Collections : [University of Michigan William L. Clements Library]

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

This collection is made up of 71 items, including 28 letters written by Archibald "Archie" Shields of Detroit, Michigan, to his parents and sisters while serving in the Canadian Expeditionary Force during World War I. Shields served in France on the Western Front and, while on leave, visited friends and family in Scotland. The remaining materials include documents, ephemera, photographs, printed items, and one VHS tape.

This collection is made up of 71 items, including 28 letters written by Archibald "Archie" Shields of Detroit, Michigan, to his parents and sisters while serving in the Canadian Expeditionary Force during World War I. Shields served in France on the Western Front and, while on leave, visited friends and family in Scotland. The remaining materials include documents, ephemera, photographs, printed items, and one VHS tape.

The Correspondence Series is comprised of 28 letters written by Archie to his parents and sisters during his time in the Canadian Infantry during World War I. The correspondence begins when Shields's battalion mobilized in May 1916. He quartered in London, Ontario, Canada, for several weeks before traveling through Toronto, Montreal, and New Brunswick, to board the troop ship Olympic at Halifax, Nova Scotia. After arriving in England in early June, the battalion was stationed at Otterpool Camp in Kent, where Shields applied for a transfer to become a driver and the 99th Battalion dissolved into the 35th. Towards the end of September, Shields went to France as part of the 21st Battalion. Admitted to the hospital in March 1917 for "swollen glands and sore throat," he became a patient in the 16th General Hospital in France, 1st Southern General Hospital in Birmingham, and Hillingdon House Hospital in Uxbridge. Following his recovery, Shields spent time visiting relatives and family friends in Scotland but was punished upon his return for taking longer leave than approved. He took subsequent leaves to Paris and Scotland. The last of the letters is dated November 5, 1918.

Shields's letters include descriptions of camp life and military training (marksmanship, stretcher bearing, trench digging), requests for parcels, requests and comments on news from home (include fundraising efforts), notes on letters and packages received, comments on friends' and relatives' military experiences, and remarks on his own experiences (including censorship, shelling, and life in the trenches). Envelopes are included with most letters, many with an "Opened By Censor" label attached. Shields wrote some of his letters on YMCA "With His Majesty's Canadian Forces on Active Service" stationery.

The Documents and Ephemera Series contains a worn black wallet with two colorful military uniform bars, a small black flip notebook, three Canadian Expeditionary Force pay books, and items commemorating the installation of a memorial window at St. Paul's Anglican Church in Kingston, Ontario, Canada, in 2007. Contained in the black wallet are a photograph of Archie Shields in uniform, a 1922 10,000 reichsmark note, and a military pass. The black notebook contains names and addresses of acquaintances, military tactics notes, and brief journal entries respecting Shields's time at the front in France until his admission to the hospital in England; in its pocket is a torn scrap of paper with the header "Plantation Alliance, Suriname, Dutch Guyana." Laid into one of Shields's pay books are assorted papers, including a telegram from his Aunt Effie, railway tickets, calling cards (Clarisse Dalouze and Marie Dalouze of Trazegnies, Belgium, and Armand Loutz of Spy, Namur, Belgium), and a postcard from a watch repair shop.

• Group photograph, "21st Batt. Overseas Border Club 1934
• Photo with inscription "Archie leaving for World War I 1914 from Windsor Ontario"
• Real photo postcard of military personnel, walking
• Portrait photograph of Archie Shields, photograph with inscription "A. Shields, Aunt May? Aird, Off to War 1916"
• A detached album page bearing five photographs:
  • A portrait with the caption "Archie goes to war 1916"
  • A photo of military personnel in formation carrying flags
  • A snapshot captioned "Mich Central Depot- Detroit," showing the façade of the station with several people and an automobile in the foreground
  • A snapshot of a crowd of people in front of Canadian Pacific freight car with people sitting on top
  • A group portrait of buglers in military uniform
• A detached album page bearing nine photographs:
  • A soldier in uniform [Archie Shields?]
  • Michigan Central Station with people and a car in the foreground
  • A military band performing
  • A military procession with a young girl and a man in the foreground, captioned "A Little Child Shall Lead Them, June 3, 1920"
  • Members of the military with flags and bayonets walking under an arch, captioned "Passing into the Armouries, June 3, 1920"
  • Snapshot of a young woman, captioned "May Shields Aird, 1914"
  • Snapshot of three young women, captioned "Ruth, Margaret, Bethia,"
  • Portrait of young man in military uniform, captioned "Jack MacNiven, 1914, Tank Corps"
  • Oval photograph of three young women in a canoe, two at either end facing the camera, captioned "May Shields Aird, Margaret Shields Smart."

• "A Special," What We Know About the War. Uxbridge, Ontario: s.n., 1917.
• Great Britain. Army. Royal Engineers. Field Survey Battn. Wiancourt : Parts of 57c S.E., 57b S.W., 62c N.E., 62b N.W. [London]: s.n., 1918.
• Great Britain. Ordnance Survey. France. Sheet 51B. [London]: Ordnance Survey, 1917.
• Historical Calendar, 21st Canadian Infantry Battalion (Eastern Ontario Regiment) : Belgium, France, Germany, 1915-1919. Portsmouth: Printed by Gale & Polden, Ltd., 1919.
• Nicholson, G. W. L. Canadian Expeditionary Force, 1914-1919. Ottawa: Roger Duhamel, 1962.
• The Twenty-First Battalion Communique, no. 26, August 1965.

The Arizona photograph album contains 70 images taken by an unknown photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area.

The Arizona photograph album contains 70 images taken by an unidentified photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area. The album (21 x 31 cm) has black pebbled cloth covers and a leather spine. Images of interest include views of men visiting cliff dwellings near Flagstaff; a group visiting the Grand Canyon by carriage and horseback; past the John Hance house and trail; scenic shots of the Grand Canyon taken from the Grand View Hotel; trailside cooking; and a wagon breakdown on the return trip. Additional photographs show Timothy Riordan, president of the Arizona Lumber & Timber Company, and his family at the rustic Thomas' Hotel in Oak Creek Canyon; an excursion to the lava beds including amateur photographer Father Daniel McGillicuddy of Worcester, Massachusetts, who is shown setting up his camera among the rocks; 11 views of the 1902 Fourth of July celebrations in Flagstaff, with masked participants, horse-drawn floats, soldiers in formation, and the former homes of Michael and Timothy Riordan decked out in bunting. Also present are photographs of the home of Frederick Sisson, a manager with the Arizona Lumber & Timber Company, including views of a porch or interior decorated with Native American rugs, pottery, textiles, baskets, and animal skins.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914. The album (18.5 x 27 cm) is bound in hand-painted varnished leather on paper boards with wood overlay. Images of particular interest include views of horseback riding on the beach, strolling on the boardwalk, and riding in rolling chairs and a pony-drawn cart. Atlantic City is seen largely as a backdrop to family activities. Additional photographs show the young girl sledding and with toys and friends at home. Also includes a photograph of Eleanor R. and Frederick D. Countiss and their daughter, Henrietta, in a studio portrait.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The album (26 x 31 cm) has black cloth covers with “Snap Shots” embossed in silver on the front. The 4 loose manuscript items are contained in a Mylar enclosure at the beginning of the album and include two letters from Marie Thibaudeau written to her mother and father while abroad in England in 1923; a booklet made of faux-bark paper containing a watercolor illustration and poem about fishing titled “Stower’s Fish”; and a hand-written recipe booklet containing 18 recipes for various dishes.

Around 111 loose photographs of various sizes and formats are also contained in a Mylar enclosure and mostly include individual and group portraits (both indoors and outdoors), natural landscape views, and images of homes. A small percentage of these photographs have captions on their versos, including some that identify subjects. Of the loose photographs, images of interest include a group portrait of young women at Wellesley College in 1918 during their freshman year; portraits of Marie Thibaudeau, including several showing her posing with her beloved dog Sam-Sam; snapshots taken during a trip to Rome in 1932; and numerous images showing exterior views of houses as well as swimming, fishing, boating, and other outdoor activities taking place near the Thibaudeau family cottage on the Georgian Bay in Ontario.

Approximately 197 photographs are pasted into the album proper. A number of these photographs are partially unglued and in some cases writing on their versos is accessible. The album has many photographs showing waterfront summer vacation scenes from what appears to be different trips to the family cottage over a span of several years; some of these images in the front end of the album have inscriptions on their versos which indicate those photographs were taken in August 1910 by “D.B.” Other images of note include a picture showing a group of young women in a large sleigh with the verso caption reading “Marie Thibaudeau ΖΣΕ Jan, 24, 1912”; a pair of photographs showing siblings Kenneth Fraser Allan and Dorothy Elizabeth Allan when aged 3 and 6 respectively; two group portraits of young men in military uniforms standing in formation; photographs taken at Wellesley College showing buildings, students, campus scenes, large group activities, and a commencement ceremony; two photographs of a biplane mid-flight; and a series of interior views of an unidentified home that appears to have a menorah above the fireplace.

A Week Among the Mosquitoes photograph album (16 x 10.5 cm) contains snapshots from a July 1896 camping trip on the White River near Mt. Carmel, Indiana.

A Week Among the Mosquitoes photograph album (16 x 10.5 cm) contains 26 snapshots on 52 pages, with humorous inscriptions on many images. Six are landscapes, four are snapshots of the campsite, and sixteen are of the men camping, hunting, and fishing. The cover bears the names of the five men, plus two late joiners with more trip information on the inside cover. The back cover bears the maker’s mark of Verne E. Joy.

The Bartlett family papers contain correspondence, documents, photographs, and a scrapbook related to Lieutenant Washington A. Bartlett of the United States Navy and to his descendants, including his granddaughter, author Lina Bartlett Ditson.

The Bartlett family papers contain correspondence, documents, photographs, and a scrapbook related to Lieutenant Washington A. Bartlett of the United States Navy and to his descendants, including author Lina Bartlett Ditson, his granddaughter.

The Correspondence series contains letters written to various members of the Bartlett family. The earliest items concern Washington A. Bartlett's naval career, including several letters between Bartlett and his wife Ruth. In a letter from May-June 1845, Washington Bartlett discussed political and military conflicts between the United States and Mexico. Much of his other correspondence is contained in a letter book, which covers the years 1835-1862.

Other items in the series are incoming personal and business letters to George L. Ditson, Bartlett's son-in-law. Some of these pertain to his appointment as United States Consul in Nuevitas, Cuba, a few of which are in Spanish. Later material includes a letter from Ronald Lodge to his mother, Oralie Ditson Lodge (Washington A. Bartlett's granddaughter) about his successful fitness examination for the United States Navy, enclosing a photograph of Lodge in uniform (April 17, 1917), and a letter on stationery from the White Star Line ocean liner Olympic (November 14, 1928).

The Documents and Financial Papers relate to several generations of the Bartlett family. Of note are a certificate about Washington A. Bartlett's qualification as a United States Navy midshipmen, signed by Martin Van Buren (November 20, 1839), and an authorized copy of Washington A. Bartlett and Ruth Budd Bloom's marriage certificate (June 17, 1861). The series also contains receipts and accounts.

The Writings series primarily contains typed copies of poems and stories composed by Lina Bartlett Ditson. Included are 8 poems, 1 group of poetry "Fragments," and 7 short stories. Two items, which may not be by Ditson, are in French, including an acrostic poem based on Ruth Budd Bartlett's name.

The collection's 8 Calling Cards and Invitations include manuscript and printed visiting cards for "Mr. and Mrs. Bartlett" and an invitation to the home of William H. and Frances Seward.

A single Illustration, dated August 1833, depicts the brig Mermaid at sea. A map of a portion of Albany, New York, shows the location of B. Lodge & Company.

The Photographs series has mounted and loose portraits, several cartes-de-visite and cabinet cards, a glass-plate positive of a young girl, and numerous snapshots. Early portraits depict Oralie Ditson Lodge and Lina Bartlett Ditson (occasionally in costume), and 130 20th-century snapshots were taken during a family vacation Eagle Lake in New York.

The Lena Bartlett Ditson Scrapbook contains newspaper articles, programs, and correspondence about Lina Bartlett Ditson, assembled by her sister Oralie after Lina's death. Most items pertain to Lina's artistic pursuits, such as vocal performances and published novels. Incoming correspondence to Lina and condolence letters to her family following her death are also present.

The Printed Items series is made up of postcards, newspaper clippings, pamphlets, and other items. Newspaper Clippings pertain to numerous topics, such as William S. Lodge's political career, interstate commerce legislation, labor news, and members of the Bartlett family.

• Defence of Washington A. Bartlett, Ex-Lieutenant, United States Navy: Read and admitted to Record, by Naval Court of Inquiry... New York: Harper & Brothers, 1857.
• International Association for the Total Suppression of Vivisection. "The Woman" and the Age: A Letter Addressed to the Right Hon. W. E. Gladstone, M.P., First Lord of the Treasury. London: E. W. Allen, 1881.
• Olcott, Henry S. The Spirit of the Zoroastrian Religion. Bombay: 1882.

Other printed material includes poems by Barrington Lodge; engravings of Washington A. Bartlett; a colored print showing a woman in a dress that Ruth Budd Bartlett wore during a royal reception; and a campaign poster for William S. Lodge's mayoral campaign in Albany, New York.

The Genealogy series contains information about Washington A. Bartlett's descendants and allied families, particularly the Lodge family.

The Binney family papers, compiled by Boston real estate agent Amos Binney in the late 1800s, contain correspondence, documents, newspapers, and photographs related to his ancestors John Binney, Amos Binney, and Horace Binney, Jr. John and Amos Binney served in the War of 1812, and Horace was a lawyer in Philadelphia. The collection also includes a published copy of Genealogy of the Binney Family in the United States, with manuscript annotations and enclosures.

Amos Binney, a Boston real estate agent, compiled the Binney papers (57 items) in the late 1800s. They include correspondence, documents, newspapers, and photographs related to his ancestors John Binney, Amos Binney, and Horace Binney, Jr.

The Correspondence and Documents series, originally housed in a red leather file folder, consists of several thematically distinct groups of material. The first is a series of six letters that Captain John Binney wrote to his brother Amos between 1809 and 1811, about his military service near Wiscasset, Maine. He defended his honor against recent defamations, discussed supplies for the forts under his command, and commented on the international tension immediately preceding the War of 1812. This group also includes an indenture for land Binney purchased in Plymouth County, Massachusetts (October 18, 1813).

The next group of items is a pair of legal documents concerning Horace Binney, Jr., and a transaction involving land in Philadelphia, Pennsylvania. The documents list payments made between 1844 and 1852. The third group is a set of three letters between the younger Amos Binney and the United States auditor of the treasury concerning the Binney family genealogy. Binney requested information about Amos and John, his ancestors (particularly their military service), and received responses from Samuel Blackwell (August 18, 1894) and F. M. Ramsay (September 5, 1894). The series also holds an undated letter written by John A. Binney and a map showing property bordered by North, East, Bridge, and Short Streets in an unknown town.

• Nonconsecutive issues of the Boston Castigator, bound together (August 7, 1822-October 2, 1822)
• The Independent Bostonian (October 5, 1822)
• American Statesman and Evening Advertiser, with several additional clippings pertaining to Amos Binney's service as navy agent in Boston (November 18, 1822)
• Bostonian & Mechanics' Journal (November 23, 1822)
• Boston Patriot & Daily Mercantile Advertiser (November 25, 1824)

The third series is a printed, annotated copy of Genealogy of the Binney Family in the United States , which includes enclosures compiled by the younger Amos Binney in the 1890s. Several entries, such as those on Amos and John Binney, have margin notes. The annotations and loose items provide additional information on the family's history, and include family trees, letters between the younger Amos Binney and his uncle, and photographs of Binney family residences and graves.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and approximately 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey, including a mix of people, buildings, farm animals, and scenic shots. Descriptive captions are written on some of the photographs.

The second page of the album features members of the Blairstown High School Class of 1915 while the third page features views of what is likely Rutgers University. Page 11 includes an aerial view of a parade for the 150th anniversary of Rutgers. Pages in the back of the album include a photograph of women cross-dressing while "looking for a dear," images of a new car, medieval reenactors, and a group of people dressed as "Bandits." Nine loose photographs of Washington, D.C., soldiers boarding a train during World War I, and snapshots of people are contained in an envelope within the ablum.