Collections : [University of Michigan William L. Clements Library]

Back to top
Number of results to display per page
View results as:

Search Results

Collection

Allaire-Gibbons papers, 1822-1963 (majority within 1822-1856)

28 items

The Allaire-Gibbons papers contain letters, receipts, and other material related to the early steamboat industry and, more specifically, to the 19th-century business affairs of James P. Allaire, Thomas Gibbons, and William Gibbons.

The Allaire-Gibbons papers contain letters, receipts, and other material related to the early steamboat industry and, more specifically, to the 19th-century business affairs of James P. Allaire, Thomas Gibbons, and William Gibbons.

The Correspondence series (16 items) consists primarily of business correspondence addressed to Thomas Gibbons, William Gibbons, and James P. Allaire. The earlier material in the series (1822-1837) is related to the Gibbons family's business affairs and often pertains to the legal disputes between Thomas Gibbons and Aaron Ogden. These include several letters from William Gibbons to his father, in which he discusses the impending court case as well as his own personal affairs. The majority of the series consists of later material (1837-1849) related to James P. Allaire's business interests, including the manufacture of steamboat engines. Interspersed with these items are receipts for parts related to Allaire's industrial operations.

The Documents series (12 items) contains receipts related to steamboats owned by James P. Allaire as well as 20th-century material about the early steamboat industry and the town of Allaire, New Jersey. The series includes 5 receipts for steamboat supplies (1828; 1856), including material for the Swan, the Thistle, and the Emerald, all Gibbons-owned ships whose engines were supplied by Allaire. The series also includes a document signed by the crew of the Swan affirming the receipt of their wages for April 1828. Later material in the collection includes two postcards of watercolor pictures of Allaire, New Jersey, and two articles, from the Proceedings of the New Jersey Historical Society (January 1949) and American Heritage (October 1963), respectively. These relate to the early steamboat business, and to the role of Thomas Gibbons in its development.

Collection

Charles H. Foster collection, 1898-1967

3 linear feet

This collection is made up of correspondence, military records, photographs, newsletters, scrapbooks, and other items pertaining to the military career of Charles H. Foster, who served in the United States Navy from 1898-1934.

The Charles H. Foster collection consists of correspondence, military records, photographs, newsletters, scrapbooks, and other items pertaining to the military career of Charles H. Foster, who served in the United States Navy from 1898-1934.

The collection's correspondence (144 items) primarily relates to Foster's naval service after 1902. Letters, memorandums, orders, and reports concern his ship assignments and work at the Naval Gun Factory (Washington Navy Yard) during World War I. One group of letters from the early 1920s relates to the acquisition of dependent's pay for Foster's mother. A series of World War II-era documents respect Foster's fitness for active duty. After World War II, he received letters from military acquaintances and veterans of the Spanish-American War.

Charles H. Foster's 1918-1919 diary concerns his travel on the Huron between the United States and France. Notes, newspaper clippings, and a telegram laid into the volume regard deaths, the military, and historical inquiries.

The papers include 4 of Charles H. Foster's scrapbooks, which contain materials related to the USTS Alliance's 1897-1898 training mission; naval ships, personnel, and theatrical and musical programs and performances; the Mexican Revolution and Mexican politics in the mid-1910s; and naval equipment, camps, and weapons tests.

Sixty-three photographs depict U.S. Navy sailors and vessels. One group of pictures show scenes from the Huron's voyage between France and the United States during World War I. The collection also features photographic postcards sent by Charles H. Foster and others from Mexico, the Philippines, Japan, Germany, and Borneo.

Financial records, legal documents, and service records primarily pertain to Charles H. Foster, with a focus on his time on the USS West Virginia in the 1920s and his mother's financial dependency. Documents, blueprints, photographs, and other items relate to devices patented by Charles H. Foster and others. Two service ribbons appear in the collection, mounted onto a wallet printed with "United States Battle Fleet, Sydney, 1925," which also contains a travel pass and membership card for Charles H. Foster.

The collection includes 429 typescripts about early American history, the Civil War, South Carolina Confederate soldiers, the Spanish-American War, aviation, and the US Navy. Rosters of American Navy ships and personnel include information on Union vessels during the Civil War; casualties from the 1898 USS Maine explosion; USTS Alliance naval apprentices in 1898; USS West Virginia officers in 1926; and the names and addresses of members in several naval veterans' associations.

A "Personal Log" by Royal Emerson Foster relates to his service on the SSAC Bedford in early 1919, with descriptions and illustrations of naval equipment, ship construction, signaling, personnel, and other subjects. The navy publication Rules to Prevent Collisions of Vessels also appears in the Log.

US Naval Ex. Apprentices Association materials include copies of Trade Winds, the association's newsletter, from 1939-1964. The newsletters are accompanied by a list of Alliance apprentices in 1898. A copy of Rocks and Shoals, a publication for former crewmen of the USS Memphis, is also present. Other printed works include military publications about equipment and procedures, a handbook on medicine, the Mariner's Pocketbook, A History of Guantanamo Bay, newspaper clippings, a souvenir book from the US Naval Training Station in Newport, Rhode Island, a death announcement, and a map of Arlington National Cemetery.

Notes, reports, and a bound volume concern the history of the Foster, Yates, and Lindstrom families.

Collection

Cole family papers, 1799-1959 (majority within 1821-1931)

2.75 linear feet

This collection is made up of correspondence, legal documents, financial records, maps, and ephemera related to the descendants and extended family of Dr. Joseph Cole of Sharon, Connecticut; Auburn, New York; and Albion, New York. Among many represented subjects are the educational and social lives of women in New York during the early 1800s, legal aspects of land ownership and estate administration, and land along Long Pond in Rome, Maine.

This collection is made up of correspondence, legal documents, financial records, maps, and ephemera related to the descendants and extended family of Dr. Joseph Cole of Sharon, Connecticut; Auburn, New York; and Albion, New York.

The collection's correspondence includes letters from the children and other descendants of Dr. Joseph Cole of Sharon, Connecticut, and Auburn, New York, between 1817 and 1942. Most of the early letters in the collection are addressed to sisters Laura Altie and Mary Parsons Cole from female friends in New York. Several correspondents, including Mary Ann Kellogg and Chloe Hyde, were students at Troy Female Seminary in Troy, New York, in the 1820s and 1830s. Kellogg provided a detailed description of the school before its main building was constructed (June 24, 1821), and Chloe Hyde later shared information about her coursework and the lives of fellow students. Other acquaintances told the sisters of their religious and social lives in different areas of New York, including Lanesborough, Buffalo, and Albany.

Almeron and Dan Cole received letters from friends, family, and business acquaintances, including their brother-in-law, Hiram Foote Mather. These include 7 letters by Frances M. Elliott, who wrote Dan, her future husband, in 1835 and 1836 about her life in Scottsville, New York, and her anticipation of their upcoming marriage. Letters from the 1840s to mid-1860s are most frequently addressed to the Cole brothers and to their brother-in-law, Hiram Foote Mather, about business affairs. Many regard legal matters in Niles and Grand Rapids, Michigan.

After the mid-1860s, much of the correspondence is composed of personal and business letters between David Hyde Mather, his brother-in-law George McClure Welles, and his brothers Joseph and John Mather, who moved out West in the late 1800s. Mather also received many personal letters from his niece, Harriet Prentiss Welles, during her time as postmistress of Great Bend, Kansas, who discussed her personal finances and loans. The papers also contain some of Daniel H. Cole's business correspondence. Other correspondence from this period includes letters between George McClure Welles and Lewis Hunt about Harriet Prentiss Welles's share of Almeron Cole's estate, and personal correspondence addressed to Mary Jane Cole of Albion, New York. She received letters from many female acquaintances and a series from her cousin, D. Williams Patterson, tracing the genealogy of the Hyde family to the mid-18th century.

A selection of letters from the 20th century relate to Marston Taylor Bogert, Morrison McMath, and Lizette Harrison. Between 1912 and the 1920s, Bogert corresponded with several people in Maine, regarding property along Long Pond near Rome, Maine. Other letters relate to the family of Morrison H. McMath, a lawyer from Rochester, New York. A late series of letters by Elizabeth ("Lizette") P. Harrison of Portland, Oregon, to Ada Howe Kent of California, reflects her financial troubles and emotional state during the early years of the Great Depression.

Legal documents include papers relating to the Newton and North Hempstead Plank Road Company; New York Supreme Court Cases heard between 1848 and 1894; estate administration papers; and financial documents and records. The Cole family papers contain documents concerning taxes paid on land holdings in Rome, Maine, in the early 20th century, including property held by Edward F. Bragg in Belgrade, Maine.

Materials relating to education include six checks from the 1860s made out to Phipps' U. Seminary, a 1906 report card for a student at the United States Naval Academy, and an undated "Report Book" containing two essays. An assortment of ephemeral items and manuscript maps of Marston T. Bogert's property along Long Pond in Rome, Maine, also appear in the collection.

The Cole family papers also contain essays, notes, and poetry. Items of note include an 1850s manuscript response of the County of Orleans, New York, to recent actions of slaveholding states, calling for attendance at a Republican Party convention in Syracuse; a 1925 essay entitled "The Beginnings of Modern Spiritualism in and Near Rochester," by Adelbert Cronised; a lengthy typed travelogue of India; and an essay on the history of the Isthmus of Panama and the Panama Canal.

Collection

Forrest-Lawson papers, 1833-1958 (majority within 1844-1902)

1 linear foot

This collection contains correspondence, documents, newspaper clippings, and other items pertaining to the personal and financial affairs of actor Edwin Forrest, his close friend James Lawson, and members of the Lawson family.

This collection (1 linear foot) contains correspondence, documents, newspaper clippings, and other items pertaining to the personal and financial affairs of actor Edwin Forrest, his close friend James Lawson, and members of the Lawson family.

The Correspondence series (268 items) largely consists of personal correspondence between Edwin Forrest and James Lawson. Forrest discussed his theatrical career and his travels in the United States, England, and Ireland; Lawson provided financial and personal advice, sometimes regarding Forrest's marital difficulties. Few of the letters from the Civil War period mention the conflict; in one letter to Lawson, Forrest commented on the possibility of reconciliation between the North and South. After 1865, Forrest's letters focus primarily on his declining health, though he continued to travel into the 1870s. Catherine Forrest also wrote occasionally to James Lawson about finances.

The series also contains letters that James Lawson wrote to his daughter Nellie after Edwin Forrest's death, as well as other Lawson family correspondence. James Lawson's letter of August 10, 1885, describes a funeral procession honoring Ulysses S. Grant. Others wrote about family news and deaths.

An undated Speech (21 pages), unsigned and delivered to an unidentified audience, concerns the history of Yonkers, [New York].

The Legal and Financial Documents series (33 items) contains accounts, an account book, receipts, insurance records, legal documents, and legislative resolutions related to the financial affairs of Edwin Forrest and James Lawson. Some items pertain to real estate transactions between Edwin Forrest and a religious group, and others concern the establishment of the Edwin Forrest Home. A series of legislative resolutions and a group of court records document disputes over Forrest's estate, sometimes involving his ex-wife, Catherine Norton Sinclair. An undated copy of James Lawson's will is also present.

The Photographs series (13 items) contains card photographs and cartes-de-visite of members of the Forrest and Lawson families. One item provides details about items present in Cornelia B. Lawson's home in Yonkers, New York.

Newspaper Clippings (44 items) include obituaries for members of the Lawson and Sandford families, articles about Edwin Forrest's theatrical career, and articles about disputes over Forrest's estate.

The Ephemera series (9 items) contains name cards, advertisements, the back part of a notepad with postage rates printed on it, a blank coloring page, and a printed map of Hastings-on-Hudson, New York, marking several lots within the Blackwell estate.

Fragments (8 items) include manuscript notes about Lawson family genealogy and other subjects.

Collection

John H. Griffith collection, 1942-1972 (majority within 1942-1945, 1951-1952)

1.5 linear feet

The John H. Griffith collection contains letters and documents pertaining to Griffith's time as a surgical technician in the United States Army during World War II and to his life in Bologna, Italy, as a Rotary Fellow from 1951-1952. Much of the collection consists of Griffith's wartime correspondence with his parents.

The John H. Griffith collection contains letters and documents pertaining to Griffith's time as a surgical technician in the United States Army during World War II and to his life in Bologna, Italy, as a Rotary Fellow from 1951-1952. Much of the collection consists of Griffith's wartime correspondence with his parents.

The Correspondence series (344 items) relates to Griffith's life in Ann Arbor before the war, his service in the United States Army Medical Department, and his experiences in Europe as a research fellow in Bologna, Italy. Griffith addressed the majority of his correspondence to his parents, Leon and Amelia Griffith of Vicksburg, Michigan; Griffith also wrote to his younger siblings, Richard ("Dick") and Helen. His earliest letters document his life as a freshman at the University of Michigan. One letter contains newspaper clippings pertaining to a convoy trip taken by a University of Michigan student (December 6, 1942); several letters to Griffith's father from the university offer congratulations on Griffith's academic record.

After he was drafted in 1944, Griffith wrote to his parents about army life, documenting his service at Camp Bowie in Texas; Lawson General Hospital in Atlanta, Georgia; and Moore General Hospital in Swannanoa, North Carolina. Enclosures include newsletters from Camp Bowie (April 29, 1944; May 6, 1944) and an "Organization Day" flyer from Lawson General Hospital (July 2, 1944); one letter contains a diagram of a battlefield (June 8, 1944).

Griffith remained in the United States with the 86th Evacuation Hospital and the 134th Evacuation Hospital until the latter was deployed overseas in January 1945. His later letters, some of which have been censored, pertain to army life during the closing stages of combat in the European Theater. Griffith described postwar Germany and "the constant dribble of slave laborers leaving the Reich" (April 20, 1945). He wrote 1 letter to his grandfather in German, remarking on the beauty of the German countryside (April 28, 1945).

After the war, Griffith returned to the United States; he resumed his correspondence in August 1951, when he related his experiences traveling throughout Europe and living in Bologna, Italy. The collection also contains 2 letters in German to Leon and Amelia Griffith from a relative, "Uncle Chris," in Genkingen, Germany, whom Griffith visited during his travels abroad (December 27, 1951; January 14, 1952).

The Documents series (18 items) contains items related to Griffith's education and World War II service, including a notebook and a certificate for successful course completion at the United States Army Surgical Technician School, Griffith's curriculum vitae, report cards from his elementary and high school studies, and a war ration booklet.

The Photographs series (100 items) contains portraits and landscapes shot in Europe during the war and during the early 1950s. Most items are labeled, and include scenes from postwar Germany.

The Printed Materials series (24 items) contains clippings of Ernie Pyle columns from a Michigan newspaper as well as clippings mentioning Griffith's university scholarship; a copy of The Daily American (November 27, 1951); 2 books for American soldiers, including an "overseas edition" of James Thurber's My World--And Welcome To It; and a program from graduation exercises for the Army's School for Medical Department Technicians.

The Artifacts series contains 2 World War II Army patches, 1 WWII blue star service flag, and a flashlight.

Collection

Joseph J. Tuttle papers, 1831-1963 (majority within 1854-1918)

156 items

Joseph Tuttle enlisted in the 5th Michigan Cavalry in 1862 and fought in several battles before being taken prisoner at Trevilian Station, Virginia, in 1864. His correspondence during the Civil War describes army life and his company's participation in battles and skirmishes. The collection also includes land deeds and indentures, tax documents, photocopies of military documents pertaining to Joseph Tuttle, newspaper clippings, family photographs, and other materials.

The papers of Joseph J. Tuttle consist of 41 letters, 15 photocopies of military documents, 37 documents, 36 tax documents and receipts, 34 items of ephemera, 8 newspaper clippings, 7 photographs, 1 Civil War military pin, and 2 miscellaneous items. These items fall collectively between the dates of October 13, 1831 and April 3, 1963, however the bulk of them fall between November 16, 1854 and August 12, 1918.

The correspondence consists of 35 letters written during the Civil War (most of which are letters from Joseph Tuttle to his sister), and 6 miscellaneous letters. Tuttle writes about army life and his company's participation in battles and skirmishes. In a letter dated Aug. 30, 1863, he describes, in some detail, the execution of 5 deserters from the Union army, and in a letter of Feb. 27, 1864, he mentions the large number of deserters from Lee's army.

The photocopies of military documents all pertain exclusively to Joseph Tuttle, including his muster in/out forms, and documents pertaining to his illness. The 37 documents include 25 land deeds/indentures in Oakland County, Michigan, 5 documents pertaining to the purchase of land in St. Cloud, Florida, 2 Hartford Fire Insurance papers, 1 death record, and 4 other miscellaneous documents. The tax documents are all property tax forms and receipts, in addition to a few receipts for the sale of goods.

The ephemera consists of invitations, birthday and Christmas cards, and calling cards. Two of the newspaper clippings relate to the Michigan Cavalry. Included in the family photographs are at least 2 photos of Joseph Tuttle. The Civil War pin is marked "Grand Army of the Republic 1861 Veteran 1866," and a ribbon commemorates the Nineteenth reunion of the 5th Michigan Association.

Collection

Letters, Documents, & Other Manuscripts, Duane Norman Diedrich collection, 1595-2007 (majority within 1719-1945)

3.5 linear feet

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

For an item-level description of the collection, with information about each manuscript, please see the box and folder listing below.

Collection

Manuscript Recipe Book collection, 1793-1959 (majority within 19th century)

28 volumes

This collection comprises 28 American manuscript recipe books dated from 1793 to 1959 with the bulk dating from the nineteenth century. One of the books contains portions in German, while the rest are in English. Most regions of the United States are present, with the Northeast and Southern States best represented. Desserts represent the bulk of the recipes, cakes being the most popular. Some recipes include attributes to friends, family, or cookbooks, and some contain notes on quality of the dish. Directions for making medicinal remedies and practical household needs (such as cleaning product recipes or advice on fabric care) may also be included. Many volumes contain handwritten or printed inserts.

This collection comprises 28 American manuscript recipe books dated from 1793 to 1959 with the bulk dating from the nineteenth century. One of the books contains portions in German, while the rest are in English. Most regions of the United States are present, with the Northeast and Southern States best represented. Desserts represent the bulk of the recipes cakes being the most popular. Some recipes include attributes to friends, family, or cookbooks, and some contain notes on quality of the dish. Directions for making medicinal remedies and practical household needs (such as cleaning product recipes or advice on fabric care) may also be included. Many volumes contain handwritten or printed inserts.

All or most of the known authors of these recipe books appear to be by women. A man, James Campbell, authored the accounting portion of the Campbell receipt book and a male writer may have created the Manuscript Recipe Book, [1838]. Emma Hinricks Hilken is the only one known to have resided outside the United States when writing her recipe book (she resided in Frankfurt, Germany, for several years following her marriage). The women range in age from teenagers to the elderly and represent a variety of social backgrounds. Most of the recipe books were written or compiled in the second half of the nineteenth century, with some extending into the early twentieth. Approximately one-fifth of them were written in the first half of the nineteenth century or earlier.

See the box and folder listing below for a complete descriptive list of the recipe books present in this collection.

Collection

Mark A. Anderson Collection of Post-Mortem Photography, 1840s-1970s (majority within 1840s-1920s)

approximately 1064 items

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 items including photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection. Mr. Anderson assembled this collection from dealers, antique shops, and individuals. His motivation stemmed from a desire to document and to provide historical perspective on various end-of-life practices which, in the 20th century, fell into taboo and disfavor.

The majority portion of the photographic items in the collection are neither dated, nor attributed, although approximate dates can often be determined by when particular photographic formats were in use (see timeline at www.graphicatlas.org.). Consequently, the materials have been organized first to accommodate their sizes, formats, and preservation needs, and second to reflect major subject themes present, though scattered, throughout the entire collection. These non-mutually exclusive subjects are as follows:

  • Post-mortem portraits
  • Post-mortem scenes
  • Funeral tableaux
  • Funerals and funeral processions
  • Floral arrangements and displays
  • Memorial cards and sentimental imagery
  • Cemeteries and monuments
  • Funeral industry
  • Mourning attire
  • Unnatural death

The first three subjects - post-mortem portraits, scenes, and funeral tableaux - all depict the recently deceased, and so fall into the narrowest definition of a post-mortem photograph. Their distinction into three separate subjects is a partly arbitrary decision, made to break up what would otherwise be a large and unwieldy grouping of photos, but also to roughly shape the order of the collection (post-mortem portraits without décor tended to date earlier chronologically than broader, beautifying scenes).

Post-mortem portraits:

The post-mortem portrait photographs, comprising 251 items in the collection, depict the bodies of dead family members and friends. These images show the deceased, sometimes posed with living family members, and for the most part do not include elements of a larger scene, such as floral arrangements, banners, or other décor.

These portraits include the earliest photographic images in the collection, including 28 cased daguerreotypes, ambrotypes, and tintypes. 78 cabinet card photographs date from the late 1860s to around the turn of the century. Among many notable cabinet cards are two images of Frances Radke, taken and retouched by R. C. Houser, showing her image before and after Houser's post-capture work (3.1 and 3.2). Also of note is a framed crayon enlargement of infant Adelaide Banks by photographer/artist Edward Stuart Tray (26) and a post-mortem carte de visite of an unidentified African American infant taken by photographer S. P. Davis of Danielsonville, Connecticut (4.282u).

Post-mortem scenes:

The post-mortem scene photographs, numbering 155 items in total, are similar to the portraits described above, except that they show the deceased as part of a larger environment, whether in a private home, a funeral home, or out-of-doors. Most of these views are mounted photographic prints from the 1880s to the early decades of the 20th century, frequently centering on the corpse, lying in a casket or coffin, amidst an abundance of floral arrangements, banners or flags, family members or friends, and/or personal belongings. Their caskets are often lined with white cloth.

Many of these images have unique qualities; several examples illustrate the variety of postmortem scenes in the collection. Six photographs by W. Jakubowski and Co. and Jos. Ziawinski, of Detroit, Michigan, include five wedding photographs (of the bride and groom, bridesmaids, and family members) and one post-mortem scene of the wife. She appears to have died within a short time following the marriage; the funeral home scene image contains one of the wedding photographs and a banner marked "Dearest Wife" (18.5-18.10). One mounted photograph depicts a dog, laid on linen, in a homemade casket (14:17). The collection also contains examples of different persons on display in the same funeral home/parlor (e.g. 18.1-18.4). A set of two cabinet card photos of a child in a buggy is accompanied by one of the buggy's metal lanterns (23.1-23.3). Also of note is a photogravure of the 1888 painting "Requiescat" by British artist Briton Rivière showing a dog seated next to its deceased owner (25.2).

Funeral tableaux:

The collection's 35 funeral tableaux photographs show the deceased in an open casket or coffin, typically in front of a church or homestead, with a posed assembly of funeral attendees or mourners. They often show a large group of family and friends, and so are frequently large format prints. Group portraits of this sort were occasionally framed and displayed in the home. Most of the examples in this collection are large prints (many of them mounted), with smaller examples, including a real photo postcard, two snapshots, and one cabinet card. Particular items of note include a framed tableau on the steps of the Church of The Descent of The Holy Ghost in Detroit by Thomas Hoffman (27), a photomontage image of a nun's funeral (28), two tableaux scenes by F. A. Drukteinis taken outside of the same church in Detroit during different seasons and involving the same family (20.12 and 20.15), and three related tableaux scenes (two mounted and one unmounted) involving a presumably Hungarian family that were taken outside of what appears to be a Catholic church in Cleveland, Ohio, during three different funerals (20.16a-20.16c).

Funerals and funeral processions:

The 70 items depicting or pertaining to funeral gatherings show various aspects of the movement of the deceased from the home or funeral home to the cemetery and funeral and burial ceremonies. This group is comprised of real photo postcards (22 items), snapshots (13 items), and a variety of other formats. Examples include an albumen print depicting the Plymouth Church decorated for Henry Ward Beecher's funeral in 1887, and snapshot and postcard photographs of a burial at sea.

Floral arrangements and displays:

Additional documentation of funeral decoration may be found in the collection's 176 still life portraits of floral arrangements and other decorations. A portion of the floral display photographs include pre- or post-mortem photos of the deceased either incorporated into the display or added to the image after printing. One particularly fine example is a large format photograph of a floral arrangement for the funeral of Joshua Turner Mulls; the display included a cabinet card photo of Mr. Mulls and a modified enlargement of the cabinet card. Accompanying the floral arrangement photograph is the cabinet card depicted in the display, with artist's instructions for coloring the enlargement (22.1-22.2).

Memorial cards and sentimental imagery:

The collection includes 105 memorial cards and ephemeral items bearing sentimental imagery. Memorial cards were created as tributes, often displaying birth dates, death dates, and other information about the deceased. Many of these cards include border designs and some bear photographs of the departed. Black-fronted memorial cards gained popularity from 1880 to 1905. Of many interesting examples, the collection includes two examples of memorial cards which haven't yet been personalized (4.306-4.307) and two reflecting World War I-related deaths (4.316 and 4.317). Materials with sentimental imagery include items such as a photograph of an illustration entitled "Momma is in Heaven," a memorial book dedicated to Olive C. Partridge in 1897, and other items.

Note: an advertisement for the Memorial Card Company of Philadelphia is located in the 'Funeral Industry' section of the collection (14.35).

Cemeteries and monuments:

61 photographs, printed items, and realia explicitly pertain to cemeteries, burial markers, or monuments. Some of the cemeteries and monuments are identified, such as the Garfield Memorial at Lakeview Cemetery in Cleveland, Ohio (4.1-4.3). The collection includes examples of cemetery-related realia, including an ovular, porcelain headstone photograph (pre-mortem) of the deceased.

Note: cemeteries may be seen as background for many photographs throughout the collection.

The funeral industry:

The Mark A. Anderson collection of post-mortem photography holds a diverse selection of photographs, ephemera, and printed materials related to the business aspects of death, dying, and bereavement. This group contains around 153 items overall, including receipts (1896-1956); various types of advertising materials (including an undertaker's advertising card, a cabinet photograph of the Arbenz & Co. storefront advertising undertaking as a service, fans from a church and the A. C. Cheney funeral home, a thermometer, and other items); and 118 coffin sales photographs (illustrating a massive selection of different casket models offered by the Boyertown Burial Casket Company of Pennsylvania).

Two photograph albums, that of Clarence E. Mapes' furniture store and funeral home and that of the Algoe-Gundry Company funeral home, provide visual documentation of a rural and an urban funeral home (respectively) in Michigan in the first half of the 20th century:

The photo album and scrapbook of Clarence E. Mapes' furniture store and funeral home in Durand, Michigan, dating from ca. 1903-1930, contains interior and exterior photographs of the furniture and undertaker portions of the shop. The album includes photographs of casket showroom display mechanisms; an example of a "burglar proof" metallic vault; a posed photo of the embalmer standing over a man on the embalming table; images of carriage and motorized hearses; business-related newspaper clippings; and various family and vacation photographs. Several prints, dated August 1903, appear to depict the aftermath of the Wallace Brothers Circus train wreck on the Grand Trunk railroad at Durand. Among these photographs are carriage hearses, a horse-drawn cart carrying ten or more oblong boxes (for transportation and perhaps burial of victims of the wreck), a man standing in an alleyway near three stacked boxes, and a large group of persons standing in a largely unearthed section of a cemetery. The Mapes album is accompanied by a C. E. Mapes Furniture advertising fly-swatter.

The Algoe-Gundry Company album dates from ca. 1924 to 1960 and contains (almost exclusively) 8"x10" photographs of this Flint, Michigan, funeral business. The album includes images of the exterior and interior of Algoe-Gundry buildings, hearses, ambulances, and billboard advertisements.

One album was produced ca. 1939 by the Central Metallic Casket Co. of Chicago, Illinois. Titled "Caskets of Character," the album contains images of patented (or soon to be patented) casket designs as well as a printed cross-sectional view detailing the company's "Leak-Proof" Separate Inner Sealer.

Also of interest is funeral director's license granted by the Michigan State Board of Embalmers and Funeral Directors to Vincent J. George of Fowler, Michigan, in 1938. (25.1)

Mourning attire:

In America, mourning attire tended to follow trends set in Europe. The bereaved wore mourning clothing according to current fashion trends and societal expectations. Mourning clothing styles, often dark-colored and somber, depended on how close the mourner was to the deceased and local societal expectations. Seventeen portrait photographs show men and women wearing mourning attire without the deceased present. This group includes cabinet cards, a 1/9 plate ambrotype of an adult woman, two tintypes, and one carte-de-visite.

Note: persons wearing mourning attire may also be found scattered throughout the other sections of the Mark A. Anderson collection. While most are concentrated in the funeral photographs, mourners are also present in postmortem portraits, postmortem scenes, and cemetery photos.

Unnatural death:

43 photographs (mostly snapshots) depict "unnatural deaths," deaths not caused by age or naturally occurring disease, such as suicides, accidents, murders, and war. The larger portions of the snapshots are mid-20th century police photographs of crime or accident scenes.

Nine Indiana State Police photographs show a train-automobile accident; a group of eight unmarked photos depict the body of woman, apparently violently murdered, at the location of her death and in a morgue; 14 are of a man struck down, beneath a train; two are of a rifle suicide; and the others are of varying accidents. One World War I-era real photo postcard appears to show a man who was shot dead in a foxhole. A stereoscopic card by photographer B. W. Kilburn shows the burial of Filipino soldiers after the Battle of Malolos, Philippine Islands [ca. 1899].

Note: The photograph album/scrapbook of the Clarence E. Mapes furniture and undertakers shop contains several photographs of what appear to be the aftermath of the Wallace Brothers Circus train wreck, Durand, Michigan 1903 (see above description in the 'Funeral Industry' section of this scope and content note).

Collection

Minto-Skelton papers, 1757-1956 (majority within 1770-1900)

2 linear feet

The Minto-Skelton papers contain the papers of Walter Minto (1753-1796), noted mathematician and educator, his nephew Walter Minto Skelton (1804-1848), and other members of their extended family. Walter Minto's papers contain correspondence, writings, and other documents related to his travels in Italy, scholarship, and teaching career. The Walter Minto Skelton and family papers include correspondence, poetry, prose writings, illustrations and photographs, documents, printed materials, notes, invitations, and miscellanea.

The collection entitled Minto-Skelton family papers is divided into two series: the Walter Minto papers and the Skelton family papers. It began as the Walter Minto papers by donation from Harry B. Earhart in 1934, and this collection, which consists of 21 documents and seven letters, has been incorporated into the new, larger collection of Minto-Skelton family papers given by Jean McIntyre Conrad in 2004. The Skelton family papers contains only a few items from the Earhart donation: specifically, seven of the ten Detargny documents between 1796 and 1798 (in Series 2, sub-series 4) and one printed broadside from 1799 (in Series 2, sub-series 5); the rest come from the much larger Conrad donation. In the Contents Lists that follow each collection it has been noted which papers originally belonged in the Earhart donation.

Walter Minto Papers:

The Walter Minto papers consists of 296 letters and 31 documents, along with nine manuscript notebooks, diaries, account books, etc. and five short handwritten notes by Minto himself. Nearly all of the letters were written during Minto's lifetime, from 1774 to 1796, with four from 1797-98 added to the collection because they refer to him or to his estate. Most of the letters were written to him (253), and they are about equally divided between those written before he left Scotland for America (mid-1786) and those written after he arrived in America. Those from 1779 to 1786 are especially revealing about two events in his life that were either unknown or only hinted at previously.

The first has to do with his sojourn in Italy. He accompanied the Johnstone boys to Italy in 1776 as their tutor and remained with them there until early 1779, when they, and presumably he with them, returned to England. But letters both to and from his father, Walter Minto, Sr., along with references in other letters, make clear that, after entrusting the boys to Captain Machell in Spain, he returned to Slop's home in Pisa in March of 1779, began a formal, concentrated study of mathematics with Slop, that he continued that study there until mid-1782, and that it affected his health.

The second has to do with Minto's previously unknown relationship with a woman named Catherine Drummond. This relationship can be seen in the 49 letters (sometimes in French, occasionally in Italian) written by her to him between March of 1784 and early June of 1786, when he left Scotland for America. The correspondence continued in America, though less frequently; she wrote only three letters between February of 1787 and January of 1788. In a letter (of which there exists only a partial "translation") in response to hers of January of 1788 he tells her that he has loved her for four years and proposes marriage to her. She rejects his proposal by return mail, but continues writing to him until 1791, even after his marriage to Mary Skelton in the fall of 1789.

During his time in America, he met and exchanged letters with a number of influential people, both before going to Princeton (mid-1786 to late 1787) and afterwards (1787-96): for example, John Witherspoon, president of the College of New Jersey; the astronomer and clockmaker David Rittenhouse; Dr. Benjamin Rush, a signer of the Declaration of Independence, with whom he lodged when he first came to America; the army officers James Chrystie and Francis Gurney, who became his friends; even George Washington, to whom he sent a copy of his book on the new planet.

Another 25 letters are neither to nor from him. Most were written from one Minto family member to another and concern primarily family matters; they were probably brought by Minto to America, or were perhaps sent to his wife, Mary (Skelton) Minto, by his Scottish relatives after his death. Two of the letters were written to or from the Johnstones, in 1764 and 1772 (the latter by David Garrick), before Minto had even met the family. Three of the four letters written in 1797-98, after his death, were addressed to his wife, and the fourth to a close friend of hers.

Of the 18 letters written by Minto himself, eight are originals, having been sent to relatives and friends. The other ten are copies or drafts, in his own hand, that he kept for his personal use: these are always marked "copy" or "draft" in the Contents List.

Following the letters are nine manuscript notebooks, diaries, account books, etc. (eight written by Minto, 1776-96; plus one written in 1802, after his death) and five miscellaneous notes in his own hand. Most of the notebooks provide details about events in his life, especially the lists of expenses in the notepads from 1776 and 1779, having to do with his theological education and his dealings with the Johnstone boys, his trip to America in June and July of 1786 from the daily log he kept of it, his travels during his first few months in America from the notepads for late 1786 and early 1787, and the nature of his mathematical lectures at the College of New Jersey from the notebook dated 1802.

Of the remaining 31 documents: 14 date from 1757 to 1786, when Minto left Scotland for America; 14 from 1787, after he arrived in America, to his death in 1796; and three from after his death, the latest of which is dated 1801. The earliest one (a transcript of the entry for Elisabetta Dodsworth's baptism in 1739, from the Baptismal Record of Leghorn in Italy) is dated 1757, when Minto was only four years old. The last is a bill of lading, dated 1801, for what was probably family memorabilia sent from the Minto family in Scotland to Mrs. Mary Minto after her husband's death. In between are documents providing glimpses into Minto's education (24 January 1776), his being set free in Cadiz (13 March 1779), his trip home from Italy in the summer of 1782 (the passport signed by Sir Horace Mann on 11 June 1782), his honorary degree from the University of Aberdeen (3 February 1786), his becoming a United States citizen (24 July 1787), and his membership in the American Philosophical Society (17 January 1789).

Walter Minto Skelton (1804-48) and Family Papers:

The Skelton family papers, unlike the Walter Minto papers, consist of a great variety of materials: 43 letters, written between 1780 and 1940; a large body of prose writings and poetry, including 6 notebooks of prose and poetry, 20 orations, lectures, and essays, and 22 manuscripts of miscellaneous verse; one engraving, one drawing, one print, and four portrait photographs; 50 documents of various kinds; 14 printed materials and 3 newspaper clippings; and 58 items of miscellanea, including 7 notes, 18 invitations, and 24 round pieces of cloth with writing in ink.

The letters are divided into three groups based on the primary correspondent in each group: Mary Skelton Minto (from before 1780 to 1813, and possibly to 1824, the date of her death); Walter M. Skelton (from 1824 to 1843); and the Boyd family (from 1872 to 1940). All three groups of letters provide details about events in the lives of family members. In addition, the first group provides some chronology on the life of Marin Detargny, which is described in detail in the section below on documents. The second group contains some important Skelton family documents, especially the very difficult-to-read letter to Walter Skelton from his father Joseph dated 20 January 1825, and the one from his aunt Elizabeth White dated 22 March 1827. The third group of letters contains a mix of dates and correspondents, mainly regarding the extended Skelton families (especially the Boyds). Two letters in particular are revealing in their insights into the late 19th-century (and later) interest in spiritualism, or spiritism: the one from Edgar Ryder to Ann Skelton dated March 1872 announcing his belief that her brother Walter "is one of the Big Guns in the Spirit world"; and the one from Charles Robb to Elizabeth Boyd dated 12 January 1930 enclosing his transcript of a spirit message from her aunt Ann Skelton during a séance the previous day.

Following the letters are prose writings and poetry, divided into three groups. The first consists of manuscript notebooks containing one or the other or (usually) both genres, and is further divided into notebooks in Walter Skelton's own hand (3) and those in other hands (3). Except for "Elizabeth White's Collection of Poetry," all of these notebooks have Princeton connections, and a few have western Pennsylvania connections.

The second group contains orations, lectures, and essays, nearly all of which are in Skelton's hand and presumably composed by him. The dated ones are from his years at the College of New Jersey in Princeton, and most of the others must be as well. Public speaking was an integral part of the College curriculum, and some of the orations must have been delivered there during his student days (see especially the one dated July 1825).

The third group contains miscellaneous verse. A few of the poems are in Skelton's hand and may have been composed by him (3); the leaf containing the second poem has a few occurrences of the name "(Miss) C. Morford," who may have been a love interest of his. Most of the poems (19), however, are in other hands and range from well known ones like "Don't give up the Ship," Burns' "Auld Lang Syne," and Waller's "Of My Lady Isabella playing on the lute" to obscure ones, including a "Canzonetta" in Italian by Peruchini. Along with Elizabeth White's collection in the first group, these poems indicate a strong interest in poetry in Walter Skelton's extended family.

After a few miscellaneous illustrations and photographs are a large group of documents (certificates, wills, receipts, deeds of land sales, surveys, and the like), divided by the families to which they refer. Most of these families were from western Pennsylvania and related to the Skeltons (Boyd, Craig, McFarland) or were members of the Skelton family itself. The Franklin Heirs also relates to western Pennsylvania, for in January of 1840 Walter Skelton purchased two tracts of land, totaling 410 acres, on the west side of the Allegheny River in South Buffalo Township, Armstrong County, Pennsylvania, which had been owned in the 1780's by Benjamin Franklin; Skelton presumably built a house on the property and lived there until his death in 1848, when it passed into the hands of his sister Ann Skelton. The Scudders were friends of the Skelton family in New Jersey, and the deed of sale described here was probably from a descendant of that family. The two White family documents refer to Elizabeth White, whose collection of poetry is described in Series II, sub-series 2 above and who lived in Scarsdale, New York; she was the sister of Walter Skelton's mother, Sarah White Skelton, wife of Joseph Skelton, Sr.

The most intriguing set of documents has to do with Marin Detargny. It is uncertain how his papers came to be included in the papers of the Mintos or of the extended Skelton family. Moreover, seven of the ten Detargny documents between 1796 and 1798 were in the Earhart donation; why or how they became separated from the rest of the Detargny documents is a mystery, especially since they are not so different from the other three of the same date. From the documents (and four letters referring to him) one learns that Marin Detargny was born in France on 26 June 1776, son of Jean Francois Detargny. He is twice called "homme de lettres," once "Professeur," and is later referred to as "Reverend." He remained in France until at least 1798, not leaving until 1800 or a little later. By December 1802 he was in Virginia, residing in Alexandria and trying to open a school, but at about the same time he must have moved to Annapolis, where he taught French until at least April 1804. Between November 1805 and August 1807 he was in Charleston, South Carolina, but by 1810 he was in Philadelphia and being looked after, at least financially, by Benjamin Hopkins (husband of Mary Skelton Minto's niece, Elizabeth, the daughter of Mary's brother Josiah). By early 1813, Detargny was destitute and was in danger of being sent to the overseers of the poor; his wife was also destitute and depended on "relatives" who could not afford to help her husband.

How the Skeltons and the Hopkinses came to know him, and especially how the Hopkinses came to be responsible for him, is unknown, though intriguing; sometime after 1807 (see undated letter from M. Chrystie to Mary Minto) a "Mrs. Ditennia" (probably Mrs. Detargny), who had been ill, visited Mary Minto in Princeton.

The next category consists of printed materials (a broadside; an interesting advertisement and list of fees for Mrs. Graham's school in New York from the early 19th century; two newspapers; some pamphlets and announcements; and three newspaper clippings about family events). The most numerous group is the pamphlets and announcements, which contains primarily the Proceedings of seven Boyd family reunions held in western Pennsylvania and Ohio between 1881 and 1892 (at least ten reunions through 1900, but no other Proceedings appear in the Skelton family papers). These Proceedings contain lists of the participants and attendees at the various reunions, along with biographies of some of the Boyds (including Walter Skelton Boyd [1864-92], who was named for his uncle, Walter Skelton, in the 7th Proceedings), and an in-depth study of some of these people might help to unravel the connections both among the Boyds and of the Boyds with the Craigs, Earharts, and McIntyres.

The final group consists of miscellaneous materials, including notes by Walter Skelton; invitations to parties, dances, and college exercises; a statement from students at the College of New Jersey directed to James Carnahan, president of the College; a notebook containing "By-Laws of ‘The Princeton Blues'," a militia group in Princeton whose captain in 1830-31 was Walter Skelton; a booklet of proverbs and common sayings in English and Spanish on facing pages; a series of primarily 20th-century family notes and lists about the contents of the second Minto-Skelton collection before it was given to the Clements Library; and some obscure pieces of cloth with writing on them. Three of the five notes written by Walter Skelton are presumably from his days at the College of New Jersey; a fourth is apparently a record of the books in his library; and the fifth is a unique list of "Provincialisms noticed in the Western part of Pennsylvania," which he must have recorded when he first went out to that part of the country in 1826. Fourteen of the eighteen invitations (some on the backs of playing cards) are addressed to one or more of the Skelton sisters requesting their attendance at parties, dances, and college exercises, and they attest to the active social life for young women in Princeton and environs in the 1780's.

The last item in the group of miscellaneous materials is a set of twenty-four round pieces of cloth with writing in ink on one side of twenty-two of them. The writing has various configurations: always the name of the writer and, in addition, occasionally the name of the addressee, usually a sentiment of some kind, and frequently a date and the home of the writer. The addressee, when given, is always Mary or Mary McFarland; the year, when given, is 1845, usually in October; the home addresses are nearly always somewhere in Indiana County or Armstrong County, Pennsylvania; and the writers are often relatives (five are Skeltons).