Collections

James McMillan (1838-1902) was a Republican Senator for Michigan. Consists of copies of clippings concerning politics, his career, and personal affairs. Also included is a photographic portrait.

The collection consists of copies of clippings concerning politics, his career, and personal affairs. Also included is a photographic portrait.

Football coach and athletic director of University of Michigan, 1901-1940. Correspondence, addresses, scrapbooks, photographs and other papers relating to his interest in sports and family affairs; also papers of his wife Eunice Josephine (Fite) Yost.

The Harold D. Wines papers include a scrapbook containing clippings and other memorabilia relating to student life at the University of Michigan (1908-1912), his engineering career, and to the life of his father Levi D. Wines, an Ann Arbor high school teacher. Also included is a photograph of the fourth grade class at the 1st Ward School in Ann Arbor, dated 1894.

The Chrystal G. Tibbs Papers comprise over a half-century of documents pertaining to Tibbs's membership in various chapters of the Alpha Kappa Alpha Sorority and to the history of the sorority at large. Founded at Howard University in 1908, A.K.A. was the first sorority established by African-American women and currently has approximately 250,000 members. The collection's four series contain papers pertaining to Tibbs's personal participation in sorority activities (including those related to her tenure in various administrative posts), materials from several Michigan chapters, sorority publications, and audiovisual materials. In addition, the collection contains work done by Tibbs and family members to document the Powell, Webster, and Winchester family history.

The Chrystal G. Tibbs Papers comprise materials accumulated through Tibbs's participation in Alpha Kappa Alpha conferences, chapter meetings, and special interest groups at the local, state, regional, and national level over a span of fifty years. The activities of Michigan-based chapters are particularly well represented. Materials also include personal and professional documentation directly related to Tibbs and her immediate family. The collection is divided into four series: Personal Papers, Professional Career, Powell Family Papers, and Alpha Kappa Alpha Sorority.

University of Michigan professor of economics and accounting, businessman, U-M regent; papers include biographical material, topical files, correspondence, publications and speeches, audio-visual material, and scrapbooks.

The papers of Robert P. Briggs document aspects of his career as educator and administrator at the University of Michigan, and his experience as businessman and advocate for business. The papers are arranged in seven series: Biographical/Family Material; Topical files; Correspondence; Publications, Speeches, and Addresses; Audiovisual Material; and Scrapbooks.

Physician of Ann Arbor, Michigan. Teed family portrait album, ca. 1890; color slides of U.S. military base, airplanes, people, and activities in the Mariana Islands during World War II, especially on the Island of Tinian; and scrapbook documenting Teed's military service.

The Reed collection consists mainly of colored slides taken during his service in the Pacific Theatre during World War II. The slides are of different sites, though many of them are of Tinian, especially military facilities, battle damage, recreational interludes, and groups of individual. There is also a scrapbook from the period of his wartime service.

Governor of Michigan, writer, businessman; papers include correspondence, business records, speeches, writings, visual materials, diaries.

The Osborn collection consists of correspondence, diaries, business papers, scrapbooks, photographs, and other materials accumulated during his life. Materials prior to 1889 are scarce possibly because of a fire which destroyed Osborn's home; thereafter and up to the time of his death in 1949, the Osborn papers are voluminous, documenting each of this man's varied activities. Although his career as elected public official was limited to one term as governor, the collection reflects the importance of his life in areas beyond politics alone. His voice was heard, in letters and speeches and monographs, speaking out on the issues of the day - prohibition, conservation, the New Deal, and of course his life-long interest in the development of Michigan's Upper Peninsula economy and natural resources.

State Representative from Lapeer, Michigan; U.S. Congressman, 1913-1931, and special attorney to the Secretary of the Interior, 1931-1932; correspondence, speeches, newspaper clippings, scrapbooks, photographs, campaign materials, and other items relating to his advocacy of the national park system, the concept of historic preservation, fair employment practices legislation, increased support for Howard University and all other aspects of his career.

The Louis C. Cramton papers came to the Bentley Historical Library in three separate accessions (1948-1950; 1971; 1987). The collection has been arranged into six series: Correspondence, Miscellaneous Papers, Topical Files, Newspaper clippings/Scrapbooks, Photographs, and Louis Kay Cramton Papers.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The album (36.5 x 28 cm) has string-bound brown covers with the words "Scrap Book" and a depiction of a boy and girl wearing wooden clogs embossed on the front; the covers and pages are in poor condition. The structure of the album is roughly chronological, with material from the 1920s appearing towards the beginning and material from the 1940s appearing towards the end. However, candid snapshots and studio portraits made in Milwaukee, Wisconsin, in the early 1930s are scattered throughout and mixed in with photos from other periods. At least one page includes dated photos from the early 1930s and late 1940s that appear side by side. Certain names and people reappear often, but exactly how they relate to one another is not entirely clear. Many photographs document people drinking as well as posing in a humorous manner.

Photographer Russell Clifford Shaul appears to have been the compiler of this album. Shaul’s name appears on numerous images as the credited photographer, including portraits taken in Milwaukee in the early 1930s and a Chicago cityscape view from the mid-1940s. Several photos are also inscribed with messages to “Russell,” while snapshots arranged on a page captioned “The Shauls” show him and his third wife Sarah visiting various U. S. tourist destinations between 1944 and 1949. At some point during the 1930s it appears that Shaul relocated from Milwaukee to Chicago and set up a new photography business. Several pages in the album suggest that Shaul and his colleagues practiced door-to-door operations.

Two pages document a man’s World War II service. He is pictured driving a Jeep and wearing a uniform bearing an “Official U.S. War Photographer” patch, training on a shooting range, interacting with people on the streets “In India,” and taking photographs with both still and motion picture cameras. This man appears throughout the album (identified elsewhere as “Carl”), including in the earliest Milwaukee shots in 1927. He may have been Shaul’s friend and/or business partner.

Items placed toward the end of the album include some scrapbook materials including letterheads advertising a company called Chicago Thrill Tours and Chicago-based radio host called “The Nitehawk,” as well as business cards identifying a fellow photographer in Chicago named Charles Lonk and a trailer park in Eau Gallie, Florida.

In addition to the album there is also an envelope containing several loose photographs and ephemeral items including portraits of various people and groups; pictures of people drinking at bars; photographs of the man elsewhere identified as Carl drinking at a Milwaukee bar in 1927 as well as posing in a bathtub while another man bathes him; an image of a photo supply storefront with a cutout of an unidentified man pasted over the front door (possibly shop owner I. Dobkin); photography-related clippings; aerial images of Baton Rouge, Louisiana, taken in 1938; and a portrait by Acme Newspictures of a man in the radio studio of “The Nitehawk - WBBM” captioned “J. W. Clark.” Also present is an enveloped typed letter signed by “The Nitehawk” written to Shaul in 1948 asking him to be on the lookout for early copies of Reader’s Digest.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. It includes photographs and illustrations of the mission and its missionaries, accompanied by captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. The thirty-four silver print photographs are supplemented by half-tone illustrations of the mission and its missionaries (excised from an unidentified publication), and are accompanied by hand-written and typed captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life. Based upon writing inside the front cover, the scrapbook appears to have been assembled at or for the mission within a few years after Day's death.

Although the creator of the scrapbook is unidentified, the book remains a valuable record of the Lutheran missionary enterprise in Liberia and missionary responses to the inhabitants of that country. The series of images and captions seem equally concerned with religious "progress" (Christianization) and the material improvement of native lives as gauged by their adoption of western dress, methods of production, and attitudes toward work. Singled out for special note are a seven year old girl from "one of the tribes 100 miles north of the mission" who took pride in her dress and ability to use a broom, and a particularly devoted convert, Henry Stewart, and the author of the scrapbook included several views of particularly well-dressed groups of converts assembled and posed in orderly fashion. Along with views of the tidy mission complex itself, there is a secondary emphasis on the unconverted, with illustrations of their method of travel (by hammock), "half-civilized" natives at a saw mill, and semi-nude men standing by the river, awaiting a canoe. The typed captions offer a somewhat more extended, but still relatively brief commentary on native (Grebo) life and their lack of western attitudes and advantages.

Due to the highly brittle paper and exceptionally delicate nature of the scrapbook, researchers are requested to consult with the curatorial staff before beginning their research.