Collections : [University of Michigan William L. Clements Library]

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Collection

New Jersey and New York City Region photograph album, ca. 1910

1 volume

The New Jersey and New York City Region photograph album (18.5 x 26 cm) contains 45 photographs of landmarks and city and countryside views of the New York City Region.

New Jersey and New York City Region photograph album (18.5 x 26 cm) contains 45 photographs of landmarks and city and countryside views of the New York City Region. Included are 8 views of the Palisade rock formations near Weehawken, New Jersey, one view including sculptor Karl Bitter's clifftop studio. Other nature views include the Delaware River, South River, Newark Bay, and Mountain Lakes, N.J. City views are mainly of Newark, N.J. streets and buildings, and New York City attractions including Herald Square, the Washington Arch, Trinity Church, Broadway and the Hippodrome. Additional photographs show the boardwalk at Ocean Grove, and pavilion at Asbury Park on the Jersey Shore, an elevated streetcar at Bay Ridge, N.Y., battery at Fort Griswold, Ct., a train on the Lackawanna railroad bridge in East Orange, N.J., and interiors of the Essex County court room and Newark Public Library in Newark, N.J. Photographs include typed captions; paper label inside front album cover: F.H. Tucker, Artistic and Commercial Photographer.

The album has alligator-print cloth covers. Stored in a three-part wrapper with green cloth spine.

Collection

New Jersey, New York, Connecticut and Vermont photograph album, ca. 1908-1912

1 volume

The New Jersey, New York, Connecticut and Vermont photograph album (18.5 x 26 cm) contains 70 photographics of parks, monuments, bridges, river scenes, lighthouses, waterfalls, and steamboats, in New York, Connecticut, New Jersey, and Vermont.

The New Jersey, New York, Connecticut and Vermont photograph album (18.5 x 26 cm) contains 70 photographics of parks, monuments, bridges, river scenes, lighthouses, waterfalls, and steamboats, in New York, Connecticut, New Jersey, and Vermont. Images of ships include photographs of the steamboats Naugatuck, Hendrick Hudson, and Robert Fulton, as well as the prison ship Success. The few city scenes present include two views of the State Capitol in Albany (one with election banners for the 1908 presidential election, the second with election banner for 1912 gubernatorial election), and views from the river of Tarrytown, N.Y., St. Johnsbury, Vt., and the New York City skyline. Also included are multiple views of Ethan Allen Park and Battery Park in Burlington, Vermont. Photographs include typed captions; paper label inside from cover: F.H. Tucker, Artistic and Commercial Photographer.

The album has a black pebbled leather cover which has been partially disbound. Stored in a three-part wrapper with green cloth spine.

Collection

Lantern Slides and Glass Plate Negatives Collection, ca. 1890s-1910s

approximately 1,260 items in 33 boxes

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

Box 1 (G.4.1) (25 items) – Ann Arbor
  • 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

Box 2 (G.4.2) (26 items) – Movie Ads; 1906 San Francisco Earthquake
  • Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
  • Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

Box 3 (G.4.3) (40 items) – Pearsall, New York City
  • 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

Box 4 (G.4.4) (29 items) – Movie Ads
  • Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
  • Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

Box 5 (G.4.5) (31 items) – Movie Ads
  • Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

Box 6 (G.4.6) (28 items) – Movie Ads
  • Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

Box 7 (G.4.7) (31 items) – Movie Ads
  • Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
  • Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
  • One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

Box 8 (G.4.8) (59 items) – Fitchburg, Mass.; Dr. J. T. Morehouse & others
  • Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
  • Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

Box 9 (G.4.9) (30 items) – Clements Library materials; Miscellaneous views
  • Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
  • One 10 x 12.5 cm glass negative view of the Clements Library exterior.
  • Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
  • Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

Box 10 (G.4.10) (29 items) – Clements Library materials; Miscellaneous views
  • Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
  • Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
  • Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
  • Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

Box 11 (G.4.11) (30 items) – Clements Library materials
  • Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
  • Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

Box 12 (G.4.12) (12 items) – Miscellaneous
  • Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
  • Four 8 x 10 cm slide reproductions of paintings.
  • Three 8 x 10 cm slides of miscellaneous content.

Box 13 (G.4.13) (42 items) – Voyage Historique d’Abissinie
  • 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

Box 14 (G.4.14) (20 items) – Lumber production
  • 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

Box 15 (G.4.15) (32 items) – Lumber production
  • 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

Box 16 (G.4.16) (29 items) – Lumber production
  • 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

Box 17 (G.4.17) (32 items) – Lumber production
  • 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

Box 18 (G.4.18) (29 items) – Lumber production
  • 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

Box 19 (G.4.19) (29 items) – Lumber production
  • 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

Box 20 (G.4.20) (33 items) – Lumber production
  • 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

Box 21 (G.4.21) (34 items) – Lumber production
  • 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

Box 22 (G.4.22) (33 items) – Lumber production
  • 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

Box 23 (G.4.23) (33 items) – Lumber production
  • 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

Box 24 (G.4.24) (32 items) – Lumber production
  • 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

Box 25 (G.4.25) (30 items) –Lumber production
  • 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

Box 26 (G.4.26) (28 items) - Lumber production
  • 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

Box 27 (G.4.27) (38 items) - Lumber production; Anchuha
  • Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
  • Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

Box 28 (G.7.1) (83 items) - Lumber production
  • Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

Box 29 (G.7.2) (80 items) – Michigan Lumbering Lantern Slides
  • 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

Box 30 (G.7.3) (76 items) - Michigan Lumbering Lantern Slides
  • 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

Box 31 (G.7.4) (79 items) - [Untitled]
  • 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

Box 32 (G.7.5) (82 items) - [Untitled]
  • 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

Box 33 (G.8.1) (16 items) - Miscellaneous Glass Slides, Negs
  • Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
  • Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
  • Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
  • One 12.5 x 18 cm glass negative titled “Girl on Bicycle”

Collection

William A. Lewis photograph collection, ca. 1850s-1980s

approximately 1,530 items in 12 boxes

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

Series I: General Subjects
  • Airships (11)
  • Bridges (69)
  • Civil War I--stereographs (91)
  • Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
  • Disasters (49)
  • Expositions (24)
  • Industry & Labor (89)
  • Miscellaneous (23)
  • Portraits (109)
  • Railroads (62)
  • Ships (80)
  • War (30)
Series II: Views, U.S.
  • Alaska (47)
  • Arizona (3)
  • California (20)
  • Colorado (2)
  • Dakota (4)
  • District of Columbia (50)
  • Florida (2)
  • Hawaii (1)
  • Illinois (17)
  • Iowa (2)
  • Maine (8)
  • Maryland (27)
  • Massachusetts (20)
  • Michigan (31)
  • Missouri (3)
  • New Hampshire (10)
  • New York (116)
  • Ohio (2)
  • Oregon (2)
  • Pennsylvania (16)
  • Tennessee (1)
  • Texas (1)
  • Vermont (3)
  • Utah (3)
  • Virginia (6)
  • Washington (1)
  • West Virginia (1)
  • Wisconsin (2)
  • Wyoming (2)
  • Unidentified locations (35)
Series III: Views, Foreign
  • Austria (5)
  • Belgium (6)
  • Brazil (1)
  • Canada (3)
  • Cuba (5)
  • Czechoslovakia (1)
  • Egypt (5)
  • England (21)
  • France (43)
  • Germany (14)
  • Greece (1)
  • India (2)
  • Ireland (4)
  • Italy (22)
  • Japan (3)
  • Mexico (1)
  • Miscellaneous (31)
  • Monaco (4)
  • Netherlands (1)
  • Norway (3)
  • Palestine (5)
  • Panama (41)
  • Puerto Rico (3)
  • Scotland (10)
  • Spain (2)
  • Sweden (2)
  • Switzerland (9)
  • Turkey (1)
Series IV: Objects
  • Keystone Alaska and Panama views, set box (1)
  • Stereoscope (1)
Items of particular interest include:
  • Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
  • Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
  • Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
  • Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
  • Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
  • Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
  • Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
  • Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
  • Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
  • Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
  • A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
  • A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
  • Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)
Collection

John Greenwood journal, [after 1809]

1 volume

This volume (7.5"x6") contains John Greenwood's memoirs about his experiences during the Revolutionary War (approximately 163 pages) and about his family and personal life (17 pages). During the war, Greenwood was a fife player with a Massachusetts regiment and served on privateers and other vessels in the Caribbean Sea. He originally composed his Revolutionary War memoirs in 1809; this item is a later copy made by his son Clark.

This volume (7.5"x6") contains John Greenwood's memoirs about his experiences during the Revolutionary War (approximately 163 pages) and about his family and personal life (17 pages). During the war, Greenwood was a fife player with a Massachusetts regiment and served on privateers and other vessels in the Caribbean Sea. Greenwood originally composed his Revolutionary War memoirs in 1809; this item is a later copy made by his son Clark.

After a brief note by Clark Greenwood, who transcribed his father's memoirs, the main narrative opens with John Greenwood's brief account of his early years in Boston and in Portland, Maine, and of the unrest that eventually led to the American Revolution (5 pages). Pages 5-51 consist of Greenwood's detailed recollections about playing the fife in a Massachusetts regiment in the Continental Army, and about his experiences in the military. After page 51, the memoirs focus on the interception of British ships in the Caribbean Sea, during which time Greenwood was captured as a British prisoner of war. In addition to his wartime experiences, he also briefly recounted some stories of his postwar life, such as the beginning of his dental practice (pp. 85-89). The remaining parts of the volume include a note by a Greenwood family member who had recently read the memoirs (January 11, 1894), and an additional 17-page autobiographical account by John Greenwood.

Collection

Miriam Kline collection, 1941-1946 (majority within 1941-1944)

0.5 linear feet

This collection contains around 150 incoming letters that Miriam Kline of New York City received from men serving in the United States Armed Forces throughout World War II. They described their experiences and exercises at army training camps and other military bases within the United States.

This collection contains around 150 incoming letters that Miriam Kline of New York City received from men serving in the United States Armed Forces throughout World War II. They described their experiences and exercises at army training camps and other military bases within the United States. She also wrote 2 letters and sent 2 Christmas cards to soldiers.

Sergeant Walter C. Jessel and Private David W. Hoefer wrote most of the earlier letters between July 1941 and June 1942. Jessel, a friend, shared his experiences in the army both before and shortly after the Pearl Harbor attacks, and Hoefer often wrote Miriam about his life in the army and about his affection for her, though he wrote less frequently after she declined his romantic advances in mid-June 1942. Throughout the war, Kline continued to receive letters from Jessel, Hoefer, and 14 other servicemen, primarily from bases in the United States. They described many aspects of everyday life in the army, army air forces, and coast guard.

Enclosures include 3 photographs of Walter C. Jessel in uniform, newspaper clippings, and humorous cartoons. Jessel drew a picture of his transport train in his letter postmarked October 13, 1941. Later items include letters that Miriam wrote to Jessel and to Lieutenant R. H. Davis in 1945, as well as Christmas cards she sent to Davis and to Allan Isakson.

Collection

German Tourists in New York Album, 1925-1926

approximately 133 photographs in 1 album

The German tourists in New York album contains approximately 133 snapshots documenting the visit of an unidentified German couple to New York City and Long Island from October 1925 to June 1926.

The album (17.5 x 25.5 cm) is string-bound with brown leather covers. The front cover has "Photographs" stamped in gold as well as a pasted photo-mechanical color print of a house. Snapshots included in this album show many locations in New York City and environs visited by a German couple during a nine-month period in 1925 and 1926. Many images have both German and English captions identifying the location and in certain instances the individual(s) represented in the photograph, as well as the month and year the photo was taken. The woman's first name is given in one caption as "Liesel," while the man's name is not listed anywhere. It appears that the couple based themselves in Bronxville and visited sights in Manhattan; made an extensive tour of Long Island in a Ford coupe; traveled up the Hudson River; visited with other German friends; and visited Atlantic City, New Jersey. Images of particular interest include photographs of Broadway at night; traffic on Fifth Avenue; the ocean liners including Leviathan and Berengaria, both of which were formerly German ships that were confiscated after World War I; and the visits to New York and Atlantic City of Baden Baden, the Flettner rotor ship. Also present is an engraved portrait of Friedrich Ludwig, Prince of Hohenlohe-Ingelfingen.

Collection

Charles K. Cummings, Voyages in the U.S.S. Mount Vernon, 1921

1 volume

This volume is a history of the USS Mount Vernon's service as a troop transport ship during World War I, written by United States Navy Lieutenant Charles K. Cummings, who served on the ship during the war. Cummings's narrative relates daily incidents as the Mount Vernon carried troops between New York City and Brest, France, during and after the war. Cummings noted the names of prominent passengers and included several diagrams and drawings depicting naval formations and the Mount Vernon.

This volume is a 137-page typed history of the USS Mount Vernon's service as a troop transport ship during World War I, written by United States Navy Lieutenant Charles K. Cummings, the ship's communications officer. Cummings presented this copy, entitled Voyages in the USS Mount Vernon, 1917-1919, to James Madison Doyle, the ship's gunnery officer, in December 1921. The title page has an intricate drawing of the ship by Harleston Parker.

The narrative is structured as a diary and opens with 4 pages of introductory material with information on the Mount Vernon's history prior to its first voyage as a United States Navy transport vessel. The daily entries cover the period between October 11, 1917, and April 24, 1919, during which time the ship made 12 round-trip voyages between New York City and Brest, France, carrying members of the American Expeditionary Forces. Many of the entries record the day's weather, compiled from the author's personal diaries and the ship's official logs; lists of military units being ferried across the Atlantic Ocean; and notable incidents or the names of distinguished passengers. The Mount Vernon traveled as part of a heavily guarded convoy and Cummings routinely noted the camouflage and deceptive sailing patterns employed to guard against German submarine and torpedo attacks, as well as news of other ships throughout the convoys. On February 11, 1918, he provided a list of distress calls the ship received on its most recent voyage (pp. 51-52). In addition to military officials and diplomats, the ship also carried a 13-year-old stowaway mascot of the 132nd Infantry Regiment (p. 89), a group of African American soldiers (pp. 101-102), and several wounded soldiers, including two Red Cross nurses suffering from shell shock (p. 117). On September 5, 1918, the Mount Vernon was struck by a torpedo, which killed 35 members of the ship's crew (pp. 126-129). Cummings frequently mentioned his activities while in port at Brest, Southampton, and Boston, which included social calls and spending leave time with his family.

The book includes several partially colored diagrams and illustrations pertaining to events mentioned within the text:
  • USS Mount Vernon (title page)
  • "Collision Between Agamemnon and Von Steuben" (pp. 26-27)
  • "Torpedoing of Finland" (pp. 26-27)
  • "Torpedoing of Antilles" (pp. 26-27)
  • "Intensive Lookout Station on Mount Vernon" (pp. 40-41)
  • "Types of Camouflage on U.S. Destroyers" (pp. 60-61)
  • "Manoeuvre for Practice with Submarine Target" (pp. 96-97)
  • "Sinking of British S.S. Instructor, July 15, 1918 (pp. 96-97)
  • "Torpedoing of U.S.S. Mount Vernon, September 5, 1918 (pp. 126-127)
  • "Mount Vernon Showing Camouflage on Port Side" (pp. 128-129)
  • "Diagrams of Mount Vernon Showing Effect of Torpedo Explosion (pp. 128-129)

Collection

Henry W. Knodel Photograph Album, 1916-1921

approximately 245 items in 1 volume

The Henry W. Knodel photograph album contains approximately 245 items (including photographs and photomechanical prints) related to the life of a young man living in New York.

The Henry W. Knodel photograph album contains approximately 245 items (including photographs and photomechanical prints) related to the life of a young man from New York City. The album (18 x 27 cm) has a brown cloth cover. Images of interest include views of activities at the YMCA's Camp Crumbie in Kent, Connecticut, such as boating, tent living, hikes, berry picking, and many group photos of campers; family members and friends of Henry W. Knodel; the Syracuse University rowing team; farm life; the Emporium Mills in Conifer, New York; boats and crews at a regatta; the Santa Clara Mills in Tupper Lake, New York; and Benson Mines, New York. Other photographs include a series of images showing a group of young men participating in the New York State College of Forestry summer camp in Tupper Lake, with views of camping activities, lumber mills, surveying equipment, forest service living quarters, and young men in forest service uniforms. Also present are 28 commercial photomechanical prints of the City University of New York, Columbia University, and the City College of New York. Some image include captions.

The album also includes a promotional brochure for Camp Crumbie that is affixed to the inside of the front cover.

Collection

Tufts-Day papers, 1915-1920

2 linear feet

This collection is made up of correspondence, diaries, and other items related to Nathan Tufts, a native of Massachusetts who served in the United States Army during World War I, and his future wife, Dorothy Day of Connecticut.

This collection is made up of correspondence, diaries, and other items related to Nathan Tufts, a native of Massachusetts who served in the United States Army during World War I, and his future wife, Dorothy Day of Connecticut.

The Correspondence series (1.5 linear feet) comprises the bulk of the collection. Incoming letters to Nathan Tufts at the Taft School in Watertown, Connecticut, are dated as early as November 11, 1915. His correspondents included his mother, who wrote of life in New York City and Lawrence Park, New York, and Elbridge Stratton, a friend, who anticipated their matriculation at Yale. Dorothy Day received early letters from friends and family while she attended Miss Wheeler's School in Providence, Rhode Island. Friends and family continued to write letters until the late 1910s, and the Tufts received many letters of congratulation following their engagement around May 1918.

Tufts began corresponding with Day in the fall of 1916. He wrote about his experiences and activities at Yale and expressed his romantic feelings for her. After the declaration of war against Germany in April 1917, Tufts reported on his participation in drills and related activities for the Reserve Officers' Training Corps. He later described his training experiences at Camp Jackson, South Carolina, and Camp Zachary Taylor, Kentucky. In Kentucky, he commented on the Central Officers' Training School, travels in the South, fellow soldiers, camp life, and kitchen duty. After the Armistice, Tufts anticipated his return to civilian life and his future with Day; he returned to Yale in 1919 and wrote about vacationing in Maine. His final telegram is dated February 21, 1920. Enclosures include a postcard showing the Rocky Broad River (November 3, 1918) and photographs of a military camp (October 18, 1918).

The couple's other wartime correspondents included Corporal Francis Harrison, who discussed his preparation for front-line duty in France in August 1918, and "Clark," a friend of Dorothy, who served at the Plattsburgh Barracks after September 1917. Clark discussed his training at the Reserve Officers Training Camp and his later service in the 302nd Machine Gun Battalion at Fitchburg, Massachusetts. In his letter of October 6, 1917, he described his unit's preparations for military exercises in trench warfare, and his expectation that the infantry would "sit in trenches and fire once in a while" in France.

The Diaries series contains two items. Dorothy Day kept a daily diary (unbound) between January 17, 1916, and August 16, 1919, writing mostly about her social life and her relationship with Nathan Tufts. She sometimes remarked on news, such as the results of the 1916 presidential election and the country's declaration of war against Germany. In 1918, she wrote about Tufts's military career; some of her entries from this period are constructed as letters to him. Day usually wrote daily entries on one side of each page, copying quotations, poetry, and other miscellany on the reverse side. A calling card, a printed advertisement, a flower, and a photograph are laid into her diary.

The Nathan Tufts diary covers much of his active-duty service at Camp Jackson, South Carolina, and Camp Zachary Taylor, Kentucky. From August 18, 1918-November 14, 1918, he wrote intermittent journal entries, often addressed to Day, about his daily routine at Camp Jackson, military training exercises, other soldiers, the good reputations of Yale students and alumni, and the end of the war. Journal entries by Day, apparently mailed to Tufts, are interspersed among his later entries; her final journal-letter is dated January 23, 1919. A military pass, United States Reserve Officers Training Corps patch, and newspaper clippings (often of poems) are pasted into the volume.

The School Papers series (9 items) pertains to Nathan Tufts's education at the Taft School and at Yale College's Sheffield Scientific School. A group of printed entrance exams for Yale College and its Sheffield Scientific School, dated June 1914 (1 item) and June 1915 (5 items) contain questions related to Latin, American history, ancient history, and trigonometry. A printed exam given by the college entrance examination board from June 19, 1916-June 24, 1916, contains questions about American history, the German language, and English literature. An exam requiring a translation of lines by Virgil is dated 1916. A bundle of examinations and school documents belonging to Nathan Tufts includes Yale College's semi-annual examination for June 1917, with questions in subjects such as physics, history, English, German, and Latin; a printed course timetable and list of professors and classrooms for Yale College freshman during the 1916-1917 term, with manuscript annotations by Nathan Tufts; and a typed military examination for Yale students, given on June 4, 1917 or 1918. The subjects of the military examination are hygiene, military law, topography, and field artillery regulations and drill.

The Photographs, Newspaper Clippings, and Ephemera series contains around 50 items, including visiting cards, invitations, Red Cross donation certificates, and a printed program. Many of the newspaper clippings contain jokes or brief articles about World War I. A group of photographs includes a framed portrait of a United States soldier, a negative, and several positive prints.

Collection

Frank Perkins letters, 1904-1906

36 items

Warren F. Perkins, Jr. ("Frank") wrote 36 letters to his parents in Providence, Rhode Island, while traveling and working in Canada, the Midwest, and New York from 1904-1906. He commented on his life and work in Chicago; Saint Louis; Topeka; and Kokomo, Indiana, and also discussed his travels to the 1904 Louisiana Purchase Exposition in St. Louis and his work on a houseboat in and around the state of New York.

Warren F. Perkins, Jr. ("Frank") wrote 36 letters and postcards to his parents in Providence, Rhode Island, while traveling and working in Canada, the Midwest, and New York from February 21, 1904-July 15, 1906. In his first letter, Perkins discussed his attempts to find work in Chicago and the strike-related violence he witnessed there (February 21, 1904). In August and September 1904, he traveled to Toronto and Niagara Falls before settling in Saint Louis, Missouri, where he first stayed at "Camp Lewis," a tent city. While living in Saint Louis, Perkins and his companions occasionally visited the Louisiana Purchase Exposition and traveled to the surrounding area. He complained about inflated prices resulting from the exposition, described his accommodations, and discussed his series of blue-collar jobs. His letter of October 16, 1904, contains a sketch of his boarding house.

In November 1904, Perkins left for Topeka, Kansas, where he considered further travel to Omaha, Nebraska (November 28, 1904). By December, he had returned to Chicago, where he again reported on labor disputes, striking workers, and a contentious mayoral election in early 1905. In May 1905, Perkins wrote to his family from Kokomo, Indiana; he drew a map of Kokomo in his letter of May 30, 1905. A final group of 7 letters pertains to his time working on a houseboat in upstate New York and around New York City in June and July 1906. He described the boat and commented on his experiences on the Erie Canal, on the Hudson River, and in New York City. Perkins reached Connecticut by the time he wrote his final letter on July 15, 1906.

Collection

Vacation Travel Photograph Album, 1901-1910

approximately 260 photographs in 1 volume

The Vacation travel photograph album contains a mixture of approximately 260 commercial and amateur photographs documenting a series of vacations to California, a Lake Michigan cottage, Alaska, and Canada.

The Vacation travel photograph album contains a mixture of approximately 260 commercial and amateur photographs documenting a series of vacations to California, a Lake Michigan cottage, Alaska, and Canada. The album (18 x 30 cm) has black cloth covers with two rivets. California-related photographs include views of beach scenes at Santa Catalina and La Jolla; the Theosophical Society Homestead and Temple on Point Loma; a cutler at work at his donkey-drawn cart; crates of fruit at a railroad station; passengers stretching their legs beside a stationary train; and Mount Lowe Railway and Observatory. Other Western photographs include views of pueblos and adobe buildings in New Mexico Territory.

A series of approximately 70 photographs taken in 1902 show a summer sojourn at Pine Knot Cottage, Macatewa, on Lake Michigan and includes interior and exterior cottage views, beach scenes, sailing a small boat on the lake, and views of the Hotel Ottawa. One whimsical snapshot shows a man standing on his head while being photographed by a man and woman holding a box camera. Images of a traveling party to Alaska include views of the group onboard a steamer and making stops in southeast Alaska; a street view of Wrangell; Tlingit totem poles in Wrangell and Fort Tongass; and commercial photographs of a Greek Church interior and Indian River Park in Sitka.

Additional photographs show Lake Agnes and the Canadian Rockies; Washington Park in Springfield, Illinois; Wall Street, Trinity Church Cemetery, and Grant's Tomb in New York City; Mission San Jose and Mission Concepcion in San Antonio, Texas; and bison and black bears, including a photograph of two men feeding a bear off the back of a wooden cart.

Collection

Clarke family photograph album, 1898-1902

1 volume

The Clarke family photograph album contains photographic prints taken during trips to New England, New York, and other locales from 1898-1902. The photographs show natural scenery, buildings of interest, soldiers, and family members.

The Clarke family photograph album (25cm x 32cm) contains 240 photographic prints, including cyanotypes, taken during trips to New England, New York, and other locales from 1898-1902. Of the prints, 232 are pasted onto the album's pages (usually four to a page) and eight are laid in; each mounted photograph has a caption, sometimes humorous. The title "Photographs" is stamped in gold on the album's brown leather cover.

The photographs depict buildings, street scenes, and natural scenery in places such as Marshfield, Vermont; Weirs, New Hampshire; Halifax, Nova Scotia; Lynn, Massachusetts; Catskill, New York; and Washington, D.C. The compiler noted places of interest in the family's history, such as Erastus Burnham's grave and the Burnham family farm in Marshfield, Vermont. Some interior views of private residences and schoolhouses are included, as are photographs of prominent locations such as the Vermont State House, the United States Capitol, Independence Hall, the Lee family home in Arlington, Virginia, "Rip Van Winkle's house," and the New York City skyline. Sailing ships, the paddlewheel steamer Mount Washington, and the battleships Indiana and Massachusetts are also pictured.

The photographer attended parades featuring elephants from the Forepaugh-Sells Brothers' Circus, celebrating the 50th anniversary of Lynn, Massachusetts, and the welcoming of United States soldiers as they returned from Cuba after the Spanish-American war. Group portraits include men, women and young schoolchildren. Women are shown riding bicycles, playing the piano, and wearing costumes such as a soldier's jacket and a puritan's dress. One picture, entitled "Dr. Jekyll and Mr. Hyde," is a double exposure of a woman in different poses.

Collection

James Lough papers, 1897-1905 (majority within 1899-1901)

0.5 linear feet

This collection contains letters that James Edwin Lough and his wife, Dora A. Bailey, exchanged around the turn of the 20th century. During the year before their marriage, Bailey wrote to Lough about her life in Somerville, Massachusetts; Lough later wrote to Bailey about his life in Oshkosh, Wisconsin, where he was a college professor.

This collection (0.5 linear feet) contains approximately 340 letters that James Edwin Lough and his wife, Dora A. Bailey, exchanged around the turn of the 20th century. During the year before their marriage, Bailey wrote to Lough about her life in Somerville, Massachusetts; Lough later wrote to Bailey about his life and work in Oshkosh, Wisconsin, where he was a college professor.

Dorothy Albonetta Bailey ("Dora") wrote around 280 letters to James Edwin Lough ("Ed") between September 1899 and June 1900. She commented on her life and social activities in Somerville, Massachusetts; shared her feelings for Lough; and discussed their upcoming marriage. James Lough also received letters from other correspondents, including cousins and acquaintances; his father wrote him a letter about marriage on June 22, 1900. Most items dated after June 1900 are Lough's letters to his wife from Oshkosh, Wisconsin, and New York City, where he was a college professor. Lough discussed travel between Wisconsin and the East Coast, and occasionally referred to his teaching; he sometimes enclosed newspaper clippings. In a series of letters from 1905, Dora Bailey Lough provided news of their young son. Additional items include a carte-de-visite photograph of a child, made by J. W. Black & Co., a metal nameplate for James Edwin Lough, a list of addresses, and a page of the Boston Herald from October 1, 1899.

Collection

Family Travel Photograph Album, 1896-1910

approximately 335 photographs in 1 album

The Family travel photograph album contains approximately 335 photographs depicting the travels of an unidentified family to various locations in California, New Jersey, New York, Virginia, Washington, and British Columbia.

The The Family travel photograph album contains approximately 335 photographs depicting the travels of an unidentified family to various locations in California, New Jersey, New York, Virginia, Washington, and British Columbia. The album (19 x 28 cm) is partially disbound and has green burlap covers. Images include family snapshots primarily taken in Oakland, California (89 photographs in total), and East Orange, New Jersey (73 photographs in total); views of sights in Richmond (Virginia), Victoria (British Columbia), including many home interiors and exteriors, nurses and infants, family groups, and children in cribs and posed with dolls; photographs of parks and scenic views of Oakland; views of the battleships Vermont and St. Louis off the coast of Old Point Comfort, Virginia; and a street and waterfront view of New York City. Other photographs of interest include a light-hearted image of five women with their faces bursting through sheets of newspaper; views from locations in Virginia (Roanoke, Richmond, East Radford, Norfolk, and Jamestown), New York (Manhattan, Brooklyn, Schenectady, and Staten Island), Washington (Seattle and Big Lake), and California (Berkeley and Santa Catalina); White Fleet admiral Robley D. Evans in a carriage; and four real photograph postcards showing night views of San Francisco illuminated to welcome the Great White Fleet, May 6-17, 1908. Most photographs include manuscript captions indicating location and date.

Collection

Grosvenor L. Townsend Scrapbooks, 1893-1910

7 volumes

The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend.

The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend. Newspaper and journal clippings were mainly taken from New York-based publications. Most of the clippings are in extremely fragile condition. Many clippings are coupled with inscriptions indicating the name and date of the publication they were taken from. Numerous photographs also bear inscribed captions. Each volume measures approximately 25 x 19 cm in size and has marbled paper covers.

Volume 1 (1893-1894--New York; New Jersey)
  • This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, between 1893 and 1894. Items of particular interest include a Grand Army of the Republic report regarding the 7th's service record in the Civil War and during various New York City riots (pg. 1); a group portrait of 7th NYNG Co. D soldiers, including Townsend (figure furthest to the right), at an encampment in Peekskill, New York in June 1893 (pg. 5); clippings related to a mock Civil War battle held at Van Cortlandt Park (pg. 11); clippings related to Townsend's promotion from private to lance-corporal (pg. 13); clippings from the New York Herald and New York Tribune regarding the 7th NYNG relocating to the Seventh Regiment Armory (pgs. 42-45); a group portrait of 7th NYNG members at Sea Girt, New Jersey, in July of 1894 during a visit with New Jersey National Guardsmen (pg. 67); and Townsend's Lance Corporal chevrons (pgs. 92, 93).
Volume 2 (1896--New York)
  • This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, during 1896. Items of particular interest include an engraving depicting Company D winning a chariot race at the 7th Regiment games (pgs. 28, 29); a New York Herald clipping from May 31st 1896 regarding the 7th NYNG's victory over West Point in a baseball match (pg. 39); an American Lithographic Co. halftone reproduction of a Jay Hambidge painting showing the 7th NYNG marching in uniform titled "For Love or War?" (pg. 43); clippings regarding the new regimental clubhouse at the Creedmoor Rifle Range (pg. 45); a private circular for NCOs regarding a regimental parade in honor of Chinese viceroy Li Hongzhang as well as a halftone portrait of Li (pgs. 46, 47); and cartoons from the 7th Regiment Gazette of December 1896 comically depicting track and field events (pg. 61).
Volume 3 (1897-1898--New York)
  • This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, from 1897 to May of 1898. Items of particular interest include a photographs of 7th NYNG officers and NCOs (pgs. 2, 3); halftone images from a 7th NYNG camp (pg. 7); a New York Sun clipping from October 10th 1897 regarding a mock battle at Van Cortlandt Park replete with a topographical map of the park (pg. 11); a New York Herald clipping from October 10th 1897 showing engravings related to "The Battle of Van Cortlandt Park." (pgs. 12, 13); a Harper's Weekly clipping from October 1897 showing halftone reproductions of paintings related to the mock battle at Van Cortlandt Park (pgs. 14, 15); camp scene photographs from June 1897 including one portrait of Townsend in uniform (pg. 23); halftone images showing interior rooms of the Seventh Regiment Armory (pgs. 25-28); a halftone reproduction of an engraving showing 7th NYNG uniforms from 1802 to 1897 (pg. 33); a halftone reproduction from Harper's Weekly vol. 42 no. 2157 of a painting by T. De Thulstrup showing the 7th NYNG being reviewed by Major General Charles F. Roe at the Seventh Regiment Armory (pgs. 76, 77); and multiple clippings related to the 7th NYNG's decision to refrain from allowing members to individually enlist in the regular US Army at the outset of the Spanish-American War so as not to disintegrate the unit (pgs. 82-91).
Volume 4 (1899--New York; Fort Monroe; Washington, D.C.; Cuba)
  • This volume contains materials related to Townsend's service in the 201st Infantry Regiment of New York Volunteers as well as in the US Army 1st Infantry Regiment covering the period from March of 1899 to February of 1900. Items of particular interest include clippings related to Townsend's promotion from Captain of Company M 201st NY Volunteer Infantry Regiment to Second Lieutenant in the US regular army (pg. 5); letters from Townsend to his parents regarding exams he must take at Fort Monroe, Virginia, in order to achieve his promotion (pgs. 8, 9); a picture book containing halftone images from around Fort Monroe (pg. 11); a photograph showing a Fort Monroe examination room black board coupled with text of the example question present on the board (pg. 17); a copy of Townsend's commission as Second Lieutenant (pgs. 22, 23); clippings related to the naval transportation of American troops to Cuba (pg. 33); photographs of various Cuban scenes including an ossuary outside of Havana, Cuban huts and houses, Cuban soldiers being paid, American camps and barracks, a Cuban funeral, Afro-Cubans, underbrush near the mountains, a general view of Pinar del Rio, American military officers and their wives, and American troops in formation (pgs. 36-46, 48-55); a memorandum concerning the administrative use of officers' photographic portraits (pg. 59); photographs showing scenes of Guanajay and Pinar del Rio, Company K rifle ranges, American officers including Lt. McCue, Lt. Tebetts, Lt. Reams, Lt. Beacham, Lt. Wilcox, Dr. Dunchie, and Lt. Reeder, child golf caddies (including a Chinese boy named Ah Soy), a Cuban house being constructed out of palm tree materials, American officers and their wives, a Cuban burial party, soldiers on the march and drilling, an American military graveyard, Cuban ox carts, a railroad station, and churches (pgs. 60-66, 68-82); a clipping including an advertisement for "Mahara's Minstrel Carnival" (pg. 84); and more photographs showing American officers and their wives, Chinese-Cubans, a man posing with a white owl, a well-dressed Cuban man named "Mr. Usavraga", 2nd Battalion shelter camps, American barracks at Guanajay, a group of American officers and several women that includes both Townsend and his mother Emma, the fort at Mariel, a Cuban ship named Alphonso XIII sinking in Mariel Harbor, street scenes in San Antonio and Guanajay, and golf links at Guanajay (pgs. 91-115).
Volume 5 (1900-1901--Cuba; Fort Leavenworth; San Francisco; Philippines)
  • This volume contains materials related to Townsend's service in the US Army 1st Infantry Regiment covering the period from April 1900 to December 1901. Items of particular interest include photographs showing 1st Infantry Company K assembled in uniform at Guanajay and the aftermath of a major storm at Guanajay, (pgs. 1, 2); clippings related to the potential ordering of the 1st Infantry from Cuba to China as well as Yellow Fever outbreaks among American soldiers stationed in Cuba (pgs. 4, 5); a fragment of an envelope bearing an official stamp from a US military surgeon indicating that the parcel had been "Disinfected and Passed" (pg. 9); clippings from August 1900 detailing the ordering of troops to Manila, Philippines, instead of China (pgs. 13-17); photographs showing various scenes from around Fort Leavenworth, Kansas, including the US Army Disciplinary Barracks (pg. 19-24); clippings from October 1900 regarding the capture and subsequent rescue of Capt. Devereux Shields (pgs. 28-30); clippings regarding the launch of the Samar Expedition and insurgent fighting tactics (pgs. 31-33, 40); photographs showing buildings occupied by American troops in Catbalogan, US Army officers and headquarters at Tacloban in February 1901 (pgs. 40-42); a clipping showing a map of the "Peaceful Districts in the Philippines" highlighting areas deemed unsafe for Americans to venture (pg. 46); photographs showing street scenes, Filipino villages and villagers, and landscape views (pgs. 50-54); a letter and associated hand-drawn map sent by Townsend to his mother describing an ambush against American forces in southern Samar in April of 1901 during which Townsend came under fire from a rifle he believed to have belonged to an American soldier who had deserted (pgs. 55, 56); a letter from Townsend to his mother in April of 1901 describing the visit of a group of Palauan tribesmen and counterinsurgency operations (pg. 57); photographs taken by Townsend of the Palauan tribesmen (pgs. 58-60); photographs from around Guiuan, including the U.S. Army headquarters, a 200 year old church door, Lt. Downes and Townsend's quarters, and images of a church and locals in Mercedes (pgs. 62, 63); clippings related to the death of Lt. Downes and Lt. McClure (pg. 68); a typescript copy of a letter initially sent by Townsend to Capt. Willard C. Fisk from July 1901, which the latter forwarded to Townsend's parents, describing engagements in Samar including one that led to Townsend being stabbed in the forearm (pg. 70); clippings related to the death of Lt. Downes and the Balangiga Massacre (pgs. 71-76); a letter from Townsend to his mother dated Oct 5 1901 describing the Balangiga Massacre and how his detachment were very nearly sent there (pg. 77); Townsend's Second Lieutenant bars (pg. 78); and a clipping describing innovative traps used by the Moros against American soldiers (pg. 79).
Volume 6 (1905-1907--Fort Brady; Canada; Philippines)
  • This volume contains materials related to Townsend's service in the US Army 1st Infantry Regiment covering the period from 1905 to September 1907. Items of particular interest include a group portrait showing Townsend, other U.S. Army officers, and several women (including Cornelia T. Getty) standing in front of a house in Canada with snowshoeing equipment (pg. 3); clippings related to Fort Brady and a roster of troops serving in the Department of the Lakes as of August 15th 1905 (pgs. 5-7); clippings related to renewed unrest in China and the shipment of more U.S. troops to the Philippines (pg. 10, 12); clippings related to the transportation of American troops to the Philippines (pgs. 18, 19); clippings related to the celebration of George Washington's birthday at a ceremony in Gibraltar in February 1906 (pgs. 24, 26); a letter from Townsend to his mother from aboard the USS McClellan near Sri Lanka in April 1906 describing the conditions of the ship and the progress of the journey thus far (pg. 36); a typescript summary of Townsend's military career as of July 1906 (pg. 49); panoramic views of Camp Stotsenburg (pgs. 58, 64); a clipping regarding an earthquake in the Philippines in April 1907 (pg. 69); a typescript copy of a memo from September 1907 titled "Regarding the Government of the Philippine Islands With Special Reference to the Subject of Police Protection" (pg. 80); and photographs by Pedro Casanave of the S.S. Mindoro and of "Calle Gen. Hughes" in Iloilo City (pgs. 87, 88).
Volume 7 (1909-1910--Fort Leavenworth; New York)
  • This volume contains materials related to Townsend's service in the US Army 23rd and 1st Infantry Regiments covering the period from August 1909 to August 1910. Items of particular interest include a roster of officers and troops on duty at the Army Service Schools, Fort Leavenworth and the US Military Prison as of November 1909 (pg. 5); a studio portrait of Townsend in uniform taken at Fort Leavenworth (pg. 7); a copy of the September 1910 issue of the Infantry Journal by The United States Infantry Association containing an article written by Townsend titled "The Use and Effect of Flying Machines on Military Operations" (pg. 25); clippings related to practice maneuvers at Pine Camp, New York (pgs. 28-39, 49-58); halftone images showing camp scenes at Pine Camp (pgs. 47, 48); and photographs showing Townsend in uniform, Townsend's parents Malcolm and Emma, and what may have been the Townsend family residence (pg. 59).

In addition to this finding aid, the Clements Library has also created the G. L. Townsend Scrapbook Inventory which serves as an itemized list of the contents of each scrapbook.

Collection

E. E. Wilcox journal, 1893-1896, [1917]

1 volume

Edward E. Wilcox, a native of Franklin County, New York, wrote narrative recollections of hunting trips, painted watercolors, created sketches and drawings, and pasted photographs and newspaper clippings in this volume around the 1890s. Most of the material concerns hunting and fishing excursions in northern New York and southern Québec.

Edward E. Wilcox, a native of Franklin County, New York, wrote narrative recollections of hunting trips, painted watercolors, created sketches and drawings, and pasted photographs and newspaper clippings in this journal from approximately 1893-1896. Most of the material concerns hunting and fishing excursions in northern New York and southern Québec. The volume contains 200 pages, not all of which are used.

Wilcox wrote a 2-page introduction on June 2, 1893, intending to record details of his life for friends and family to discover after his death. In approximately 43 additional pages of prose, he wrote about his courtship with and wedding to Clara Stuart, his early years in New York City, numerous hunting and fishing trips in northern New York, and a summer vacation in New Hampshire and Québec. Two of the accounts describe a salmon run and an encounter with bears, and one pertains to a youthful prank. Some of the journal's watercolors, drawings, and sketches illustrate aspects of Wilcox's travel stories; most depict hunters, fishers, fish, rowboats, cabins, and woodland scenery. One pencil drawing utilizes shading to create the illusion of a nighttime view and appropriate shadows. Photographs include a picture of a man in a military uniform posing by a paper globe and paper cannonballs (possibly taken around 1917), studio portraits of an unidentified man and woman, a studio portrait of a man in his underwear, views of steamboats in a canal or lock, pictures of cacti in a desert, and a picture of hunters in a wooded area. Also present are interior shots of a shipping or similar commercial office and a man working in an enclosed office space, as well as street scenes. Two newspaper clippings concern E. E. Wilcox's use of shed human skin as a painting canvas and a painting he made as a young man.

Collection

American Tour photograph album, 1893

1 volume

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

Collection

Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums, 1891-1893

2 volumes

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

Collection

Albert W. Stahl collection, 1883-1890

0.25 linear feet

This collection contains correspondence between Albert W. Stahl, his sister Emma, and his wife, Blanche Vinton. Albert and Blanche Stahl often wrote to Emma Stahl about their lives in Lafayette, Indiana, where Albert worked for Purdue University during much of the 1880s. Albert also wrote letters in German to his mother, Henrietta Stahl.

This collection contains 62 letters that members of the Stahl family exchanged from November 1, 1883-October 19, 1890. Most items are Albert W. Stahl's letters to his sister Emma and to his mother Henrietta, who both lived in New York City; he wrote to his mother in German. Stahl discussed aspects of his life in Lafayette, Indiana, such as his participation in the "Daisy Dancing Club," and commented on the health of his wife, Blanche Vinton, who also wrote to Emma about her social activities in Lafayette. Some of Stahl's early letters refer to his decision to marry Blanche, whom the family had not met. In his later letters, Stahl mentioned travel to Chicago, his life in San Francisco, and family finances; he enclosed a letter from the Northwestern Mortgage Trust Company in his letter of February 5, 1889, and provided a list of private finance-related telegraph codes in his letter of July 30, 1890, which pertains to the status of a mortgage.

The collection also contains letters by Emma Stahl, who discussed her life in New York City and, in one letter, reproached her brother for deciding to marry without consulting his family (April 29, 1884), and by David P. Vinton, who wrote to Emma about his regret at a missed visiting opportunity (September 7, 1887).