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The George E. Boggs collection contains one photograph album, one letter, and one box of ephemera. These materials document the First World War service of George E. Boggs and to a lesser extent his brother Hamilton Irwin Boggs. Also included are numerous photographs of the Boggs family both prior to and after the war.

The George E. Boggs collection contains one photograph album, one letter, and one box of ephemera. These materials document the First World War service of George E. Boggs, and to a lesser extent his brother Hamilton Irwin Boggs. Also included are numerous photographs of the Boggs family both prior to and after the war.

The album does not have a strict order; many photographs from Boggs’ time in France are interspersed with images of family and at training camps in the United States prior to going to France. Captions are apparently written by both George Boggs and his mother Caroline. The majority of the images from France are of Châtillon-sur-Seine but other places are also represented. Please see the Subject Terms for a more complete list of locations.

• George and Hamilton Irwin Boggs in uniform with their Great-Uncle James P. Boggs, Civil War veteran who was wounded at Second Battle of Bull Run (loose photo in front of scrapbook, duplicate copy on page 46)
• General Pershing awarding the Distinguished Service Cross to members of the 81st Division. (page 18)

The letter, written in France on December 28, 1918, is from Hamilton Irwin Boggs to an "Uncle Jim" (possibly his great-uncle James P. Boggs). In the letter, Hamilton Boggs gives a summary of his service in the army, and mentions George Boggs’ service.

The ephemera includes George E. Boggs' dog tags, an embroidered souvenir French handkerchief, an United States Army Air Service insignia pin, and a piece of "trench art" made from a French 75mm shell casing. Also present are eleven track and field ribbons and two medals, all from 1913-14.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend.

The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend. Newspaper and journal clippings were mainly taken from New York-based publications. Most of the clippings are in extremely fragile condition. Many clippings are coupled with inscriptions indicating the name and date of the publication they were taken from. Numerous photographs also bear inscribed captions. Each volume measures approximately 25 x 19 cm in size and has marbled paper covers.

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, between 1893 and 1894. Items of particular interest include a Grand Army of the Republic report regarding the 7th's service record in the Civil War and during various New York City riots (pg. 1); a group portrait of 7th NYNG Co. D soldiers, including Townsend (figure furthest to the right), at an encampment in Peekskill, New York in June 1893 (pg. 5); clippings related to a mock Civil War battle held at Van Cortlandt Park (pg. 11); clippings related to Townsend's promotion from private to lance-corporal (pg. 13); clippings from the New York Herald and New York Tribune regarding the 7th NYNG relocating to the Seventh Regiment Armory (pgs. 42-45); a group portrait of 7th NYNG members at Sea Girt, New Jersey, in July of 1894 during a visit with New Jersey National Guardsmen (pg. 67); and Townsend's Lance Corporal chevrons (pgs. 92, 93).

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, during 1896. Items of particular interest include an engraving depicting Company D winning a chariot race at the 7th Regiment games (pgs. 28, 29); a New York Herald clipping from May 31st 1896 regarding the 7th NYNG's victory over West Point in a baseball match (pg. 39); an American Lithographic Co. halftone reproduction of a Jay Hambidge painting showing the 7th NYNG marching in uniform titled "For Love or War?" (pg. 43); clippings regarding the new regimental clubhouse at the Creedmoor Rifle Range (pg. 45); a private circular for NCOs regarding a regimental parade in honor of Chinese viceroy Li Hongzhang as well as a halftone portrait of Li (pgs. 46, 47); and cartoons from the 7th Regiment Gazette of December 1896 comically depicting track and field events (pg. 61).

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, from 1897 to May of 1898. Items of particular interest include a photographs of 7th NYNG officers and NCOs (pgs. 2, 3); halftone images from a 7th NYNG camp (pg. 7); a New York Sun clipping from October 10th 1897 regarding a mock battle at Van Cortlandt Park replete with a topographical map of the park (pg. 11); a New York Herald clipping from October 10th 1897 showing engravings related to "The Battle of Van Cortlandt Park." (pgs. 12, 13); a Harper's Weekly clipping from October 1897 showing halftone reproductions of paintings related to the mock battle at Van Cortlandt Park (pgs. 14, 15); camp scene photographs from June 1897 including one portrait of Townsend in uniform (pg. 23); halftone images showing interior rooms of the Seventh Regiment Armory (pgs. 25-28); a halftone reproduction of an engraving showing 7th NYNG uniforms from 1802 to 1897 (pg. 33); a halftone reproduction from Harper's Weekly vol. 42 no. 2157 of a painting by T. De Thulstrup showing the 7th NYNG being reviewed by Major General Charles F. Roe at the Seventh Regiment Armory (pgs. 76, 77); and multiple clippings related to the 7th NYNG's decision to refrain from allowing members to individually enlist in the regular US Army at the outset of the Spanish-American War so as not to disintegrate the unit (pgs. 82-91).

• This volume contains materials related to Townsend's service in the 201st Infantry Regiment of New York Volunteers as well as in the US Army 1st Infantry Regiment covering the period from March of 1899 to February of 1900. Items of particular interest include clippings related to Townsend's promotion from Captain of Company M 201st NY Volunteer Infantry Regiment to Second Lieutenant in the US regular army (pg. 5); letters from Townsend to his parents regarding exams he must take at Fort Monroe, Virginia, in order to achieve his promotion (pgs. 8, 9); a picture book containing halftone images from around Fort Monroe (pg. 11); a photograph showing a Fort Monroe examination room black board coupled with text of the example question present on the board (pg. 17); a copy of Townsend's commission as Second Lieutenant (pgs. 22, 23); clippings related to the naval transportation of American troops to Cuba (pg. 33); photographs of various Cuban scenes including an ossuary outside of Havana, Cuban huts and houses, Cuban soldiers being paid, American camps and barracks, a Cuban funeral, Afro-Cubans, underbrush near the mountains, a general view of Pinar del Rio, American military officers and their wives, and American troops in formation (pgs. 36-46, 48-55); a memorandum concerning the administrative use of officers' photographic portraits (pg. 59); photographs showing scenes of Guanajay and Pinar del Rio, Company K rifle ranges, American officers including Lt. McCue, Lt. Tebetts, Lt. Reams, Lt. Beacham, Lt. Wilcox, Dr. Dunchie, and Lt. Reeder, child golf caddies (including a Chinese boy named Ah Soy), a Cuban house being constructed out of palm tree materials, American officers and their wives, a Cuban burial party, soldiers on the march and drilling, an American military graveyard, Cuban ox carts, a railroad station, and churches (pgs. 60-66, 68-82); a clipping including an advertisement for "Mahara's Minstrel Carnival" (pg. 84); and more photographs showing American officers and their wives, Chinese-Cubans, a man posing with a white owl, a well-dressed Cuban man named "Mr. Usavraga", 2nd Battalion shelter camps, American barracks at Guanajay, a group of American officers and several women that includes both Townsend and his mother Emma, the fort at Mariel, a Cuban ship named Alphonso XIII sinking in Mariel Harbor, street scenes in San Antonio and Guanajay, and golf links at Guanajay (pgs. 91-115).

• This volume contains materials related to Townsend's service in the US Army 1st Infantry Regiment covering the period from April 1900 to December 1901. Items of particular interest include photographs showing 1st Infantry Company K assembled in uniform at Guanajay and the aftermath of a major storm at Guanajay, (pgs. 1, 2); clippings related to the potential ordering of the 1st Infantry from Cuba to China as well as Yellow Fever outbreaks among American soldiers stationed in Cuba (pgs. 4, 5); a fragment of an envelope bearing an official stamp from a US military surgeon indicating that the parcel had been "Disinfected and Passed" (pg. 9); clippings from August 1900 detailing the ordering of troops to Manila, Philippines, instead of China (pgs. 13-17); photographs showing various scenes from around Fort Leavenworth, Kansas, including the US Army Disciplinary Barracks (pg. 19-24); clippings from October 1900 regarding the capture and subsequent rescue of Capt. Devereux Shields (pgs. 28-30); clippings regarding the launch of the Samar Expedition and insurgent fighting tactics (pgs. 31-33, 40); photographs showing buildings occupied by American troops in Catbalogan, US Army officers and headquarters at Tacloban in February 1901 (pgs. 40-42); a clipping showing a map of the "Peaceful Districts in the Philippines" highlighting areas deemed unsafe for Americans to venture (pg. 46); photographs showing street scenes, Filipino villages and villagers, and landscape views (pgs. 50-54); a letter and associated hand-drawn map sent by Townsend to his mother describing an ambush against American forces in southern Samar in April of 1901 during which Townsend came under fire from a rifle he believed to have belonged to an American soldier who had deserted (pgs. 55, 56); a letter from Townsend to his mother in April of 1901 describing the visit of a group of Palauan tribesmen and counterinsurgency operations (pg. 57); photographs taken by Townsend of the Palauan tribesmen (pgs. 58-60); photographs from around Guiuan, including the U.S. Army headquarters, a 200 year old church door, Lt. Downes and Townsend's quarters, and images of a church and locals in Mercedes (pgs. 62, 63); clippings related to the death of Lt. Downes and Lt. McClure (pg. 68); a typescript copy of a letter initially sent by Townsend to Capt. Willard C. Fisk from July 1901, which the latter forwarded to Townsend's parents, describing engagements in Samar including one that led to Townsend being stabbed in the forearm (pg. 70); clippings related to the death of Lt. Downes and the Balangiga Massacre (pgs. 71-76); a letter from Townsend to his mother dated Oct 5 1901 describing the Balangiga Massacre and how his detachment were very nearly sent there (pg. 77); Townsend's Second Lieutenant bars (pg. 78); and a clipping describing innovative traps used by the Moros against American soldiers (pg. 79).

• This volume contains materials related to Townsend's service in the US Army 1st Infantry Regiment covering the period from 1905 to September 1907. Items of particular interest include a group portrait showing Townsend, other U.S. Army officers, and several women (including Cornelia T. Getty) standing in front of a house in Canada with snowshoeing equipment (pg. 3); clippings related to Fort Brady and a roster of troops serving in the Department of the Lakes as of August 15th 1905 (pgs. 5-7); clippings related to renewed unrest in China and the shipment of more U.S. troops to the Philippines (pg. 10, 12); clippings related to the transportation of American troops to the Philippines (pgs. 18, 19); clippings related to the celebration of George Washington's birthday at a ceremony in Gibraltar in February 1906 (pgs. 24, 26); a letter from Townsend to his mother from aboard the USS McClellan near Sri Lanka in April 1906 describing the conditions of the ship and the progress of the journey thus far (pg. 36); a typescript summary of Townsend's military career as of July 1906 (pg. 49); panoramic views of Camp Stotsenburg (pgs. 58, 64); a clipping regarding an earthquake in the Philippines in April 1907 (pg. 69); a typescript copy of a memo from September 1907 titled "Regarding the Government of the Philippine Islands With Special Reference to the Subject of Police Protection" (pg. 80); and photographs by Pedro Casanave of the S.S. Mindoro and of "Calle Gen. Hughes" in Iloilo City (pgs. 87, 88).

• This volume contains materials related to Townsend's service in the US Army 23rd and 1st Infantry Regiments covering the period from August 1909 to August 1910. Items of particular interest include a roster of officers and troops on duty at the Army Service Schools, Fort Leavenworth and the US Military Prison as of November 1909 (pg. 5); a studio portrait of Townsend in uniform taken at Fort Leavenworth (pg. 7); a copy of the September 1910 issue of the Infantry Journal by The United States Infantry Association containing an article written by Townsend titled "The Use and Effect of Flying Machines on Military Operations" (pg. 25); clippings related to practice maneuvers at Pine Camp, New York (pgs. 28-39, 49-58); halftone images showing camp scenes at Pine Camp (pgs. 47, 48); and photographs showing Townsend in uniform, Townsend's parents Malcolm and Emma, and what may have been the Townsend family residence (pg. 59).

In addition to this finding aid, the Clements Library has also created the G. L. Townsend Scrapbook Inventory which serves as an itemized list of the contents of each scrapbook.

This collection consists primarily of letters that Rohloff and Philip Hacker wrote to their parents and siblings while serving in the 2nd and 5th Michigan Infantry Regiments during the Civil War. Also included are two of Rohloff Hacker's diaries, letters by additional Michigan soldiers and a female aid worker, and letters that William Hacker received from his brother Karl in Neustrelitz, Germany, from 1877-1880.

This collection consists of letters that Rohloff and Philip Hacker wrote while serving in the 2nd and 5th Michigan Infantry Regiments during the Civil War. The collection also includes two of Rohloff Hacker's diaries, letters by additional Michigan soldiers and a female aid worker, and letters that William Hacker received from his brother Karl in Neustrelitz, Germany, from 1877-1880.

Among the most valuable letters in the collection are Rohloff's written during the summer of 1861. These provide an excellent sense of life in the camps defending Washington, going beyond descriptions of the routine of camp life to discussions of morale, officers, and the preparedness of soldiers on both sides. Rohloff describes the equipment and uniforms issued to his Regiment -- late and in poor condition -- in great detail, and their involvement in skirmishes and in the 1st Battle of Bull Run. He displayed an unusual zeal in soldiering, remarking that he did not hesitate in firing at Confederate soldiers, even the first time, and making a number of caustic remarks about Confederate soldiers. The amusing rivalry he and Philip carried on through their correspondence with home over their regiments and relations with friends and women decreased after the First Battle of Bull Run, and seems to have ended altogether after the Peninsular Campaign, when both their moods turned darker and more serious. The brothers both wrote informative letters during the Peninsular Campaign, particularly during the siege of Yorktown, the Battle of Williamsburg, and the Seven Days' Battles. The letters describing the Battle of Fredericksburg are also absorbing, particularly Philip's account of his own wounding. Somehow, through their experiences, which included a number of disastrous defeats at the hand of the enemy, both brothers unwaveringly maintained their faith in their country and their religion.

Rohloff and Philip wrote clearly and succinctly, and both were sensitive to the larger issues of the conflict and to the effect of war on the participants and civilians. Both commented occasionally on strategy and the leadership of the Union Army. Philip's letters are somewhat more polished than Rohloff's. The majority of the brothers' letters were written to family members, with most addressed to their father and mother, William and Barbara Woll Hacker, their younger siblings, Serena and Theodore, or their sister and brother-in-law Augusta and Alpheus Macomber in various combinations. Rohloff also wrote more than 30 letters to his former employers, E.F. Albright and C. Thomson, or Mrs. Albright.

The collection contains letters of several other Michigan soldiers, most of who served with the Hackers, or were friends of the Hacker family from Brighton. Among these are four letters from Peter Smith (Co. G, 2nd Michigan), reminiscing about his friendship with Rohloff and describing visits to his grave; five from Newton J. Kirk (Co. E, 26th Michigan Infantry); four from Capt. John C. Boughton (Co. G, 2nd Michigan), two letters of Edward R. Bliss (4th Michigan Infantry), and six letters written in February and March, 1863, by W. H. Pratt, a Sergeant in the hospital in which Philip Hacker was dying (probably William H. Pratt, Co. E, 26th Michigan Infantry). Another group of additional correspondence consists of 16 letters that Julia Susan Wheelock wrote about her work for the Michigan Soldiers' Relief Association in Washington, D.C., and northern Virginia between 1863 and 1866. Wheelock is also mentioned in several of the soldier's letters. In 1870, Wheelock published a memoir of her war-time experiences, The Boys in White; the Experience of a Hospital Agent in and around Washington.

The collection also contains a group of 5 letters that Karl Hacker wrote to William Hacker, his brother, from Neustrelitz, Germany, between September 16, 1877, and February 12, 1880. The letters are written in German schrift. Hacker's correspondence concerns local news and events, including several festivals; changes in Neustrelitz and Germany since William left for the United States; and his work as a construction supervisor. He provided updates about his health, and also discussed news of family members and friends in the United States and Germany.

The collection also contains The Congregational Psalmist: A Collection of Psalm Tunes, three soldier's bibles, two belonging Rohloff C. Hacker and one from Alexander Reuben that also has Philip W. Hacker's name in it, a leather wallet with Philip Hacker and William A. Ferguson's name on it, and a sewn cloth case. Miscellaneous items such as newspaper clippings, stamps, hunting licenses, currency, 4 photographs, and photographic negatives are also included. A small selection of 20th century family correspondence about the Hacker brothers supplement the collection.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service during the war. A majority of the collection are personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service in the American Expeditionary Forces. The majority of the collection is comprised of personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The album begins with 92 personal photo-postcards, many of which have a short handwritten caption on the front. The majority were taken while Barnum was stationed near the Rhine River, in Mayen, Germany. They show daily life, the ammunition dump, M.O.R.S. details, studio portraits, monuments and castles along the Rhine, and a Rhine River boat tour. One image is of the men he served with, "Billet #6," and lists the name and hometown of each man. There are a few images included from his training at Camp Hancock in Augusta, Georgia.

Seemingly unrelated to Barnum’s service, are five photos likely taken in the United States of construction on a neighborhood street. Following, are an image of captured American soldiers, one of a simulated gas attack, and 15 smaller images similar in content to the photo-postcards. Most of these smaller images have handwritten captions on the back.

This album includes a total of 78 picture postcards include a complete collection of 20 black and white views from the painting Panthéon de la Guerre. Other locations depicted include Paris, Southampton, Koblenz, and Camp Dodge and Rock Island in the United States

The last portion of the album contains ephemera from Barnum's military service, with the exception of one letter from August 6, 1905 written by Barnum to his mother while on vacation with his father and brother. Other items include the board game Trench Checkers, a Third Army Carnival program, a Mother’s Day pamphlet, an honorable discharge chevron, a USS Santa Paula billet card, and a "Souvenir Roster of the New York Masonic Club of the Army of Occupation."

The Matthilde Ittel photograph album contains 122 photographs, 19 postcards, and 26 pieces of ephemera and mainly includes snapshots of people, landscapes, and buildings in Pennsylvania, New York, and Ontario.

The Matthilde Ittel photograph album contains 122 photographs, 19 postcards, and 26 pieces of ephemera and mainly includes snapshots of people, landscapes, and buildings in Pennsylvania, New York, and Ontario.

The album (18 x 27 cm) has black cloth covers with "Photographs" stamped on the front. Many of album compiler Matthilde Ittel’s family, friends, and colleagues are mentioned and pictured in this album, including William Baldwin Clipsham, Nettie E. Geyer, Freda Cloud, Mary Rieger Ittel, and Jessie Evelyn Ittel Kiel as well as staff of the W. E. Terhune Lumber Company. Numerous portraits are present throughout the album, many of which have been altered through cutting. Two images show a woman whose face has been entirely cut out, while many other images are cut along the lines of a person’s figure. Several images have had color added. The postcards primarily consist of images of destinations that the album creator visited such as the Bowery in New York City and the Liberty Bell in Philadelphia, Pennsylvania, while the ephemeral items include a hotel card, a small wooden oar, and typed notes containing humorous writings and social commentaries.

Images of note include pictures of Ittel wearing a Gibson Girl hairstyle coupled with a quote regarding the advantage of women not having to wear trousers, portraits of Ittel’s mother Mary and sister Jessie, two real photograph postcards of cats, a postcard of the merchant ship Tillie Covert, postcards and notes from a trip to Ontario in 1908, photographs and postcards relating to a 1909 trip from Rochester to Montreal and West Point, several photographs of a 1911 trip to Philadelphia and the Delaware Water Gap, and a staged photograph located on the back inside cover captioned "An Actual Operation For Appendicitis.”

The Reed-Blackmer family papers consist of the correspondence from an extended family including many settlers in New York, Michigan, and Western America.

This collection consists of the correspondence of the Reed and Blackmer families spanning a period from the mid-19th century to shortly after World War I. The greatest strengths of this collection are the early letters pertaining to education in New York State, and the letters written from family members in the west to their New York State relations. Letters from Michigan in the 1850s, Kansas and Indian Territory in the 1880s and 90s, and the smattering from Illinois and Wisconsin, all give expression to the emigrants' specific experiences.

Many of the early letters are from students and young teachers in New York State, where there were many pockets of culture and education. Lucinda Green, a student at the academy in East Bloomfield, was taking intellectual philosophy in 1849. One of the lectures she described was delivered by photographer John Moran, who "exhibited some pictures with the magic lanterns some of which were very comical" (1850 January 26). Another correspondent, James Bigelow, detailed his professors, particularly the female ones, and activities at Alfred University in Allegany County. James Cole, a medical student, taught school in Ontario County, and Scott Hicks was a student at the Buffalo Medical College. Lizzie, Martha, and Marshall Reed attended the seminary and academy in Canandaigua, and Lizzie described such highlights as the infant drummer's concert: "he drummed beautifully, he was only three years old," and hearing a Jew preach: "His dialect was so different from ours that I could scarcely understand a word he said" (1851 [November] 7, 1852 November 21). Harriet Pennell's cousin Paul taught in Naples, and Harriet herself probably attended the Genesee Wesleyan Seminary in Lima, Livingston County.

Of all the letters from the west, the handful from Lynus Tyler to Dudley Reed are the most entertaining. Tyler was an enthusiastic, but less-than-eloquent correspondent from rural Macomb County, where he had a 200 acre farm. He tried to entice Reed to migrate with descriptions of the abundance of women and deer: "Mary Bennet is not married yet but she wants to bea dud come and get her for you cannot doo enny better her post adress is Romeo Macomb Co. Mich" (1851 June 22). He assured Dud he would "keep the girls from a hurting you" when he came out (1851 February 9). After Dudley married "Miss Anna," Tyler, who now had an 80 acre farm in Barry County, toned down his enthusiasms for the local women, but still tried to get his friend to come farm in Michigan by praising the land as well as the game (1852 August 1).

The other Michigan correspondents also urged their relations to join them, and discussed farming, hunting, and family news in great detail. During their early years in Michigan, enthusiasm for their adopted home flowed through every line, but this waned somewhat after 1857, when a barn burned, a child died, and crops failed. Samuel even spent some time in the Jackson jail in the 1870s.

Frank Blackmer's letters written while he worked as a sheep drover in 1880 are unfortunately brief, but his brother John's fairly regular letters over a twelve-year span provide an excellent portrait of a man permanently poised between home and the great unknown. For over a decade, he worked in Kansas and the Indian Territory, never making quite enough money, and never making up his mind whether to head further west, as he dearly wanted to, or to head home to New York, which was also a powerful draw. He wrote repeatedly that he had been "a blamed fool for staying around these parts for the last two years when I might have seen a good deal of country last spring I started out & went several counties west when I might have gone to California just as well..." (1886 November 7). Even as he complained about the hardships of his peripatetic, single life, and berated himself for not moving, he continued to linger in that part of the world.

The letters written back home by New Yorkers visiting western relations are as important as those written by the transplants themselves. In the mid-1880s, Bess Blackmer spent her school holidays visiting her Michigan relatives -- Pennells, Wilmarths, and Clarks -- in Grand Rapids and the surrounding area. By writing to her mother about her trip, she reacquainted her with people whose images had undoubtedly dimmed over the years. In 1891, Harriet took her own first trip west, stopping in Kansas, Illinois, and Michigan to spend time with family she had not seen in decades. She might have thought this first trip would also be her last, but her daughter Hattie was stricken with typhoid in Grand Rapids two years later, and her mother again traveled west, to nurse her and escort her home. These visits reaffirmed the bonds between long distance kin that otherwise might have withered, as letters full of local news grew less and less relevant to those far away.

One of the many fascinating single letters in this collection was written by Orren Short, from Michigan. In the 1850s, there was a fairly commonly held view that handwriting analysis was a means of diagnosing health complaints. After receiving -- and analyzing -- a letter from his sister Anna, Orren wrote to her husband Dudley Reed, and effectively requested that they stop having sex.

I also should judge by her writing that she is very poor. that there is difficulty by irregularity of the female organs. Great care should be taken to avoid overworking, or to great an excess of any indulgence that might irritate the female private organs. But few females ever recover wholly after becoming irregular in their monthly purgations, or by to great a flow, without abstaining wholly from sexual intercourse with their husbands for a length of time. Perhaps my views are not right in regard to Anna's case, if not please pardon me. If correct, please give it a trial (1856 September 7).

Reverting to his true calling, farmer Orren went on to discuss his wheat crop.

Other caches of correspondence include the letters Bess wrote home to her mother from Ohio-Wesleyan (1884-1886), detailing her classes, activities, and clothing needs; Lizzie Reed's sporadic letters to her brother Dudley, exhorting him to strop drinking and save his soul; and the 20th century material. This last portion of the collection consists of letters written to (the somehow related) Newton C. Rogers (A.E.F. Air Corps, France) from family members in New York and air corps friends in France. In patriotic and optimistic tones, these letters discuss news of friends and family "over here" and a bit of bravado and news of the fates of comrades from elsewhere "over there."

The Robert M. Vogel collection of historic images of engineering & industry contains approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, and 15 pieces of realia documenting a wide range of subjects primarily related to 19th-century civil engineering, industrial processes, and mechanization.

The Robert M. Vogel collection of historic images of engineering & industry contains approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, and 15 pieces of realia documenting a wide range of subjects primarily related to 19th-century civil engineering, industrial processes, and mechanization.

Particularly well-represented topics within the Vogel collection include images of different types of civil infrastructure such as bridges, canals, roads, dams, and tunnels as well as images showing construction projects, various types of machinery, modes of transportation (such as railroads, steamboats, automobiles, etc.), agricultural pursuits, natural resource extraction (including oil drilling, quarrying, mining, and lumbering), textile operations, electrical and hydraulic power generation, manufacturing, metal working, machine shops, and various industrial factory scenes. Many images of important and iconic structures are included such as the Brooklyn Bridge, Panama Canal, Hoosac Tunnel, and SS Great Eastern. Other represented topics include general architectural views, scenes of disasters/accidents, and portraits of notable individuals (such as Thomas Edison, Isambard Kingdom Brunel, and Robert Stephenson). While predominately United States-focused, the materials are international in scope overall and especially include many images of industrial sites and civil infrastructure in Great Britain. The order of the collection's original arrangement has largely been kept intact.

Examples of items of particular interest include salt prints possibly taken by civil engineer Montgomery C. Meigs documenting the construction of the U.S. Capitol and Washington Aqueduct in Washington, D.C.; a series of portraits of early Baldwin Locomotive Works locomotives; images documenting the SS Great Eastern and USS Niagara steamships; a group of 4 colored stereoviews on glass produced by Frederick Langenheim showing the Niagara Falls Suspension Bridge ca. 1850s; images related to specific railroads including the Baltimore & Ohio Railroad, Mauch Chunk, Mount Washington Cog Railway, and New York City elevated railroad; and half-frame proof prints of stereographs produced by Underwood & Underwood as well as H. C. White & Co.

The following list represents the general subject categories found across the Vogel collection along with relevant box and folder numbers:

• Box 07.2
• Box 14.1
• Box 14.2
• Box 14.3
• Box 31.2
• Box 52
• Box 56
• Folder 2.10
• Folder 3.08

• Box 06.2
• Box 06.3
• Folder 1.08
• Folder 2.15

• Box 01.1
• Box 03.3
• Box 06.3
• Box 07.1
• Box 28.2
• Box 28.3
• Box 46.2
• Box 57
• Box 58
• Box 59
• Box 61
• Box 63.10
• Folder 1.04
• Folder 2.04
• Folder 2.09
• Folder 2.14
• Folder 2.15
• Folder 2.16
• Folder 3.08

• Box 06.1
• Box 06.2
• Folder 2.06

• Box 03.1
• Box 03.2
• Folder 2.17
• Folder 3.08

• Box 03.3
• Box 04.1
• Box 04.2
• Box 04.3
• Box 05.3
• Box 05.4
• Box 06.1
• Folder 3.08

• Box 05.1

• Box 01.1
• Box 01.2
• Box 01.3
• Box 02.1
• Box 02.2
• Box 28.3
• Box 43.2
• Folder 3.02
• Folder 3.08
• Folder 3.10

• Box 02.3
• Box 05.2
• Box 06.1
• Box 49.1
• Box 49.2

• Box 09.1
• Box 09.2
• Box 36.1
• Box 36.2
• Box 39.1

• Box 08.2
• Box 08.3
• Box 18.4
• Box 28.1
• Box 28.3
• Box 46.1
• Box 53.2
• Box 58
• Box 61
• Box 63.08
• Box 63.11
• Folder 1.03
• Folder 2.16
• Folder 2.17

• Box 06.3
• Box 17.3
• Box 20.1
• Box 24.3
• Box 25.1
• Box 28.1
• Box 41.1
• Box 54
• Box 57
• Folder 1.07
• Folder 2.16

• Box 11.2
• Box 45.2

• Box 27.1
• Box 27.2
• Box 27.3
• Box 39.2
• Box 46.1
• Box 46.2
• Box 56
• Box 57
• Box 58
• Box 59
• Box 63.02
• Box 63.03
• Box 64.1
• Folder 1.05
• Folder 1.11
• Folder 1.13
• Folder 2.04
• Folder 2.11
• Folder 2.17
• Folder 3.08

• Box 07.2
• Box 07.3
• Box 08.1
• Box 08.2
• Box 28.1
• Box 28.2
• Box 43.2
• Box 46.3
• Box 52
• Box 54
• Box 56
• Box 57
• Box 59
• Box 63.04
• Box 64.2
• Box 64.4
• Folder 1.09
• Folder 2.05
• Folder 2.10
• Folder 2.12
• Folder 2.17
• Folder 3.08

• Box 07.1
• Box 07.2
• Box 13.2
• Box 13.3
• Box 14.1
• Box 27.2
• Box 27.3
• Box 31.2
• Box 32
• Box 33.1
• Box 33.2
• Box 34
• Box 35
• Box 36.1
• Box 37
• Box 39.2
• Box 40
• Box 41.2
• Box 42
• Box 43.1
• Box 43.2
• Box 46.2
• Box 53.1
• Box 53.2
• Box 60.1
• Box 61
• Box 63.01
• Box 63.03
• Box 64.1
• Box 64.3
• Folder 1.03
• Folder 1.07
• Folder 2.05
• Folder 2.06
• Folder 2.11
• Folder 2.15
• Folder 3.03
• Folder 3.08
• Folder 3.09
• Folder 3.12

• Box 15.1
• Box 43.2
• Box 44
• Box 55.1
• Box 55.2
• Box 60.1
• Box 60.2
• Box 62
• Folder 1.01
• Folder 1.02
• Folder 1.12
• Folder 3.07

• Box 11.2
• Box 11.3
• Box 12.1
• Box 12.2
• Box 13.2
• Box 23.1
• Box 61
• Folder 2.05

• Box 11.2
• Box 12.2
• Box 14.2
• Box 63.07

• Box 12.2
• Box 12.3
• Box 12.4
• Box 13.1
• Box 13.2
• Box 37
• Box 46.2
• Box 57
• Box 58

• Box 21.3
• Box 22.1
• Box 22.2
• Box 22.3
• Box 28.1
• Box 39.2
• Box 61
• Folder 2.14
• Folder 2.15
• Folder 3.08

• Box 23.1
• Box 23.2
• Box 23.3
• Box 24.1
• Box 24.2
• Box 40
• Box 41.2
• Box 50.1
• Box 50.2
• Box 51
• Box 52
• Box 55.1
• Box 55.2
• Box 61
• Folder 1.03
• Folder 2.02
• Folder 2.05
• Folder 2.14
• Folder 3.02
• Folder 3.10

• Box 29.1
• Box 29.2
• Box 30
• Box 46.1
• Box 57
• Folder 1.07

• Box 24.3
• Box 25.1
• Box 25.2
• Box 25.3
• Box 26.1
• Box 26.2
• Box 26.3
• Box 27.1
• Box 27.3
• Box 37
• Box 38
• Box 39.2
• Box 40
• Box 41.1
• Box 42
• Box 46.3
• Box 64.1
• Folder 3.06

• Box 10.3
• Box 11.1
• Box 11.2
• Box 41.2
• Folder 3.05
• Folder 3.12

• Box 01.1
• Box 10.3
• Box 28.3
• Box 39.1
• Box 46.3
• Box 56
• Box 64.2
• Box 64.3
• Folder 2.15
• Folder 3.06
• Folder 3.07

• Box 08.1
• Box 28.1
• Box 46.3
• Box 64.2

• Box 09.3
• Box 10.1
• Box 10.2
• Box 10.3

• Box 39.1

• Box 34
• Box 42
• Box 56
• Box 63.07
• Folder 2.16

• Box 15.1
• Box 28.2
• Box 31.2
• Box 33.2
• Box 36.2
• Box 54
• Box 58
• Box 64.3
• Folder 2.16
• Folder 3.04

• Box 19.1
• Box 19.2
• Box 19.3
• Box 20.1
• Box 20.2
• Box 20.3
• Box 21.1
• Box 21.2
• Box 21.3
• Box 28.2
• Box 45.2
• Box 46.3
• Box 57
• Box 59
• Box 63.09
• Folder 2.08
• Folder 2.11
• Folder 2.14
• Folder 3.05
• Folder 3.07
• Folder 3.08

• Box 15.1
• Box 15.2
• Box 15.3
• Box 16.1
• Box 16.2
• Box 16.3
• Box 16.4
• Box 17.1
• Box 17.2
• Box 17.3
• Box 18.1
• Box 18.2
• Box 18.3
• Box 18.4
• Box 28.1
• Box 28.2
• Box 31.1
• Box 35
• Box 46.2
• Box 47
• Box 48.1
• Box 48.2
• Box 49.1
• Box 56
• Box 57
• Box 58
• Box 59
• Box 61
• Box 63.05
• Box 63.06
• Folder 1.06
• Folder 1.10
• Folder 2.01
• Folder 2.03
• Folder 2.04
• Folder 2.06
• Folder 2.07
• Folder 2.10
• Folder 2.13
• Folder 2.16
• Folder 3.04
• Folder 3.07
• Folder 3.10
• Folder 3.11
• Folder 3.12

• Box 28.2
• Box 43.1
• Box 43.2
• Box 45.1
• Box 45.2
• Folder 2.06

• Box 08.1
• Box 08.2
• Box 25.1
• Box 28.3
• Box 39.1
• Box 39.2
• Box 46.3
• Box 53.2
• Box 56
• Box 57
• Box 59
• Box 64.2
• Box 64.4
• Folder 1.04
• Folder 2.04
• Folder 2.15
• Folder 2.16

While the Vogel collection general subject categories are generally comprehensive there are still numerous instances of items that could feasibly belong to multiple categories other than the group they are classified under. For instance, there are disaster images found in several groupings other than "Disasters," while bridge construction images can be found in all of the various "Bridges" categories as well as within the "Construction" category. For more detailed descriptions of specific materials, see the box and folder listing in the Contents section below.

The Salomon family photograph album contains 55 photographs of friends, family members, and religious and political figures compiled by the family of Haitian President Lysius Salomon.

The Salomon family photograph album contains 55 photographs of friends, family members, and religious and political figures compiled by the family of Haitian President Lysius Salomon.

The album (30 x 22.5 cm) has embossed brown leather covers, gilt edges, and a metal clasp; it was produced and copyrighted by English firm T. J. Smith, Son, & Co. under the product name “Album Arbora.” A gilt-print index accompanied by a quote from Henry Wadsworth Longfellow on pg. 2 lists the locations of 13 decorative illustrations of various “Flowering Shrubs” found within the album.

Photographs mainly consist of carte de visite and cabinet card studio portrait photographs of various men, women, and children taken between the 1860s and 1880s. Also present is a souvenir from the funeral of a young Frenchman named Pierre Bertagne who passed away in 1925 at the age of 25 (between pgs. 2 & 3; includes a portrait of the deceased). Works of Haitian, French, English, German, Jamaican, Italian, Curaçaoan, Puerto Rican, and American photographers are represented. Black, white, and mixed subjects are included, and most individuals are unidentified. Eight portraits of President Salomon appear throughout the album; also present are photographic reproductions of illustrated portraits of Pope Pius IX (pg. 3), Italian statesman Giuseppe Garibaldi (pg. 7) and Prime Minister of Madagascar Rainilaiarivony (pg. 9) as well as a photographic portrait of Victor Emmanuel II, King of Italy (pg. 10). Numerous portraits of Catholic priests are also included.

Besides Lysius Salomon, other members of the Salomon family that may possibly be represented in the album include his second wife Florentine Salomon (pgs. 11, 15, and loose image between pgs. 40 & 41), daughter Ida Salomon Faubert (loose image between pgs. 40 & 41 and loose cabinet card between pgs. 42 & 43), and grandson Raoul Faubert (ca. 1920s real photo postcard, loose between pgs. 24 & 25).

Several photographs include inscriptions in French. Many of these inscriptions indicate that a photograph was given as a souvenir to either President Salomon himself or to Mrs. Salomon (presumably Florentine Salomon). For instance, on pg. 19 a portrait made in 1882 of a French priest of “Abbé de Aldrovandy” in Paris bears an inscription addressed to “Monsieur le General Salomon, President de la Republique D'Haiti,” indicating that the subject desired to have a fellow priest named Mathieu send this photograph to Salomon upon his death; a second inscription (presumably written by Mathieu) states the gentleman pictured has passed away and that his wish is being fulfilled by the portrait being sent to Salomon. Pg. 21 includes portraits of two women with inscriptions made out to “Mme La Presidant” and “Mde. Salomon” respectively, as well as a portrait of a young black man bearing an inscription in French that translates to: “Gratitude to our respectful and revered Father Le Duc de Saint Lous du Sud, President of the Republic of Haiti.” Also present on pg. 31 is a cabinet card portrait of the President of the Dominican Republic Fernando Arturo de Meriño with a verso inscription in Spanish that translates to: “To his Excellency General Salomon, President of the Republic of Haiti, his loyal friend Fernand A. de Merino Puerto Plata, February 5 1882.”

For conservation and preservation purposes, facsimile reproductions of each photograph have been put in place of the original photographs to replicate the arrangement of the album as it appeared when received. The original photographs are housed separately within the album container.

This collection contains correspondence, diaries, ephemera, photographs, and other material related to Vashti Detwiler Garwood, a schoolteacher and physician in Ohio, Massachusetts, Kansas, and Michigan. The collection documents her experiences teaching school in Ohio and Massachusetts, as well as her coursework at the Boston University School of Medicine. Also included are additional photographs of her family and a published history of the Novy-Garwood families.

This collection (0.5 linear feet) contains correspondence, diaries, ephemera, photographs, and other material related to Vashti Detwiler Garwood. The material documents her experiences teaching school in Ohio and Massachusetts, as well as her coursework at the Boston University School of Medicine. Also included are additional photographs of her family and a published history of the Novy and Garwood families.

The Correspondence series is comprised of 16 personal letters between members of the Cannon family of Pennsylvania and members of the Detwiler and Garwood families. The Cannon siblings wrote and received three letters between 1862 and 1864, sharing recent news such as local deaths. Isaiah Cannon also informed his brother, D. H. Cannon, of his intention to enlist in the Union Army (February 1, 1864).

The remaining 13 letters relate to Vashti Detwiler Garwood, including several from her mother-in-law, Angeline Garwood (1805-1881), who reported family news from Lewisburg, Ohio. Vashti received a letter from Spencer Willard Garwood, her future husband, written while he served in the 132nd Ohio Infantry Regiment during the Civil War; he provided some of his impressions of the South and shared updates about his regiment (July 7, 1864). In one late letter, W. H. Berkey, editor of the Vigilant, responded to her letter concerning conditions within the Cassopolis Jail in Cassopolis, Michigan; the Women's Christian Temperance Union believed Garwood's previously printed letter a fraud, though a clipping attached to the letter respects the Vigilant's verification of her identity (September 19, 1896).

Vashti Detwiler Garwood kept 5 Diaries and Journals between 1858 and 1868, most of which concern her experiences as a schoolteacher in Ohio and Massachusetts, as well as the early years of her married life in Fort Scott, Kansas. She wrote sporadically until the fall of 1864, when she began composing entries more frequently. Some of the journals document overlapping periods of time. Along with her experiences, she often recorded her thoughts and emotions, frequently related to her religious beliefs and her relationships. Her small pocket journal, kept throughout 1860, also contains quotations, algebra problems, and financial accounts. One late, undated entry in the journal, written between January 1, 1859, and December 31, 1864, is a lament composed after her failed attempt to win admission to Mount Holyoke Female Seminary. Her final journal, kept between January 2, 1865, and September 8, 1868, occasionally refers to military developments during the Civil War, and contains a brief allusion to the assassination of Abraham Lincoln (April 15, 1865). The series also holds a typescript of diary entries written between January 16, 1864, and September 27, 1864, made from a diary in the collection.

The Writings are 4 jokes and humorous anecdotes, including 1 referencing Native Americans; 6 poems, often sentimental in nature; a list of quotations and a set of notes; an 8-page lesson on "The Rainbow," composed in a question-and-answer format; and 2 essays on writing compositions, totaling around 3 and a half pages. One of the latter compositions is signed by Vashti Detwiler Garwood.

The first subseries of Documents and Ephemera holds items related to Vashti Detwiler Garwood's studies at the Boston University School of Medicine between 1880 and 1881, including tickets verifying her membership in the class and permission to attend lectures, an order of lectures for 1880-1881, 2 commencement tickets, and several items attesting to her successful completion of individual courses. Other material includes a printed circular addressed to students, which states the faculty's commitment to the fair treatment of women (February 5, 1882); tuition receipts; and an event program, printed in Latin. Other Documents and Ephemera are three manuscript slips attesting to Hiram Garwood's good conduct in school, funeral notices, invitations, and 3 printed, colorful cards presented to Martha and Vashti Detwiler as "reward[s] of merit."

The Recipes series (5 items) contains several recipes, including 2 individual items and a three-page sheet containing many recipes, a fragment from a food-related account, and a bill of fare.

Visual Material (22 items) includes photographic portraits and snapshots of members of the Detwiler and Garwood families, both identified and anonymous; a photograph of President James A. Garfield; a postcard depicting the University of Michigan's 1908 commencement exercises, with Vashti Detwiler Garwood marked; and a colored illustration of a woman. The collection also contains a cased ambrotype portrait of Christian Detwiler and Vashti, his daughter, taken in the fall of 1853, and a bound "Souvenir of Bethlehem, Pennsylvania" containing several views of the town.

Printed Material (22 items) consists of 16 newspaper clippings, most of which contain poetry or recipes; an educational pamphlet entitled The Family Bible Teacher, number 18 in a series; a newsletter from the Greenwich Academy, which mentions an upcoming visit by Henry Wadsworth Longfellow; 1 of Vashti Detwiler Garwood’s calling cards; and 2 small cards printed with memory- and friendship-themed mottos.

Also included is a copy of the Novy-Garwood Family Record and Connections, a book published in 1990.

Artifacts include a leather wallet purchased by Christian Detwiler in 1827, a circular wooden box, a paper doll, and several outfits for the doll.

The collection also holds 6 pages of Genealogy notes.