Alexander G. Ruthven Papers, 1901-1961 (majority within 1906-1951)
65.4 linear feet — 1 oversize folder
65.4 linear feet — 1 oversize folder
The Alexander Ruthven papers consists of two series of records. The first is the papers of Ruthven as president of the University of Michigan, 1929 to 1951. The second, and smaller, series is the files maintained by Ruthven as a zoologist with the University Museum and as professor of zoology. This latter series dates largely from 1908 to 1929 but also includes collected earlier files from the 1870s.
65.4 linear feet — 1 oversize folder
1 box containing 3 envelopes of photographs, sheet music, and clippings, and 1 scrapbook volume
The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.
Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)
Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."
Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."
Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.
The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”
A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.
Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.
1 box containing 3 envelopes of photographs, sheet music, and clippings, and 1 scrapbook volume
108 linear feet — 1 oversize folder
The Arthur J. Tuttle Papers are arranged in 13 series: case files, opinions and jury instructions, topical office files, conciliation commissioners, criminal files, correspondence, letterbooks, scrapbooks, University of Michigan, financial matters, miscellaneous biographical materials, Tuttle family materials, and visual materials.
2 linear feet — 1 oversize volume — 1 oversize folder
The Curtis collection has two parts: papers of George Washington Carver that Curtis collected while in Carver's employ; and papers of Curtis mainly relating to his business activities with A.W. Curtis Laboratories of Detroit, Michigan, and also his unsuccessful campaign for Congress in 1958. The Carver papers are of the most significance, relating to Carver's experiments with soil improvement and his discovery of new applications for the peanut and other agricultural products of the South.
1.5 linear feet — 3 oversize volumes — 1 oversize folder
The Bennie G. Oosterbaan collection documents his career as athlete and coach at the University of Michigan, especially his time as head football coach. The collection is comprised of the following series: Correspondence; Papers collected from different period of his career; Miscellaneous; Scrapbooks; and Photographs. The collection relates to his career at the University of Michigan, especially as football coach.
1.5 linear feet — 3 oversize volumes — 1 oversize folder
49.5 linear feet (in 50 boxes) — 1400 glass photographic plates (in 10 boxes)
The Blanchard Family Papers document the professional achievements and personal lives of several generations of a scientifically minded and artistically gifted family. The papers focus heavily upon the eminent plant pathologist and nematologist Nathan A. Cobb, his wife Alice Vara Cobb, their daughter, biologist Frieda Cobb Blanchard, and her husband, herpetologist Frank Nelson Blanchard (the latter two of whom were professors at the University of Michigan). In addition to the photographs, drawings, correspondence, journals, and writings of these four individuals, the collection is rich in family correspondence, diaries, and personal papers from other members of the Cobb and Blanchard families (and their forebears and branches, including the Bigelow, Proctor, Ross, White, and Randall families). The Blanchard Family Papers will be of value to researchers interested in a variety of topics: scientific endeavors and methodologies (and in particular those related to agronomy, nematology, botany, and herpetology); the visual arts and the development of photography in the late nineteenth and early twentieth centuries; colonial and provincial life in Australia and Hawaii (respectively); and the daily affairs of American (and Michigan) families throughout the twentieth century. The Blanchard Family Papers consist of seven series: Nathan A. Cobb, Alice Vara Cobb, Frieda Cobb Blanchard, Frank Nelson Blanchard, Blanchard and Cobb Family Letters, Other Family Members, and Isaac G. Blanchard.
49.5 linear feet (in 50 boxes) — 1400 glass photographic plates (in 10 boxes)
12.0 Linear feet (2 record center boxes, 2 manuscript boxes and 11 oversize boxes)
The Brunn collection has been divided into four series: Correspondence, Design and Engineering, Images, and Sales and Marketing.
The Correspondence series is arranged alphabetically by correspondent and then chronologically within each file. The letters are primarily from customers to Hermann A. Brunn expressing appreciation for the work done on their vehicles. Letters that are circa 1970 includes material written by and sent to Hermann C. Brunn during his employment at Ford Motor Company, and in regards to modern restorations of Brunn vehicles. In cases where a specific vehicle can be identified, the correspondence has been filed with the photographic images of that particular vehicle. Some of the letters were part of a scrapbook and many letters are glued to the same page, as a result at the end of correspondence there are several letters listed together which indicates they are glued together and in the same folder.
The Design and Engineering series is divided into three subseries: Brunn & Company Drawings, Other Drawings, and Hermann C. Brunn. The material in the series consists primarily of drawings produced by Brunn & Company illustrating the various body designs produced by the firm, which are, for the most part, reproductions, or blueprints. The drawings show the left (driver) side elevation of the vehicle and, in some cases, include a plan view of the interior layout. Dimensions, if shown, detail the passenger interior space. The name, or initials, of the designer, customer name, and notes detailing specific vehicle configuration and trim can be found on many of the drawings. The drawings have been arranged alphabetically by make of chassis, then chronologically by date drawn and design number. Data for body style, model, chassis wheelbase in inches, engine configuration, order number, and customer name has also been included in the file title, where known. The Other Drawings subseries consist of a smaller number of drawings that originate from other manufacturers, including General Motors and the Ford Motor Company. The Hermann C. Brunn subseries consists of materials created by Hermann C. Brunn in the period after the closing of Brunn & Company, and includes a manuscript for an article describing the history of the brougham body style.
The Images series is divided into five subseries: Negatives; Vehicles, Brunn & Company; Vehicles Other, Non-vehicle, Brunn & Company; and Non-vehicle, Other. Image formats include black and white, and color, photographic prints and negatives. The bulk of the subjects are Brunn & Company vehicles, with images illustrating the exterior of completed automobiles. In many cases the prints and negatives are marked with the vehicle order number and many images are loose pages from a scrapbook. Images of body construction, interior, and body detail are captured for some vehicles. Non-vehicle subjects include the [1929] Paris, France, Auto Salon. Non-Brunn & Company subjects include several of images of the Aqua Cheetah, an amphibious vehicle built for the United States Army by the Amphibian Car Corporation. Another group of photographs are labeled “Best of Brunn” I and II which are an assortment of photos from various car models.
The Sales and Marketing series consists of brochures, print advertisements, owner lists, price lists, and a number of large-format upholstery and paint samples. The series also includes a Customer Order Book for 1935-1937. This journal records all vehicles built by Brunn & Company during that time period, with entries for order number, order date, body style, model number, customer name, body number, trim and paint specification, intermediate construction dates, and vehicle completion dates.
12.0 Linear feet (2 record center boxes, 2 manuscript boxes and 11 oversize boxes)
10 linear feet
The Bryant Walker collection consists largely of correspondence from throughout the world with conchologists. There are, in addition, his manuscripts of his writings, various lists, charts, and inventories, and miscellaneous family materials and a University of Michigan student notebook of a class on physics.
approximately 236 photographs, 49 pieces of ephemera, and 11 drawings in 2 albums
The Camp Wihakowi photograph albums are a two-volume set of albums containing images and ephemera documenting a Northfield, Vermont, summer camp for girls from 1923 to 1926.
Volume One (22 x 15 cm) has a black pebbled cover bound with cord and the word “Photographs” stamped in green on the front. The inside back cover includes a stamp with Dorothy Young’s address. The volume contains approximately 83 snapshots primarily dated to 1923 and 1924. Many of the images are either snapshots of natural scenery or portraits of people. The camp nicknames of a number of individuals are inscribed below their portraits. Images of interest include pictures of the 1923 camp counselors, Young’s cabin for the summer of 1923, a portrait of Dorothy Young (captioned “Dot”) with long hair, group portraits of the entire 1923 and 1924 camps, outdoor views of the Camp Wihakowi, a trip to the beach, and a hike on Scrag Mountain. Also present are 4 honors badges stored in envelopes, 7 pieces of ephemera, and 7 pen and ink drawings including two drawings of camp uniforms and sketches of the Scrag Mountain hike.
Volume Two (22 x 25 cm) has a tan cover bound with cord and the words “My Summer Camp” stamped on the front in black. Inside the front cover there is a printed cover page with Young’s address and two certificates from the Winchester Junior Rifle Corps. Many album pages are printed with categorical headers such as “Snapshots”, “Hikes” and “Motor Trips.” The album contains approximately 153 photographs, 42 pieces of ephemera and realia, and 4 drawings. Items of interest include a written account of the location of the camp, lyrics to camp cheers and songs, an hourly schedule from the 1925 camp, a drawing and record of costumes worn at the 1926 masquerade, written accounts of “The Hike to the Sanborns/July 10, 1925” and “Uncle Emmett’s Slate Quarry”, a list of campers along with their addresses and nicknames, a small mail duffel bag filled with souvenir pictures of Boston, and more honors badges. Also present are photographs of campers playing sports and shooting rifles, a trip to Sanborn Cottage, camp counselors, Young’s August cabin, and a picture of campers from West Roxbury.
approximately 236 photographs, 49 pieces of ephemera, and 11 drawings in 2 albums
15 volumes (in 3 boxes) — 1 oversize volume
The Carl E. Schmidt collection consists of sixteen volumes of scrapbooks documenting the wide scope of Schmidt's interests. These scrapbooks were compiled and numbered by Schmidt himself, although some of the explanatory text was added by a friend, Dr. Tobias Sigel, who was himself a German immigrant and prominent citizen of Detroit. The scrapbooks are filled with a variety of printed material, photographs, handwritten accounts of sentiments and occasions, and hand-drawn ink illustrations. Much of the scrapbooks' text is in German, including many clippings from German language newspapers. The illustrations in Volume II are particularly attractive. They are hand-drawn red and black ink illustrations of fanciful, legendary themes relating to Walhalla.
The following inventory is a general guide to the contents of each volume. For those scrapbooks that were paginated by Schmidt, specific sections of special interest have been noted in the inventory. Volume 2 also has its own, original index. There is one corresponding folder for each of thirteen of the volumes. These folders contain loose items removed from volumes one through eleven, thirteen, and fourteen.
As the inventory shows, Schmidt was most thorough in documenting his recreational and farming interests, and his political activity in Detroit, at the state level, and in the German-American community. There is, however, very little information about his tannery business.