Collections : [University of Michigan William L. Clements Library]

This collection consists of letters, postcards, and photographs related to Private Arthur E. Welch of the United States Army, who served with the 1st Regiment, Company L, in and around Nogales, Arizona, between July and October 1916. Welch discussed everyday life along the United States-Mexico border, his work in a military ice house, and developments in the region's military conflicts.

This collection consists of 100 letters, 2 postcards, and several photographs related to Private Arthur E. Welch of the United States Army, who served with the 1st Regiment, Company L, in and around Nogales, Arizona, between July and October 1916. Welch wrote his first 2 letters to his mother, Mrs. M. J. Welch of Willimantic, Connecticut, while in training at Niantic, Connecticut, about his life in camp. His next 5 letters recount his journey to Nogales, Arizona, and describe the scenery in Ohio, Kansas, Oklahoma, Texas, and New Mexico.

The bulk of the collection consists of Welch's daily letters to his mother from July 4, 1916-October 2, 1916, about his experiences while stationed in Nogales, Arizona. He reported news of recent military developments, commented on his accommodations in camp, and discussed several aspects of his life in the army, including his training, his work in an ice house, and his attendance at Catholic religious services. He also described the area and discussed a lengthy march his unit made to Fort Huachuca, Arizona, where he remained for much of August. Welch occasionally mentioned relations with the Mexicans and their independence celebrations on September 16, as well as the actions of Pancho Villa. One of his friends, Ed Ryan, wrote a letter to Mrs. Welch about his experiences after being wounded in the arm; he also mentioned Arthur's work in the ice house (September 21, 1916). By early October 1916, Welch began to anticipate his return to the East Coast. Two photographic postcards depict Arthur E. Welch in uniform and in a pair of overalls.

The non-correspondence items are 1 photograph of a group of soldiers, as well as 3 scrapbook pages containing 31 photographs of Nogales, Arizona, and United States soldiers in uniform and at leisure.

This collection comprises five letters apparently sent and received by Captain Edward Willoughby Anderson in correspondence with Miss Maria Davis in 1864. The letters concern life in Richmond and a Confederate soldier's perspective of the Civil War. Also present are two photographs taken in and after 1915 of Charles Freeland Penley, a Union soldier who captured the Anderson/Davis correspondence during the Civil War.

This collection comprises five letters apparently sent and received by Captain Edward Willoughby Anderson in correspondence with Miss Maria Davis in 1864. The letters concern life in Richmond and a Confederate soldier's perspective of the Civil War. Also present are two photographs taken in and after 1915 of Charles Freeland Penley, a Union soldier who captured the Anderson/Davis correspondence during the Civil War.

See the Box and Folder Listing below for details about each item in the collection.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. It includes photographs and illustrations of the mission and its missionaries, accompanied by captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. The thirty-four silver print photographs are supplemented by half-tone illustrations of the mission and its missionaries (excised from an unidentified publication), and are accompanied by hand-written and typed captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life. Based upon writing inside the front cover, the scrapbook appears to have been assembled at or for the mission within a few years after Day's death.

Although the creator of the scrapbook is unidentified, the book remains a valuable record of the Lutheran missionary enterprise in Liberia and missionary responses to the inhabitants of that country. The series of images and captions seem equally concerned with religious "progress" (Christianization) and the material improvement of native lives as gauged by their adoption of western dress, methods of production, and attitudes toward work. Singled out for special note are a seven year old girl from "one of the tribes 100 miles north of the mission" who took pride in her dress and ability to use a broom, and a particularly devoted convert, Henry Stewart, and the author of the scrapbook included several views of particularly well-dressed groups of converts assembled and posed in orderly fashion. Along with views of the tidy mission complex itself, there is a secondary emphasis on the unconverted, with illustrations of their method of travel (by hammock), "half-civilized" natives at a saw mill, and semi-nude men standing by the river, awaiting a canoe. The typed captions offer a somewhat more extended, but still relatively brief commentary on native (Grebo) life and their lack of western attitudes and advantages.

Due to the highly brittle paper and exceptionally delicate nature of the scrapbook, researchers are requested to consult with the curatorial staff before beginning their research.

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Füssen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Fussen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The first 50 photos housed in the album consist primarily of interior views of the apartment. Handwritten notes provide general descriptions of the view (e.g. "looking from salon through little room where the books are into the salottino"). One specific piece of furniture mentioned is a credenza; which, according to the note, came from the British Embassy. Also included are images of a garden terrace (covered in snow), rooftop cityscape views of Rome, and three individuals (man, woman, and maid). The woman, likely the creator of the album, is referred to as Mable and the maid as Livie. In addition, there is one photo of the Holywell Ford House at Magdalen College, Oxford.

The remaining 24 photos are loose and housed in an envelope. These images show scenes of traveling and sightseeing throughout Europe. Specific sites include the House of Agnes in Canterbury, Sacro Speco in Subiaco, and downtown views of Weesen and Füssen. Of particular note is a photo of a pile of empty fiaschi. The handwritten notation on the back reads "This is our pile of empty wine flasks. I don't belong to the WCTU."

The album is 20.5 x 15 cm with black cloth covers.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908. Included are cyanotypes, albumen prints, and postcard photo prints. Photographs consist of a railroad crossing tower, railroad station, trestle bridge, freight and passenger steamers, downtown street views, family photographs, grandstands, earth embankments, buildings under construction, and Galveston's seawall and grade raising project. Amusement/water parks shown include Electric Park (Galveston, Texas), Chutes Park (Galveston, Texas), and Lake Cliff Park (Dallas, Texas).

The album is 19 x 14.5 cm with brown paper covers. A cyanotype of an unidentified building is pasted to the front cover.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905. The first portion of the album consists of natural landscape and scenic cyanotypes. Also included are photographs of a flood, street-railroad cars, city street views, a photographer's studio, children, a farm, dogs, a drugstore, and a soda fountain. The last few pages of the album contain 60 small portraits.

The album is 20 x 14.5 cm with black cloth covers.

The Grace D. Banker collection contains letters, photographs, and newspaper clippings written by or relating to Grace D. Banker, a telephone operator who served during World War I as part of the U.S. Army Signal Corps in Europe with the American Expeditionary Forces.

Banker sent two letters to Georgette Poulard, an American immigrant of French origin. On April 8, 1918, in French, Grace Banker informed her friend that she did not see any submarines on the voyage to France, described her appreciation for the French countryside, and gardens, and assured her that she did not carry a revolver as she was not in danger. On September 10, 1918, Banker wrote about the news of her father's death, the picturesque quality of her surroundings, and her current lodgings in a French home. Accompanying the letters are three empty envelopes addressed to Poulard, one containing a newspaper clipping about Banker's decoration and some plant material in a small envelope labelled "My Four and Five and six/leaf clovers/Georgette/Poulard."

The collection includes a silver gelatin portrait photograph of Grace Banker in uniform, mounted in a separated trifold photo mat. A contemporary newspaper clipping, "First Passaic Girl to join the Army," includes a newsprint reproduction of the portrait; it is pasted on the damaged mat.

The Haiti collection contains approximately 132 items related to the social, military, and economic history of Haiti from the mid-18th century through the 19th century. The collection includes correspondence, documents, and a scrapbook. The scrapbook, compiled by Victor Advielle, chronicles the history of the island from 1803, during the last stages of its revolution, through the 1890s.

The Haiti collection contains approximately 130 items related to the social, military, and economic history of Haiti from the mid-18th century through the 19th century. The collection includes correspondence, documents, visual material, and a scrapbook. The scrapbook, compiled by Victor Advielle, chronicles the history of the island from 1803, during the last stages of its revolution, through the 1890s.

• Bonneau et Avril DS, Journal des travaux..., September 1780. La Grande Plaine, [St. Domingue]. Beginning with a list of enslaved persons by profession/type of labor or other details (six women, for example, are indicated as free per the will of M. Baugé). The journal follows, indicating plantation events and the distribution of enslaved workers at different labor or at the hospital. With content related to mill work, sugar production, placing persons in irons, and more.
• Lory, Plombard & Co. ALS to Mr. Guillaumier; November 6, 1783. Cap. News of his brother, finances, and matters relating to enslaved persons (including their health).
• [Jean-Baptiste] Arnaudeau ALS to Madame Veuve Fleuriau, January 26, 1788; Bellevue, [Saint Domingue]. To his aunt, offering condolences on the death of her husband. Recommends buying the Fortin land as it is good for cultivating sugar cane. Purchase of enslaved persons for a good price (10 men and 2 women). Production of sugar and land on the Fleuriau plantation.
• Legal document from 1790 relating to the complicated distribution of Pierre Douault's estate, including the coffee plantation he owned in Saint Domingue.
• Delaire, Painparay & La Maiguere ALS to M. Peyrac, 1791 December 24; Nantes, [France]. 2 pages. Has received news from Port-au-Prince about the ratification of the treaty between "les Blancs & les Gens de couleur." Comments on how the gens de couleur have dictated the law, which is harsh against whites, but upholding it supports peace and protects property holders.
• [Pierre-César-Charles, marquis de] Sercey Partially Printed DS to "l'enseigne St. Prix," 1793 September 1; [New York, New York], 1 page. In French. Written near the New York harbor aboard theÉole . Orders from Commander of the Leeward Islands, "Le Commandant de la Station des Iles de L'Amérique Sous Le Vent," to embark on the frigate Surveillante to continue the ship's service. On illustrated letterhead with a decorative header; the portion featuring three fleurs-de-lis is inked out. N.B. Sercey commanded a fleet of ships carrying colonists fleeing from St. Domingue during the Haitian Revolution to New York and then on to France.
• British officer L. Dichter letter, describing Haiti as the "Devil's own Country"; July 4, 1796.
• An autographed letter by Toussaint L'Ouverture, written on his personal stationery; [1796].
• Citoyen Dodge Gorham and Dodge Gorham et Compagnie partially printed certificates (2) and manuscript document (1) pertinent to the shipment of goods, including beef, on the ship Zéphir (Zephyr) September 12, 1797. Le Cap.
• A deposition providing a firsthand account of revolutionary activity in 1793; October 25, 1799.
• Lovise Munroe manuscript protest, 14 Fructidor [September 1, 1800]; Môle Saint-Nicolas, Saint Domingue. 6 pages. Official notary copy of the protest of Lovise Munroe, captain of the Schooner Two Brothers of Boston, which sailed out of Philadelphia bound with goods consigned to merchant John Lewis at Cap Français. Was forced into the port at Môle Saint-Nicolas, "having been Contraried by the Winds & Weather." General Hyacinthe Moïse ordered that Munroe would "be so good to land All the Articles Useful to the State, such as, Tar, Pitch, Gun-Powder, Muskets, Swords, Pistols, Lead, Bunting, Tin and Flints, these articles will be deposited in the Arsenal in the Manner Order'd and Citn. [Mansey] Colin charged with the sale of the Surplus of the Cargo, will take the Arrangements he shall think most suitable with General Moyse, for the reimbursement of these Articles and the best of his Interest." After the goods were sold, Lewis claimed that he did not receive any compensation for the long sojourn in Môle Saint-Nicolas, but instead needed money to pay for flour, cloth, and cordage for the vessel's use.
• Robert McTaggart letter to Philadelphia merchants [John Reed, Standish Forde, and Samuel Israel]; January 18, 1804. Cap Français. Respecting trade issues, stagnant markets, spoiled produce, government restrictions on coffee purchases. Reference to ships at harbor and difficulties with French privateers.
• Letter to Martin[-Pierre] Foache, April 6, 1804. Au Cap. Describes persecution of white residents preceding the massacre ordered by Jean-Jacques Dessalines.
• A ca. 1815 legal summary of a case regarding the difficulties of collecting bills in post-revolutionary Saint Domingue. References the inability of the French merchant Reveliere to establish a trading house in Saint Domingue around 1802, which forced him to sell his cargo with a military contractor, but payment was later suspended by a governmental decree. Notes the impact on third-party bearers of the bills.
• B[elfast] Burton [draft letters?] to [Richard Allen?], [1825]; Semana, Haiti. 2 pages. Two letters on opposite sides of a single sheet. Discussion of issues with Pierre Joseph Marie Granville (Jonathas Granville), governance, authority, "there is nothing equal to truth & honesty and industry..." Politics, meddling of Alexander, support but apprehensions regarding President Jean-Pierre Boyer, and the campaign to promote African American immigration to the Republic of Haiti.
• Eugène-Léopold-François Pesnel DS petition to Faustin Soulouque, [1856?]; Cherbourg, [France]. 14 pages. Petition by Pesnel, requesting Empereur Soulouque to grant compensation to Marie Jeanne Pesnel, his mother, for property and proceeds lost as a result of the Haitian Revolution. Marie's father Thomas de Launay owned dwellings north of Cap Français and in Borgne. He had lived in Saint Domingue for 45 years before his death in 1781. The properties, including a cafeterie, had an annual profit of around 300,000 francs. The capital was 6,000,000 francs, which would have increased considerably in the hands of merchant de Launay and his descendants. Pesnel's request include a lengthy affirmation of his Republican sentiments, love of freedom, and dislike of slavery. The last page of the petition includes a transcription of a baptismal record of Marie Jeanne de Launay.

Other items are two photographs, a copy of L'Écho de la Timbrologie that traces the history of Haiti (January 31, 1954), a Carte de l'Isle de Saint Domingue ([1759], housed in the Map Division), a 1788 postmark from "Cap Haitien," and a newletter about French colonial postmarks.

Victor Advielle compiled the scrapbook, entitled Notes sur Haiti, in Paris in 1895. In addition to newspaper clippings, speeches, correspondence, and government documents, the volume has a piece of music entitled "Les paroles sont de Mr. de la Soriniere danjou, Et la Musique de Mr. Boran de St. Domingue." The scrapbook pertains to Haiti's 19th-century history. The section entitled "Ma Correspondence avec Légitime" contains personal correspondence between Victor Advielle and François Denys Légitime, who later became president of Haiti (1888-1889). The material within the scrapbook is in French.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915. The diary includes numerous photographs, concert programs, and other clippings related to her summer. Both the diary and correspondence reflect Moorhouse’s interests in music, botany, art, and reading.

I. Diary, 1906

Helen Moorhouse’s 172-page diary from the two months she spent as a contracted musician at the Hotel Mattaquason in Chatham, Massachusetts, in the summer of 1906 offers a detailed account of daily life at a summer resort on Cape Cod.

Positioned somewhere between the hotel’s wait-staff and guests, Helen and her fellow trio members, Mary Molly Durgin and E. Isabel Foster, performed twice each day, but otherwise seem to have spent much of their time reading, sewing, and going on outings to the beach or into the village of Chatham. The diary entries record these activities, along with anecdotes about the hotel guests and employees, with particular attention paid to how the music the trio prepared and performed was selected and received. Other figures that appear throughout the diary are Mr. and Mrs. Frederick Wilkey, the Hotel Mattaquason’s proprietors; hotel guest Mrs. Edward Arthur James, of Chicago, and her son Sydney L. James, a violinist who often played with the Middlesex Trio over the course of the summer; Miss Ellen L. Cabot, a hotel guest who frequently commented on the trio’s music; Miss Haddock, a guest who also performed music; and Mr. Middlemass, the hotel’s head waiter and a student at Harvard. Other entries of note include a lengthy description of ice on the Great Lakes (29-31), the visits of an Armenian trader to the hotel (59; 113), a description of meeting journalist Lillian Whiting, who wrote The House Beautiful (83), and the complaints of an old crank of a Women’s Club Woman (99-103).

The journal contains various pieces of ephemera related to the concerts, activities, and places described in the written entries. These additions include 65 photographs (18 of which are cyanotypes), of beach scenes, the village of Chatham, the hotel, and its guests and staff; 2 real photo postcards; 2 hand-drawn sketches, one a diagram of her room and the other the view from her window; 2 news clippings; 6 concert programs from the Middlesex Trio’s performances at the Mattaquason; 3 visiting cards; 4 dinner menus from the hotel; a letter of music recommendations from Mr. Herbert H. White; and several other miscellaneous pieces of the hotel’s promotional literature. A couple of the photographs show men outfitted in dresses to play a hybrid game of baseball and tennis with the ladies of the hotel (132-133).

Moorhouse seems, in part, to have kept the diary as a record of the summer to share later with her parents, who were themselves vacationing for part of the summer at the shore in Mattapoisett, Massachusetts.

II. Correspondence, [1915]

This portion of the collection consists of thirty-two letters that Helen Moorhouse wrote between the end of June and mid-August 1915 to Alice E. Brown, a widow with whom she was romantically involved.

Moorhouse was in the midst of a nine-week contract to perform as a member of a music trio at the Nichewaug Inn in the central Massachusetts town of Petersham, while Brown was at home in Melrose, just outside Boston. During their time at the Nichewaug, Moorhouse and her fellow musicians, Susie Wells and a Miss Wilson, tended to practice music or paint landscape scenes in the mornings and performed each afternoon and evening in the hotel’s music room. The letters also reveal her keen interest in botany, art, and reading. In particular, she spent much of the summer reading the works of American philosopher John Fiske, whose son was the proprietor of the Nichewaug, as well as a history of architecture.

Moorhouse’s account of her days at the Nichewaug are interspersed with outpourings of longing for Alice, her Dear Heart, and candid reflections about how the couple was negotiating the familial and financial terrain of their relationship. News about Brown’s two children, Effie and George, as well as Moorhouse’s aunts feature prominently in the correspondence. A couple of the letters additionally contain Moorhouse’s thoughts on current events, including World War I, women’s suffrage, and the status of Native Americans living on reservations. In one of the letters, she included sketches of British war posters that a group of women fundraising for Belgian refugees had brought to the hotel to display and sell.

This collection consists of two letters from Jacqueline Onassis to Douglas Mansell, thanking him for the 4th grade field trip he led at the Bethlehem Steel Corporation's shipyard in Hoboken, New Jersey. In one letter, she enclosed 19 handwritten reflections by the students about the shipyard visit. The field trip was for Onassis's son, John F. Kennedy, Jr., and his class at the Collegiate School for Boys in New York. Five photographs depicting the class and their chaperones at the shipyard, featuring Onassis and her son, accompany the correspondence.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

The John W. Davis papers consist of 43 letters, 1 fragment, 17 photographs, and 4 strips of negatives sent from Davis to his wife, Nellie, while he worked on military construction projects in Puerto Rico with the Madigan & Hyland Company during the Second World War. He provided detailed descriptions of the weather, scenery, and local people and customs. He frequently commented on his pregnant wife's health and the couple's finances.

The Correspondence series contains 43 letters (April 24, 1942-September 3, 1942) and one fragment of a letter, all written by Davis to his wife, Nellie, in East Rockaway, New York. Davis worried about the effects of censorship on his correspondence and complained when portions of the New York Times, sent to him by Nellie, were excised (June 25). Despite these concerns, he revealed a little about his work and much about his daily experiences in and opinions of Puerto Rico. He provided Nellie with his early impressions of the island and its people (April 24). He mentioned local food prices and his eating habits, particularly in his later letters. Although he grew increasingly accustomed to the warm weather, he maintained a generally negative opinion of the island, mitigated slightly by a visit to more modernized Ponce (July 13).

Davis often remarked about the content of Nellie's letters, inquired about her pregnancy and about news of acquaintances on Long Island, and sent portions of his wages home (often accompanied by a discussion of the couple's financial situation). Despite believing that mail service was somewhat unreliable, he frequently sent money home to his wife and attempted to follow war-related news, though he complained of the difficulty of obtaining reliable information. He also commented upon his contract situation and intent to return to New York in early September, though he explicitly stated that most details of his work must remain confidential.

The Photographs series holds 17 black-and-white prints depicting tropical scenery, people sitting on and fishing off of a dock, and the Marine Studios Biological Station, as well as 4 strips of negatives, each with two images.

This volume is a typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

This volume is a 27-page typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

The Lake George camping party consisted of at least seven acquaintances: Charles W. Byrnes, Alice B. Byrnes, William L. Brown, Georgia B. Sumner, Edwin W. Andrews, Maybelle Ramsay, and R. C. Sargent. Maybelle and a man referred to as "the Doctor" left the group partway through the trip. The account, titled "Wotlarks: A Camping Journal," opens with an epigraph by William Henry Harrison Murray, followed by 24 pages of recollections. The campers embarked from Caldwell, New York, on July 31, 1892, spent 2 weeks on the lake, and then boarded a train for Boston from the area around Fort Ticonderoga on August 13, 1892.

The author of this typescript (possibly camper William L. Brown), described the scenery, meals, and notable incidents. He or she also quoted poems by P. Buchanan Read and Isaac Ogden Rankin. The 7 party members signed the final page of the typescript. Twenty-one photographs, pasted onto sturdy boards between pages of the journal, depict scenery around Lake George, the campers in their canoes, men and women posing with guns, a man fishing, the group near their tents, and other scenes.

The volume includes a carefully drawn or traced manuscript map of Lake George, marked with the places that the campers visited.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.

This memory album was assembled by Mary Hewins Fox (later Mary Hewins Fiske) to document her involvement with theater, music, and poetry in New York City.

Mary Fox apparently assembled and illustrated this memory album of her original work in about 1863. She included song lyrics (some published in a newspaper under a pseudonym, Dan Bryant), 24 watercolor and 6 pencil illustrations, and 5 photographs. Mary Fox's illustrations depicted well-known actors in familiar roles, though two are illustrations of neo-classical sculptures (Powers' Greek Slave and Copland's Ino and Bacchus), and other sketches with classical themes.

Fox's songs are typical of popular songs of the era. The printed songs were published under the name of Dan Bryant. In the book, Mary Fox has crossed out "Dan Bryant" and written her own name: Mrs. C.K. Fox. The printed songs include "Oh, My Love's Gone," "The Female Smuggler," and "My Johnny was a Shoemaker." The hand-written songs include "Lager Beer Song," "The Irish Sutler Girl" (possibly inspired by the Civil War), and "The Gal not Sports."

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905. A majority of these images show Martha's Vineyard and Newport, Rhode Island. Many of these images show scenes of tourist destinations. Notable destinations include Paul Revere's House, the Thoreau-Alcott House, The Breakers, Touro Synagogue Cemetery, and the Marine Hospital of Vineyard Haven. Also shown are views of beaches and people in swimwear.

The album is 18.5 x 14.5 cm with dark brown cloth covers.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910. The images consist primarily of informal snapshots of family, friends, and travel. There are no captions or notations beyond an inscription on the front inside cover which reads, "Mildred W Drury."

The first pages of the album include photographs taken in New York City. On a few of these pages, Columbia University's Low Memorial Library can be seen. On page 15, a woman sculpting a bust and a sculptor's studio are shown. The next few pages show various views from the grounds of Château de Versailles. In particular, Hameau de la Reine can be seen in the background on page 20. Also taken in France, photographs on pages 68 through 70 show views from the Eiffel Tower. On page 21 are photographs of Ely Cathedral. The next series of photographs were likely taken in the Netherlands. Images show canals, canal boats, towpaths, and traditional dress and architecture of the region. Following, are five pages of the Alps, traveling through the mountains, and hotels. Photographs on pages 48 through 52 were taken in Italy and show Amalfi, Amalfi Drive (Strada Statale 163), Piazza San Marco, gondolas, and women doing laundry. The last portion of the album includes photographs likely taken in the United States. These photographs show family gatherings, snowshoeing, golfing, and canoeing.

The album is 20.25 x 14.75 cm with green cloth covers.

This photograph album contains 72 photographs of a Shriners International trip to Glacier and Grand Canyon National Parks in 1920.

This photograph album contains 72 photographs of a Shriners International trip to Glacier and Grand Canyon National Parks in 1920. Each page includes handwritten notations stating location. The album begins with images of La Crosse (Wisconsin), Vista House along the Columbia River (Oregon), Grand Canyon, and Garden of the Gods. Following, are views of Glacier National Park including Saint Mary Lake, Many Glacier, Many Glacier Hotel, and Shriner members dancing with "waitresses." Of particular note are images of Shriner members among Blackfeet and Hopi Native Americans. The album ends with two images of San Francisco; a birds-eye view of the city and the Golden Gate strait.

The album is 20.5 x 14.5 cm with brown paper covers. "Shrine Trip 1920" is handwritten on the front cover.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928. Each photograph includes notation naming location, individuals, and some dates. Multiple photographs are missing. The first portion of the album shows various locations in Arizona including the Sentinel (Arizona), Gillespie Dam, San Xavier Mission and Grotto, Casa Grande Ruins, Wickenburg Mountains, Granite Dells, Hopi Point and Powell Memorial at the Grand Canyon, Painted Desert, and Canyon Lake. Locations in New Mexico include Elephant Butte Dam, Hot Springs, and Raton Pass. Auto camps shown include "Stumble Inn," (Tucson, Arizona), Rowe's Well Camp (near the Grand Canyon), and Texas Home Camp (Hot Springs, New Mexico). The last image is of the Oklahoma State Capitol.

Many captions name William and Mattie Mulholland in the photographs. Also included is one loose photograph of poodles from "Baby Doll Kennels," in Erie, Pennsylvania.

The album is 20.5 x 13.5 cm with black artificial leather covers.

The Vacation days on the Cedar River photograph album contains 11 photographs of a summer cottage and vacation along the Cedar River, Cedar Rapids, Iowa in 1915.

The Vacation days on the Cedar River photograph album contains 11 photographs of a summer cottage and vacation along the Cedar River in 1915. The inside front cover page includes a typed note naming Miss Christine Peper, likely the owner of the album, and William Baylis, a landscape photographer based in Cedar Rapids. William Baylis' name can be found on the back of each photograph. The images show people canoeing, fishing, sawing, and eating watermelon on the porch of a small cottage. On the inside back cover page, below a photograph of the cottage, is a typed note stating, "This summer-cottage on the Cedar river is for rent by the day, week or month. EVERY SEASON." Two photographs appear to have been torn out.

The album is 18 x 14 cm with black paper covers. The front cover includes a pasted on photograph of a sailboat. "Vacation Days on the Cedar River - Billy's Cottage, 1915, Cedar Rapids, Iowa" is handwritten on the front cover in white

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division. The photographs are individually numbered and the typed explanations occasionally include commentary on the careers of pictured marines.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division.

Eight 8"x10" black-and-white photographs illustrate steps in the V-mail creation process, from initial composition to delivery. Eight 1-page, typed documents explain each step and occasionally identify the members of the Marine Corps 2nd Division depicted in the images, variously noting names, ranks, hometowns, and service histories. The explanatory text also provides numerical figures associated with the Marine Corps mail service, including an estimate of total pieces handled daily (image 2D-37), the number of letters on each roll of film and number photographed per hour (image 2D-39), the rate at which an operator prints and cuts images (image 2D-40), and the number of V-mail letters that could fit in one mailbag (image 2D-43). Sergeant J. L. Burns took the first photograph, and Sergeant Andy Knight took the remaining 7; each image is also attributed to Warrant Officer J.F. Leopold, Photo Officer, 2nd Marine Division.

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

Most items in the Correspondence and Newspaper Clippings series are letters of thanks Workman received shortly after his television appearance. Viewers and listeners sent 23 acknowledgments in letters, postcards, and telegrams, most written on September 30, 1957. Though the overwhelming majority of correspondents provided positive feedback, one provided a strongly negative response. Most letters originated from viewers in southern states, who lauded Workman for his comments on the effects of integration policies on the South, and often expressed their own opinions and thoughts on racial issues and on relations between the North and South. Writers overwhelmingly supported segregation. Many referred to the right to self-governance, and a man named Ed. C. Dennis, Jr., jokingly referred to the possibility of South Carolina seceding from the Union. One woman also noted her father's service in the Confederate Army, and many writers commented on recent desegregation attempts in Little Rock, Arkansas. A few correspondents also shared their feelings, usually negative, about Jews and Catholics. Workman received newspaper clippings and pamphlets on similar topics, particularly on religious and political issues; one took exception to the upcoming film Island in the Sun, which featured interracial romances. The series also holds a bundled group of letters between Workman and producers at CBS, who thanked him for his participation in the program.

The Typescript and Photograph series contains a typescript of the "Report on Integration," which aired on CBS television on September 29, 1957, and on CBS radio on September 30, 1957, as well as a black-and-white photograph of the panel participants.