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Professor of geology and paleontology at the University of Michigan, director of the Michigan Geological Survey, and chancellor of Syracuse University, popular lecturer and writer on scientific topics and as a Methodist layman who worked to reconcile traditional religious beliefs to nineteenth-century developments in the fields of evolutionary biology, cosmology, geology, and paleontology. Papers include extensive diaries, field notes and maps from travels and geological expeditions, correspondence, speeches, articles and other publications and photographs.

The papers of Alexander Winchell are those of an orderly man who carefully documented his own life through well-organized correspondence, diaries, notebooks, and scrapbooks. Winchell kept thorough evidence of his activities, writings, lectures, and thoughts, for most of his life. The only area that seems poorly documented is his university teaching. The collection does not appear to include significant material relating to relationships with students in the classroom.

"Alexander Winchell, an editorial tribute," published in The American Geologist (Feb. 1892, MHC call number DB/2/W759/A512), includes a year-by-year account of Winchell's life, based on the papers, and probably written by his brother N. H. Winchell. Although there are no footnotes in this work, it provides a useful summary of Winchell's activities and clues to the existence of documentation in the collection.

The collection is divided into six major series: Biographical, Correspondence, Diaries and journals, Writings and lectures, Reference and research files, and Scrapbooks; and three smaller series: Visual materials, Processing notes, and Card files.

Winchell's bibliography is located in Box 1 (the most complete copy is in the "Permanent memoranda" volume), and drafts of many of his writings are found in Boxes 8-14. Copies of many, but not all, of Winchell's publications are found in the MHC printed collection. The card catalog includes details for all separately cataloged items. There are also three collections of pamphlets that are not inventoried: two slightly different bound sets prepared by N. H. Winchell after Alexander Winchell's death (MHC call numbers DA/2/W759/M678/Set A and DA/2/W759/M678/Set B) and a two-box collection of pamphlets collected by the University Library (MHC call number Univ. of Mich. Coll./J/17/W759).

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

Volume first used for poetry and notes by an unidentified Civil War soldier, then either sold or given to Hoyt's father, who used it briefly for farm accounts. It was then taken up by Anna Hoyt and used for poetry, arithmetic calculations, and various notes and sketches.

Winning manuscripts of the University of Michigan's Avery Hopwood and Jule Hopwood Prizes, a creative writing scholarship program at the University of Michigan. The manuscripts, dated 1931-2019, are bound in volumes according to the corresponding competition category, and accompanied by an author index.

1931-2019 winning manuscripts of the University of Michigan's Avery Hopwood and Jule Hopwood Prizes competition (also known as the Hopwood Awards). The manuscripts are bound in volumes according to the competition category for each year (e.g., "Undergraduate Short Fiction," "Drama," "Summer Awards," etc.) The collection is accompanied by an author card index. Cards within the index are arranged in alphabetical order by last name and include information about the manuscript title, competition category, competition year, the number of the volume that contains the manuscript, and the awarded prize amount.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances in the early 1860s. Emily Bellair was from Detroit.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances throughout the early 1860s. She received the book, whose decorative cover bears the title "Wreaths of Friendship," from W. E. Gentle, who inscribed a two-page letter proclaiming the pair's friendship. Family members also contributed autographs and poetry, including several poems dedicated specifically to Emily that explored themes of friendship and parting. Her brother, Albert F. R. Arndt, wrote a poem from Cairo, Illinois, after he had "gone off to the seat of War." (March 16, 1862). The final page contains a copy of "Auld Lang Syne," as well as several shorter poems that are darker in mood than the other verses.

• "Escape of Carrara"
• "Wreaths of Friendship," depicting a ship in a stormy sea
• "The Bird Trap"
• "The Bride"
• "Kishna"
• Unlabeled: A scene with a tree-lined pond

The Hair documents, ephemera, and prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair.

The Hair Documents, Ephemera, and Prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts from British monarchs George II and George III relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair. The material spans from 1717 to the late 1980s, with the bulk of materials dating from the late eighteenth century to the end of the nineteenth century. A majority of the materials are from England, although some are from Belgium, France, Switzerland, and Scotland. Many of the items are satirical and are commentary on fashion and the idea that the local barber was the "jack of all trades." Two similar items, a comical manuscript resume of "Isaac Morgan" and a fictitious advertisement for the varied services of "Isaac Factotum" offer exaggerated illustrations of how a barber did more than cut hair. Of interest is a series of mid-nineteenth century Valentines which center around the love-lives of barbers. Also included is a letter from Alex Campbell to his relative John Campbell, the Cashier of the Royal Bank of Scotland during the Jacobite rising of 1745. There is also sheet music from the composer (Franz) Joseph Haydn (1732-1809), A Pastoral Song, better known as My Mother bids me bind my hair. Of note are prints by British satirists William Hogarth, Isaac and George Cruikshank, and Thomas Rowlandson.

Dairy farmer in Willis, Michigan; personal and family correspondence and farm account books.

Personal and family correspondence, including letter 1865, of Matthew Day written from Joe Holt Hospital; letters, 1892-1935, concerning Holstein-Friesian cattle and the activities of the Holstein-Friesian Association, and Day's dairy farm; also bills, receipts, cattle transfer certificates, records of milk poundage, account books, poetry, recipe book, and other miscellaneous papers.

Owen Lovejoy (1811-1864), brother of Elijah Parish Lovejoy, was a prominent abolitionist and congressman who staunchly supported President Lincoln during the Civil War. His papers primarily contain correspondence, speeches, and writings related to his family life, ministerial duties, and congressional activities, with additional materials from his descendants.

The Owen Lovejoy papers primarily consist of the correspondence, speeches, and writings of Owen Lovejoy, with additional material from his descendents. The collection contains 170 letters, 13 land records and indentures, a diary, 3 documents and 10 checks, 27 speeches and writings, 3 images, 11 commemorative items, and 26 newspaper clippings. The correspondence of Owen Lovejoy includes 71 letters written by him, mostly to his wife and children, and 40 letters received from family and friends. The other correspondence in the collection is primarily that of his son, Elijah Parish Lovejoy, II.

The earliest letters, from Owen Lovejoy’s student days at Bowdoin College, include affectionate advice from his parents and news from his siblings. He received 8 letters from his parents between 1830 and 1837. His mother’s letters are filled with religious references, and her strong faith is clear from her writing. She wrote passionately against the “crying sin of slavery,” and also supported the temperance cause (14 July 1836). Sister-in-law Sarah Moody Lovejoy wrote two letters to him in 1836, filled with news of the family and church. His sister Elizabeth, who ran a school, kept him informed about her endeavors and news of the family in three letters from 1836. Brothers Joseph and John also wrote occasional letters to Owen. The collection also contains three love letters written by Owen Lovejoy as a young man, including a poem he wrote entitled “Autumn pale fading autumn.”

The family was worried about Elijah Parish Lovejoy, the eldest brother, whose antislavery activities were becoming increasingly dangerous. His mother wrote to Owen in 1836, “you doubtless know what outrages they have committed in regard to destroying the types in that affair” (14 July 1836). His sister Elizabeth wrote, “E.P. does not write us at all why not I cannot divine & I wish I was there now” (30 July 1836).

A number of friends came to the aid of the Lovejoy family after Elijah Parish Lovejoy’s death in November 1837. Rev. Edward Beecher, the son of Lyman Beecher and brother of Harriet Beecher Stowe, wrote a letter to Owen Lovejoy, in which he urged him to “collect and file all documents which have a relation to you brother’s life & efforts since he acted upon his course as editor…They will be read with interest in future ages” (14 November 1837). In 1838, Beecher wrote his best-known work, Narrative of Riots at Alton, on the subject. Owen and Joseph Lovejoy, meanwhile, were working on their own book commemorating their brother. Joseph wrote to Owen in December 1837, “The death of P. has made a very deep & strong sensation through this & indeed through all the country. A great many sermons have been preached & meetings are held in almost every village through the land” (7 December 1837). Owen also corresponded with his other siblings during this time.

Correspondence from a later period in Owen Lovejoy’s life reflects his growing involvement in politics. A letter from Abraham Smith in 1846 describes the activities of the Liberty party, of which Owen Lovejoy was a leader. Owen also corresponded with Gerrit Smith, an abolitionist and founding member of the Liberty party.

Owen Lovejoy’s letters from 1854 onward were addressed to his wife and children, while he was away from home on political business, usually in Washington, D.C. From October to November 1861, he wrote a number of letters to his family from the Missouri battlefield, having received a commission as colonel under General Frémont in the Western Department of the army. After returning to Washington, D.C., he wrote to his younger children of the death of Abraham Lincoln's son: "I have just been up to the White House to see the President. He feels very much the loss of his little boy Willie who is about the age of Parish…His father says he was a very gentle and amiable boy" (23 February 1862).

The correspondence of Elijah Parish Lovejoy, II, Owen Lovejoy's son, includes 36 letters written and received by him regarding his genealogical research on the Lovejoy family. He received a number of inquiries from others about his family history, and also conducted his own research. A number of his letters are correspondence with C.E. Lovejoy, the author of The Lovejoy Genealogy with Biographies and History, 1460-1930, published in 1930. He assisted C.E. Lovejoy with research and loaned him some materials from his own collection for the publication. The miscellaneous correspondence series includes the letters of other Lovejoy family members, as well as a few apparently unrelated letters. (For a listing of Owen and Elijah Lovejoy's correspondents, see the Additional Descriptive Data.)

The Butler Denham business papers contain 12 records of land purchases and an indenture contract with a young boy. Denham was the first husband of Eunice Storrs Denham, who married Owen Lovejoy after Denham's death in 1841.

A small pocket diary, dated 1857, contains appointments, expenses, personal notes, and what appear to be notes for a speech. The documents series includes Owen Lovejoy's call from the Hampshire Colony Church in 1839, his certificate of admission to the Illinois Bar in 1857, a note to his son E.P. Lovejoy for five dollars, and several checks written in 1862 and 1863.

Speeches and writings by Owen Lovejoy comprise three sermons, pamphlets of six political speeches, several printed copies of "An Agricultural Poem," written in 1859, and a copy of his last public prayer in Princeton from 1863. Excerpts from all of these have been republished in a comprehensive collection of his speeches entitled His Brother's Blood: Speeches and Writings, 1838-64. A draft of a poem entitled "The Wild Horses," is also included. The collection also contains writings about Owen Lovejoy, including articles and speeches written after his death, such as "Addresses on the Death of Hon. Owen Lovejoy" and "The Great Anti-Slavery Agitator Hon. Owen Lovejoy as a Gospel Minister." Also included are the recollections of Parker Earle on the nomination of Owen Lovejoy to Congress.

The scrapbook (29 disbound pages) includes newspaper clippings, articles, pamphlets, memorials, and manuscripts pertaining to various members of the Lovejoy family, particularly Elijah Parish Lovejoy (1802-1837) and Owen Lovejoy (1811-1864). The items about Elijah P. Lovejoy concern his death, his religious beliefs, and his memorial at Alton, Illinois. The scrapbook also has contemporaneous articles about Owen Lovejoy's abolitionist work and about Illinois politics around the time of the Civil War. Other articles, biographies, speeches, memorial programs, and memorial poems concern the lives and deaths of Owen G. Lovejoy, Lucy Lovejoy, Charles P. Lovejoy, Eunice Storrs Lovejoy, and members of allied families. One article describes Helsinki, Finland.

The collection is rounded out by three printed images of Owen Lovejoy, materials regarding memorials and commemorations for Owen Lovejoy and his brother Elijah Parish Lovejoy, and newspaper clippings about Owen Lovejoy and his descendents. Several of the commemorative materials pertain to the Lovejoy Monument Association, including a booklet of music for the dedication ceremonies of the Lovejoy Monument. The Lovejoy papers also contain correspondence and an inventory regarding the Lovejoy collection located at the Bureau County Historical Society of Illinois.

The Sylvanus Wheat papers contain the incoming and outgoing correspondence of Wheat, a soldier in the 144th New York Volunteer Infantry Regiment; the papers shed light on his Civil War service in 1862-1863, as well as on the activities of the Wheat family.

The Sylvanus A. and Rachel Wheat papers consist of 125 letters, covering 1848-1880, as well as an undated religious tract. The bulk of the collection is correspondence between members of the Wheat family during Sylvanus' service with the 144th New York Infantry, documenting Wheat's movements and observations on his duties and camp life, as well as the home-front experiences of his wife and siblings. Of the 60 letters written by Sylvanus during his military service in the Civil War, he addressed 48 to his wife, Rachel, and 11 to his sisters. Sylvanus was the recipient of a total of 58 letters: 30 from Rachel, 16 from his sisters, 6 from his brothers, and 4 from various cousins.

Just two items in the collection predate the Civil War, and both contain poems lamenting the death of Althea Loveland, the sister of Rachel (Loveland) Wheat. These items are dated September 21, 1848, and July 26, 1849. Sylvanus Wheat wrote the latter letter, in which he confessed that Althea "was if possible more lamented by me than any other person."

The letters documenting the war begin in mid-October 1862, and open with Wheat's travel to Washington, D.C., and his discussion of Confederate General J.E.B. Stuart's raid on Chambersburg, Pennsylvania, in which he noted that rebels had taken the city and "murdered some" (October 13, 1862). Wheat soon moved to Camp Bliss in Arlington County, Virginia, where he stayed until February 1863, and from there, he frequently wrote home about camp life, duties, politics, health, the destruction caused by war, and other observations. He sometimes described picket duty, which he performed when he was healthy. On December 9, 1862, in a letter to his wife Rachel, he described several days of this duty in the snow and noted that "the officers could not see our fire which is forbidden by army regulations, although we had a rousing big one.” He also complained of the heavy load of supplies that they carried (December 14, 1862), and described the bivouac shelter that they built (December 22, 1862) while on picket near the camp. Another frequent theme in the letters is the destruction caused by war. On October 24, 1863, Wheat wrote to a sister about the "gloom" of "splendid mansions," abandoned and left in ruins near Camp Bliss. On December 9, 1862, he described the buildings and fields stripped and ruined by "rapacious soldiers," and noted that "distrust and hatred are visable on the countenance of all the inhabitants."

Wheat sometimes requested that his family send him tools, so he could improve his living conditions, and in several letters he gave accounts of his efforts to make his surroundings more comfortable. On November 25, 1862, he described elevating his tent by three feet with poles, allowing him and his tent-mates to walk around in it without stooping. On January 3, 1863, he requested that family members send him an axe, calling the ones provided by the Army "miserable soft things." In return, they requested small souvenirs from the war, such as pinecones and acorns, which they found highly desirable and crafted into ornaments and baskets (December 18, 1862). On December 27, 1862, Cordelia Wheat asked that Sylvanus send her a few small rocks or stones from the "sacred soil of Virginia."

In February of 1863, Sylvanus Wheat described leaving Camp Bliss for Camp California, which was located slightly west of Alexandria, Virginia. He noted the large number of "convenient articles" that had to be left behind, such as kettles, cans, cupboards, and a stove and washtub, but remarked that they had made two black walnut bedsteads (February 18, 1863). There, he suffered increasing health problems related to his lungs and throat. By April, Sylvanus Wheat wrote from the U.S. General Hospital in Fairfax, Virginia, shortly before receiving a discharge. On April 1, 1863, he described a night during which he and other patients tried to soothe the sickest among them; he also gave an account of an extensive examination, which involved both medical and personal questions (April 3, 1863). In his final letter before leaving for home, he expressed fears that he would die upon release from the hospital (April 5, 1863).

Several letters refer to the Dakota War, which Sylvanus' brother James and sister-in-law Almira reported on from Lenora, Minnesota. On February 5, 1863, James wrote that he expected the "Indians will make a fuss next Spring in Minnesota. The militia here is organizing and getting ready to do something if necessary." Almira also wrote, expressing worry that James would be drafted to protect settlers from the Dakota (October 24, 1863). A few post-Civil War letters provide news on the children and farming activities of Sylvanus and Rachel Wheat and their children.

The collection focuses primarily on John Tailyour, a Scottish merchant who traveled to North America and Jamaica in the 1770s and 1780s to conduct business, before finally returning to his home in Scotland in 1792. His correspondence is heavily business related, centering especially on his trading of slaves, foodstuffs, and sundry goods. It also chronicles the current events in both Jamaica and the Empire. Many of Tailyour's correspondents debate the meaning and merit of the cessation of the slave trade in the late 18th century, as well as the military events of the American and Haitian revolutions, and of the Maroon rebellion of 1795. The papers also include letters between John and his family in Scotland regarding John's mixed-race Jamaican children. He sent three of his children to Britain to be educated, which caused much family concern. Tailyour's account books and financial papers relate both to his Jamaican estate and business, and to his Scottish estate, from which he received added income from rents. The accounts for this estate continue for several decades after Tailyour’s death in 1815. A number of disparate and miscellaneous letters, war records, photographs, and realia that belonged to various members of the extended Tailyour family date mainly from the late-nineteenth and early-twentieth centuries.

The collection has three substantial parts. The most comprehensive and cohesive section is the one concerning John Tailyour, until his death in 1815. The second part contains business papers and accounts related to the Tailyour estate. The third part is the least integrated, and consists of a variety of family papers, photographs, military memorabilia, and other miscellanea.

The Tailyour papers date from 1743 to 2003, with the majority of the collection concentrating in the period from 1780 to 1840. Within these bulk dates, are the two largest portions of the collection: the correspondence and accounts of John Tailyour until his death in 1815, and the account records of the Tailyour estate after 1815.

Seven boxes contain John Tailyour's personal and business correspondence of 3757 letters. The letters focus on Tailyour's mercantile activities in the Atlantic market, especially on the slave trade, its profitability, and the threat posed by abolitionists. Tailyour's correspondence also chronicles personal and family matters, including the education and provision for his mixed-race children from Jamaica. In addition, the collection contains four of Tailyour's letter books of 1116 copies of retained letters that cover the period from 1780 to 1810, with the exception of the years 1786-7 and 1793-1803. In these letters, Tailyour's focus is business, particularly as it relates to the slave trade, but he also includes personal messages to his friends and family.

Tailyour's business papers contain 32 loose account records, as well as five account books documenting the years between 1789-90 and 1798-1816. These primarily concern his Kingston and Scottish estates, including the expense accounts and balance sheets for each, as well as the finances of his merchant activities during the period. Finally, 38 documents of probate records for John Tailyour mainly relate to his landed estate.

The latter portion of collection within these bulk years (1815-1840) also contains correspondence and accounts, although the 228 letters are almost entirely concerned with business accounts. These focus on Tailyour's estate after his death, with John's brother Robert as the main correspondent. Additional materials include 1761 business papers that chronicle the finances of the estate, 11 account books, and 6 hunting books. The business letters and account books detail the estate's expense accounts and receipts, as well as the balances for their annual crops, salmon fishing business, and profits derived from the rents collected on their land. The hunting books contain descriptive accounts of the family's hunts and inventories of their hunting dogs.

The third, and final, part of the collection consists of Tailyour family records (bulk post-1815), including 49 letters from various family members in the late-nineteenth and early-twentieth centuries and five letterbooks, kept by Alexander Renny Tailyour and Thomas Renny Tailyour. 4 account books are also present kept by Alexander Renny Tailyour and others. Some of the records concern the First World War, including a group of prisoner-of-war records sent from Germany, and journals kept at home that detail news of the war, and daily domestic activities.

The family history documents include 64 genealogical records and 58 probate records. Many of the genealogical items are brief notes on family history, and sketches of the family tree, including a large family tree that spans several hundred years to the present day. The probate records contain one will from the late-nineteenth century, but are otherwise entirely concerned with John Tailyour's estate in the years immediately after his death.

Of the printed records, Memoirs of my Ancestors (1884), by Hardy McCall is a genealogy of the McCall family, and Tailyour's Marykirk and Kirktonhill's estates are described in two printed booklets, one of which is an advertisement for Kirktonhill's sale in the early-twentieth century. Other printed material includes 14 various newspaper clippings concerning the family over the years, and 12 miscellaneous items.

The illustrations, artwork, and poetry comprise 14 fashion engravings, 12 sailing illustrations, a picture of a hunting cabin, two silhouettes, and a royal sketch, all of which date from the early- to mid-nineteenth century. Kenneth R. H. Tailyour's sketches are represented in two sketch books created in his younger years (1917 and 1920). Loose records of poetry, as well as a book of poems from George Taylor, are in this section.

The 221 photographs are of the Tailyour family from the late-nineteenth to the twentieth century, with the majority falling in the early decades of the twentieth century. Most are portraits of the Tailyour family from the early twentieth century, particularly Kenneth R. H. Tailyour.

The 138 pieces of ephemera are, for the most part, postcards of foxhunts during the nineteenth century. These announce the almost-weekly family foxhunts during the middle years of the nineteenth century. The 19 items of realia, include Robert Taylor's quill pen from 1826.

The audio-visual portion of the collection contains three items: a compact disc with an audio interview of John Dann, Director of the Clements Library, on National Public Radio's "The Todd Mundt Show;" a compact disc with photos of the West Indies; and a collection of photographs of the Tailyour papers in their uncatalogued state, and of the festivities surrounding the acquisition of the collection.

Finally, miscellaneous material of 18 pieces includes Robert Taylor's commonplace book of short stories, letters, and poems; the catalogue of Robert Taylor's books; James Tailyour's 1771 style and form book; and a communion book.