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The Simonetti family papers contain correspondence, documents, photographs, printed material, and ephemera related to the family, who emigrated from Italy to the United States in 1920. The bulk of the material relates to Pius (Pio) and Gaetano (Nino) Simonetti and their service in the United States Army during the Second World War.

The Simonetti family papers contain correspondence, documents, photographs, printed material, and ephemera related to the family, who emigrated from Italy to the United States in 1920. The bulk of the material relates to Pius (Pio) and Gaetano (Nino) Simonetti and their service in the United States Army during the Second World War.

The Correspondence series , which comprises the bulk of the collection, covers the years 1909-1921 and 1942-1945 and includes approximately 1,000 letters and pieces of V-mail; Letters, V-mail, and Telegrams are housed in separate subseries. Roughly two-thirds of the correspondence is written in Italian, with the remainder of the material in English and a handful of items in French. Alberto Simonetti wrote the earliest items in the Letters subseries to his wife Angelica, and his letters often contain pressed flowers; these letters are in Italian. The later run of correspondence, including the V-mail subseries, consists of letters composed by and addressed to Pio Simonetti during his World War II service in Algeria, Italy, and France; these are written in both Italian and English. In his letters to his son, Alberto reported family news, and often discussed rationing as well as his personal opinions of the United States government and of the war. His son sent home news of friends and relatives, and often described his leisure activities and military life, though he seldom mentioned combat. During 1945, he frequently wrote of his upcoming marriage and of his efforts to secure a visa for his new wife. By 1945, Pio expressed his frustration at remaining in Europe despite the official conclusion of combat operations. The Telegrams subseries primarily consists of messages sent between Alberto and Angelica Simonetti in the 1940s.

The Photographs and Negatives series has 41 photographs and 10 negatives. Pio Simonetti took the majority of the photographs, which depict army life in France and Italy during World War II and include several pictures of Pio and his friends. Other material in the collection belonged to Alberto Simonetti during World War I or to friends of Pio and Nino.

The Receipts series contains 9 items, the majority of which are related to goods ordered by and sent to Pio Simonetti during his European tour of duty. One item, dated 1934, is in Italian.

The Army Informational Materials series features material owned by Pio Simonetti during his World War II service. Pio collected his notes, quizzes, and exercises in Italian and English, and wrote English-language notes in a spiral notebook during training. He also saved GI pamphlets on banking, real estate, and sexual health. Other materials relate to interrogation tactics and the treatment of prisoners of war.

The Maps series consists of maps of Gettysburg, Pennsylvania, and Picardy Region, France ("Triville"), which Pio Simonetti acquired during his military intelligence training. The series contains additional map overlays, as well as two maps of Palermo, Sicily.

Printed material includes newspaper clippings in English, French, and Italian; the English and French clippings date from World War II and the Italian clippings from 1918. Among the later materials are several satirical cartoons by William Henry Mauldin ("Bill"). In addition to these, the series also holds two pamphlets, A Total Moral Defense (1941) and a Pocket Guide to France (undated), as well as a book, P. C. Wren's The Wages of Virtue (undated).

The Ephemera series incorporates a variety of materials collected by Pio Simonetti during World War II, including holiday greeting cards, postcards, prayer cards, schedules, programs, stamps, and Italian and French currency.

The Sophie Toclanny Photograph Collection consists of 25 postcards (including 15 real photo postcards and 10 color printed cards) and 2 photographic prints, most of which were sent by Chiricahua Apache woman Sophie Toclanny to a white American family living in Pennsylvania in the early twentieth century.

The Sophie Toclanny Photograph Collection consists of 25 postcards (including 15 real photo postcards and 10 color printed cards) and 2 photographic prints, the majority of which were sent by Chiricahua Apache woman Sophie Toclanny to a white American family living in Pennsylvania in the early twentieth century.

The collection contains postcards and photographs sent by Sophie to the family of George K. (1870-1937) and Susan E. Geiser (1871-1939) living at 731 Moss St., Reading, Pennsylvania. It is unclear how Sophie came to know the Geiser family; it is possible that she made their acquaintance through either of her first two husbands, both of whom graduated from the Carlisle Indian Industrial School in Carlisle, Pennsylvania. Her messages to the Geiser family indicate that she had a close, ongoing relationship with them. Sophie inquires about Geiser family members including their son William “Bill” G. Geiser (1891-1924), refers to gifts she is sending them such as a traditional Apache cradleboard, and expresses dismay that they are not writing her as often as she would like. One undated real photo postcard bears an image originally taken by Edward Bates of an unidentified Comanche woman carrying a child in a cradleboard; Sophie's message states that “They [the Comanche] dress all to gather [sic] different from the way we dress. I am sending you one of my self in Indian dress too.” In another undated real photo postcard showing another Bates photo captioned “Apache Babe and Cradle”, Sophie writes that she is “sending you a cradle like the Apache make for their babies. On this card a real one. This was taken out in their hay camp. I am so sorry that I was so long in sending it. But hope you will like it.” A number of postcards show wear or damage on the corners, suggesting that they were likely kept in an album for some period of time.

Sophie identifies herself and other family members in several of the real photo postcards. In one photograph showing six people posing on rocks near a dam waterfall on the Mescalero Reservation, Sophie identifies herself as the individual at left “sitting down by my little sister.” The young girl in this photograph is likely Sophie’s younger sister Edith, while the “married sister” standing at right is likely Emma. Both Edith and Emma appear in multiple photographs. Unidentified individuals in the family photos include an uncle, a cousin, the husband of said cousin, and a white woman who apparently married another one of Sophie’s uncles.

Other items of particular interest include postcards with images of Apache camps in Oklahoma and New Mexico; the Apache mission at Fort Sill; the funeral of Comanche chief Quanah Parker; portraits of Indian families (including a group portrait of a Sac & Fox family by W. H. Martin), mothers, and women; and portraits of famous Native American chiefs including Sitting Bull, Geronimo, Eagle Feather, and Red Cloud. The Red Cloud postcard bears the message “From a friend you have forgotten. But she never will forget you. Ft Sill Friend.”, while the Geronimo postcard reads “I received the pretty card to-day. I was glad to get it. So in return I thought I will send you one of Geronimo. I guess you all heard of him. What ever became of William. How is little girl now. From Sophie.” The postcards bearing images of Red Cloud, Eagle Feather, and Sitting Bull are all based on reproductions of original paintings by L. Peterson that were photographed and copyrighted by H. H. Tammen in the early twentieth century. Other color printed postcards include images of Pueblo Indians selling pottery, a Pueblo Indian infant, an Indian camp scene at the 101 Ranch in Bliss, Oklahoma, and an illustrated scene of an Indian woman going over a waterfall in a canoe titled “Red Man’s Fact.”

One color printed postcard bearing a portrait of Mohawk chief Bright Canoe was produced in the 1960s and thus could not have been included by Sophie.

Several real photo postcards include photographs taken by Edward Bates (1858-1941). Based in Lawton, Oklahoma, Bates took numerous portraits of Native Americans living at nearby Fort Sill. Bates is known to have produced at least one portrait of Edith Toclanny, and it is possible that he photographed other members of the Toclanny family.

The Stevens family papers consist of correspondence, photographs, and newspaper clippings related to the courtship of Frederic W. Stevens and Edith de Gueldry Twining and to their son Neil's experiences as a medical volunteer in France during the First World War.

The Stevens family papers (1 linear foot) consist of correspondence, photographs, and newspaper clippings related to Frederic W. Stevens and Edith de Gueldry Twining and to their son Neil, who was a medical volunteer in France during the First World War.

The 5 earliest letters in the Correspondence series (around 152 items total), written in November 1884, are addressed to Julia Twining and express condolences about her father's recent death. These are followed by a lengthy series of letters from Frederic W. Stevens to his fiancée, Edith de Gueldry Twining, prior to their wedding. He wrote daily from July to September 1903, giving his future wife updates on his daily life and on mutual friend, and his later letters include a series written in the summer and early autumn of 1906, while Edith lived at her family's summer home in Clinton, New York. These letters focus on domestic affairs and on the state of the couple's household in Morristown, New Jersey.

Neil Campbell Stevens wrote 5 letters from Europe during the World War I era, including 4 concerning his service in French hospitals during the opening and closing months of the war. In a letter postmarked 1914, he related his experiences treating French and German patients while working as a medical aide at the Val-de-Grâce military hospital.

Other items include a letter by a British soldier about military protocol affecting "this Ulster business," which was rioting centered around the Irish Home Rule controversy (April 20, 1914); a letter of thanks from Paul Salembier, a soldier with the 145th French Infantry who received a care package from the Stevens family (March 28, 1916); and a printed letter to Edith Stevens concerning the relocation of her house (November 22, 1928). The series also has 3 letters in French.

The Postcards series (33 items) contains both blank cards and cards with short messages. The majority of the items depict scenes from France, including painted landscapes as well as photographs related to World War I. French general Joseph Joffre is the subject of several photographic postcards, and some show damage done to Senlis, France, and other scenes from the western front.

A large number of Photographs (c. 120, plus 1 photograph album) portray France during World War I, and also family vacations to Niagara Falls and other lakeside destinations. Several of the war-era photographs show members of the ambulance corps, 3 showcase a bullet-strewn Model T, and others present camouflaged military installations, guns, soldiers, and scenery from the western front. Other peacetime material consists of unlabeled portraits, a picture of Barbara Stevens on a tennis court, and a photograph album containing pictures of a family vacation near a lake.

The Identity Papers series consists of 2 items. One is Neil C. Stevens's passport, and the other is his identity paper for the Hôpital Militaire du Val-de-Grâce. Both include photographs of Stevens.

The Newspaper Clippings series contains 53 clippings from The New York Times and The New York Tribune, which document several aspects of World War I. Topics include the outbreak of war, the official declaration of war by the United States, food prices on the home front, submarine attacks on American shipping, and maps of suspected military movements in both the western and eastern fronts. Other items are a political cartoon showing Napoleon chastising the Germans for their plans to invade Eastern Europe, and a report on the return of Neil Stevens from his first three months in France. Two clippings, dated April 18 and 20, 1914, relate to "The Plot Against Ulster" and the controversy over Irish Home Rule.

The Receipts series (3 items) includes a letter concerning the payment of $7 for an article printed in The Independent (March 2, 1895), a receipt for a case of tobacco shipped to Neil Stevens during his time in France (November 21, 1914), and a receipt for a donation from Barbara and Alice Stevens to the Charité Maternelle de Paris (March 5, 1917).

Among the items in the Ephemera series (11 items) are 3 calling cards, 1 invitation, a solicitation for donations to the War Children's Relief Fund, a pamphlet about Yosemite National Park, and a broadside advertising the Morristown Committee Third Liberty Loan.

Notes and Genealogy (7 items) include notes on the history of the Twining family and a typed biographical sketch of Sutherland Douglas Twining (1835-1918) with manuscript notes.

This collection is mainly comprised of letters that Sergeant Stewart F. Laurent wrote to his wife and other family members while serving in France during World War I. The collection also includes documents, postcards, photographs, and ephemera.

This collection (0.5 linear feet) is mainly comprised of letters that Sergeant Stewart F. Laurent wrote to his wife and other family members while serving in France during World War I. The collection also includes documents, postcards, photographs, and ephemera.

The Correspondence series (67 items) contains 65 letters that Laurent wrote about his service in France from March 10, 1918-May 18, 1919; 1 letter that he wrote on January 10, 1918; and 1 letter by other military personnel confirming Laurent's good record as an automobile driver (April 30, 1918). Laurent most frequently wrote to his wife Alice, discussing their separation and anticipating their life together after the war. In other letters to Alice and to his mother, aunt, uncle, and siblings, he described his travels around the French countryside and reported military rumors, particularly those related to the end of the war. He vacationed at Aix-les-Bains in September 1918 and was stationed in Abainville and Haussimont after the Armistice; he also visited Nice and Paris. On Thanksgiving Day, 1918, after the relaxation of censorship requirements, he recounted his passage to France on the USS President Lincoln and enclosed a dinner menu from the journey. Other enclosures include a photographic postcard; snapshots of Laurent, other soldiers, tanks, and places in France; a booklet celebrating Mother's Day; and a political cartoon of an American soldier awaiting his return home. In 2 letters from March 1919, Laurent drew pictures of artillery shells that had been turned into vases.

The Postcards series (11 items) is divided into 3 groups. Stewart F. Laurent sent 3 postcards to his wife Alice between January 8, 1919, and February 17, 1919, of which 2 show the interior and exterior of the Château de Valençay; the third informs Alice of her husband's reassignment to Haussimont, France. The second group of postcards depicts soldiers and scenes from Paris, France, during World War I. The final group of 4 postcards pertains to the Laurents' candy store in Philadelphia, Pennsylvania, in the 1940s.

Items in the Documents series (9 items) mostly relate to Stewart Laurent's military service, including 4 items about his discharge (May 1919), a Treasury Department document about the War Risk Insurance Act and related financial allotments (undated), and instructions for troops sailing from the United States to France onboard the USS President Lincoln [February 1918]. Three items, 2 of which are dated November 18, 1914, concern the Metropolitan Life Insurance Company.

Printed Items and Ephemera (15 items) pertain to Stewart F. Laurent's military service and personal life. A 1908 program for an event at Glenolden Grammar School and an unidentified photograph from 1907 are enclosed with an invitation to Laurent's wedding. The remaining items are from the World War I era, including 2 newsletters about the French Riviera in the spring of 1919, a group of ticket stubs with a parody song ("Silver Threads Among the Black"), Laurent's pay book, a program for a variety performance in Aix-les-Bains, and 3 booklets: a guide to the French Riviera, a history of and guide to Paris, and a soldier's French phrasebook. This collection also includes 2 realia items: a string of beads and a private's chevron.

Graduate of the College of Engineering of the University of Michigan in the class of 1911, later Detroit businessman. Papers and photographs relating to student life and activities.

The collection consists of programs and newspaper clippings largely concerning student life at the University of Michigan. The photographs are portraits and snapshots of Taylor, family members and friends; photographs of the construction of Barton Dam in Ann Arbor, Michigan; photographs of University of Michigan student surveying projects; and photographs of University of Michigan students, groups, and activities. In addition, there is an arithmetic notebook, 1833, of H. Green, student at the Detroit Academy. This item was probably collected by Taylor or perhaps in the possession of a family member.

The collection focuses primarily on John Tailyour, a Scottish merchant who traveled to North America and Jamaica in the 1770s and 1780s to conduct business, before finally returning to his home in Scotland in 1792. His correspondence is heavily business related, centering especially on his trading of slaves, foodstuffs, and sundry goods. It also chronicles the current events in both Jamaica and the Empire. Many of Tailyour's correspondents debate the meaning and merit of the cessation of the slave trade in the late 18th century, as well as the military events of the American and Haitian revolutions, and of the Maroon rebellion of 1795. The papers also include letters between John and his family in Scotland regarding John's mixed-race Jamaican children. He sent three of his children to Britain to be educated, which caused much family concern. Tailyour's account books and financial papers relate both to his Jamaican estate and business, and to his Scottish estate, from which he received added income from rents. The accounts for this estate continue for several decades after Tailyour’s death in 1815. A number of disparate and miscellaneous letters, war records, photographs, and realia that belonged to various members of the extended Tailyour family date mainly from the late-nineteenth and early-twentieth centuries.

The collection has three substantial parts. The most comprehensive and cohesive section is the one concerning John Tailyour, until his death in 1815. The second part contains business papers and accounts related to the Tailyour estate. The third part is the least integrated, and consists of a variety of family papers, photographs, military memorabilia, and other miscellanea.

The Tailyour papers date from 1743 to 2003, with the majority of the collection concentrating in the period from 1780 to 1840. Within these bulk dates, are the two largest portions of the collection: the correspondence and accounts of John Tailyour until his death in 1815, and the account records of the Tailyour estate after 1815.

Seven boxes contain John Tailyour's personal and business correspondence of 3757 letters. The letters focus on Tailyour's mercantile activities in the Atlantic market, especially on the slave trade, its profitability, and the threat posed by abolitionists. Tailyour's correspondence also chronicles personal and family matters, including the education and provision for his mixed-race children from Jamaica. In addition, the collection contains four of Tailyour's letter books of 1116 copies of retained letters that cover the period from 1780 to 1810, with the exception of the years 1786-7 and 1793-1803. In these letters, Tailyour's focus is business, particularly as it relates to the slave trade, but he also includes personal messages to his friends and family.

Tailyour's business papers contain 32 loose account records, as well as five account books documenting the years between 1789-90 and 1798-1816. These primarily concern his Kingston and Scottish estates, including the expense accounts and balance sheets for each, as well as the finances of his merchant activities during the period. Finally, 38 documents of probate records for John Tailyour mainly relate to his landed estate.

The latter portion of collection within these bulk years (1815-1840) also contains correspondence and accounts, although the 228 letters are almost entirely concerned with business accounts. These focus on Tailyour's estate after his death, with John's brother Robert as the main correspondent. Additional materials include 1761 business papers that chronicle the finances of the estate, 11 account books, and 6 hunting books. The business letters and account books detail the estate's expense accounts and receipts, as well as the balances for their annual crops, salmon fishing business, and profits derived from the rents collected on their land. The hunting books contain descriptive accounts of the family's hunts and inventories of their hunting dogs.

The third, and final, part of the collection consists of Tailyour family records (bulk post-1815), including 49 letters from various family members in the late-nineteenth and early-twentieth centuries and five letterbooks, kept by Alexander Renny Tailyour and Thomas Renny Tailyour. 4 account books are also present kept by Alexander Renny Tailyour and others. Some of the records concern the First World War, including a group of prisoner-of-war records sent from Germany, and journals kept at home that detail news of the war, and daily domestic activities.

The family history documents include 64 genealogical records and 58 probate records. Many of the genealogical items are brief notes on family history, and sketches of the family tree, including a large family tree that spans several hundred years to the present day. The probate records contain one will from the late-nineteenth century, but are otherwise entirely concerned with John Tailyour's estate in the years immediately after his death.

Of the printed records, Memoirs of my Ancestors (1884), by Hardy McCall is a genealogy of the McCall family, and Tailyour's Marykirk and Kirktonhill's estates are described in two printed booklets, one of which is an advertisement for Kirktonhill's sale in the early-twentieth century. Other printed material includes 14 various newspaper clippings concerning the family over the years, and 12 miscellaneous items.

The illustrations, artwork, and poetry comprise 14 fashion engravings, 12 sailing illustrations, a picture of a hunting cabin, two silhouettes, and a royal sketch, all of which date from the early- to mid-nineteenth century. Kenneth R. H. Tailyour's sketches are represented in two sketch books created in his younger years (1917 and 1920). Loose records of poetry, as well as a book of poems from George Taylor, are in this section.

The 221 photographs are of the Tailyour family from the late-nineteenth to the twentieth century, with the majority falling in the early decades of the twentieth century. Most are portraits of the Tailyour family from the early twentieth century, particularly Kenneth R. H. Tailyour.

The 138 pieces of ephemera are, for the most part, postcards of foxhunts during the nineteenth century. These announce the almost-weekly family foxhunts during the middle years of the nineteenth century. The 19 items of realia, include Robert Taylor's quill pen from 1826.

The audio-visual portion of the collection contains three items: a compact disc with an audio interview of John Dann, Director of the Clements Library, on National Public Radio's "The Todd Mundt Show;" a compact disc with photos of the West Indies; and a collection of photographs of the Tailyour papers in their uncatalogued state, and of the festivities surrounding the acquisition of the collection.

Finally, miscellaneous material of 18 pieces includes Robert Taylor's commonplace book of short stories, letters, and poems; the catalogue of Robert Taylor's books; James Tailyour's 1771 style and form book; and a communion book.

This collection is made up of correspondence and other items related to Silas and Rebecca Tenney of Chester, New Hampshire, and to their descendants, including Orlando Murray Tenney of Chester and West Hampstead, New Hampshire; his wife, Emmagene Fitts; and their daughter, Alice Lillian Tenney.

This collection is made up of correspondence and other items related to Silas and Rebecca Tenney of Chester, New Hampshire, and to their descendants, including Orlando Murray Tenney of Chester and West Hampstead, New Hampshire; his wife, Emmagene Fitts; and their daughter, Alice Lillian Tenney.

The Correspondence series contains approximately 320 letters addressed to members of the Tenney and Fitts families, particularly Rebecca (or Rebekah) Tenney, Orlando M. Tenney, Emmagene F. Tenney, and Alice L. Tenney.

A small group of letters, dated from the 1820s-1830s, is comprised of letters to Silas and Rebecca Tenney from their children, including Bailey, Thomas, Sally, and Charles; other family members; and friends. Thomas Tenney discussed his philosophical, moral, and religious beliefs; others shared family and local news. Scattered letters dated in the 1840s, 1850s, and early 1860s concern other members of the Tenney and Fitts families, including religious letters that Orlando M. Tenney received from an acquaintance.

The bulk of the series is made up of incoming letters to Orlando M. and Emmagene F. Tenney and their daughter Alice, dated 1867-1925 (bulk 1867-1917). Orlando Tenney and Emmagene Fitts ("Genie") exchanged love letters during their courtship and marriage; in later years, they discussed their children and family news, particularly while Emmagene visited her family in Candia, New Hampshire. From the mid-1870s to the early 1890s, Emmagene F. Tenney also received personal letters from family members such as her sister, Alice C. Fitts; her mother, Caroline Phelps Fitts; and many cousins and acquaintances. Orlando M. Tenney received condolence letters after Emmagene's death in 1892, and his siblings and other family members wrote to him into the early 20th century.

In the mid-1880s, Alice L. Tenney began to receive letters from family members and friends; her incoming correspondence comprises the bulk of the collection after 1892. Letters from a school friend, May E. Norris, concern Norris's life in Boston, Massachusetts, and later letters pertain to family members' lives in New England and New York. Alice's other correspondents included her sister Bertha, her brothers Walter and Sewall, and several aunts and cousins. One brief series of letters by Ralph Candee of Westwood, Massachusetts, pertains to Alice's recent denial of his marriage proposal (included in his letter of July 14, 1903); most of the 20th-century letters pertain to the Tenney brothers' lives in New York and New Hampshire.

The Diary Fragments, Essays, and Poetry series (13 items) consists of items written by multiple authors. One group of diary entries (20 pages), dated January 1809-June 25, [1813], focuses on the unidentified author's religious beliefs and reflections. A second author wrote similar reflections on their 69th and 70th birthdays (May 13, 1842, and May 13, 1843). The remaining items are poems and essays by Helen M. Tenney (July 9, 1851, and February 9, 1856), O. M. Tenney (undated), and others (undated). These writings concern nature and animals, religion, the Eiffel Tower, and other subjects. One essay, entitled "Exercises of My Mind," is a copy of a work by Augustus Sanborn (d. 1823).

Financial Records (8 items, 1867-1911) consist of receipts, a money order, a dividend notice, and accounts related to Orlando M. Tenney, William Tenney, Sewall F. Tenney, and Alice L. Tenney.

The Photograph is an undated carte-de-visite portrait of an unidentified woman, taken in Norristown, Pennsylvania.

The Ephemera and Invitations series (8 items, 1870-1903) contains items addressed to various members of the Tenney and Fitts families. Most of the invitations pertain to weddings. The series also contains calling cards and a blank application for the "Tribe of Ben-Hur."

Miscellaneous material (12 items) includes a notebook that belonged to Orlando M. Tenney in 1881, a drawing of a man riding a plow attributed to "O. M. T." (July 30, 1907), a recipe for corn salve, a newspaper obituary for Frank E. Fitts, and manuscript notes and fragments.

Professor of entomology at the University of Michigan. Personal and professional papers of Hubbell and his wife Grace Griffin Hubbell; also collected genealogical and family papers relating to the Hubbell and Hussey families (Grace Griffin Hubbell's mother was Lenora Hussey Griffin); Hussey family series includes papers of John Milton and Mary C. Hussey and their children and relate to John M. Hussey's Civil War service, Ohio agriculture and Grange activities and family life and customs; Hubbell family series includes papers of Clarence W. and Winifred Waters Hubbell relating in part to his work as engineer in the Philippines, 1907-1913; and collected Hubbell family photos and albums, including views of Benzonia, Michigan family farm and relating to C. W. Hubbell's service as engineer in the Philippine Islands, 1909-1911; also personal photograph series, including various residences of Hubbell, his scientific field trips to Tennessee, Florida, and the Philippines, and postcard views of Michigan communities.

The Theodore Huntington Hubbell papers form a disparate collection that documents not only his professional career as an entomologist and curator, but also sheds light on the late nineteenth and early twentieth-century Hubbell and Hussey families. The far-reaching scope of these papers derives from Theodore H. and Grace Griffin Hubbell's diligent collecting of family papers and photographs. The bulk of the early materials are Hussey family papers consisting of the personal papers of Grace's mother, Lenora Hussey Griffin, and her mother's nuclear family. This family consisted of Lenora's parents, John Milton and Mary C. Hussey, and her siblings, William J., Edgar P., Arthur, and Alice, and their spouses.

The Theodore H. Hubbell papers should be viewed as a subset of a larger universe of collections which include the Hussey family and Hubbell family collections here at the Bentley Historical Library and the John Milton Hussey letters and diary at the University of Michigan's William Clements Library. The strengths of this collection are diverse, ranging from a rich run of Civil War correspondence between John Milton and Mary C. Hussey, to Lenora Hussey Griffin's letters to her family about her education at Stanford, to Theodore Hubbell and J. Speed Rogers correspondence with various entomologists regarding field work and collecting. The collection will be of use to researchers interested in nineteenth-century agriculture, the Grange in Ohio, family life and customs, Joseph B. Steere's expedition to the Philippine Islands, and visual images of turn of the century Michigan and the University of Michigan. The collection is weak on documenting Theodore Hubbell's work as a teacher and curator of the Museum of Zoology; these records are retained by the museum for use in administering their collections.

The Theodore H. Hubbell papers span the years 1833-1988, with the bulk of materials covering the years 1852-1970; they are organized into five series: Genealogy, Hussey Family, Hubbell Family, Personal, and Professional. The first three series reflect Theodore and Grace Griffin Hubbell's efforts as genealogist/archivist for their respective families. The Personal series primarily deals with the private lives of Theodore and Grace Hubbell, but it also contains some materials linked to the first three series in the correspondence with Lenora Hussey Griffin. The materials in the first four series were rearranged during the course of processing to facilitate access to the Hussey and Hubbell family papers. The last series consists of Theodore Hubbell's professional correspondence (including letters to his cousin Roland F. Hussey) and project related materials; this series retains its original order.

The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The collection focuses mostly in European architecture and painting. The majority of the postcards are blank, but some do include correspondence.

The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The boxes are first organized by donor, and then very broadly divided by the type of architecture or artwork depicted on the postcards. These subdivisions are arranged by geographic region, media, and/or subject of the work shown on the postcard.

The majority of items in this collection are postcards dating from 1900-1918, which was during the “golden age” of postcard collecting, lasting from about 1895 to 1915. Other items, including photographs, souvenir photo books, greeting cards, and exhibition announcements in this collection were published throughout the 20th century. Correspondence to and from History of Art faculty and staff appear on some of the postcards.

This photograph album contains pictures taken during trips to Arizona, California, Colorado, Minnesota, and Michigan around the turn of the 20th century. Subjects include Native American homes, dress, and customs; western scenery; and Midwestern waterfronts and steamships.

The Tourist photograph album (15 x 21 cm) contains approximately 245 pictures from around the Southwest and Midwest United States taken by an unknown photographer around the turn of the 20th century. Southwest photographs include mission churches in California and New Mexico, rock formations, cliff dwellings at Canyon de Chelly and Mesa Verde, Balanced Rock in the Garden of the Gods, and a pueblo. Several photographs feature Native Americans, including: women with traditional squash blossom hair styles; a man carrying a small child in a sling on his back; a woman in a shop with baskets, wool and dry goods; a woman seated in front of a loom with partially finished cloth; a man sitting in a white-washed interior with skeins of wool, holding a spindle with a hand carder at his feet. One photograph shows mummified human remains posed next to a bottle of whiskey and skull, indicating likely tomb desecration. Also included are unidentified Southwestern streets, beach scenes, and the storefront of J.M. Archuleta in Colorado. Midwest photos include images of the Palace of Fine Arts (Museum of Science and Industry) in Chicago, Mackinac Island, the Marquette Monument in St. Ignace, Soo Locks, and the Great Lakes steamer North Land, and a lake and cottage. The Grand Hotel on Mackinac Island and the SS Chief Wawatam are also pictured. Many photographs are significantly faded. Some manuscript captions are included.

The album includes two cyanotypes and a postcard with a cartoon satirizing the Brigham Young's polygamy.

The album has a half bound pebbled leather cover and is stored in a three-part wrap with brown cloth spine.