Collections : [University of Michigan William L. Clements Library]

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown includes included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship. A test sheet at the end of the volume includes several practice penmanship elements, and pencil lines throughout indicate how Lydia Brown was keeping her writing straight.

• To Hope
• A Paraphrase of the Lord's Prayer
• Charity
• Safety in Christ
• Say Why!
• Childhood
• Life
• Content
• Faith
• Hope
• Charity
• Humility
• Friendship
• Fortitude
• Modesty
• Patience
• Inscription on a Clock
• Friendship
• Sunset and Sunrise
• Reputation
• A Request
• Hope
• The Rose
• Friendship
• Time
• Repentance
• Prayer
• Religion
• The Happy Cottage
• A Thought
• Evening Cloud
• Extract
• An Epitaph
• Time
• Modesty
• Extract
• Repentance
• Life
• Prayer
• The Tear
• Sympathy

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Harriet Hodges commonplace book, created at an unknown location sometime in the 19th century, contains 25 pages of copied poetry, apparently from serial publications, including multiple entries titled "For an Album" and "From an Album." Other poems include "The Daughter's Dream," "Wee Willie," "The Legend of the Crossbill," "Address to Columbus dying," "Death of Napoleon," "The Bridal Day," and several fragments. Flipping the volume over, Harriet wrote eight pages of a story titled "Imogene Howard, or Self Conceit." The commonplace book is bound with a plaid cover.

The Harriet Hodges commonplace book, created at an unknown location sometime in the 19th century, contains 25 pages of copied poetry, apparently from serial publications, including multiple entries titled "For an Album" and "From an Album." Other poems include "The Daughter's Dream," "Wee Willie," "The Legend of the Crossbill," "Address to Columbus dying," "Death of Napoleon," "The Bridal Day," and several fragments. Flipping the volume over, Harriet wrote eight pages of a story titled "Imogene Howard, or Self Conceit." The commonplace book is bound with a plaid cover.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary. He traveled to various places in northern California, took camping trips with friends, participated in outdoor activities, and attended dances and plays. Some entries reflect racial tensions in Stockton.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary (134 pages). The diary's frontispiece is a poem by Nick Kenny entitled "Youth."

Though he occasionally mentioned his schoolwork and grades, Sanford wrote most frequently about his social life and leisure activities, almost all of which involved his friend Glenn. They and other friends went camping, attended theatrical performances (often at the College of the Pacific) and dances, and participated in outdoor activities throughout the year. Sanford traveled around northern California, writing about trips with friends and family to Mount Diablo (April 1949), Yosemite National Park (June 1949), Santa Cruz (July 1949), and the "Old Hearst Ranch" (August 1949). He played saxophone in the school marching band and briefly participated in the Sea Scouts during the summer. Some entries refer directly or indirectly to Mexican and African-American residents of Stockton, including Sanford's attempts to communicate with persons who "spoke Mexican" and the presence of African Americans at a December school dance. Some clipped images of locations that Sanford visited and unidentified individuals participating in fishing and similar outdoor activities are pasted into the volume. Sanford's diary also contains pencil sketches of a man painting on a ladder, a birthday cake, and other subjects. A program from a school talent show is also pasted in.

This collection contains letters that M. Robert Rosenberg received while serving in the United States Army Air Forces during World War II, as well as letters he wrote to Gertrude Rosenberg of Albany, New York. The collection also includes additional correspondence to Gertrude Rosenberg and a typed poem.

This collection contains letters that M. Robert Rosenberg received while serving in the United States Army Air Forces during World War II, as well as letters he wrote to Gertrude Rosenberg of Albany, New York. The collection also includes additional correspondence to Gertrude Rosenberg and a typed poem. Some items consist of multiple letters to M. Robert Rosenberg, Gertrude Rosenberg, or both.

M. Robert Rosenberg wrote to Gertrude Rosenberg about his military service at Lowry Field, Colorado, and Will Rogers Field, Oklahoma. He commented on his leisure activities, dates with "Rosalie," his attempts to publish a book, and the possibility of receiving a medical discharge. He received v-mail letters from friends in the army and a typed letter from F. G. Duffy of Neisner Brothers, Inc. in Rochester, New York, a potential postwar employer. A 4-page poem by G. A. Smith provides information about personnel stationed at Lowry Field in December 1943. Gertrude Rosenberg's other correspondents were a niece or nephew and a friend in Newark, New Jersey.

This collection contains 7 letters that Helen Eastman received in 1943 from Lee Blanchard, Therald Eastman, and H. W. Woodward, as well as 1 undated letter, 1 printed poem, and 1 pencil sketch. The men discussed their service in the United States Army and Navy; Blanchard described his experiences in North Africa and Italy.

This collection contains 7 letters that Helen Eastman received in 1943 from Lee Blanchard, Therald Eastman, and H. W. Woodward, as well as 1 undated letter, 1 printed poem and 1 pencil sketch.

Private First Class Lee Blanchard wrote 5 letters to Helen Eastman between June 27, 1943, and November 25, 1943, while serving with the 10th Field Hospital in North Africa, Sicily, and Italy. He described the scenery from his travels and responded to news she sent from home. While in Sicily, he visited catacombs; he also remarked on ancient Greek and Roman ruins in Italy and in Constantinople.

On July 15, 1943, Seaman Second Class H. W. Woodward ("Willis") wrote to Helen Eastman from the United States Naval Training Station in Newport, Rhode Island, where he attended storekeeper's school. He related news of family and friends, and reported that he planned to graduate in August. Helen's cousin Therald Eastman wrote to the Eastman family on December 16, 1943, thanking them for a Christmas gift and reporting on his courses at the Field Artillery Replacement Training Center at Fort Bragg, North Carolina. The final letter to Helen Eastman, an undated item signed by "Maurice," pertains to the Christmas season and provides family news.

The collection also contains a printed fragment of a poem entitled "Two Opinions," which presents a boy's opinion on the opposite sex, and a pencil drawing of a person in a high-collared uniform.

This collection is comprised of 104 items related to Private First Class John Marshal Holcombe III's service in the United States Army Air Forces during World War II. Holcombe sent about 90 letters and other items to his parents and siblings in Farmington, Connecticut, while in training in Florida, South Dakota, and Utah in 1942 and 1943, and while serving in Africa between 1943 and 1945. He commented on various aspects of his training, the war, his health, and military life. The collection also contains 4 documents, 2 newspaper clippings, and 6 loose photographs related to Holcombe's military service.

This collection is comprised of 104 items related to Private First Class John Marshal Holcombe III's service in the United States Army Air Forces during World War II. Holcombe sent about 90 letters and other items to his parents and siblings in Farmington, Connecticut, while in training in Florida, South Dakota, and Utah in 1942 and 1943, and while serving in Africa between 1943 and 1945. He commented on various aspects of his training, the war, his health, and military life. The collection also contains 4 documents, 2 newspaper clippings, and 6 loose photographs related to Holcombe's military service.

The Correspondence series consists primarily of letters that John Holcombe III wrote to his parents, John Holcombe, Jr., and Marguerite Holcombe, and to his siblings, especially his sisters Ada ("Adie") and Gloria. Of the collection's 72 dated letters and other items, Holcombe composed 7 letters from the training center at Miami Beach, Florida, (June 1942-July 1942); 20 letters from the training center at Sioux Falls, South Dakota, (July 1942-December 1942); 4 letters from Kearns, Utah (December 1942-January 1943); and 35 letters from North and Central Africa between (February 1943-May 1945). Other items are a telegram, 3 letters from other soldiers to the Holcombe family, a blank record sheet for "Bombing Practise" [sic], and a speech that Holcombe composed in honor of his parents' 25th anniversary. Of the 20 undated items, 19 are letters from John Holcombe III to his family; the final item is a typed copy of his poem "Tropic Fever."

Holcombe's letters relate to many aspects of his life as a soldier, both in training and on active duty. An asthmatic, he frequently commented on his health; for example, his letters from late 1943 mention his stay in a hospital after he contracted malaria. Other letters describe the scenery in the United States and in Africa, as well as African cultures. Holcombe frequently referred to his experiences in training, which included drilling and attending technical classes, and he sometimes reported news of the war, such as Italy's surrender. He requested news from Connecticut and often wrote personal asides for his sister Ada. His later letters often concern his relationship with other soldiers, and increasingly provide more detailed information about his duties.

• July 6, 1942: Hand-drawn diagram of Holcombe's quarters, Sioux Falls, South Dakota
• August 20, 1942: Printed chart for weather reports, filled out in pencil
• September 14, 1942: Photograph of an unidentified soldier sitting on a bunk
• October 14, 1942: Photographs of a soldier punting a football and a soldier next to technical equipment and a chalkboard
• January 12, 1943: Printed cartoon of a soldier washing dishes
• March 19, 1943: 8 photographs of Africans
• June 14, 1943: Poem dedicated to Ada Holcombe on her 19th birthday
• April 7, 1944: Unidentified plant leaf
• July 17, 1944: Enclosed poem dated July 11, 1944
• January 25, 1945: Small drawing of a stickwoman
• Undated: Printed cartoon of a soldier writing

Additionally, several letters dated after October 1944 have a wax seal, often labeled "The Seal of the Clan & Huck Finn."

• United States Army Air Forces Technical School diploma for John Holcombe III's completion of a radio mechanics course (November 27, 1942)
• Travel orders for John Holcombe III and other soldiers, United States Army Headquarters, West African Service Command (March 20, 1945)
• "Salvati Africa" ticket stub (undated)
• Humorous certificate for John Holcombe III's membership in the Marching and Mayhem Club, illustrated with cartoons depicting Japanese and German soldiers being wounded (undated)

The two Newspaper Clippings are a copy of The Spectator Daily (March 22, 1945), and a copy of a John D. Rockefeller, Jr., radio broadcast entitled "I Believe" (undated).

Six black-and-white Photographs illustrate scenes from Asmara, Eritrea, such as a market, a horse-drawn carriage, and buildings.

This collection is made up of letters that Phyllis Okoniewski of Buffalo, New York, wrote and received during World War II. She corresponded with servicemen in multiple branches of the United States Armed Forces during the early years of the war, and wrote over 150 letters to her future husband, Richard J. Szymczak, from September 1943-May 1945.

This collection is made up of approximately 200 letters that Phyllis Okoniewski of Buffalo, New York, wrote and received during World War II, 4 manuscript writings, and 6 newspaper clippings..

The Correspondence series consists of Phyllis Okoniewski's incoming and outgoing letters. From February 1941-August 1943, Okoniewski received over 40 letters from members of the United States Army, United States Army Air Forces, and United States Navy. They wrote about aspects of military life at bases such as Camp McClellan, Alabama; Camp Croft, South Carolina; Naval Air Station Jacksonville, Florida; Camp Pickett, Virginia; Seymour Johnson Field, North Carolina; Sampson Naval Training Station, New Jersey; Camp Gordon, Georgia; and South Kelly Field, Texas. The servicemen discussed their classes, possible assignments, daily routine, and leisure activities. Okoniewski occasionally composed drafts of letters to these soldiers, in which she discussed her life in Buffalo, New York. The bulk of the series (over 150 items) is comprised of Okoniewski's letters to her future husband, Richard Szymczak, between September 1943 and May 1945. She commented on news from home, activities with members of the Okoniewski and Szymczak families, her senior prom, and her love for Szymczak.

The Writings series (4 items) contains 2 drafts of an explicit poem about Adam and Eve, a recipe for "love cake," a parody of Longfellow's poem "The Midnight Ride of Paul Revere," and a typed joke about married women.

Five of the six Newspaper clippings relate to the Buffalo Bisons hockey team during the war. One of these lists war casualties from western New York on the reverse side. The sixth clipping is an image of members of the 95th Signal Company, 3rd Division, United States Army, surrounding a cow.

This collection is made up of over 170 letters that Staff Sergeant Lawson L. Lindberg wrote to his fiancé (and later wife), Elsa Kunze (referred to as "Dorothy" or "Dottie"), while serving in the United States Marine Corps during World War II. Lindberg described camp life and his training exercises in the United States, and also wrote about his service in the Pacific Theater during the final year of the war.

This collection is made up of over 170 letters that Staff Sergeant Lawson L. Lindberg ("Lucky") wrote to his wife, Elsa Kunze (referred to as "Dorothy" or "Dottie"), while serving in the United States Marine Corps during World War II. Lindberg described camp life and his training exercises in the United States, and also wrote about his service in the Pacific Theater during the final year of the war.

Lindberg wrote his first letter shortly after enlistment in December 1941; he commented on his experiences at the Marine Corps Base in San Diego, California, until April 1942, when he was transferred to Camp Elliot, California. At Camp Elliot, where he was a drill instructor, he discussed his unsuccessful attempt to transfer to the Air Corps. Lindberg spent the majority of the war in New River, North Carolina, and Camp Pendleton, California, where he trained with the 23rd Marine Regiment. He described aspects of camp life and military exercises, which included grenade training, rifle training, and large-scale maneuvers. He also reported his punishments after returning late from two furloughs.

Lindberg wrote about his love for Kunze, whom he married while on leave in August 1942; on one occasion, he shared his opinion that she should return to housekeeping after the war, despite having earned several promotions at her wartime job (March 11, 1943). Lindberg wrote less frequently after his deployment to the Pacific Theater in late January 1944, where he served in the Marshall Islands, Iwo Jima, and Saipan in multiple units, including the 5th 155mm Howitzer battalion. Lindberg's letters from overseas often pertain to strained relationships with his family members, including his mother and his older brother, Jack. In his final 2 letters, written from a transient center in October 1945, Lindberg anticipated his return to the United States.

Two of Lindberg's letters contain enclosures: a sexually explicit poem (November 22, 1943) and a photographic negative (July 8, 1945). Kunze also received several telegrams and V-mail letters, as well as a birthday card. Some of Lindberg's letters are written on United States Marine Corps stationery, depicting associated logos and a marine in dress uniform with a rifle.

The Ante papers consist primarily of the World War II-era correspondence of 1st Lieutenant Frank G. Ante, written to Betty Jane Jacober, his sweetheart and, later, wife, throughout his time in the army.

The Ante papers consist primarily of the World War II-era correspondence of 1st Lieutenant Frank G. Ante, written to Betty Jane Jacober, his sweetheart and, later, wife, throughout his time with the army. The earliest letters in the Correspondence series date to Ante's time in New Albany, Indiana, where he worked for the Goodyear Tire & Rubber Company; these reveal his loneliness and desire to return to Betty in Cincinnati. Soon after the war broke out, Ante attempted to enlist and, though initially unsuccessful, entered training at Camp Barkeley, Texas, in the late summer of 1942. Ante wrote to Betty daily and shared numerous anecdotes about life in the army, including a description of his time in Officer Candidate School and his experience with censored correspondence. Ante left for England on October 8, 1943, and once in England was assigned to censorship duty; he occasionally mentioned the Army's mail policies, particularly in relation to censorship. In early 1944, Ante frequently commented on the Allied military efforts in Europe, including the D-Day invasion and his experiences as the army marched eastward into Germany. On May 7, 1945, the "very bitter" Ante provided his frank reaction to the massive celebrations that followed the German surrender, criticizing Americans for their joy at an outcome purchased at a heavy human cost. Throughout his letters, Ante was warmly affectionate toward Betty, and he continuously looked forward to his return to Ohio.

Other material in the collection includes V-mail addressed to Ante from his sister, Mary, during his time in Europe, numerous Greeting Cards Betty sent to her husband, and Miscellaneous material including orders for soldiers occupying Germany, two poems, and a newspaper clipping.

The Charles J. and Jean C. Molnar correspondence largely consists of letters that Molnar and his wife, Jean Corser, received during his service in the United States Army Air Forces during World War II, including their letters to one another. The collection also contains small groups of photographs, ephemera, and printed materials.

The Charles J. and Jean C. Molnar correspondence (2 linear feet) largely consists of over 570 letters received by Molnar and his wife, Jean Corser, during his service in the United States Army Air Forces during World War II. Other items include small groups of photographs, ephemera, and printed materials.

The Correspondence series (over 570 items) contains personal letters addressed to Charles J. and Jean Corser Molnar during the World War II era. The first item is a letter and contract regarding Corser's teaching career in Kimball, Minnesota, with a stipulation that marriage would void the agreement (August 10, 1939). The remaining correspondence is dated July 8, 1943-October 3, 1945, covering much of Charles Molnar's service in the United States and India. The majority of items are letters between Charles and Jean Molnar concerning his experiences during intelligence training in Utah; his life in Greensboro, North Carolina, while awaiting deployment; and his service in India. He commented on his courses, his leisure activities, the scenery, and the end of the war; after the birth of his daughter, he responded to news of her growth and addressed some of his correspondence directly to her. In 1943, he occasionally wrote brief diary-like notes about his daily life, sometimes on patriotic or military stationery. At least two of his envelopes bear cartoonish ink drawings of soldiers.

Jean Corser Molnar frequently wrote to her husband throughout his war service, sharing news of family and friends and providing updates about her daughter during her pregnancy and after Mary Ann's birth, some written as though they were from Mary Ann. She also received letters from her mother, female friends, and various family members. Additional correspondence includes a pamphlet about Catholicism that Charles sent to Erma Molnar (September 18, 1943) and letters to Charles Molnar from Dave Corser, one of Jean's young relatives. One family member sent Charles a birthday card in October 1943 with a drawing of a young African American child enjoying cake and a linguistically stylized message. Jean sometimes enclosed newspaper clippings and, on at least one occasion, photographs in her letters (July 6, 1945).

The Photographs series contains 9 black-and-white photographs of United States servicemen and military planes. Two pictures showing the 82nd Squadron, 12th Bomb Group are labeled.

The Poetry, Cards, and Ephemera series (10 items) includes a handkerchief with an air force logo painted on it, a small handmade book with captioned photographs of Mary Ann Molnar as a baby, Hilliard L. Gandy's membership card for the Army Air Forces Aid Society, a 2-page draft of a poem, a ticket stub for travel between Calcutta and Chandmari, India, and 5 Christmas cards. Three of the Christmas cards present greetings from the John Corser family of Peoria, Illinois, with line drawings of the family home and Christmas bells; one is signed by the Elks of Barberton, Ohio; and one from the 82nd Bombardment Squadron has colored insignias of several air force units.

Printed Items (5 items) consist of a pamphlet with censorship regulations for United States soldiers serving overseas (2 copies, July 29, 1943), an article about the United States Army Air Forces reprinted from Yank ("Earthquakers' Odyssey," December 9, 1944), an additional undated newspaper clipping, and a pamphlet welcoming soldiers to Greensboro, North Carolina.

This collection contains letters to and between Harold K. Phillips and his wife, Betty Austin. Phillips, a native of Kansas, served on the USS Antares in the years before World War II. The majority of items dated 1938-1939 are letters to Harold and Betty from friends and family members in Kansas, Missouri, and Montana; the majority of letters dated 1940-1941 are letters from Harold K. Phillips to Betty Austin Phillips.

This collection is comprised of letters to and between Harold K. Phillips and his wife, Betty Austin. Phillips, a native of Kansas, served on the USS Antares in the years before World War II. The majority of letters dated 1938-1939 are letters to Harold and Betty from friends and family members in Kansas, Missouri, and Montana; the majority of letters dated 1940-1941 are letters from Harold K. Phillips to Betty Austin Phillips.

The first letter is dated April 18, 1938, around the time of Harold Phillips's enlistment in the United States Navy. At that time, Betty Austin lived in Kansas City, Missouri, where she received letters from friends and from her mother in La Harpe, Kansas. Friends and family members continued to write to Betty after she moved to Long Beach, California, in the summer of 1938. During his naval training, Harold received letters from his father in Spivey, Kansas, and his mother in Topeka, Kansas, as well as from his brother Bill in Great Falls, Montana, and from a girlfriend, Ethel Wardien, also in Great Falls. Harold (sometimes addressed as "Phil" or "Phill") and Betty began to write each other in August 1938, having been introduced by Harold's cousin Vivian. Harold continued to receive letters from Ethel Wardien; one of her letters contains a colored ink drawing of a sailor in uniform (June 1, 1939).

Following their marriage in October 1938, Harold and Betty received letters from family and acquaintances expressing congratulations and surprise. Harold occasionally wrote to Betty about life on the USS Antares while stationed at San Pedro, California; Guantánamo Bay, Cuba; and Mare Island, California. In 1940-1941, Harold wrote to Betty from the Antares, which was stationed at Pearl Harbor, Hawaii. The final letter, written to Betty from her mother, concerns the possibility of Betty moving to Kansas following "hard luck" (August 15, 1942). The collection also includes a birthday card; a printed document about the United States Naval Training Station in San Diego, California; and a pornographic poem by an Antares sailor entitled "A song of ABC's."

This collection is made up of letters that Audrey McDougall of Boothbay, Maine, received from a cousin between 1919 and 1921. "Racey" discussed his social activities and work life in Brookline and Boston, Massachusetts.

This collection (59 items) is primarily made up of letters that Audrey McDougall of Boothbay, Maine, received from a cousin between January 1919 and July 1921. The cousin, who signed himself "S. K. R.," "Shirl," and "Racey," discussed his social and work life in Brookline and Boston, Massachusetts. He frequently attended dances and often wrote of his love for music; in his early letters, he referred to his participation in a cabaret performance. "Racey" mentioned several women throughout his correspondence, including "Adeline," "Grace," the Kennedys, and "Carolyn," whom he occasionally called his wife. Some of the letters pertain to the author's work for a bank or financial firm; he discussed a possible relocation to Chicago or Philadelphia and potential work in public liability or automobile insurance. "Racey" occasionally traveled to Maine to visit his family. Additional materials include a menu from the Copley-Plaza's New Year's Eve celebration for 1920/1921, an undated Christmas card, and "An Ode" (an undated poem dedicated to Auddie [McDougall]).

This collection is comprised of 12 letters (163 pages) that Marie Duncan, a teenager, wrote to Neal Blanchard, a male friend serving in the United States Navy, between September 1919 and May 1921. Duncan lived in Ancón, Panama, with her parents and siblings, and candidly commented on her education, leisure activities, family relationships, and local news.

This collection is comprised of 12 letters (163 pages) that Marie Duncan, a teenager, wrote to Neal Blanchard, a male friend serving in the United States Navy, between September 1919 and May 1921. Duncan lived in Ancón, Panama, with her parents and siblings, and candidly commented on her education, leisure activities, family relationships, and local news.

Marie Duncan's letters provide information on various aspects of the lives of Americans residing in the Canal Zone, particularly related to women. She made remarks about her schoolwork for a local commercial school, which she attended despite her initial desire to become a doctor. She often discussed her emotions and her perceived laziness (despite also expressing a fondness for some physical activities and types of housework). Duncan also provided news of her family and local social events, and occasionally mentioned her strained relationship with her father. Throughout her letters, she explicitly and implicitly commented on differences between men and women and on gender roles; she frequently referred to her own preferences for activities often ascribed primarily to men (chopping wood, playing baseball, hiking, etc.). She also wrote candidly about her friendship with Blanchard, which Duncan wished to keep platonic, and she stressed her opinion that he should not reenlist with the navy.

In addition to her commentary on life in Panama, Duncan provided details about social activities, including a hiking trip to Corozal, Panama (March 24, 1920), Memorial Day celebrations for fallen soldiers (May 31, 1920), and a wedding (April 14, 1920). Two letters enclose additional items: a valentine (February 7, 1920) and a 3-page poem entitled "The Land of Beginning Again" (August 25, 1920). In her final letter, dated May 23, 1921, she responded to a letter from Neal after a lapse in correspondence. She described recent political changes, which resulted in her father losing his job, and congratulated Neal on finding a girlfriend.

Duncan addressed 5 letters to Neal while he was stationed at Guantánamo Bay, Cuba; 5 while he served onboard the USS Oklahoma; and 2 when he lived in Montpelier, Vermont, and Davenport, Iowa.

This collection is made up of letters that Clarence V. Wherley sent to his wife Sara while serving with the United States Army's 313th Infantry Regiment in France during World War I. He commented on military life, leisure activities, and his travels in France during and after the war.

This collection (66 items) is primarily made up of letters that Clarence V. Wherley sent to his wife Sara during World War I. The correspondence includes 42 original letters and 23 contemporary copies of these letters; 21 of the copies accompany the original items, and 2 have no extant original. The final item is a letter from A. E. Wherley to Sara, his daughter-in-law, about Clarence's return home, with an enclosed newspaper clipping (June 2, 1919).

Clarence V. Wherley's letters to his wife Sara, dated July 22, 1918-May 15, 1919, cover the entirety of his time in France, where he served with the 313th Infantry, Company H. Wherley discussed his daily activities, which included drills, marches, and office work, and shared his optimism about an Allied victory. His letters contain few direct references to the fighting, though he mentioned dodging snipers, exploding discovered German ordnance, and traveling from "Hell" to "Heaven." Wherley spent some time in a convalescent center and expressed his joy at returning to his regiment afterward. He described the French villages and scenery he encountered during marches, and his visit to Nice and Monte Carlo in early 1919. His letters also refer to lice inspections, the influenza epidemic, and a lack of correspondence from home. Enclosures include a Christmas card from the 79th Division (January 19, 1919); a printed poem by S. Ralph Harlow, entitled "Your Answer?" (February 18, 1919); a typed history of the insignia of the 79th Division (February 24, 1919); and a copy of The Lorraine Cross, the 79th Division's newsletter (March 26, 1919, enclosed in letter dated April 3, 1919).

This collection contains correspondence related to Brewster E. Littlefield's service with the United States Army's 101st Engineers during World War I. Littlefield wrote around 110 letters to his family in Braintree, Massachusetts, about his experiences in France, which included service in the front lines. The collection also includes letters about Littlefield's death, poetry about the war, and photographs.

This collection (155 items) contains correspondence related to Brewster E. Littlefield's service with the United States Army's 101st Engineers during World War I. Littlefield wrote around 110 letters to his family in Braintree, Massachusetts, about his experiences in France, which included service in the front lines. The collection also contains letters about Littlefield's death, poetry about the war, and photographs.

The Correspondence series (135 items), which comprises the bulk of the collection, contains letters that Brewster E. Littlefield wrote to his parents from September 25, 1917-October 31, 1918. Early letters pertain to his journey to France via Halifax, Nova Scotia, and Southampton, England. After arriving in France in October 1917, Littlefield wrote about his daily experiences with the 101st Engineer Regiment. He discussed his living quarters, his religious life, and his work as a gas mask specialist, which involved frequent travel by motorcycle and on horseback. Littlefield also commented on his training exercises, which included a simulated gas attack, and mentioned his pride in the American "doughboys." He spent time in the trenches and near the front lines, traveled around France, and attended training in Paris; his letters include descriptions of artillery attacks, aerial warfare, and gas attacks. He reflected on the impact that the war had on him, such as his gradual adjustment to shelling. On several occasions, including in his final letter, he remarked on close encounters with German bombs. Littlefield also wrote about his relationship and correspondence with a girl named Almira, an encounter with German prisoners of war, and the impact of the influenza epidemic.

Additional correspondence items largely postdate Littlefield's death. In November 1918, the Littlefield family received a telegram and official letter notifying them of Brewster E. Littlefield's death, and they later received 2 letters from his army acquaintances about the precise circumstances of the incident. Later correspondence relates to Littlefield's personal effects and final paycheck. Two sets of military orders concern other American soldiers.

The Poems, Photographs, and Currency series (20 items) contains additional materials related to Brewster E. Littlefield and the First World War. Two typed poems concern soldiers' experiences during the war. Seventeen snapshots and card photographs (one of which is dated December 1, 1941) show families, a dog in the snow, and World War I-era United States soldiers in uniform, including Brewster E. Littlefield. The final item is a one-franc note.

This collection primarily consists of around 500 letters that Lieutenant Robert N. Lackhove of Altoona, Pennsylvania, wrote to his girlfriend and future wife, Myrle Hoffman of Camp Hill, Pennsylvania, between 1942 and 1945. Lackhove, a bombardier with the United States Army Air Forces, described his training in Texas, his experiences while stationed in Lavenham, England, and his participation in combat missions.

This collection primarily consists of around 500 letters that Lieutenant Robert N. Lackhove of Altoona, Pennsylvania, wrote to his girlfriend and future wife, Myrle Hoffman of Camp Hill, Pennsylvania, between 1942 and 1945. Lackhove, a bombardier with the United States Army Air Forces, described his training at camps throughout Texas and his experiences while stationed in Lavenham, England, where he flew combat missions.

The Correspondence series comprises the bulk of the collection. Three letters pre-date the war, including one letter from 1915 and two letters that Lackhove wrote to Myrle Hoffman in 1938. The bulk of his correspondence with Hoffman began in January 1942. He occasionally wrote about his work in York, Pennsylvania, until December 1942, when he joined the United States Army Air Forces. Lackhove corresponded regularly with Hoffman throughout his military service, and often wrote once every two or three days. He provided his initial impressions of military life and described his daily routine at the San Antonio Aviation Cadet Center in San Antonio, Texas, which included frequent interactions with upperclassmen, drills, and classroom work. He continued to write after his transfer to Bruce Field in Ballinger, Texas, and during bombardier training in San Angelo, Texas. He participated in practice bombing runs and often mentioned his flying time and other activities. Some of Lackhove's letters from this period include drawings of his uniform, bombing targets, and additional subjects. Lackhove was promoted to second lieutenant in January 1944, and attended a training course in Laredo, Texas, until around March, when he was assigned to Tampa, Florida; Avon Park, Florida; and Georgia, where he awaited overseas deployment.

In July 1944, Lackhove reported his arrival in England, where he was based throughout his time overseas. Though censorship prevented him from sharing many details, he mentioned his participation in bombing runs and recalled hearing German radio propaganda aimed at English speakers. He also provided detailed descriptions of people and occasionally mentioned trips to London. On August 6, 1944, he enclosed Icelandic currency in his letter to Myrle. After flying his required number of missions, he returned to the United States in early 1945.

Lackhove was briefly stationed in Miami Beach before being transferred to Midland, Texas, where he remained until June 1945, when he moved to Childress, Texas. He continued to attend navigation classes and to comment on daily camp life. His leisure time became more frequent, and he attended movies and played golf with his friends. Lackhove increasingly mentioned his feelings for Myrle, and urged her to make preparations for a wedding; the couple wed during one of his leaves in May 1945. After V-E Day, he began to anticipate his return to Pennsylvania, and after V-J Day he looked forward to a discharge. His final military letter is dated September 11, 1945, and he wrote one additional personal letter to Myrle in July 1946.

Though the vast majority of the correspondence consists of Lackhove's letters to Myrle, occasional letters from other family members and friends are interspersed throughout the series. Lackhove's parents, Louis and Mary, occasionally wrote letters to Myrle, and she also received letters from other acquaintances. Lackhove also enclosed letters from his parents and, on at least one occasion, a friend, in some of his letters to Myrle. A small number of letters that she wrote to Lackhove are also included, particularly after his return to the United States in 1945. She discussed her feelings about their upcoming wedding and her life in Camp Hill.

The Poetry series contains three typed poems relating to love and separation.

The Ephemera series contains 21 greeting cards that Robert Lackhove sent to Myrle Hoffmand and to his parents, celebrating birthdays and other holidays. The series also has an invitation, an announcement, and a thank-you card. Additional items include a photograph of a small girl named Vickie holding a telephone, a document regarding Robert Lackhove's military salary, and stamps.

This collection is made up of correspondence, military documents, photographs, printed items, and ephemera related to Dr. William Jason Mixter, who served in the United States Army during World War I, and his wife Dorothy.

This collection is made up of correspondence, military documents, photographs, printed items, and ephemera related to Dr. William Jason Mixter, who served in the United States Army during World War I, and his wife Dorothy.

The Correspondence series (1.75 linear feet) comprises the bulk of the collection. The first group of correspondence is made up of 48 letters and postcards that William Jason Mixter sent to his wife Dorothy from March 9, 1915-May 21, 1915. He described his voyage to Europe, his brief stay in England, and his experiences working in French hospitals near the war front. His letters include details about his work with specific patients, comments about the sinking of the Lusitania, and other war news.

William Jason and Dorothy Mixter wrote most of the remaining correspondence to each other between May 1917 and April 1918, while William served with Base Hospital No. 6 in France and Base Hospital No. 204 in Hursley, England. He shared anecdotes about his experiences and reported on his medical work. Dorothy provided news of their children and life in Woods Hole, Massachusetts. Their correspondence includes letters, telegrams, and postcards. Other writers include Samuel J. Mixter, Jason's father, who wrote from Boston, Massachusetts, about his daily life and about his work as a medical inspector. Other soldiers, former patients, and acquaintances also wrote to members of the Mixter family.

The collection includes 25 picture postcards depicting French scenes during and after the war; 3 are integrated into the Correspondence series, and the remaining 22 are housed with the Printed Items and Ephemera series.

The Military Papers series is divided into three subseries. Chronological Military Papers (51 items) include memorandums, orders, letters, telegrams, and other items pertaining to William Jason Mixter's military service during World War I, particularly related to his discharge in 1919. The subseries contains a list of personnel who served at Base Hospital No. 6. The Account Book, Diagnosis Book, and Notebooks subseries (4 items) consists of William Jason Mixter's account book from the London City & Midland Bank (June 30, 1918-January 15, 1919), a diagnosis book regarding soldiers' complaints onboard the SS Northland from February 11, 1919-February 17, 1919, and a notebook with brief personal memoranda. William Jason Mixter kept a medical notebook during his time at Hursley Camp Hospital near Winchester, England. He recorded biographical and medical information about his patients, and information about medical treatments. The Hursley Camp Hospital volume enclosed numerous clinical record slips and other manuscript notes.

The American Women's War Hospital Documents (3 items), pertaining to an institution in Paignton, England, are comprised of a photograph of nurses and patients outside of the hospital (December 1914) and two bundles of letter typescripts that a nurse named Mary Dexter wrote to her mother about her work at the hospital (November 22, 1914-January 9, 1915, and January 15, 1915-July 16, [1915]).

The Writings series (10 items) contains 9 typed and manuscript poems, mostly related to American soldiers' experiences during World War I, on topics such as volunteering for the army, traveling overseas, and encountering death. The poems "The Americans" and "Only a Volunteer" are present in manuscript and typescript form, and "The Young Dead" and "The Woman's Burden" are attributed to female authors (Lilian Palmer Powers and Laura E. Richards, respectively). The final item is a typescript of a resolution presented at a social club encouraging its members to proclaim loyalty during the war.

The Photographs series (114 items) is comprised of 113 photographic prints and a 32-page photograph album; some images are repeated. Items include studio portraits of William Jason Mixter in uniform; group portraits of nurses, doctors, and other medical personnel; pictures of wounded and convalescent soldiers during and after operations; interior views of medical facilities; and views of buildings and destruction in France. The photograph album and 80 loose items are housed in the Graphics Division (see Alternate Locations for more information).

The Printed Items and Ephemera series (59 items) consists of 3 unique pamphlets; 18 unique newspapers, newsletters, and newspaper clippings; 28 unique ephemeral items; and 4 books.

The pamphlets include 5 copies of an article by William Jason Mixter entitled "Surgical Experiences in France," originally published in the Boston Medical and Surgical Journal 173.12 (September 16, 1915), pp. 413-418. The other pamphlets are an advertisement for an "Exhibition and Sale of the War Cartoons by Louis Raemaekers" (October 1916), including an introduction and small reproductions of the drawings, and "Welcome Home," a book commemorating the return of the 26th Division in April 1919. Newspaper articles and other publications (including 6 items housed in Oversize Manuscripts) pertain to aspects of the war, particularly concerning medical personnel, civilian relief organizations, and the medical career of Samuel J. Mixter. A copy of The Boston Herald dated November 11, 1918, announces the Armistice.

The 28 ephemeral items include programs and advertising cards pertaining to church services held in honor of Base Hospital No. 6; the collection includes several copies each of 2 programs. Other printed items include a small map of Cambridge and Boston, a circular related to the Boston Society of Psychiatry and Neurology, and a book of stationery with engravings of Belgian scenes. A few personal items relate to the Mixter family, such as visiting cards on which William Jason Mixter wrote personal messages, cards from Mixter's children with sewn pictures, a certificate regarding Dorothy Mixter's service with the American Red Cross canteen, and a small French-language almanac affixed to a card with colored illustrations of the Allied Nations' flags. Three additional items pertain directly to the American Red Cross: the cover of the December 1918 issue of The Red Cross Magazine, a Red Cross service flag for display in a home window, and an American Red Cross canteen worker patch. Other insignia items are a button and ribbon commemorating the 26th Division's return to the United States and two small pins that belonged to William Jason Mixter. Also present is William Jason Mixter's passport, issued on February 6, 1915.

The 4 books include: The History of U.S. Army Base Hospital No. 6 (Boston, Mass.: 1924), given to William Jason Mixter, Jr., by his father; Independence Day in London, 1918 (London: Hodder and Stoughton, 1918); The Old Humanities and the New Science... (London: J. Murray, 1919); and Dere Mable: Love Letters of a Rookie (New York: Frederick A. Stokes Co., 1918).

This collection is made up of correspondence, diaries, and other items related to Nathan Tufts, a native of Massachusetts who served in the United States Army during World War I, and his future wife, Dorothy Day of Connecticut.

This collection is made up of correspondence, diaries, and other items related to Nathan Tufts, a native of Massachusetts who served in the United States Army during World War I, and his future wife, Dorothy Day of Connecticut.

The Correspondence series (1.5 linear feet) comprises the bulk of the collection. Incoming letters to Nathan Tufts at the Taft School in Watertown, Connecticut, are dated as early as November 11, 1915. His correspondents included his mother, who wrote of life in New York City and Lawrence Park, New York, and Elbridge Stratton, a friend, who anticipated their matriculation at Yale. Dorothy Day received early letters from friends and family while she attended Miss Wheeler's School in Providence, Rhode Island. Friends and family continued to write letters until the late 1910s, and the Tufts received many letters of congratulation following their engagement around May 1918.

Tufts began corresponding with Day in the fall of 1916. He wrote about his experiences and activities at Yale and expressed his romantic feelings for her. After the declaration of war against Germany in April 1917, Tufts reported on his participation in drills and related activities for the Reserve Officers' Training Corps. He later described his training experiences at Camp Jackson, South Carolina, and Camp Zachary Taylor, Kentucky. In Kentucky, he commented on the Central Officers' Training School, travels in the South, fellow soldiers, camp life, and kitchen duty. After the Armistice, Tufts anticipated his return to civilian life and his future with Day; he returned to Yale in 1919 and wrote about vacationing in Maine. His final telegram is dated February 21, 1920. Enclosures include a postcard showing the Rocky Broad River (November 3, 1918) and photographs of a military camp (October 18, 1918).

The couple's other wartime correspondents included Corporal Francis Harrison, who discussed his preparation for front-line duty in France in August 1918, and "Clark," a friend of Dorothy, who served at the Plattsburgh Barracks after September 1917. Clark discussed his training at the Reserve Officers Training Camp and his later service in the 302nd Machine Gun Battalion at Fitchburg, Massachusetts. In his letter of October 6, 1917, he described his unit's preparations for military exercises in trench warfare, and his expectation that the infantry would "sit in trenches and fire once in a while" in France.

The Diaries series contains two items. Dorothy Day kept a daily diary (unbound) between January 17, 1916, and August 16, 1919, writing mostly about her social life and her relationship with Nathan Tufts. She sometimes remarked on news, such as the results of the 1916 presidential election and the country's declaration of war against Germany. In 1918, she wrote about Tufts's military career; some of her entries from this period are constructed as letters to him. Day usually wrote daily entries on one side of each page, copying quotations, poetry, and other miscellany on the reverse side. A calling card, a printed advertisement, a flower, and a photograph are laid into her diary.

The Nathan Tufts diary covers much of his active-duty service at Camp Jackson, South Carolina, and Camp Zachary Taylor, Kentucky. From August 18, 1918-November 14, 1918, he wrote intermittent journal entries, often addressed to Day, about his daily routine at Camp Jackson, military training exercises, other soldiers, the good reputations of Yale students and alumni, and the end of the war. Journal entries by Day, apparently mailed to Tufts, are interspersed among his later entries; her final journal-letter is dated January 23, 1919. A military pass, United States Reserve Officers Training Corps patch, and newspaper clippings (often of poems) are pasted into the volume.

The School Papers series (9 items) pertains to Nathan Tufts's education at the Taft School and at Yale College's Sheffield Scientific School. A group of printed entrance exams for Yale College and its Sheffield Scientific School, dated June 1914 (1 item) and June 1915 (5 items) contain questions related to Latin, American history, ancient history, and trigonometry. A printed exam given by the college entrance examination board from June 19, 1916-June 24, 1916, contains questions about American history, the German language, and English literature. An exam requiring a translation of lines by Virgil is dated 1916. A bundle of examinations and school documents belonging to Nathan Tufts includes Yale College's semi-annual examination for June 1917, with questions in subjects such as physics, history, English, German, and Latin; a printed course timetable and list of professors and classrooms for Yale College freshman during the 1916-1917 term, with manuscript annotations by Nathan Tufts; and a typed military examination for Yale students, given on June 4, 1917 or 1918. The subjects of the military examination are hygiene, military law, topography, and field artillery regulations and drill.

The Photographs, Newspaper Clippings, and Ephemera series contains around 50 items, including visiting cards, invitations, Red Cross donation certificates, and a printed program. Many of the newspaper clippings contain jokes or brief articles about World War I. A group of photographs includes a framed portrait of a United States soldier, a negative, and several positive prints.

This collection is made up of 4 items related to poet Joyce Kilmer and his poem "Trees," including its first printed appearance, a holograph manuscript of the poem, a partial musical setting by Oscar Rasbach, and a real photograph postcard portrait of Kilmer in uniform.

This collection is made up of 5 items related to Joyce Kilmer and his poem "Trees." Items include a holograph manuscript of the poem; an original copy of the magazine Poetry: A Magazine of Verse, in which the poem was first published; a partial manuscript musical setting of the poem signed by its composer, Oscar Rasbach, who set it to music in 1922; and a real photo postcard portrait of Kilmer. See the Detailed Box and Folder Listing for more information about each item.

This collection consists of four volumes of the "News Gitter" manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

This collection consists of four volumes of the News Gitter manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

Content relating to the students' educational experiences include discussions of examinations, jokes about teachers and lessons, commentary about school government, notices for upcoming performances, among other topics. Several entries specifically relate to a female teacher, Miss Le Tourneau. The manuscript magazines also feature material reflecting the students' social experiences. They document student absences and disputes, classroom antics, facilities issues, humor, and the formation of the literary society O.A.O., "Our Afternoon Off." Some of the entries reference romantic interests between students, while others reflect signs of puberty, like the entry in the first volume that noted "Willis Funk is developing a fine crop of whiskers." Some content relates to race and ethnicity, such as articles in volume three titled "Miniature Mexican Insurrection," one about "Two Irish lads… quar[rel]ing on the school house steps," and one that references African Americans and uses racial epithets.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High School in Rochester, Pennsylvania.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High school in Rochester, Pennsylvania. These yearbooks include pencil and pen-and-ink portraits of students, faculty, and sports teams, as well as caricatures, cartoons, and humorous drawings. Several poems are also included. Their content touches on humor, social affairs, class members' personalities, curriculum, athletics, and gender. The content is very similar between the two volumes, with some variations of student descriptions and introductory matter.

The first volume, titled "The Nightmare," includes an introduction stating that "the only excuse for publishing this book is because the rest of the bunch have one apiece . . . [and] merely aids one in passing some idle hours in school . . . this book is strictly 'Entre Nous,' so don't tell anybody outside of America." One page, headed "Familiar Quotations" quotes Bunny Amos Rex as having said, "Aw fellows let's git together and do some devilment." On the opposite page of the "Quotations" section is a drawing of the Rochester High School with the label "Agony Building." Accompanying the student portraits are humorous descriptions of said students: Armin Barner is described as an elegant musician, politician, electrician and magician of the lowest rank.

The second volume, titled "Freshmen Class Book 1911," includes a preface claiming the book "touches on such topics as Elementary Science, Natural Science, Natural Phylosophy, Orthography, Uranography, Geodasy and Wireless Telegraphy" to emulate "when all writters chiseled out dedications for a book thereby showing their originality." It further states that the class has attempted the same "because of our first class solid ivory domes." Many pages feature illustrations or descriptions of the school's sports teams. It also contains croquet scores for the women's team, who apparently gave the class "the thing we need to brag over," as they "mopped the valley clean" in their season.

The Helen Buchanan papers contain incoming correspondence, financial records, ephemera, and photographs related to the life of Helen Buchanan (later Jones) in the early 20th century. Much of the correspondence is from her friend Juliana Conover, who discussed women's issues and her life in Princeton, New Jersey, during World War I, and from Buchanan's suitor and eventual husband, Walter McKnown Jones, who wrote about medical treatments he experienced and life on his coffee plantation in Puerto Rico.

The Helen Buchanan papers contain 5 linear feet of incoming correspondence, financial records, photographs, printed items, ephemera, and writings pertaining to the life of Helen Buchanan (later Jones) in the early 20th century. Much of the correspondence is from her friend Juliana Conover, who discussed women's issues and her life in Princeton, New Jersey, during World War I, and from Buchanan's suitor and eventual husband, Walter McKnown Jones, who wrote about medical treatments he experienced and life on his coffee plantation in Puerto Rico.

The Correspondence series comprises the bulk of the collection and contains incoming letters and postcards addressed to Buchanan between 1906 and 1919, while she lived at Ayrshire Farm in Upperville, Virginia; Washington, D. C.; Rome, Italy; and Hacienda Limon (near Villalba, Puerto Rico).

Helen's friend Juliana Conover wrote 258 letters advising her much younger friend on love and courtship, providing updates on her life in Princeton, New Jersey, and commenting on current events. In one early letter, she shared her horror at the recent Titanic tragedy (April 16, 1912). Much of Conover's correspondence concerns Helen's courtship with and engagement to Walter McKnown Jones; she often reported on his health, and she supported the relationship despite misgivings on the part of Helen's father. Conover dispensed candid advice on a variety of topics, including intimacy and birth control (April 12, 1916). Along with sending personal updates and news of friends in Princeton, she sometimes mentioned the war and the families whose sons served in the military (May 14, 1917). After the war, she worked with the American Library Association's Library War Service at Camp Dix, New Jersey.

Walter McKnown Jones, Helen's friend, fiancé, and (later) husband, wrote approximately 200 letters to her between 1914 and 1919, largely concerning their courtship and engagement. Early in their acquaintance, he spent considerable time attending to his ill health and undergoing medical treatments. After recovering in the United States, he returned to his coffee plantation in Puerto Rico, where he described his work and efforts to sell coffee; these included trips to New York City and other destinations throughout the late 1910s. Many of his later communications with Helen are telegrams reporting his current location and attempting to make plans to meet his wife.

The Family Correspondence subseries holds letters from many different writers, including several regular correspondents. James A. Buchanan, Helen's father, wrote 45 letters between 1906 and 1919, often regarding her financial situation and family news. He described his European travels, which included witnessing a review of German military troops in Berlin (September 2, 1908) and visiting a military cemetery in Brest, France, where war casualties and influenza epidemic victims were buried (March 4, 1919). John and Francis Buchanan, Helen's brothers, shared stories of their academic and athletic experiences. John wrote about Yale's stringent entry requirements and his preparation for entrance exams (August 14, 1911). Other family correspondence includes letters from aunts, cousins, and extended family members, who told Helen about their lives in various New York cities and in Ilchester, Maryland.

Much of the Friends Correspondence subseries consists of letters by Etta Dunham de Viti de Marco and her daughter Etta, with whom Helen lived while studying in Rome, Italy. The elder Etta frequently discussed her work with Italy's Montessori movement, and her daughter provided Helen with updates on her life at school in Ascot, England. Etta Dunham di Viti de Marco shared her opinions of the war and expressed her desire for U.S. intervention (July 4, 1915). Nora Davis Farrar, the wife of Frederick Percival Farrar, an English chaplain to King George V, wrote 44 letters between 1908 and 1914, describing her life in Pennsylvania and British Columbia. A variety of other correspondents related news of their lives in various European countries and in the United States. Several postcards depict black-and-white views of "Il Cerro" in Italy.

The Financial Records series (140 items) consists of bank receipts, notifications of charitable donations, and additional receipts for clothing, books, and household items, dated from 1908-1918.

The Photographs and Negatives series includes approximately 50 individual portraits of Helen Buchanan's friends, family members, homes, and properties. One photograph album contains 375 pictures taken between 1928 and 1935, depicting scenes from family vacations in Canada and people, dogs, and horses. Many photographs show men and women in equestrian competitions, and some later images depict Ayrshire Farm in Upperville, Virginia.

A "Theatre Record" chronicles Helen's theatrical excursions in Washington, D.C., between December 25, 1907, and December 25, 1908. She recorded her opinions of productions and players. Programs are pasted and laid into the volume.

The Printed Items and Ephemera series consists of calling cards, picture postcards, pamphlets, newspaper clippings, and other items. Ephemera includes pamphlets and printed letters related to the Washington, D.C. chapter of the Drama League of America; postcards and programs related to the Societa Romana della Caccia alla Volpe; and other materials. Twenty-nine picture postcards from Italy and Puerto Rico are present.

The collection contains approximately 15 Writings and Fragments. These are poems, a manuscript speech on the play Candida, an inventory of articles owned by Helen, and other items.

The William B. Clinton papers consist primarily of letters that Clinton wrote to his mother and siblings in Schenectady, New York, while working at a mining camp in Sewell, Chile, in the early 20th century.

The William B. Clinton papers consist of 153 letters that Clinton wrote to his mother and siblings in Schenectady, New York, while working at a mining camp in Sewell, Chile, in the early 20th century. The collections also includes an additional 6 letters written by various senders, 2 newspaper clippings, a 2-page journal entry, and 2 pieces of ephemera.

Clinton wrote about his life in Chile, exploring topics that ranged from local geography to customs and politics. The bulk of the correspondence begins in January 1917, with Clinton only 8 weeks into his Chilean experience, and many of his early letters concern his homesickness. As he adapted to Sewell, Clinton focused more on his job and on everyday life in Chile and spent significant periods of time in other Chilean towns on work-related business. In addition to describing his duties at work and his thoughts about labor politics, he frequently made observations about cultural differences and his social life. In his letter of March 7, 1920, he enclosed a dance card and printed program for an event featuring "The Chocolate Soldier Minstrels."

During the First World War, Clinton heard little international news but kept up on local politics. He observed holidays such as the Fourth of July, even though local residents often took no notice of them and often displayed disdain toward the United States. Several of his letters of the letters focus on culinary topics such as a cooking class (with attached recipes) (November 8, 1919) and a diet prescribed by "Dr. Rich" (Ddecember 22, 1921).

The collection also contains a 2-page journal entry detailing an anonymous author's experience escorting strikebreakers into a mill, 2 newspaper clippings, and a recipe for a tomato-based sauce, and a typed poem about workers entitled "Time Clocks Start - October 12."

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

The poem is written in a blank book bound with red, white, and green braid, and pages featuring printed decorative borders of holly. The volume also features six watercolor illustrations depicting Santa, the elves, and the gifts in the stockings. The cover bears the title and painted holly and leaves.

An inscription on inside front cover reads "A merry Christmas from Hazel."

The Georgianna M. Brackett photograph album contains cyanotypes and other photographs taken at Smith College from 1896 to around 1901. The volume includes candid and posed pictures of Brackett and her classmates, teachers, room interiors, college buildings, and social gatherings.

The Georgianna M. Brackett photograph album (21cm x 27cm) contains 259 cyanotypes and other photographic prints documenting her experiences at Smith College from 1896 to around 1901. Most of the items are cyanotypes, and the album also includes collodion prints and platinum prints. Items are often pasted several to a page and some fill the entire page. Many have captions, often recording the name and class year of pictured students. The album has a pebbled brown leather cover. A printed program from a performance of the Smith College Glee, Banjo, and Mandolin Clubs on March 27, 1897, is laid into the front cover.

Brackett compiled pictures of her friends, instructors, and social activities, as well as pictures of the college and nearby buildings and scenery. Her album contains many pictures of women from several classes, taken individually and in groups; Brackett appears in some of the photographs. A number of photographs show dormitory rooms, some in Hubbard House. Also included are group photographs of Hubbard House residents; one shows women in Halloween costumes. Of note are three photographs of class mascots, including a young African American boy who was mascot for the class of 1899. Scenes from Ivy Day processions, a Smith College commencement ceremony, appear for a few different graduation classes. The volume includes scenes of large groups of students waiting to watch a basketball game outside and inside of the college gymnasium, pictures from a class rally, and group portraits of basketball teams representing the classes of 1898 and 1900. Also present are candid shots of Smith College teachers and the school's first president, Laurenus Clark Seelye, and studio portraits of unidentified young men and women. Brackett also collected exterior and interior shots of college buildings and students' residences, including some inside the campus art gallery, music hall, and chapel. One group of pictures is labeled "Cassell's Colorado" (July 1896-August 1896). One photographic print is laid into the volume and an envelope with a brief, humorous manuscript poem is pasted in amongst the photographs.

The album's compiler may have been a member of Smith College's camera club and exchanged prints with other members.

This guest book (121 pages) contains contributions from visitors to The Curtis, a summer boarding house and hotel in New Castle, New Hampshire, in the late 19th and early 20th centuries. The book contains poetry, signatures, quotations, sketches, and watercolors, as well as 5 cyanotype photographs.

This guest book (121 pages) contains contributions from visitors to The Curtis, a summer boarding house and hotel in New Castle, New Hampshire, in the late 19th and early 20th centuries. The guest book contains poetry, signatures, quotations, sketches, and watercolors, as well as 5 cyanotype photographs.

Most entries are dated between 1895 and 1906; one is dated 1916. Visitors mainly stayed at The Curtis between the months of June and September, many for a month or longer. Most guests came from New Hampshire and Massachusetts, and some visited from Maine, Vermont, Iowa, and California. Several guests included lines of verse alongside their signatures, including one who copied "At the Stand of the Tide," a poem by Harriet McEwan Kimball (pp. 38-39). One patron, Marie Middlekauff, signed in German (p. 33), and 2 referenced "Miss Bickford's" hospitality and cooking. A few contributors drew sketches, and 3 signed next to cyanotype photographs depicting sailboats, people at leisure, and a cat.

• Colored painting of an industrial town on a river, Alice M. Comstock, July 23, 1903 (p. 4)
• Sketch of buildings, M. L. Wood, June 1898 (p. 45)
• Sketch of a street, Alice Washington Ball, [1898] (p. 47)
• Sketch of a steamer, L. McL. King, 1898 (p. 49)
• "The Studio," sketch of a barn beside a body of water, Joseph B. Davol, (p. 51)
• "Why we tarried," sketch of a female golfer, William F. Crocker, [1899] (p. 77)
• "The presiding genius of The Curtis," sketch of an owl, Alice Prossitte Hall, [1899] (p. 83)
• "The Homestead," watercolor painting, Frederick E. Bartlett, [1899] (p. 85)
• Sketch of a planter with flowers, Thomas B. Frost et al., September 2, 1899 (p. 87)
• Sketch of a sailboat and waterfront buildings, Ethel Woods Varrell, September 17, 1899 (p. 89)
• Sketch of a young woman's head, Josephine Bruce, September 1899 (p. 91)
• Sketch of a house, Pauline McKay, October 5, 1900 (p. 101)
• "Keep Dark!," sketch of an African-American man in profile (p. 107), accompanied by poem on next page, Mr. & Mrs. F. A. Whiting, Mr. & Mrs. A. H. Hall, and Mr. & Mrs. F. Allen Whiting, September 11, 1905, pp. 106-107
• "Piscataqua Cafe," sketch of a building and pier, C. F. S. (p. 110)
• Cartoon sketch of a cowboy outside of a building, saying, "I done it!," Lionel Sherwood (pp. 112-113)
• Sketch of a sailboat on water, with waterfront buildings and factories in background, James N. Vandegrift, July 28, 1906 (p. 117)

This collection is comprised of 14 illustrated letters that Henry Brevoort Eddy of Mamaroneck, New York, wrote to Louise Lyman, a friend living in Tarrytown, New York, and London, England. Eddy discussed his social life in Tuxedo Park, Mamaroneck, and New York City, and illustrated each letter with multiple (often humorous) ink drawings.

This collection is comprised of 14 illustrated letters that Henry Brevoort Eddy of Mamaroneck, New York, wrote to Louise Lyman, a friend living in Tarrytown, New York, and London, England. Eddy wrote 4 letters from New York City and Tuxedo Park, New York, between July and September 1895; he discussed a heat wave affecting Tuxedo Park and the surrounding area, as well as Sunday excursions in New York City, illustrated with cartoon portraits of beachgoers and a ferry boat. While in Tuxedo Park, he wrote of and illustrated sporting activities such as golf, bicycle riding, and tennis. A humorous drawing in his letter of August 12, 1895, shows a man and a woman quivering after a loud burst of thunder. In his other undated letters, he described and illustrated aspects of his social life and leisure activities, which included his frequent attendance at the Harvard Club in New York City. He often wrote his letters on Harvard Club stationery.

Eddy shared his observations on topics such as the effects of bicycling on women and commented on Lyman's letters and letter-writing habits. He occasionally mentioned his artistic work, including his upcoming posters for the New York Ledger and his desire to make his living drawing cartoons. Accompanying illustrations depict Eddy and others reading, and include several sketched cartoon portraits. Many of Eddy's drawings and observations were humorous, and on one occasion his work prompted him to depict himself as the devil drawing cartoons. Two illustrations show men fighting, and 3 refer to "Carl," an African-American acquaintance. One letter dated "July 8" includes a newspaper clipping of a poem Eddy composed, illustrated with several small, refined drawings and titled "This Is the House That Jack Built."

This collection is made up of correspondence and other items related to Philadelphia resident James Shields, particularly concerning his interest in 19th-century American author Eugene Field.

This collection (59 items) is made up of correspondence and other items related to Philadelphia resident James Shields, particularly concerning his interest in 19th-century American author Eugene Field.

The Correspondence series (45 items) contains incoming and outgoing letters of James Shields, primarily from July 1917-October 1932. Many are the writers' responses to Shields's inquiries about Eugene Field manuscripts and writings, Field's possible acquaintance with Patrick Lafcadio Hearn, and the possible location of a Field death mask. Some of Shields's correspondents had been personally acquainted with Field. An article about Hearn from The New Republic (October 7, 1972) is enclosed with Shields's draft letter of December 10, 1917. Later items, dated 1939-1942, pertain to a donation that Shields made to the Free Library of Philadelphia and the publications of the Aitkin-Kynett Company.

The Eugene Field Manuscripts (5 items) include fragments of 4 personal letters that Field wrote to his "Aunt Alice" from October 1894-October 1895, mostly about family news. The series also contains a manuscript copy of Field's poem "The Dreams."

The Poetry, Photographs, and Ephemera series (14 items) includes pamphlets containing remarks about Eugene Field by Eugene V. Debs and a brief poem by Field, a manuscript poem about hermit crabs attributed to Francis Sedgwick Child, a brief essay about Ralph A. Lyon, a name card, and other items. The photographs include images of a woman laying flowers on Field's grave and of Francis Wilson playing theatrical parts "Young Rip" and "Old Rip."

The Lacy family papers consist primarily of correspondence written by railroad engineer Robert L. Lacy to his parents and sister in Baltimore, Maryland, while he was a graduate student at Massachusetts Institute of Technology and during the first years of his professional career. Robert discussed his studies, life in Boston and Tennessee, and occasionally gave his opinions on international politics.

The Lacy family papers consist primarily of correspondence written by railroad engineer Robert L. Lacy to his parents and sister in Baltimore, Maryland, while he was a graduate student at Massachusetts Institute of Technology and during the first years of his professional career.

The Correspondence series comprises the bulk of the collection. The first few letters are personal notes between Benjamin Lacy and Reverend Maltbie Davenport Babcock, both of Baltimore. The bulk of the material is dated between 1896, when Robert L. Lacy first moved to Boston, and 1907, when he was working at Oates Island, Tennessee, for the Southern Railway Company. In his letters from Boston, Robert told his parents of his daily life, and often shared stories about his landlady, fellow boarders, and other acquaintances; he also frequently reflected on his studies, a New Year celebration with the Technology Club, and on at least one occasion he shared his grades. Though predominately preoccupied by his social life, he occasionally mentioned politics, and in one letter mentioned placing a bet against the outbreak of war with Spain, which he discussed at length (March 14, 1898). Later, he explored the consequences of postwar United States actions in the Philippines and the effects of the Russo-Japanese War. After beginning his engineering career, he wrote mainly about his work and his places of residence, including South Carolina and Virginia; between 1905 and 1906, he spent most of his time on Oates Island, in southern Tennessee. Among the later letters was one written by Robert's future wife Dorothy about their upcoming wedding (April 5, 1925), and two written to the couple during their honeymoon in Bermuda that May.

The Ephemera series holds three greeting cards presented to Robert L. Lacy after 1925, celebrating the birth of a new baby (1928), Valentine's Day, and Easter. The series also contains a urinalysis report for "Mr. Lacy" from 1903, a photograph of a tree-lined river, and a printed poem entitled "The Lily of the Valley."

This collection consists of letters Fred Bach wrote to his wife and children in Delaware while he lived in Havana, Cuba, where he worked with the assistant auditor of customs accounts. He described his journey to the island, local culture and foods, as well as his daily life.

This collection consists of letters Fred Bach wrote to his family in Delaware while he lived in Havana, Cuba, where he worked with the assistant auditor of customs accounts. He wrote most frequently to his wife Anna, and also wrote to his daughters, Ethel, Barbara, and Winifred. In February 1899, he travelled to South Carolina prior to his departure for Cuba, and shared his impressions of the local people and scenery in Charleston and Orangeburg. Throughout August 1899, he composed a lengthy composite letter in which he described his journey to Havana, and after his arrival he concentrated on his daily activities, which frequently included reading and listening to music. He also wrote of the foods he ate and of the local buildings and culture. One letter from 1892 documents Bach's request for a transfer to the United States Post Office Department, where he had worked before leaving for Cuba. Also included is a public letter of recommendation for Mr. Abraham L. Lawshe for the position of first assistant postmaster general, addressed to the editor of the Star in Washington D.C. (August 21, 1900). In another letter, addressed to Joseph L. Bristow, the fourth assistant to the postmaster general, Bach provided examples of how partisan politics affected his position, and in the same letter he shared his desire to leave Cuba (September 21, 1900), though he did not submit a formal transfer request until April 15, 1902. The collection additionally holds several undated letter fragments, a short poem, and an essay entitled "In Perpetua," about the longevity of republics. Anna Bach also wrote two letters to her husband, dated February 14, 1899, and August 12, 1899.

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889.

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889. The loosely bound, 32-page volume opens with an inscription from William Cullen Bryant's poem "The Painted Cup," (p. 1) and also includes a copy of "Of a'the Airts the wind can blaw…," a poem by Robert Burns (p. 3). Of particular interest is a cheerful and humorous narrative poem composed by a woman staying with several female friends under the watchful eye of a chaperone, Aunt Margaret, and a male "protector," Rob. The poem, entitled "Camping Out," describes each of the six members of the camping party and includes a few of their adventures as well as a hint of nostalgia (pp. 19-25; p. 10). The book also contains a series of short cheers associated with prestigious colleges, including Princeton and Yale (p. 12), and, two ink drawings of three male friends: Newton Shepard, William S. Church, and F. B. Foster. One drawing, a tree labeled "Log Cabin" and adorned by an owl (p. 5), appears to be a detail of a larger image of a log cabin labeled "Eagle Point" (p. 32). The book also contains a number of autographs collected from camp visitors from around the country.

Gladys Galvin kept this school notebook between winter and summer terms of 1888. She filled 107 pages with vocabulary lists (pages 1-46), copies of poetry (pages 47-48, 62-66), and arithmetic and algebra (pages 49-61, 67-107). She apparently copied the mathematical exercises from a textbook; the poetry is by John G. Whittier and Charles Kingsley. The volume has printed two-color (blue and red plus black and white) covers depicting "Buffalo Bill's Wild West" show, with one vignette of the show and portraits of a buffalo, Chief Good Face, William F. Cody, and Chief Red Shirt. The back cover bears a history of Buffalo Bill and the Wild West Show.

Gladys Galvin kept this school notebook between winter and summer terms of 1888. She filled 107 pages with vocabulary lists (pages 1-46), copies of poetry (pages 47-48, 62-66), and arithmetic and algebra (pages 49-61, 67-107). She apparently copied the mathematical exercises from a textbook; the poetry is by John G. Whittier and Charles Kingsley.

The volume has printed two-color (blue and red plus black and white) covers depicting "Buffalo Bill's Wild West" show, with one vignette of the show and portraits of a buffalo, Chief Good Face, William F. Cody, and Chief Red Shirt. The vignette shows Native American men on horseback in the background with Buffalo Bill on horseback in the foreground. The cover text states, "The CONGRESS of the "ROUGH RIDERS" gathered from various parts of the world. BUFFALO BILL on his famous horse 'DUKE'. The back cover bears a history of Buffalo Bill and the Wild West Show.

This autograph album contains 33 signatures from male and female acquaintances of Clara McCarron of Detroit, Michigan, which she collected between 1887 and 1893.

This autograph album contains 33 signatures from male and female acquaintances of Clara McCarron of Detroit, Michigan, which she collected between 1887 and 1893. Many of McCarron's friends wrote quotations, poetry, and other brief messages beside their names. Minnie Doran (April 1, 1887) and Grace Maley (June 2) shared brief humorous thoughts on marriage, and Chikanori Tomohira's message is accompanied by a note in Japanese (January 23). Some signatures are accompanied by sets of dates. The volume was originally manufactured as a diary, with pre-printed lines for each calendar date. Colored illustrations for each month are accompanied by brief "birthday wish[es]." The book's cover has a relief illustration of a hand, writing on paper with a pen.

This volume contains diary entries and essays about sea travel between New York City and San Francisco, railroad travel between California and Florida, and life in Florida during the late 1880s. The volume also includes drawings, several incomplete acrostic poems about Grover Cleveland, two laid-in essays, and a list of theatrical performances.

This volume (80 pages) contains diary entries and essays about sea travel between New York City and San Francisco, railroad travel between California and Florida, and life in Florida during the late 1880s. The volume also includes drawings, several incomplete acrostic poems about Grover Cleveland, and a list of theatrical performances.

The bulk of the volume consists of diary entries and essays about the author's trip from New York City to San Francisco on the St. David between July 13, 1887, and December 17, 1887 (pp. 1-39); his time in San Francisco from December 1887 to January 1888 (pp. 41-46); his visit to the New Almaden quicksilver mine in December 1887 (pp. 47-50); his railroad trip from San Francisco to Jacksonville, Florida, in January 1888 (pp. 52-58); and his life in Florida from January 1888 to May 1889 (pp. 59-61). The diary of the voyage on the St. David documents weather conditions; sightings and captures of birds, porpoises, and fish; and leisure activities (such as card playing). When describing San Francisco, the author noted the population density of Chinatown and the city's preference for gold bits over paper money and pennies. During his visit to the New Almaden mine, he descended into a shaft, where he saw Mexican laborers carrying ore to the surface, a mule that had been underground for around a year, and a group of miners preparing a blast.

The author's account of his railroad voyage from California to Florida focuses on the cold temperatures and snowfall that caused him to miss all but one of his intended connections. During the trip, the author stopped at and briefly described Salt Lake City, Denver, Kansas City, and St. Louis. A clipping from a Denver & Rio Grande Railway circular contains a description of the route. While in Florida, the author noted how little Lake Geneva, his primary residence, had changed since his visit four years previously; he also commented on the effects of a yellow fever epidemic.

The travel writings are followed by a group of unfinished acrostic poems utilizing the name "Grover Cleveland" (pp. 62-65), an excerpt of dialogue (pp. 67-68), and a list of plays and theaters, including several that starred Edwin Booth (pp. 75-80). Pages 71-74 have been removed from the volume. Two loose essays laid into the book concern the purchase of hunting dog and a story about the author's travels with an itinerant dentist named Henry Carter. The names John Moore (Brooklyn, New York), Edward R. Wilbur, Jr. (New York City), and Mrs. Samuel Clemens are written on the final page of the volume.

The volume contains several illustrations, including a laid-in watercolor drawing of a sailor making a sail onboard the St. David. Drawings of "A Frisco Beauty" (p. 40) and "From the Car Window (Injuns)" (p. 57) are pasted into the book; the latter drawing shows Indians standing near a group of tepees. A sketched outline of part of a horse (p. 64) is drawn directly into the volume. The author's description of his trip to the New Almaden mine is illustrated with ink drawings of a canyon, the buildings over a mineshaft, and the mine's condenser.

The Samuel F. Smith collection contains material related to the author of the poem "My Country, 'Tis of Thee" ("America"), including holograph manuscripts of the lyrics, correspondence, and photographs.

The Samuel F. Smith collection contains material related to the author of "My Country, 'Tis of Thee" ("America"). Many items pertain to the song, such as holograph copies of the lyrics signed by the author and a facsimile of its first printed version. Other items include handwritten copies of the poem "The Eve of Decoration Day" and the hymn "The Morning Light is Breaking," along with a letter to D.A. Wilbur in which Smith expressed doubts about the legitimacy of what Wilbur believed to be an original copy of "The Morning Light is Breaking" (January 4, 1895).

The collection also has several personal letters that Smith wrote near the end of his life, a brief autobiographical statement, a prose work entitled "The Prayer," a statement about the Harvard College Class of 1829, and several portraits, including one bearing Smith's autograph. Also included is a printed program from a "Testimonial Benefit Tendered to Rev. S. F. Smith, D. D.," held on April 3, 1895, as well as a published volume, Poems of Home and Country, once owned by J. F. C. Hyde. See the Detailed Box and Folder Listing for a complete inventory.

The Eleazar Smith biographical sketch is Thomas A. Dickinson's 1881 transcription of Smith's memoir, originally written in 1828. Smith described his experiences as a militiaman during the Revolutionary War, as well as his work as an inventor and machinist in Medfield and Walpole, Massachusetts.

The Eleazar Smith biographical sketch (54 pages) is Thomas A. Dickinson's 1881 transcription of Smith's memoir, originally written in 1828. Smith described his experiences as a militiaman during the Revolutionary War and his work as an inventor and machinist in Medfield and Walpole, Massachusetts.

The first 2 pages consist of Dickinson's introduction to the manuscript, including a history of the original document and the date and place of Dickinson's transcription. A paper laid into these pages describes one of Smith's clocks, which ran until at least 1883. Pages 3-50 contain the transcription; the original manuscript's first 2 pages, lost prior to 1881, are not copied. Smith's biography consists of reminiscences and stories about his professional life, but he also discussed his finances and business relationships with men in Medfield, Walpole, and Boston. He frequently commented on his lifelong affinity for the clocks and other machinery that he repaired and made, and the memoir includes a detailed description of a nail-making machine he created (p. 32). Pages 12-18 pertain to Smith's time in a militia regiment during the Revolution, including his imprisonment on suspicion of counterfeiting and his decision to desert. The biographical sketch is followed by a poem about "General Smith," thought to include contributions by Eleazar Smith (pp. 51-52); brief notes about Mrs. Adams of Medfield, Massachusetts, one of Eleazar Smith's neighbors (p. 53), and a card tooth machine (p. 54); and a copy of Eleazar Smith's epitaph from his grave at the Walpole Rural Cemetery (p. 54).

The Kate G. Geary Autograph Album contains signatures, poems, proverbs, and other contributions of Geary's male and female acquaintances in Michigan from 1877 to 1884.

The Kate G. Geary Autograph Album contains signatures, poems, proverbs, and other contributions of Geary's male and female acquaintances in Michigan from 1877 to 1884. The bulk of the entries were written in Pinckney, Michigan, as well as nearby locations in Livingston, Washtenaw, Wayne, and Oakland counties. Main topics are love and friendship, the passage of time, and religion. Several printed stickers appear within the volume.

The Field papers contain eleven letters from the popular American writer, Eugene Field; one undated letter from J.M. Stoddart to Field; two manuscript poems; a newspaper edition of "The House," with marginal editorial notes; and a set of proof sheets from Field's "autobiography," Love Affairs of a Bibliomaniac.

The Field papers contain eleven letters from the popular American writer, Eugene Field; one undated letter from J.M. Stoddart to Field; two manuscript poems; a newspaper edition of "The House," with marginal editorial notes; and a set of proof sheets from Field's "autobiography," Love Affairs of a Bibliomaniac. Field's letters are addressed variously to his wife or children, and to Harvard linguist, Francis J. Childs.

Although the letters in the Field papers are miscellaneous, and touch on a wide variety of subjects, several stand out for their individual interest. One letter, apparently written to a son (1886 September 10), includes a brief, pleasant description of a baseball game between Chicago and Detroit, and is accompanied by a charming example of Field's ability as an illustrator. The most important letters in the collection are those few that reveal some of Field's attitudes toward marriage and family. Two letters addressed to his 16-year-old fiancee (1873 January 10 and 1873 October 10), for instance, provide advice on how to prepare for their impending wedding night, adding confidently, "Oh Julia, you know not what bliss is in store for you!" Another letter written to his wife shortly after the death of a young son (1890 October 4) suggests the fragile distance that Field was able to place between himself and his deceased child. "I fear that I am regarded quite hard hearted," he wrote "I have been so peaceful since the end came. While our boy still lived, I battled constantly in spirit and I think that another week would have killed me. Now that all is over, I am content, wholly reconciled. I believe our boy is happy now. It is selfish to wish him back."

The collection contains final manuscript drafts of Field's poems, "De Amicitus," "A French Crisis" (published as "The Fair Limousin") and "Holly and Ivy" (which was decoratively illustrated by the author), and the newspaper edition of "The House," with marginal editorial notes, some of which are in Field's hand. A single cabinet card photograph of Field in this collection was signed by him and dated May, 1895.

These two scrapbooks contain newspaper and magazine clippings of stories and poems pasted into 1873 and 1874 editions of German-language trade catalogs for D. M. Osborne & Co., manufacturers of farm equipment at Auburn, New York.

These two scrapbooks contain newspaper and magazine clippings of stories and poems pasted into 1873 and 1874 editions of German-language trade catalogs for D. M. Osborne & Co., manufacturers of farm equipment at Auburn, New York.

Clippings from the 1873 edition include "Sister Therese," a story about a prima donna and colonel in Paris, "A Miner's Love Story (from Temple Bar)," "A Fairy Gift," "The Story of a Valentine," and more. The volume features floral fabric lining around the cover's edges and spine.

The 1874 edition includes stories titled "The Wreck," by William H. Thomes, "The Doctor's Peril," "Alexander and the Africans," "A Short Fight," and more.

The Carrie M. Stewart and Arthur K. Kepner collection consists of the couple's love letters to one another, written in the late 1800s and early 1900s. Most of the letters pertain to their lives in northeastern Ohio.

The Carrie M. Stewart and Arthur K. Kepner collection (1 linear foot) consists of the couple's love letters, written in the late 1800s and early 1900s. Most of their letters pertain to their lives in northeastern Ohio. The collection also includes a poem and short story, a photograph, photographic negatives, newspaper clippings, and ephemera.

The Correspondence series contains approximately 250 dated and 150 undated letters. Among the first 10 items are 4 personal letters to James R. Brown, including 3 from his sister, Martha M. Ferguson of Warren, Ohio (August 18, 1870-September 19, 1877). Carrie M. Stewart received 6 letters from acquaintances between April 23, 1893, and April 10, 1898. The bulk of the series is made up of love letters between Carrie M. Stewart (later Kepner) and Arthur King Kepner, whom she addressed as "King." From 1898-1908, Stewart and Kepner wrote to each other about their families and social lives in eastern Ohio. Stewart lived in Hartford, Ohio, and often traveled to Sharon, Pennsylvania; Kepner attended Allegheny College in Meadville, Pennsylvania, and later worked in Pittsburgh, Pennsylvania, and Weldon, Ohio. Most of the letters pre-date their 1906 marriage, and many concern their relationship and their separation. Other correspondence includes several letters to Carrie Stewart Kepner from A. J. McFarland ("Jerry" or "Archie"), an acquaintance in Dillonvale, Ohio. Some of the undated letters are composed on partially printed (blank) receipts from D. C. Stewart's lumber company in Hartford, Ohio. An undated letter from Thomas B. Moreland, a funeral director in Pittsburgh, Pennsylvania, provides a reference for Kepner from his time employed as an assistant undertaker.

The Writings series (2 items) contains a poem and a short story entitled "My Little People of the Snow."

The Photographic Negatives series includes 2 undated photographic negatives of people outside of a house. An additional 18 negatives of outdoor scenes and various persons are housed with A. J. McFarland's letter of February 27, 1902.

The Newspaper Clippings series consists of 17 clippings. Several of the clippings pertain to the marriage of Carrie Stewart and Arthur King Kepner and other weddings; others are news stories, including a story about the death of an undertaker in Kinsman, Pennsylvania.

The Ephemera series contains 6 items, including a prescription, an invitation, a visiting card, and an advertisement for a sauce pan with a note from Mrs. King Kepner ordering the sauce pan from Aluminum Cooking Utensil Co.

In the 1870s and 1880s Charles H. Lund of Nashua, New Hampshire, compiled this collection of letters, documents, essays and other writings (including a manuscript newspaper), artwork, and miscellaneous printed items relating to his education, social life, and participation in the Nashua City Guards. The collection is accompanied by the original album in which Lund housed them.

In the 1870s and 1880s Charles H. Lund of Nashua, New Hampshire, compiled this collection of letters, documents, essays and other writings, artwork, and miscellaneous printed items relating to his education, social life, and participation in the Nashua City Guards. The collection is accompanied by the original file which housed them.

The Correspondence Series consists of eleven letters, ten of which are addressed to Charles H. Lund. The bulk appear to have been written by former schoolmates and commented in some fashion on education. One was likely written by one of his teachers. A handful of others relate to politics, railroads, agriculture, and the Nashua City Guards.

The Documents Series consists of miscellaneous items relating to Lund's education, including report cards for Charles and Marcus Lund, a reward of merit, and notices for readings from the Taming of the Shrew. The series also contains a receipt for payment to the Nashua City Guards, a document relating to payment for use of the patented "Richardson's Centennial Gate," and a handmade advertisement for Charles Lund's "Crosses Cut to Order."

The Writings Series includes school essays and compositions on topics like American history and the causes of the American Revolution, the seasons, the last day of school, railroads, "A Kiss in School," secret societies, Edmund Burke, and others. Lund annotated one essay from 1870 with the message, "First Composition and a poor one too." The verso of an undated essay entitled "Railroads" includes a manuscript drawing of a school desk along with diagrams of how the interior was organized. A manuscript newspaper, "The Star," was dated March 17, 1887, and proclaimed itself "The leading grange paper in Nashua. Is adapted to the farmer, the mechanic, the business and professional man." It features poetry, jokes and riddles, advertisements, and articles relating to farming, religion, cities, manhood, and other topics. Two poems are also present in the series.

The Original Artwork Series includes calling cards for Charles H. Lund and several of his acquaintances, featuring manuscript drawings of birds, flora, and calligraphic embellishments. Other drawings in the series include pencil illustrations of flowers, a bicycle, a train engine, dogs, Charles Lund's initials done in colored pencil with graphic elements added, and a pencil and colored pencil rendering of the Lund homestead, showing the main residence and outbuildings.

The Printed Materials Series consists of programs, two catalogs for the Nashua Literary Institution, a printed calling card for Lund, a menu for the Profile House, and a newspaper clipping of a government bond.

The album in which the collection was originally housed is located at the back of the box.

This Caspar F. Goodrich Papers contain correspondence, documents, ephemera, and other items related to Rear Admiral Caspar F. Goodrich, who served in the United States Navy from the mid-19th century to the early 20th century. Many of the materials relate to his naval career, business and personal affairs, and his political interests after World War I.

The Caspar F. Goodrich Papers contain correspondence, documents, ephemera, and other items related to Rear Admiral Caspar F. Goodrich, who served in the United States Navy from the mid-19th century to the early 20th century. Many of the materials relate to his naval career, business and personal affairs, and his political interests after World War I. The collection documents Goodrich's various travels and naval campaigns as Rear Admiral in the U.S. Navy and details his business, scholarship, and personal life.

The Correspondence series comprises the bulk of the collection. The Chronological Correspondence subseries (approximately 5 linear feet) contains incoming and outgoing letters to Caspar F. Goodrich. Approximately 2,535 letters to and from his wives Eleanor and Sarah and various family and friends, naval personnel, professional society members, businessmen, and academics document Goodrich's personal life and naval career. The series, arranged chronologically, ranges from the late 1860s until 1925, the year of his death. Goodrich, in his extensive naval and professional travels, wrote from many continents in the midst of wars and diplomatic negotiations. The letters detail his ongoing involvement in foreign policy, domestic and international politics, and naval and academic matters. Many pertain to his actions during the Spanish-American War and to aspects of naval administration and navy yards. Some correspondents discussed Goodrich's speaking engagements at the U.S. Naval War College and other venues, as well as his involvement in various naval societies and similar groups. The series also reveals the particulars of his intimate life and private thoughts.

This subseries includes, for example:

• Fifteen letters to his mother from the U.S.S. Portsmouth in South America at the beginning of his naval career in 1869.
• About eight hundred letters to and from his first wife Eleanor Milnor Goodrich from 1884 to 1899 about his travels, interactions with family acquaintances, their children's schooling, their home in Pomfret, Connecticut, and personal thoughts and sentiments. Two letters to her discuss the Suez Canal during the Anglo-Egyptian conflict in 1882. Approximately fifty ink and pencil drawings are enclosed in his correspondence to Eleanor, illustrating scenery and travel observations from around the world as well as mundane matters.
• Approximately fifteen pieces of correspondence during the 1898 Spanish-American Conflict in Cuba. Materials include letters from Goodrich aboard the U.S.S. Newark addressed to Cuban chief commanders demanding the unconditional surrender of Manzanillo, notes in Spanish to Goodrich from Cuban leaders, and military decorations from the Navy for his service.
• Approximately fifty letters from 1907 to 1914 to and from Frederick Winslow Taylor, an engineer and leader in the Efficiency Movement and Progressive era, on personal, commercial, and legal matters including their business with the Tabasco Company.
• Six letters from Charles Chaillé-Long written between 1906 to 1908.
• Twenty three letters from Secretary of the Navy Truman H. Newberry to Goodrich from 1907 to 1910 on naval matters.
• Approximately ten letters to Goodrich from the Secretary of the Navy Office on his delegate appointment to the 1908 International Historical Congress of the War of Independence in Saragossa, Spain.
• Over thirty letters on education, including letters written in 1916 to and from the Oneida Institute and a 14-year-old school boy, James Stidham, whose education Goodrich sponsored. Other letters discuss his children's schooling and etiquette training with his wife Eleanor.
• Two signed Franklin D. Roosevelt letters to Caspar F. Goodrich as Assistant Secretary of Navy (1913 and 1919).
• Orders that Goodrich received after being recalled to active duty during World War I and a letter that he wrote to United States Representative Gilbert A. Currie, criticizing the Justice Department's treatment of spies and foreign nationals.
• Letters to and from Goodrich and the Navy Athletic Association on the Army-Football Game in 1923.

Goodrich received personal letters from the 1910s until his death in 1925. Many of these letters concern the writers' political opinions prior to U.S. involvement in World War I and the progress of the war, often with a focus on naval engagements. Goodrich's correspondents discussed the possibility of U.S. intervention on behalf of the Allied powers and expressed their joy when the U.S. did enter the war. Following the war, they wrote about the peace process and other aspects of international politics. The collection includes letters that Goodrich wrote to newspaper editors about the treatment of German and Austro-Hungarian prisoners of war; he advocated a requirement that captured combatants repair all war damage to French and Belgian villages before being allowed to return home. Other drafts by Goodrich concern his opinions about the United States Navy, his opposition to anarchists and socialists, his desire for the United States to deport immigrants who commit crimes, and other political subjects.

Some of the late correspondence reflects Goodrich's ongoing interest and participation in naval organizations, including his involvement in naval academy veterans' efforts to sponsor the rebuilding of the library of the Catholic University of Leuven in Leuven, Belgium, after its destruction during World War I. He also received correspondence from newspaper and magazine editors rejecting articles and short stories.

The Letter Books subseries consists of 7 volumes and a series of letters written to his daughter Gladys that collectively span from 1876 to 1914. Volume 1 contains various copies of articles and letters, as well as a travel and historical account of the Suez Canal. Dating from Goodrich’s time aboard the U.S.S. Kearsarge as Lieutenant Commander, subjects range from copied articles on steel manufacturing from Mechanics Magazine to disciplinary reports for crew members. One letter complains of the presence of Commander F. V. McNair’s wife aboard the ship. Also included is an "analytical report" of the crew with detailed tables documenting nationalities, physical characteristics, and punishments, along with an evaluation of "desirable" or "undesirable" persons. There are several copies of personal letters including ones detailing Goodrich’s indignation after his promotion to Executive Officer on the U.S.S. Tennessee was denied. The volume includes a bookmark embroidered with "Remember."

Volumes 2-7 contain Caspar F. Goodrich's outgoing personal and professional correspondence, as well as a few stories and articles. Goodrich discussed navy business and personnel, his work at the U.S. Naval War College, his Spanish-American War service, naval history, naval funding, and other subjects. Several letters reflect Goodrich's attempts to win his son Caspar a place at the United States Naval Academy and his opinions about various academy policies. Many of the letters concern Goodrich's finances and the Gladwyn estate in Pomfret, Connecticut. Some correspondence pertains to his efforts to construct a memorial for the sailors killed in a boiler explosion on the U.S.S. Bennington in San Diego, California, in July 1905.

"Our Trip Around the World" consists of sequential letters written by Caspar F. Goodrich to his daughter, Gladys, documenting international travel from October 1910 to March 1911.

The Writings and Manuscripts series consists of over 270 items of personal notebooks and diaries, manuscripts (including typed and handwritten drafts), speeches, poems and short stories, and bound booklets of Goodrich's own writing from 1900 to 1925. Much of this encompasses biographical material on Goodrich, not only of his extensive travels and naval campaigns but also of a wide body of his scholarly work and lecture material during his time at the Naval War College. Many concern topics related to the United States Navy's history, organization, vessels, and personnel. Some writings reflect his support of policies promoting the use of English as the primary language of the United States, his belief that criminals and others should be prohibited from having children, and his opposition to anarchist political philosophies. Some of his works were published in Army and Navy journals, literary magazines, major newspapers, and by the colleges and societies in which he held teaching positions. A selection of works includes:

• "Battle of Santiago Bay," featuring a poem and account of the battle in 1898.
• "Some Unbeaten Paths in India" includes matte photographs, original watercolors by Captain C.J. Davis of the Indian army, and handwritten and revised drafts produced during Goodrich's business and personal travel in India in 1914.
• "Piracy in the West Indies a Hundred Years ago," a loose-leaf undated three-part series of writings.
• "The Traditions of the Navy," a multiple part 1921 manuscript typed and handwritten, bound by loose string.
• "The Taxpayer and the Schools," a 1923 manuscript.

The Printed Items series includes bound booklets produced by figures other than Goodrich, pamphlets, memos, reports, and newspaper clippings. Printed annual membership lists (bulk post-1911) for various societies like the Naval History Society and the Naval Academy are also present. Notable selections include:

• Thirty materials from 1911 to 1915 on the Tata-Hydro-Electric Project in Bombay, India, including booklets, printed reports, maps, and articles. One set of nine booklets contain the ceremony program guide, photographs of the plant's opening in February 1911, and a printed speech from the Chairman of the Board of Directors.
• Twenty-five bound books, booklets, and pamphlets dating from 1912 to 1923 detailing Communism and the "conditions of Russia." Some titles of note include New York World's staff correspondent Lincoln Eyre's Russia Analyzed (1920), Eugene Richter's Pictures of the Socialist Future (1912), and Lee Alexander Stone's Pacifists and Reds (1924).
• Five bound pamphlets from 1917 to 1920 covering the American constitutional government: Constitution of the National Association for Constitutional Government; How The Constitution Saved the Revolution; The Americanism of the Constitution of the United States; and Experiments in Government and the Essentials of the Constitution I & II.
• Three Congressional Record daily reports from the 68th Congress (1923-1925), First Sessions.
• General Orders No. 260-303 from January to June, 1917, with several missing.
• Approximately 150 newspaper clippings from 1904 to 1925. They are mostly comprised of letters to editors, news pertaining to Goodrich's naval campaigns and accomplishments, political cartoons, material in Spanish, and short stories in various newspaper publications.

The Documents series contains various certificates, special passports, driving test passes, committee reports, and memoranda. This series features certificates honoring Goodrich's participation as a delegate to the International Historical Congress of the War of Independence in Saragossa, Spain (1908), a memorandum with Clarence E. Warren, who agreed to look after the Goodrich home during the admiral's absence (1913), and a typed "Act of March 4th, 1909" stipulating punishment for conspiracy against the United States. It also includes bills, receipts, memorandum of expenses, and minor finance sheets which reflect Goodrich's various travels and personal and naval accounts.

The Ephemera series includes program guides, menus, brochures, calling cards, and printed and engraved invitations, many for gatherings sponsored by naval and patriotic organizations. Included are a large selection of visiting cards from his 1908 visit to Saragossa for the International Historical Congress of the War of Independence The series spans nearly twenty years from 1904 onwards (bulk ca. 1909) with additional undated materials.

The Photographs series contains six photographs of various subject matters ranging from naval business to domestic scenes, such as a military encampment, a sitting room, and a portrait of Goodrich.

TheNotes, Fragments, and Miscellaneous series is comprised of loose, fragmented, or miscellaneous materials. Included are portions of writings, partial letters, illustrations, recipes and lists, and small flat trinkets. A notable item is the engraving plate used for Mrs. Goodrich's calling card.

This collection contains correspondence, poetry, financial records, and other items related to the medical career of George A. Taber, a homeopathic physician who attended and taught at the University of Michigan and practiced in New York and Virginia in the late 19th century.

This collection (0.25 linear feet) contains correspondence, financial records, patient visiting records, poetry, and other items related to the medical career of George A. Taber, a homeopathic physician, who attended and taught at the University of Michigan and practiced in New York and Virginia in the late 19th century.

The Correspondence series (36 items) contains 33 letters to George A. Taber, as well as 3 personal and professional letters written by Taber. Taber's grandfather, Gamaliel Taber, provided family news from New Bedford, Massachusetts, and occasionally discussed his work as a coffin maker. Many letters pertain to Taber's assistant professorship at the University of Michigan Homeopathic Medical School, to Taber's private practices, and to 19th-century homeopathic medicine. One correspondent commented on an article that Taber had contributed to a medical journal, and another wrote a case report on a patient treated with picric acid. Samuel A. Jones discussed clinical cases in Ann Arbor, Michigan, developments at the university's medical school, and the economics of medical practice. George A. Taber also wrote 2 brief personal letters to his future wife, Caroline L. Crowell, and 1 draft letter to a professional acquaintance.

The Letter Book (approximately 85 pages) includes personal and professional letters that George A. Taber wrote from March 1875-December 1895, in which he discussed his experiences in Ann Arbor, Michigan, and his private practices in New York and Virginia.

The collection's 3 Account and Cash Books belonged to George A. Taber and pertain to his medical practices and to his personal finances. Taber kept Patient Visiting Records in 2 volumes, each of which contains printed reference information for homeopathic physicians. Taber's manuscript notes record the names of his patients, dates and types of patients' visits, fees charged, and remedies prescribed.

The Poetry series (8 items) consists of brief verses, including a poem about South Carolina around the time of secession. Samuel A. Jones wrote a poem entitled "The Yankee," and George A. Taber dedicated one poem to Carrie L. Crowell.

Four Pamphlets concerning homeopathy and physicians are housed in the Book Division.

The Ephemera series contains 3 items: a photographic identity card for George A. Taber, a blank invoice from "Drs. Jones & Taber" with manuscript notes on the back, and a card with statistics comparing the use of allopathy and homeopathy at an almshouse in Denver, Colorado.

An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The illustrations include her seaside departure, the missionary standing on a stump and singing to (racist caricatures of) African men, cannibalism, African men trying on the woman's clothing, and a scene of grief back in the United States.

An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The poem ends with her grief-stricken family members weeping and fainting back home, and a concluding moral.

The illustrations include a dock scene, with passengers boarding a ship, persons on the dock waving farewell, and sailors at work on deck. Another shows the missionary woman standing on a stump with a hymn book (sheet music for "In the Sweet Bye and Bye" visible) and singing to a group of African men. The artist portrayed them as racist caricatures, and the men are holding knives, testing their edges, and sharpening teeth with an iron file. The following image depicts the woman on the ground with the men eating or carrying off her bones and severed parts of her body. Next, the men are trying on the woman's clothing; a chief is wearing her bonnet and carrying her parasol and purse/bag, another man is putting on her shoes, and another wears her skirt. The concluding artwork is a parlor scene back in the United States, wherein family and friends received a postal parcel containing a piece of the missionary's dress, her hymn book, a lock of her hair, and a shoestring. The people are shown weeping into handkerchiefs, one of them fainted and one holding the lock of hair.

A transcription of the seventh, final page of the poem--and the moral of the tale--is: "Oh gentle maid, on good intent, / Who would in 'Missions' lead the van, / Take warning from this maid, who went / Afar to free from Ignorance' ban. / Do all the good that here you can / Where you may have a little ease; / 'Home Missions' try on some one man - / Or two or more, if so you please, - / But do not try the Asamese."

This collection is made up of letters, documents, genealogical research, and other items pertaining to Leopold Mayer of Chicago, Illinois, and his descendants. The materials concern family news, courtship, and the history of Chicago's Jewish community.

This collection is made up of over 25 items pertaining to Leopold Mayer of Chicago, Illinois, and his descendants. Items in the Correspondence series (17 items) concern Leopold Mayer and his family members, particularly his daughter Amelia and her husband, Jacob Henry Mahler. In a letter dated November 10, 1864, Leopold expressed condolences to Mrs. M. M. Spiegel after learning of the death of her husband, a colonel, during the Civil War. The series also has 2 manuscript letters, 1 manuscript postcard, and 2 typescripts of letters that he wrote to his daughters, son-in-law, and grandchildren from 1885-1902. Most of these contain Mayer's moral advice on topics such as marriage (July 10, 1885) and his later reflections on his life and his wife (February 27, 1902; December 24, 1902).

Most of the remaining items in the series pertain to Amelia Mayer and Jacob Mahler. These include 2 personal letters from Mahler to Mayer (July 14, 1885, and August 26, 1896); 2 German-language letters by members of Mahler's family (January 13, 1892, and August 29, 1896); and 2 personal letters to Amelia from "Jennie," a friend in Milwaukee, Wisconsin (March 15, 1885), and from Ida, her sister, then traveling in Europe (August 27, 1906). Jacob Mahler received a letter about hotel rates in Wisconsin (May 24, 1896) and a birthday greeting from his son Felix in 1898, and wrote 2 friendly notes to Felix (September 22, 1903, and undated). The final item in the series is a typed letter that Arthur M. Oppenheimer wrote to Leopold Mayer's descendants in 1962, with an excerpt about Mayer from Deborah Pessin's History of the Jews in America.

Leopold Mayer's Journal, "From Land to Land, From Port to Port," concerns his visit to Germany and Switzerland in the summer of 1895. Included are a typed journal transcript (35 pages, June 1, 1895-August 3, 1895) and manuscript journal (29 pages, [August 1, 1895]-August 24, 1895, and 1 page, undated). Mayer and his daughter Flora traveled to various cities and towns, saw several Alpine mountains, and met with acquaintances.

The Speech transcript (5 pages) records Leopold Mayer's address to the Council of Jewish Women in November 1899, marking the 25th anniversary of Chicago's Sinai Congregation. Mayer recounted some of his personal history in Chicago, and remarked on the development of the city's Jewish community and institutions.

Financial and Legal Documents relate to Leopold Mayer's estate and to his son-in-law, Jacob Henry Mahler. Mahler received a bill from a laborer dated July 23, 1901, and completed a partially-printed income tax form for himself and his wife on February 19, 1917. Three printed legal documents (December 28, 1903; June 1, 1909; and [1927]) pertain to the settlement of Leopold Mayer's estate and to legal disputes among his heirs. The latter item includes copies of 2 versions of Mayer's will.

The Poetry, Printed Items, and Genealogy series concerns several generations of the Mayer family. The programs document confirmation services held by the North Chicago Hebrew Congregation on May 26, 1901, and a production of the 3-act play The Mayer Saga, presented in Glencoe, Illinois, on December 31, 1925. The extended Mayer family published a newsletter, Unter Uns, on December 25, 1902, with poetry, news articles, and advice columns by Leopold Mayer's children and their spouses. A small packet of typed poems dedicated to Amelia Mayer Mahler accompanies a printed invitation to Mahler's 90th birthday celebration, hosted by her grandchildren on April 18, 1953. The final 2 items are genealogies and a memorial dedicated to Leopold Mayer and his descendants. The memorial was initially issued on March 3, 1927, with genealogical revisions made in 1941. One copy has manuscript genealogical notes dated as late as 1970.

The Moses A. Cleveland collection contains a copy of Cleveland's Civil War diary, a scrapbook of his postwar correspondence, and two drafts of his autobiography, which he composed in 1892 and copied in 1909. Cleveland, who worked primarily as a carpenter in New England and Ohio, served with the 7th Massachusetts Light Artillery Battery near the Gulf of Mexico during the war.

The Moses A. Cleveland collection is made up of a copy of Cleveland's Civil War diary, a scrapbook of his postwar correspondence, and two drafts of his autobiography, which he composed in 1892 and copied in 1909.

The first volume ("War Diary 1864-5...") contains Cleveland's transcribed copies of his diaries from his service in the 7th Massachusetts Light Artillery Battery. Cleveland began his transcription with a short introduction and a brief history of the war, written in 1866, and the first copied entry is dated January 1, 1864. Driven by a desire to evade conscription, he enlisted in the artillery on June 4, 1864, and was dispatched to the Department of the Gulf. Throughout his diary, he made marginal notes tracking important events or themes, described his military activities and, to a lesser extent, offered opinions about the war. Of particular interest is his reaction to the news of Lincoln's assassination, which he first discredited as rumor (p. 132). Following Lee's surrender, Cleveland's regiment was stationed in Mobile, Alabama, before returning to Massachusetts, where Cleveland was discharged on November 13, 1865. The diary also includes a retrospective, a log of miles travelled, a roster for the 7th Massachusetts Light Artillery Regiment, transcriptions of documents, and several ephemera items and newspaper clippings. Some of the news clippings imply that Cleveland was involved in the war's final shot. Two Confederate bills pasted into the volume. Letters and notes from the 1910s are laid into the volume.

The second item is a 95-page scrapbook that Cleveland compiled in the 1880s and 1890s while living in Willoughby, Ohio. It primarily contains correspondence, including several illustrated envelopes, and provides insight into Cleveland's postwar interest in the Civil War.

Two copies of Cleveland's autobiography, which he originally wrote in 1892 and copied in 1909, chronicle his life as a journeyman carpenter and his life as a working man in the antebellum North. He discussed both his personal life and his political views. Of particular interest are remarks about the Millerite movement and about the Mexican War. The first draft of the autobiography (59 pages) ended with Cleveland's enlistment, and the second (107 pages) closed with reflections on the first few years of his postwar life. The first volume contains two photographs of Cleveland, and the second has a number of songs and poems, many of which commemorate soldiers of the Civil War (pp. 109-252). He intended the autobiography to be integrated with his war diary as a single volume. Newspaper clippings and poems are pasted and laid into the volume's endpapers.

This collection consists of letters, poetry, and memoirs that Thomas Davenport of Antwerp, New York, wrote in the mid- to late 1860s, primarily concerning his religious beliefs. Davenport discussed topics such as salvation, the afterlife, and sin.

This collection (5 items) consists of letters, poetry, and memoirs that Thomas Davenport of Antwerp, New York, wrote in the mid- to late 1860s, primarily concerning his religious beliefs. Davenport discussed topics such as salvation, the afterlife, and sin.

In 3 Letters to a niece, a nephew, and his sister Nancy (January 4, 1864-September 20, 1867), Davenport discussed his social activities and provided news about his acquaintances, who included a woman named Emeline (or Emoline) and a man named Erastus Kellogg. He mentioned local news, the cultivation of sugar and potatoes and, on one occasion, some of the effects of the Civil War (May 7, 1866). His letters include a narrative poem about courtship (January 4, 1864) and riddles (September 20, 1867).

The standalone Poem is a 47-page meditation on salvation, judgment, and similar topics, particularly related to the Christian view of death. The poem frequently references Biblical stories of Adam and Eve and Jesus Christ.

Thomas Davenport composed a volume of Memoirs (90 pages) focusing on his religious life, including his "vision of the New Jerusalem" and "treatise[s] on various Subjects." Written in or after 1863, the manuscript intertwines Davenport's religious affirmations, biography, and poetry. The first portion of the book is an essay on the Christian view of sin and salvation, as well as a brief note about Davenport's conversion to Christianity. Davenport also described Heaven, which he called "New Jerusalem," as he witnessed it when he was a young man (pp. 12-14). Along with explaining his own religious convictions, he commented on other religions, including Mormonism (p. 24) and Catholicism (pp. 24-25). After page 34, most of the loosely bound volume is comprised of poems on religious topics and dedicated to friends and family members. The poems are frequently interspersed with brief narrative accounts of Davenport's life, including his work as a clothier's apprentice (pp. 49-51).

This typescript consists of extracts from the diary of Major Richard Bailey Crandall, pertaining to his service with the 6th Vermont Infantry Regiment from January to May 1864. Crandall wrote about visits to Vermont and Washington, D.C., his religious beliefs, his romantic feelings for a female correspondent, and his regiment's engagements with Confederate forces during the Overland Campaign.

This typescript consists of extracts from the diary of Major Richard Bailey Crandall, pertaining to his service with the 6th Vermont Infantry Regiment during the Civil War. From January 1, 1864, to June 5, 1864, Crandall wrote brief entries about his daily activities, with a few gaps. In mid-January and early February, Crandall discussed his social activities while visiting friends and family members in Montpelier, Vermont, and New York City. In New York, he remarked on his pleasant friendship with a woman (identified by the initial "L"); he wrote about his romantic feelings for and correspondence with L. throughout the remainder of his diary, often wondering whether she reciprocated his sentiments. In early April, Crandall spent 10 days' leave in Washington, D.C., where he described members of the House of Representatives. Crandall often attended religious services and otherwise commented on his faith. His diary contains a few brief religious and patriotic poems.

The majority of Crandall's entries concern aspects of military life, such as camp life, picket duty, and leisure activities; he occasionally referred to academic debates and prayer meetings. By early May, he wrote primarily about his regiment's movements and encounters with Confederate forces. The diary contains brief descriptions of Crandall's participation in the Battle of the Wilderness, the Battle of Cold Harbor, and several skirmishes; he often recounted his regiment's movements during the fighting and reported on casualties. By mid-May, Crandall and other soldiers were exhausted by the constant fighting, though he maintained his commitment. He made his final entry on June 5, 1864, two days before his death. The volume includes two additional entries made by one of Crandall's parents on June 7 and June 17, 1864, regarding his death at the hands of a Confederate sharpshooter and his burial.

The original diary is located at the Vermont Historical Society.