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David Porter and David Dixon Porter papers (4 linear feet) contain the letters and writings of two American naval officers who served in the 1st Barbary War, the War of 1812, the Mexican War, and the Civil War. Included are official and family letters, as well as David D. Porter's manuscript drafts of his history and fiction works.

David Porter and David Dixon Porter papers (4 linear feet) contain the letters and writings of two American naval officers who served in the 1st Barbary War, the War of 1812, the Mexican War, and the Civil War. Included are official and family letters, as well as David D. Porter's manuscript drafts of his history and fiction works.

The David Porter Correspondence series (231 items) contains Porter's incoming and outgoing letters covering 1805 to 1840, most of which deal with his naval service during the War of 1812, and his West Indian patrol duty, with some items documenting his time in the Mexican Navy and his diplomatic career. Present are seven items related to his time in the Mediterranean during the First Barbary War, eight letters from Secretary of the Navy Robert Smith during Porter's service in command of the United States Gun Boats at New Orleans prior to the War of 1812, and 15 War of 1812 era letters from Isaac Hull concerning his interest in administrative improvements in the navy. Other topics include the release of officers and crew of the U.S. Essex, Porter's relationship with the Carrera brothers and support for Chilean independence, and Porter's command of the West India Squadron (1823-1825).

• March 10, 1809: Edward Livingston to David Porter requesting an opinion of his proposed improvements to the harbor of New Orleans
• September 21, 1812: John Stricker to David Porter announcing the safe arrival of the Prize brig Lamprey, captured by Porter on July 13, 1812
• May 3, 1824: Cecilio Ayllon, military governor of Cuba, to Porter concerning the disrespectful and damaging conduct of American sailors at a woman's property near Matanzas, Cuba
• January 1843: George Read's naval order and an order of the procession, with diagram, for David Porter's funeral
• April 24, 1843: Abel P. Upshaw's general order concerning the death of David Porter

The David D. Porter Correspondence series contains Porter's incoming and outgoing letters between 1845 and 1889. These include few letters from early in his naval career, 26 Civil War era letters, and many peacetime letters with fellow naval officers and government officials. Also of importance are 24 letters dealing with the 1889 Benjamin Butler controversy, along with typescripts of material related to the court. Other family papers include 3 items to Evelina Porter and a small number of late 19th and 20th century material concerning the naval career of Theodoric Porter.

• January 10, 1847: David P. Porter's "Last will and testament"
• June 18, 1854: C.J. Latrobe to David D. Porter, Bay of Panama, concerning gratitude to Porter from the passengers on the Golden Age, the first steam ship crossing of the pacific to Panama
• March 23, 1855: Harry S. Wayne to David D. Porter, concerning introducing camels for use in U.S.
• August 25, 1861: G.H. Heap to his brother-in-law David D. Porter describing pre-war excitement in Washington D.C.
• June 1, 1862: Letter to David D. Porter planning an assault on the mouth of the Mississippi River
• September 6, 1862: Edward Hooker to David D. Porter recounting the naval engagement of the Louisiana
• June 5, 1863-May 30, 1865: 11 letters to or regarding David Dixon Porter and the Mississippi Squadron. Two of these letters refer to African Americans, including contraband (December 1, 1863) and "peddlers" (April 23, 1864).
• September 28, 1864: David D. Porter's general order for the Mississippi Squadron announcing his leave of office
• January 7, 1879 and April 21, 1889: William Tecumseh Sherman to David D. Porter discussing memories of Sherman's brother, Porter's current naval activities, and social engagements
• August 8, 1879: Fragment report on the construction of the Danish ironclad Helgoland
• March 3, 1884: Ulysses S. Grant to David Porter describing the state of Grant's health

The David D. Porter Manuscript Writings series is comprised of drafts and fragments of Porter's literary and historical works, novels, essays, speeches, and biographical notes.

• Two autobiographical manuscripts, parts 1, 2, and 3 of My Career in the Navy Department and portions of a journal describing his Civil War experiences
• Draft of an adventure story
• Pages 353-474 of a novel
• Notes on the Civil War, in particular the Vicksburg campaign and the Red River Expedition, and Sherman and Lincoln, for his book The Naval History of the Civil War
• "Extracts from my Journal made for General Badeau, when he was writing the life of General Grant. These are a little fuller than the Journal"
• Sketch of the career of D. D. Porter in the Mexican War (1870s)
• Report concerning a 1873 North Western Texas Land and Copper Expedition
• Various naval reports: Fleet Tactics, Report of the Board on injuries received by the Hyascar in the action of October 8, 1879, a "List of Vessels of the Chinese Navy and Custom Service" with details on class, tonnage, guns, carriages, number of men, horse power, location built, and construction material (1864-1877)

The Miscellaneous Documents series consists of newspaper clippings, a David D. Porter article entitled "The Opening of the Lower Mississippi, April 1862," a color map of Fort Jackson, and a schematic diagram of torpedo machinery designed for the tugboat Nina (May 1869).

The Horatio Noyes collection is made up of letters and essays pertaining to Louisiana sugar plantations, life on the Wyoming frontier, travels through the South, the history of astronomy, and other subjects.

The Horatio Noyes collection is made up of 5 letters (28 pages) and 2 essays (70 pages). Noyes wrote a detailed letter to his son Charles in December 1871 about his travels in rural Louisiana, including his impressions of riverboat steamers and sugar plantations. A later draft (unsigned) describes the author's travels in Virginia and North Carolina, with a detailed description of Richmond and observations about Southern culture. Two unsigned letters from late 1879 and early 1880 describe a soldier's life on the Wyoming frontier, with Horatio Noyes's requests for the letters to be proofed and returned to him. Two lengthy essays concern the history of astronomy and contemporary astronomical knowledge, particularly about the Solar System. See the Detailed Box and Folder Listing for more information.

Naomi Long Madgett is a prominent poet, educator, and editor, recognized for her significant contribution to African-American letters. Since 1972 she has run, single-handedly, Lotus Press, which publishes poetry by African-Americans and others. The collection documents Madgett's career and the operation of Lotus Press, through correspondence, manuscripts (both by Madgett and by authors published by Lotus Press), ephemera, audiovisual material, and photographs.

The Naomi Long Madgett Papers document the prominent career of Ms. Madgett as a poet and a teacher, and her operation of Lotus Press, which Madgett has run single-handedly for more than 30 years. Thus, the collection makes a good source of insight both into Madgett's own writing and aesthetic sensibility, and into the cultures of lyric poetry and African-American letters in the latter decades of the 20th Century. The bulk of the material covers the 1980s, the 1990s, and the first few years of the 21st century, with Madgett's activities in the 1970s being fairly well represented as well. From the correspondence collected here a vivid picture emerges of Madgett's relationships with some of the authors whose work she published--such as James Emanuel and Gayl Jones--as well as with other authors, such as Gwendolyn Brooks. In addition, correspondence and ephemera evidence the growth of Madgett's own reputation, documenting her many professional activities, awards, and honors over the years. While manuscripts by Madgett herself do not comprise a large part of the collection, the fortunes of one of her most famous poems, "Midway," are documented in detail, and an unpublished autobiography ( Pilgrim Journey) provides an extensive synthesis by the author of her own influences and career (a section of which has been published by Gale's Contemporary Authors' Autobiography Series). Finally, the collection provides a close look at the daily operation, from its inception, of a small literary press.

The Naomi Long Madgett papers have been arranged into nine series: Personal, Writings, General Correspondence, Workshops and Events, Author Files, Business Records, Ephemera, Photographs, and Audiovisual. Books published by Lotus Press, as well as other books and periodicals from Madgett's library, have been catalogued individually and are shelved by call number in the Special Collections Library. Within the collection, however, much material is available from the production of certain Lotus Press books; see below Writings and Author Files.

The collection includes business and personal correspondence, production materials, scripts, photographs, motion picture, and sound recordings related to Richard Wilson and Orson Welles's work in radio, theater, and film from the 1930s to the 1950s. Also included are materials related to each man's later solo careers and personal life.

The Richard Wilson-Orson Welles Papers document many aspects of the two men's creative collaboration in radio, theater, and film for the Mercury Theater and Mercury Productions. Material related to several moments in Welles's post-Mercury Productions solo work and life form part of the collection. Richard Wilson's post-Mercury Productions work is also represented. The collection includes business and personal correspondence, production materials, scripts, photographs, and audio and motion picture recordings.

Materials relating to classic films such as Citizen Kane , The Magnificent Ambersons , The Lady From Shanghai, and Macbeth are included in the collection. The original filming and 1980s-1990s reconstruction, led by Richard Wilson, of the suddenly-terminated Welles film, It's All True (1942) is particularly well-documented.

The Wilson-Welles collection has been divided into seven series: Orson Welles; Richard Wilson; Mercury Theatre/Mercury Productions; Sound; Motion Pictures; Realia; and Bill Krohn: It's All True (1993).

The three primary series: Orson Welles, Richard Wilson, and Mercury Theatre/Mercury Productions have been largely organized by production type (e.g. Theater, Radio, and Film) and then chronologically by project. Completed films, theatrical productions, and radio broadcasts are dated according to their first public showing or general release date. Unfinished or unreleased projects are dated according to the year in which most of the work on the project took place.

Correspondence and business papers for each project are located together under the project name. An important exception to this organizational scheme was necessitated by the fact that Welles frequently worked on several projects simultaneously and a single letter or memo may address several projects. Sets of memos and correspondence are filed with the project to which they are most closely related. Notable examples of overlapping projects and sets of memoranda that address at least two films are Macbeth and Othello (much of the information related to Othello is actually in correspondence in the Macbeth files), and The Magnificent Ambersons and It's All True (much of the information related to The Magnificent Ambersons is contained within the It's All True files).

The Richard Wilson and Orson Welles series also contains material related to both men's families and personal lives.

The United States Presidents collection contains materials authored by, signed by, or related to presidents of the United States of America.

The United States Presidents collection consists of single items authored by, signed by, or related to presidents of the United States of America. Including personal correspondence, land deeds, official appointments, and various manuscript and printed documents, the United States Presidents collection touches broadly on presidential politics, social activity, and national affairs from 1784 to 1992.

• A manuscript description of an exchange between a Revolutionary War soldier and Andrew Jackson in 1832, in which Jackson was presented with a candle originally used to commemorate General Charles Cornwallis's defeat, intending that he should now use it to honor the victory at the Battle of New Orleans
• A handwritten eulogy for President Benjamin Henry Harrison, describing his life, career, and character
• Three letters by William Howard Taft, documenting the legal dispute over whiskey production in 1909
• Nine letters written by Herbert Hoover to Wilson W. Mills between 1923 and 1952, relating to Michigan banks, and state and national politics
• Eight Associated Press teletypes reporting on the assassination of John F. Kennedy in 1963

The United States Presidents collection contains a diverse array of materials that reflects broadly on personal, presidential, and national affairs. See the Detailed Box and Folder Listing for more information about each item.

William Kaufman, M.D., Ph.D (Physiology), discovered that niacinamide (vitamin B-3) can effectively treat symptoms in arthritic patients. This collection documents Kaufman's niacinamide research, his work as an author of academic and popular medical articles, and his personal life. William's wife's, Charlotte (Schnee) Kaufman's papers are also included, especially those relating to the Family Life Film Center of Connecticut.

The William and Charlotte Kaufman Papers document many facets of both William and Charlotte Kaufman's professional and personal lives. The collection has been arranged into fourteen series: Niacinamide, Other Medical Topics, Other Writings, General Correspondence, Professional Organizations, Personal, Charlotte Kaufman, Patient Records, Computer disks, Artwork, Audiovisual, Slides, Photographs and Negatives, and Realia.

William Kaufman's research in the therapeutic use of niacinamide and its effect on arthritis is documented by professional correspondence, correspondence with interested members of the public, patient records, published and unpublished writings, notes, photographs and negatives, and relevant writings by others. Kaufman's involvement in various medical organizations and his work as an author of popular and academic articles are also well represented. Drafts of plays and poems, an autobiography, sketchbooks, and paintings show William's creative work as an amateur artist, playwright, and poet. Papers relating to Kaufman's personal life are also present in the collection.

Material relating to Charlotte Kaufman mostly stems from her work as Executive Director of the Family Life Film Center of Connecticut, Inc. A wide range of materials document the workings of the Film Center: correspondence, leaflets, memos, discussion notes, training materials, posters, newspaper clippings, and photographs. Charlotte's activity in other community organizations and her personal life are represented by photographs, schoolwork, biographical material, creative writings, invitations, newspaper clippings, and correspondence.

Series Level Scope and Contents Notes:

The Niacinamide series consists of approximately 4.5 linear feet and provides insight not only into Kaufman's research and writing on niacinamide as a therapy for arthritis but also into his research's impact and general reception. This series includes data such as charts and summary results, but please note that some niacinamide study data is in other parts of the collection: forms recording individual patients' joint measurements are in the Patient Records series and are mostly restricted due to the presence of personally identifiable health information; a significant number of photos, slides, and negatives of Kaufman's patients who participated in the niacinamide studies are part of the Photographs and Negatives series and many of these visual materials are also restricted.

Niacinamide correspondence constitutes the largest group of material in the Niacinamide series and this correspondence is subdivided into three groups: professional correspondence and name files (exchanges with doctors and other health care providers, companies, government agencies, etc.); requests for niacinamide or arthritis advice or treatment testimonials from members of the public; and simple requests and delivery confirmations for Kaufman's articles and books on niacinamide. The professional correspondence includes exchanges between Kaufman and important medical figures such as Linus Pauling, Abram Hoffer, Jonathan Wright, Andrew Saul, and others. Researchers interested in Kaufman's niacinamide work may also want to consult the General Correspondence series as it contains a small amount of correspondence mentioning niacinamide.

The Niacinamide series documents Kaufman's niacinamide work in several other ways: through drafts, publications, notes, press notices on Kaufman's two monographs, material related to Kaufman winning the Tom D. Spies Award, as well as material related to Kaufman's role in a 1942-1943 study at the Bridgeport Brass Company, in which workers were given vitamin supplements and the effect on their overall health and mental state was assessed.

The Other Medical Topics series is composed of roughly 2 linear feet of material directly related to Kaufman's medical writings (those not about niacinamide). The writings cover a wide range of topics, from electrocardiography to psychosomatic eating problems and are intended for a wide range of audiences, from medical specialists to members of the public. Drafts, copies of Kaufman's publications, and notes make up the bulk of the series. There is also correspondence, published background material, drafts, and notes related to the Béla Schick Festschrift (1958) , which Kaufman edited, and about the Lowenfeld Mosaic Test (the test, which consists of a set of colored plastic shapes that the subject is supposed to arrange into a pleasing pattern, is part of the Realia series).

Other Writings consists of about 6 feet of mostly unpublished material directly related to Kaufman's writings that are neither medical nor niacinamide-related in subject. They are divided into four subseries: creative writing, money, autobiography, and miscellaneous.

The creative writing subseries consists of drafts, publications, and notes and fragments of Kaufman's short stories, poems, plays, and novels. This subseries also contains a small amount of correspondence and other material related to Kaufman's efforts to publish and publicize his creative writings.

Kaufman's interest in money led to the publication of a few articles, most notably "Some Emotional Uses of Money," primarily about what Kaufman termed "psycho-economic behavior." The money subseries contains drafts, publications, notes, source material for Kaufman's articles, and an unpublished book on money. The subseries also includes letters expressing readers' reactions to Kaufman's money pieces, as well as requests for advice.

Two draft versions and some notes and fragments of William Kaufman's autobiography, Snippets , make up the autobiography subseries. The miscellaneous subseries consists of drafts, notes, and publicity on writings of Kaufman's that don't fall into any of the above categories (i.e. are neither medical, nor creative pieces, nor money-related), for example, an opinion piece on writing obituaries .

The General Correspondence series (roughly 3 linear feet) is divided into two groups: personal correspondence between William and Charlotte Kaufman and general correspondence (correspondence that doesn't primarily concern niacinamide, the business of William's professional organizations, or William's employment) between William and others.

The correspondence between William and Charlotte Kaufman spans their relationship from their first meeting in Ann Arbor in 1936 until just before William's death in 2001. The early correspondence also includes a fair amount of attachments, including creative writings by both William and Charlotte, letters from others, and some sketches by William. The bulk of the letters date from 1938 and 1939, the years just before Charlotte and William were married. Their correspondence is arranged chronologically by, but not within, year.

The general correspondence subseries ranges in subject from personal to medical and includes correspondence with: Dave Brubeck, Luke Bucci, Rodrigo Carozo, William Crook, Thomas Dorman, Carlton Fredericks, John Fulton, Anna Freud, Bernard Halpern, David Harley, Fred Hodges, Paul Kallós, Heinz Karger, Sam Kaufman, John Leonard, Marshall Mandell, Theron Randolph, Samuel Schnee, Béla Schick, Nicholas Spinelli, Frank Wilson, and White House staff members during the Franklin D. Roosevelt and Dwight Eisenhower administrations.

The Professional Organizations series (approximately 1 linear foot) details Kaufman's involvement with various medical organizations, including as American Editor-in-Chief of the International Archives of Allergy and Applied Immunology , President of the Academy of Psychosomatic Medicine, and in various posts in the American College of Allergists and other organizations. The series consists primarily of correspondence and memos. It also contains programs, menus, schedules, some newspaper clippings, and meeting minutes.

The Personal series consists of about 3 feet of papers that relate to William Kaufman's personal affairs. The material falls in nine groups: biographical, education, employment, family, finances, health, homes, inventions and copyrights, and articles and press releases.

A broad swath of material documents Kaufman's basic personal information. Included are passports, a diary, and Who's Who entry material. William Kaufman's academic achievements are well represented and span from Pottsville High to University of Michigan Medical School to continuing education courses. His academic life is reflected in grades, notes, yearbooks, newspaper clippings related to scholarships and honors, fraternity materials, student identification cards, financial records, graduation programs, and alumni correspondence and reunion materials.

Periods of William Kaufman's employment in hospitals and New York pharmaceutical advertising agencies are documented in memos, drafts of industrial writings (interpretation of FDA regulations, drug labeling, promotion and education, etc.), announcements and press about Kaufman's professional appointments, and other business papers. The family material documents particular episodes in the lives of the Schnee and Kaufman families. These papers were originally grouped together and have been retained in this order. Besides these few groups, all correspondence with members of the Schnee and Kaufman families is part of the General Correspondence and Charlotte Kaufman series.

The remainder of the Personal series is composed of two smaller groups: information related to the selling, buying, rezoning, taxation, and insuring of the Kaufmans' homes; and certificates of copyright, letters patent, legal paperwork, correspondence, and design plans related to the construction of Kaufman's joint measuring instruments.

The Charlotte Kaufman series is 7 linear feet of Charlotte Kaufman's files. The bulk of the series arises from Charlotte Kaufman’s role as Executive Director of the Family Life Film Center of Connecticut (established February 22, 1967). The Family Life Film Center papers overlap with Charlotte’s involvement with other citizens’ groups championing causes such as better schools and better police-community relations. Charlotte’s original topical folder organization, where present, was retained and most folder labels are hers. All dates assigned to the folders are rough bulk dates and not necessarily comprehensive. There is a significant amount of material related to a grant given to the Family Life Film Center by the U.S. Department of Health, Education, and Welfare, Social & Rehabilitation Service to conduct a pilot program designed to raise awareness of career options for handicapped individuals.

Also included in the Charlotte series are materials relating to Charlotte's other community activities (such as her involvement with the Alliance Française du Comte de Fairfield), correspondence between Charlotte and other individuals (not related to niacinamide--those letters have been included in the Niacinamide series), and personal materials, which include biographical material, papers relating to Charlotte's education, employment, family, and health. A highlight of the personal Charlotte material is a folder of material about her 1939 trip to Alaska and Charlotte's interest in Alaska becoming a place for resettlement of refugees from Hitler's Europe.

The Patient Records series (one linear foot) consists primarily of joint measurements of and case histories of patients, most likely collected as part of William Kaufman's niacinamide studies in the 1940s. A few patients have more extensive files that may include correspondence or additional charts. Due to the presence of personally identifiable health information, much of the material in this series is closed to researchers and consultation with Special Collections staff is required before accessing this series. Original binder and folder titles have been retained where present. This series contains a few photographs, but most patient photos have been transferred to the Photographs and Negatives series.

The Computer Disks consists mostly of 3.5 inch floppy disks that contain backups of emails and files the Kaufmans had on their home computer. The majority of the disks are indexed and organized in binders and their original order and housing has been retained. The series also includes 3 CDs.

The Artwork series is comprised of William Kaufman’s drawings, sketches, and paintings. This includes a series of mostly black-and-white drawings of imaginary creatures titled “Kaufman’s Kritters.” Documents complementing the artwork are also in this series and include Kaufman’s efforts get his artwork published and his entries into various shows and contests.

The relatively small Audiovisual series is comprised of cassette tapes, including a 1978 interview William Kaumfan did with Carlton Fredericks, and film in various formats including 16mm motion pictures reels, microfilm, and canisters of 36mm film. Among the films is a short film, A Day in the Life of P. T. Barnum, that Charlotte Kaufman produced.

The Slides series consists of a few thousand color slides, including a small number of glass-plate slides. The patient studies slides, which are mostly images of mouths, tongues, eyes, and, to a lesser extent, other body parts, make up the largest part of the series. It is very likely that these slides were produced as part of William Kaufman's niacinamide studies. The patient studies slides are divided into three groups: boxed, sleeved, and glass-plate. All three groups are organized alphabetically by patient name. Most of these patient slides are closed due to the presence of personally identifiable health information. Researchers interested in the slides should consult Special Collections staff. Additionally, there are a small number of personal and other slides.

The Photographs and Negatives series is divided into three subseries: Photographs, Negatives, and Photographs and Negatives (the Photographs and Negatives subseries, while redundant, is used because some photographs were bundled together with their original negatives and these were kept together). All three subseries contain a variety of sizes and formats. The Photographs subseries and the Negatives subseries both include a substantial number of patient images, mostly demonstrating the flexibility of a particular joint. While some of these photographs are restricted (please consult with Special Collections staff if interested), some do not contain personally identifiable information and are open for research. All three subseries contain personal images (which include portraits, images of homes and artwork, as well as travel and conference pictures). The Negatives subseries also encompasses color transparencies, many of which are images associated with the Lowenfeld Mosaic Test .

Finally, the Realia series contains three dimensional artifacts, mostly metal medical instruments that William Kaufman invented and used in his niacinamide studies. In particular, many of the objects are goniometers, or instruments for measuring flexibility. The Lowenfeld Mosaic Test , in its original green case, is also part of this series.