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This collection consists of letters, poetry, and memoirs that Thomas Davenport of Antwerp, New York, wrote in the mid- to late 1860s, primarily concerning his religious beliefs. Davenport discussed topics such as salvation, the afterlife, and sin.

This collection (5 items) consists of letters, poetry, and memoirs that Thomas Davenport of Antwerp, New York, wrote in the mid- to late 1860s, primarily concerning his religious beliefs. Davenport discussed topics such as salvation, the afterlife, and sin.

In 3 Letters to a niece, a nephew, and his sister Nancy (January 4, 1864-September 20, 1867), Davenport discussed his social activities and provided news about his acquaintances, who included a woman named Emeline (or Emoline) and a man named Erastus Kellogg. He mentioned local news, the cultivation of sugar and potatoes and, on one occasion, some of the effects of the Civil War (May 7, 1866). His letters include a narrative poem about courtship (January 4, 1864) and riddles (September 20, 1867).

The standalone Poem is a 47-page meditation on salvation, judgment, and similar topics, particularly related to the Christian view of death. The poem frequently references Biblical stories of Adam and Eve and Jesus Christ.

Thomas Davenport composed a volume of Memoirs (90 pages) focusing on his religious life, including his "vision of the New Jerusalem" and "treatise[s] on various Subjects." Written in or after 1863, the manuscript intertwines Davenport's religious affirmations, biography, and poetry. The first portion of the book is an essay on the Christian view of sin and salvation, as well as a brief note about Davenport's conversion to Christianity. Davenport also described Heaven, which he called "New Jerusalem," as he witnessed it when he was a young man (pp. 12-14). Along with explaining his own religious convictions, he commented on other religions, including Mormonism (p. 24) and Catholicism (pp. 24-25). After page 34, most of the loosely bound volume is comprised of poems on religious topics and dedicated to friends and family members. The poems are frequently interspersed with brief narrative accounts of Davenport's life, including his work as a clothier's apprentice (pp. 49-51).

This collection consists of 6 letters that Emeline Breed of Salem, Massachusetts, received from her fiancé, Thomas Delf, an English businessman working in New York City. In addition to providing news of his daily life, he frequently reflected on the couple's engagement and commented on her family.

This collection consists of 6 letters that Emeline Breed of Salem, Massachusetts, received from her fiancé, Thomas Delf, an English businessman working in New York City. He provided updates on his social and business life in the city, and frequently commented on his lodgings with the Cook family, whom he found inhospitable. He made occasional trips to Brooklyn, where he met her father, Holton Breed, and her sisters. While he often wrote of his love for Emeline, particularly after a visit to her home in Salem, Massachusetts, in the spring of 1837, he occasionally mentioned his work and the economic conditions following the Panic of 1837. Several of his letters contain short poems.

This collection is made up of correspondence, diaries, writings, documents, and other material related to Thomas Hill Hubbard of Utica, New York, and his sons Frederick and Robert.

This collection contains correspondence, writings, documents, and other material related to Thomas Hill Hubbard of Utica, New York, and his sons Frederick and Robert.

The collection's Correspondence is divided into two subseries. Chronological Correspondence (63 items) consists of personal letters to and between various members of the Hubbard family, dated December 12, 1803-April 9, 1902; most of the material is dated 1811-1858. Many letters pertain to personal and family news and travel. The series includes correspondence between Thomas Hill Hubbard and his wife Phebe; from Frederick Hubbard to his parents, Thomas Hill and Phebe Hubbard; and between the children of Thomas Hill and Phebe Hubbard. The subseries also contains incoming letters to "Philinda" from siblings, cousins, and a niece, who wrote in the mid- to late 1850s.

The Letter Books subseries is comprised of 6 volumes.

1. The first letter book contains around 99 pages of extracts from letters by Reverend Robert Hubbard (dated June 1810-May 24, 1840), who discussed religious topics. A poem by Grace D. Litchfield for her grandmother (December 16, 1869) and an unknown writer's poem for their mother ([December] 1888) are laid into the volume.

2. The second letter book has a few outgoing business letters by Thomas Hill Hubbard (July 10, 1841-July 7, 1842, 9 pages), but mostly contains outgoing letters by Robert J. Hubbard about matters related Thomas Hill Hubbard's estate (May 27, 1859-September 11, 1869, 362 pages).

3-4. The first of 2 letter books belonging to Frederick Hubbard contains outgoing letters and financial accounts pertaining to his work for the Northern Indiana Railroad in South Bend and La Porte, Indiana (March 3, 1851-June 18, 1852, 457 pages). His second letter book (June 18, 1852-November 10, 1854, 464 pages) is comprised outgoing letters and financial accounts pertaining to his work for the Northern Indiana Railroad in La Porte, Indiana, and the Michigan Southern Railroad in Clinton, Michigan.

5. One volume contains outgoing business correspondence of Litchfield & Co., often signed by C. H. Manson and E. Darwin Litchfield (letter book "J," February 12, 1857-April 29, 1860, 366 pages), and additional letters by Robert J. Hubbard about his father's estate (June 21, 1861-May 8, 1871, 387 pages).

6. Robert J. Hubbard kept a letter book with outgoing correspondence to family members and acquaintances (November 20, 1855-January 1872, 344 pages). He most frequently discussed finances, property, and business affairs.

The Diaries and Journals series (30 items) pertains to Frances Elizabeth Hubbard and Frederick Hubbard. Frances Elizabeth Hubbard began her two diaries on November 27, 1835 (around 140 pages), and April 25, 1836 (around 100 pages). She commented on her daily experiences, social activities, and travels in and around Richmond, Virginia, and Middletown, New York. The first volume also includes 4 pages of financial records and a list of names.

The Frederick Hubbard travel journals consist of 23 slim bound volumes (approximately 50 pages each), which together comprise a detailed account of Hubbard's travels in the United States and the Caribbean between March 1842 and October 1855. He often traveled on the New York & Erie Railroad.

An additional 5 volumes of writings by Frederick Hubbard recount a Grand Tour of Europe and the East between 1855 and 1857. He created the manuscript later in his life, by copying his earlier travel notes into blank books. He provided detailed observations and descriptions of locations in Belgium, France, Germany, Italy, Madeira, Malta, Palestine, Rome, Sicily, Spain, Egypt, Nubia, England, Syria, and other areas. Hubbard contributed original illustrations and tipped relevant engravings, prints, and maps into the books. Linnaeus Shecut II transcribed and edited the 5-volume manuscript in Notes of Travel in Europe and the East in the Years 1855-1856 and 1857: a Yankee Engineer Abroad (Bloomington, IN: AuthorHouse, 2007).

The Writings series contains approximately 50 compositions, including groups of school essays, descriptions about Florida locales, and book proposals. Robert J. Hubbard composed around 40 of the school compositions at Utica Academy in the mid-1840s. Also included are notes on the history of Christianity; poetry; a manuscript copy of extracts from the Biblical gospels; and a personalized, alphabetical subject index, written in a volume printed for that purpose, belonged to Edward B. Hubbard and Robert J. Hubbard in the 1840s.

Documents and Accounts include Land Documents, Financial Records, and a Passport. The Land Documents subseries contains 2 items: an indenture (1841) and a book recording the disposition and dispensation of lands that belonged to the estate of Thomas H. Hubbard in 1857, with notes dated as late as the early 1880s. Financial Records (49 items) consist of a ledger regarding property and real estate assets in multiple states in the 1830s and 1840s and receipts made out to various persons, including Robert J. Hubbard and his wife, in 1868. The receipts concern various types of household items and services. The Passport dates between 1854 and 1887 and includes documentation from Europe and northern Africa.

The Published Material series is divided into two subseries. The Pamphlets and Tables subseries includes two pamphlets, "A Short and Easy Method with the Deists" by Charles Leslie (1830) and "Conrad and Medora; or, Harlequin Corsair and the Little Fairy at the Bottom of the Sea" by William Brough (undated). A printed table, "Table of Ranges of Temperature on a Journey up the Nile, and through the 'Long Desert' and 'Syria.' January to June, 1857," is also included. The A Yankee Engineer Abroad subseries contains digital versions of Notes of Travel in Europe and the East in the Years 1855-1856 and 1857: a Yankee Engineer Abroad, ed. Linnaeus Shecut II (Bloomington, IN: AuthorHouse, 2007).

The Thomas G. Monroe log book (162 pages) contains daily entries about the voyage of the Nile from New York to Canton, China, and back in 1831 and 1832. The log book also contains records regarding the voyage of the Charles Wharton along the Atlantic Coast and from New Orleans to Liverpool, England, and back to Philadelphia in 1832.

The Thomas G. Monroe log book (162 pages) contains daily entries about the voyage of the Nile from New York to Canton, China, and back in 1831 and 1832. The log book also contains records regarding the voyage of the Charles Wharton along the Atlantic Coast and from New Orleans to Liverpool and back to Philadelphia in 1832.

The Nile log (119 pages) contains daily entries from April 13, 1831-August 7, 1831, and November 11, 1831-March 13, 1832, covering the ship's voyage from New York to Canton, China, and back to New York by way of the Cape of Good Hope. Between August 7 and November 11, 1831, the Nile was in port at Canton. Monroe recorded information about winds and weather conditions and the ship's course and position. Most entries contain latitude measurements, and entries made after December 7, 1832, also include reckonings of longitude. Thrice-daily remarks usually pertain to weather conditions and sails. Monroe sometimes noted the names of islands the Nile passed, and on one occasion he briefly mentioned the crew's preparations for possible encounters with "Malay pirates" (July 20, 1831). While in Canton, the Nile's crew repaired the ship, discharged tobacco and dry goods, and took on pepper, beef, and provisions. During the return voyage to New York, Monroe noted the number of days since the ship had sailed from Canton and, later, the Cape of Good Hope. Mathematical calculations of the average distance between observed positions of the sun and moon appear in entries dated February 5, 1832, and February 6, 1832. An account for flour New York merchant J. Thomas received from the ship Ohio is laid into this volume. The Nile log is preceded by a partially colored drawing of a building decorated with Masonic symbols.

The second part of the volume is the log of the Charles Wharton (43 pages), captained by Samuel Yorke, and pertains to the ship's travels along the Atlantic Coast (May 26, 1832-June 7, 1832) and its journey from New Orleans to Liverpool and back to Philadelphia (July 14, 1832-October 11, 1832). Monroe's daily entries cover events while the ship sailed along the Delaware River, and include charts of the ship's course, winds, and location via latitude and longitude. Additional remarks concern weather conditions and the use of sails. The second group of entries, recorded during the Charles Wharton's transatlantic voyage, sometimes concerns the activities of the ship's carpenter and signals exchanged with other ships. The Charles Wharton docked at Liverpool in August and September 1832; Monroe resumed the log for part of the voyage back to the United States.

Poems and other inscriptions are written on the volume's endpapers and on some of its first pages. The book also includes a list of ships and captains. A partial letter written in New Orleans on November 19, 1833, is laid into the volume.

This collection is made up of the papers of Arba U. Thompson and his wife Frances Warner Thompson of Farmington and Avon, Hartford County, Connecticut, as well as the correspondence of their children Herbert, William, Lewis, Leila, Charles, and Frances May Thompson. The collection also includes the correspondence of Lucelia "Leila" U. Thompson, an educator who traveled with her husband William P. Baker to India in 1853 to serve for a decade as a missionary and teacher.

This collection is made up of the papers of Arba U. Thompson and his wife Frances Warner Thompson of Farmington and Avon, Hartford, Connecticut, as well as the correspondence of their children Herbert, William, Lewis, Leila, Charles, and Frances May Thompson. The papers include 2,713 letters, plus one linear foot of diaries, legal and financial documents, school papers, a commonplace book, a notebook, poems and writings, photographs, ephemeral materials, and printed items.

The Thompson Family Papers correspondence includes a wide range of writers and recipients. A temporary, rudimentary selection of them is as follows:

• The earliest portion of the collection is largely comprised of the incoming correspondence of Frances "Frankie" Warner / Frances Warner Thompson, 1850-1851, and the often lengthy, journal-like letters of Lucelia "Leila" U. Thompson who traveled with her husband William P. Baker to India in 1853, where she served as a missionary and teacher until her death in 1864. Lucelia's letters begin with correspondence from Dwight Place Seminary, New Haven, in 1850. By 1852, she served as a teacher at Germantown in a school of Mary Fales, then in 1853 determined to travel as a missionary abroad. From 1853 to 1864, she wrote lengthy, at times journal-like letters from different locations in India, including "Ahmednuggur," "Khokar," Bhingar, "Shingvay" (illustrated letter from Bombay, January 1, 1855). Her recipients included Emmie Gallup (in Essex, Conn.), Lottie R. Andrew, and Emily Hubbard.
• After Lucelia's death, her husband William P. Barker wrote letters to their parents, daughter Mary, and niece Leila Anna. Barker wrote from Minneapolis and Cottage Grove in the 1860s and 1870s, and from Carbon, Wyoming Territory, in the early 1880s.
• Early 1850s courtship correspondence of Arba Thompson and Frances Warner.
• Early 1850s letters from Mary E. Hubbell of Ipswich, Massachusetts; Avon, Connecticut; Baltimore, Maryland; and North Stonington, Connecticut, to Abigail "Nabby" Thompson.
• Correspondence of Frances Thompson's brother "Baxter" at Yale College, beginning in 1854.
• Letters by Flora Thompson in Avon, Connecticut, to her siblings beginning in the 1850s, then from Carthage, Ohio, by the 1870s.
• Letters of Abel M. Thompson of Rockville mid-1850s
• Correspondence of Pliny F. Warner of Aledo, Illinois, a job printer and publisher of the weekly Aledo Banner, editor of the Mason County Republican out of Havana, Illinois, and then the Havana Republican.
• Letters by Frances Warner's father Milo Warner of Strykersville, New York, 1850s-1860s.
• Letters by Frances Warner's sister Cordelia Morrill of Brooklyn, Strykersville, "Shadow Nook," and Java Village, New York, 1860s-1890s.
• Post-Civil War correspondence to Frances, Abigail "Nabby", and Herbert Wilson Thompson.
• Letters to Frances and Arba from cousin Dr. C. D. Woodruff of Lima, New York.
• Letters of E. G. Warner in Amherst, Massachusetts, to cousin Leila Thompson, 1880s.
• Letters from Charles and Anna Thompson to Frances Thompson from Bridgeport, Connecticut, late 1880s. Charles K. Thompson worked for the American Gramophone Company at Bridgeport.
• Letters of H. W. Thompson, working at C. H. Smith & Co., loan brokers and western real estate out of Hartford, Connecticut, late 1880s.
• Correspondence of Edith A. Warner of Brooklyn, New York, while teaching at Granville Female College, Granville, Ohio, in the 1880s.
• By 1890, the volume of letters to Frances May Thompson, known as May, from siblings and cousins increased dramatically. In the early 1890s, May took a job as a teacher at a schoolhouse in Washington, Connecticut. While there, she received letters from Helen M. Webster (1860-1905), a supervisor at the American Asylum at Hartford, Connecticut; later, Helen married to a man named George Reed and wrote from Hill City, South Dakota, in 1896 and 1897. By the late 1890s, May received letters from her husband, who worked at Harvey & Lewis, opticians and photographic supplies. He also used New York Life Insurance Company stationery.
• Correspondence between siblings Lewis and Leila Thompson, 1900s.
• Incoming letters to Leila Thompson from Alice P. Warner of Beloit, Wisconsin, early 1900s.
• Letters between Leila and Alice H. "Claire" Alderman in Clarkston, Georgia; St. Petersburg, Florida; and elsewhere, 1900s-1910s.
• Later letters between Beatrice A. Hoskins and her mother Frances Hoskins.

The collection includes two small, unsigned diaries, dated 1848 and 1923. Legal and financial documents include 57 accounts, tax receipts, land indentures, loan receipts, four account books (1824-1927), and other papers, largely from Avon and Farmington, Connecticut. One account book, kept by Guy Thomson in 1824, includes accounts for sawing, mending a halter, plowing, mowing, planting, picking apples, making cider, shoeing horses, mending fences, and other labor, plus monies taken in from a boarder.

School papers include 10 rewards of merit, report cards, school programs, a student's notebook, and a teacher's notebook, all dating from 1851-1925. A commonplace book by Leila U. Thompson dates from the 1840s and includes poetry and excerpts, including a multi-page poem, "The Missionary's Call." A notebook, marked "O.V. Brainerd" contains page after page of scribbles.

Poems and other writings include 42 loose leaf copies of poems on subjects such as temperance, resignation, death and bereavement, friendship, sentimental and religious topics, Christmas, and other subjects. Seventeen photographs include a CDV of Fannie Warner as a young girl, and a selection of snapshots, apparently of members of the Hoskins family.

The Thompson Family Papers include a variety of ephemera and printed items, including 12 visiting cards; 33 invitations and announcements; 46 birthday, valentine, Christmas, Thanksgiving, Easter, and other holiday cards; genealogical notes; newspaper clippings, pamphlets, programs, and other items.

This collection is made up of correspondence, newspaper clippings, and ephemera related to multiple generations of the Parker, Thorington, and Nash families, particularly James Thorington (1816-1887), his daughter Ella, and Ella's daughter Louise. The materials pertain to life in Davenport, Iowa; Colón, Panama; Staten Island, New York; and other locations in the 1870s to 1900s.

This collection (0.75 linear feet) is made up of correspondence, newspaper clippings, and ephemera related to multiple generations of the Parker, Thorington, and Nash families, particularly James Thorington (1816-1887), his daughter Ella, and Ella's daughter Louise.

The bulk of the collection consists of letters and newspaper clippings once housed in a 147-page scrapbook (now disassembled). Louise Nash Sanger compiled the volume and occasionally made notes on the materials, sometimes including brief biographical or contextual information. She contributed additional genealogical information, such as family death registers. The earliest materials include prayers written by Asa Rogers in the early 1800s and correspondence regarding the Parker family. One letter from Jonathan Parker to his sister Mary warns her about an unknown man, possibly her future husband, James Thorington (February 1, 1842).

Many scrapbook items relate to James and Mary Parker Thorington and their children, particularly Ella, Jessie, and Monroe. Ella received letters from members of her immediate family and from aunts, cousins, and friends, who provided family and local news from Davenport, Iowa, and other locales. Monroe Thorington discussed his experiences while attending the United States Military Academy at West Point, New York, in the early to mid-1870s. Some of his acquaintances wrote to the Thorington family after his death at Fort Keogh, Montana Territory, in 1878. Members of the Thorington family also wrote to Ella about their lives at Aspinwall (Colón), Panama, where the elder James Thorington served as United States consul.

Other materials from the late 19th century relate to the family of Francis B. and Ella Thorington Nash, including many letters to their daughter Louise. Louise's correspondents included "Flora" and "Brette." Flora lived in Staten Island, New York; several items, including telegrams, pertain to her death. Brette wrote about life in Florence, Nebraska, and later discussed his life in New York City, where he became an adherent of the Bahá'i faith. Louise received additional letters from aunts, uncles, and other family members and acquaintances, often concerning personal news such as family news and deaths. Louise Nash Sanger and other family members collected newspaper clippings relating news of births, marriages, and deaths in the Parker, Thorington, and Nash families, including those of James Thorington's children and grandchildren. Some articles pertain to palmistry and to Ella Thorington Nash's instructional lectures in cooking, which she gave in Chicago in the late 19th century. One group contains printed letters from members of the Thorington family living in Panama. Additional scrapbook materials include fine pencil drawings of unidentified homes and incomplete family death registers.

Loose (non-scrapbook) items include letters and telegrams related to members of the Thorington and Nash families, and genealogical registers tracing Sanger family ancestors into the early 18th century. A small number of military commissions pertain to the career of Henry Sanger in the mid-19th century. The collection includes poems, an engraved portrait of James Thorington, invitations, programs, and a manuscript map of a quartz mine. Other items of note are a clipping from a Davenport paper regarding the capture and death of John Wilkes Booth (April 28, [1865]) and a letter from "Burdett" to an unidentified recipient about a journey from Galena, Illinois, to Mackinac Island (August 5, 1844).

This collection is made up of correspondence, legal documents, and financial records related to Alexander and Chilion A. Trimble of Crown Point, New York. The materials pertain to the Trimbles' financial affairs, Chilion's service as Essex County sheriff, state politics and elections, and other subjects. Many family members wrote of their lives in New York, Illinois, Iowa, and Montana.

This collection is made up of correspondence, legal documents, and financial records related to the Trimble family of Crown Point, New York.

The collection contains two groups of Correspondence . Family Correspondence(approximately 2.75 linear feet) largely consists of incoming correspondence to Alexander Trimble and his son Chilion, both of Crown Point, New York. Alexander's siblings shared personal and local news. James King, an acquaintance in Albany, New York, frequently discussed Alexander's financial affairs. From 1816 to 1841, King corresponded with Chilion Trimble, in which he discussed news from Albany, property ownership, legal disputes, wheat sales, and other business matters. Chilion and his wife Charlotte also received letters from their siblings and other family members in New York, Virginia, Illinois, Iowa, and Montana. The personal letters often concern religion, health, bereavement, farming, and other aspects of the writers' daily lives.

Frank and Hiram Stone, Charlotte's brothers, traveled to California during the 1849 Gold Rush, and Frank later wrote to Charlotte from Helena, Montana, in the late 1860s. Mary L. Cheney and her husband, L. P. Cheney, lived in Chicago, Illinois; their earliest letters describe the Illinois terrain, including prominent corn crops, and their later letters describe the growth of Chicago. Some of the family correspondence pertains to national and local political issues, such as the 1856 and 1860 presidential elections and John Brown's raid on the United States arsenal at Harper's Ferry. A small number of letters from the Civil War era mention the war, occasionally revealing the writers' fears for the union's survival. Charlotte Trimble received condolence messages following her husband's death in 1862, and she continued to receive personal letters until the late 1860s.

The Business Correspondence subseries(approximately 2 linear feet) includes a few early items (1800s-1810s) addressed to Alexander Trimble, concerning finances, real estate, and decedents' estates; the bulk of the material consists of incoming letters written to Chilion Trimble after 1820. Some items pertain to Chilion's involvement in the New York Militia and to political issues and elections. From 1843-1846, the materials relate to Chilion's service as sheriff of Essex County, New York; these often refer to the results of court cases and request assistance in collecting payments or performing other actions related to court judgments. After 1846, Chilion's correspondents often wrote about financial and business affairs such as property ownership, and he received a series of personal letters from John S. Rice of Maquoketa, Iowa, in the early 1860s. The series includes a facsimile letter by Samuel J. Tilden requesting information about New York voters (September 25, 1866) and late letters addressed to George Brown.

The Documents and Accounts series (approximately 0.75 linear feet) contains legal documents, financial records, and account books pertaining to several generations of the Trimble family, particularly Chilion Trimble. Materials include indentures related to property in New York, records concerning real property and decedents' estates, and accounts between James King and Chilion Trimble, often related to sales of wheat. Other groups of items relate to insurance policies, Essex County elections, and Trimble's service as Essex County sheriff. One account book contains entries dated 1894-1901.

The Writings and Ephemera series (approximately 0.25 linear feet) contains fragments, lists, poems, and other materials. Poetry includes an item entitled "Destruction of Pompeii," a religious poem, and a revised version of the Lord's Prayer related to soldiers' experiences during the Civil War.

This collection is made up of correspondence, diaries, and other items related to Nathan Tufts, a native of Massachusetts who served in the United States Army during World War I, and his future wife, Dorothy Day of Connecticut.

This collection is made up of correspondence, diaries, and other items related to Nathan Tufts, a native of Massachusetts who served in the United States Army during World War I, and his future wife, Dorothy Day of Connecticut.

The Correspondence series (1.5 linear feet) comprises the bulk of the collection. Incoming letters to Nathan Tufts at the Taft School in Watertown, Connecticut, are dated as early as November 11, 1915. His correspondents included his mother, who wrote of life in New York City and Lawrence Park, New York, and Elbridge Stratton, a friend, who anticipated their matriculation at Yale. Dorothy Day received early letters from friends and family while she attended Miss Wheeler's School in Providence, Rhode Island. Friends and family continued to write letters until the late 1910s, and the Tufts received many letters of congratulation following their engagement around May 1918.

Tufts began corresponding with Day in the fall of 1916. He wrote about his experiences and activities at Yale and expressed his romantic feelings for her. After the declaration of war against Germany in April 1917, Tufts reported on his participation in drills and related activities for the Reserve Officers' Training Corps. He later described his training experiences at Camp Jackson, South Carolina, and Camp Zachary Taylor, Kentucky. In Kentucky, he commented on the Central Officers' Training School, travels in the South, fellow soldiers, camp life, and kitchen duty. After the Armistice, Tufts anticipated his return to civilian life and his future with Day; he returned to Yale in 1919 and wrote about vacationing in Maine. His final telegram is dated February 21, 1920. Enclosures include a postcard showing the Rocky Broad River (November 3, 1918) and photographs of a military camp (October 18, 1918).

The couple's other wartime correspondents included Corporal Francis Harrison, who discussed his preparation for front-line duty in France in August 1918, and "Clark," a friend of Dorothy, who served at the Plattsburgh Barracks after September 1917. Clark discussed his training at the Reserve Officers Training Camp and his later service in the 302nd Machine Gun Battalion at Fitchburg, Massachusetts. In his letter of October 6, 1917, he described his unit's preparations for military exercises in trench warfare, and his expectation that the infantry would "sit in trenches and fire once in a while" in France.

The Diaries series contains two items. Dorothy Day kept a daily diary (unbound) between January 17, 1916, and August 16, 1919, writing mostly about her social life and her relationship with Nathan Tufts. She sometimes remarked on news, such as the results of the 1916 presidential election and the country's declaration of war against Germany. In 1918, she wrote about Tufts's military career; some of her entries from this period are constructed as letters to him. Day usually wrote daily entries on one side of each page, copying quotations, poetry, and other miscellany on the reverse side. A calling card, a printed advertisement, a flower, and a photograph are laid into her diary.

The Nathan Tufts diary covers much of his active-duty service at Camp Jackson, South Carolina, and Camp Zachary Taylor, Kentucky. From August 18, 1918-November 14, 1918, he wrote intermittent journal entries, often addressed to Day, about his daily routine at Camp Jackson, military training exercises, other soldiers, the good reputations of Yale students and alumni, and the end of the war. Journal entries by Day, apparently mailed to Tufts, are interspersed among his later entries; her final journal-letter is dated January 23, 1919. A military pass, United States Reserve Officers Training Corps patch, and newspaper clippings (often of poems) are pasted into the volume.

The School Papers series (9 items) pertains to Nathan Tufts's education at the Taft School and at Yale College's Sheffield Scientific School. A group of printed entrance exams for Yale College and its Sheffield Scientific School, dated June 1914 (1 item) and June 1915 (5 items) contain questions related to Latin, American history, ancient history, and trigonometry. A printed exam given by the college entrance examination board from June 19, 1916-June 24, 1916, contains questions about American history, the German language, and English literature. An exam requiring a translation of lines by Virgil is dated 1916. A bundle of examinations and school documents belonging to Nathan Tufts includes Yale College's semi-annual examination for June 1917, with questions in subjects such as physics, history, English, German, and Latin; a printed course timetable and list of professors and classrooms for Yale College freshman during the 1916-1917 term, with manuscript annotations by Nathan Tufts; and a typed military examination for Yale students, given on June 4, 1917 or 1918. The subjects of the military examination are hygiene, military law, topography, and field artillery regulations and drill.

The Photographs, Newspaper Clippings, and Ephemera series contains around 50 items, including visiting cards, invitations, Red Cross donation certificates, and a printed program. Many of the newspaper clippings contain jokes or brief articles about World War I. A group of photographs includes a framed portrait of a United States soldier, a negative, and several positive prints.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

The poem is written in a blank book bound with red, white, and green braid, and pages featuring printed decorative borders of holly. The volume also features six watercolor illustrations depicting Santa, the elves, and the gifts in the stockings. The cover bears the title and painted holly and leaves.

An inscription on inside front cover reads "A merry Christmas from Hazel."

American biographer; participated, researched, and wrote about individuals involved in movements central to New York City's Lower East Side, including the Beats and the Punks. Papers include correspondence, notes and notebooks, clippings, other resources, manuscripts (drafts, proofs, galleys), photographs, and audiovisual materials.

The Correspondence series is comprised of approximately 2.5 linear feet of material, foldered alphabetically by author with individual letters and cards within each folder arranged chronologically. The majority of the correspondence discusses Bockris' professional endeavors, including correspondence between publishers, lawyers, and sources. Additionally included are some personal correspondence such as letters, notes, and cards. Within the series are several notable, lengthy correspondence partners including Isabelle and Jean Louis Baudron, 1984-1997 (5 folders); Gerard Malanga, 1977-1996 (10 folders); Miles, 1977-1998 (7 folders); Elvira Peake, 1984-1999 (5 folders); Claude and Mary Beach Pelieu, 1983-1996 (5 folders); and especially Ingrid von Essen, 1983-2001 (31 folders); Christopher Whent, 1985-2002 (7 folders); and Andrew Wylie, 1974-2000 (41 folders). Correspondence with von Essen is of particular note as she was both a professional collaborator and personal friend of Bockris, and in addition to incoming correspondence, outgoing correspondence from Bockris to von Essen, 1977-2001 (17 folders), is included in the series.

The series also includes correspondence from notable individuals, poets such as Anne Waldman and Allen Ginsberg, John Giorno, Jeff Goldberg, artists and personalities including Lawrence Ferlinghetti, Art Garfunkel, Bobby Grossman, John Waters, Aram Saroyan, and book subjects Bebe Buell, William Burroughs, Debbie Harry, and Terry Southern.

The Notebooks and Journals series is comprised of approximately .5 linear feet, and consists of 17 volumes or items (including one that is oversize). The volumes' contents seem to span the range of Bockris' subjects, although it is difficult to discern the exact contents given the handwriting.

The Topical Files series is approximately .25 linear feet, and contains materials surrounding important topics and persons to Bockris' work. Included in the files are coverage on the subject matter of writing biographies, manuscript fragments, and information on various personalities including those that were featured in some of Bockris' work, like Lydia Lunch, collaborators including Andrew Wylie and Gerard Melanga, and individuals whom Bockris pursued as potential biography subjects such as Art Garfunkel.

The Events series is approximately .1 linear feet, and contains gallery invitations and speaking engagements sent to Bockris. These materials do not correspond specifically to any of Bockris' works, nor do they involve him as an artist or speaker, and thus are separated into their own series.

The Muhammed Ali series is approximately .5 linear feet and pertains to the works that Bockris wrote about Muhammed Ali. Although one of the smaller series of Bockris' works within the collection, it still contains a multitude of information, and is broken down into six subseries: Correspondence; Notes and Notebooks; Scrapbook; Clippings and Articles; Manuscripts; and Reviews. The correspondence is primarily from 1993-2002 and consists of letters between Bockris and his publishers. Within this subseries, items are arranged chronologically by date. The Notes and Notebooks, and Scrapbook subseries both contain Bockris' thoughts and collections of information he gathered on Muhammed Ali. Similarly, the Clippings and Articles subseries contain assorted clippings and photocopies of text about Ali. The Manuscript subseries contains drafts of four works that Bockris wrote about Ali, and the Reviews subseries contains clippings and photocopies of reviews of these works.

The Beat Punks series is approximately 1.5 linear feet, and contains materials related to the subjects within Bockris' Beat Punks book (also published as NYC Babylon) and related works. Correspondence within this series is primarily from Bockris' publisher. The series contains significant information on Allen Ginsberg, including a scrapbook, clippings and articles, and the National Arts Club Literary Aware Dinner manuscript. Other notable individuals mentioned in this series include clippings and articles related to Lydia Lunch and a transcript documenting an interview between Bockris and Legs McNeil.

The Blondie/Debbie Harry series is approximately 2.25 linear feet, and its contents pertain to both Blondie and its lead singer Debbie Harry. Also heavily represented is Blondie member (and Harry's former partner), Chris Stein. Although the Correspondence subseries mostly concerns the book and publishers, there is a handwritten letter by Debbie Harry. The Transcripts subseries features numerous transcriptions of interviews and conversations featuring both Harry and Stein. Other resources noted within the series include both song lyrics and visual materials such as images of both Harry and Blondie.

The manuscript series fastidiously documents the evolution of the Making Tracks monograph written by Bockris, Harry, and Stein. Included are multiple, often annotated drafts of the manuscript beginning with when it was still referred to as Above Fourteenth Street. This documented evolution continues even after the manuscript was renamed to Making Tracks, and includes not only drafts but galleys, sample layouts, second blues, and book covers. In addition to this manuscript, also included are drafts of From Eat to the Beat to Autoamerican and Meeting Famous People.

The smallest series (.2 linear feet) within the collection documenting one of Bockris' works, the Bebe Buell series documents Bockris' and Buell's biography, Rebel Heart. The Correspondence subseries is comprised of two handwritten letters to Bockris from Buell. However, the most notable items within the series are a series of photocopied love letters written by Elvis Costello to Buell. Additionally included are several drafts of Rebel Heart, and documentation of legal issues concerning quotes within the book.

The William Burroughs series is 1.25 linear feet and contains an assortment of materials used by Bockris to write his works on Burroughs. The Correspondence subseries includes letters from publishers and sources, as well as from Burroughs himself, including a small painting sent to Bockris as a Christmas card. The Events subseries includes several gallery invitations specifically sent to Bockris, as well as postcards of his own speaking engagement, In America All We Do is Work.

The Transcripts subseries includes transcripts featuring a wide breadth of individuals such as William Burroughs, James Grauerholz, Richard Hell, Debbie Harry, Christ Stein, Allen Ginsberg, Jean Michel Basquait. Also found in this subseries are transcripts from Burroughs interviewing Patti Smith.

Finally, the Manuscript subseries includes several drafts of many of the works Bockris wrote about Burroughs (including A Report from the Bunker and With William Burroughs). Also included are drafts of shorter works, including the cover, back copy and page mock ups of William Burroughs Cool cats, furry cats, and aliens, but no purring, which Bockris printed in a limited edition of only 100 copies, each of which he signed and numbered.

The John Cale series is .75 linear feet and documents the writing of Cale's biography, as well as the related disagreements about its publication between Cale and Lou Reed.

The Correspondence subseries primarily consists of letters from Lou Reed, Sylvia Reed, and Chris Whent, documenting legal issues and disagreements between Cale and Reed, concerning their past as members of the Velvet Underground, and potential future as collaborators. Also of note are items from Mo Tucker (another member of the Velvet Underground).

Also included is the Other Resources subseries, which contains papers about Cale, his assorted lyrics and writings, and album covers. The Manuscripts subseries provides insight into Cale's biography from proposal, to early draft, to proof, to galleys. The series concludes with clippings and photocopies of What's Welsh for Zen reviews.

At approximately 12.5 linear feet, the Lou Reed series is the largest within the Bockris Collection. Each of its subseries, Correspondence; Notes and Notebooks; Clippings and Articles; Events; Sketchbooks; Transcripts; Other Resources; Manuscripts; and Reviews are sizeable and detailed, providing an enlightening look into Bockris' research and writing processes.

The Correspondence subseries contains numerous letters both from publishers and sources, the most notable of whom include Shelley Corwin (nee Albin), Reed's former girlfriend, Elizabeth Kronstad, Reed's first wife, and Andrew Wylie, Bockris' agent and former collaborator who struck up a friendship with Reed. The Notes and Notebooks subseries is extensive, containing a variety of notes, some of which were arranged by Bockris by subject, and others which were arranged by year. Bockris also participated in several speaking engagements related to his Lou Reed book, the promotional materials for which are documents in the Events subseries.

In addition to notes, Bockris's research also generated a vast quantity of clippings and articles (11 folders), serials and books (7 folders), and an assortment of Lexis-Nexis article print outs, spanning the years 1950 – 1989. Bockris also filled seven volumes of sketchbooks (the Sketchbooks subseries) with Lou Reed Content. Also utilized as source material, Bockris conducted numerous taped interviews, many of which were transcribed and are contained within the Transcriptions subseries. Interviewees of note include Shelley Corwin (nee Albin), Roberta Bayley, Legs McNeil, Richard Mishkin, Billy Name, Bob Quine, Lou Reed, Maureen Tucker, Chris Whent, and Andrew Wylie.

Other Resources also played a role in Bockris' research, and may be found in the subseries of the same name. Included are Reed's college magazine, The Lonely Woman Quarterly, Lou Reed: The Collected Lyrics, and information from Lou Reed's fan club. However, the most extensive portion of this series is the Manuscript subseries which documents Bockris' Transformer: The Lou Reed Story from early proposal all the way to U.S. galleys as well as the U.K. edition galleys, providing a meticulous documentation of the book's evolution. The drafts are organized based on the various arrangements that Bockris utilized. Similar to the arrangement of the Notes and Notebooks subseries, this results in some of the drafts organized chronologically by year range, and others organized by subject or chapter. Numerous final drafts are also included, which reveal different versions of the monograph in its entirety. The series concludes with the Reviews subseries, containing clippings and photocopies the book's reviews.

The Keith Richards series is approximately 3.75 linear feet, and documents Bockris' writing of Keith Richards. Most of the Correspondence subseries is comprised of communications from publishers and fans, however, there are several handwritten letters from Richards' former girlfriend, Anita Pallenberg, although they merely describe materials she sent to Bockris as well as signed certification that the information she provided is truthful. The arrangement of the Notes and Notebooks subseries remains as Bockris sent it, chronological and divided by year. Additional background materials may be found in the Sketchbook, Scrapbook, and Clippings and Articles subseries, the last of which includes copies of Rolling Stones newsletters Beggars Banquet and Basement News. Bockris also made use of taped interviews, the transcripts of which are provided in the Transcripts subseries, including one between him and Marianne Faithful. The Manuscript subseries contains an assortment of drafts of Bockris' work on Richards. These range from drafts focusing on specific people or time period to edited galley proofs and book covers. This broad spectrum of the manuscript provides a view inside Bockris' writing process and style. Finally, the Reviews subseries includes clippings and photocopies of reviews of this work.

The Patti Smith series is composed of approximately .75 linear feet of materials, documenting Bockris' writing of Patti Smith: A Biography. The Correspondence series primarily documents the communication between Bockris and his publisher, Fourth Estate. The remaining subseries, Notes and Notebooks; Scrapbook; Events; Clippings and Articles; and Other Resources all provide background materials for Bockris' writing.

The Manuscript subseries recounts Bockris' writing process, beginning with the early draft of Smith's biography, and ending with several portions of the finished work including the unbound galley, index, cover image, and image galleys. Also included are several drafts documenting the process Bockris underwent to get from early draft to completed galley. The final subseries, Reviews, provides clippings and photocopies of the book's reviews.

At .25 linear feet, the Terry Southern series is one of the smaller series in the collection that describes one of Bockris' works. Correspondence in this series includes a letter written by Southern, as well as several letters by Lee Hill (a Terry Southern biographer) written to Bockris. Also included is a Transcript subseries which features the transcript of a conversation between Southern and William Burroughs. The largest portion of the series is the Other Resources subseries containing several works by Southern and Hill. Unlike the other series documenting Bockris' works, the Southern series provides very little Manuscript subseries content. Indeed, the only item is an untitled early draft. Thus, in this case, little insight is provided into Bockris' writing process or the final work.

The Velvet Underground series is approximately .5 linear feet, and documents the making of Bockris' Uptight: The Story of the Velvet Underground. The Correspondence subseries mainly contains communication from publishers. The bulk of the contents in this series are research materials, including subseries Notes and Notebooks; Clippings and Articles; and Other resources which includes an interview with former Velvet Underground member Moe Tucker. The Events subseries provides information on several speaking engagement of which Bockris was a part.

The Manuscript subseries has two drafts, but is primarily composed of galleys, both for the U.K. edition in 2002 and the new edition. The Reviews subseries contains numerous clipped and photocopied reviews of the book. Also of interest is that some of Bockris' materials, ranging from notes to drafts also appear to have been referenced and utilized during the writing process of his Transformer: The Lou Reed Story book. The Andy Warhol series is approximately 3.5 linear feet. The bulk of the Correspondence subseries is comprised of communication between Bockris and his publishers. However, there are two letters of note, both from Warhol's brother, John Warhola, written directly to Bockris. Also included with one of these letters is a photograph of Bockris at Warhol's grave, taken by Warhola.

Much of the background research for the work is found in the Notes and Notebooks, Clippings and Articles, and Other Resources subseries. The Events subseries includes promotional materials for several speaking engagements made by Bockris as well as student feedback on a lecture presented by Bockris. The Manuscripts subseries documents the evolution of Bockris' The Life and Death of Andy Warhol from original manuscript to page proofs. Additionally included are drafts of related pieces written by Bockris including How I wrote a Biography of Andy Warhol and Pittsburgh Andy. Also included is the Reviews subseries which provides numerous clippings and photocopies of reviews of Bockris' pieces on Warhol. The series concludes with the Scripts subseries which includes several scripts based on Warhol's life and Bockris' biography. These include a potential script for Andy Warhol the Motion Picture and several annotated copies of the script Pop.

The Proposals and Drafts series is approximately .75 linear feet and documents an assortment of research on proposed subject including Ornette Coleman, Dennis Hopper, Fred Hughes, and Charles Plymell. Also included are collaborative pieces with Andrew Wylie like Which Way Did Doris Day Go? drafts of Bockris' shorter works such as Negative Girls and some of his Gadfly pieces. The Photographs series is approximately 2.25 linear feet. The photographs are primarily arranged by subject, including many of the subjects of Bockris' books (Ali, Blondie/Debbie Harry, Burroughs, Cale, Reed, Richards, Smith, the Velvet Underground, and Warhol). Photographs featuring unidentifiable or multiple subjects were filed under "Various." Additionally, there is a folder of negatives. Also included are three volumes of Bockris Contact sheets, chronologically divided into three binders, and covering 1972-2001 in total. Three more binders create the three volumes of Photographs by Victor Bockris, with each binder focusing on a different subject, Burroughs, Warhol, and Ginsberg respectfully. Finally, additional photographic materials may be found in the two oversize boxes, including the AliWarhol 24 Panel Piece, a Debbie Harry photograph, and various photographs. The Audiovisual subseries is approximately 2.5 linear feet, primarily containing cassettes of taped interviews conducted by Bockris. Of particular interest are interviews including Burroughs, Jaguar, Warhol, Ali, John Warhola (Warhol's brother), Buell, Harry, Stein, Cale, the Allen Ginsberg Memorial at the Poetry Project, Gerard Melanga, Legs McNeil, Roberta Bayley, Chris Whent, and Sterling Morrison. Also included among the cassettes are various published materials such as Lou Reed albums. In addition to the cassettes, a Terry Southern CD is also included. The VHS tapes found within this series are primarily published and feature Lou Reed. Similarly, the LPs in this series are all published. Most of these records feature Bockris' subjects including Blondie/Debbie Harry, Cale, Reed, and the Velvet Underground. Other notable individuals include Susan Sontag and Maureen Tucker. Cassette tapes from boxes 36 and 38 have been reformatted and CD use copies have been created. Use copies are located in boxes 45-47