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The Civilian Conservation Corps (CCC), signed into law by President Franklin D. Roosevelt in 1933, was a federal unemployment relief program designed to put single young men to work during the Great Depression. The CCC employed over 2.5 million men between 1933 and 1942, including 250,000 African Americans, who served in segregated companies. This collection is comprised of 60 photographs, 48 photographic negatives, and digitized images of CCC African American enrollees assigned to work in Michigan companies, including Company 670, Camp Bitely, Company 2695, Camp Free Soil, and and Camp Wahalla.

The collection is comprised of images of the Civilian Conservation Corps African American enrollees from 1933 to 1939. Materials were received by the Bentley in 2016 and in 2018.

The 2016 acquisition includes portrait-style photographs of predominantly unidentified men, assigned to work in Michigan company/camps including Company 670, Camp Bitely, project F-22 and Company 2695, Camp Free Soil, most likely, project F-7.

The title of each photograph was taken from the photograph's inscription, when applicable. All photographs titled "unidentified" had no identifying information, but may have been labeled with a date. After the photographs were digitized and became available online, some of the people depicted on the photographs have been identified by the public.

In 2018, Ray Lyons Jr. donated additional materials that were collected by his father, Ray Lyons Sr., a former member of the CCC. Mr. Lyons Jr. donated additional 30 photographs, 48 negative images, and a small number of clippings to the collection. The images depict African American members of the CCC at a number of locations, including Camp Bitely, Camp Free Soil, and Camp Walhalla. The pictures also document CCC projects such as the building of a Fire Lookout Tower, the clearing of fields and woods, and the construction of a stump fence.

The Arthur Bruhus papers primarily contain incoming and outgoing letters and greeting cards that Sergeant Bruhus wrote and received while serving in the United States Army during World War II. Bruhus described his everyday life at military camps in Maryland and Texas between January 1943 and April 1945 and his service in France between April 1945 and September 1945.

This Arthur Bruhus papers contain over 200 incoming and outgoing letters and greeting cards that Sergeant Arthur Bruhus wrote and received while serving in the United States Army during World War II. Bruhus described his everyday life at military camps in Maryland and Texas between January 1943 and April 1945 and his service in France between April 1945 and September 1945. The collection also includes negatives for 24 photographs and 13 printed and ephemeral items.

The Correspondence series is comprised of letters, greeting cards, V-mail, and postcards. Arthur Bruhus wrote approximately 175 letters to his mother, Anna Bruhus of Palatine, Illinois, during his time in the military. Bruhus served at several domestic military bases throughout the war, and frequently described his travel between camps and during furloughs, his first impressions upon arrival, the surrounding scenery, and nearby cities (particularly in Texas). While stationed at Fort Bliss, Texas, he occasionally visited Ciudad Juárez, Mexico. Bruhus also discussed camp life and, to a lesser extent, his military assignments. After undergoing radio training at Fort Knox, Kentucky, in June 1943, he worked with radio-controlled planes used for target practice. In November 1943, he noted Camp Barkeley's use of German prisoners of war for manual labor (November 12, 1943). Bruhus was deployed to France in April 1945 and served at Épernay until his return to the United States in 1945. While in France, he commented on the scenery and everyday activities. In one letter he recounted his experiences on V-E Day (May 25, 1945). He enclosed church programs in two letters. His final letter to his mother is dated September 4, 1915.

Bruhus also corresponded with his sisters, nieces and nephews, and acquaintances (about 25 incoming and outgoing letters). Anna Bruhus received several letters from her grandchildren.

The Photographic negatives series is made up film negatives for 24 photographs of unidentified military barracks, soldiers, camouflaged tents, and group exercises.

The 13 items in the Printed items and ephemera series include advertisements, programs, and an issue of the Camp Barkeley News (May 12, 1944).

The records of the Division of Research Development and Administration (1919-1996) encompass the DRDA and all of its predecessor organizations, including the Department of Engineering Research, the Engineering Research Institute, the University of Michigan Research Institute, and the Office of Research Administration. Record types include correspondence, topical subject files, research grant files, meeting minutes, financial records, and photographs.

The records of the Division of Research Development and Administration (1919-1996) encompass both the DRDA and all of its predecessor organizations. The papers have been divided into seven major series: Governing and Oversight Bodies (1919-1964), Staff and Committee Records (ca. 1922-1979), Administrative Files (1922-1972), Correspondence Files (1943-1972), Willow Run Laboratories (1946-1966), Directors' Files, and several boxes of Research Grant Files on microfilm. There are also four smaller series: the Engineering College Research Council (1959-1961), Review of the DRDA - Report to Harold Shapiro, 1980, Engineering Research Institute - miscellaneous research reports, Photographs, and Programmed Research Information System at Michigan (PRISM) Reports.

The D. James Galbraith Photographic Collection reflects D. James (Jim) Galbraith's career as a photographer, covering more than five decades and containing thousands of pictures in the form of prints, negatives, and slides about everyday life in rural Michigan. The D. James Galbraith Photographic Collection is significant for its extensive photographic evidence of rural Michigan, particularly its emphasis on families, communities, and local institutions such as churches and schools. The collection is useful as a visual representation of late twentieth-century Michigan, capturing a wide array of social and cultural activities that highlight the daily experiences of Michigan residents.

The D. James Galbraith Photographic Collection is a selection of his work that primarily contains prints, negatives, and slides. The content of Galbraith's photographs is vast, but most reflect various aspects of everyday life throughout the state of Michigan. The collection is arranged into four series: Business Records, Hartland Project, and Private Photography, and Oversize.

Professor Emeritus of Chinese and former Chair of the University of Michigan's Department of Asian Languages and Cultures. Munro was part of an official United States delegation to China in 1973 whose purpose was to study the Chinese educational system. He also taught Chinese activist Chen Ziming when Ziming was a University of Michigan student. Includes notes documenting Munro's 1973 visit to the People's Republic of China, color photographs of views of different Chinese cities, and material related to the enrollment and education of Chen Ziming.

The Donald J. Munro papers (0.7 linear feet) include notes documenting Munro's 1973 visit to the People's Republic of China, color photographs of views of various Chinese cities (such as Guangzhou, Beijing, and Nanjing), and material related to the enrollment and education of Chen Ziming.

The Evans family photograph collection consists of a six-volume set of albums and approximately 60 loose photographs mainly depicting the immediate family of Lucretia Booth Evans of Riverdale, New York. Three of the albums contain baby pictures of Evans and her brothers Mason and Morgan Jr. while the other three albums focus on family life and vacations taken by the family.

The Evans family photograph collection consists of a six-volume set of albums and approximately 60 loose photographs mainly depicting the immediate family of Lucretia Booth Evans. Three of the albums contain baby pictures of Evans and her brothers Mason and Morgan Jr. while the other three albums focus on family life and vacations travel.

Volume One: The Morgan Evans, Jr. Baby Book album (19.75 x 16.5 cm) contains 12 photographs of Morgan Evans Jr. as a young child. There is one photograph with his maternal grandmother, Susan Edwards Booth Robinson. Evans Jr.’s obituary, World War I draft registration certificate and a lock of his hair from when he was 14 months old are also present.

Volume Two: The Mason Robinson Evans Baby Book album (19.75 x 16.5 cm) contains 34 photographs of Mason Evans as a child. A lock of his hair from when he was 18 months old is also present.

Volume Three: The Lucretia Booth Evans Baby Book album (23.5 x 18.5 cm) contains 9 photographs of Lucretia Evans as a baby. Most pages remain blank, and a lock her hair from when she was 16 months old is also present.

Volume Four: The Point o' Woods album (22.25 x 39.5 cm) contains approximately 175 photographs and several negatives stored behind snapshots. This album focuses on summer trips to Point o' Woods on Fire Island, Suffolk County in New York State during the 1930s. Many of the individuals depicted in this album are identified with captions. Images of note include the aftermath of the September 1938 New England Hurricane.

Volume Five: The Lucretia Evans early adulthood album (26.75 x 34.25 cm) contains approximately 170 photographs and several negatives stored behind snapshots. The images include landscapes from the late 1930s and images of Lucretia's final days at the Baldwin School in Bryn Mawr, Pennsylvania, and her time in school as an X-Ray technician.

Volume Six: The Lucretia Evans travel album (22.75 x 31.75 cm) contains approximately 200 photographs, 4 negatives and 35 pieces of printed ephemera representing trips to the Bahamas, Bermuda, and Canada in the 1950s. Inside the front cover is a 50th wedding anniversary clipping of Kitty and Morgan Evans Sr.

There are approximately 60 loose photographs that range from early 20th century cabinet cards of Kitty Evans' family to a large class picture of Lucretia Evans’ X-Ray Technician class.

George H. Forsyth (1901-1991) was an eminent archeologist, architectural, and art historian who led archeological expeditions to Angers, France, Mount Sinai, Egypt, and countries in the Near East including Iraq, Syria, and Turkey. Forsyth was a professor at the University of Michigan, chairman of the History of Art Department and director of the Kelsey Museum. Ilene H. Forsyth, who continued George's publishing activities posthumously, was an art historian and professor at the University of Michigan. The collection is comprised of personal materials, teaching materials, and extensive documentation of George's personal travel and archeological expeditions to Europe and the Near East such as correspondence, field notes, and visual materials.

The George H. Forsyth papers document Forsyth's career. The collection includes personal materials, biographical information, daybooks, family photographs, teaching and lecture notes, and extensive documentation of George's personal travel and archeological expeditions to Europe and the Near East. Material related to expeditions includes field notebooks, photographs, negatives, architectural drawings, correspondence, and manuscripts of various publication activities.

George Forsyth died prior to completing the publication of his landmark drawings of Saint Catherine's Monastery (Mount Sinai, Egypt). Publication efforts were continued posthumously by his wife, Dr. Ilene H. Forsyth, an art historian and professor at the University of Michigan. Her extensive efforts to publish George's work are documented is approximately three linear feet of manuscripts, correspondence, topical files, and a catalog of drawings, 1995-1997, located in Box 9.

University of Michigan graduate (BFA '74, MA '76, and Ph.D. '88) and artist, art historian, and educator with an emphasis in Latino art. Materials include artwork as well as research, teaching, and professional topical files.

The George Vargas papers present a look at the interests, work, and activities of artist and historian George Vargas. The material is dated from approximately 1933-2016 and includes topical files, artwork, and correspondence.

The strength of the collection is found in the numerous lectures written by Vargas, which reveal the depth of his research, the original artwork, and the broader view of multi-cultural and, particularly, Latino art activities in Michigan. Also of note are his extensive files of artists that were of interest to him as well as his own papers and publications.

The researcher should note that many items in the collection overlap various series. As a result, researchers should—in addition to reviewing multiple series—be sure to look for the "see also" notes that help identify some of these overlaps.

An orthopedic surgeon in the United States Army, author, inventor, and University of Michigan alumnus (B.S. and M.D. 1899). Corbusier served in the China Relief Expedition, the Philippines Campaign, the Mexican Border War, and World War I. The collection contains biographical information, correspondence, writings by Corbusier, collected articles and clippings, photographs and glass plate lantern slides, loose scrapbook materials, and a photo album. Materials document Corbusier's experiences during the China Relief Expedition, the Mexican Border War, the Philippines Campaign, and World War I. The collection also contains a small amount of materials focusing on his time as a student at the University of Michigan, as well as to his medical and military careers.

The papers of Harold Dunbar Corbusier include a range of materials focusing on his medical and military career with the United States Army Medical Corps and the Medical Department of the U.S. Army Reserves between 1900 and ca. 1945.

The Biographical series included his biography, a diary reflecting on his childhood experiences at Fort Mackinac in Michigan, a typed manuscript highlighting his experiences during the Boxer Rebellion in China. Also included here are his professional publications and collected articles, event programs and invitations.

The Correspondence series primarily includes letters to his then fiancé Louise Shepard, as well as letters from military and governmental departments, hospitals, and other military and medical associations. images The Visual Materials series includes glass plate slides and a photo album with images of Chinese landmarks and troops from the eight nations fighting against the Boxers. Also included are photographs mostly focusing on the China and Philippines campaigns, and loose scrapbook materials (mostly clippings) focusing on China and Asia in general.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photographs Collection. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama, and additional photographs of Islamic architecture.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photograph. The Mehmet Ağa-Oğlu collection documents the Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. Arthur Upham Pope focused primarily on Persian architecture and monuments, but his collection also includes photographs of Persian ceramics, textiles, and illustrated manuscripts. Wilber, Pope's colleague, also primarily studied Iranian monuments but he focused on those built during the Achaemenid and Sasanian empires. Oleg Grabar's work focused on the architecture of the seventh and eighth centuries of the Umayyad dynasty, the architecture of Jerusalem under Islamic rule, Arabic and Persian illustrated manuscripts and ornaments, and contemporary Islamic architecture. On the other hand, the Afghanistan Archaeological Remains Photograph collection depicts Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. Finally, Dr. Simpson's collection documents her work and her notes from her study of Islamic manuscripts around the world. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama.