Collections : [University of Michigan William L. Clements Library]

This collection comprises 28 American manuscript recipe books dated from 1793 to 1959 with the bulk dating from the nineteenth century. One of the books contains portions in German, while the rest are in English. Most regions of the United States are present, with the Northeast and Southern States best represented. Desserts represent the bulk of the recipes, cakes being the most popular. Some recipes include attributes to friends, family, or cookbooks, and some contain notes on quality of the dish. Directions for making medicinal remedies and practical household needs (such as cleaning product recipes or advice on fabric care) may also be included. Many volumes contain handwritten or printed inserts.

This collection comprises 28 American manuscript recipe books dated from 1793 to 1959 with the bulk dating from the nineteenth century. One of the books contains portions in German, while the rest are in English. Most regions of the United States are present, with the Northeast and Southern States best represented. Desserts represent the bulk of the recipes cakes being the most popular. Some recipes include attributes to friends, family, or cookbooks, and some contain notes on quality of the dish. Directions for making medicinal remedies and practical household needs (such as cleaning product recipes or advice on fabric care) may also be included. Many volumes contain handwritten or printed inserts.

All or most of the known authors of these recipe books appear to be by women. A man, James Campbell, authored the accounting portion of the Campbell receipt book and a male writer may have created the Manuscript Recipe Book, [1838]. Emma Hinricks Hilken is the only one known to have resided outside the United States when writing her recipe book (she resided in Frankfurt, Germany, for several years following her marriage). The women range in age from teenagers to the elderly and represent a variety of social backgrounds. Most of the recipe books were written or compiled in the second half of the nineteenth century, with some extending into the early twentieth. Approximately one-fifth of them were written in the first half of the nineteenth century or earlier.

See the box and folder listing below for a complete descriptive list of the recipe books present in this collection.

This collection contains 20 pre-printed daily diaries by Maria Jennings Barnard née Gibbs of East Wareham and Onset, Massachusetts, for the years 1865, 1866, 1867, 1869, 1872, 1873, 1876, 1880, 1881, 1914, and 1924-1932. Maria J. Gibbs' diaries pertain to home life (especially cooking, cleaning, sewing, and other housework). In the 1860s and 1870s, while in her 20s, she remarked on her work at cotton mills and sewing establishments in Plymouth and Middlesex Counties as well as her experiences living at various boarding houses. At the end of 1876, she married Nantucket sailor Benjamin A. Barnard and the diaries of 1880 and 1881 include content on household labor, child rearing, visits to other areas in the state, and loneliness from her husband's absences. Barnard wrote her later diaries, 1914 and 1924-1932, following the death of her husband in 1895, from Onset, Massachusetts, where she wrote about time with her daughter Nellie Barnard Robbins and grandson Lloyd Robbins, trips around Eastern Massachusetts, annual trips to Florida for the winter, cooking, cleaning, and visiting friends. The remainder of the collection is comprised of eight diaries, account books, address books, memoranda books, and wallets pertaining to the family of Maria Barnard's granddaughter Mildred Grace Robbins née Adams of Attleboro, Massachusetts, between 1913 and the 1950s.

This collection contains 20 pre-printed daily diaries by Maria Jennings Barnard née Gibbs of East Wareham and Onset, Massachusetts, for the years 1865, 1866, 1867, 1869, 1872, 1873, 1876, 1880, 1881, 1914, and 1924-1932. Maria J. Gibbs' diaries pertain to home life (especially cooking, cleaning, sewing, and other housework). In the 1860s and 1870s, while in her 20s, she remarked on her work at cotton mills and sewing establishments in Plymouth and Middlesex Counties as well as her experiences living at various boarding houses. Her 1872 diary includes a two-month trip to Chicago to visit relatives, with content on the aftermath of the Great Fire of 1871. Maria suffered from regular headaches and frequent nearly debilitating sicknesses. At the end of 1876, she married Nantucket sailor Benjamin A. Barnard and the diaries of 1880 and 1881 include content on household labor, child rearing, visits to other areas in the state, and loneliness from her husband's absences. Bernard wrote her later diaries, 1914 and 1924-1932, following the death of her husband in 1895, from Onset, Massachusetts, where she wrote about time with her daughter Nellie Barnard Robbins and grandson Lloyd Robbins, trips around Eastern Massachusetts, annual trips to Florida for the winter, cooking, cleaning, and visiting friends. When the 1932 diary concluded, Maria was 86 years old. The remainder of the collection is comprised of eight diaries, account books, address books, memoranda books, and wallets pertaining to the family of Maria Barnard's granddaughter Mildred Grace Robbins née Adams of Attleboro, Massachusetts, between 1913 and the 1950s.

The Marion E. Grusky Rucker Collection contains materials reflecting on her service in the United States Navy Reserves from 1943 to 1961, her naval training and education, her promotions from ensign to lieutenant commander, and her work as a teacher and career consultant. A personal narrative describing her naval training exercise in Norfolk, Virginia, in 1945 and other items reflect aspects of sexism in the military during and following the Second World War.

The Marion E. Grusky Rucker Collection contains materials reflecting on her service in the United States Navy Reserves from 1943 to 1961, her naval training and education, her promotions from ensign to lieutenant commander, and work as a teacher and career consultant. A personal narrative describing her naval training exercise in Norfolk, Virginia, in 1945 and other items reflect aspects of sexism in the military during and following the Second World War.

The Correspondence Series contains letters sent to Marion E. Grusky Rucker, principally written in the 1950s and concerning her naval appointments, her coursework, and teaching opportunities, including her year abroad teaching with a Fulbright Scholarship. Several letters relate to her release from active duty and its impact on her coursework at the U.S. Naval Postgraduate School in 1953. One letter written by Donald Rucker to his mother announces his upcoming marriage to Marion E. Grusky. One undated letter written by Rucker's granddaughter is also present.

The Documents Series includes materials relating to Rucker's naval career, including personnel paperwork concerning her appointments, promotions, education, leaves and discharges, retirement, and other matters. The series also contains various instructions and orders, and authorization to wear the American Campaign Medal and American Theatre Victory Ribbon. The partially printed document appointing Rucker as a Reserve Officer at the rank of Lieutenant Commander in the United States Navy in October 1956 uses male pronouns, indicating gendered expectations for the officer class. Personal affairs are also reflected, including her birth certificate, the official change of her last name to Grusky in 1948, her work permit allowing her to teach in England in 1958, and her resume. Three passports date from 1958, 1970, and 1975.

The Writings Series consists of typed accounts, speech notes, drafts, and a eulogy. Two accounts produced by Rucker and her colleague Dorothy Weeks on September 14, 1945, detail a trip to Norfolk, Virginia, to attend training exercises aboard the U.S.S. Beverly Reid. They discuss how they circumvented sexism to secure travel arrangements to Norfolk, their accommodations, and observations of the ship and its crew. In Rucker's account she wrote, "The day before I called and called trying to get reservation on the Nats, but all I got with my feminine voice was the run around. Being persistant [sic] and determined, I had a man lend us his voice to persuade the WAVE that we had to have passage on the 4:30 Plane. Being a man, his charm did the trick and we were put on the list." She also referred to other instances of gender and sexism. She also noted the captain showing her and Weeks a scrapbook that included photos, notes, and souvenirs relating to his tours, including photographs of women. The captain took their photo without warning, and Rucker reflected, "I suppose that we will be added to the collection." The later typed version of Rucker's account includes an additional page of reminiscences about her service as a USNR Communications officer, with a final thought that, "A male first name may have permitted me to be sent (to the amusement of my CO) on some unusual assignments. i.e. being aboard a submarine and other small craft while on training maneuvers with rarely another WAVE in the group." Weeks' account parallels Rucker's, offering different details and perspectives on their assigned mission.

The speech notes reflect Rucker's consulting work focusing on women, especially teachers, their career development, goal-setting, and self-appraisal. Other notes document Rucker's biographical events, listing out employment, her work undertaken as a Fulbright Scholar, and places she lived.

Lee Rucker Keiser's eulogy for her mother is included, entitled "A Four C's Woman of the World," commenting on Rucker's life and their relationship.

The Diary Series consists of one volume Rucker maintained during her year teaching in Norwich, England, from 1958 to 1959, describing daily life, work at the school, visits with her husband Donald who was working at the University of Birmingham, and travels in Europe during vacations. A list of her cash account for the year and a list of school vacations for herself and Don are also present, and two photographs of Rucker are laid in to the volume.

The Printed Materials Series includes a copy of The Buckeye Way: A Unique Guide to Columbus and Franklin County (1974), written by Marion Rucker and Anne Lapidus, with a newspaper clipping about the publication laid in. Newspaper articles concerning Rucker's naval career, a copy of her obituary, and a printed family memorial booklet produced following her death are also present.

The Photographs Series consists of 15 photographs. They depict Marion E. Grusky Rucker in uniform, both in formal portraits and informal snapshots with colleagues, at an Officer's Club dinner at Mechanicsburg, Pennsylvania, and in her doctoral robe at her graduation from the University of Michigan in 1963, as well as several personal photographs.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 items including photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection. Mr. Anderson assembled this collection from dealers, antique shops, and individuals. His motivation stemmed from a desire to document and to provide historical perspective on various end-of-life practices which, in the 20th century, fell into taboo and disfavor.

The majority portion of the photographic items in the collection are neither dated, nor attributed, although approximate dates can often be determined by when particular photographic formats were in use (see timeline at www.graphicatlas.org.). Consequently, the materials have been organized first to accommodate their sizes, formats, and preservation needs, and second to reflect major subject themes present, though scattered, throughout the entire collection. These non-mutually exclusive subjects are as follows:

• Post-mortem portraits
• Post-mortem scenes
• Funeral tableaux
• Funerals and funeral processions
• Floral arrangements and displays
• Memorial cards and sentimental imagery
• Cemeteries and monuments
• Funeral industry
• Mourning attire
• Unnatural death

The first three subjects - post-mortem portraits, scenes, and funeral tableaux - all depict the recently deceased, and so fall into the narrowest definition of a post-mortem photograph. Their distinction into three separate subjects is a partly arbitrary decision, made to break up what would otherwise be a large and unwieldy grouping of photos, but also to roughly shape the order of the collection (post-mortem portraits without décor tended to date earlier chronologically than broader, beautifying scenes).

Post-mortem portraits:

The post-mortem portrait photographs, comprising 251 items in the collection, depict the bodies of dead family members and friends. These images show the deceased, sometimes posed with living family members, and for the most part do not include elements of a larger scene, such as floral arrangements, banners, or other décor.

These portraits include the earliest photographic images in the collection, including 28 cased daguerreotypes, ambrotypes, and tintypes. 78 cabinet card photographs date from the late 1860s to around the turn of the century. Among many notable cabinet cards are two images of Frances Radke, taken and retouched by R. C. Houser, showing her image before and after Houser's post-capture work (3.1 and 3.2). Also of note is a framed crayon enlargement of infant Adelaide Banks by photographer/artist Edward Stuart Tray (26) and a post-mortem carte de visite of an unidentified African American infant taken by photographer S. P. Davis of Danielsonville, Connecticut (4.282u).

Post-mortem scenes:

The post-mortem scene photographs, numbering 155 items in total, are similar to the portraits described above, except that they show the deceased as part of a larger environment, whether in a private home, a funeral home, or out-of-doors. Most of these views are mounted photographic prints from the 1880s to the early decades of the 20th century, frequently centering on the corpse, lying in a casket or coffin, amidst an abundance of floral arrangements, banners or flags, family members or friends, and/or personal belongings. Their caskets are often lined with white cloth.

Many of these images have unique qualities; several examples illustrate the variety of postmortem scenes in the collection. Six photographs by W. Jakubowski and Co. and Jos. Ziawinski, of Detroit, Michigan, include five wedding photographs (of the bride and groom, bridesmaids, and family members) and one post-mortem scene of the wife. She appears to have died within a short time following the marriage; the funeral home scene image contains one of the wedding photographs and a banner marked "Dearest Wife" (18.5-18.10). One mounted photograph depicts a dog, laid on linen, in a homemade casket (14:17). The collection also contains examples of different persons on display in the same funeral home/parlor (e.g. 18.1-18.4). A set of two cabinet card photos of a child in a buggy is accompanied by one of the buggy's metal lanterns (23.1-23.3). Also of note is a photogravure of the 1888 painting "Requiescat" by British artist Briton Rivière showing a dog seated next to its deceased owner (25.2).

Funeral tableaux:

The collection's 35 funeral tableaux photographs show the deceased in an open casket or coffin, typically in front of a church or homestead, with a posed assembly of funeral attendees or mourners. They often show a large group of family and friends, and so are frequently large format prints. Group portraits of this sort were occasionally framed and displayed in the home. Most of the examples in this collection are large prints (many of them mounted), with smaller examples, including a real photo postcard, two snapshots, and one cabinet card. Particular items of note include a framed tableau on the steps of the Church of The Descent of The Holy Ghost in Detroit by Thomas Hoffman (27), a photomontage image of a nun's funeral (28), two tableaux scenes by F. A. Drukteinis taken outside of the same church in Detroit during different seasons and involving the same family (20.12 and 20.15), and three related tableaux scenes (two mounted and one unmounted) involving a presumably Hungarian family that were taken outside of what appears to be a Catholic church in Cleveland, Ohio, during three different funerals (20.16a-20.16c).

Funerals and funeral processions:

The 70 items depicting or pertaining to funeral gatherings show various aspects of the movement of the deceased from the home or funeral home to the cemetery and funeral and burial ceremonies. This group is comprised of real photo postcards (22 items), snapshots (13 items), and a variety of other formats. Examples include an albumen print depicting the Plymouth Church decorated for Henry Ward Beecher's funeral in 1887, and snapshot and postcard photographs of a burial at sea.

Floral arrangements and displays:

Additional documentation of funeral decoration may be found in the collection's 176 still life portraits of floral arrangements and other decorations. A portion of the floral display photographs include pre- or post-mortem photos of the deceased either incorporated into the display or added to the image after printing. One particularly fine example is a large format photograph of a floral arrangement for the funeral of Joshua Turner Mulls; the display included a cabinet card photo of Mr. Mulls and a modified enlargement of the cabinet card. Accompanying the floral arrangement photograph is the cabinet card depicted in the display, with artist's instructions for coloring the enlargement (22.1-22.2).

Memorial cards and sentimental imagery:

The collection includes 105 memorial cards and ephemeral items bearing sentimental imagery. Memorial cards were created as tributes, often displaying birth dates, death dates, and other information about the deceased. Many of these cards include border designs and some bear photographs of the departed. Black-fronted memorial cards gained popularity from 1880 to 1905. Of many interesting examples, the collection includes two examples of memorial cards which haven't yet been personalized (4.306-4.307) and two reflecting World War I-related deaths (4.316 and 4.317). Materials with sentimental imagery include items such as a photograph of an illustration entitled "Momma is in Heaven," a memorial book dedicated to Olive C. Partridge in 1897, and other items.

Note: an advertisement for the Memorial Card Company of Philadelphia is located in the 'Funeral Industry' section of the collection (14.35).

Cemeteries and monuments:

61 photographs, printed items, and realia explicitly pertain to cemeteries, burial markers, or monuments. Some of the cemeteries and monuments are identified, such as the Garfield Memorial at Lakeview Cemetery in Cleveland, Ohio (4.1-4.3). The collection includes examples of cemetery-related realia, including an ovular, porcelain headstone photograph (pre-mortem) of the deceased.

Note: cemeteries may be seen as background for many photographs throughout the collection.

The funeral industry:

The Mark A. Anderson collection of post-mortem photography holds a diverse selection of photographs, ephemera, and printed materials related to the business aspects of death, dying, and bereavement. This group contains around 153 items overall, including receipts (1896-1956); various types of advertising materials (including an undertaker's advertising card, a cabinet photograph of the Arbenz & Co. storefront advertising undertaking as a service, fans from a church and the A. C. Cheney funeral home, a thermometer, and other items); and 118 coffin sales photographs (illustrating a massive selection of different casket models offered by the Boyertown Burial Casket Company of Pennsylvania).

Two photograph albums, that of Clarence E. Mapes' furniture store and funeral home and that of the Algoe-Gundry Company funeral home, provide visual documentation of a rural and an urban funeral home (respectively) in Michigan in the first half of the 20th century:

The photo album and scrapbook of Clarence E. Mapes' furniture store and funeral home in Durand, Michigan, dating from ca. 1903-1930, contains interior and exterior photographs of the furniture and undertaker portions of the shop. The album includes photographs of casket showroom display mechanisms; an example of a "burglar proof" metallic vault; a posed photo of the embalmer standing over a man on the embalming table; images of carriage and motorized hearses; business-related newspaper clippings; and various family and vacation photographs. Several prints, dated August 1903, appear to depict the aftermath of the Wallace Brothers Circus train wreck on the Grand Trunk railroad at Durand. Among these photographs are carriage hearses, a horse-drawn cart carrying ten or more oblong boxes (for transportation and perhaps burial of victims of the wreck), a man standing in an alleyway near three stacked boxes, and a large group of persons standing in a largely unearthed section of a cemetery. The Mapes album is accompanied by a C. E. Mapes Furniture advertising fly-swatter.

The Algoe-Gundry Company album dates from ca. 1924 to 1960 and contains (almost exclusively) 8"x10" photographs of this Flint, Michigan, funeral business. The album includes images of the exterior and interior of Algoe-Gundry buildings, hearses, ambulances, and billboard advertisements.

One album was produced ca. 1939 by the Central Metallic Casket Co. of Chicago, Illinois. Titled "Caskets of Character," the album contains images of patented (or soon to be patented) casket designs as well as a printed cross-sectional view detailing the company's "Leak-Proof" Separate Inner Sealer.

Also of interest is funeral director's license granted by the Michigan State Board of Embalmers and Funeral Directors to Vincent J. George of Fowler, Michigan, in 1938. (25.1)

Mourning attire:

In America, mourning attire tended to follow trends set in Europe. The bereaved wore mourning clothing according to current fashion trends and societal expectations. Mourning clothing styles, often dark-colored and somber, depended on how close the mourner was to the deceased and local societal expectations. Seventeen portrait photographs show men and women wearing mourning attire without the deceased present. This group includes cabinet cards, a 1/9 plate ambrotype of an adult woman, two tintypes, and one carte-de-visite.

Note: persons wearing mourning attire may also be found scattered throughout the other sections of the Mark A. Anderson collection. While most are concentrated in the funeral photographs, mourners are also present in postmortem portraits, postmortem scenes, and cemetery photos.

Unnatural death:

43 photographs (mostly snapshots) depict "unnatural deaths," deaths not caused by age or naturally occurring disease, such as suicides, accidents, murders, and war. The larger portions of the snapshots are mid-20th century police photographs of crime or accident scenes.

Nine Indiana State Police photographs show a train-automobile accident; a group of eight unmarked photos depict the body of woman, apparently violently murdered, at the location of her death and in a morgue; 14 are of a man struck down, beneath a train; two are of a rifle suicide; and the others are of varying accidents. One World War I-era real photo postcard appears to show a man who was shot dead in a foxhole. A stereoscopic card by photographer B. W. Kilburn shows the burial of Filipino soldiers after the Battle of Malolos, Philippine Islands [ca. 1899].

Note: The photograph album/scrapbook of the Clarence E. Mapes furniture and undertakers shop contains several photographs of what appear to be the aftermath of the Wallace Brothers Circus train wreck, Durand, Michigan 1903 (see above description in the 'Funeral Industry' section of this scope and content note).

Mary Alice Foley and her parents, American residents of Manila, were interned by the Japanese during World War II in a camp at the University of Santo Tomas. This collection contains her mother's journal, 213 photographs of Mary Alice, her family, and her friends, school girl letters, manuscripts and publications created and received while in the camp, and materials created for internee reunions.

The collection contains a wide variety of items from before, during, and after the Foley family's internment. Ella Foley's journal, 213 photographs of Mary Alice, family, and her friends, school girl letters, manuscripts and publications created and received while in the camp, and materials created for internee reunions are all present. A number of loving cups from the Polo Club in Manila and several publications have been transferred to the Graphics and Book Divisions, respectively.

Chronologically, the first item is a diary Ella Foley kept from October 13, 1937 to July 8, 1938, covering the family's first stay in Manila. She began the diary the day before she and Mary Alice left New York to join Frank in Manila, so the first two months give an detailed description of the sea voyage, including an interesting description of the Panama Canal (1937 October 22). Many of the photographs with the collection are pictures from the various places the Foleys visited while traveling to and from Manila, including the Panama Canal, Hong Kong, Shanghai, and Japan.

The diary describes what life was like for Ella during her husband's first journey to Manila. Ella was not happy in the Philippines and hoped that her husband would not accept a permanent job there. "Manila would be a terrible future home," she wrote in her diary on 1838 January 6. Ella did not have much to do, especially since the hotel staff took care of their apartment. She made friends with some other American couples living in the Philippines, such as Mae and Jerry Sheehan, possibly related to John Sheehan, a priest who was interned with the Foleys during the war. Ella interacted very little with native Filipinos. She kept herself busy by seeing a movie nearly everyday, shopping, going to the polo club, drinking cocktails (she was especially fond of "White Ladies"), and even gambling.

Ella was a devout Catholic, despite her gambling, and went to church every Sunday, and celebrated all the holidays. On Good Friday, she went to go see the "Flagellantes," although she was somewhat skeptical: "It looked like blood on his back but it might have been red paint" (1938 April 15). Ella hardly mentioned anything about Japanese aggression, only noting that Japan had bombed the American gunboat "Panay" (1937 December 13). On her way back from Manila in 1938, she even stopped in Japan, as well as Hong Kong and Shanghai.

Of the letters in the collection, ten of them were sent to Mary Alice by various schoolmates during the Foleys' second stay in Manila. During 1940-41, Mary Alice was pleased with her school and had an active social life, spending time with her friends at the Polo Club. Many of the pictures in her scrapbook and additional pictures were taken by her and her friends at the Polo club. Mary Alice and her pals were particularly interested in boys, and spent paragraphs discussing the behavior of boys in their class and parties they attended.

Mary Alice's sheltered teenage world was dramatically changed with internment. Items from the internment camp include: school work and a report card, showing Mary Alice's graduation from high school; 3 birthday and Christmas cards; a small diary kept by Mary Alice from April 22 to May 26, 1944; "Our Time," a satirical play of internment life, broadcast over the PA system in 1942; the September 1942 issue of "The Internitis," a newspaper published by internees; worksheets for Spanish verbs; an internment baseball program; a listing of camp rules from 1942; and a transcription of a speech made for her high school graduation.

Also from that time period are seven letters from the War Department to her mother's sister Irene McTeague and father's brother Joseph H. Foley; three camp form-letter postcards that Mary Alice and her mother sent to people in the United States; and an article about the camp from Life, September 7, 1942. Mary Alice later compiled the letters, the postcards, some photographs, the camp rules of 1942, and a brochure showing pictures of Santo Tomas into a scrapbook.

The play, "Our Time," (of which Mary Alice contributed the lyrics to one song) and "The Internitis" reveal the internees' life and their methods of coping with their loss of freedom and uncertainty in the future. The Japanese did not seem to censor the publications too strictly, so "Our Time" satirized life in camp through comments like, "Why clean any [more rooms]? We'll only be here for 3 days," and "that Venetian blind is a lot softer than this concrete to sleep on" ("Our Time," page 1). "The Internitis" has stories and articles relating to camp life, and reveals the wearing nature of being interned as well as the internees' efforts to create a normal life by building shanties for privacy and exchanging recipes.

The Christmas and birthday cards to Mary Alice and her mother try to be full of optimism and hope, with sentiments such as, "May this xmas be a nice one / Even though you are in here" (Betsy McRea, n.d.). Mary Alice, as recorded in her diary, kept herself busy by working at internment camp jobs, playing baseball, and taking college courses in "Economics, English Lit. & Psychology" (1944 May 25). She also recorded her weight in 1944, and noted how it had dwindled from 164 pounds on May 1, 1944 to 124 pounds on January 1, 1945.

The post-internment materials in the collection include a letter to Mary Alice from Rev. John Sheehan, who was also interned in Santo Tomas and in 1945 was touring the country speaking about his experiences. Finally, the collection contains photographs from the fortieth and fiftieth reunions of the Santo Tomas Internment Camp and a transcription of the speech given by Mary Alice at the fiftieth reunion. The speech gives some additional details of life in the camp.

This collection is made up of correspondence related to Stephen M. Klima and his wife, Mary Samut Klima. Stephen Klima reported on his experiences with the United States Army's 16th Infantry Regiment at various camps in the United States and in North Africa. Mary Klima continued to write letters to her husband after he was reported killed in action in April 1943, and many items pertain to her bereavement and widow's allowances.

This collection is made up of the World War II-era correspondence of Stephen M. Klima and his wife, Mary Samut Klima. Stephen Klima reported on his experiences with the United States Army's 16th Infantry Regiment at camps in the United States and in North Africa. Mary Klima continued to write letters to her husband after he was reported killed in action in April 1943, and many items pertain to her bereavement and widow's allowances.

The Personal Correspondence series (approximately 1.75 linear feet) comprises the bulk of the collection. The majority is personal letters to and between Mary Samut and Stephen Klima (January 26, 1939-January 7, 1952). Items include manuscript and typed letters, telegrams, V-mail, and picture postcards.

The earliest letters are incoming correspondence to Mary Samut from several acquaintances and, after July 1940, from Stephen Klima, her friend, fiancé, and husband. He wrote about his work with the Civilian Conservation Corps in Nevada, Idaho, and Oregon until January 1941, when he enlisted in the United States Army. Klima, who served with Company F of the 16th Infantry Regiment for his entire military career, described his experiences at Fort Wadsworth, New York; Fort Devens, Massachusetts; Fort Bragg, North Carolina; Camp Blanding, Florida; Fort Benning, Georgia; Indiantown Gap, Pennsylvania; and in England and North Africa. He commented on their romantic relationship, his feelings about being separated from his wife and young son, training and military life, travel, and local people (particularly in England). He repeatedly encouraged Mary not to worry about him. His final letter is dated March 15, 1943; he was reported missing in action a short time later.

From March 3, 1943-February 12, 1944, Mary Klima continued to write to her husband. Though she acknowledged that he had been formally reported dead, she believed that he would one day receive her letters and write back. She provided updates about their son, discussed her religious and social activities, and shared her hope for her husband's return. The envelopes from this period have stamps from military post offices indicating that Klima had been reported as killed in action.

Mary Samut Klima received letters from friends and family members throughout and after the war. Joan O'Hara (later Nelson), one of Mary's most frequent and consistent correspondents, wrote about her life in New York, California, and Pennsylvania. Her letters from the late 1940s and early 1950s largely pertain to her family life and her daughter Linda. Klima's other correspondents included military personnel, such as John C. Kulman (Company G, 2nd Battalion, 1st Marines), Michael Desko (Company B, 511th Parachute Infantry Regiment), and Donald J. Crocker (Naval Air Technical Training Center, Chicago, Illinois). These men reported on their experiences in the military and usually signed their letters affectionately; Desko wished her luck in her romantic endeavors. Mary's brother Edward ("Eddie") wrote about his training with Company B of the 505th Parachute Infantry Regiment (82nd Airborne Division) at Fort Bragg, North Carolina, in 1946. Enclosures include photographs and a matchbook (July 26, 1944).

The Military Correspondence series (approximately 0.25 linear feet) consists of typed and manuscript letters that Mary Klima received from organizations including the United States War Department, United States Army Finance Office, American Red Cross, American Legion, and Army Relief Society. Many items are responses to Mary's repeated requests for information about her husband, who was reported missing in action in late March 1943 and killed in action in April 1943. Other materials concern her pension and her husband's medals.

The Ephemera and Printed Items series (approximately 0.25 linear feet) is primarily comprised of greeting cards for Christmas, Easter, birthdays, and other occasions. Other items include a newspaper clipping with a humorous essay about World War I army service, Mary's manuscript notes begging for censors to let it pass through the mail, an advertisement and order form for a history of the United States Army's 1st Division, and a humorous permit allowing Stephen Klima to associate freely with both men and women.

The Maury family papers contain the letters and documents of the extended family of Abram P. Maury, Whig congressman from Franklin, Tennessee. The collection documents politics, travel, business, agriculture, and family life in the antebellum South, and includes contributions from the Harris, Claiborne, and Reid families of Tennessee, Mississippi, Louisiana, Arkansas, Virginia, and Alabama.

The Maury family papers (2.5 linear feet) contain the letters and documents of the extended family of Abram P. Maury, Whig congress member from Franklin, Tennessee. The collection documents politics, travel, business, agriculture, and family life in the antebellum South, and includes contributions from the Harris, Claiborne, and Reid families of Tennessee, Mississippi, Louisiana, Arkansas, Virginia, and Alabama.

The Chronological Correspondence and Documents series (approximately 1,000 items) consists of letters between the parents, children, siblings, aunts and uncles, in-laws, friends, business colleagues and political colleagues of the Maury, Harris, Claiborne, and Reid families. The bulk of these items span 1820 to 1872.

The family was heavily involved in national and state politics, and they frequently discuss happenings in congress and the dramas of presidential elections. Topics discussed include the workings of the Whig party in Tennessee in the 1830s; the presidential runs of Andrew Jackson in 1826 and William Henry Harrison in 1836; Santa Anna and the Mexican War (1837-1838); Abram P. Maury's experiences in the United States Congress; Meredith Poindexter Gentry's activities representing Tennessee in Congress, and Carey A. Harris's time in politics as commissioner of Indian affairs (1836). Present are items from several prominent politicians, including Lewis Cass, Thomas Hart Benton, and James K. Polk. Of note are the letters from Macajah G. L. Claiborne, in which he discussed his extensive travels around the world as part of the United States Navy, and a few letters from Confederate soldiers on the front lines of the Civil War.

The collection also documents business, social, and domestic matters, such as clothes and fashion, social engagements (balls and parties), courting, offers and rejections of marriage, family business and finance, and the purchase, use, rental, and sale of land in the deep South. Various family members described their experiences settling in Alabama and Mississippi in the 1820s, in Mississippi in the 1820s and 1830s, and in Arkansas in the 1830s and 1840s. They frequently discussed the use of slaves in daily life and at times expressed feelings of moral conflict over slavery and the slave trade.

• June 18, 1818: Thomas Hart Benton to Abram Maury, Jr., encouraging Maury to move to Missouri and to speculate in land
• February 12, 1819: Thomas Hart Benton to Abram Maury, Jr., confirming the signing of a Chickasaw treaty that makes it easier for him to travel to Tennessee
• August 14, 1819: James K. Polk's introduction to Abram Maury, Jr., while running for a clerkship in the state legislature
• August 13, 1820: A. P. Maury to his father Abram Maury, Jr., describing a visit to Staten Island, New York, and his stay with Vice President Daniel D. Tompkins
• January 20, 1822: Abram Maury, Jr., to Daniel W. Maury discussing Thomas Hart Benton’s inability to pay off his debts for lack of money and offering land in Missouri instead
• February 23, 1824: John Henry Easton to Mary Claiborne concerning marriage prospects and a warning to use caution when selecting a husband
• July 7, 1824: Thomas Crutcher to Malvina Crutcher and Mary Claiborne describing a large dinner party held in honor of Andrew Jackson, with the general in attendance
• January 1, 1825: Abram Maury, Jr., to Abram P. Maury concerning the destruction of Aunt White's cotton gin, which they suspect was burned by a slave named Tom
• January 17, 1825: Isaac L. Baker to Mary Eliza Claiborne noting that all are pleased to hear that Andrew Jackson has "bright prospects for the Presidency," and that if he does succeed, Baker will run for Congress
• July 3, 1825: John F. H. Claiborne to Mary Eliza Claiborne teasing Mary about her courtship with an Irishman
• October 17, 1831: Mac Claiborne to Mary Eliza Maury describing his voyage to Brazil with the navy
• October 27, 1832: Mac Claiborne to Mary Eliza Maury discussing his long voyage in the Pacific and "China Sea," death aboard his ship, the detention of American whaling ships, and visits to Tahiti and Honolulu, Hawaii, including a feast with the Hawaiian royal family and a description of King Kauikeaouli (Kamehameha III)
• December 28, 1832, February 13 and April 13, 1833: Mac Claiborne to Mary Eliza Maury discussing his time in Valparaiso, Chile, with comments on the government, social conditions, politics, and religious tolerance
• February 18, 1834: James P. Maury to Abram P. Maury commenting on the oration styles of congressmen McDuffie, Webster, Calhoun, and Van Buren
• November 17, 1837: Document from Letitia, Alfred, Nancy, Jesse, and Mary Ann to Abram P. Maury concerning a judicial decision in favor of a suit brought by five "free persons of color" against Maury for trespass and false imprisonment (Maury had claimed they were his slaves)
• February 9, 1838: Chickasaw women named Tim-e-shu-ho-ra and Ish-tim-ma-hi-zea to Carey A. Harris transferring a deed of land
• March 18, 1838: Nathan Reid to Francis Reid discussing the state of the slave trade and his antislavery views
• March 25, 1838: S.C. Cannon to Abram P. Maury, Jr., concerning the "disorderly conduct" of Pink, a man owned by the Maurys: "I think Pink richly deserves to be sold without the least hesitation of delay…I think you need feel no scruples about it on account of him & his wife, as she is free, it is as convenient for her to be near him one place as another."
• February 5, 1841: Carey A. Harris to James P Maury discussing selling slaves named Lucy, Betsey, and a child for $1,550 Arkansas money
• March 4, 1841: Mac Claiborne to Abram P. Maury discussing his stay in Rio de Janeiro, his thoughts on traveling to China, piracy near Java and Sumatra, and the British Opium War
• December 19, 1841: Nathan Reid to Francis Reid, discussing the "cut-throut spirit" in the west, "The laws, in my view, afford no protection to person, property, or character…Every man who considers himself aggrieved assures the right of avenging his own wrongs, in his own ways; and of judging not only of the mode but the measure of redress. The consequence is that human life is held but in little esteem, and is placed upon every insecure and precarious footing, as shewn by the innumerable bloody frays that take place daily in your midst."

This series also has 29 undated letters, 10 miscellaneous items (newspaper clippings and receipts), and nine empty envelops. The item dated September 28, 1838, contains a drawing of the profile of a man; the letter from February 15, 1840, contains a sketch of tracts of land in Pontotoc, Mississippi; and the item from October 14, 1847, contains a diagram of a plot of land in Nashville, Tennessee.

The Bundled Correspondence and Documents series (188 items) is grouped into seven bundles:

Bundle 1, c.1810s-1930s (6 letters, 1 document) contains items relating to the military service and death of Major John Reid, the son of Nathan Reid. Also present are letters from the early 1930s related to erecting markers to honor Reid and other relatives, and a genealogical document.

Bundle 2, c.1830s-1850s (35 letters) consists of letters related to Harris family members. Highlights include a letter from Martha F. Harris, daughter of Martha Maury, in which she described the relative handsomeness of various senators: "Webster has almost the finest looking face I ever saw & is decidedly the greatest looking man in the Senate." She also commented on physical features of Clay and Van Buren (February 15, 1834). Other topics covered are family and health news, and land dealings with the Choctaw (September 28, 1838), and land dealings in Missouri (August 26, 1849). A series of letters written by Carey A. Harris, Jr., in the early 1850s describe student life at the University of Virginia, including exams, conflict between students and residents of Charlottesville (November 25, 1853), and other activities. Also of note are letters by James Harris concerning settling in Port Gibson, Mississippi, and teaching at the newly opened Port Gibson Male Academy (1853).

Bundle 3, 1830s-1860s (10 letters) is comprised of various letters, including an item from "F.J.H." [Fanny Reid Harris] that describes excitement over the secession of Virginia and the reinforcement of "Old Point" by "free negro volunteers," whom she claimed were "strutting about and boasting that they had come to liberate the slaves--such an insult, has maddened all the people…" (April 20, 1861). Also present is a letter from John Reid of Nashville, Tennessee, to Sally, expressing Reid's hope that Tennessee will stay in the Union (January 24, 1861).

Bundle 4, 1850s-1860s (18 letters and documents) includes a telegraph notice of the death of James M. Harris from yellow fever at Port Gibson (October 6, 1853), Carey A. Harris, Jr.'s, oath of allegiance to the Union taken at the mouth of the White River in Arkansas (May 26, 1865), and other miscellaneous Civil War-era documents, most of which relate to the logistics of feeding and paying Confederate soldiers.

Bundle 5, c.1810s-early 20th century (54 documents) contains miscellaneous letters, documents, and genealogical material. Many of the items pertain to political career of Abram Maury, including a printed speech, a newspaper clipping, and his manuscript notes on various political topics. Document types include land indentures, accounts, and a map of land lots owned by Reid. The 20th-century material largely relates to Maury family genealogical research, including letters to Maury T. Reid.

Bundle 6, 1830-1860s (29 letters) contains letters concerning land sales and purchases, many written by Carey A. Harris, Sr. Present is Harris' resignation letter from an official post (October 28, 1838), comments by James Walker on New Orleans and the lead up to the Panic of 1837 (April 14, 1837), and estate papers of Carey Harris, Sr., settled by his wife, Martha (November 16, 1842). Also of note is a set of letters from Martha F. Harris concerning claims on the government for the destruction of her house and property during the Civil War (1865-1866).

Bundle 7, 1819-1940s (35 letters) contains a series of miscellaneous letters, many by William S. Reid, which note his travels around Tennessee. Also present are later family letters that contain details on genealogy (1880s, and 1940s). Highlights include a letter from Allen Hall to Abram P. Maury concerning politics and the national presidential convention (May 2, 1848), and a detailed letter about the birth of a daughter to Martha Harris (May 28, 1833).

The bulk of the 20th-Century Correspondence and Documents series spans from 1917 to 1948 and relates to later descendants, including William Perkins Maury, his daughter Mary Wheeler Maury (who married Paul Logue), Paul Logue, and their son Paul Maury Logue. In addition to letters and documents, this series also includes blank postcards and souvenir booklets for various locales, newspaper clippings, a stamp book, composition book, and a number of family photographs. While most of the photographs are of unidentified individuals, images with captions identify A. P. Maury, Mary Perkins Maury, Ferdinand Claiborne Maury, and the mother of William Perkins Maury (with a typed note about the family's Confederate connections).