in the correspondence and litigation files. It includes background information about homosexuality in general, and history about homosexuals' treatment by the Department of Defense.

The Ambassador Bridge spans the Detroit River from Detroit, Michigan to Windsor, Ontario (Canada). It was constructed from 1927-1929. The collection is from the papers of Mr. Howard A. Schirmer, an engineer who worked on the construction of the Ambassador Bridge. It contains materials related to designing and executing the construction of the Ambassador Bridge, the majority being correspondence and reports, and a selection of books and newspapers published just after the construction of the bridge.

The papers are divided into two series: Construction and Publications.

Construction contains materials related to designing and executing the construction of the Ambassador Bridge, the majority being correspondence and reports.

The correspondence dates from July 1928 to July 1929. The main correspondents are Robert MacMinn, Engineer of Construction; R.G. Cone, Resident Engineer; Howard Schirmer and other McClintic-Marshall employees. The correspondence discusses bids for contracts and various aspects of the construction, mostly focused on the terminals. Topics include the telephone system, installing clocks, furniture, cash registers and automatic car counters. There are a few blueprints, drawings, and lists of expenditures intermixed with the correspondence.

The reports are specification reports detailing how aspects of the construction are to be conducted. The reports indicate the types of materials and the processes to be used. The reports include specifications for masonry, the metal superstructure, pavements, and furniture, equipment and steel lockers for the U.S. terminal. There is also a report entitled Contract Plans and General Specifications detailing the responsibilities of the McClintic-Marshall company for the design and construction of the Ambassador Bridge.

Publications contains books and newspapers published just after the construction of the Ambassador Bridge. The books describe the history and process of constructing the bridge with varying degrees of technical detail. Detroit River Bridge was written for engineers and includes 69 plates of design drawings for the bridge. Detroit-Windsor Bridge also provides a technical description of the construction of the bridge and Detroit International Bridge provides a more general history of the construction. The newspapers were published when the Ambassador Bridge was dedicated. There is an article from the Detroit News and a section on the bridge from the Detroit Free Press.

Group founded in 1933 on the initiative or Roger Baldwin of the ACLU to defend constitutional rights of foreign-born persons in the United States. It assisted individuals facing deportation, aided persons seeking to become naturalized citizens, attempted to combat harasmment and official persecution of the foreign-born, and opposed discriminatory legislation. Records include correspondence, administrative files, clippings and publicity files, subject files and case files.

The records of the American Committee for Protection of Foreign Born date from 1926 to 1980 and measure 51 linear feet and 2 oversized volumes. The papers are arranged in eight series: Administration (1935-1980s), Correspondence (1934-1980s), Publicity/Activities (1934-1977), Legal Proceedings (1950-1974), Legislation (1930-1972), Area/Ethnic Committees (1936-1969), Subject File (1933-ca. 1970s), and Cases (1926-1980s).

The main work of the Committee, in addition to its providing information and legal assistance to individuals, lay in publicizing legislation, events, and national policies affecting the foreign-born. The Committee also sponsored conferences, rallies, and other events to educate the public to the problems of discrimination and harassment that faced many of the foreign-born, and to then mobilize that public opinion to pressure public officials to deal with these problems. The files of publications and news releases within the collection help to document the publicity work of the Committee, while its activities as a lobby for the foreign-born is most evident in the correspondence files, conference proceedings and reports, legislative lobbying material, and subject files.

Unfortunately, the structure and administrative workings of the Committee are poorly documented. Board of directors minutes are spotty and the administrative files generally thin as evidence of policy-making within the organization. Area Committee materials in the main reflect the varied problems faced by the foreign-born in different parts of the country, while the subject file contains information on a wide variety of organizations established to assist the foreign-born in the mid-twentieth century.

The case files, which make up the bulk of the records, relate largely to individual cases; each file usually only contains a few routine items, such as requests for information or assistance in securing naturalization papers or obtaining entry to the United States for a friend or relative. There are a few larger case files, however, and the multiple cases pertaining to groups of individuals being prosecuted reflect the vulnerability of the foreign-born in periods of concern about the nation's internal security. Many of these persons had lived in the United States for many years, and seemed to have been charged with deportation only after becoming active in labor unions or other allegedly radical activities. The case files have little value except as evidence for the specific cases. They do not provide systematic documentation of the cases handled, and thus do not lend themselves to quantitative study.

The records of the American Society of Indexers date from the organizations early years in the late 1960s to as recent as the 2000s, and document the members of the society as well as the society’s activities. The collection is comprised of the following series: Administrative Files, Correspondence, Committees, Meetings, Events, Publications, Chapters, Awards, Other Organizations of Interest, and Multimedia.

Administrative Files (1968-2000, 4 linear feet) documents the organizational activities of ASI including constitution and bylaws, elections, financial documents, general topical files, organizational history, membership, and policies and procedures.

Correspondence (1981-2000, .5 linear feet) consists of the ASI related correspondence of the organization's elected officials, as well as inquiries from members and non members.

The Committees (1974-2006, .5 linear feet) series is comprised of papers relating to and originating from various ASI committees.

Meetings (1981-2000, 1.5 linear feet) documents the meeting materials generated by the board of directors of ASI, and including agendas and minutes. Additionally, this series contains papers relating to business meetings and special meetings held by the organization.

Events (1982-2000, .5 linear feet) consists of papers related to various events held and attended by ASI, including annual meetings and conferences, professional development workshop, and various symposia and workshops.

The Publications (1961-2000, 2.25 linear feet) series is comprised of various documents published by ASI, including newsletters and registers. This series also contains correspondence relating to the newsletter, register, and other publications, as well as reports detailing publication sales.

Chapters (1983-1997, .25 linear feet) consists of papers documenting the various chapters of ASI spread throughout the United States, as well as chapter manuals and general chapter information.

The Awards (1978-2000, .25 linear feet) series documents the various indexing awards given out by ASI, as well as related forms and criteria for selection.

Other Organizations of Interest (1972-1997, .5 linear feet) documents numerous outside organizations with which ASI is affiliated or otherwise interested in. This series includes the newsletters of a number of these organizations.

Multimedia (1970-1995, 1 linear foot) consists of items in a variety of formats created by ASI, including photographs, audio cassettes, and microfilm. The photographs and audio cassettes largely document annual conferences.

ASIS&T (or ASIST) is a professional association which creates, organizes, disseminates, and applies knowledge regarding information and its transfer. ASIS&T was preceded by the American Documentation Institute (ADI), which was founded in 1937 with the goal of acquiring and indexing the knowledge of the world. Name changes followed in 1968 (ASIS) and 2000 (ASIS&T). The records consist of correspondence, business and financial documents, minutes, bylaws, memoranda, manuscript and printed journal articles, printed promotional material, microfiche, photographs, and audio and video tapes covering the society's activities (and those of its predecessor organizations) from 1925 to 2001, with the bulk falling between the 1930s through 2000. Organizational business affairs and activities, including the conceptual evolution of its purpose and mission, are well-documented in several series, most notably in the Council Files. These broad areas are also covered in the Committee Files, but in a more detailed fashion, focusing on specific activities or issues. This series also represents the scope of ASIS's liaison committees, ranging from the American Library Association to the Egyptian Society for Information Technology. Documents generated by ASIS-approved regional and student chapters and the organized professional groups within ASIS devoted to special interests (SIGs) are found in the large Chapter Files and Special Interest Groups series. The Publications series includes significant editorial and administrative documents as well as some manuscript submissions for the "Annual review of information science and technology, and the Bulletin of the American Society for Information Science." Special note may be made of the Special Libraries Association Merger Files which chronicle the history of the ultimately unsuccessful merger of ASIS and SLA. The main correspondents found in the collection include: Robert McAfee, Assistant Executive Director; Joshua I. Smith, Executive director (1973-1976); Bonnie Carroll, Councilor and President; Linda Resnik, Executive Director (1985-1988); Samuel Beatty, Executive Director (1976-1984); and John Brokenshire, ASIS Financial Officer.

For the purpose of clarity, the organization shall for the most part be referred to as "ASIS"--the name by which it has been known for most of its history and to which it is mainly referred in the records--throughout this section.

Throughout the record group, the year listed for a folder is often the fiscal year rather than calendar year. This is particularly so for records in the Financial series. The fiscal year for ASIS runs from October through September.

The Ammon Hennacy Papers were acquired from the family of Hendrik Anderson, who had stored them for many years after Hennacy's Southwest sojourn. In the course of the years the papers were re-arranged, and in some cases mixed with Anderson's own papers. The bulk of the collection ranges from 1936-1944, although many items are undated.

These papers are particularly significant in their documentation of Hennacy's early years of study, his prison experiences, and his relationships with his family and various close friends, including Dorothy Day. Hennacy's notes and manuscripts document his attentive reading and study habits, while his handwritten "Gospel in Brief" includes his own cross-references (including to Tolstoy) and interpretations of the New Testament (a second volume of this project may be found in the University of Wyoming's American Heritage Center). Hennacy's letters are filled with political and social arguments; they document his constant effort to convince other people of his views.

In his personal papers, the notes on travels with Selma Melms in 1921-1925 are rich in detailed descriptions of places visited, people met, and miles traveled. Some of these latter notes appear to be written by Melms.

The Hennacy Papers are divided into seven series: Correspondence, Manuscripts, Printed Materials, Notes and Book Reviews, Personal files, Subject files and Hendrik Anderson papers.

Correspondence comprises roughly 1/3 of a linear foot. Of particular note are letters from Ralph Borsodi, Holley Cantine, Dorothy Day, Theodore Debs, Mohandas K. Gandhi, E. Haldeman-Julius, Hippolyte Havel, Thomas Keall, Lucy Parsons, Maximillian Olay, Boris Yelensky, and the Sunrise Farm Cooperative Community. The correspondence from Day, most of which is undated, is intimate in tone, touching on daily events as well as spiritual matters. Day coaches Hennacy through his conversion, complains lightly about people who hang around her but are "not really concerned in our point of view" (in a letter dated only "Saturday"), and frequently expresses worry about his health and safety. In one letter, Day indirectly addresses the physical attraction between them, and asserts her celibacy.

The letter from Gandhi is apparently not written in his hand, but appears to be signed by him. The signature, in different ink than the letter itself, matches Gandhi's as reproduced in published letters. The letter is marked "Yerawa Central Prison 3rd April," and includes a blue symbol, perhaps a censor's mark, at the top margin. Since Gandhi was in the Yeravda (or Yerawa or Yeravada) Central Prison (in Poona or Pune, Maharashtra, India) from March 1922 until February 1924, it is most likely that this letter dates from 1923. In response to a letter from Hennacy, Gandhi gently rejects Christian Science, and asserts his belief in God "...not in the hope that He will heal me, but in order to submit entirely to His will, and to share the fate of millions who, even though they wished to, can have no Scientific medical help." Gandhi adds that he often fails to carry this belief into practice.

Hennacy's outgoing correspondence is arranged chronologically. It includes his letters to Dorothy Day, to his family, the Fuller Brush Company (1923 to "Dad Fuller" and 1929 to Mr. Eckman), Upton Sinclair (1924, 1932, 1935), Gandhi (1933), President Roosevelt (1934), Emma Goldman (1936) and many others. While nearly all are dated, many are addressed only with the correspondent's first name. The letters are preserved as typed carbon copies in most cases, usually not signed by hand. They cover a wide range of topics, from personal relations to political and religious concerns, to the pragmatics of publication, travel and meetings.

The Manuscripts series contains both typed and handwritten manuscripts by Hennacy, including chapter drafts from his book on Christian Anarchism. The "Prison Writings" folder contains letters and statements produced by Hennacy during his imprisonment in 1919. These include detailed descriptions of prison conditions and Hennacy's own classification of prisoners according to their crime, background, ethnicity and honesty ("rat," "professional rat" and "potential rat").

Printed Materials contains Hennacy's clipping files, as well as articles published by Hennacy. It is not clear whether Hendrik Anderson might have added clippings to some of these files in later years.

The fourth series,Notes and Book Reviews, consists of three original Hennacy folders ("Anarchism Book Reviews," "Anarchism Notes and Articles," and "Extra Copies of Notes"), and a varied sample of Hennacy's research notes that have been re-foldered. Most of these are undated, although the dates may be extrapolated from the publication dates and sometimes from the home address Hennacy included. Hennacy's own inventory for his notes in 1938 are in the folder "Index to Notes."

Personal files and Subject files are both very small series, comprising a miscellany of materials. Of particular interest are the photographs, many of which are inscribed and a few of which are dated, and the "Honeymoon Hiking Adventure," a set of notes concerning Hennacy's travels around the country with his bride Selma Melms in 1921-1925.

The Anderson Papers, roughly 1⁄2 linear foot, date primarily from 1942-1944. They comprise leaflets, publications, and a negligible amount of correspondence. Most of the material concerns Anderson's efforts in pacifism and the Socialist Party in California and other western states.

This collection consists of the administrative records of the Ann Arbor Tenants Union, primarily covering the 1970s-1980s. Materials include correspondence, meeting minutes, reference material, and information about legal cases.

This collection contains the official records of the Ann Arbor Tenants Union, dating primarily from the 1970s to the early 1990s. Along with administrative records, the collection includes reference materials collected by the union's leadership and information about specific actions and legal cases for which the union provided assistance. The material is primarily focused on the Ann Arbor area, but the union also corresponded with, and collected material from, similar organizaitons located across the United States; the research files also contain information about broader subjects such as unionization. A series of newsletters includes mailings from similar organizations located across the country, and a series of housing reports focuses on University of Michigan students and the Ann Arbor area. The newspaper clippings originate from around the country. Overall, the collection presents a history of the specific organization and the broader legal landscape in the Ann Arbor area during the late 20th century.

American poet; co-founder of the Jack Kerouac School of Disembodied Poetics at Naropa University. Papers include correspondence, poems, essays, photographs, art, biographical material, and audiovisual materials.

The Anne Waldman Papers were purchased by the Special Collections Library in 1998. Periodic additions to the collection have been made.

The papers document Waldman's personal and professional life from childhood to adulthood in great detail, and provide a rich and unique source for the study of American poetry. The collection includes textual material, photographs, audiovisual material, and artwork that extensively document Waldman's writing, publishing and performance efforts; her administrative leadership and teaching activities at the Poetry Project at St. Mark's Church-in-the-Bowery and Naropa University's Writing and Poetics program; and her relationships and interactions with a remarkable number of prominent poets, writers, and artists.

The Biographical series (approximately .5 linear feet) contains biographical summaries written by Waldman and others, resumes, travel and work itineraries, and publicity material such as press releases, pamphlets, and quotes and "blurbs" for books.

A highlight of the series is Waldman's autobiographical essay and drafts for the Contemporary Authors' series. A small folder of poems written about Waldman is also included. The researcher should note that additional material written about Waldman can be found in the Correspondence and Name File Series.

The Correspondence and Name File series (25 linear feet of material, divided into several subseries) provides insight into Waldman's professional activities and relationships, and her personal relationships with many poets, writers, and artists. Poets including Allen Ginsberg, Ted Berrigan, Joe Brainard, Tom Clark, Diane di Prima, Kenward Elmslie, Joanne Kyger, Bernadette Mayer, Ron Padgett, and many others are well represented in the series, as are visual artists such as Alex Katz, Jasper Johns, Robert Mapplethorpe, Larry Rivers, and James Rosenquist. Material in the Correspondence and Name File was created during Waldman's college years and adulthood (approximately 1962-1999). Correspondence from Waldman's childhood and teenage years, and correspondence with family members can be found in the Early Years and Family series respectively.

The Name File subseries is an alphabetical file consisting primarily of more prominent personalities and frequent correspondents. Although the bulk of the material in the Name File is correspondence, manuscripts and other material created by or related to the person listed may also be found in the files. Where large amounts of material related to a person exist, the type of material has been grouped by genre and indicated separately in the finding aid. In cases where the type of material is not listed separately, the file contains mainly correspondence, but may also include small amounts of other material, most likely manuscripts. The researcher should note that some manuscripts submitted to Waldman and a small amount of correspondence related to Waldman's specific publishing ventures or specific subjects have been left with the appropriate subject file or organizational records.

The Miscellaneous Correspondence subseries contains more routine correspondence. This subseries is arranged alphabetically.

The Unidentified and Fragments subseries consists of approximately .75 linear feet of material from correspondents who did not identify themselves, identified themselves by their first name only, or whose signatures were illegible. This material is arranged chronologically, and is divided in to unidentified correspondence and unidentified manuscripts. Although every effort was made to arrange correspondence in the appropriate place in the Name File and Miscellaneous Correspondence subseries, researchers interesting in viewing all the correspondence from a particular person may want to examine the Unidentified and Fragments subseries.

The series also includes two folders of Anne Waldman's outgoing correspondence, as well as several folders of printouts of Waldman's outgoing and incoming email. The email correspondence spans the years 1997 and 2009. Researchers should note that there is substantial overlap between the Email and Correspondence and Name File subseries.

The Writing series (11 linear feet) consists of Anne Waldman manuscripts and other material, such as correspondence, administrative files, and ephemera, related to her writing. This series is divided into five subseries: Early Work; Fiction; Essays, Speeches, and Interviews; Poetry; and Contributions to Other Works.

The Fiction sub-subseries is divided into Drama and Short Stories. Much of this material is also early work, from Waldman's college years or shortly thereafter. Within Drama and Short Stories, the pieces are arranged alphabetically by title.

Essays, Speeches, and Interviews comprises Waldman's prose work, consisting of essays, articles, speeches and addresses, and interviews, as well as book blurbs, introductions, forewords, and reviews. Many of these pieces exist in various stages, from handwritten notes to published articles. The Essays grouping contains essays and articles written for various publications. The Speeches grouping, arranged chronologically, consists of speeches and speaker introductions made by Waldman at various events. Undated material is located at the end of the section. The Interviews grouping is divided into interviews of Anne Waldman by others, arranged chronologically, and interviews of others, which for the most part have Waldman as either interviewer or co- interviewee. These interviews are arranged alphabetically by name of interviewee.

Also included in the Essays, Speeches, and Interviews subseries are "Biographical Sketches" of other authors. (Biographical and autobiographical sketches of Anne Waldman can be found in the Biographical series.) Most of these sketches appear to have been written by Waldman, although some were contributed by the authors themselves. In addition, the researcher will find a Notes grouping, made up of Waldman's loose collected notes, both literary jottings and everyday work lists. Some of the notes are of unknown authorship, although a few appear to have been Reed Bye's.

The Poetry subseries is divided into two sub-subseries, Published Works and Single Titles. Although Waldman's poetry can be found throughout the Writing series--and indeed throughout the entire collection--the bulk of it resides here. Published Works incorporates Waldman's stand-alone or collected works, most but not necessarily all of which have been published. The Published Works sub-subseries begins with an Alphabetical File containing Waldman's shorter works intended for publication. These files are arranged alphabetically by title.

A Collaborations section of collaborations between Waldman and others, and a Translations section, with a small number of works by others which Waldman translated or helped translate into English are also included in the Published Works subseries. The Collaborations section is arranged alphabetically by collaborator. The translation section contains only three works, which are arranged alphabetically according to the original author.

The Published Work subseries also contains three linear feet of separate material for Iovis I, II, and III and Kill or Cure. This material consists generally of original manuscripts (handwritten drafts and typescripts) of single poems, drafts of the whole work, proofs, and a small amount of related correspondence. The Iovis I and Iovis II files strongly reflect Waldman's work process for the creation of these long, fragmentary epic poems. Namely, the Notes Drafts, and Research Material files, which have been left almost as-is, consist of seemingly randomly arranged clippings, correspondence, previously written material, and many different current drafts, merged together. The researcher may find this portion of the collection difficult to use, owing to its haphazard arrangement. Items which seemed of special significance have been flagged or pulled and foldered separately, the "Questions for men for Iovis" being one example. In some cases, the original has been removed and placed elsewhere within the collection. Details are noted in the contents list. Among these items are poems by Waldman's son, Ambrose, and letters written by Anne Waldman's grandfather to his future wife (due to extremely their fragile condition, the originals have been removed and placed in separate storage). The other portions of the Iovis material present a clearer arrangement, consisting as they do of draft and proof copies of the entire work. The Iovis III portion to date is quite small, consisting only of a version of Waldman's journal entries from a trip to Vietnam in 2000.

The material used in Kill or Cure has a clearer organization, although it should be noted that much of the content and order within the "Drafts/Collected Poems" portion remains unclear. It was impossible to ascertain whether some of the pieces included in the original folders labeled "Kill or Cure" were originally intended for the book and not used, or if they became misfiled. Too, some material may be missing, removed by the author from its original location in order to be used for other purposes, such as the creation of Iovis II . In fact, there is considerable overlap between some of the material in Iovis and Kill or Cure, the latter being published in between Iovis I and Iovis II .

Single Titles consists of the many loose poems that were originally scattered throughout the collection and which could not be easily placed within the context of a larger work. They are arranged alphabetically by title or first line. There are several folders of poem fragments as well, found at the end of this grouping. In the case of some of these poems, it has been difficult to ascertain whether they are in fact fragments or are rather complete, untitled poems. In general, when the title of a poem has undergone changes, all of the drafts of that poem have been grouped under what appears to be the latest version of the title. There may, however, be some exceptions to this arrangement.

Contributions to Other Works is a small subseries consisting of pieces which Waldman wrote for publication in larger works by other authors. Both poetry and prose works are represented here.

The Journals and Notebooks series (5 linear feet) consists of more than 110 journals, notebooks, appointment books, and address books kept by Anne Waldman. (For the sake of convenience, all of these items are referred to here as "journals.") A small number of journals kept by others is also represented. The journals offer a diverse array of content, from random jottings and to-do lists, to literary notes and drafts, to intensely personal diaries. In some cases distinct literary pieces have been recorded, and sometimes the line between journal and handmade book is somewhat blurred. There are collaborative works, such as those with Bill Berkson and Reed Bye. Other pieces were clearly written for friends such as Joe Brainard, Jim Carroll, and others.

The Journals and Notebooks series is broken into two subseries, Anne Waldman and Others, representing journals kept by Waldman and journals kept by others. The Anne Waldman subseries is arranged chronologically by decade, from the 1960s through the 1990s. There are many undated journals as well. The Others subseries contains journals by Lewis Warsh (including one that was co-written with Waldman) and journals very likely by Reed Bye. Of note within one of the journals from the 1970s in the Anne Waldman subseries is a drawing of Anne Waldman made by Bob Dylan.

The Editing and Publishing series (approximately 12.5 linear feet) is comprised of Anne Waldman's work in editing and publishing, often as a joint venture with those in her circle. The most important subseries, Small Press and Little Magazine, represents her work with The Poetry Project at St. Mark's Church-in-the-Bowery, Angel Hair, Full Court Press, and Rocky Ledge. For the most part, all of the Small Press and Little Magazine files consist of a mixture of the literary--manuscript contributions, drafts, mockups, proofs--and the administrative--reports, correspondence, sales and expense records, and so forth.

Perhaps the most significant portion of Small Press and Little Magazine, the Poetry Project grouping is divided into General, Adventures in Poetry, The World, and St. Mark's Church. "General" consists of correspondence; administrative material such as reports, notes, and budgets; poster, flyers, and other performance-related material, including speeches and introductions to Poetry Project events. Correspondence is related to the running of the Poetry Project, the newsletter in particular. Much of this correspondence appears to have been managed and kept by Frances Waldman, who edited the Poetry Project Newsletter from 1976 to 1978. There are also loose poems, which were printed and distributed singly, and many issues of the Poetry Project Newsletter (although not a complete run), along with original manuscript submissions for the newsletter.

Adventures in Poetry was a mimeographed literary magazine edited and published at St. Mark's Church by Larry Fagin using Poetry Project resources. A small number of submissions and publications appear here.

The most important division within the Poetry Project grouping are the files relating to The World, the magazine of the Poetry Project, which Waldman directed from 1968 through the late 1970s. Included are what can loosely be labeled "Administrative Material" as well as Submissions. Two files of Administrative Material are topical in nature, including an Author-title Index from 1979. In addition, there are the usual minutes, mailing lists, and the like. Submissions are for the most part arranged alphabetically by author. There are also two folders with material specific to individual issues of The World . Items of unknown authorship are placed at the end of these files. The researcher may find the aforementioned Author-title Index of some assistance in identifying these submissions.

"St. Mark's Church" refers to items which are church-specific; that is, related to St. Mark's as a religious institution or physical entity rather than to the Poetry Project: Such concerns as building preservation and restoration, youth projects, and church services are covered. Much of this material appears to have been maintained by Frances Waldman, including but not limited to files which are labeled as hers.

The Angel Hair files consist of material from Angel Hair Books and Angel Hair magazine, both of which Waldman co-founded and co-edited with Lewis Warsh. Press and magazine materials are commingled. Angel Hair is divided into Catalogues, Administrative Material, Proofs, and Submissions.

Full Court Press, which Waldman started with Ron Padgett and Joan Simon, was dedicated to publishing quality editions of out-of-print works. The volume of material in this collection is quite slim, consisting of only one folder.

Rocky Ledge refers to the mimeographed magazine, Rocky Ledge, which Waldman started with Reed Bye in Boulder. It was published in eight issues from 1978 to 1981. Some books were also published through Rocky Ledge Cottage Editions. There is a folder of general Administrative Material and another slim folder of manuscripts published by Rocky Ledge Cottage Editions. In keeping with the original organization of the material, the rest of the files are arranged by the individual issue of Rocky Ledge , with administrative materials mixed in with each issue of the magazine. Types of material found in the Rocky Ledge files include draft or mockup versions of the magazine; manuscript submissions; correspondence; cover art, both originals and facsimiles; receipts; and editors' notes. In some cases, the original manuscript submissions appear to have been used in the creation of the draft versions of the magazine. A separate division deals with submissions that were either not used in Rocky Ledge, may not have been intended for use in Rocky Ledge in the first place, or are unidentified.

Also included is a small amount of material labeled "Cherry Valley." Waldman summered in this small New York town in the late 1970s, Waldman's family and Allen Ginsberg maintained houses there for a time, and some work produced by Waldman and her circle was published by "Cherry Valley Editions." However, the exact nature and extent of literary activity from this period and location is unclear, and extant files in this collection are unrevealing.

The rest of the Editing and Publishing is divided along the lines of the individual book titles which Waldman edited or co-edited: The Beat Book, Nice to See You, Out of This World, Talking Poetics, and Disembodied Poetics.

The Beat Book files consist of some correspondence and, primarily, a draft version and a proof version of the work. Nice to See You, which is a tribute to poet Ted Berrigan, consists mainly of submissions by friends of Berrigan's. There are also files of background material, notes, a small number of photographs, correspondence, a draft, proofs, and publicity and reviews. Out of This World is an anthology of work from The Poetry Project. The Out of This World files consists of correspondence (dealing mainly with publishing permissions), early versions of the preface and introduction, drafts, and proofs.

Both Talking Poetics and Disembodied Poetics are anthologies of lectures delivered at Naropa University by Writing and Poetics Department faculty and visiting poets. These files are comprised mainly of transcripts of these lectures; manuscript reworkings and revisions by the authors; correspondence between authors, editors, and publishers; and various drafts of the whole work. In some cases, the name referenced in the correspondence file is the subject of the correspondence rather than its author. Administrative material is also included.

In the Talking Poetics files, the Drafts and Proofs section is divided into Early Work and Complete Drafts. Much of the Early Work section is fragmentary in nature, in particular, the Early Drafts material. Although at some time all of the individual pieces of Early Drafts were collated and paginated, much is missing or has been placed elsewhere. The existing pieces are now arranged alphabetically by author. Particularly noteworthy in this section is a handwritten John Cage score, a part of his work Lecture IV. Complete Drafts are arranged by page number.

The Disembodied Poetics files are arranged in a similar fashion, with individual pieces placed in the Early Contributions and Ideas and Early Drafts portions and later, more complete drafts arranged in or nearly in book order. It should be noted that the designations of the drafts as "A," "B," and "C" were assigned during processing and do not necessarily reflect chronological order. The order within each draft follows the table of contents for that draft, none of the drafts being paginated as a whole.

The subseries, General Publishing, consists of miscellaneous contracts, proposals, copyright application material, and financial material covering royalties, honoraria, book sales, and so on. The Unpublished material subseries consists mainly of miscellaneous pieces of writing that could be part of books that are published or unpublished or drafts of works with an unknown title.

The Naropa series (8 linear feet) consists of material related to Waldman's involvement with the Naropa Institute, now Naropa University, in Boulder, Colorado. It is comprised of the following subseries: Course Material, Administrative Material, Conferences and Panels, Publications, Printed Material, Other Teaching Activities, and Personal.

Course Material is divided into the following sub-subseries: Anne Waldman, Others, and Summer Writing Program. Anne Waldman course material is arranged chronologically and topically and contains many sourcebooks or bound copies of readings for her classes. Course material of others is arranged primarily chronologically, as is, for the most part, material from the Summer Writing Program. The Summer Faculty and Visiting Poets folder under Course Material includes contracts, correspondence and resumes from guest lecturers such as Amiri, Baraka, Ted Berrigan, Diane Di Prima, Tom Clark, Robert Creeley, Kenward Elmslie, Joy Harjo and Harry Smith and is organized alphabetically. Administrative Material is divided into General, Writing and Poetics Department, and Summer Writing Program. Within all levels of the Administrative Series can be found correspondence which includes emails, memos, minutes and reports, planning material, notes, etc. "Early Planning Material" within the Writing and Poetics Department files includes documents penned by Anne Waldman and Allen Ginsberg which formulate aspects of the founding of the Jack Kerouac School of Disembodied Poetics. Also included in the Writing and Poetics files are departmental newsletters. Student and instructor evaluations also appear. Evaluation files, barring those of Anne Waldman, are closed due to privacy legislation and concerns.

Conferences and Panels consists of notes for talks given at Naropa along with transcripts and schedules. Speeches and Interviews covers those speeches and interview given at Naropa, although there may be some overlap with material in the Writing series. Speeches are arranged chronologically. "A Declaration of Interdependence," although grouped with Speeches, is not a speech per se, but rather a protest document mirroring in structure the Declaration of Independence. It was penned by multiple authors, including many Naropa faculty members as well as other poets and activists. Interviews are listed alphabetically by interviewee.

Publications consist of Campus Periodicals (student newsletters and literary magazines); Class Publications, including those of the Summer Writing Program; and a small number of works by faculty members. Printed Material consists of Catalogs and Brochures; Posters, Flyers, and Programs; and Clippings. Arrangement at the folder level is chronological. Additional class publications can be found within the Course Material subseries.

In addition to her role at Naropa, Waldman has taught at several other institutions. These activities are reflected in the Other Teaching Activities subseries, which includes work at the Schule für Dichtung in Vienna and the Stevens Institute of Technology in New Jersey, among other institutions. Because the bulk of Waldman's teaching activities is tied up with Naropa, these files are included within the Naropa series. Material for each institution is arranged chronologically.

The final subseries of the Naropa series is Personal, which includes ephemera, correspondence, topical files, contracts, and notes. Correspondence is both incoming and outgoing and consists of both Naropa-related 'official' correspondence that is addressed solely to Waldman and correspondence that is personal in nature but which refers to Naropa (here, there will naturally be some overlap with Waldman's correspondence in the Correspondence and Name file series). Material within folders is arranged chronologically.

The Other Activities series is comprised of 1 linear foot of material, and documents Waldman's activities outside of writing and publishing. The series includes material related to conferences and festivals that Waldman attended or participated in, as well as material related to Bob Dylan's Rolling Thunder Revue Tour, various video and audio recording projects, and attempts to sell Waldman's archive, or portions of it. The series also includes a significant amount of material documenting Waldman's involvement in social protest issues.

The Personal series is a topical file consisting of 1.5 linear feet of material not primarily related to Waldman's writing or professional activities. Material documenting Waldman's interest in Buddhism and her 1967 wedding to Lewis Warsh can be found in the series. Of particular note is a collection of memorabilia, including material from Waldman's travels, and various playbills, museum programs and ticket stubs. Legal and financial records, as well as various and unidentified notes, jottings and telephone messages, are also included in this series.

The Early Years series contains 2 linear feet of material documenting Waldman's school years, as well as her early interests in writing, acting and drama. The series includes material from Waldman's elementary school, middle school, high school and college years. Early writings can be found in each of the Pre-High School, Friends Seminary and Bennington College subseries, as well as the Early and Unidentified Writings subseries. Highlights include childhood and family newsletters titled "Our Life and Times" and "The Penguin News," school publications in which Waldman was first published, production material from Waldman's high school newspaper (of which she was editor), and manuscripts and typescripts of early poems. The Friends Seminary and Bennington College subseries contain class notes and papers, a high school report card, college grade reports and other school-related material. The Bennington College subseries also includes correspondence and notes from Howard Nemerov and other professors.

The Acting and Theater subseries includes material from various productions, theater companies and organizations with which Waldman was involved in the 1950s and 1960s. The Correspondence subseries consists primarily of correspondence from Waldman's middle school and high school friends, but also includes a folder of notes that appear to be notes passed in class. This folder also includes school love poems that appear to have been written for Waldman. The Early and Unidentified Writing subseries consists primarily of unidentified or undated material that could not filed with the other subseries.

The Family series (approximately 4 linear feet and 1 oversize box) includes material related to Waldman's mother, father, brother, son and other relatives.

The bulk of the series is comprised of material created by, or related to Waldman's mother, Frances Waldman. The Frances Waldman subseries includes 1.5 linear feet of correspondence between Waldman and her mother, spanning the years 1958-1981. Several folders of Frances Waldman's correspondence with other people, including many New York poets and writers, can also be found in the subseries.

The subseries also includes several folders of Frances Waldman's manuscripts, translations and miscellaneous material. Although the majority of the material related to other family members is correspondence, manuscripts and other material can also be found in the series. Of special note are the manuscripts found with the Ambrose Bye material, which include some poems written with or transcribed by Anne Waldman.

The Handmade Books series (3 linear feet) is comprised of one-of-a-kind books made by Waldman and her friends. Often they were presented as gifts on special occasions. They are divided into three subseries: Anne Waldman, representing books by Waldman; Collaborations, representing collaborations between Waldman and others; and Others, that is, works by others.

Included in Others are books printed at Naropa University either through a print workshop or class, or through the school's Kavyayantra Press. Within the Waldman subseries, books are listed alphabetically by title, with untitled books at the back. Collaborations, all of which have Waldman as a coauthor, are arranged alphabetically by the collaborator's last name, as are works in the Others subseries.

Many of the handmade books bear inscriptions indicating maker, recipient, date, and other information, which has not been included in the contents listing. Included in the Handmade Books series are some limited edition volumes, such as those produced by Waldman's Erudite Fangs Press.

The Printed Material series (4 linear feet, 1 oversize box, and 1 portfolio) encompasses the subseries Broadsides; Posters, Flyers, and Programs; and Clippings. Broadsides are broken down into those by Anne Waldman, Collaborations (between Waldman and others), and Others--that is, works by others. Within these divisions, work is arranged alphabetically, first by author, then by title. Also included in Broadsides are postcards and bookmarks printed by various small presses. Oversize broadsides are housed separately.

Material in the Posters, Flyers, and Programs subseries is for the most part grouped chronologically. Separate, topical divisions have been made for undated material. Small press book catalogs and newsletters are included as separate divisions. Oversize posters are housed separately. The section labeled "Newsletters" consists of should really be viewed as a set of clippings, consisting as it does of single issues of various newsletters and some journals, most of which appear to have been saved for particular articles.

Clippings are arranged in rough chronological order by decade, where date is known. The vast majority of the clippings pertain to Waldman and her circle, although some clippings reflect topical interests. Some of these appear to have been saved by Waldman's mother, Frances LeFevre Waldman. In some cases, whole publications have been saved, either due to their content or to their rare or unusual nature.

Art (1 linear foot, 10 oversize boxes, and 1 portfolio) is made up of artworks by Waldman and her family and friends, as well as various pieces she has collected over the years. Work in many different media exists, including prints, paintings, sketches, drawings, and collages. Much of Waldman's work consists of prints done while a student at Bennington College. There are also exquisite corpses (collaboratively created pictures and writings, done in-the-round) by Anne Waldman, Reed Bye, and Ambrose Bye. According to Waldman, this was a frequent after-dinner pastime when Ambrose was young, and friends and guests, such as Bobbie Louise Hawkins, were invited to participate.

Cover Art includes "Collaborations," which consist of collaborative book-length works and not just cover art per se. Additional cover art may be found in the among the Rocky Ledge files within the Editing and Publishing series. Noteworthy among the artists represented are George Schneeman and Joe Brainard.

The Photographs, Slides and Negatives series consists of approximately 2.5 linear feet of photographic materials documenting a variety of subjects, including Waldman's childhood and school years, her large circle of friends and colleagues, and her publishing and performance activities.

The Personal subseries contains personal and informal photographs of Waldman and others. Photographs in the "Family and childhood" folder include photographs of Waldman as a child, as well as other family members. The high school and college photographs include several photographs of Waldman as a young actress. The bulk of the Personal subseries consists of the "Friends and colleagues" photographs. These photographs include images of many prominent late twentieth century poets, Waldman's husbands and significant others, and other friends and colleagues. Waldman herself is pictured in some of the friends and colleagues photographs.

One of the strengths of the Professional subseries is the large amount of photographs of Waldman performing. The performance photographs, which date from the late 1960s to mid 1990s, sometimes include images of other poets and performers. Also included are several folders of portraits and publicity photographs, photographs created for various book and publishing projects, photographs of Bob Dylan's Rolling Thunder Revue Tour, and photographs documenting Waldman's activities at Naropa University and the St. Marks Poetry Project. The St. Mark's photographs include images of New York School and other poets performing at the church. The Professional subseries also includes several photographs taken by photographer, poet, and filmmaker Gerard Malanga. Although Malanga photographs can be found within several of the groupings in the Professional subseries, the majority can be found within the portraits grouping. A Malanga portrait of Waldman and her mother, Frances, has been filed with the family photographs.

The Outsize subseries consists of photographs too large to be housed with the rest of the photograph series. The highlights of the outsize photographs include two photographs taken by Allen Ginsberg which include handwritten captions by Ginsberg.

The Albums and Scrapbooks subseries complements the friends and colleagues photographs found in the Personal subseries. In addition to photographs documenting Waldman's travels in Greece and Egypt in the early sixties, the albums contain numerous photographs of Waldman and her circle in the late sixties and early seventies. Photographs of Lewis Warsh, Michael Brownstein, Joe Brainard, Ron Padgett, Ted Berrigan, Tom Clark, Bill Berkson, and others can all be found in the albums. The albums have been arranged chronologically.

The Slides and Negatives subseries consists primarily of miscellaneous and unidentified slides and negatives. The subseries does contain a few slides of Waldman performing.

The researcher should note that a small number of photographs sent to Waldman by specific correspondents can be found within the Correspondence and Name File series.

The Audiovisual Series has been divided into four subseries: Sound Recordings, Video Tapes, DVDs, and Digital Files. The series provides a unique perspective on Waldman's activities, and thus complements and expands the manuscript and photographic holdings. Including recordings of readings, lectures, and interviews given by Waldman and others, the series strongly represents the sounds and voices of late 20th century American poetry.

The Sound Recordings subseries has been organized according to format, including LPs and 45s, Compact Discs, Reels, and Audio Cassettes. In order to facilitate access, each sound recording has been numbered. Recordings are numbered sequentially within each subseries. Titles indicated in quotation marks in the finding aid are quoted directly from the labels of the recordings. In a few cases, particularly within the Commercial Recordings grouping, quotation marks are also used to indicate the title of a poem or work.

The LPs and 45s, Compact Discs, and Reels represent a relatively small part of the subseries. The LPs and 45s include the 1977 LP "John Giorno and Anne Waldman," as well as Waldman's "Uh-Oh Plutonium" 45, and a "voice-o-graph" recording of Waldman and Michael Brownstein. The Compact Discs subseries consists of commercial recordings of Waldman, including a live 1991 performance in Amsterdam which includes an accompanying booklet of poems.

Reels include recordings related to a variety of subjects. Included are Waldman performances at radio stations and elsewhere, television shows related to poetry, a commercial recording of Fast Speaking Woman , and a recording of Waldman while acting. To facilitate access, the recordings in this group have been transferred onto recordable compact discs. The numbering and labeling of the compact discs corresponds to the numbering of the reels.

The largest part of the subseries is comprised of Cassettes, which include readings and lectures by Waldman and other poets, interviews, radio broadcasts featuring Waldman, commercial recordings, Waldman's recording projects, and other miscellaneous recordings. Spanning the years 1971-2002, the readings include recordings of Waldman reading with Ted Berrigan, Allen Ginsberg, Diane di Prima, Gary Snyder and others. In addition, there are several recordings of readings not by Anne Waldman, including performances by Ginsberg, John Ashbery, Robert Creeley, Philip Whalen and others. Lectures by Waldman at Naropa Institute and in other settings, and lectures by William Burroughs, Allen Ginsberg, Ted Berrigan, Carl Rakosi, and Peter Orlovsky are included.

Interviews and conversations represent the strongest part of the series. In addition to an interview of Waldman conducted by Larry Fagin, tapes of interviews of Joe Brainard, Edwin Denby, Diane di Prima, Robert Duncan, Allen Ginsberg, and Philip Whalen are included, many conducted by Waldman. There are two recordings of "conversations," one with Waldman, Clark Coolidge, Lewis MacAdams, and others, and one with Waldman, Tom Clark, Lewis Warsh, Lewis MacAdams, and Philip Whalen. Of note is a cassette recording of Allen Ginsberg orally composing the introduction to Talking Poetics from Naropa Institute: Annals of the Jack Kerouac School of Disembodied Poetics. To facilitate access, the cassette recordings have been transferred onto recordable compact discs. The numbering and labeling of the compact discs corresponds to the numbering of the cassette tapes.

Video recordings consists of 42 VHS videocassettes, one 8mm film reel and ten DVDs. The readings, performances and lectures grouping includes performances from 1990 to 1998 and is the primary strength of the subseries. In addition to Waldman's performances, the tapes include readings by Allen Ginsberg, Gary Snyder, Michael McClure, Ed Sanders and others. Most of the tapes in the programs and television shows grouping were produced commercially or for television shows. The highlight of the grouping is a tape which includes seven episodes of "Word One," a Boulder, Colorado cable access television show hosted by Waldman, which includes performances by Allen Ginsberg, Kenward Elmslie and other poets. The programs and television shows grouping also includes a tape of "poetry videos" from the Manhattan Poetry Video Project, including music videos of Waldman's "Uh-Oh Plutonium," Allen Ginsberg's "Father Death Blues," and Bob Holman's "Rapp It Up." The personal and miscellaneous grouping includes a videotape copy of a home movie of Waldman, Lewis Warsh, Ted Berrigan and others. DVD copies of the first 27 videotapes and the film reel in the subseries (WALDVID-1 to WALDVID-27) are available for viewing in the reading room of the Special Collections Library, with advance notice for retrieval and setup. The ten original DVDs in the subseries are labeled with the prefix WALDDVD- and consist mainly of Anne Waldman poetry readings, and collaborative events such as Transatlantic Howl! A Dedication to Allen Ginsberg, a multivenue event featuring poetry readings and poetic theatre pieces celebrating Ginsberg's poem Howl.

The Digital Files subseries includes backups of email correspondence, files on Waldman's poems and books, such as parts I and II of the Iovis Trilogy and the anthology Civil Disobediences, and interviews. Most of these materials are stored on floppy disks and have not been transferred to viewable digital media.

Ardis Press was an independent publishing house in Ann Arbor founded by Carl and Ellendea Proffer in 1971 that was dedicated to the printing of Russian literature. The publishing house was known both for their English translations of previously untranslated works, as well as Russian printings of 20th Century Russian and Soviet authors. Additionally, they would print the works of contemporary Russian authors as well as anthologies and literary criticisms. Ardis operated from 1971-2002 when it was sold to Overlook Press. The majority of the materials in this collection are from the 1970s-1990s. Noteworthy pieces of this collection include the Russian anthology Metropol, the Russian Literature Triquarterly, and correspondence and manuscripts from a variety of Russian authors, including: Lev Kopelev, Vladimir Nabokov, Osip Mandelstam, Marina Tsvetaeva, Joseph Brodsky, and Sasha Sokolov.

Materials have been divided into seven series. 1. Author/Name Files: This series includes correspondence, manuscripts, newspaper articles, contracts, and publishing materials for Russian authors and translators. Materials are arranged by author's last name.

2. Collected Works/Corporate Authors: This series includes correspondence, manuscripts, newspaper articles, and publishing materials from corporate authors or anthologies of works. Materials are arranged by corporate name or anthology name.

3. Business Records: This series includes materials related to the operation of Ardis Press. It will have three sub-series: Publicity, Company Information, and Author Personnel.The Publicity sub-series includes will have three further sub-series: Reviews, Articles/Exhibit Info, and Marketing/Advertising. Reviews are arranged by author's last name, and both Articles/Exhibit Info and Marketing are arranged by subject. The Company Information sub-series includes sales information and records about Ardis. It is arranged by subject. The Author Personnel series includes three further sub-series: Royalties, Contracts, and Rights. The Royalties series has correspondence, invoices, and documentation for author's royalty statements. It is arranged by author's last name. The Contracts series includes contracts and documentation between authors and Ardis and is arranged alphabetically. The Rights series has documentation, invoices and correspondence regarding copyright and use permissions. It is arranged by subject.

4. Media: This series includes photographs, negatives, slides, audio, and visual materials from Ardis and its employees, authors and their families, Russia and the Soviet Union, and various interviews. Materials are arranged into two sub-series: Photographs + Albums, and Video + Audio. Materials are arranged by media type.

5. Artwork: This series includes artwork from Russian artists, some used for book covers. Materials are arranged by artist last name.

6. Carl and Ellendea Proffer Personal Papers: This series includes documentation, correspondence, awards and programs related to Carl and Ellendea Proffer. Materials are arranged by subject.

7. Non-Ardis Materials: This series includes documents, booklets, and posters from Russian sources but that are not related to Ardis. Materials are arranged by subject.

The Ari J. Kane Papers (1976-2016) document the activities of the sex and gender studies therapist, educator, and advocate Ari J. Kane, who founded Fantasia Fair and the Outreach Institute for Gender Studies (OIGS). The collection contains personal materials such as correspondence, research materials, educational presentations created by Kane, and other miscellaneous materials from Kane's involvement in the LGBT community. Included in the collection are organizational correspondence and records relating to the Outreach Institute of Gender Studies and the Educational Institute for Sex and Gender Diversity. Also included are event programs, planning information, workshop materials, member lists, and correspondence from events and programs such as Fantasia Fair, the Gender Attitude Reassessment Program, GAYLA, and various professional organizations' annual meetings. The collection contains photographs from Kane's participation in events, parties, and travels around the United States.

This collection documents the activities of Ari J. Kane, who founded Fantasia Fair and the Outreach Institute for Gender Studies (OIGS), and was a sex and gender studies therapist and educator. The collection contains personal materials such as correspondence, research materials, educational presentations created by Kane, and other miscellaneous materials from Kane's involvement in the LGBT community.

It also contains materials documenting the OIGS, such as organizational correspondence; financial records; board of directors meeting minutes; endeavors with organizational support such as the Gender Attitude Reassessment Program (GARP), Fantasia Fair, and the Journal of Gender Studies; publications created by and collected by the OIGS; and miscellaneous promotional materials and flyers. Gender Attitude Reassessment Program materials consist of drafts; research materials; workshop proposals, exercise handouts, and transparencies; correspondence; and a completed manuscript. Fantasia Fair materials consist of event programs, member lists, correspondence, planning notes, newsletters, and flyers. Journal of Gender Studies materials consist of issue proofs, submissions and content to be published, flyers, and mailing lists.

The Educational Institute for Sex and Gender Diversity (EISGD) is also documented in the collection. The EISGD is an offshoot of the Outreach Institute for Gender Studies that formed around 2001-2002. These materials contain organizational correspondence and records such as meeting minutes, expense reports, brochures, and flyers.

The Conferences and Events series contains materials relating to events that Kane was a part of, as well as conferences she presented at or attended. The GAYLA subseries consists of event programs, correspondence, photographs, newsletters, member lists, and planning notes. GAYLA is an annual summer event for gay men held at Ferry Beach, Maine. The American Association of Sex Educators, Counselors, and Therapists (AASECT) subseries contains conference event programs, presentation proposals and submissions, correspondence, workshop materials, research articles, and AASECT publications. Most of the materials in this subseries relate to Dave Prok, a longtime board member of OIGS and EISGD and professor at Baldwin Wallace University in Berea, Ohio. Prok served as a conference proposal abstract reviewer for AASECT. The Easton Mountain subseries contains brochures, event programs, notes, newsletters, and materials relating to Gay Spirit Camp and the Maturing Gay Man series of workshops. Easton Mountain is a retreat in upstate New York. Ari J. Kane and Dave Prok collaborated on a workshop for aging gay men called the Maturing Gay Man that they presented at Easton Mountain. The Various Conferences subseries contains event programs, invitations, correspondence, proposals, and presentations from many different events.

The Photographs series consists of photographic prints and photograph albums. The photograph albums depict Fantasia Fair and GAYLA events. The photographic prints depict various events such as Fantasia Fair; GAYLA; Society for the Scientific Study of Sexuality and American Association of Sex Educators, Counselors, and Therapists conferences; parties and celebrations; and various travels around the United States. People depicted in the photographs include Ari J. Kane, Jane Peabody, Carole Mayfield aka Dick Arms, Bob Cowart, Winnie Brant, Ron Roy, and Candy Scott, among others. The photographs remain in original order.

The Audiovisual Material series consists of VHS tapes, cassette tapes, floppy disks, and compact discs containing media from Fantasia Fair 1994 and 1996, The Sissy Show, the Gender Attitude Reassessment Program.

This collection contains correspondence to Austrian composer Arnold Schönberg from fellow composers, musicians, and friends, including conductor Wilhelm Furtwängler, Austrian conductor Heinrich Jalowetz, Franco-Polish composer and conductor René Leibowitz, writer Klaus Mann, pianist Artur Schnabel, and American cellist and conductor Alfred Wallenstein. The correspondence covers five decades, including his move to the United States following the Nazis' rise to power in 1933.

The Schönberg papers consist of correspondence written to Schönberg from fellow composers, musicians and friends. Correspondents include the conductor Wilhelm Furtwängler, Austrian conductor Heinrich Jalowetz, the Franco-Polish composer and conductor René Leibowitz, the writer Klaus Mann, the pianist Artur Schnabel, and the American cellist and conductor Alfred Wallenstein. The correspondence is in German, French and English. In addition to this finding aid, the Special Collections Library holds a more extensive inventory of the papers.

Consists of 10 letters from Arthur Lowell to Iva Hutchinson and 2 from Will Hutchinson to Iva Hutchinson.

Corporal Arthur J. Lowell, Company "D", 35th Infantry, U.S. Army, wrote these ten letters to Iva Hutchinson between February 14, 1900 and January 10, 1901. Lowell writes of going into the mountains to "clear out insurectos," the number of dead and captured, the use of water torture on Filipino prisoners, eating bats, his plan to translate into English the history of the Philippines that had been written on shells, the upcoming U.S. Presidential election, and a continuous thread concerning when he would be returning home. Also included are two letters from Will Hutchinson to his sister Iva Hutchinson. These are dated September 8, 1899 and May 27, 1900.

Originally founded as the National Microfilm Association in 1943, the Association for Information and Image Management (AIIM) is a nonprofit focused on establishing standards for electronic and physical information management. This collection consists of reports, newsletters, and consumer information from roughly (DATES). The collection is minimally processed, and many reports remain in their original bindings, primarily 3-ring binders. In 2018, the organization renamed itself the Association for Intelligent Information Management.

The collection offers a picture of information management systems in a period of increasing computerization and shows how business and parts of the US government studied and used information management technologies. It consists primarily of binders, marketing and informational material, and typed reports, but it also contains some A/V material.

The Aubrey Haan Papers consist of three series, and include correspondence, research materials, and two book manuscripts for Haan's work on a biography of Joe Hill, neither of which was ever published. Hill was a cartoonist and song writer for the Industrial Workers of the World union, and was executed for murder in 1915, following a controversial trial. Materials range from 1909-1951, and primarily cover Haan's research on Hill and the trial. Included is a transcript of the Hill trial, as well as several newspaper articles and other trial materials. The collection consists of three series: Correspondence; Research Materials; and Manuscripts.

Papers accumulated by Aubrey Haan regarding the life and execution of Joe Hill, a folk-singer and labor union representative who was killed in Utah in 1915. Materials include correspondence, book manuscripts, and trial materials from Hill's trial.

The Correspondence Series spans 1940-1951, and much of Haan's general correspondence is with his wife, as well as with publishers regarding Haan's attempts to publish his Joe Hill manuscripts. Other correspondents include Constantine and Virginia Filigno, with whom Haan spoke regarding Hill's trial and execution. Constantine was a leader of the Industrial Workers of the World during the 1940s, while Virginia was a strong advocate for Hill's innocence. Also included are several letters with Agnes Inglis of the University of Michigan Labadie Collection.

The Research Materials Series includes materials used by Haan for his biography on Hill. Included are copies of news articles about Hill and his execution, obituaries, and trial proceeding documents, including a trial transcript.

The Manuscripts Series contains two book manuscripts one for Haan's "Pie in the Sky," and another untitled. The "Pie in the Sky" manuscript includes handwritten notes and edits.

This collection consists of one folder. With the exception of one manuscript dated 1948, and some undated materials, the contents date from 1979 to 1983. All the items in the collection are letters sent to Goodfriend, or written materials collected by her. None of her own writing is included. There are two postcards and a letter from Molly Steimer to Audrey Goodfriend, and a letter from Proudhon Carbo reporting Steimer's death, all sent from Mexico; the letter from Steimer discusses Goodfriend's separation with David Koven. The 1948 manuscript is a carbon copy of a memorial message for "Comrade Pece" written by Jules Scarceriaux. A photocopy of an unsigned memorial for Dora Stoller Keyser, and some miscellaneous flyers and writings round out the collection.

Babyfish was a radical political zine published by Detroit-based poet, anarchist, and pansexual advocate Andy Smith, also known as Sunfrog, between 1988 and 1996.

The Babyfish papers consist of a variety of zines, most with a radical, anarchist and pansexual base. The actual zine Babyfish consisted of six issues; this collection includes the latter five. Each of these issues are of varying lengths and themes, but for the most part they address radical topics concerning urban living, with a particular emphasis on the decay of inner-city Detroit. Other papers in the collection include additional radical zines, some of which were created exclusively by Sunfrog, others being collaborative efforts. The collection also includes financial receipts which have to do with the printing of Babyfish.

The title zine is rich in anarchist commentary on social, political, and economic issues that affected the United States government from the spring of 1988 until the final issue was published in the winter of 1994. The Detroit "journey" of Sunfrog is made more palatable by the collaborative efforts of regular guest artists, musicians, poets and those involved with the radical politics of the city.

"With the dynamic skills of Pat Medicine working overtime, the 'fish organized itself into thematic sections which honed recurring motifs. 'Radical Sexuality' (feminism, US Out Of My Uterus, homocore, The Radical Faeries) & 'Earth vs. The Machine' (ecological, anti-nuke, anti-car & anti-incinerator raves) appeared alongside poetry, interviews & reviews which featured such local musical talents as: Only A Mother, Yeastie Girlz, Sleep, Gories, Viv Akauldren, Roger Manning, John Bartles, The Blanks & more." (Sunfrog, Babyfish, Issue #6, p.7)

Babyfish's radical nature "clearly articulated a response to Helms-era censorship hysteria by its use of wild graphics and explicit words, encouraging cultural debate & never compromising the ethic of a "free-form" journal." (ibid.) Sunfrog clearly recognized that his efforts at expression were not definitive. In his final editorial he passes on the radical torch by saying "As we put raps on the final issue of Babyfish, it is clear that there is still an enormous amount of unpublished work which the community deserve a chance to see…this is our final entry in a prolific Cass Corridor journey." (ibid.)

This collection contains correspondence, news clippings, writings, manuscripts, and ephemera related to Barbara Murphy's involvement in student protest movements at the University of Michigan in the 1960s. Also included are reports, manuscripts, administrative materials, and correspondence generated during her subsequent career at the University of Michigan, primarily concerning her work to advance women's rights at the university.

This collection contains correspondence, news clippings, writings, manuscripts, and ephemera related to Barbara Murphy's involvement in student protest movements at the University of Michigan in the 1960s. Also included are reports, manuscripts, administrative materials, and correspondence generated during her subsequent career at the University of Michigan, primarily concerning her work to advance women's rights at the university.

The correspondence largely consists of mailings sent to Murphy from former SDS members coordinating reunions, particularly the 1977 reunion. It also includes mail sent between other SDS members (not Murphy herself), including Alan Haber, the organization's first president. Notable is the correspondence concerning the 1965 anti-Vietnam War Teach-In, the first of a number of such events across the country in which professors cancelled classes and gave antiwar seminars for 12 hours. Additionally, there is a small number of interdepartmental letters from Murphy's career at the University, as well as information and appeals concerning various social causes.

Before her passing, Murphy had begun to organize her files herself. The files she pulled together have been maintained in their original order with their original titles transcribed. Most of these folders concern Murphy's professional career.

The Administrative records subseries is grouped by relevant organization or institution. Materials within folders are organized chronologically. Papers include organizational agendas and minutes, funding proposals, reunion planning, and policy guidelines. Most are related to Murphy's career at the University.

The Printed Materials series is grouped by type of printed material. Materials within folders are organized chronologically. The journals, newsletters, manuscripts and essays largely consist of writings by SDS members or other members of the New Left. Ephemera comprises a variety of pamphlets, broadsides, flyers, and stickers distributed by student activist organizations. Most relate to antiwar and anti-draft activism, particularly the 1965 teach-in. The majority of research reports and surveys were generated by researchers at the University of Michigan and concern gender equality on campus. The news clippings concern both SDS and academic women's issues.

Finally, the SDS files folder contains a handful of SDS papers that did not easily fit into other folders, including a booklet of protest songs, a biographical booklet about former SDS president Paul Potter, and a copy of an FBI memorandum regarding surveillance of the New Left in Ann Arbor.

This collection covers writing and correspondence from prominent journalist and screenwriter Ben Hecht, as well as materials related to his daughter, Jenny, and wife, Rose.

The Ben Hecht collection includes materials from the 1940s through 1963 and is divided into five series: Writing, Correspondence, Jenny Hecht, Rose Hecht, and Miscellaneous.

The Writing series, which comprises three-quarters of the collection, contains original manuscripts and notes authored by Hecht. The series is divided by genre into eight subseries: books, essays and articles, notes and treatments, poetry, published writing, scripts, short stories and miscellaneous. As most pieces are undated, materials within each subseries are arranged alphabetically by title as it appears on the piece. While the manuscripts included in the collection are generally for lesser-known or unpublished material, this collection provides a wealth of insight into Hecht's creative process. Particularly in the Scripts subseries, many works contain multiple drafts or include handwritten corrections.

The Books subseries contains a draft manuscript for Hecht's Perfidy (here titled Perfidy in Israel). Published in 1961, this controversial work reflected Hecht's growing anti-Zionism toward the end of his life, a stance that went against his earlier activism for Jewish causes. The Essays and Articles subseries holds five non-fiction pieces, including a letter criticizing the movie of The Diary of Anne Frank, for which Hecht's daughter Jenny was passed over for the title role.

Notes and Treatments includes a number of materials from Hecht's film and television work. Notable among these is a treatment for Miracle in the Rain, which was later produced as a film in 1956. Poetry consists of two poems that reflect some of Hecht's political views. Published Writing features an article Hecht wrote about Marilyn Monroe's death.

The largest collection of writing is contained in the Scripts subseries. It includes draft and final versions of nine separate projects, many with handwritten corrections. Not all were produced as films or plays, so these folders provide insight into some of Hecht's lesser-known work. Particularly interesting items in this subseries are the script for a musical version of Underworld, the screenplay for which Hecht won the first Academy Award for Best Original Story in 1927, and multiple drafts of Hecht's play Winkelberg, based on the life of his friend Maxwell Bodenheim.

Short Stories includes five examples of Hecht's fiction work, including handwritten pages for "Some Slightly Crazy People," which was published in the Saturday Evening Post in 1959. The final subseries in the Writings series , Miscellaneous, has untitled writings and jottings, including one written on a torn piece of cardboard and another on the back of an envelope.

The Correspondence series features materials reflecting Hecht's professional and personal life. Materials within the collection are divided in two subseries, Business Correspondence and Personal Correspondence, and arranged chronologically within each subseries. Spanning the years 1946 to 1963, with the bulk of material from 1958 to 1959, the relatively small Business Correspondence subseries contains a number of letters describing negotiations for projects involving people ranging from Orson Welles to Marilyn Monroe. Several are from Hecht's agent Albert Lewis. This series also includes a letter from the American Broadcasting System announcing the cancellation of Hecht's short-lived television talk show The Ben Hecht Show, which ran from September 1958 to February 1959.

Personal Correspondence spans 1946 to 1963 and is further divided into three subseries. The largest, Fan Letters, includes over 40 letters from fans written between 1956 and 1961. Most were written in support of Hecht's appearance on The Mike Wallace Show in February 1958. Two smaller subseries, Letters to Ben Hecht and Letters to Ben and Rose Hecht, include letters and telegrams from acquaintances, relatives, and family friends.

The Jenny Hecht series includes material related to Hecht's daughter's appearance in stagings of the theatrical version of The Diary of Anne Frank at the Palm Springs Playhouse and the Tappan Zee Playhouse in 1959. The folder includes Jenny Hecht's contracts for the appearances, programs for the productions, newspaper clippings, congratulatory telegrams from family friends, and a card which accompanied flowers from her father. The folder also includes photographs from the productions.

The Rose Hecht series features correspondence to and from Hecht's wife spanning from 1945 to 1959 and arranged chronologically. Several of the letters written by Rose indicate her involvement in her husband's business affairs, including a plea to a congressman petitioning for changes to the tax laws which "unfairly" burden artists.

The Miscellaneous series is comprised of two folders. The first folder contains a list of Hecht's visitors from 1950, featuring such Hollywood personalities such as Kirk Douglas, Otto Preminger, David O. Selznick, and Harpo Marx. The second folder includes publicity materials for several of Hecht's publications, a posthumously awarded certificate for induction to the Chicago Journalists Hall of Fame, two untitled hand-drawn floorplans, and a photograph of a children's band marked "Rhythm Band 1947."

Correspondence between the donor, Beni, and Franklin and Penelope Rosemont, who were surrealist artists, writers, activists, and publishers.

This small collection primarily consists of correspondence between Beni and Franklin Rosemont regarding the collecting of IWW and Surrealist publications. Beni was initially interested in receiving more of the Rosemonts' publications in Arsenal. As their correspondence became more robust, both men collaborated on a search for materials relating to various figures in the history of IWW publications. In the 2000s, their correspondence moved to e-mails that include a network of activists, librarians, and scholars invested in the discovery and preservation of labor history materials. After Franklin Rosemont's death in 2007, Beni continued to collaborate with the curator of the Labadie Collection to acquire rare materials related to the Rosemonts' own activities.

Files, notes, documents, and print material concerning all aspects of the women's movement of the 1970s. Creator was active in the movement, in Washington DC and NYC organizing demonstrations and workshops. She was also involved with the feminist publication Quest. Files are primarily from 1971-1979, although the collection spans from 1964-1985.

Materials consist of 17 mounted, black-and-white photographs of deportees during the 1917 Bisbee Deportation.

This collection consists of 17 mounted, black-and-white photographs of deportees during the 1917 Bisbee Deportation.

The Black Liberation Army (BLA) was an underground Black Nationalist organization largely comprised of former Black Panther Party members. The majority of the materials in the Black Liberation Army archive fall under the Thomas "Blood" McCreary series, a member of the BLA. The archive consists of seven series: Thomas "Blood" McCreary, Correspondence, 1976-1978, Legal, Topical, Newspaper Clippings, 1969-1978, Events, Publications and Black Panther Party. The documents range in date from 1963-1998.

Thomas "Blood" McCreary, a member of the BLA, is the largest series in the Black Liberation Army archive. The correspondence sub-series consist of letters written to or from McCreary ranging in date from 1963-1998. Letters referencing Tupac Shakur can also be found in the correspondence sub-series. Legal is the largest sub-series and is comprised of eight legal cases McCreary was involved in as well as legal documents regarding Tupac Shakur's estate. Legal documents include affidavits, appeals, correspondence with lawyers, statements from McCreary describing prison conditions and trial errors, and a character reference from Bell Gale Chevigny. McCreary's resume, contacts and newspaper clippings are also small sub-series'. The photography sub-series is comprised of three folders which include a photograph of McCreary's graduation from Adelphi University in 1986, the Panther 21 reunion and miscellaneous photographs.

Project Renewal is an organization in New York City with a goal of ending homelessness. McCreary served as a member of the Black History Month Committee for this organization. The Project Renewal sub-series contain documents regarding the planning of a black history month event. The next sub-series is the 25th anniversary of the New York Panther 21 acquittal. On April 2, 1969, 21 members of the Black Panther Party were arrested and charged with conspiracy to blow up the New York Botanical Gardens. McCreary served on the committee to plan the celebration of their acquittal 25 years later. This material includes speaker requests, invitation and flyers. The final sub-series is the 30th anniversary of the Black Panther Party, where McCreary served as a committee member. This material includes meeting minutes, speaker requests and publicity.

Correspondence, 1976-1978 is a series consisting of 5 folders of letters and notes from Black Liberation Army members and range in topic.

The Legal series is comprised of two legal cases. The first is Caban v. United States, dated February 7, 1984. This document is an appeal in a case that involves a man named Salvador Caban who was detained for six day by INS despite being a citizen of the United States. The second is Richard Moore v. FBI, et al.. The documents in this case include exhibit documents as well as a transcript taken during the deposition of Sekou Odinga, a BLA member.

Topical is a series which is separated into 3 sections. Resumes are the first section, which contains the resumes of four people. Next, the Counterintelligence Program section consists of a memorandum describing the background, development and potential offices of the Counterintelligence Program (COINTELPRO), an FBI program which conducted covert and sometimes illegal activities to neutralize numerous political organizations. The final sectuib in the Topical series is titled Reconsolidation and Infrastructure, dated 1996. This includes several documents regarding ways to reconsolidate the structure of the BLA.

Newspaper Clippings, 1969-1997 is a series that largely consists of newspaper clippings covering the arrests of BLA members as well as opinion pieces regarding the organization.

Events consist of seven sections: United African Movement Freedom Retreat, Protests, Fundraisers, Memorials, Campaigns, Lectures, and the 27th Annual African American Parade. The materials range in date from 1970-1995 and include publicity material, clippings and flyers.

The Publications series contains five sections. First, the Black Panther section include various articles from the Black Panther publication ranging from their beliefs to collages and poems. The New York Amsterdam News section is an ad in support of Assata Shakur. "Antiterrorism and Effective Death Penalty Act of 1996," Public Law 104-132 is dated April 24, 1996 and was signed into law after the Oklahoma City bombing. Newsletters is a section comprised of newsletters from various organizations. Finally, the New Afrikan Journal section consists of Volume 4, Number 1 edition of the journal.

Black Panther Party is the final series in the Black Liberation Army archive and consists of six sections: Articles, "The Black Panther Party Foundation" by Afeni Shakur, Panther film, Questionnaire, Photocopies of photographs and Black Panther Collective. The articles section ranges in topic and are all undated. "The Black Panther Party Foundation" was a brief report written by Afeni Shakur regarding the assembly of the east and west coast Black Panthers in order to preserve the history of the party and conduct formal remembrances of fallen members. Panther, film is a section regarding the 1995 film about the BPP directed by Mario Van Peebles and starring Kadeem Hardison, Courtney Vance and Bokeem Woodbine. The photocopies of photographs sub-series include photographs of BPP Minister of Defense Huey Newton as well as photographs of a "Free Huey" rally. There are also miscellaneous photographs which are undated. The Black Panther Collective was formed in 1994 with the mission to carry on the legacy of the BPP. This sub-series includes correspondence, flyers, rules and regulations and community police patrol documents.

Bread and Roses Productions was formed in 1978 as a way to combat what its members saw as negative and harmful portrayals of women on television. The group, formed by several volunteers at the Women's Crisis Center of Ann Arbor, filmed public service announcements, lectures, interviews, and other programs to draw attention to issues related to women's lives in the Ann Arbor and Ypsilanti areas. The collection consists of sixteen magnetic tapes containing audiovisual recordings of programs, interviews, and events recorded by Bread and Roses Productions between 1978 and 1983.

The collection consists of twelve magnetic tapes containing audiovisual recordings of programs, interviews, and events recorded by Bread and Roses Productions between 1978 and 1983. Topics include interviews with Mollie Haskell, Lois Garmen, andBread and Roses co-founder Marge Greene; programs about women's equality, lesbian rights, and the Family Protection Act; interviews and programs related to relaxation and polarity therapy; a Holly Near concert; and a recording of a presentation by Tom Hayden and Jane Fonda.

Materials have been reformatted, and CD use copies have been created.

This collection was created by Margaret Kahn, a political science graduate student from the University of California, Berkeley. Kahn traveled to Great Britain to conduct research into coal miners' unions for her doctorate thesis on labor relations. While there, she witnessed and documented the coal miners' Great Strike of 1984/1985. The collection consists of Kahn's research notes and writings, along with books, papers, reports, pamphlets, and ephemera produced by unions, interest groups, companies, and government bodies. Subjects covered include the 1984/85 strike as well as broader contemporary conflicts over labor, energy, and governance in the UK.

The collection is sorted into eight series based largely on format.

The correspondence series consists of a handful of letters sent to Kahn directly, as well as a small collection of letters sent between other correspondents that Kahn collected as part of her research.

In the manuscripts series is the typescript for Kahn's unpublished biography of Arthur Scargill, the president of the National Union of Mineworkers (NUM) during the Great Strike.

The research notes series represents Kahn's original research. Kahn tended to create ordered compilations of annotated primary and secondary source documents interwoven with pages of her own handwritten notes. The interviews subseries features notes focused primarily on Kahn's interviews; however, additional interview notes are scattered throughout the other subseries. The alphabetical research notes are a portion of Kahn's research that she labeled by subject and alphabetized herself. At the end of the series are eight folders of unlabeled notes covering a variety of subjects.

The research documents series consists of mostly unpublished, unannotated papers that Kahn collected.

The subject files series are folders sorted alphabetically by Kahn's original titles and then grouped into broader subject categories. This series was left untouched during reprocessing due to uncertainty about the extent to which it represented Kahn's original order. Thus, there is some overlap between papers in this series and others, particularly the research documents series.

Publications are books, booklets, and other softbound publications Kahn accumulated. They have been grouped by their primary publisher, then sorted into subseries according to the sectors or interests they represent. While a good deal of materials concern the 1984 strike, they also cover related contemporary events in the UK, including the closure of collieries, the privatization of the energy sector, and the rise of Thatcherism.

Newspapers and clippings are newspapers, journals, and news clippings compilations (created by Kahn) that document the progress of the Strike, various strike topics, and issues regarding the British Press and the Strike.

Finally, the ephemera series consists of six folders of leaflets, brochures, flyers, order forms, and stickers related to coal mining, trade unionism, and political organizing.

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. These records document a portion of the history of the Detroit-based African-American-owned publisher of poetry broadside, anthologies and other works.

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. The ten linear feet span the years 1968 to 1998, with the bulk of materials falling between 1985 and 1996. Records are arranged in ten series: Correspondence (0.5 linear feet), Book Production Material (1 linear foot), Broadsides (0.25 linear feet), Programs and Events (0.5 linear feet), Business Records (1 linear foot), Financial Records (1 linear foot), Photographic Material (0.5 linear feet), Audiovisual Material (0.5 linear feet), Ephemera (1.5 linear feet), and Realia (.25 linear feet).

Founded by Hermann A. Brunn in Buffalo, New York, Brunn & Company were designers and builders of automotive bodies from the 1920s through the early 1940s, and are best known for the bodies constructed for the Lincoln Division of the Ford Motor Company. Brunn also built automobiles for private individuals, many of whom were well-known members of American business and society circles, including J.C. Penney and J.P. Morgan. Hermann C. Brunn, son of Hermann A., produced numerous designs for the company, and then continued his career at the Ford Motor Company following the closing of Brunn & Company in 1941. The collection documents the work of Brunn & Company, Hermann A. Brunn, and Hermann C. Brunn, through engineering drawings, photographs, paint and upholstery samples, customer order records, correspondence, and research materials.

The Brunn collection has been divided into four series: Correspondence, Design and Engineering, Images, and Sales and Marketing.

The Correspondence series is arranged alphabetically by correspondent and then chronologically within each file. The letters are primarily from customers to Hermann A. Brunn expressing appreciation for the work done on their vehicles. Letters that are circa 1970 includes material written by and sent to Hermann C. Brunn during his employment at Ford Motor Company, and in regards to modern restorations of Brunn vehicles. In cases where a specific vehicle can be identified, the correspondence has been filed with the photographic images of that particular vehicle. Some of the letters were part of a scrapbook and many letters are glued to the same page, as a result at the end of correspondence there are several letters listed together which indicates they are glued together and in the same folder.

The Design and Engineering series is divided into three subseries: Brunn & Company Drawings, Other Drawings, and Hermann C. Brunn. The material in the series consists primarily of drawings produced by Brunn & Company illustrating the various body designs produced by the firm, which are, for the most part, reproductions, or blueprints. The drawings show the left (driver) side elevation of the vehicle and, in some cases, include a plan view of the interior layout. Dimensions, if shown, detail the passenger interior space. The name, or initials, of the designer, customer name, and notes detailing specific vehicle configuration and trim can be found on many of the drawings. The drawings have been arranged alphabetically by make of chassis, then chronologically by date drawn and design number. Data for body style, model, chassis wheelbase in inches, engine configuration, order number, and customer name has also been included in the file title, where known. The Other Drawings subseries consist of a smaller number of drawings that originate from other manufacturers, including General Motors and the Ford Motor Company. The Hermann C. Brunn subseries consists of materials created by Hermann C. Brunn in the period after the closing of Brunn & Company, and includes a manuscript for an article describing the history of the brougham body style.

The Images series is divided into five subseries: Negatives; Vehicles, Brunn & Company; Vehicles Other, Non-vehicle, Brunn & Company; and Non-vehicle, Other. Image formats include black and white, and color, photographic prints and negatives. The bulk of the subjects are Brunn & Company vehicles, with images illustrating the exterior of completed automobiles. In many cases the prints and negatives are marked with the vehicle order number and many images are loose pages from a scrapbook. Images of body construction, interior, and body detail are captured for some vehicles. Non-vehicle subjects include the [1929] Paris, France, Auto Salon. Non-Brunn & Company subjects include several of images of the Aqua Cheetah, an amphibious vehicle built for the United States Army by the Amphibian Car Corporation. Another group of photographs are labeled “Best of Brunn” I and II which are an assortment of photos from various car models.

The Sales and Marketing series consists of brochures, print advertisements, owner lists, price lists, and a number of large-format upholstery and paint samples. The series also includes a Customer Order Book for 1935-1937. This journal records all vehicles built by Brunn & Company during that time period, with entries for order number, order date, body style, model number, customer name, body number, trim and paint specification, intermediate construction dates, and vehicle completion dates.

The Bunyan Bryant Papers hold documents related to anti-discrimination activities in the Ann Arbor, Michigan area, as well as national efforts through the Congress of Racial Equality (CORE), from 1961-1965. Efforts in Ann Arbor center on housing at Pittsfield Village, Arbordale Manor, and include documentation on city-wide fair housing efforts and policies.

The Bunyan Bryant Papers hold documents related to anti-discrimination activities in the Ann Arbor, Michigan area, as well as national efforts through the Congress of Racial Equality (CORE), from 1961-1965. Efforts in Ann Arbor center on housing at Pittsfield Village, Arbordale Manor, and include documentation on city-wide fair housing efforts and policies. Also present are materials related to racial discrimination at commercial entities such as Seyfried Bridal, Students Friend Discount Barber, and Thompson's restaurant. The documentation holds information about activities that includes correspondence, legal efforts, sit-ins, marches, and picketing.

The Fair Housing series contains documents related to city-wide anti-discrimination planning and policy. AAAFHA Pittsfield Village (Ann Arbor Area Fair Housing Association) is a series that holds materials related to fighting racial discrimination in housing. The AAAFHA-CORE (Ann Arbor Area Fair Housing Association - Congress of Racial Equality) includes information about the Ann Arbor, Michigan chapter of CORE and their activities fighting racial discrimination in housing, education, and commerce. Of note are materials related to a sit-in at City Hall, and documents related to Seyfried Bridal. The Arbordale Manor Housing Discrimination folder holds documentation about discriminatory housing practices when Bunyan Bryant was denied housing based on his race. It includes formal complaints, legal documentation, and correspondence, as well as documents calling for demonstrations. The CORE (Congress of Racial Equality) series contains materials related to the national CORE organization, its relationship with local chapters, policies, and the 1964 and 1965 national conventions. The Jones School Closure (Ann Arbor, Michigan) series includes newspaper clippings of articles related to education and segregation. The Miscellaneous series holds materials not related specifically to the other series that are relevant to racial equality efforts.

Formerly the Tom Mooney Labor School, the records consist of correspondence, minutes of faculty meetings, faculty committee reports, financial records and fundraising materials, promotional flyers and press releases, student publications, course outlines and course announcement flyers, school term schedules from 1950 to 1955, and a transcript of the proceedings of a forum, "Industry and Labor in the Postwar World," held on July 26, 1944. Included are letters to Yehudi Menuhin and Isaac Stern concerning support of a music department at CLS. The school was investigated in 1946 by the Tenney Committee, the California legislature's Joint Fact-Finding Committee on Un-American Activities, on the charge that an institute jointly held by CLS and the University of California was Communist-sponsored. However, the only indication of this fact in the records is brief mention in the faculty meeting minutes.

The records of the California Labor School(CLS) are comprised of materials documenting the educational programs, activities, and events of the school. The records are organized into four series: Academic Files, Office Files, School Promotion, and School Publications. Records of particular interest are pamphlets found in the School Publications series, which include essays, speeches, stories, plays, and even a book of early songs by Malvina Reynolds. Researchers will also find notable historical facts on the CLS in the Press Releases and Ephemera folder of the School Promotion series.

Correspondence, manuscripts, publications, and ephemera from award-winning novelist, journalist, and anarchist Cara Hoffman.

The correspondence series contains digital correspondence between Hoffman and colleagues, as well as letters sent to Hoffman. The creator separated digital correspondence from Goddard College, Jon Frankel, and Rachel Pollack from other letters. These correspondents' folders are arranged alphabetically. Their back-and-forth with Hoffman largely consists of discussions about craft or admissions to Goddard College. Additional correspondence is ordered chronologically. Many letters date from the 80s and 90s and concern the personal lives of Hoffman's correspondents.

The Works series consists of notes, manuscripts, proofs, and publications of Hoffman's novels, short stories, and articles. Materials are grouped by work. The bulk of materials relate to Hoffman's most recent novel, Running, which is based loosely on her early travels in Greece in the 1980s and 1990s.

The collection also includes 5 of Hoffman's personal journals, dating from 2000 to roughly 2018. These journals include notes and writings related to Hoffman's writing process and her work on her MFA. Following the journals are Hoffman's Goddard diploma and handful of ephemera from Hoffman's travels.

Carl Nold was a German-born anarchist who was involved in the Homestead Strike (1892) and served prison time for being involved in the plot to assasinate Henry Clay Frick. This collection is comprised of his correspondence, some photos, news clippings, articles about or by Nold, and court documents.

Papers of this German immigrant anarchist include correspondence, an essay entitled "Six Pathfinders," and court documents for indictments of Henry Bauer and Carl Nold by the Commonwealth of Pennsylvania in the 1892 cases resulting from the attempted assassination of Henry C. Frick by Alexander Berkman. Among the correspondents are Hippolyte Havel, A. Isaac, Harry M. Kelly, Kate Rotchek, as well as Lucy Parsons, whose letters concern anarchists, the International Labor Defense, and criticism of Emma Goldman's autobiography. Also included are poems and an essay by Robert Reitzel, a photo, and a scrapbook about Reitzel's death. The papers are in English and German.

This collection is the result of notes and materials assembled by Ann Fagan Ginger in preparation for the biography Carol Weiss King, human rights lawyer, 1895-1952. Research for the book began shortly after King's death in 1952 and continued into the 1980s. The biography was published by the University Press of Colorado in 1993. Ginger donated the Carol Weiss King collection in 1999.

The collection is in six series:

Obituaries, containing newspaper reports of the death of King in 1952, her brother William in 1946, and her son Jonathan in 1997.

Correspondence, containing photocopies of letters from King concerning the deportation case of Harry Bridges, President of the International Longshoremen's and Warehousemen's Union. The series also contains the correspondence of Ann Fagan Ginger in her efforts to interview those who had connections with Carol Weiss King during her lifetime.

FBI Dossier, a photocopy of most of the 1600 pages generated in the investigation of Carol Weiss King and her associates. The researcher will find many pages with redacted (censored) portions. These passages will have a handwritten notation listing the exception to release of this information under the Freedom of Information Act. In the King file, most are noted "b1" which is the exception due to national security. "7d" is another common exception in the file, meaning the information was supplied by a confidential source. There are also pages noted "previously upheld", meaning that the redacted sections had been challenged and that the Department of Justice appeals process affirmed that the redaction was valid. This series contains 12 folders with consecutively numbered pages, and seven folders with unnumbered pages. Folder 17 contains correspondence related to the FOIA request and the Court of Appeals case filed by Cynthia King.

Source Notes, containing lists of sources used by Ann Fagan Ginger in writing the biography, photocopies of pages from standard reference sources summarizing the lives of many persons featured in the book, and handwritten note cards with references to historical sources.

Printed Materials, booklets, pamphlets and photocopies of early publications of the International Labor Defense, with which Carol Weiss King was associated early in her career, as well as copies of articles used for background and color in the biography.

Book Drafts, early and late typewritten drafts of chapters of the King biography.

The records of the Charles Ellet, Jr. papers include correspondence, court documents, technical drawings and plans, general orders, reports, meeting minutes, newspaper clippings, notebooks, diaries, photographs, and ephemera.

The papers of Charles Ellet, Jr. (1810-1862) span the years 1827-1954. The papers documents Charles Ellet, Jr.’s important contributions as a civil engineer to 19th century public works projects: building wire suspension bridges, canals, and railroads; conducting the first government funded survey of the lower Mississippi River Delta; constructing and commanding the U.S. Ram Fleet; and his contributions to economic transportation theory. The papers are arranged into seven series: Correspondence; Subject Files; Technical Drawings and Plans; Newspapers; Photographs; Notebooks; and Artifacts.

The bulk of the Charles Ellet, Jr. papers contain correspondence, dating 1838-1863. The papers also contain technical drawings and plans, newspaper clippings, legal documents, survey notebooks, scrapbooks, photographs, survey reports, publication drafts, general orders, ephemera, and building specifications for canals, locks, and railroads. The Correspondence series creates an intimate portrait of his family life and professional career; including notable correspondence with Lot Clark, Charles Davis, Edwin Stanton, Benjamin Wright, Charles B. Stuart, Joseph Cabell, and John Roebling. The Subject Files series records his professional contributions, containing organizational documents and records related to his work developing public works projects, lobbying for river improvements, the legal dispute surrounding the Niagara Falls Suspension bridge, and his command of the U.S Ram Fleet during the Civil War. The Technical Drawings and Plans series consists of survey drawings and maps for the construction of railroads and canals, with significant material from his survey of the Lower Mississippi River Delta. Missing from the Technical Drawings and Plans series are plans for the U.S. Ram Fleet. The Newspapers series contains many clippings relating to the Ellet family genealogical history, and the U.S. Ram Fleet’s service during the Civil War. The Notebooks series consists primarily of survey books from his survey of Philadelphia County, 1840-1841. The Charles Ellet, Jr. papers also contain family papers illuminating the life and military career of Charles Rivers Ellet and Alfred W. Ellet.

Through the steadfast preservation, collection, and promotion of Charles Ellet, Jr.’s life and work, Mary Virginia Ellet sold the Charles Ellet, Jr. papers to the University of Michigan’s Transportation History Collection in 1936.

Papers of activist, author, and licensed psychotherapist who is well-known in the field of ecopsychology and as a critic of the predominance of technology in society. Included are correspondence, manuscript material, photographs, serial publications and books.

This collection contains the papers of activist, author, and licensed psychotherapist Chellis Glendinning, a well-known ecopyschologist, anarchist, and bioregionalist. Much of her work concerns the negative impact of modern technology. Included are correspondence, manuscript material, photographs, serial publications and books.

The Correspondence series consists of letters from family, friends, and colleagues from the 1970s through 2008. Also included is a section of letters that focus on Glendinning's books. Newspaper and magazine clippings, flyers and broadsides related to the author's activities may be found in the Ephemera series.

Manuscript Material consists of notes and drafts of lectures, notes and research on a variety of projects, and material related to Glendinning's opera, De Un Lado al Otro, written in 2006 with Cipriano Vigil. Personal photographs and correspondence, make up the Family and Subject Files, which also holds early creative works as well as Glendinning's high school year book.

The Diaries series is made up of twenty of personal journals and diaries covering the years 1955-1978, while the Photographs series contains images of New Mexico, and Glendinning's childhood, family, travel, conferences, and friends.

The audiocassette tapes, compact discs, videotapes, and one DVD in the Audiovisual series document the author's lectures and paper presentations, complemented by several lectures by colleagues. The final two series, Serial Publications and Books, are comprised of issues of journals containing articles by Glendinning and copies of her books Off the Map: an Expedition Deep into Empire and the Global Economy (2002) and Waking Up in the Nuclear Age (1987).

The 2022 accretion consists of newly acquired materials dating largely from 2010-2020.

The Citizens Committee for Constitutional Liberties was established to work for the repeal of the McCarran Act and other legislation authorizing surveillance of political activities. Records include files of executive secretary Miriam Friedlander, including correspondence with Committee members, other civil liberties organizations, and members of Congress, and drafts of publications, press releases, and speeches. Correspondents include Lee H. Ball, Carl Braden, Gus Hall, Linus Pauling, Norman Thomas, and Willis Uphaus.

The Citizens Committee for Constitutional Liberties collection documents the activities of the organization. The records have been divided into four series: Office Business, Governmental, Photographs, and Printed Material.

Files from CCCL's office have been placed into the Office Business series dating from 1962-1963. These include office correspondence, financial information, as well as speeches given at CCCL rallies by members of the organization or its supporters: Dr. Willard Uphaus, Moe Fishman, Paul Ross, Benjamin Davis, and others.

The Governmental series, 1960-1973, contains materials pertaining to CCCL's involvement with government agencies charged in some way with the enforcement of the McCarran Act. Included are letters exchanged with congressman and senators, including letters from former Attorney General Robert F. Kennedy and former First Lady Eleanor Roosevelt. This series also contains testimony given by the organization before the Subversive Activities Control Board, information on the McCarran Act, the Smith Act, and the Emergency Detention Act, and acts, bills, and propositions related to the CCCL's causes.

The Photograph series includes photographs of supposed detention camps for foreign-born citizens.

The Printed Material series has magazines and newspaper clippings relevant to the organization and its causes. Also included in this series are Congressional Records excerpts, pamphlets published by the CCCL, scrapbooks, and political cartoons.

Librarian and information scientist, pioneered library automation at Library of Congress,also worked at General Electric and National Library of Medicine and taught at Indiana University Library School. Papers include collection includes his correspondence, reports, meeting agendas and minutes, system proposals, teaching materials, professional writings, calendars, and collected publications.

The Cloyd Dake Gull Papers are an important resource for examining the development of the field of information science. The collection includes his correspondence, reports, meeting agendas and minutes, system proposals, teaching materials, professional writings, calendars, and collected publications. The materials cover virtually all aspects of his career.

Although the collection contains a few papers from his own career as a student in the 1930s, there is little else that dates before Gull joined the staff of the Library of Congress in 1945. His Library of Congress materials, while not complete, do document a number of specific projects and show his early interest in applying punched cards and other new techniques to library work.

The collection contains a limited amount of material on his work at Documentation, Inc. from 1952 to 1954 helping to develop early information retrieval systems, especially the uniterm system of coordinate indexing. Only a small amount of material concerns his service with the National Research Council, although other papers from this era and up to the mid-1960s concern the workshops on information science which he taught at the University of Michigan and elsewhere.

The papers are more extensive for the years 1958 to 1963, when he was an information systems analyst for General Electric. Much is included on the operation of the GE Information Systems Operation as well as specific automation proposals they made for such customers as the University of Illinois - Chicago, the Library of Congress, and the National Library of Medicine. Included in the latter file is information on the development of MEDLARS.

Gull's papers on the American Documentation Institute concern his year as President, plus subsequent work by the Council and Executive Director. They also show his involvement in most annual meetings, 1959-1967. His materials on the International Federation for Documentation primarily cover 1960 to 1967 and concern the work of the U.S. National Committee, plus specific working committees on mechanized storage and retrieval, operational machine techniques and systems, and the universal decimal classification.

Materials concerning Gull's position as Professor at the Indiana University Library School include information on the courses which he taught, the overall program of the Library School, and his activities on various faculty committees, including the one which established a Ph.D. program. Some documents from this period also concern a number of outside consulting projects.

A significant amount of material concerns the work of the consulting firm Cloyd Dake Gull and Associates between 1969 and 1983, especially the automation studies and proposals which the company produced for various clients in the fields of information science and library science.

The Tufts Papers contain case files, related documents, internal USACIDC administration and operational papers, and application of USACIDC resources. The Administrative Files consist of background and history of the USACIDC, as well as biographical information on Tufts, including a transcript of an interview, and some brief biographical sketches on other military personnel. Correspondence contains letters and memoranda between Tufts and other military personnel. The largest series, Case Files, concerns criminal investigations which Colonel Tufts directed, including the one convened for the My Lai Massacre. Additional cases involve other war crimes, murder, drug trafficking, drug use, bribery, rape, corruption, racketeering, illegal use of government property, etc.

The papers consist of case files, related documents, internal CID administration and operational papers, and application of CID resources. The Administrative Files consist of background and history of the USACID, as well as biographical information on Tufts, including a transcript of an interview, and some brief biographical sketches on other military personnel. Correspondence contains letters and memoranda between Tufts and other military personnel. The largest series, Case Files, concerns criminal investigations which Colonel Tufts directed, including the My Lai case as well as the Son My case. Additional cases involve other war crimes, murder, drug trafficking, drug use, bribery, rape, corruption, racketeering, illegal use of government property, etc.

Included in Box 2 is the index card filing system of Col. Tufts. This filing system is the key to all of the major case files. The number and letter designations in the upper right hand corner of the case files were copied from the original folders and correspond to the index cards. For example, the contents of case file "1A" (file A of case 1) can be found by locating card A in tab 1 of the index card filing system. (The tab numbers correspond to case file numbers and the letters refer to Reports of Investigation (ROIs). There is also a section divided alphabetically by last name of an individual or name of a firm. The number and letter code found on these cards corresponds to the numbered tabs in the front of the index. These "name" cards can be used as cross reference for locating the cases in which these subjects were involved. This system has been preserved for reference purposes and has been kept in the exact order in which it was received. We have made every effort to maintain the original case file designations and have also retained some of the original case file labels.

Only Social Security numbers were redacted from case files. The identities of individuals are not concealed. The photocopies are of the best quality, and any difficulty in reading them is due to the poor quality of the original, which in many cases was also a photocopy.

One box of materials containing personnel records has been closed and is not available for research.

F. M. Goodhue was an early member of Commonwealth Colony in New Llano, Louisiana, and an official of Commonwealth College, a cooperative, democratic labor school in Mena, Arkansas, founded in 1923 by Kate Richards O'Hare and William E. Zeuch. The papers include correspondence, articles, newspaper clippings, and an extensive typescript by Goodhue on the history of the Colony and the College. They document the early years of the College, dissension among the faculty over the sexual conduct of students, a student strike, and dissolution and sale of the College in 1940-41.

The F.M. Goodhue collection consists of one letter, typescripts, and notes by F.M. Goodhue; one letter by Lucien Koch, and clippings. The materials concern the history of Commonwealth Colony, New Llano, La., and Commonwealth College, Mena, Ark, the schism between the two, the conditions at the College, and the leadership of the College.