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Bright Sheng, a composer born in China, is also renown as a conductor, pianist, and researcher. The Bright Sheng Collection contains the papers of University of Michigan composition professor Bright Sheng. In addition to Sheng's own files and correspondence, it includes manuscript, printed, and published versions of his scores (printed scores are for musicians' use, while published scores are for a wider audience), published and unpublished recordings of his works, interviews, programs and reviews featuring his works, and work from Sheng's students. Also included are field recordings and an audio diary from the 2000 Silk Road project in China.

The Bright Sheng Collection contains the papers of University of Michigan composition professor Bright Sheng. It is comprised of 17 series: Biographical, 1982-c2000; Correspondence, 1962-2004; Professional, 1997-1998; Career, 1988-1995; Program Notes [undated]; Awards and Citations, 1984-2003; Photographs, 1985-2004; Reviews, 1986-2004; Programs, 1973-2003; Libretti, 1999-2003; Published Scores, 1988-1999; Printed Scores, 1982-2002; Manuscripts and Revised Scores, 1985-2004; Audio Recordings [undated]; Student Works, 1996-2004; Silk Road Trip, 2000; and Moving Images, 1985-2003. Together, these series document Sheng's career from his early days as a student to his current status as world-renowned composer and professor.

The first six series in the Bright Sheng Collection are extremely short, with a combined physical extent of approximately .5 linear foot. The Biographical, 1982-c2000 series is comprised of a single folder containing biographical material about Sheng. The Correspondence, 1962-2004 series contains topical files of Sheng's correspondence with colleagues in China, with his professors, and with his family, as well as a partial chronological file of correspondence falling outside of those three categories. The Professional, 1997-1998 series includes an article written by Sheng, as well as articles in Chinese about Sheng's music. The Career, 1988-1995 series contains materials related to Sheng's various appointments and positions over the years. The Program Notes series contains an article about the Sung Dynasty and the work Two Poems from the Sung Dynasty. The Awards and Citations, 1984-2003 series includes materials related to various honors Sheng has received in the course of his career, including a MacArthur 'Genius' grant and the University of Michigan's Leonard Bernstein Distinguished University Professorship.

This collection is made up of correspondence, soldiers' newsletters, and other items related to Emanuel Levy's service in the United States Army Signal Corps during World War II and his involvement in veterans' reunions. Levy corresponded with family members and friends in Brooklyn, New York, while serving in in the United States and the Pacific Theater from 1941-1943; he later received updates from fellow veterans. The collection also includes Levy's war reminiscences, and sheet music and manuscripts of Levy's musical comedy, Hey Mister Satan (1942).

This collection is made up of correspondence, soldiers' newsletters, and other items related to Emanuel Levy's service in the United States Army Signal Corps during World War II, and to his involvement in veterans' reunions.

The Correspondence series (244 items) contains Emanuel Levy's incoming and outgoing correspondence from January 1941 to June 1943, and a single letter written in September 1945. "Manny" received letters from family members and friends in Brooklyn, New York, who discussed the family news and, less frequently, politics and the war. His correspondents included women named Muriel, Evelyn, Alberta, and Frances. In his letters and postcards, Levy commented on his experiences at Camp Upton, New York; Camp Shelby, Mississippi; Camp Beale, California; Camp Butner, North Carolina; other bases; and in Hawaii and the Pacific Theater, where he was stationed for most of 1942. He described his life on base immediately prior to the Pearl Harbor attack, discussed finances and allotments, and responded to news from his family's letters to him. He occasionally used stationery from the Jewish Welfare Board, USO, and various military installations.

The Military Transmissions and Communications series (8 items) consists of official communications sent during World War II, primarily related to the signal corps and the Pacific Theater. The series includes Irving Strobing's transmission reporting the surrender of Corregidor (May 4, 1942) and a separate order to stop American vessels bound for Corregidor, a communication from Franklin D. Roosevelt to the United States Army forces in the Philippines (beginning "Personal from the President to Lt Gen Wainwright…"), and an undated notice of the German surrender.

The Reunions and Postwar Papers series (94 items) includes materials related to reunions of the 303rd Signal Operation Battalion, the history of the unit, and Emanuel Levy's involvement with veterans' organizations. The 303rd Signal Operation Battalion held reunions from 1947-1993. Items include Emanuel Levy's postwar correspondence with fellow veterans, invitations, address lists, newspaper clippings, and ephemeral materials. Several incoming letters to Levy inform him of fellow veterans' postwar lives and deaths.

The Writings series (8 items) pertains to Emanuel Levy's service in the United States Army Signal Corps during World War II. Three personal reminiscences, written sometime after the war, recount his work for the 101st Signal Operation Battalion and 303rd Signal Operation Battalion in the United States, the Pacific, and Europe during and just after the war, with details about military communications operations, his movements, and specific incidents. One item is a list of the posts where Levy served between April 1941 and September 1945. The series contains an article that Levy submitted to Harper's Magazine in 1957 ("Two Ugly Beasties") and typescripts and manuscript sheet music for Levy's musical, "Hey Mister Satan," written with George H. Johnston and C. W. Erdenbrecher.

The Printed Items series (20 unique items) contains multiple copies of soldiers' newsletters. The Burpee, by the 303rd Signal Operation Battalion, related news of the battalion's activities while at Camp Crowder, Missouri, and in Sunnyvale, California (August 5, 1943-November 18, 1943). The Taylor Maid chronicled events onboard the General Harry Taylor at the close of the war in the Pacific; the series holds a marquee "War Ends" issue (August 15, 1945) and a signed souvenir issue (August 18, 1945). Other items are a copy of The Message, a professional newspaper produced in Camp Crowder, Missouri (September 9, 1943), and a published volume, 303rd Signal Operation Battalion: An Informal Unofficial History, April 17, 1943-February 25, 1946. The publication is a unit history comprised of photographs and essays by several of its members and a unit roster.

Three World War II-era newspaper clippings pertain to Emanuel Levy's promotion to master sergeant, a Women's Army Corps member's visit to her dying soldier son, and the 303rd Signal Operation Battalion's service in Europe, including participation in the Battle of the Bulge.

Michael Daugherty is a composer and Professor of Composition at the University of Michigan School of Music, Theatre & Dance. Papers include compositions and original scores, correspondence, reviews, previews, programs and brochures for performances of Daugherty's work, and notes and collected materials documenting Daugherty's education, awards, and grants.

The Michael Daugherty papers document the career of composer Michael Daugherty. The collection consists of thirteen series: Biographical Materials, Compositions and Original Scores, Programs, Previews, Reviews, Brochures and Other Promotional Materials, Education and Awards, Correspondence, Contacts and Calendars, Media, Published Scores, Teaching Materials, and Miscellaneous. The collection includes compositions and original scores, programs, previews, brochures, other promotional materials, reviews of performances of Daugherty's compositions, notes and compositions from Daugherty's education, lecture notes and ideas, biographical materials, correspondence, and material documenting awards and fellowships received. The strength of the collection lies in the compositions and original scores and the collected programs, previews, reviews, and promotional materials that document performances of Daugherty's compositions.

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.

University of Michigan radio station, founded 1948. Administrative records documenting the development of radio broadcasting at the University of Michigan; radio scripts, technical specifications, publicity, scrapbooks, and photographs; and sound recordings of radio programs produced and broadcast by WUOM and affiliate stations, as well as recordings of various University conferences, ceremonies, etc.

The records of radio station WUOM document the development of radio broadcasting at the University of Michigan from the 1920s through the 2000s. A significant amount of material dates from the founding of the campus radio station WUOM in 1948. The records include administrative files; scripts, publicity material, course guides and other program related material; and recordings of select broadcasts. Additional materials include the records of affiliate stations, namely WFUM in Flint, which documents the station's facilities and operations, photographs of events, and programming guides.