Collections : [University of Michigan William L. Clements Library]

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

The Allen family papers contain personal correspondence of the family of Northborough, Massachusetts, preacher John Allen. Allen and his sons, Joseph Henry Allen, Thomas Prentiss Allen, and William Francis Allen, often discussed antebellum politics and other matters, including slavery and abolition.

The Allen family papers contain personal correspondence of the family of John Allen, a preacher in Northborough, Massachusetts. He and his sons, Joseph Henry Allen, Thomas Prentiss Allen, and William Francis Allen, often discussed antebellum politics and other matters of intellectual concern, including slavery and abolition.

The Correspondence series (260 items) consists primarily of personal correspondence between family members. Thomas Prentiss Allen composed many of these letters, though his brothers and their sister Elizabeth also contributed. The well-educated Allens discussed a wide range of personal and political topics, and their letters provide a vivid picture of the politically charged antebellum era. They often shared opinions on local and national politics, emphasizing the conflicts over slavery that eventually erupted into secession and Civil War. Notably, Thomas Prentiss Allen expounded at length on Daniel Webster's famous speech urging support of the Compromise of 1850 and offered his own opinions on the political issues involved, including the Wilmot Proviso (March 24, 1850). Other letters of particular interest concern the Free Soil party and the Fugitive Slave Act (December 10, 1850 and January 9, 1851). Elizabeth Allen wrote a majority of the later items in the collection to Joseph Allen, her father, communicating a view of her life on the home front during the Civil War and occasionally mentioning the war and domestic politics.

• Fathers and Children, containing manuscript essays based on Biblical verses (September 1842)
• A Discourse on Occasion of the Death of Hon. John Quincy Adams..., by Joseph Henry Allen (1848)

The Photographs series (2 items) contains two 19th-century portraits printed on thick cards.

The Miscellaneous series (5 items) contains a newspaper clipping regarding the death of William Francis Allen, as well as four manuscripts about various topics.

This collection is made up of correspondence related to Ira Blake of Chester, Vermont, and his descendants, and is divided into three main groups: letters between Ira Blake and Mary Seamans, his future wife; letters to Frances Blake, their daughter; and letters by Ormond and Oscar Colony, Frances's sons. The Blake letters relate to Ira and Mary's courtship and to news of their families in New England, and the Colony letters pertain to the brothers' experiences traveling to and living in Colorado during the Civil War.

This collection (131 items) is made up of correspondence related to Ira Blake of Chester, Vermont, and his descendants, and is divided into three main groups: letters between Ira Blake and Mary Seamans, his future wife (8 items); letters to Frances Blake, their daughter (30 items); and letters by Ormond and Oscar Colony, Frances's sons. The Blake letters primarily concern courtship and family news in New England, and the Colony letters pertain to the brothers' experiences traveling to and living in Colorado during the Civil War.

The Blake correspondence (38 items) relates to Ira Blake's immediate family. In 1807, during their courtship, Ira Blake and Mary Seamans exchanged 8 letters about their relationship and separation. The remaining 30 items are mostly letters to Frances Blake (later Colony) containing personal and family news, with the exception of one letter by [G.]S. Barstow to "Mr. Stutevant" relating to information about local deaths from 1859-1861 (December 30, 1864). The majority of the letters are from Mary Blake (later Mary Moore), Frances's mother, and Cyrus Blake, a friend who wrote of life in Roxbury and Boston, Massachusetts, and who provided a list of items he purchased for Frances, along with each item's cost (August 12, 1831).

The Colony correspondence (103 items) chiefly consists of letters that Ormond and Oscar Colony wrote to their family in Keene, New Hampshire, while living in Central City, Colorado, during the Civil War. Winslow J. Howard wrote the earliest letter to the twins' brother Lewis; he described the city of Santa Fe, New Mexico (May 16, 1859). Oscar and Ormond Colony wrote the remainder of the letters. Ormond departed from New Hampshire in the summer of 1862 and wrote several letters from Saint Joseph, Missouri, before embarking on an overland journey to Colorado. He traveled in covered wagons across the Great Plains, which he described in a lengthy composite letter composed after his arrival in Central City, Colorado (June 3, 1862). His first work in Colorado required occasional journeys in the mountains to survey potential routes for the Pacific Railroad. He wrote about his daily life in the town, mentioning its gold mines and describing the surrounding scenery.

Oscar joined Ormond in early December 1862, and the brothers continued to provide their family with updates on their everyday lives and local news, including at least one report of a trial (October 20, 1863). On December 25, 1862, Ormond drew a detailed picture of their home and shop, complete with sketches of their merchandise, which included stuffed mountain birds and fiddles. Oscar shared a related drawing of a covered wagon pulled by two mules, captioned "…our gilded chariot, and we are inside, but you can't see me" (October 16, 1863). The pair also took several trips throughout the surrounding area. On two occasions, they described the perils of cross-country railroad travel, which included fatal Indian attacks (December 6, 1864), causing Ormond to remark that he wanted the Indians "wiped out" (December 11, 1864). The twins also occasionally commented on the Civil War and contemporary politics. While in Missouri, Ormond mentioned a local military unit and the effects of martial law, and in Colorado they occasionally saw military recruiters and wrote about the public's view of the war. On January 8, 1864, Ormond shared his belief that future politics would be difficult because of problems posed by African Americans, Native Americans, and Mormons. In his final letters, written in or around 1865, he revealed his plans to return to New Hampshire following the closing of his business ventures in Colorado.

Undated material includes several letter fragments and drawings. Among the latter are a valentine and a poem; a surreal drawing depicting "A Dream;" a picture of a man driving a mule behind two men carrying long guns; and a drawing of the Pikes Peak Stage labeled "Mr. Aged Individual Candidate for Pikes Peak." Other items include a newspaper clipping regarding Howard & Colony's jewelry products and a printed advertisement for Winslow J. Howard's jewelry business in Santa Fe.

The majority of this collection consists of correspondence related to the families of David B. McCreary and his daughter, Sophia McCreary Clark ("Sophy"), both of Erie, Pennsylvania. David and his wife, Annette, corresponded with family and acquaintances throughout the mid- to late 19th century, including the Civil War era and the Spanish-American War era. The letters of Sophy, her husband Henry, and their daughter Annette span the late 19th and early 20th centuries.

This collection (4 linear feet) consists primarily of correspondence related to the family of David B. McCreary of Erie, Pennsylvania. The earliest item is a letter signed and attested by various military officials declaring Henry Clark of Private Taylor's company unfit for military duty (June 2, 1815-July 8, 1815). The bulk of the collection begins in 1846, with most early material consisting of personal correspondence addressed to (and between) David B. McCreary and Annette Gunnison of Erie, Pennsylvania. Many of these letters contain personal and family news and document the social history of antebellum Erie, as well as David's time at Washington College and in Kentucky. Between 1858 and 1860, much of the correspondence is addressed to Chauncy G. Clark of Harbor Creek, Pennsylvania, including several letters from Homer J. Smith of Palo, Michigan, and his wife, who provided news of their family.

Throughout the Civil War, much of the correspondence relates to the 145th Pennsylvania Infantry Regiment, such as letters that David B. McCreary received from soldiers' wives and other family members regarding their loved ones in the regiment. He and his wife Annette also received personal letters that occasionally mentioned aspects of the war. Two letters from Jonas Gunnison concern names of drafted men (October 19, 1862) and the presumed death of "Charley," a soldier who had gone missing (December 20, 1862). David McCreary also wrote to his daughter Sophy during the war. David and Annette McCreary continued to correspond between themselves and with others after the war. They wrote several letters to their son Wirt during his time at the United States Naval Academy and received one letter from Wirt about his service on the USS Dorothea in 1898, just before an anticipated assignment in Cuba.

Much of the post-Civil War correspondence concerns Sophy McCreary, Henry A. Clark, and their children. In the mid-1870s, Sophy wrote a lengthy series of letters to Harry Beatty of Harrisburg, Pennsylvania, that continued sporadically into the early years of her marriage. During this period, Henry A. Clark was beginning his legal career in Fall River, Massachusetts, and received many letters from "Fred," an acquaintance from Harvard. The collection also has business correspondence dated after Clark's return to Pennsylvania, which concerns his work with the Edison Electric Light Company and other firms, as well as his various judicial and political offices. Incoming letters to Annette McCreary Clark, the daughter of Sophy McCreary and Henry A. Clark, are also present, as are letters from the younger Henry Clark to Sophy McCreary Clark, his mother. In addition to newspaper clippings, advertisements, memorial service programs, and other ephemera enclosed in letters, the collection has a series of personal and commercial postcards.

The Dewey papers consist of more than 500 items that concern the Dewey family's business and family life. The collection tracks the movements of Dwight Dewey, physician and land owner, from Iowa, to Washington, and to New York.

The Dewey papers consist of 545 items relating to the Dewey family including 436 letters, 46 financial records, 9 accounts, 12 school exercises, 17 medical books, and 20 miscellaneous items. The bulk of the collection is comprised of letters written to Dwight by his brother Duane; his business partner, E.B. Holden; his uncle, Anson Hart, a banker and realtor in Iowa City; his Keokuk pastor, Reverend John H. Day; and many nieces and cousins. Only a few letters were written by Dwight Dewey. Though almost no mention is made of the Civil War, the letters help to provide insight into civilian life during the war. The letters concern business and family life and track his movements from Iowa to Washington, and to New York.

A substantial number of items relate to the Dewey family's business dealings. The Financial Records series contains receipts for property transactions, commissions and services, real estate taxes, and ledgers from the family store. The Accounts series holds R. Dwight Dewey's physician account books from 1806-1820, 1815-1842, and for 1838; and Dwight C. Dewey's account books for 1848-1851. These books document a doctor's business practices in the first half of the 19th century.

The School Exercises series consists of Dwight Dewey's student essays and penmanship exercises. The Medical Notes series contains detailed notes from some his coursework in medical school. The Medical Books and Journals are notebooks kept by Royal Dwight Dewey while practicing medicine in Turin, New York. He made notes on treatments for colds, syphilis, colic, epilepsy, burns, dysentery, and other ailments, and listed medicinal recipes such as "Pectoral Syrup," "Rheumatic Liniment," and others. There are no accounts of Dwight's medical practice.

Miscellaneous items include wedding invitations; printed materials for the Keokuk Female Seminary, the state University of Iowa, and the Iowa Medical Society; and two lists of medical instruments, one with drawings of scalpel types.

Elizabeth Camp's journals detail her time spent with the Stockbridge Indians as a schoolteacher and unofficial Congregationalist missionary.

The first volume of Elizabeth's journal is eighty pages, and roughly half of it is Elizabeth's record of her time spent with the Stockbridge Indians as a schoolteacher and unofficial missionary. The second journal is only thirty-three pages, and since there are a number of large gaps between entries, it provides a much sketchier picture of Elizabeth's life as she returned to teaching, then attended school, got married, and had a daughter.

The High Congregational style of these journals is both edifying and entertaining. This young woman struggled constantly to know her spiritual condition, and to express her relationship with God. And unlike many a religion-steeped journal, her entries zing with lively language. Openers like "I am a poor, vile, sinful and unworthy worm of dust" and "A guilty hell deserving worm of the dust has graciously been permitted to witness another holy sabbath" sizzle, and Elizabeth rarely got through an entry without some elaborate articulation of self-loathing (1:23, 1:70).

What keeps the journal interesting, however, is the curious tension between this self-abasement -- considered the appropriate attitude with which to approach God -- and Elizabeth's pride and satisfaction in her "useful" work as a teacher and a missionary. To experience God's love, one had to feel absolutely wretched about oneself, and continually profess one's continual state of sinfulness. Therefore it was difficult, if not impossible, for her to simultaneously feel close to God and proud of her work as God's humble servant: "in short, my attainments in religion are very low. I am truly the vilest of the vile, yet I do not feel it as I ought; Oh when shall I live devoted to God? If I am a christian, why do I not love God more, and serve Him better? I know I have a very selfish, wicked heart, & Oh Lord! make me feel it, & give me deep repentance. May my heart be broken for my sins, & may I cheerfully submit to God in all his dealings with me" (1:16).

Elizabeth was frustrated that although she knew she was wicked, she did not always feel wicked -- and when one was devoting one's time so usefully helping the "dear red people," it must have seemed somewhat contradictory to try to feel like one had a "selfish wicked heart." And yet she did try, repeatedly. "Oh I am a sinful worm, & may I feel it more and more & humble myself at the feet of Him, who is the sinner's friend" (1:41).

Initially Elizabeth mentioned that her school has seven native children and six whites, but she did not mention the white children again -- in fact, the next entry states "had but seven native children," suggesting that the whites ceased attending (1:26-27). She brought her little niece to Stockbridge with her to keep her company, and she felt "something lonesome, as I am deprived of the society of white people" (1:26). Loneliness soon passed, as she involved herself in the community. Within a few weeks, she wrote: "I do love these dear red people. I have peculiar sensations while uniting with them in their devotions such as I do not experience meeting with any other people" (1:43). She was even able to relieve her own religious distress by talking with a "dear christian Indian woman" (1:46).

In addition to teaching school, Elizabeth attended native female society meetings, "the object of which is to promote industry and good morals among the females" (1:32). She also visited households, speaking to the women individually about their spiritual state of mind and instructing them in religious matters. When one woman said she had always loved the Saviour, Elizabeth had to explain to her that she was wrong. "I told her that we were born into the world enemies to God, that we did not naturly love Him, nor anything that is good &c." (1:32). She also went to weekly "conferences," and sermons on the Sabbath. Although Elizabeth presumably communicated with the Stockbridge in English, a "Mr. S." delivered a sermon in the natives' tongue (1:29). Most of the meetings Elizabeth attended were conducted in the Indian's language, and she had to rely on tone and demeanor to gauge whether or not the people were suitably "solemn," which they typically were.

Leaving the Stockbridge in September was difficult for Elizabeth. She shook hands with her school children, and after a final prayer meeting together, "two indian women accompanied me home, spent the night with me & breakfasted with me this morning" (1:51). Elizabeth went on to visit friends and return to her native home, and closed her journal with a lengthy transcription of Mrs. Martha Laurens Ramsay's "self dedication and solemn covenant with God," copied from the memoir of that "excellent woman" (1:71-80).

The most interesting part of the second volume of the journal is Elizabeth's account of hearing a dead woman's journal read aloud by her intended spouse (2:10-11). Elizabeth praised the young woman, who had possessed "superior qualifications for extensive usefulness, both native and acquired," and the young man, who "performed his task with an appearance of deep solemnity -- sensibly feeling his loss."

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes printed invitations, programs, and 23 photographs.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes 2 documents and 23 photographs; printed invitations and programs are interspersed among the letters.

The Correspondence series comprises most of the collection, and contains approximately 4 linear feet of letters, which are primarily the incoming personal correspondence of Evarts Kent, his wife, and their children. The earliest items are Civil War-era letters between unidentified family members. The bulk of the collection begins around 1867, when Evarts Kent began to receive letters from his family and friends, who provided local news from Ripton, Vermont, and often commented on his recent marriage to Helen Beckwith. As Kent's father, Cephas, was a Congregational minister, the Kent family frequently discussed religious topics. In the early and mid-1880s, Michael E. Strieby and Joseph E. Roy of the American Missionary Association also corresponded with Kent.

After the mid-1870s, the correspondence is primarily between Evarts and Helen Kent and their children, Ernest, Grace, and Willys, who exchanged letters with their parents and each other from their childhood into their early adult lives. Ernest discussed his educational experiences, including his time at Iowa College,his experiences in preparatory school and as a young adult and at Iowa College, and occasionally composed letters to his father in Latin. The Kent siblings sometimes included sketches or more refined drawings within their letters. Their letters reveal details about their relationships with each other, their personal lives, and their religious beliefs. Later items from the World War I era often concern Willys's wife, who signed herself "Roxi," and the couple's experiences while spending their summers at Camp Arcadia in Belgrade, Maine. A relative named "Jupe" also wrote Evarts Kent an extensive series of letters throughout the late 19th and early 20th centuries, including a group of 20th-century letters about travel in the Black Mountains of North Carolina.

The Documents series is made up of a 2-page document containing several sets of church minutes compiled in Benson, Vermont, between March 1790 and September 1792, and a partially printed receipt for a payment made to the American Board of Commissioners for Foreign Missions (ABCFM) in 1870.

The Photographs series holds 23 photographs, primarily snapshots, of unidentified individuals. Though most are portraits, 2 depict a woman riding a bicycle and one is a self portrait of a woman, "taken by herself in front of a looking glass." The photographs include one cyanotype.

The Fort Wayne Indian Agency collection consists of a letterbook kept by Indian agents John Johnston and Benjamin Franklin Stickney; an English-to-Ottawa dictionary, likely written by Stickney; and a memorandum book kept by Johnston during his time at Fort Wayne.

The Fort Wayne Indian Agency collection consists of a letterbook kept by Indian agents John Johnston and Benjamin Franklin Stickney; an English to Ottawa dictionary, likely written by Stickney; and a memorandum book kept by Johnston during his time at Fort Wayne.

The Fort Wayne Indian Agency Letter book (189 pages) was compiled by agents John Johnston (April 15, 1809-November 30, 1811) and Benjamin F. Stickney (April 18, 1812-October 1, 1815), who documented all accounts, disputes, complaints, and other occurrences that transpired between the soldiers at the fort and the Native Americans. The letterbook records the agency business during the critical years before and during the War of 1812, when Fort Wayne was a vital part of American frontier defenses. The volume is comprised of copies of letters, speeches, circulars, and documents, to and from the agents and various departments of the United States government. The correspondents include Presidents Jefferson and Madison; Secretary of State James Monroe, Secretaries of War Henry Dearborn, John Armstrong, and William H. Crawford; the governor of Indiana Territory, William Henry Harrison; and Michigan governors William Hull and Lewis Cass; as well as several Indian chiefs (listed in Additional Descriptive Data). The entries contain lists of supplies received at Fort Wayne, lists of supplies and gifts extended to the Indians, receipts for work done at the garrison, reports on Indian activities, speeches addressed to the Indians, accounts of the war on the frontier, and reports about other conflicts in the area. The volume concludes with a 13-page "statements and observations relating to the Indian department" which summarizes Stickney's efforts during the War of 1812. For a complete transcription of the letterbook, along with a thorough index, see:

Thornbrough, Gayle. Letter Book of the Indian Agency At Fort Wayne, 1809-1815. Indianapolis: Indiana Historical Society, 1961.

The English to Ottawa dictionary (40 pages) contains phonetic spellings for English words in the language of the Ottawa Indians (the Ottawa speak a dialect of Ojibwe). The book, likely composed by Stickney, contains words for mammals, fowl, birds, fish, reptiles, elements (earth, water, wood, stone, clay, etc.) plants, trees, body parts and facial features, food, maladies, medicine, feelings (love, malice, envy etc.), celestial features, weather, clothes and other goods, numbers, colors, and useful phrases. In addition to providing information on the Ottawan language, the dictionary relates concepts and terms that were important to the Americans. This volume was likely never published.

John Johnston kept the Fort Wayne memorandum book (145 pages) during his tenure as Indian agent at Fort Wayne, from 1802-1811. The volume contains both personal and official material. The first entry was March 20, 1801, when Johnson was appointed by General Henry Dearborn to be a clerk in the War Department. He arrived at Fort Wayne on September 20, 1802. The volume contains several lists of supplies for Fort Wayne and for gifts to the Indians, and records bills and accounts from the Indian agency and the War Department. Many of the accounts concern Indian agent William Wells (1802-1803). Johnston also made notes on his daily responsibilities, of enquiries into food and supplies, and on people traveling to and from Fort Wayne and Washington D.C.; Dayton, Ohio; and Detroit, Michigan. Several entries relate to Native Americans, and discuss Little Turtle's adopted son and the husband of Little Turtle's daughter. Among Johnston's personal notes are financial records for planting his farm and orchard in 1808. The memorandum book provides information about life in the Indiana Territory in the early 19th century.

The Francis Edmonds papers document the art and business world of the early 19th century and the interrelationship between business and the arts. The correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

The Francis Edmonds papers are about evenly divided between the banking and art scene. The collection is valuable in depicting the interrelationship between business and the arts in mid-nineteenth century New York, where a small group of men dominated art promotion and patronage. Edmonds, a man with one foot in both worlds, naturally occupied a prominent position, and his correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

There are 70 different correspondents represented in this small collection, so its story must be pieced together from multiple fragments. Luckily, there are two published biographies of Edmonds which help to make sense of this scattered correspondence by placing it in context. Roughly, the letters can be divided into those from artists, those from business contacts, and those to or from family members. Their subject matter, however, is not so neatly separated -- and that is what makes the Edmonds Papers so interesting, for bankers talk of art in addition to business, artists of finances as well as aesthetics, and Edmonds may have been the only man to whom these combined interests were communicated.

The largest set of correspondence consists of letters from Francis Edmonds to elder brother John Worth Edmonds, who became prominent as a judge, politician, and writer on spiritualism. Letters written between 1823 and 1829 show the young man to have been much inclined toward personal improvement, and to have looked upon his elder brother as a worthy critic and role model. He self-consciously uses their correspondence as a means to improve his writing style and intellectual development, and mentions writing projects he is at work on. An 1829 letter refers to progress in art work: "About my neighborhood I am getting to be a little known as a painter however I am not at all intoxicated with success as yet."

Edmonds' letters to his brother reveal little of marriage or home life, but are good barometers of his psychological state and his views on life. Clearly he had no illusions about the business and political world, commenting in a March 31, 1829 letter that the Edmonds family had been "to [sic] kind in this world, too much trusting to the good will of mankind and they have suffered for their generosity. It is time we changed their nature's [sic]. ... if two hands are offered you spit in the worst & shake the best." Perhaps this attitude sustained him later on when he lost his prominent banking position, for he comments to his brother in October 1856 that "the sensitive feeling which has so influenced my conduct in going into the world is rapidly wearing away," which he knew would happen with time. In August, 1859, he writes that he is unhappy with his new position at the American Bank Note Company, and has to take the "bile" of those who are jealous and competitive of one another. It appears that he may have had an opportunity to regain his old bank job, but writes to John in 1861 that he has no interest in it, as his old boss would feel threatened by him.

Letters to Edmonds from John Gourlie, Charles Leupp, Jonathan Sturges, and Fanning Tucker, primarily dating from the 1840's, depict the interest in art held by some in the business world. These men, all of whom knew Edmonds in a business setting, also associated with him in societies for the promotion of art, bought and commented upon his paintings and those of other artists, and looked to him for advice when acquiring art for themselves. Many of the letters discuss both banking and art. A particularly interesting one, from Gourlie on June 15, 1841, criticizes artists' refusal to be business-like. Commenting upon rivalry between the Apollo Association and the N.A.D., he remarks that artists "are a queer set. ... So sensitive and at the same time so blind to their own interests." He believes popularization of art, as the Apollo does with its subscriptions for pictures or engravings, is the key to supporting artists, for "[a]ssociations in this country are what the aristocracy is in Europe." Gourlie asserts that rivalry between the Academy and Apollo is a good thing, for "rivalry is the life of all business and pictures may be made business matters as well as cotton or cocoa.!"

Yet correspondence to Edmonds from fellow-artists show them to have been aware that their work was a commodity. An 1841 January 30 letter from Daniel Huntington to Edmonds in Paris comments on hard times in New York, remarking that the arts are now "stagnant," as "[t]he mass of painters are I believe lasily waiting with hands in empty pockets for the revival of Commerce & the increase of orders for portraits." Huntington has sold a sketch he began in Rome of "one of those ragged and flea-inhabited beggar boys" for $100, and sold two heads painted at Florence for $150 each. He must be concerned with what will sell well "in these starving times." Artists Joseph Adams, Thomas Cole, and John Kensett also write of both art and money. They seem to have used Edmonds as a combination personal banker and agent, asking him to sell paintings for them, choose and execute stock transactions, or make loans with paintings offered as collateral. Because of his contacts he was also able to secure artists commissions, contracting with Cole for a painting, employing Asher Durand to copy a picture for engraving, hiring engravers to work from paintings to prepare Apollo Association and Art-Union premium offerings.

The artists' letters are highly interesting for their gossip and commentary on the art scene, both in New York and abroad. They describe work in progress, discuss the merits of major exhibitions, comment on the activities of the N.A.D., and chronicle the life of the expatriate artist as he moves from place to place in season, sending work home for display and (hopefully) sale, scrambling for funds to finance work abroad. It seems to have been a small and convivial "old boys' network" who worked and traveled together and critiqued each other's painting. Edmonds enjoyed seven months of the artist's life in 1840-41, and perhaps this cemented his position as an insider with other artists.

In two important letters of 1840 November 7 and 1842 December 14 Thomas Cole agrees to do a painting of Mt. Etna on commission and describes the finished product. He explains the location and elements of the picture in detail, noting that he may be accused of having "scattered the flowers with too profuse a hand. This is not possible. Sicily is truly the land of flowers..." He hopes the picture "will come to the lot of some one whom we would choose," or that "some good New Yorker will purchase it. I myself will give a hundred dollars & the View of Lake Schroon in Mr. Ridner's room for it." In April 1843 John Kensett writes extensively of the Paris art scene, describing specific works he has seen and including a small pencil sketch of one by Jules Louis Coignet.

Also of particular interest are three 1844 London letters from publisher and bookseller George Putnam, who worked to raise awareness of American art abroad. One solicits articles on American art from Edmonds, assuring him that despite prejudice there are many in England who would be interested in "a little information about American doings in some other arts than the art of raising the wind." In December, reporting on the disappointing reaction of a major critic to three American paintings Edmonds sent for display, he ruefully remarks that the criticism typified English ignorance of America. Putnam was advised to "'tell them to paint some American subject (!) Something of the Indian life.' He was rather incredulous when I suggested that Indians were as great a novelty, nearly, in New York as in London." Still, he wrote, hundreds had viewed and appreciated the paintings, so they had served a good purpose.

One letter in the collection involves neither art nor banking, but Civil War service in Virginia. It is from an old friend of Edmonds, William Fenton, who went to war along with his two sons and served as a colonel in the 8th Michigan regiment. Fenton describes a massive camp along the Rappahannock in detail and indignantly decries the "slaughter" at Fredericksburg as "almost unjustifiable," and due to "old fogeyism" in military strategy. "What was good strategy in the time of Napoleon may not be now." He criticizes political meddling in war and the advancement of "pets." Fenton encourages Edmonds to visit camp, for "[s]uch sights will never again be seen on this continent."

Besides correspondence, news clippings, some later genealogical material, and a draft excerpt from Edmonds' autobiography (ca.1860), the collection includes several pencil sketches by the artist. Eight rough but skillful sketches on small scraps of paper feature indoor and outdoor scenes of people and animals. One is water-colored. There is also a large preliminary study of Edmonds painting "The Bashful Cousin". It is not identified as such, and background scene and details differ from the finished version, but the two main characters are clearly recognizable.

This collection is made up of approximately 160 items related to the Hillard family and Low family of New York and Boston, including correspondence, documents, photographs, poetry, ephemera, and pamphlets. Family members wrote around one-third of the approximately 110 letters and typescripts, as well as 35 pages from a letter book, while living and working in China in the mid-1800s. Other letters and additional materials concern the families' social and business lives in New York and Massachusetts throughout the 19th century. The families were related by marriage.

This collection contains approximately 155 items related to the Hillard family and Low family of New York and Boston, including correspondence, documents, photographs, poetry, ephemera, and pamphlets. Family members wrote around one-third of the approximately 110 letters and typescripts, as well as 35 pages from a letter book, while living and working in China in the mid-1800s. Other letters and additional material concern the families' social and business lives in New York and Massachusetts throughout the 19th century. The families were related by marriage.

The Correspondence series contains the following subseries: Manuscript Correspondence, Edward Low Letter Book, and Low Family Typescripts.

The Manuscript Correspondence subseries contains around 100 items related to the Hillard and Low families. "Caroline," a friend of Harriet Low, wrote letters to Harriet in New York City from Macau, China, in 1834 and 1835. Caroline commented on aspects of her life abroad, such as William Napier's arrival from Great Britain and the difficulty of having goods shipped from the United States. Other early correspondence includes personal letters between members of the Low family, who often wrote from Boston about family news and their social lives.

Francis (Frank) A. Hillard wrote 25 letters to his parents and siblings between June 1844 and July 1846, including 2 while traveling onboard the ship Honqua and 23 while living in Canton (now Guangzhou) and Macau, China. He described many aspects of his everyday life and of his career as a merchant, and provided detailed accounts of scenery, people, customs, and local news. He also commented on his experiences as a foreigner living abroad. After returning to the United States and settling in Brooklyn, New York, he corresponded with his brother Oliver, to whom he wrote approximately 30 letters between 1847 and 1853. Frank discussed his mercantile career and social life, which included interactions with members of the Delano family. The bulk of the correspondence ends in 1853.

Abiel Abbot Low wrote 4 letters to his wife Ellen on June 12, 1841, and from June 28, 1845-August 21, 1845. In his first letter, he described his travels in northern New York along the Erie Canal. Low's letter of June 28, 1845, pertains to his transatlantic voyage to Manchester, England, on the Great Western: he discussed his fellow passengers, his leisure activities on the ship, and his reunion with his sister Harriet and her children. The final 2 items (August 16, 1845, and August 21, 1845) concern Low's life in New York City after his return from England; he provided news of acquaintances and briefly mentioned the possibility of war with Mexico.

The subseries contains a letter Frank received from his brother Oliver, who provided news of United States politics (June 9, 1846), a letter from a girl named Hattie to her mother that mentions a sermon by a "Mr. Longfellow" [1864?], and a letter and membership card from the New York State Woman Suffrage Association sent to Mary Loines (September 21, 1895).

The Edward Low Letter Book is comprised of 35-pages of retained copies of letters that Low wrote to various family members, including William Henry and Abiel Abbot, while living in Macau, China, from May to September 1842. He discussed his life and work in China, as well as the Chinese economy and current events.

A group of Low Family Typescripts contains 12 letters exchanged by members of the Low family between 1829 and 1841, accompanied by a table of contents and a letter about the original material, dated 1935. The location of the original letters is unknown. Harriett Low wrote the first 9 letters between 1829 and 1834, while traveling in the Pacific and living in Macau, China. She told her mother and sister of her life onboard steamships and about her loneliness, caused by separation from her family in the United States. The remaining 11 letters include items by Frank and William Henry Low concerning their travels to China and around the Pacific region. They also commented on financial affairs.

The Documents series has 2 subseries: Legal and Financial Documents (5 items) and Passports (2 items). Included are an indenture between John Hillard, Harriet Low, and Seth Low (November 1, 1836); 4 receipts (August 1894-March 9, 1896, and undated); and passports for John Hillard (1842) and George Stillman Hillard (1859). Each passport is housed in a leather wallet.

The Photographs series contains 3 cartes-de-visite of Samuel Stillman and Rebecca Allen Stillman, as well as 3 card photographs of George Stillman Hillard.

Poetry and Other Writings (10 items) are comprised of 3 small poems, including one Francis A. Hillard wrote for his brother Oliver; 1 long poem entitled "The Tale" (27 pages); a preface and notes concerning the preparation of a work on the Low family papers; 3 loose pages and 1 packet of notes; and a 2-page prose draft.

The Genealogy series holds a 25-page document with genealogical information about the Hillard family and associated families.

Printed Items are divided into 3 subseries. Printed Ephemera (4 items) includes an illustrated envelope for the company Fritz and Dean, a business card for John B. Hillard, an image of George S. Hillard, and a bookplate for items bequeathed to the Massachusetts Historical Society by James Savage. The Currency (13 items) was all issued in North America between 1770 and 1780. Three of the four published Pamphlets were written by George Stillman Hillard between 1843 and 1852. The final pamphlet is a copy of "A Clipper Ship and Her Commander" (1924).