G. Robert Greenberg papers, 1940-2005 (majority within 1954-1977)
4 linear feet
The G. Robert Greenberg papers consist of four series: Biographical/Historical, Pre-University of Michigan, University of Michigan, and Visual Materials.
4 linear feet
The G. Robert Greenberg papers consist of four series: Biographical/Historical, Pre-University of Michigan, University of Michigan, and Visual Materials.
10 linear feet — 6 oversize volumes — 10.2 GB (online)
The records of Guild House have come to the library in different accessions dating from the 1970s. Covering the period from the 1920s to the 2000s, the records document the different roots of the modern Guild House. Besides correspondence, financial reports and annual reports, the record group includes the student newsletter The Microphone, as well as various reports of retreats, banquets, luncheons, and discussion sessions.
Because the members of the Guild House were so active, the record group includes materials on social issues such as civil rights, disarmament, diplomatic recognition of China, apartheid, and social and political issues in Central America. For a view of the Vietnam War peace movement and other political issues the collection of J. Edgar Edwards, director and campus minister of the Guild House from 1957 to 1973, should be consulted. This collection has been separately cataloged.
There are also numerous sound tape recordings of Guild House programs and meetings, a microfilm copy of the record book of the Upper Room membership under H.L. Pickerill's predecessor Thomas Iden, photographs, and scrapbooks.
More specifically, the record group has been arranged into the following series: Church Campus Ministries; Guild House Organizational Records; Related Organizations; Publications and related; Directors; Photographs, Scrapbooks, and Sound Recordings. The strength of the collection is its documentation of Guild House's involvement in significant social and political issues of the 1950s-2000s.
87 linear feet — 10000 drawings
The Gunnar Birkerts and Associates Collection offers researchers a rich perspective on the work of one of the masters of American modern architecture whose career spans the second half of the twentieth century and into the twenty-first. The initial accessions of Birkert's material encompassed 69 linear feet of the firm's textual records, which are associated with 14 of Birkerts' distinguished buildings, and 7158 original drawings and prints documenting the evolution of the architectural design process for each project. In 2008, the records and drawings of 74 more projects were included in the collection, bringing the total amount of textual material to 82 linear feet and the number of drawings to over 10,000. Altogether, these visual materials detail many of the expressive elements for which Birkerts' architecture is renowned, including his bold forms, simplification of detail, innovative selection of surface materials and dramatic use of indirect light. Although six of the buildings in the original collection of 14 projects are located in Michigan, along with the offices of the firm, nine other structures were built in New York, Indiana, Mississippi and Minnesota, testimony to the national scope of this architectural practice. The following buildings were selected for inclusion in the collection by Birkerts and Bentley Historical Library staff because they represent the significance, diversity and evolution of the architect's work:
The initial accessions Gunnar Birkerts and Associates Collection are arranged in 14 series, each of which contains the business records and architectural drawings for one building. The finding aid begins with a description of the narrative records in chronological order in each series. An item-level description of the architectural and engineering drawings follows, grouping drawings in folders according to design phases, as described above. The finding aid lists the titles of drawings, when they exist, as well as title bar information including original dates, revision dates, numeric sequencing and, in some cases, names of consulting engineers. A description of the medium and support of each drawing is also given.
The 2008 accession to the collection includes of documentation of 74 additional projects consisting of 3,000 drawings and 13 linear feet of textual materials and photographs. The documentation for these projects is generally not as extensive as for the fourteen in the original accessions and the finding aid does not describe them in as great detail. They have been grouped together as single series titled "Other Projects" and the individual projects are listed in alphabetical order by project title
One of the collection's greatest strengths is found in its emphasis on the architectural design process, offering researchers a broad, visual representation of the evolution of each building through the "Schematic Design," "Design Development" and "Construction Document" sequences. Because Gunnar Birkerts and Associates meticulously saved each drawing associated with the firm's projects, this collection provides an exceptional view of the daily design process, as solutions were sought which defined the architectural character and individuality of a structure. Each of the 14 buildings in the Gunnar Birkerts and Associates Collection is conceived as an individual series, which contains the textual and visual documents associated with the project. Within each of the 14 series, the architectural and engineering drawings are arranged chronologically by design phase, beginning with "Schematic Design," when the owner's program is analyzed and sketches are drawn to illustrate the scale and relationship of the project's components. Researchers interested in viewing the earliest conceptual drawings associated with each building are encouraged to consult the finding aid of the collateral Gunnar Birkerts Collection, which amasses the sketches by the architect's own hand for most of his projects. Digital images of 284 of these conceptual sketches can be seen online in the Bentley Historical Library Image Bank through Gunnar Birkerts, Conceptual Drawings. An understanding of the beginning stage of design for each building is best obtained by studying the conceptual and "Schematic Design" documents in both the Gunnar Birkerts and Associates Collection and the Gunnar Birkerts Collection.
The second "Design Development" stage in each building series includes more precise site plans, floor plans, elevations and sections which further define the dimensions, mechanical/electrical systems, building materials and architectural character of the project. This phase often ends with the production of artistic presentation drawings which are used to obtain the client's approval of the design. Although the collection contains a large majority of original sketches and drawings on tracing paper, vellum, linen and mylar, many blue-line and sepia prints have been retained in each series if they are substitutes for missing originals or if they are annotated and thus show the ongoing search for solutions in the evolution of the design process.
Each series in the collection also records the third "Construction Document" phase, during which the final working drawings are developed before being sent to contractors for bids. These drawings are the graphic representation of the written "Specifications," included in the textual records of every series. The "Construction Documents" for each building, which were often revised to show changes after construction began, may be of significant value to historic preservationists or future owners seeking to restore the building to its original condition or adapt it to a new use.
The Gunnar Birkerts and Associates Collection is also significant in its pairing of the visual documentation described above with the textual records of each building, which describe the decisions and actions of the firm during the design and construction process. Thus, scholars can read the program information, specifications, addenda and memoranda associated with the architectural drawings during each chronological stage of the building's design. Written contracts, correspondence, transmittals and field inspection reports further inform historians about the relationship between the firm and its clients, contractors, consulting engineers, landscape architects and sub-contractors, documenting in rich detail the business affairs of a nationally known architectural firm in the second half of the twentieth century. Of particular value within the narrative records of each building series is the "Architect's Conceptual Statement". These statements offer design and history students an opportunity to understand the interchange of objective and subjective influences on Mr. Birkerts' creative process and the solutions which define the architectural character of each building.
The Gunnar Birkerts and Associates Collection is also of exceptional value to scholars because it represents the end of the era of hand-drawn architectural documents. By the end of the twentieth century, many architects have begun to use the computer in the development of design and construction drawings. However, this collection of the original 14 buildings contains only drawings which show the flow of the creative process from the brain, through the hand, to the paper. Even drawings which are marked "void" are retained because, like annotated prints, they show the evolution of the design as the search for architectural solutions begins to define the building. Whereas the use of computer-aided design would undoubtedly delete many intermediary design drawings from a collection, this aggregation of hand-drawn documents shows the artistry and complexity of the creative process. The beauty of the architect's pencil line on delicate tracing paper, smooth vellum and opaque mylar is preserved here for future generations of scholars, just as its use in the late 1990s is being abandoned by many architects.
In 2015, Gunnar Birkerts donated a large collection of 7,840 color 35 mm slides, associated with the design and construction of 123 projects, documenting through photographs the work of his entire career. This additional collection is encompassed in the series titled, "Photographic Slides of Projects."
16 linear feet — 2000 drawings (in 12 drawers; architectural drawings) — 1.8 GB (online)
The Gunnar Birkerts Collection offers researchers the opportunity to study the personal, professional and faculty papers and conceptual sketches of one of the masters of American modern architecture, whose career spans the second half of the twentieth century. The collection encompasses 15 linear feet of Birkerts' student work, notes and transcripts of speeches, lectures and interviews, video and audio tapes, writings, correspondence, awards, travel diaries, academic course materials, photographs and project records. Perhaps the greatest significance of this collection lies in its presentation of over 1900 drawings of 122 buildings and projects by the architect's own hand, many of which are valuable, early conceptual sketches.
In its pairing of narrative and visual documents, the Gunnar Birkerts Collection offers a rich perspective on the architect himself, illuminating his views on the creative process and the resulting conceptual designs which have defined his expressive architecture over his illustrious fifty-plus-year career. The Gunnar Birkerts Collection is the architect's deeply personal legacy. He recognizes that, while some of his buildings may be demolished over time, his original conceptual designs on paper are conserved here for future generations to study and enjoy. To this end, he has endowed the Gunnar Birkerts Collection to ensure that his drawings will be preserved and that his place in architectural history can be studied and understood.
The Gunnar Birkerts Collection is comprised of six series: Personal Papers, Professional Papers, Faculty Papers, Project Records, Personal Project Files and Personal Correspondence and Files. The narrative and visual documents in these series illuminate the full breadth of the architect's life and work, from his early years as a student at the Technische Hochschule in Stuttgart, Germany in the 1940s to his career in Michigan as an internationally acclaimed architect, esteemed design professor and global lecturer from the early 1950s to the present.
10.3 linear feet
The Guy Larcom collection consists almost exclusively of the files of the city administrator for the period 1965 to 1973. The collection, received in multiple accessions, is arranged into the following series: City Administrator's files; Photographs; and Special Topics.
243.4 linear feet — 2.55 GB (online)
The Guy Vander Jagt papers span the years 1951-1992 and 2004, with the majority of the papers dating from 1975 to 1992. Included are papers from his single term as a Michigan State Senator (1965-1966), his work as a lawyer in Grand Rapids, Michigan (1960 to 1964), and personal papers dating from 1951 to 1964. Record types primarily consist of correspondence, bill and legislative files, press and campaign materials, speeches, and audiovisual material.
Series I contains material transferred from Grand Valley State University, and Series II contains material transferred from Hope College. Additional information can be found in the Custodial History.
1.3 linear feet (in 2 boxes) — 1.9 GB (online)
The Gwendolyn S. Cruzat papers reflect Dr. Cruzat's involvement with several committees dedicated to regulating university athletics and maintaining equality for both men's and women's athletics, notably the Commission for Women; the Advisory Committee on Recreation, Intramurals and Club Sports; the Alumnae Athena Award Committee; and the University Club of Ann Arbor, Michigan. Also included are audiovisual material, biographical material, correspondence, photographs, press releases, and publications that document Dr. Cruzat's professional work, her retirement, and University of Michigan sports.
0.75 linear feet
This collection consists of letters that Rohloff and Philip Hacker wrote while serving in the 2nd and 5th Michigan Infantry Regiments during the Civil War. The collection also includes two of Rohloff Hacker's diaries, letters by additional Michigan soldiers and a female aid worker, and letters that William Hacker received from his brother Karl in Neustrelitz, Germany, from 1877-1880.
Among the most valuable letters in the collection are Rohloff's written during the summer of 1861. These provide an excellent sense of life in the camps defending Washington, going beyond descriptions of the routine of camp life to discussions of morale, officers, and the preparedness of soldiers on both sides. Rohloff describes the equipment and uniforms issued to his Regiment -- late and in poor condition -- in great detail, and their involvement in skirmishes and in the 1st Battle of Bull Run. He displayed an unusual zeal in soldiering, remarking that he did not hesitate in firing at Confederate soldiers, even the first time, and making a number of caustic remarks about Confederate soldiers. The amusing rivalry he and Philip carried on through their correspondence with home over their regiments and relations with friends and women decreased after the First Battle of Bull Run, and seems to have ended altogether after the Peninsular Campaign, when both their moods turned darker and more serious. The brothers both wrote informative letters during the Peninsular Campaign, particularly during the siege of Yorktown, the Battle of Williamsburg, and the Seven Days' Battles. The letters describing the Battle of Fredericksburg are also absorbing, particularly Philip's account of his own wounding. Somehow, through their experiences, which included a number of disastrous defeats at the hand of the enemy, both brothers unwaveringly maintained their faith in their country and their religion.
Rohloff and Philip wrote clearly and succinctly, and both were sensitive to the larger issues of the conflict and to the effect of war on the participants and civilians. Both commented occasionally on strategy and the leadership of the Union Army. Philip's letters are somewhat more polished than Rohloff's. The majority of the brothers' letters were written to family members, with most addressed to their father and mother, William and Barbara Woll Hacker, their younger siblings, Serena and Theodore, or their sister and brother-in-law Augusta and Alpheus Macomber in various combinations. Rohloff also wrote more than 30 letters to his former employers, E.F. Albright and C. Thomson, or Mrs. Albright.
The collection contains letters of several other Michigan soldiers, most of who served with the Hackers, or were friends of the Hacker family from Brighton. Among these are four letters from Peter Smith (Co. G, 2nd Michigan), reminiscing about his friendship with Rohloff and describing visits to his grave; five from Newton J. Kirk (Co. E, 26th Michigan Infantry); four from Capt. John C. Boughton (Co. G, 2nd Michigan), two letters of Edward R. Bliss (4th Michigan Infantry), and six letters written in February and March, 1863, by W. H. Pratt, a Sergeant in the hospital in which Philip Hacker was dying (probably William H. Pratt, Co. E, 26th Michigan Infantry). Another group of additional correspondence consists of 16 letters that Julia Susan Wheelock wrote about her work for the Michigan Soldiers' Relief Association in Washington, D.C., and northern Virginia between 1863 and 1866. Wheelock is also mentioned in several of the soldier's letters. In 1870, Wheelock published a memoir of her war-time experiences, The Boys in White; the Experience of a Hospital Agent in and around Washington.
The collection also contains a group of 5 letters that Karl Hacker wrote to William Hacker, his brother, from Neustrelitz, Germany, between September 16, 1877, and February 12, 1880. The letters are written in German schrift. Hacker's correspondence concerns local news and events, including several festivals; changes in Neustrelitz and Germany since William left for the United States; and his work as a construction supervisor. He provided updates about his health, and also discussed news of family members and friends in the United States and Germany.
The collection also contains The Congregational Psalmist: A Collection of Psalm Tunes, three soldier's bibles, two belonging Rohloff C. Hacker and one from Alexander Reuben that also has Philip W. Hacker's name in it, a leather wallet with Philip Hacker and William A. Ferguson's name on it, and a sewn cloth case. Miscellaneous items such as newspaper clippings, stamps, hunting licenses, currency, 4 photographs, and photographic negatives are also included. A small selection of 20th century family correspondence about the Hacker brothers supplement the collection.
0.5 linear feet
The Haiti collection contains approximately 130 items related to the social, military, and economic history of Haiti from the mid-18th century through the 19th century. The collection includes correspondence, documents, visual material, and a scrapbook. The scrapbook, compiled by Victor Advielle, chronicles the history of the island from 1803, during the last stages of its revolution, through the 1890s.
Other items are two photographs, a copy of L'Écho de la Timbrologie that traces the history of Haiti (January 31, 1954), a Carte de l'Isle de Saint Domingue ([1759], housed in the Map Division), a 1788 postmark from "Cap Haitien," and a newletter about French colonial postmarks.
Victor Advielle compiled the scrapbook, entitled Notes sur Haiti, in Paris in 1895. In addition to newspaper clippings, speeches, correspondence, and government documents, the volume has a piece of music entitled "Les paroles sont de Mr. de la Soriniere danjou, Et la Musique de Mr. Boran de St. Domingue." The scrapbook pertains to Haiti's 19th-century history. The section entitled "Ma Correspondence avec Légitime" contains personal correspondence between Victor Advielle and François Denys Légitime, who later became president of Haiti (1888-1889). The material within the scrapbook is in French.
6 linear feet — 1 oversize volume
The Hal Butler papers reflect the versatility, industry, and imagination of their creator's mind. Throughout his career as a writer and editor for the Ford Motor Company, Butler never ceased to follow his passion for describing his travels and telling tales of sports, mystery, and adventure. This collection will be of value to those interested in travel writing, the Great Lakes region, and publishing genres such as pulp fiction and 1950's men's magazines.