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The Aronson-Grant papers contain correspondence, financial records, photographs, and ephemera related to Calvin Aronson and his wife, Pearl Goldblatt (later Grant) Aronson.

The Aronson-Grant papers contain correspondence, financial records, photographs, and ephemera related to Calvin Aronson and his wife, Pearl Goldblatt (later Grant) Aronson.

The Correspondence series, which comprises the bulk of the collection, mostly consists of letters addressed to Pearl Goldblatt between 1921 and 1934, as well as some letters that she wrote to her husband. The letters reveal much about the couple's personal life and relationship, including Aronson's joyful reaction after hearing that Goldblatt had accepted his marriage proposal (February 14, 1924). Pearl Goldblatt Aronson tended to use her adopted surname, "Grant," in her later letters. In contrast to the couple's courtship correspondence, many letters by Grant's friends hint at marital difficulties between Aronson and Grant, including a brief threat of divorce. Some items have enclosures such as drawings and the couple's wedding certificate (February 26, 1927), and one letter is on stationery with the caption "Shh- Mr. Aronson is in deep thought" (April 6, 1926). Three letters enclose photographs (July 16, 1924; August 3, 1924; and May 14, 1929). Many of the postcards within the series have pictures of scenes in Europe.

The Business and Financial Papers series (57 items) contains receipts, bills, cancelled checks, and other items pertaining to the Aronsons' fiscal affairs, including their accounts with the Mechanics' Bank in Brooklyn, New York.

Most of the Photographs (61 items) show scenes around Como, Italy, and several are pictures of young women posing near water and in rowboats.

The Printed Items and Ephemera series contains greeting cards, newspaper clippings, invitations, calling cards, programs, and other items. The newspaper clippings concern politics, playwrights, and human interest stories. Other items include a printed map of the "Harbour of Nassau" and Act IV of Will Shakespeare, a play by Clemence Dane.

This collection is made up of correspondence, legal documents, financial records, maps, and ephemera related to the descendants and extended family of Dr. Joseph Cole of Sharon, Connecticut; Auburn, New York; and Albion, New York. Among many represented subjects are the educational and social lives of women in New York during the early 1800s, legal aspects of land ownership and estate administration, and land along Long Pond in Rome, Maine.

This collection is made up of correspondence, legal documents, financial records, maps, and ephemera related to the descendants and extended family of Dr. Joseph Cole of Sharon, Connecticut; Auburn, New York; and Albion, New York.

The collection's correspondence includes letters from the children and other descendants of Dr. Joseph Cole of Sharon, Connecticut, and Auburn, New York, between 1817 and 1942. Most of the early letters in the collection are addressed to sisters Laura Altie and Mary Parsons Cole from female friends in New York. Several correspondents, including Mary Ann Kellogg and Chloe Hyde, were students at Troy Female Seminary in Troy, New York, in the 1820s and 1830s. Kellogg provided a detailed description of the school before its main building was constructed (June 24, 1821), and Chloe Hyde later shared information about her coursework and the lives of fellow students. Other acquaintances told the sisters of their religious and social lives in different areas of New York, including Lanesborough, Buffalo, and Albany.

Almeron and Dan Cole received letters from friends, family, and business acquaintances, including their brother-in-law, Hiram Foote Mather. These include 7 letters by Frances M. Elliott, who wrote Dan, her future husband, in 1835 and 1836 about her life in Scottsville, New York, and her anticipation of their upcoming marriage. Letters from the 1840s to mid-1860s are most frequently addressed to the Cole brothers and to their brother-in-law, Hiram Foote Mather, about business affairs. Many regard legal matters in Niles and Grand Rapids, Michigan.

After the mid-1860s, much of the correspondence is composed of personal and business letters between David Hyde Mather, his brother-in-law George McClure Welles, and his brothers Joseph and John Mather, who moved out West in the late 1800s. Mather also received many personal letters from his niece, Harriet Prentiss Welles, during her time as postmistress of Great Bend, Kansas, who discussed her personal finances and loans. The papers also contain some of Daniel H. Cole's business correspondence. Other correspondence from this period includes letters between George McClure Welles and Lewis Hunt about Harriet Prentiss Welles's share of Almeron Cole's estate, and personal correspondence addressed to Mary Jane Cole of Albion, New York. She received letters from many female acquaintances and a series from her cousin, D. Williams Patterson, tracing the genealogy of the Hyde family to the mid-18th century.

A selection of letters from the 20th century relate to Marston Taylor Bogert, Morrison McMath, and Lizette Harrison. Between 1912 and the 1920s, Bogert corresponded with several people in Maine, regarding property along Long Pond near Rome, Maine. Other letters relate to the family of Morrison H. McMath, a lawyer from Rochester, New York. A late series of letters by Elizabeth ("Lizette") P. Harrison of Portland, Oregon, to Ada Howe Kent of California, reflects her financial troubles and emotional state during the early years of the Great Depression.

Legal documents include papers relating to the Newton and North Hempstead Plank Road Company; New York Supreme Court Cases heard between 1848 and 1894; estate administration papers; and financial documents and records. The Cole family papers contain documents concerning taxes paid on land holdings in Rome, Maine, in the early 20th century, including property held by Edward F. Bragg in Belgrade, Maine.

Materials relating to education include six checks from the 1860s made out to Phipps' U. Seminary, a 1906 report card for a student at the United States Naval Academy, and an undated "Report Book" containing two essays. An assortment of ephemeral items and manuscript maps of Marston T. Bogert's property along Long Pond in Rome, Maine, also appear in the collection.

The Cole family papers also contain essays, notes, and poetry. Items of note include an 1850s manuscript response of the County of Orleans, New York, to recent actions of slaveholding states, calling for attendance at a Republican Party convention in Syracuse; a 1925 essay entitled "The Beginnings of Modern Spiritualism in and Near Rochester," by Adelbert Cronised; a lengthy typed travelogue of India; and an essay on the history of the Isthmus of Panama and the Panama Canal.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The album (33 x 25.5 cm) is string-bound with grey cloth covers. Most photographs in the album have detailed handwritten captions identifying people, often with their middle or maiden names as well as the location and date. The presentation of the album is not strictly chronological, especially in the latter half. The early generations of Tylers are represented in photographic formats such as cartes-de-visite, tintypes and cabinet cards, while later generations are represented in snapshots and postcards. When the album reaches the mid-twentieth century, it begins to resemble the modern family album with various forms of ephemera (newspaper clippings, drawings, letters, Christmas cards, etc.) supplementing the photographs of family and friends.

The album begins with a portrait of Frederick Tyler, his daughter Sarah Sophia Cowen, granddaughter Kate “Gwen” Cowen Pratt, and great-granddaughter Kate Pratt. George F. and Louisa R. Tyler as well as their children (including Sidney F. and Helen Beach Tyler) are also featured in the initial section of the album, along with many extended family members, friends, nurses, and pets. Among the family friends pictured are painter Frederick Church, writer Bret Harte, Leonor Ruiz de Apodaca y Garcia-Tienza, Gen. William Buel Franklin, patent lawyer and historian Woodbury Lowery, and the Duke and Duchess of Arcos (Jose Ambrosio Brunetti and Virginia Woodbury Lowery Brunetti). Several interior views of rooms in George F. and Louisa R. Tyler’s home on 201 South 15th St. taken in 1896 are also present, including a photograph of the “Children’s play room” that features their granddaughter Hope Binney Tyler Montgomery holding a doll. Hope, her parents Mary W. and Sidney F. Tyler, her husband Robert “Bob” L. Montgomery, and their children Mary, Ives, and Alexander are well-represented in the album.

Of particular interest are a number of photographs in different sections of the album that depict Theodore Roosevelt and his family. Some of these images are formal studio portraits, while others are more candid snapshots of Roosevelt with other people. One snapshot shows the family at play on the grounds of Sagamore Hill in 1897. Two photos taken at the White House including Helen Beach Tyler, daughter of George F. and Louisa R. Tyler and second cousin to Edith Kermit Carow Roosevelt, are labelled “taken by Ted Roosevelt,” possibly referring to President Roosevelt’s son Theodore Roosevelt III. Helen Beach Tyler may be the “Nellie” who was the recipient of a partial letter included in the album which describes conditions at a wartime hospital (most likely in Italy) in 1915. Only the first two pages of this letter are included, and there is no indication of the identity of the writer. Helen Beach Tyler may also have been the principal compiler of this album. Supporting this possibility is the presence of an interior view of a bedroom at 201 South 15th St. (George F. and Louisa R. Tyler’s home) captioned as “Mother’s bedroom,” a signed portrait of Englishman Lytton Sothern captioned “Given to me by Mr. Sothern June 1872. Mr. Edward Sothern & his son Lytton Sothern sat at our table on ‘Oceanic’ my first trip to Europe,” and a portrait of Sara Schott von Schottenstein, Baronin von Prittwitz-Gaffron, bearing the inscription “to her friend Helen Tyler 1880.”

Other items of interest include portraits of Col. August Cleveland Tyler; several portraits of Brig. Gen. Robert Ogden Tyler; a portrait of French pianist Antoine Marmontel captioned “Mr. Marmontel Professor au Conservatoire gave us music lessons in Paris 1873-74”; a group portrait of Helen Beach Tyler, Mary L. Tyler, Alice Seward, Kitty Seward, and Ida Vinton posing with a silhouette of Sidney F. Tyler; photographs of painted portraits of George F. Tyler and Hope Binney Tyler Montgomery; a series of photos taken at the Spanish Embassy in Mexico City, some of which include the Duke and Duchess of Arcos, Woodbury Lowery, and Archibald Lowery; portraits of the Prittwitz-Gaffron family in Germany; photos taken around the world in various locations including Egypt, India, Germany, and Italy; images taken during an exhibition of sculpture by Stella Elkins Tyler (wife of George Frederick Tyler, Jr.), as well as a program from the event; and photos showing the family of Helen Hope and Edgar Scott.

Jackson, Michigan physician; medical records, files pertaining to farm business, and personal miscellaneous.

The Frank F. Pray collection is comprised of three series: Medical, Farm Business, and Personal. The papers include documentation of his medical education and aspects of his medical practices, a small amount of material on the Pray family farm, and correspondence relating to Pray family history.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

This collection contains correspondence and other items related to Lieutenant Henry Fiore and his wife, Bonnie Irvine Fiore. Henry Fiore received letters, greeting cards, and other correspondence while serving in the United States Army during World War II, including Bonnie's letters about life in New York City while he was away.

This collection contains 25 letters, 2 greeting cards, 1 telegram, 1 poem, and 1 theater program related to Lieutenant Henry Fiore, who served in the United States Army during World War II, and to his wife Bonnie. Bonnie wrote Henry 17 letters between December [10], 1941, and July 7, 1944, about her life in New York, her loneliness during his absence, and her desire to hasten his return. She reported her attempts to convince army officials and Red Cross representatives of her financial dependence on her husband and expressed her fear that accepting government aid would give the impression that Henry was not needed at home. She consistently shared her love for Henry and often kissed her letters, leaving marks with her lipstick; her letter of December 12, 1941, has a drawing of a pair of lips. Bonnie's 3 later letters, written in June and July 1944, pertain to her job and female coworkers. In her letter of February 25, 1942, she enclosed a short poem clipped from a newspaper, and her letter of June 11, 1944, contains 3 photographs. Henry sent Bonnie 1 letter during their courtship (August 12, 1937) and 1 letter and 1 card during his military service. In his letter of December 6, 1946, he justified his decision to reenlist. An undated card refers to a present that he purchased for her.

Henry Fiore received 2 letters from his sisters Helen and Viola, who discussed their social lives and provided family news, and a formal letter from attorney E. B. Reiter, regarding money Henry owed on a recently purchased car (June 23, 1942). Six additional items are 2 holiday greeting cards, a telegram, a letter of recommendation for Bonnie Fiore, a printed program from a "Tropical Revue" at the Martin Beck Theatre, and a partial manuscript poem addressed to L. L. Lewis of Hoboken, New Jersey.

This collection includes correspondence, documents, and more relating to the life and career of Nannie S. Newman, a seamstress, prison matron at the Colorado State Penitentiary in Cañon City, Colorado, and beauty parlor owner in San Francisco, California. Materials relate to incarcerated women and their lives post-imprisonment, women's work, beauty culture, and family relationships. Additional material related to Newman's in-laws provide insight into the oil industry in late-19th and early-20th century America, World War I naval operations, and leisure travel.

The Correspondence Series primarily consists of letters sent to Nannie S. Newman, Ida and Jack Palmer, and later descendants of the family. The bulk of the letters were written from the 1880s to 1920s by family members and close acquaintances, and they demonstrate Newman’s extended support network. Immediate family, including her father and brother, wrote to her from Kentucky, describing the family homestead, tobacco farming, and updates on the community (for example, see Mar. 28, 1864; July 5, 1888; Nov. 6, 1890; Dec. 21, 1890; Nov. 28, 1896; Sept. 6, 1907; Feb. 27, 1910; Nov. 7, 1911; Oct. 9, 1912).

Family relationships are a dominant theme in the collection, centering around Nannie's role as a mother to Ida C. Newman, the marriage of Ida to Jack S. Palmer, Ida's death in 1906, the continuing but sometimes fraught bond between Nannie and Jack in the years following, and Jack's eventual death in 1914. On September 26, 1890, Jack wrote to Ida in the months preceding their marriage and mentioned people questioning the wisdom of him going to Colorado, suggesting Nannie Newman's eventual move there was likely tied to her daughter's doing so. Newman also received letters from various members of the extended Palmer family who were based in Titusville, Pennsylvania.

The letters regularly reflect on Newman's work. For many years she worked as a seamstress while living in Kentucky and upon her move to Colorado around 1890, but she continued making dresses and doing alteration in later years even while employed in other jobs. Correspondence touches on dresses she has produced either in a formal capacity or potentially as favors to friends and family. One letter written on May 14, 1891, from Leadville, Colorado, shares details about dressmaking in that town and expected wages, showing that Newman was thinking about the business and salary options in the area. She also received letters from others working in the field, discussing sewing machines and sewing work (see July 5, 1888; Nov. 28, 1892; Nov. 2, 1907).

In 1892, letters begin to reference Newman's work as a matron at the Colorado State Penitentiary. At least one letter appears to have been written by a former coworker at the penitentiary. Emily E. Dudley wrote from Provo City, Utah, on October 12, 1894, referencing various administrators of the prison and incarcerated women. She also wrote of Mormons in the Provo area, their disinclination to mingle with "Gentiles," plural marriages, and more. Other letters reference prison administrators and "the girls," suggesting they were written by coworkers or others associated with the prison, but additional research is required (see Aug. 3, 1895).

Newman corresponded with friends and family of incarcerated women, and the letters demonstrate the writers' gratitude for the care and interest she showed to the inmates, as well as the support she was providing to the families through written communication and occasional gifts. Several letters were written from members of the Jones family in Medicine Lodge, Kansas, who were left without support when the male head of the household was imprisoned. Newman appears to have sent updates and gifts to the wife, Bessie, and her two children, Bessie and Ethel. Their letters in return depict the realities of families struggling in the aftermath of family members' incarceration (Feb. 23, 1895; Mar. 7, 1895; Apr. 1, 1895; June 19, 1895). Newman wrote a character reference for Annie Watson and Lillie Williams who were seeking a pardon (July 23, 1894), emphasizing their respectfulness, attentiveness as mothers, and that a pardon would release the state from the cost of providing for their children. At least one other writer requested her aid in securing a pardon for a family member, assuring Newman "if they should get out I promise you they never will get into any more trouble they will lead an honest life and be respected again" (Oct. 25, 1896).

Particular interest seems to have been shown to an incarcerated woman named Maggie Montgomery (later Loullard or Larillard), who had been sentenced to ten years in prison for the murder of John Gross in 1891. One letter from Jennie Moss, dated June 24, 1892, includes an enclosure to Maggie Montgomery, advising her directly to "have a nice clean record in every respect when your case goes before the Gov . . . For Gods sake & your own do nothing foolish. I know if anything about love came up there, it would go harder against you then any thing else in the eyes of the public." Moss wrote to Newman again two years later, on November 18, 1894, describing how she came to advocate for Maggie, her pleasure with Newman's continued support, and her thoughts on "fallen women." Moss hinted that she had a possible criminal past, noting that she "lived a life of sin in the eyes of the world, But I've lived it 'openly.' I've been no whining hypocrite. The world has punished me for it." Moss reflected on the negative impact of the public's distrust in women's reformation, women's harsh treatment of each other, her fears for Maggie's future, and plans for providing for her. "You know how hard she will be pressed & how every harmless little event, will be made mountains of sin."

An additional letter written by Annie Sears on December 6, 1894, whose association with the prison is currently unknown, inquired after Maggie shortly after she was released, also mentioning an African American man who had formerly been incarcerated, attempting to contact a man for an inmate, and her good regards to the "poor unfortunate women" still imprisoned. At least two letters were written by Maggie Montgomery/Loullard upon her release and relocation to Detroit, Michigan, describing her travels, her memories of friends from the penitentiary, and her current emotions (postmark December 6, 1894; December 14, 1894). Upon requesting updates of the other incarcerated women, Loullard reflected, "I miss them, and at times when I'm lonesome I long for my little cell but I'm glad I'm free."

A group of letters written by Ellen Smith from Salida, Colorado, suggest a partnership between her and Newman to support recently released women as well as some seamstress collaboration (Sept. 15, 1895; Sept. 27, 1895; Apr. 13, 1897; Apr. 17, 1897; Apr. 22, 1897; May 4, 1897; May 9, 1897; May 18, 1897). Smith had been formerly incarcerated at the penitentiary and appears to have run a boarding house, and provided rooms for several women that Newman was helping transition back into freedom. She wrote, "...if a Decent Girl comes here I have rooms where she can be private and by her self and if a girl comes and wants to go on the row and lead a sporting life I have rooms for her to[o]" (Apr. 13, 1897). Her letters provide details about some of the women, their interpersonal dynamics, and their lives post-incarceration. In one she mentioned "Black Ida," suggesting there may have been African American inmates (Sept. 15, 1895). She also referenced two African American men inquiring after Fay, a recently released woman who periodically stayed with her, and hinted at racial tensions (Apr. 13, 1897). Subsequently she discussed firing her African American cook for being romantically involved with some of the girls, and disparaged Black Americans "as they don't count. There Friendship don't count for nothing. I make my own living and do as near right as I can and I don't care what other People says" (Apr. 17, 1897). Smith hinted at some tension between her and the prison warden, declaring, "I don't know what the Warden has against me Miss Nannie and I don't care either. I am Free now and never intend to get in trouble again" (May 4, 1897). She reiterated the feeling in her next letter, "I don't care anything about that Warden or his oppinon [sic]. I am not coming back to the Pen, so he can not have the pleasure of having any say over me. I intend to do as near write [sic] as I know how and don't care for any ones opinion" (May 9, 1897).

Other letters appear to have been written by women who had completed their sentences. They note their new residences, work, or social attitudes they were facing. Sadie L., for example, relocated to Lyndon, Kentucky, and wrote of her travel by railroad, the heavy demands of her new job, and her lonesomeness. She shared that a fellow female traveler speculated that she looked forlorn because "You love a man and he either is not worthy or he has proven false" (Sept. 27, 1895). One written by Fay Love, referenced by Ellen Smith as one of her boarders, discusses conflict with a man who financed a trip to visit Newman, but she ran out of money in Denver. "Someone sent him word that I was in Denver running all over town so he came after me." She noted that she was working "for Banker Plummer's Wife she knows you" ([18]97).

By 1906, Nannie Newman was living in San Francisco, California, and correspondence to her begins to mention her work with beauty products. People inquired how her business was faring (July 4, 1907), were purchasing or commenting on her beauty products (Sept. 9, 1907; Oct. 14, 1907; May 15, 1913; May 8, 1914; Dec. 28, 1917), and were providing advice and support when her business seemed to be slow or struggling (Feb. 1, 1908; Mar. 22, 1908). H. J. McGhan warned that Newman's "sorrowful appearance" following her daughter's death "has a tendency to drive your customers from you," and mused that the location of Newman's shop was not advantageous to business (Nov. 27, 1906). Correspondence also includes suggestions of others involved in the trade, as indicated by various cosmetics letterheads such as "Fanny Briggs Carr Face Preparations" (Sept. 13, 1906) and "Viavi Co. Manufacturing Pharmaceutical Preparations" (Feb. 20, 1908). Several letters written to Newman by Jennie and Nanie Youngblood reference taking beauty courses, cosmetic recipes, and parlors (Apr. 24, 1911; Dec. 18, 1911; Mar. 12, 1912; Jan. 6, 1913). Jennie Youngblood's letter of April 24, 1911, also references passing near Cañon City, Colorado, and seeing the penitentiary, suggesting Newman's ongoing interest in the institution, as well as a description of visiting a Mormon Tabernacle and discussing polygamy with a female Mormon.

Correspondence also reflects on the life and work of Nannie S. Newman's son-in-law, Jack S. Palmer, particularly after 1910. Letters reference his work in the oil industry, his health and travels, and commentary on his relationship with his siblings and Newman. Several indicate a strained relationship (July 21, 1911; July 12, 1912; Mar. 14, 1914). Newman also corresponded regularly with other members of the Palmer family, who provided details on life in Titusville, Pennsylvania, work in oil fields, and various travels in Alaska, California, and elsewhere.

Later correspondence predominantly relates to Thomas Leon Mitchell, who had married into the Palmer family through his wife, Virginia Palmer Davies. Two letters appear to have been written by Tom early in his life from Pleasantville, Pennsylvania (Mar. 22, 1905; [ca. 1905?]), and nine pieces written between 1915 and 1922 relate to his training and service in the United States Navy, as well as military acquaintances in the Panama Canal Zone. These include several letters describing World War I naval operations in the Caribbean, in particular while he was stationed in Martinique and Charlotte Amalie, St. Thomas, in 1918. From the 1920s to 1950s, correspondence primarily relates to the Mitchell family's travels, in particular to Western Canada, Hawaii, Fiji, and Tahiti.

The Documents Series includes receipts and bills, disbound account book pages, deeds and titles, certificates, medical reports and forms, and more. The bills and receipts provide details about Nannie and Ida's lives in Colorado and California, detailing their spending on fabric and sewing goods, room rent, furniture, piano lessons, and more. The disbound account book pages are undated, but they include details of client details relating to dressmaking for "Cripple Creek Ladies," suggesting they relate to Nannie Newman's seamstress work in Colorado in the 1890s. Several items pertain to Jack S. and Ida Palmer, such as an abstract of title to a lode in the Cripple Creek Mining District (1902), deeds and inventories of furniture, certificates for Jack Palmer's standing in the Titusville Council, and the sale of his interest in a patent to his sister Virginia Altamont Davies (1909). Two items relate to health matters, including an Institut Venu Carnis refund guarantee "for the development of the bust" and a typed Iritis Report.

The Writings Series consists of fourteen undated manuscript copies of poems or song lyrics; a manuscript "Endless Prayer Chain" to be copied and sent to nine people to ensure the writer receives "some great joy;" and a seven-page, unsigned manuscript memoir detailing experiences at a camp at the Balfour Mines in Colorado. The memoir describes the town, religious services, efforts to build a church, and reflections on gold and nature. The writer mused that there was "not a single woman in that first meeting… and I have been trying to figure out whether man when turned loose and put back almost into the wild, is such a bad animal after all – or whether the most of us rough fellows were not thinking of some good woman somewhere else."

The Address Book is a blank notebook distributed circa 1894 as advertising by Knight & Atmore of Denver, Colorado, specializing in "Artistic Tailoring, Superb Clothing, Exquisite Furnishings." While unsigned and undated, it was likely kept by Nannie S. Newman or Ida C. Palmer in the mid-1890s. It contains various addresses of men, women, and businesses primarily in Denver, Colorado, but with a number of Ohio, Illinois, Kentucky, and other states. At least one address, that of Maggie Larillard (elsewhere spelled Loullard) in Detroit, Michigan, is of a formerly incarcerated woman.

The Diary was kept by Jack S. Palmer in 1903 while he was living in Cripple Creek, Colorado. It is a pre-printed pocket diary distributed by Gross' Buffet of St. Louis, Missouri. Entries detail correspondence, travel, hours worked and other business information, and finances. Content relating to his personal life includes mentions of Ida Palmer's health and travel, social events, births and deaths. Several mentions of "Muddie" (Nannie S. Newman), primarily indicate her arrivals and departure. In addition to brief diary entries, the volume includes various notes and memoranda, including many addresses and other contact information. Printed maps of Cuba, the United States, and the "East Coast of China and Philippine Is." are present.

The Memoranda Book is a pocket-sized blank book that is undated but appears to have been kept by Jack S. Palmer. It contains notes about names, addresses, financial details, and matters seemingly related to business. Several entries refer to a Palmer camp stool. The Wallet is made of leather, embossed with a floral design and inscribed on the inside " J. S. Palmer Cañon City Colo."

The Printed Items Series includes various newspaper and magazine clippings, printed postcards, greeting cards, announcements, and advertising ephemera. Several items relate to Nannie S. Newman's business operations, including an advertising broadside for Miss S. N. Herold, of Denver, Colorado, suggesting she may have begun her cosmetic work in Colorado. It advertises "Facial Massage. The New Art. Beauty Developed and Preserved. Keeps the Face Youthful, Plump and Rosy. Only Successful Treatment Known for Wrinkles." One of her business cards from San Francisco is present for her business in "Facial Massage and Face Treatments, Shampooing and Scalp Treatments." Five bottle labels for Newman Face Bleach, Newman Egg Shampoo, and Zymocide Hair Tonic and Dandruff Remedy indicate the types of products Newman was selling.

The Photographs Series consists of twelve cabinet card photographic studio portraits of unidentified men, women, and families; four card photographs of various sizes of unidentified men, women, and children; two real photo postcards of a building exterior and a man with his young son; a 1932 handmade Christmas card featuring three photos of a home interior; and thirteen snapshots of men, women, and groups of people, several depict a cattle ranch and the only identified figure is Minnie L. Mitchell who is shown standing with one leg and crutches. Several photos include a pencil inscription of "Newman?" on the verso suggesting they may be of Nannie S. Newman, but further research is required. This series also contains an empty Photomaton envelope from Ocean Park Pier, California.

The Miscellaneous Series includes fifteen mailing addresses written or printed on various scraps of paper, ephemera, and notes ranging in date from 1895 to 1980. The notes include definitions of card game hands; an idea for an "instant cocktail" in a gelatin capsule (May 1, 1980); travel directions; and culinary and medicinal recipes. Ephemeral items include gift and luggage tags and a library card holder.

This collection primarily consists of around 500 letters that Lieutenant Robert N. Lackhove of Altoona, Pennsylvania, wrote to his girlfriend and future wife, Myrle Hoffman of Camp Hill, Pennsylvania, between 1942 and 1945. Lackhove, a bombardier with the United States Army Air Forces, described his training in Texas, his experiences while stationed in Lavenham, England, and his participation in combat missions.

This collection primarily consists of around 500 letters that Lieutenant Robert N. Lackhove of Altoona, Pennsylvania, wrote to his girlfriend and future wife, Myrle Hoffman of Camp Hill, Pennsylvania, between 1942 and 1945. Lackhove, a bombardier with the United States Army Air Forces, described his training at camps throughout Texas and his experiences while stationed in Lavenham, England, where he flew combat missions.

The Correspondence series comprises the bulk of the collection. Three letters pre-date the war, including one letter from 1915 and two letters that Lackhove wrote to Myrle Hoffman in 1938. The bulk of his correspondence with Hoffman began in January 1942. He occasionally wrote about his work in York, Pennsylvania, until December 1942, when he joined the United States Army Air Forces. Lackhove corresponded regularly with Hoffman throughout his military service, and often wrote once every two or three days. He provided his initial impressions of military life and described his daily routine at the San Antonio Aviation Cadet Center in San Antonio, Texas, which included frequent interactions with upperclassmen, drills, and classroom work. He continued to write after his transfer to Bruce Field in Ballinger, Texas, and during bombardier training in San Angelo, Texas. He participated in practice bombing runs and often mentioned his flying time and other activities. Some of Lackhove's letters from this period include drawings of his uniform, bombing targets, and additional subjects. Lackhove was promoted to second lieutenant in January 1944, and attended a training course in Laredo, Texas, until around March, when he was assigned to Tampa, Florida; Avon Park, Florida; and Georgia, where he awaited overseas deployment.

In July 1944, Lackhove reported his arrival in England, where he was based throughout his time overseas. Though censorship prevented him from sharing many details, he mentioned his participation in bombing runs and recalled hearing German radio propaganda aimed at English speakers. He also provided detailed descriptions of people and occasionally mentioned trips to London. On August 6, 1944, he enclosed Icelandic currency in his letter to Myrle. After flying his required number of missions, he returned to the United States in early 1945.

Lackhove was briefly stationed in Miami Beach before being transferred to Midland, Texas, where he remained until June 1945, when he moved to Childress, Texas. He continued to attend navigation classes and to comment on daily camp life. His leisure time became more frequent, and he attended movies and played golf with his friends. Lackhove increasingly mentioned his feelings for Myrle, and urged her to make preparations for a wedding; the couple wed during one of his leaves in May 1945. After V-E Day, he began to anticipate his return to Pennsylvania, and after V-J Day he looked forward to a discharge. His final military letter is dated September 11, 1945, and he wrote one additional personal letter to Myrle in July 1946.

Though the vast majority of the correspondence consists of Lackhove's letters to Myrle, occasional letters from other family members and friends are interspersed throughout the series. Lackhove's parents, Louis and Mary, occasionally wrote letters to Myrle, and she also received letters from other acquaintances. Lackhove also enclosed letters from his parents and, on at least one occasion, a friend, in some of his letters to Myrle. A small number of letters that she wrote to Lackhove are also included, particularly after his return to the United States in 1945. She discussed her feelings about their upcoming wedding and her life in Camp Hill.

The Poetry series contains three typed poems relating to love and separation.

The Ephemera series contains 21 greeting cards that Robert Lackhove sent to Myrle Hoffmand and to his parents, celebrating birthdays and other holidays. The series also has an invitation, an announcement, and a thank-you card. Additional items include a photograph of a small girl named Vickie holding a telephone, a document regarding Robert Lackhove's military salary, and stamps.

The Simonetti family papers contain correspondence, documents, photographs, printed material, and ephemera related to the family, who emigrated from Italy to the United States in 1920. The bulk of the material relates to Pius (Pio) and Gaetano (Nino) Simonetti and their service in the United States Army during the Second World War.

The Simonetti family papers contain correspondence, documents, photographs, printed material, and ephemera related to the family, who emigrated from Italy to the United States in 1920. The bulk of the material relates to Pius (Pio) and Gaetano (Nino) Simonetti and their service in the United States Army during the Second World War.

The Correspondence series , which comprises the bulk of the collection, covers the years 1909-1921 and 1942-1945 and includes approximately 1,000 letters and pieces of V-mail; Letters, V-mail, and Telegrams are housed in separate subseries. Roughly two-thirds of the correspondence is written in Italian, with the remainder of the material in English and a handful of items in French. Alberto Simonetti wrote the earliest items in the Letters subseries to his wife Angelica, and his letters often contain pressed flowers; these letters are in Italian. The later run of correspondence, including the V-mail subseries, consists of letters composed by and addressed to Pio Simonetti during his World War II service in Algeria, Italy, and France; these are written in both Italian and English. In his letters to his son, Alberto reported family news, and often discussed rationing as well as his personal opinions of the United States government and of the war. His son sent home news of friends and relatives, and often described his leisure activities and military life, though he seldom mentioned combat. During 1945, he frequently wrote of his upcoming marriage and of his efforts to secure a visa for his new wife. By 1945, Pio expressed his frustration at remaining in Europe despite the official conclusion of combat operations. The Telegrams subseries primarily consists of messages sent between Alberto and Angelica Simonetti in the 1940s.

The Photographs and Negatives series has 41 photographs and 10 negatives. Pio Simonetti took the majority of the photographs, which depict army life in France and Italy during World War II and include several pictures of Pio and his friends. Other material in the collection belonged to Alberto Simonetti during World War I or to friends of Pio and Nino.

The Receipts series contains 9 items, the majority of which are related to goods ordered by and sent to Pio Simonetti during his European tour of duty. One item, dated 1934, is in Italian.

The Army Informational Materials series features material owned by Pio Simonetti during his World War II service. Pio collected his notes, quizzes, and exercises in Italian and English, and wrote English-language notes in a spiral notebook during training. He also saved GI pamphlets on banking, real estate, and sexual health. Other materials relate to interrogation tactics and the treatment of prisoners of war.

The Maps series consists of maps of Gettysburg, Pennsylvania, and Picardy Region, France ("Triville"), which Pio Simonetti acquired during his military intelligence training. The series contains additional map overlays, as well as two maps of Palermo, Sicily.

Printed material includes newspaper clippings in English, French, and Italian; the English and French clippings date from World War II and the Italian clippings from 1918. Among the later materials are several satirical cartoons by William Henry Mauldin ("Bill"). In addition to these, the series also holds two pamphlets, A Total Moral Defense (1941) and a Pocket Guide to France (undated), as well as a book, P. C. Wren's The Wages of Virtue (undated).

The Ephemera series incorporates a variety of materials collected by Pio Simonetti during World War II, including holiday greeting cards, postcards, prayer cards, schedules, programs, stamps, and Italian and French currency.

The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The collection focuses mostly in European architecture and painting. The majority of the postcards are blank, but some do include correspondence.

The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The boxes are first organized by donor, and then very broadly divided by the type of architecture or artwork depicted on the postcards. These subdivisions are arranged by geographic region, media, and/or subject of the work shown on the postcard.

The majority of items in this collection are postcards dating from 1900-1918, which was during the “golden age” of postcard collecting, lasting from about 1895 to 1915. Other items, including photographs, souvenir photo books, greeting cards, and exhibition announcements in this collection were published throughout the 20th century. Correspondence to and from History of Art faculty and staff appear on some of the postcards.