Collections : [University of Michigan Bentley Historical Library]

University of Michigan staff photographer, 1913-1947 and commercial photographer in Ann Arbor, Michigan. Collection includes some manuscript material but is primarily photographic prints and negatives made by Swain. Photo subjects include university buildings, faculty, and student activities, archeological expeditions to the Near East and, Ann Arbor scenes and landscapes form his travels in the western United States and Canada.

The papers and photographs of George R. Swain mainly document Swain's accomplishments as university photographer at the University of Michigan from 1913 to 1947. Researchers should note, however, that this is only a sampling of the photographer's work during these years. The Kelsey Museum of Archaeology at the University of Michigan has an extensive collection of Swain's archaeological negatives and prints, and researchers interested in his full career will want to also look at the Kelsey collection. The Bentley Library material, while including several folders of fine photographs Swain made on his travels with Professor Frances Kelsey, for the most part documents Ann Arbor and the University of Michigan.

The collection at the Bentley Library consists of three series: Miscellaneous Papers; Photographers Log; and Photographs (prints; negatives; and lantern slides. Since the bulk of the collection is comprised of early twentieth century images of Ann Arbor and the University of Michigan, the materials will be of most interest to researchers searching for visual documentation of this part of the state in that time period. There are very few materials beyond the visual, although the lengthy captions attached to many overseas images and the essays, diaries, and letters, are extremely interesting and offer insight into how Swain approached his craft, both as a professional photographer and in his personal work.

Ann Arbor, Michigan photographer. Photographic images taken to accompany articles in the Ann Arbor Observer. Images include Ann Arbor businesses, buildings, neighborhoods, parks, landmarks; also photos of local personalities, politicians, business people, and University of Michigan faculty and staff members.

The Peter Yates collection is made up of approximately 5200 negative strips, or 26,000 images, of photographs taken for the Ann Arbor Observer between 1978 and 1990. The collection documents both the ordinary and the eccentric in Ann Arbor, as photographs of politicians, professors and business people are interspersed with images of local "characters" and unusual events. Neighborhoods, parks and buildings are also represented in the collection. The negatives are stored in chronological order, according to the date of the issue in which they appeared.

The index is arranged in alphabetical order by subject, and each entry includes the date of the Observer issue in which the photograph was published. The index is not comprehensive, but provides access to photographs of notable people, institutions and trends in Ann Arbor. For example, not every restaurant review photograph has been indexed, but "institutions" such as the Fleetwood Diner and the Gandy Dancer do appear on the list.

For further subject access to the Ann Arbor Observer, please consult the Index to the Michigan Alumnus, LSA Magazine and Ann Arbor Observer in the Bentley Library reading room.

Jonathan W. Bulkley (1938-2019) was the University of Michigan's Professor Emeritus of Civil and Environmental Engineering and Peter M. Wege Endowed Professor Emeritus of Sustainable Systems in the School of Natural Resources and Environment (now the School for Environment and Sustainability). Bulkley's expertise in water resource management and water policy was sought in numerous lawsuits over the course of his career, most notably as special master (1978-1979) and monitor (1979-2009) in several cases regarding the failure of various Michigan organizations to comply with iterations of the 1972 Clean Water Act. He was also a member of the Ann Arbor, Mich. Housing Commission and served as its president in 1974-1976. This collection primarily documents Bulkley's legal and other professional activities and includes architectural drawings, clippings, correspondence, court proceedings and testimony, reports, legal documents, committee and meeting files, operating logs, notes, publications, and photographs. A small portion of records relates to Bulkley's work on the Ann Arbor Housing Commission. These records include records of meetings, policy statements, and staff materials documenting the work of the commission.

The Jonathan W. Bulkley papers primarily document Bulkley's involvement in several legal cases, including the 1977 lawsuit United States v. The City of Detroit (case number 77-71100) and the 1987 lawsuitU.S. v. Wayne County (case number 87-70992), both presided over by Judge John Feikens. These lawsuits concerned the failure of both the City of Detroit and Wayne County's wastewater treatment plants to adhere to the Federal Water Pollution Control Act and Clean Water Act. Judge Feikens was lauded for his handling of these cases, as he focused on negotiation and settlement, rather than unilateral judgement; the cases were resolved through complex consent judgements that were amended over time.

This collection also documents Bulkley's involvement in the Ann Arbor Housing Commission as well as various other academic and professional work he undertook throughout his career. Examples include his work in various smaller lawsuits, including one brought against the City of Toledo, Ohio by the U.S. (civil action number 3:91:CV7646), his involvement in the controversy over the removal of the Huron River's Argo Dam, and his work with the Michigan Environmental Science Board (MESB).

Materials in this collection include correspondence, maps, memos, reports, articles and clippings, notes, papers, court proceedings, testimony, and other legal materials, committee and meeting files, operating logs, course notes, architectural drawings, subject files, project plans, and photographs.

Researchers should note that due to the complex and intermingled nature of the various legal cases, some materials relating to the Detroit Water and Sewerage Department (DWSD) may be found in the Rouge River Watershed (RRW) series, and vice versa. When possible, materials have been kept in Bulkley's original groupings, and have been arranged in a rough chronological order.

Noted Michigan-based modern architect and former Professor and later Dean of the University of Michigan College of Architecture and Urban Planning. Metcalf's work includes over 150 buildings in Michigan and Ohio. The material in this collection spans the years 1942 to 2017, and includes architectural drawings, presentation boards, client files, photographs and slides, correspondence, newspaper clippings, journals, articles, and teaching material.

The Robert C. Metcalf papers include architectural drawings, presentation boards, presentation books, client files, photographs, slides, and negatives of Metcalf's work on residential, commercial, and community projects. The collection provides comprehensive documentation on virtually all of the projects undertaken by Metcalf. Projects are documented from design to construction and often subsequent additions and renovations. The materials in the collection are organized into three series: Project Files, General Files, and Visual Materials.

The General Files series includes personal material such as an audio interview with Robert Metcalf (2010), a date book (1974), and Metcalf's undergraduate student work from the University of Michigan (1942-1950).

Professor of architecture at the University of Michigan. The series in the collection are: Architectural Research, 1932-1983; College of Architecture and Urban Planning, 1967-1985; Correspondence, 1962-1972; Development Index, 1947-1984; and Published Materials, 1930-1982.

The papers of C. Theodore Larson measure 4.0 linear feet and date from 1930 to 1985. The bulk of materials, however, are from 1951 to 1974. The papers contain five series: Architectural Research; College of Architecture and Urban Planning; Correspondence; Development index and Published materials.

Architect, professor of architecture at the University of Michigan. Biographical information; subject files relating to his professional activities, his involvement with the International Congress for Modern Architecture, his interest in architectural education, and his own design work; photographs and architectural drawings. The collection includes correspondence exchanged with Buckminster Fuller and Walter Gropius. There is also a letter from Lewis Mumford.

The Walter Sanders collection consists of architectural drawings and photographs, correspondence, and subject files dating from the mid-1930s to his death in 1972. The collection begins with a folder of biographical material followed by a series of folders arranged alphabetically by topic or type of material. Judging by the fullness of his career, it is apparent that these materials represent but a fragment of the documents created and accumulated by Walter Sanders during his professional lifetime. The materials extant in this collection provide a sampling of Sanders' designs, his architectural philosophy, his professional associations, and his teaching career.

The richest portions of the collection include those files of correspondence with other architects and his association with CIAM (the Congrès Internationaux d'Architecture Moderne) or the International Congress for Modern Architecture. Some of Sanders' correspondents include Buckminster Fuller, Walter Gropius, and Lewis Mumford. There are few materials in this collection relating to Sanders' own designs. Except for photographs and drawings of his Ann Arbor residence, the most interesting drawings are for the Pencil Point Home Competition (undated) and for the Chile Pavilion at the 1939 New York World's Fair. Course and class material is also limited though something of Sanders' views on architecture will be found in the "Talks" folder.

Professor of botany at the University of Michigan. Correspondence and subject files relating to his professional activities, notably his specialization in mycology; and photographs.

The Frederick K. Sparrow Collection has been organized alphabetically by topic. Correspondence is filed under the letter "C" and is in chronological order. In the biographical folder, the researcher will find a summary of the disposition of Dr. Sparrow's botanical effects, listings of his personal mycological library and his holdings of rare mycological books and publications, and a detailed bibliography of his works.

Dr. Sparrow corresponded with friends, mentors, and fellow mycologists and botanists from around the world on a variety of topics. His correspondence comprises over one-half of the collection. The researcher should note that letters dealing with the Second International Mycological Congress are included with the rest of the materials from the Congress.

Architect; professor of architecture at the University of Michigan. Client files, topical file, and miscellaneous presentation drawings.

The George Brigham collection consists of three linear feet and 10 oversize drawers of architectural drawings, photographs, correspondence, and subject files relating to his career as a practicing architect in southeastern Michigan (mainly Ann Arbor), but also including some materials when he was based in Pasadena, California.

The collection has been arranged into five series: Client Files; Client Drawings Files; Prefabrication Drawings Files; Miscellaneous Drawings Files; and Topical Files

The Client Files and the Topical Files have been placed together in the collection (boxes 1-3). The Client Drawings Files, the Prefabrication Drawings Files, and the Miscellaneous Drawings Files, consisting of oversized architectural materials, have been placed together in flat storage drawers.

The Client Files and the Client Drawings Files will be discussed here together as the distinction between them is primarily one of size rather than content. Each of these series is arranged alphabetically by the name of the client for whom Brigham either designed a structure (mainly private residences), additions to existing structures, or proposed a design for which the structure was never built. As a rule, the Client Files consist of photographs, specifications, smaller original drawings, correspondence, and other materials relating either to the project or to the client, while the Client Drawings Files, as the name states, consists of the original designs from conception to final revisions as given to the contractor. There is some mixing of materials between the two series with an occasional oversize photograph located in the Client Drawings Files and with some smaller-sized drawings located in the Client Files. The researcher should also note that while the lists of names for the two series are basically the same they are not identical. The disparities depend upon whether a structure was actually built or not and whether all of the materials have survived. As a group, these two series document Brigham's creative process from first contact with a client through to the construction phase. The series also documents the introduction of a new style of domestic architecture into the Ann Arbor community, particularly areas where the faculty of the University of Michigan resided such as Barton Hills.

The Prefabrication Drawings Files and the Miscellaneous Drawings Files are not client-based files and instead concern Brigham's design innovations in the area of low-cost, prefabricated structures. Unfortunately with the passage of time and the transfer of material about, the original order of these drawings has been lost. An attempt has been made to put the drawings into a subject arrangement but there are still many items imprecisely identified or fragments that were once part of a series of drawings. Some identification is of course possible with clearly defined units of material carrying such labels as 12 panel recreation shelter, a square folding portable shelter and plank wall construction. The largest grouping of drawings here is for Brigham's modular designs, which he called "Unit Built Structures." Perhaps the most significant portion of the Miscellaneous Drawings series relates to the Youtz Unit System of building on which Brigham worked during World War II.

The final series - Topical Files - contain a miscellanea of personal materials, speeches and articles, subject files on his general interest in architectural design. Of interest here in this series are several files relating to Brigham's work with Philip Youtz and his design work on the Youtz Unit House. As mentioned previously, there are also complementary drawings on the Youtz system.

Landscape architect, professor of landscape architecture at the University of Michigan. Files relating to various Michigan projects, notably in Ann Arbor, Hartland, Hillsdale, and Highland Park; subject files on professional activities; and photographs.

The papers of Harlow O. Whittemore have been divided into the following series: Projects; Topical Files; Family Papers; and Photographs.

Artist, art critic, director of the University of Michigan Art Museum. Scrapbooks with clippings of Ann Arbor News art reviews, scrapbook, 1905-1907, concerning University of Michigan student life, topical files relating to his interest in art and cultural organizations, original scripts of lectures and radio talks.

The Slusser papers document only portions of this artist/critic's life. The majority of the collection consists of scrapbooks containing his art review columns for the Ann Arbor News. These were written in the period of his retirement, 1963 to 1978. There is also one scrapbook from his years as a student at the University of Michigan, 1905-1907. The remainder of the collection consists of such personal materials as a diary he kept of a trip to Europe in 1909 when he went to study in Munich, a selection of some of his lectures and radio talks, and miscellaneous topical files relating to art and artists. Of interest is a series of letters written to his brother Herbert and letters received from artist William H. Littlefield.