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This collection is made up of 158 letters, 8 speeches and writings, 36 documents, 25 ephemeral items and currency, 5 pamphlets or booklets, 43 newspaper clippings, 26 lithographs, and 99 photographs by or related to Lieutenant Colonel Demas Lindley Sears. The bulk of the collection pertains to his service as a mid-level intelligence officer in the U.S. Army's 37th Infantry Division during World War II. A small portion of the collection reflects his service in the 8th Ohio Infantry Regiment during the Punitive Expedition of 1916 and in the First U.S. Cavalry during World War I.

This collection is made up of 158 letters, 8 speeches and writings, 36 documents, 25 ephemeral items and currency, 5 pamphlets or booklets, 43 newspaper clippings, 26 lithographs, and 99 photographs by or related to Lieutenant Colonel Demas Lindley Sears. The bulk of the collection pertains to his service as a mid-level intelligence officer in the U.S. Army's 37th Infantry Division during World War II. A small portion of the collection reflects his service in the 8th Ohio Infantry Regiment during the Punitive Expedition of 1916 and in the First U.S. Cavalry during World War I.

The Correspondence begins with a telegram and four letters respecting the death of Demas and Lura Sears's child in August 1918. The remainder of the correspondence is made up of original and contemporary carbon copies of letters by Demas L. Sears between 1942 and 1946. The bulk of one hundred and forty three letters are personal letters from Demas "Pop" to his wife Lura "Mother" and daughter Frances "Baby," or from Demas to others, between January 1944 and December 1945.

Lt. Col. Sears was an engaging writer and he described everyday experiences with thoughtful attention to detail. Within the restrictive confines of military censorship, he was unable to share what he called "real news," but wrote about his living quarters, food, plans for his return home, requests for letters and photographs, and generally about life in the South Pacific. He sent his wife souvenirs, such as a Japanese rifle and an entrenching shovel. His descriptions of combat and war atrocities are vivid (see, for example, his letters from late February 1945, as the 37th fought to capture Manila).

Between April 2 and July 4, 1943, Demas Sears wrote a 46-page letter to his wife in a diary-like form. He kept the letter as an uncensored account of his time on the Fiji Islands and Guadalcanal (before departing for New Georgia). It is accompanied by a typescript of the letter, titled "From the Fiji Islands to Guadalcanal with the 37th Division."

Between March 8 and September 14, 1945, Demas also composed 10 diary-like letters, producing multiple carbon copies for Lura to distribute to particular family members. In the margins, Demas identified (by hand) March 8 and September 14 as the first and last of these "family bulletins," and provided his wife with lists of intended recipients.

A series of Writings and Speeches include one war date essay and eight postwar speeches. From the Solomon Islands after November 14, 1942, he reflected thoughtfully on the war as a "young man's war" (he was able to identify a total of 22 men out of 14,000 who had served in World War I) and the importance of maintaining U.S. military strength in peacetime. His speeches relate to his war experiences and his audiences included a Congregational Church Men's Club, a Memorial Day gathering at Bucyrus, an American Legion group, and others.

The collection's 36 Documents, 1917-1946 (bulk 1942-1946), include certificates and orders related to Demas Sears's commendations and awards; training materials; intelligence (G-2 Reports, copies of a captured and translated Japanese Sergeant's diary, summaries of the interrogations of General Tomoyuki Yamashita, a Japanese map of the Pacific, etc.), and other similar papers.

Seventy-one Printed Items include ephemera and currency, booklets and pamphlets, and newspaper clippings. Among the ephemeral items are three unique World War I-era holiday menus; a menu for a 1945 banquet in honor of Maj. Gen. Robert S. Beightler; admission and transport tickets; Japanese currency; two World War I-era record of service posters, and a manuscript note in Japanese. The two posters are located in the Graphics Division, and more information can be found in the Separated Materials section. The five booklets and pamphlets are each listed in the box and folder listing below. Forty-three newspaper clippings pertain to Lt. Col. Sears's World War II service.

The printed items also include 26 lithographs of pencil sketches by Edward "E. J." Dollriehs of the headquarters battery of the 37th Division. His illustrations include buildings, airfields, military headquarters, portraits, and the wreckage of Japanese planes. Dollriehs identified each with captions; most of the images are from the Luzon provinces of Bulacan, Pampanga, Pangasinan, and Tarlac.

The Sears papers contain 99 Photographs. Fifteen images from the period of Sears's service in World War I include two panoramic photographs of the First Cavalry Regiment, one panoramic photograph of the headquarters staff of the 37th Division, and 12 snapshots and portraits. The collection also contains 84 photographs from Sears's World War II service in the Pacific, including individual and group portraits, snapshots depicting camp life; a series of aerial snapshots taken from a C-47 on a leaflet-dropping mission over the Philippine Islands; five photographs of a Kava Ceremony in the Fiji Islands; and a selection of confidential Signal Corps photographs.

John J. Loughray's collection of materials relating to the history of Northern Michigan, particularly Roscommon County and logging activity.

The John J. Loughray collection contains photographs, postcards, printed histories, plat maps, and reminiscences relating to the history of Roscommon County, Mich., particularly Houghton Lake, Prudenville, and Roscommon as well as the logging industry. Visual materials include photographs of logging activities and locations within Northern Michigan and Loughray and his family and maps of Roscommon County. The collection also includes a documentary video, "Sawdust and Shanty Boys: Logging the Saginaw Valley White Pine," copyright 2006. The materials are arranged alphabetically by area/subject name.

The Lawrence-Bass family papers contain correspondence, writings, documents, and other items related to William Lawrence of Lincoln, Massachusetts; his grandson, Jonathan Bass of Randolph and Braintree, Vermont; and the Bass family. The material concerns family relationships and news, land ownership, and religion.

This collection contains correspondence, writings, documents, and other items related to William Lawrence of Lincoln, Massachusetts; to his grandson, Jonathan Bass of Randolph and Braintree, Vermont; and to the Bass family.

The Correspondence series (65 items) is made up of incoming and outgoing letters related to the Bass family in the early 19th century. Early items include a Revolution-era love letter by Phebe Hammond, who shared her negative opinion of soldiers' behavior (August 29, 1778), and letters that members of the Lawrence and Bass families received during the late 18th century. The bulk of the series is comprised of incoming letters to Jonathan Bass from his siblings, parents, and friends in Randolph, Vermont, while he studied in Cambridge, Massachusetts, between 1800 and 1805, and after he moved to Braintree, Vermont, in 1805. Jonathan's correspondents shared social and personal news and occasionally commented on political issues. Around 1810, he and his family members discussed the life and death of his brother William, who died on September 25, 1810. Later items include letters from Caleb Butler of Groton, Massachusetts, to Henry Bass about the Lawrence family genealogy, written in 1846, and additional Bass family letters.

The Writings series contains essays and other pieces about religion, friendship, love, and other topics. One unattributed 25-page document, written around September 1766, concerns religious issues. The remaining essays and poems are grouped into four bundles, some of which are attributed to William Lawrence during his time at Harvard College around 1740. One of these items is William Lawrence's copy of Ovid's Amores I.5, "Corinnae concubitus."

The Financial Records series contains 3 items. Two accounts pertain to Boston resident Edward Bromfield's financial affairs (November 16, 1754). The third item is a list of subscribers who contributed money to purchase a cloak for "Reverend Mr. Strong" in Randolph, Vermont (March 24, 1812).

Legal and Military Documents (15 items) relate to the Lawrence and Bass families. Indentures concern the Lawrences' land holdings in Massachusetts in the 1700s and the execution of various wills; the earliest item is the will of Jonathan Lawrence, dated 1725. Also included is a set of military orders directed to Lieutenant Henry Bass, who served with the Massachusetts Militia's 1st Division (July 28, 1821).

The Photograph is a portrait of Sarah Bass Putnam. Genealogical Materials (12 items) include copied epitaphs and other notes related to the genealogy of the Lawrence and Bass families. A Diagram shows the layout of pews in an unidentified church. Printed Items are booklets about the history of Randolph and Braintree, Vermont, and about early battles in Massachusetts during the Revolutionary War, as well as 2 printed poems. One poem is decorated with pictures of daisies, and the other is dedicated to the memory of Mary Harvey Buel.

The Ralph L. McElderry papers are made up largely of the outgoing correspondence of Sgt. McElderry during his World War II service in the 3226th Ordnance Depot Company and 421st Ordnance Evacuation Company. His stateside training, work as a stock clerk and typist, and service as a Supply Noncommissioned Officer in Europe are reflected in his letters as well as supporting documents.

The Ralph L. McElderry papers are made up 224 outgoing letters of Sgt. McElderry during his World War II service in the 3226th Ordnance Depot Company and 421st Ordnance Evacuation Company, plus three drawings by Maria McElderry for her father while he was away, 11 documents, and four war ration books.

Ralph L. McElderry's Correspondence is about his everyday life during his stateside training, work as a stock clerk and typist, and service as a Supply Noncommissioned Officer in Europe.

Ralph L. McElderry wrote from the following locations:

• Fort Sill, Lawton, Oklahoma, between March 9 and 17, 1944 (2 letters)
• Camp Maxey, Paris, Texas, March 22-June 28, 1944 (17 letters)
• Camp Van Doren, Centreville, Mississippi, July 6 or 7-October 4, 1944 (25 letters)
• Camp Polk, Leesville, Louisiana, October 6, 1944-February 13, 1945 (42 letters)
• Camp Kilmer, New Jersey—Point of Embarkation, February 25, 1945 (1 letter)
• At Sea, March 3-6, 1945 (4 letters)
• France, March 13, 1945-April 10, 1945 (19 letters)
• Belgium, April 12, 1945 (1 letter)
• Germany, April 13, 1945-June 12, 1945 (43 letters)
• France, Camp Brooklyn, June 15, 1945-July 18, 1945 (9 letters)
• France, San Francisco, July 18, 1945-August 2, 1945 (8 letters)
• France, Delta Base near Marseilles, August 8, 1945-October 19, 1945 (42 letters)

The Marcia McElderry Drawings include three illustrations she drew and colored for her father while he was away in the service. One depicts a house beside four trees and a truck driving on a road; one is labeled by an adult as being a sergeant marching in his uniform beside mud and grass; and the third is a duck with a helmet on.

The Documents series includes the order for him to report for induction (September 20, 1943); his identity, education, and immunization verification, a commissary card, and papers related to his discharge in November 1945.

The four War Ration Books belonged to Iola, Andrea, and Marcia McElderry. Each of them contains remaining stamps.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south." The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south."

The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician. One of the songs referenced is Charles Carroll Sawyer and Henry Tucker's "When Will This Cruel War Be Over?"

• A moving train, "ye adventurus maid going to the Sunny South."
• A battle scene, with firing cannon, and a freestanding chimney beside two men (one laying on the ground, the other standing), "Findeth ye home desolate."
• Boxes and barrels of goods, "Tobacco &c Tar & Turpentine" and "Pine Trees" beside a jug marked "apple jack."
• Barrels, with a pitcher and glass atop one of them marked "Buorbon" [i.e. Bourbon], "ye Stapels continued."
• A woman in a rocking chair weeping into a handkerchief while a man in a soldier's uniform walks away.
• A piano.
• Four people walking; the two in front are a man and a woman.
• A woman standing, holding what appears to be a fan.
• A farmhouse beside a fence, animals, a birdhouse, and a tree with gourds hanging from its branches (as homes for Martins).
• A woman seated, knitting.
• A woman playing the piano; another woman stands beside her with a hand on her shoulder. They are singing, "When this Cruel war is over-!"
• Vision of injured soldiers, one leg amputee standing with crutches.
• A woman seated and writing a letter.
• A physician seated at a tent opening, reading a letter.

The text includes a parody of physician's explanation and prescription to the disconsolate young woman. The instructions read:

"The exostotic exudation overcoming the endosmotic implication in the peri and endocardium, pluviates the sanguinious, and decalorificates the systemic platitudes. The circumambient exoteric disintegrates the envelope and allows the exoteric functions to retrospect the perihelion of animal deficiancies. The pia mater interconvoluted with the [?] covering and becomes simultaneously congested by contact with the [?] substance. Hence retrovision becomes duplicated and prevision imparalelized. The remedy is equally perspicuous and followed earnestly will inevitably effect a cure..."

The volume includes several lines and paragraphs written in German Kurrantschrift. The most robust is the final page, headed by the text "The Soldier's Lament" and "Der Betrübte-lammantiert Soldadt," followed by a poetic description of snow-capped mountains and remarks on girls' behavior, i.e. "Wie schön wäre es [wenn?] die kleine Mädchen immer die Wahrheit sprächen" (How nice would it be [if?] little girls always spoke the truth), etc.

The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The collection focuses mostly in European architecture and painting. The majority of the postcards are blank, but some do include correspondence.

The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The boxes are first organized by donor, and then very broadly divided by the type of architecture or artwork depicted on the postcards. These subdivisions are arranged by geographic region, media, and/or subject of the work shown on the postcard.

The majority of items in this collection are postcards dating from 1900-1918, which was during the “golden age” of postcard collecting, lasting from about 1895 to 1915. Other items, including photographs, souvenir photo books, greeting cards, and exhibition announcements in this collection were published throughout the 20th century. Correspondence to and from History of Art faculty and staff appear on some of the postcards.