Collections : [University of Michigan William L. Clements Library]

The Souvenir of Orlando, Florida photograph album contains 42 photographs of the southeastern United States from ca. 1940 to 1950.

The Souvenir of Orlando, Florida photograph album contains 42 photographs of the southeastern United States from ca. 1940 to 1950. Photographs show steamboat tours of New Orleans (Louisiana), a replica tourist attraction of Native American trading posts, a harbor, construction, laborers harvesting crops, and a parade.

The album is 16.5 x 12.75 cm with brown artificial leather covers. "Snapshots / Souvenir of Orlando, Fla." is stamped on the front cover in silver.

This photograph album contains 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Much of the images show the Murray High School for Girls and its students.

This photograph album 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Many of the images show the Murray High School for Girls and its students. Young girls are shown in the school yard being led through routines and stretches, in class portraits, on a riverboat, and likely participating in May Day celebrations dancing around a maypole. The girls are shown wearing two-piece qipao uniforms with a white blouse and black skirts or trousers. In several photographs students can be seen waving the first national flag of the Republic of China. Two images include a stamp on the back that reads, "Dr. Evalena S. C. Fleming, American Presbyterian Mission, Tsinanfu North China." Dr. Fleming was an amateur photographer and likely the owner of the album. The accordion style album also contains five loose photographs in a mylar sleeve.

The album is 18.25 x 12 cm with decorative cloth covers.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

A carte de visite and postcard are loose in the front of the album. The carte de visite of an unidentified man photographed in Pottstown, Pennsylvania. The postcard depicts the Basilica of Sainte-Anne-de-Beaupré, Quebec.

The first few pages of photographs depict Mount Gretna, Pennsylvania and show the Pennsylvania National Guard’s encampment, a river (possibly the Susquehanna River), and three men identified as Captain Arthur C. Colahan, Lieutenant Edward Hoopes, and Lieutenant William P. Wattles. Only the first two pages include captions.

The next series of photos likely show the Pennsylvania National Guard's encampment near El Paso, Texas, which they occupied until early 1917. These photos show border patrol, artillery training, drills, supply wagon trains, a polo team, game of baseball, a dust devil, reconnaissance aircraft, cavalry maneuvers, and a cavalry charge.

Interspersed throughout are photographs of civilian and family life. These images include a woman and newborn child, likely the unidentified compiler's wife and child. Some of these photos show picnics, a bullfight, racehorse track, a ranch, and scenic landscapes. Many show small towns and vernacular architecture, specifically mission style which was common to the area. Of particular note is a parade with a large sign, "We're from El Paso Tex/ Berlin or Bust."

The remaining portion of the album contains images of Texas, showing scenes at a park, the Capitol Building, and more family photos. Other identifiable locations include the Alamo, Kern Place, Hotel Sheldon (El Paso, Texas), and Elephant Butte Dam and Reservoir.

The San Antonio, Texas family photograph album contains approximately 115 photographs of a family taken in and around San Antonio, Texas from ca. 1910-1930.

The San Antonio, Texas family photograph album contains approximately 115 photographs of a family taken in and around San Antonio, Texas from ca. 1910-1930. The photographs vary in size and a few include handwritten notations on the front or back. These notations mention first names (Art, Uncle Ed, and Allan) and the address of one of the frequently appearing houses, 624 E Guenther St, San Antonio, Texas. The images show a family over a period of approximately a decade, featuring Allan throughout his childhood. Allan can be seen with multiple dogs, cats, and chickens, swimming, in a baseball uniform, and with his family. One photo is of particular interest; Allan, as a toddler, is holding a rifle and is standing with two men in baseball uniforms and military gear at a military encampment. Also noteworthy, a small portion of the photographs have a "Fox Tone Picture," stamp on the back. Some photographs are loose throughout the album and others are housed in folders between pages.

The album is 18.5 x 14 cm with black cloth covers.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910. The images consist primarily of informal snapshots of family, friends, and travel. There are no captions or notations beyond an inscription on the front inside cover which reads, "Mildred W Drury."

The first pages of the album include photographs taken in New York City. On a few of these pages, Columbia University's Low Memorial Library can be seen. On page 15, a woman sculpting a bust and a sculptor's studio are shown. The next few pages show various views from the grounds of Château de Versailles. In particular, Hameau de la Reine can be seen in the background on page 20. Also taken in France, photographs on pages 68 through 70 show views from the Eiffel Tower. On page 21 are photographs of Ely Cathedral. The next series of photographs were likely taken in the Netherlands. Images show canals, canal boats, towpaths, and traditional dress and architecture of the region. Following, are five pages of the Alps, traveling through the mountains, and hotels. Photographs on pages 48 through 52 were taken in Italy and show Amalfi, Amalfi Drive (Strada Statale 163), Piazza San Marco, gondolas, and women doing laundry. The last portion of the album includes photographs likely taken in the United States. These photographs show family gatherings, snowshoeing, golfing, and canoeing.

The album is 20.25 x 14.75 cm with green cloth covers.

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Füssen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Fussen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The first 50 photos housed in the album consist primarily of interior views of the apartment. Handwritten notes provide general descriptions of the view (e.g. "looking from salon through little room where the books are into the salottino"). One specific piece of furniture mentioned is a credenza; which, according to the note, came from the British Embassy. Also included are images of a garden terrace (covered in snow), rooftop cityscape views of Rome, and three individuals (man, woman, and maid). The woman, likely the creator of the album, is referred to as Mable and the maid as Livie. In addition, there is one photo of the Holywell Ford House at Magdalen College, Oxford.

The remaining 24 photos are loose and housed in an envelope. These images show scenes of traveling and sightseeing throughout Europe. Specific sites include the House of Agnes in Canterbury, Sacro Speco in Subiaco, and downtown views of Weesen and Füssen. Of particular note is a photo of a pile of empty fiaschi. The handwritten notation on the back reads "This is our pile of empty wine flasks. I don't belong to the WCTU."

The album is 20.5 x 15 cm with black cloth covers.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908. Included are cyanotypes, albumen prints, and postcard photo prints. Photographs consist of a railroad crossing tower, railroad station, trestle bridge, freight and passenger steamers, downtown street views, family photographs, grandstands, earth embankments, buildings under construction, and Galveston's seawall and grade raising project. Amusement/water parks shown include Electric Park (Galveston, Texas), Chutes Park (Galveston, Texas), and Lake Cliff Park (Dallas, Texas).

The album is 19 x 14.5 cm with brown paper covers. A cyanotype of an unidentified building is pasted to the front cover.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905. The first portion of the album consists of natural landscape and scenic cyanotypes. Also included are photographs of a flood, street-railroad cars, city street views, a photographer's studio, children, a farm, dogs, a drugstore, and a soda fountain. The last few pages of the album contain 60 small portraits.

The album is 20 x 14.5 cm with black cloth covers.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905. A majority of these images show Martha's Vineyard and Newport, Rhode Island. Many of these images show scenes of tourist destinations. Notable destinations include Paul Revere's House, the Thoreau-Alcott House, The Breakers, Touro Synagogue Cemetery, and the Marine Hospital of Vineyard Haven. Also shown are views of beaches and people in swimwear.

The album is 18.5 x 14.5 cm with dark brown cloth covers.

The Jerome, Arizona mining photographs consist of 56 photographs (including 33 real photograph postcards) related to mining operations, anti-labor vigilantism, and Arizona scenery.

Most of these images appear to have been taken by an anonymous photographer who referred to himself as "Bob" and who may have been associated with a Philadelphia-based contracting firm, Charles A. Sims & Co., that was hired by the United Verde Mine. Many of the photographs have handwritten captions and bear evidence of having previously been mounted in a scrapbook; many captions have been rendered partially illegible after being affected during the removal process. The captions directly refer to details within the photographs, particularly related to mining operations.

A total of 33 real photo postcards are present, including 14 locally produced images by The Fotoplace and Areldson Studio. Several real photo postcards bear correspondence, and "Bob" appears to have sent some of these images to a woman named "Kitty."

Items of particular interest include at least two photographs depicting J. E. O'Rourke (the superintendent of the United Verde Mine); multiple views of Jerome, Arizona, including street and bird’s-eye views; multiple views of mining facilities and encampments; three images of Native Americans (likely Yavapai); two views of the Montezuma Castle cliff dwellings; a view of stalactites taken from the inside of a cavern; and eight images documenting the expulsion of I.W.W. strikers in Jerome in July 1917 by local citizens who were organized into a vigilance committee. Also present are at least five images taken near present-day Tonto Basin, Arizona, north of the Theodore Roosevelt Dam, which may be associated with another project on which the Charles A. Sims & Co. firm was contracted. While the dam itself does not appear in any of these images, the photographer wrote that the area depicted was to be inundated. Since the dam was constructed by the U.S. Reclamation Service between 1903 and 1911, these images are likely older than those taken in Jerome.

For a complete list of the collection’s contents, see the Detailed Box and Folder Listing section below.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. It includes photographs and illustrations of the mission and its missionaries, accompanied by captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. The thirty-four silver print photographs are supplemented by half-tone illustrations of the mission and its missionaries (excised from an unidentified publication), and are accompanied by hand-written and typed captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life. Based upon writing inside the front cover, the scrapbook appears to have been assembled at or for the mission within a few years after Day's death.

Although the creator of the scrapbook is unidentified, the book remains a valuable record of the Lutheran missionary enterprise in Liberia and missionary responses to the inhabitants of that country. The series of images and captions seem equally concerned with religious "progress" (Christianization) and the material improvement of native lives as gauged by their adoption of western dress, methods of production, and attitudes toward work. Singled out for special note are a seven year old girl from "one of the tribes 100 miles north of the mission" who took pride in her dress and ability to use a broom, and a particularly devoted convert, Henry Stewart, and the author of the scrapbook included several views of particularly well-dressed groups of converts assembled and posed in orderly fashion. Along with views of the tidy mission complex itself, there is a secondary emphasis on the unconverted, with illustrations of their method of travel (by hammock), "half-civilized" natives at a saw mill, and semi-nude men standing by the river, awaiting a canoe. The typed captions offer a somewhat more extended, but still relatively brief commentary on native (Grebo) life and their lack of western attitudes and advantages.

Due to the highly brittle paper and exceptionally delicate nature of the scrapbook, researchers are requested to consult with the curatorial staff before beginning their research.

This memory album was assembled by Mary Hewins Fox (later Mary Hewins Fiske) to document her involvement with theater, music, and poetry in New York City.

Mary Fox apparently assembled and illustrated this memory album of her original work in about 1863. She included song lyrics (some published in a newspaper under a pseudonym, Dan Bryant), 24 watercolor and 6 pencil illustrations, and 5 photographs. Mary Fox's illustrations depicted well-known actors in familiar roles, though two are illustrations of neo-classical sculptures (Powers' Greek Slave and Copland's Ino and Bacchus), and other sketches with classical themes.

Fox's songs are typical of popular songs of the era. The printed songs were published under the name of Dan Bryant. In the book, Mary Fox has crossed out "Dan Bryant" and written her own name: Mrs. C.K. Fox. The printed songs include "Oh, My Love's Gone," "The Female Smuggler," and "My Johnny was a Shoemaker." The hand-written songs include "Lager Beer Song," "The Irish Sutler Girl" (possibly inspired by the Civil War), and "The Gal not Sports."

The Hopkins family papers contain wide variety of materials relating to the Hopkins family of Vermont and California. A few of the wide variety of topics covered include the Episcopal Church, student life at the University of Vermont, the 1849 Gold Rush and 19th-century life in California, the San Francisco Earthquake of 1906, art, and music.

The Hopkins Family papers document the activities of several generations of the Hopkins family of Vermont and California, whose members included prominent 19th century artists, musicians, religious figures, and writers. Among its notable figures are John Henry Hopkins (1792-1868), the first Episcopal bishop of Vermont; John Henry Hopkins, Jr., best known for writing the song "We Three Kings"; and Caspar Hopkins, a writer, early explorer of southern Oregon, and miner and entrepreneur during the California Gold Rush. Perhaps the most extraordinary aspect of the Hopkins family was the wide extent of their collective talents and experiences. As a result, their collection touches on numerous historical subjects, including the Episcopal Church, the insurance business in California, shipping, Vermont in the 19th century, California during and after the Gold Rush, gothic architecture, classical and religious music, education, and family life during the 19th century. Spanning 1800 to 1932, and comprising four linear feet of material, the collection contains a huge variety of material, including correspondence, documents, printed matter, drawings, manuscript and printed music, photographs, broadsides, pamphlets, monographs, periodicals, and maps.

The Correspondence series contains approximately 400 incoming and outgoing letters, spanning 1824 to 1932, with the bulk concentrated in the years between 1830 and 1890. Caspar Hopkins contributed the largest number of letters to the collection, writing approximately 25%; followed by his brother, John, Jr., (15%); his mother, Melusina (10%); his wife, Almira (5%), and his father, John, Sr., (5%). Caspar wrote frequent letters to his wife and family, and they document many stages of his life, such as his 1849 voyage to California via Mexico and his participation in the Gold Rush as a speculator and businessman, his exploration of the Umpqua River in southern Oregon in the early 1850s, and his career as president of the California Insurance Company in the 1860s through the 1880s. His Gold Rush letters in particular contain incisive comments on the miners he encountered and on their way of life. On October 14, 1850, he wrote a letter to "Friend Clarke," describing frontier conditions, the attitudes of settlers, and the habits of Native Americans in the Klamath River Valley. Many letters also discuss religious and intellectual matters, two areas of interest for Caspar.

Bishop John H. Hopkins' letters span 1831-1866 and contain a great deal of advice to Caspar, as well as his thoughts on religious matters, the Civil War, family affairs, and many other topics. In a few early letters written to Caspar when he was a young man, John described his views on the raising of children and gave advice on being successful (December 11, 1850); he lamented Caspar's lack of interest in the ministry as a career (February 20, 1851). Other letters by the bishop touch on the satisfaction of worship (August 17, 1854), contain pro-South speculation as to the causes of the Civil War (May 28, 1861), and mention his upcoming golden wedding anniversary with Melusina (March 10, 1865). In a letter of August 10, 1866, John addressed Caspar's growing skepticism toward organized religion, urging him to return to the church "to which you and your dear family rightfully belong," despite its "earthly" defects. John Henry Hopkins, Jr., wrote several dozen letters, primarily concerning his experience as a member of the clergy, touching often on pedagogical subjects which ranged from arguments on why Lincoln was a bad president to theological discourses, some even written in Latin. On February 25, 1844, he wrote a particularly good description of student life at the University of Vermont, and bemoaned the "inveterate practice of loafing into each other's rooms in study hours" and "lolling on each other's beds." The Hopkins women are also well-represented among the letter-writers. Melusina Mueller Hopkins, the wife of Bishop Hopkins, wrote numerous letters to Caspar, which include biographical information about Caspar's siblings and father, as well as other family news. Others female writers include Amelia Muller (Melusina's sister), and Caspar's sisters Caroline Hopkins Canfield and Matilda Hopkins Camp.

The Bishop Hopkins' Sermons and Pastoral Letters series contains ten manuscript sermons (including one fragment), two printed sermons, and two printed pastoral letters. The manuscript items note the various dates on which Hopkins read them before his congregation; he frequently performed them multiple times between 1824 and 1862. The printed sermons and pastoral letters all date to the period of 1850-1855. They touch on numerous religious and scriptural themes and shed light on the Episcopal Church in Vermont and Hopkins' own views on morality, the meaning of life, and the role of the church. Many additional items written by Hopkins are housed in the Book Division, and listed under "Additional Descriptive Data."

The Caspar Hopkins' Writings and Documents series contains one linear foot of material, dating from Hopkins' college years (1845-1847) to the end of his life in the 1890s. Containing both manuscript and printed items, it includes four subseries. The General Writings subseries consists of 24 items, including essays that Hopkins wrote for classes at the University of Vermont, several plays, and articles that he wrote on topics as diverse as divorce law, happiness, American government, and the insurance agency. The second subseries, Berkeley Club Writings, contains 16 manuscript essays that Hopkins wrote between 1873 and 1889 for presentation to the social and intellectual organization, the Berkeley Club. They pertain to such topic as evolution, agnosticism, religion in public schools, and marriage and divorce. The Autobiography subseries consists of three copies of Hopkins' self-published biography, written in 1889, which provides biographical information and insightful commentary on himself and various other members of the Hopkins family. The final subseries, Documents, includes three documents relating to Caspar Hopkins dated between 1873 and 1893: a publishing contract, a printed petition, and a will.

The Printed Matter and Clippings series contains miscellaneous printed items related to or collected by members of the Hopkins family, dating ca. 1850 to ca. 1940. The series comprises printed playbills and concert programs, newspaper articles relating to members of the family, and other printed material. It also includes an undated phrenology chart for Caspar Hopkins. Two printed broadsides in this series are housed in the Graphics Division. For more information, see "Separated Materials" under "Additional Descriptive Data."

The Genealogy series contains manuscript and printed information on various lines of the Hopkins family, gathered primarily in the early 20th-century.

The Music series includes manuscript and printed music played or written by various members of the Hopkins family. Among the many items of interest are a volume of music written by Bishop John Hopkins; a set of scores written and copied by Caspar Hopkins while in California, 1861-1865; and two ca. 1800 books of German songs belonging to the sisters of Melusina Mueller, Charlotte and Theresa.

The Art series contains the drawings, sketches, watercolors, and hand-colored botanical paintings produced by Bishop John Hopkins, his mother (Elizabeth Fitzackerly), and his children. Included are six volumes of drawings and watercolors by the bishop, which depict scenes he encountered while traveling in upstate New York in 1825, gothic churches, landscapes, and human hands. Of particular note are nineteen large plates from Hopkins' 1834 Vermont Flower Book, nine of which his children hand-painted, as well as a letter from William Bayard Hopkins, laid into the volume, describing their habit of working together around the dining room table. Also of interest are botanical paintings by Hopkins' mother, Elizabeth Fitzackerly, dating to the late 18th- or early 19th-century.

The Photographs and Maps series includes approximately 50 photographs of various members of the Hopkins family, including John Hopkins, Sr.; Melusina Hopkins; Caspar Hopkins; John Henry Hopkins; Jr.; Frances (Hopkins) Hinckley; William Bayard Hopkins; and various family groups, landmarks, and homes. Formats include cartes de visite, cabinet cards, tintypes, and a glass plate positive. Also present are two large views of San Francisco shortly after the destruction of the 1906 San Francisco earthquake. The collection also includes three maps, housed in the Map Division. They include an 1849 sketch of San Francisco by Caspar Hopkins; a map of Penobscot County, Maine (ca. 1900); and one of the Union Pacific Railroad and its rail connections (1872). For more information, see "Separated Materials" under "Additional Descriptive Data."

The William L. Babaian collection is made up of correspondence, photographs, greeting cards, and newspaper clippings related to Babaian's life, including his service with the United States Army during the Vietnam War.

The William L. Babaian collection is made up of correspondence, photographs, greeting cards, and newspaper clippings related to Babaian's life and army service during the Vietnam War. The 16 items in the Correspondence series document his second term of military service. He wrote to his sister and brother-in-law, Marguerite and George Harms of Ann Arbor, Michigan, about his family. Several letters relate directly to his army experiences, including a lengthy letter in which he described his medical clinic in Vietnam (December 31, 1969) and a letter attaching two reports he composed on soldiers' health and obesity (February 10, 1970). He often attached photographs of his wife, children, and locations in Vietnam. A postcard depicts the Japanese "Aquapolis" from the 1975 World's Exposition.

Four additional Photographs show Babaian in uniform during each of his two terms of military service. The collection's Greeting cards are a humorous birthday card Babaian sent to Marguerite Harms, and a Christmas card he wrote from Korea (long after his military service), in which he described his impressions while revisiting the country. The Newspaper clippings series includes 4 clippings regarding Babaian's educational and military accomplishments.

This collection consists of two letters from Jacqueline Onassis to Douglas Mansell, thanking him for the 4th grade field trip he led at the Bethlehem Steel Corporation's shipyard in Hoboken, New Jersey. In one letter, she enclosed 19 handwritten reflections by the students about the shipyard visit. The field trip was for Onassis's son, John F. Kennedy, Jr., and his class at the Collegiate School for Boys in New York. Five photographs depicting the class and their chaperones at the shipyard, featuring Onassis and her son, accompany the correspondence.

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

Most items in the Correspondence and Newspaper Clippings series are letters of thanks Workman received shortly after his television appearance. Viewers and listeners sent 23 acknowledgments in letters, postcards, and telegrams, most written on September 30, 1957. Though the overwhelming majority of correspondents provided positive feedback, one provided a strongly negative response. Most letters originated from viewers in southern states, who lauded Workman for his comments on the effects of integration policies on the South, and often expressed their own opinions and thoughts on racial issues and on relations between the North and South. Writers overwhelmingly supported segregation. Many referred to the right to self-governance, and a man named Ed. C. Dennis, Jr., jokingly referred to the possibility of South Carolina seceding from the Union. One woman also noted her father's service in the Confederate Army, and many writers commented on recent desegregation attempts in Little Rock, Arkansas. A few correspondents also shared their feelings, usually negative, about Jews and Catholics. Workman received newspaper clippings and pamphlets on similar topics, particularly on religious and political issues; one took exception to the upcoming film Island in the Sun, which featured interracial romances. The series also holds a bundled group of letters between Workman and producers at CBS, who thanked him for his participation in the program.

The Typescript and Photograph series contains a typescript of the "Report on Integration," which aired on CBS television on September 29, 1957, and on CBS radio on September 30, 1957, as well as a black-and-white photograph of the panel participants.

This collection contains correspondence, photographs, and printed items pertaining to Lillian G. Ostrand, who was a United States Army nurse with the 123rd General Hospital in England from 1944-1945. In letters to her parents and brother, she described many aspects of life in wartime England. Other items are an early-20th century diary kept by her father Andrew and a memoir by Thomas J. Glennon, who also served with the 123rd General Hospital.

This collection (0.5 linear feet) contains correspondence, photographs, and printed items pertaining to Lillian G. Ostrand, who was a United States Army nurse with the 123rd General Hospital in England from 1944-1945. Other items pertain to her father, Andrew Ostrand, and to a fellow member of the 123rd General Hospital, Thomas J. Glennon.

The Correspondence series (87 items) is divided into two subseries, each arranged chronologically: Manuscript Letters (July 16, 1944-July 29, 1945) and V-Mail Letters (July 30, 1944-August 1, 1945). Lillian G. Ostrand regularly wrote to her parents and brother in Crystal Falls, Michigan, about her service in England with the 123rd General Hospital. After writing about her transatlantic journey, she described many aspects of wartime life in England, such as high prices, blackouts, and travel by bicycle and rail. At the same time, she kept up-to-date with events in the U.S. and wrote about issues such as the 1944 presidential election (October 29, 1944, and November 9, 1944), war bonds (December 11, 1944), and President Roosevelt's death (April 14 and 16, 1945). While in Britain, Ostrand traveled to towns in England, Wales, Northern Ireland, and Scotland. She visited Stratford-upon-Avon multiple times to watch Shakespeare plays and frequently mentioned seeing films and other musical and theatrical performances. Additionally, she commented on changing personnel at the 123rd General Hospital, particularly after V-E Day, and remarked about some of her patients and acquaintances, such as a British intelligence officer who had shown her confiscated letters by Adolf Hitler (July 12, 1945). By August 1945, Ostrand anticipated returning home.

Andrew Ostrand, Lillian's father, kept a Swedish-language Diary (159 pages) about his life in Chicago, Illinois, and in Michigan's Upper Peninsula from April 1, 1906-October 16, 1914. Most entries are from 1906 and 1907.

• A panoramic group photograph of the personnel of the 123rd General Hospital, taken at Camp Ellis, Illinois, in July 1944
• 2 black-and-white photographs of buildings from the 156th General Hospital
• A formal portrait of Lillian G. Ostrand in uniform
• A black-and-white photograph of Hereford Cathedral, pasted onto a cardboard frame
• A color photograph of a plaque commemorating the 123rd General Hospital

Printed Items and Ephemera (6 items) include a document with "Information for Members of the Army Nurse Corps Preparing for Foreign Duty"; menus for the 123rd General Hospital's Thanksgiving and Christmas dinners in 1944; newspaper clippings about V-E Day and about Major Marion S. Clift, who served with Lillian G. Ostrand in England; and a copy of the Yank army weekly (May 18, 1945).

The Thomas J. Glennon Memoir (91 pages) concerns Glennon's military experiences during World War II. He served with the 123rd General Hospital at Camp Ellis, Illinois, and in England, and his memoir provides detailed information about the hospital's work and life in wartime England.

Perspectives on World War II is a 74-page bound collection of reminiscences about World War II. These stories were collected for a series of lectures for the "Living in Retirement" program at the University of Michigan Medical Center in Ann Arbor, Michigan, held on May 8, 1995. Lillian G. Ostrand contributed a brief personal narrative about her wartime experiences.

This collection contains letters related to Carl F. Eichenlaub, who served in the Philippine Islands during the Second World War and continued to correspond with acquaintances there until the mid-1950s. The collection includes letters he sent to Rosamonde Snook, his future wife, during his time in the army, as well as letters he received in the decade after the war from Filipino acquaintances, who described local politics, education, and daily life in the postwar era.

This collection contains letters related to Carl F. Eichenlaub, a native of East Syracuse, New York, who served in the Pacific Theater during the Second World War. He wrote 9 letters to his future wife, Rosamonde U. Snook ("Rose"), between September 23, 1944, and November 22, 1945, while stationed in the Philippine Islands. He described his experiences with the service company of the 716th Tank Battalion as well as the local scenery, weather, and insects. Though soldiers were banned from interacting with the native population, Carl also discussed local customs and the Pidgin English used in conversations (September 23, 1944). Additionally, he responded to news from home and mentioned his leisure activities, which included viewing movies and listening to music. In one letter, he provided a list of some of his favorite songs (May 16, 1945), and in another he drew a diagram of the constellation Orion, though he could not see much of the night sky (November 22, 1945). On October 3, 1945, he wrote about a ceremony honoring numerous soldiers with the Purple Heart, though he disparaged those who he felt had not truly deserved the award.

Between July 28, 1945, and November 27, 1955, Carl and Rose Eichenlaub received 27 letters from Filipinos that Carl had met; his acquaintances initially addressed their letters solely to him, but included Rose after 1950. A number of male and female correspondents, many of whom knew each other, discussed postwar life in the Philippines. Sisters Marcelina and Marina Bambalan, as well as Aurora Ocampo, all students in the Pangasinan province on the island of Luzon, wrote of their educational experiences and social lives, including some reminiscences of encounters with Eichenlaub and other American soldiers. In addition to commenting on postwar rebuilding, destruction, and other effects of the war, they asked Eichenlaub to purchase books or other items. Ricardo V. Ferrando, who lived in the Mintal area of Davao City on the island of Mindanao, focused primarily on reconstruction efforts, labor, and politics in his letters. Other early correspondents included Louis Awatin, who worked for the Everett Steamship Corporation.

Siblings Susan, Alvaro, and Dolores Penoria wrote the majority of the later letters, along with Susan's coworker, Enriqueta de Papillore. These letters, sent from the Misamis Oriental province on the island of Camiguin, concern the economic and daily living conditions in the decade following the war. Susan discussed various aspects of her teaching career and commented on several problems that residents of the Philippine Islands faced throughout the late 1940s and early 1950s, including economic hardship and her skepticism regarding the government. Other letters contain information about the destruction caused by eruptions of Mt. Hibok-Hibok on September 1, 1948; on December 4, 1951; and in March 1952. Throughout the decade, Carl and Rose Eichenlaub sent books, cloth, and other items to their Filipino friends, including some material for a dress diagrammed in Susan Penoria's letter of June 26, 1950.

Several letters include photographs, often portraying the authors in formal dress or with their families. One photograph depicts several children killed by the eruption of Mt. Hibok-Hibok on December 4, 1951.

The John Wilkey, Jr., collection is comprised of military documents, correspondence, ephemera, and photographs related to John W. Wilkey, Jr., who served in the United States Army Air Forces during World War II.

The John Wilkey, Jr., collection is made up of military documents, correspondence, ephemera, and photographs related to John W. Wilkey, Jr., who served in the United States Army Air Forces during World War II.

Mary Wilkey and John Wilkey, Sr., wrote a letter to their son, John Wilkey, Jr., on February 5 and 6, 1946. His mother enclosed copies of letters by Representative Charles Wolverton and Senator Albert Wahl, who responded to her request that they support legislation to discharge fathers currently serving in the military. Wilkey's father expressed his pressing need for his son's help with their wheat farm, and urged him to seek a discharge. The collection also holds Wilkey's official request for a discharge (April 26, 1946) and a special order issued in response by the 40th Bomb Wing headquarters (May 10, 1946), as well as a refund check for 2 cents (January 1945); an undated, printed application for a sugar ration book (not filled out); and an undated, printed advertisement for a commemorative military book. Five snapshot photographs depict John's wife Ruby and their young daughter (April 1946).

The collection contains 3 additional documents: a typed "station notice" containing the order of events for an "Invasion Day rally" (May 19, 1944), a memorandum about "Regulations Concerning Compressed Air" from the torpedo shop at the United States Naval Mine Depot in Yorktown, Virginia (August 26, 1944), and a facsimile of an advertisement for an upcoming publication about the depot (February 1945).

This collection consists of letters Technician Fifth Grade Raymond E. Evans of Bethlehem, Pennsylvania, received from his parents while he served with the United States Army's 93rd General Hospital in England between 1944 and 1945. His parents commented on their social lives in Bethlehem and responded to Raymond's letters and to developments in the war.

This collection consists of manuscript letters and V-mail that Technician Fifth Grade Raymond E. Evans of Bethlehem, Pennsylvania, received from his parents, William E. Raymond and Josephine Weiss Evans, while he served with the United States Army's 93rd General Hospital in England during the Second World War. The letters are divided into two series: Correspondence and Photographs and Ephemera . The Correspondence series contains three subseries: Manuscript Correspondence (166 items, February 15, 1944-December 9, 1945); Manuscript V-Mail Correspondence (92 items, March 21, 1944-September 10, 1945), and Photographed V-Mail Correspondence (1,022 items, February 22, 1944-August 7, 1945). The Photographs and Ephemera series holds 4 photographs; ephemera items, which are tickets and a theater program from Birmingham, England; and a brown case used to house letters, an address book, and 2 of the 4 photographs. Two additional photographs are attached to the letter of September 4, 1945.

The Correspondence series contains 1,280 letters, written by Raymond’s parents to him from February 15, 1944 to December 9, 1945. They wrote to their son almost daily, primarily using V-mail correspondence. Their letters provide news of their lives in Bethlehem, Pennsylvania, and updates about friends and family members. Both of Raymond's parents related news of mail he received at Bethlehem, and occasionally transcribed portions of those letters. As devout members of a local church, they often mentioned their prayers for their son's safety, as well as their attendance at church services and other religious events, and their satisfaction upon hearing that he attended services while abroad. Raymond's father also occasionally mentioned his work on a friend's automobile, and sent updates about professional athletic teams and athletes, particularly related to baseball. William and Josephine Evans occasionally referred to Raymond's military experiences and sometimes reacted to developments in the war, such as the D-Day invasion, V-E Day and V-J Day, and the use of the atomic bomb against Japan (several items, August 1945).

Of the four photographs in the Photographs and Ephemera series , two are of unidentified people and the third and fourth are pictures of William and Josephine Evans and an unidentified man and dog; the latter two are housed with the brown case in which they were originally kept. Two additional photographs of William and Josephine Evans are attached to the letter of September 4, 1945. The address book, which is also housed in the brown case, belonged to Raymond E. Evans and contains listings for friends and family in Bethlehem and from his time in the army, as well as two airmail stamps and a list of instrumental songs.