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Materials collected by Helen Blair Lamar and subsequently donated to the Blair Society for Genealogical Research and pertaining to the Austin Blair family of Michigan and related family lines, the Hanks family and the North family. The collection, arranged by family name and then by individual, includes original with some typed transcripts of family letters, diaries, legal documents, poetry, personal items, and visual materials.

Helen Blair Lamar kept the papers of the Blair, Hanks and North families for many years. After her death they were given to the Blair Society for Genealogical Research, which in turn donated them to the Bentley Historical Library. This collection exemplifies the slightly random character of family papers accumulated over several generations. There is a wide variety of material on a large number of individuals. In an attempt to keep things as clear as possible, the majority of the papers--manuscript, typescript and printed--have been arranged by FAMILY GROUPS which are subdivided by Personal Name and arranged by generation. This is followed by a small second series of miscellaneous PRINTED MATERIALS. A substantial third series of VISUAL MATERIALS includes Scrapbooks, Photographs, Daguerreotypes and Ambrotypes, Tintypes and Glass Plate Negatives.

Architectural photographer based in Troy, Mich. Photoprints and copy negatives, chiefly a portfolio entitled "Man's Presence," a study of Michigan's manmade environment.

Representing but a tiny fraction of Korab's oeuvre, the collection held at the Bentley Library will nevertheless appeal to a broad range of researchers. Especially in a collective sense, Korab photographs are not only about architecture and architectural photography, but also about art, technology, modernism, photography's history, the environment, urbanism, ruralism, and the creative process itself. They also document one individual's spirited commitment to a life's work -- work expressed both analytically and emotionally.

The essence of the collection is a Korab portfolio entitled Man's Presence, a study of Michigan's man-made environment that drew him to dozens of towns, cities and rural areas in the upper and lower peninsulas. Photographs capture the quiet magnificence of silos and barns, the elegance of 19th century mansions, the utilitarian architecture of iron foundries and grain elevators. There are also pictures depicting ways man has wasted resources (an abandoned lumber mill, a barren tract of bulldozed land. A superb example of Korab's lifelong fascination with vernacular architecture, Man's Presence is a deliberate effort to capture on film Michigan worlds that otherwise might go unnoticed or become lost to future generations.

The collection is comprised of three series: Biographical Materials; Man's Presence Contact Sheets; and Man's Presence Copy Prints and Copy Negatives.

Established by students in 1896, the University of Michigan Band had its first salaried director in 1915. The William Revelli era (1935-1971) brought the Band to prominence as the marching, concert, and symphony bands toured and performed extensively, including a tour of Eastern Europe and the Soviet Union by the Symphony band in 1961, the Jazz Band's 1965 tour of Latin American, and the Symphony Band 2011 tour of China. Records include scrapbooks of band activities (including photographs); bound volumes ("Blue Books"), 1936-present, containing band formations, newsletters, and announcements of band activities, also topical files relating to band tours and concerts. The Marching Band is best documented, although concert band, symphony band, and related ensembles are represented.

The University of Michigan Band records are divided into eight series: Tours and Concerts, Yearbooks, Photographs and Posters, Audio-Visual Material, Band Books ("Blue Books"), Scrapbooks, Publications, and Director's Records. The majority of the records consist of bound volumes of band formations, announcements, and publications, and oversized scrapbooks of band activities. Additional material includes topical files documenting tours and performances. The bulk of the documentation pertains to the Marching Band.

Barbara Bach first worked as a Boston area schoolteacher and creator of television documentaries. After receiving a Master's degree in Education in 1969, she became an Ann Arbor, Mich. businesswoman, networking facilitator, fundraiser, and lifelong educator/mentor to individuals and organizations. The collection includes business records, association newsletters, campaign literature, photographs, and correspondence representing her multiple careers as an entrepreneur, legislative aide, community activist, and executive director in a policy environment promoting economic development in Michigan.

The Barbara Bach papers reflect a context of turbulent economic conditions and ground-breaking socio-political events. Some defining highlights of Bach's political efforts include her work with the Ann Arbor Public Schools Title IX Monitoring Committee for gender equality in sports, her nonpartisan campaign work for the county-wide Washtenaw County SAFE House proposal to assist victims of domestic violence, and her Democratic Party campaign work on behalf of Albert H. Wheeler, Ann Arbor's first African American mayor.

However, Bach's business experience and activities on behalf of economic development and job training in the State of Michigan, in connection with the Michigan Community Colleges Association (MCCA) and as Executive Director of the Inventors' Council of Michigan (INCOM), represent the bulk of the collection.

During the 1980s, community colleges were becoming a focal point for job-related training as a precursor to economic development. Organizations such as the Michigan Technology Council (MTC), with support from the University of Michigan, brought together leaders from business, industry, and government in an effort to facilitate technology transfer through commercial applications and new product development.

Economic recession had helped to heighten interest, at all levels of government, in the policy concept of economic development through entrepreneurial successes. Ideally, through teaching, research, and networking assistance, an entrepreneurial "supercenter" would encourage new product and business development, ultimately creating jobs throughout the economy.

Throughout much of her career in Michigan, Barbara Bach was known as Barbara Eldersveld. The collection also includes some materials from her early public service activities in Massachusetts as Barbara Damon.

The collection is organized into eight series: Personal/Biographical, Greater Boston Area, Teaching and Educational Settings, Political, Business and Entrepreneurial, State Government, Inventors' Council of Michigan (INCOM), and Ann Arbor Community Service.

Feminist and Equal Rights Amendment activist from Midland, Michigan, officer of Michigan National Organization of Women; papers document her work on women's issues in NOW, in various political campaigns and as a lobbyist.

The Barbara Hays-Hamiton papers document her activities as member and officer of the Michigan Chapter of the National Organization for Women and the Michigan Women's Assembly, her participation in political campaigns and legislative work on behalf of women's issues and other feminist activities and causes.

Records, 1914-1983, of the Barbour Scholarship for Oriental Women Committee, founded by University of Michigan alumnus and regent Levi L. Barbour. Include minutes (1918-1946), complete lists of recipients (1914-1983), newsletters (1927-1946), photographs, and correspondence (1918-1983).

The records of the Barbour Scholarship Committee comprise minutes (1918-1946), complete lists of recipients (1914-1983), newsletters (1927-1946), and photos and correspondence (1918-1983). The collection measures less than one linear foot. Photos include yearly group photographs of recipients, photographs of informal parties, and portraits of Levi L. Barbour and others.

Ann Arbor, Michigan, real estate business. Information card file of homes for sale, including price, details about the house and the property, and photograph of the house.

This collection consists of information file cards used by the Bates Real Estate company in its business of selling homes in Ann Arbor, Michigan. Each card contains information about the physical characteristics of homes for sale in period of approximately 1955 to 1980. The cards also include a photograph of the house. The collection is arranged alphabetically by the name of the street where the house is located.

Ben East was a prominent Michigan outdoorsman and outdoor writer. The bulk of his career was spent as a writer and editor for Outdoor Life, a nationally distributed outdoors magazine. Additionally, he wrote for a number of Michigan-based newspapers and publications, and was a prominent Michigan conservationist.

The Ben East papers contain material dating from as early as 1935 and spanning the next 45 years of his career as an outdoorsman, writer, and conservationist with the bulk of the materials focusing on his career as an outdoor writer and editor. The collection is divided into five series: Editorial Copy, Personal Papers, Photographs, Publications, and Topical Files.

The Benjamin Brown collection is made up of correspondence, documents, and artifacts related to the showman's career as a circus owner in the early 1800s. Many of the letters relate to his journey to Egypt between 1838 and 1840, as he attempted to procure giraffes for an American menagerie company; to his other travels; and to the contemporary American circus industry.

The Benjamin Brown collection is made up of correspondence, documents, and artifacts related to the showman's career as a circus owner in the early 1800s.

Letters, documents, and printed materials concern Brown's early ventures as a show owner, including correspondence and financial records pertaining to his travels in the Caribbean and to the northeast coast of South America in the early 1830s. These materials document the difficulties of transporting exotic animals by sea, the type of equipment necessary to run a circus, and other logistical issues.

A later group of letters and documents reflects Brown's experiences in Egypt, where he traveled as an agent of the June, Titus, Angevine & Company, attempting to purchase giraffes. Many of these letters are from Stebbins B. June, who was also in Egypt at the time, and several items relate to George R. Gliddon, United States consul in Cairo. Brown's friend Gerard Crane wrote about Brown's business affairs in New York, and frequently reported the increasingly frail health of Brown's father. Benjamin Brown received a letter from P. T. Barnum, who asked him to find a pair of fortune tellers for Barnum's museum. He also inquired about locating a pony small enough to accommodate his performer Tom Thumb (June 29, 1843). While in London, Brown frequently received letters from his sister, Eudocia Brown Noyes, who wrote of the Brown family farm and provided other news from Somers, New York.

The collection includes playbills and broadsides advertising Brown's circus; Brown's marriage license (March 20, 1841); a pencil sketch of Brown; two passports; and three fragments of an Arabic-language scroll, offering protection to the bearer. Later material includes newspaper clippings from 1879, 1880, and 1931, on Brown's life and career, as well as an audio tape of an interview with his grandson, Benjamin Brown.

• Kapitein Dick Op Zijne Shetland Poney: Op Verzoek Van Verscheidene Heeren En Dames, Zal Den Heer Broun Op Zaturdag Den 23 October 1830, Van 's Middags 1 Tot 's Avonds 10 Uren, Aan Het Geëerd Pupliek Ten Toon Stellen... Paramaribo: Ter drukkerij van de erven C.J. Fuchs, [1830].
• Royal Gazette of the United Colony of Demerary & Essequebo: Saturday, January 8, 1831. [Georgetown, Guyana: W. Baker, 1831].
• Royal Pavilion Circus in the Temple Yard: by Permission of His Excellency the Governor : On Thursday Evening Next the 22d Instant Mr. Brown and His Corps of Equestrians Will Have the Honor to Present to the Public a Splendid Performance, When He and His Company Will Endeavour to Gratify the Ladies And Gentlemen of the Island by Representing Various Extraordinary Feats of Horsemanship. [c. 1830?].

Box 2 of the collection includes correspondence, documents, printed items, photographs, and audio recordings related to the history of Benjamin Brown, the circus, and Somers, New York. Principally organized around the career and research of Carrie Brown Rorer (1903-1969), President of the Somers Historical Society and Benjamin F. Brown's great-grandaughter, the material provides insight into public history, memory, and research on the circus. Included is a typed document, "Circus History: Recollections by Benjamin Brown (1877-1962) as told to Carrie Brown Roher, (1903-1969), who was one of his three daughters," which details memories of Benjamin F. Brown and family stories about him.

• Two shoes, [1800s]
• Burnoose, [1800s]
• Black circus jacket, [1800s]
• Pipe stem and bowl
• Two rocks
• Fragments from an ostrich eggshell
• Canopic jar lid
• Two small boxes
• Ushabti figure
• Harpocrates figure

The Egyptian figures may date to around 600 BCE.

Athlete and football coach at the University of Michigan. Correspondence, scrapbooks, photographs, and other materials relating to University athletics, especially football.

The Bennie G. Oosterbaan collection documents his career as athlete and coach at the University of Michigan, especially his time as head football coach. The collection is comprised of the following series: Correspondence; Papers collected from different period of his career; Miscellaneous; Scrapbooks; and Photographs. The collection relates to his career at the University of Michigan, especially as football coach.