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The Journal of a trip from Kingston, Ontario, to Cincinnati, Ohio, recounts a traveler's experiences during a journey that took him through New York and Pennsylvania in February and March 1820.

The Journal of a trip from Kingston, Ontario, to Cincinnati, Ohio, recounts a traveler's experiences during a journey that took him through New York and Pennsylvania in February and March 1820. The traveler embarked on February 24, 1820, and immediately encountered icy, rough roads and other difficulties. He noted machinery he saw on the Canadian countryside. After crossing into New York, the author visited Albany, where he observed the state legislature (February 28, 1820), and New York City. The author initially found Pennsylvania "very dull" (March 4, 1820), but later enjoyed the western countryside, despite being prevented from traveling on one Sunday when he found himself in an area where the population observed strict religious rules (March 12, 1820). On March 17, 1820, the diarist boarded a Cincinnati-bound boat, whose crew told "a great Number of Anecdotes of the late War & [portentously] of the Rascally treatment they received when prisoners." Many entries pertain to anecdotes about traveling companions and lodgings. An account of "Articles Bot" is in the back of the volume.

This volume contains an anonymous journal of a voyage from Kennebunk, Maine, to New Orleans, Louisiana, and Cincinnati, Ohio, between December 9, 1852, and January 24, 1853, as well as poetry, short stories, and essays composed by a second unknown writer between May 1857 and February 1887. One poem and one story concern the Civil War, and the author composed biographical essays about prominent individuals, families, and other topics.

This volume contains an anonymous journal of a voyage from Kennebunk, Maine, to New Orleans, Louisiana, and Cincinnati, Ohio, between December 9, 1852, and January 24, 1853 (21 pages), as well as poetry, short stories, and essays composed by a second unknown writer between May 1857 and February 1887 (117 pages). One poem and one story concern the Civil War, and the author frequently composed biographical essays about prominent individuals, families, and other topics.

The first 21 pages, titled "Journal of a voyage from Kennebunk to New Orleans," are made up of daily diary entries composed during a voyage from Maine to Louisiana and from Louisiana to Ohio. The author embarked from Kennebunk, Maine, onboard the Golden Eagle (commanded by Captain Nathaniel Thompson) on December 9, 1852, and made daily observations about life at sea. As the Golden Eagle approached Florida in late December, he described the scenery in the Bahamas, the Florida Keys, and coastal Louisiana. On one occasion, the ship encountered a boat transporting slaves to New Orleans. The author arrived in New Orleans on December 28, where he wrote about some of his experiences in the city, such as a visit to the cattle market. On January 12, he boarded the steamer Yorktown for a journey up the Mississippi and Ohio Rivers to Cincinnati. He noted the cities passed along the way, such as Vicksburg and Memphis, and described southern plantations, making note of their use of slave labor. On January 15, he reported that the Yorktown had taken a newly purchased African American family onboard, who entertained the passengers with dancing and music. By the final entry, dated January 24, 1853, the author had just passed Evansville, Indiana.

The volume also contains a commonplace book, in which the writer composed 117 pages of poetry, short stories, and essay. Several poems are translations of German poems by Johann Wolfgang von Goethe and Ludwig Uhland, and others appear to be original compositions. Among the latter is "Our Native Land," a patriotic verse written in March 1863, and additional poetry dated June 1869. The author wrote one short story in March 1862. An essay, "the Presentiment," consists of recollections of a war-era soldiers' relief society worker and a story respecting a woman's premonition of her own death. Biographical sketches and essays comprise most of the remaining material and are often annotated with small edits. Persons of interest include Horace Walpole, William Cowper, Nassau family members, Michael Faraday, Sir Philip Sidney, Norman Macleod, Dr. John Brown, and Henry of Navarre. Other essays concern the "Besor brook" in Judaea, the rivers of Babylon, and the telegraph.

A financial account between Charles Thompson and Nathaniel L. Thompson, settled in Kennebunk, Maine, on January 1, 1856, is laid into the volume.

The Journal of Our Trip Through Europe chronicles the European travels of Americans "Billie" and "Blanche" in the summer and fall of 1891.

The "Journal of our trip through Europe" (147 pages) chronicles the European travels of Americans "Billie" and "Blanche" from July 22, 1891-October 7, 1891.

The diary concerns the travelers' transatlantic voyages on the City of Paris (July 1891) and Friesland (October 1891) and their experiences in London, Paris, Rome, other Italian cities, several German cities, and Brussels. They spent most of their time enthusiastically sightseeing, but were frustrated in Italy when attacked by pickpockets (September 6, 1891). In Paris, they visited the catacombs and witnessed a suicide at the Eiffel Tower (August 24, 1891). The diary records visits to art museums throughout Europe, such as the Louvre and the Vatican Museums, and notes the travelers' impressions of architecture and public sculptures.

Arnold and John Nesbitt of London, England, received these six monthly reports for the Mount Nesbitt sugar plantation in Saint John Parish, Grenada, between October 1777 and March 1778. Each document is headed "Journal of the Proceedings on Mount Nesbitt Estate." The tabular reports include daily numerical data on the numbers of enslaved workers on the plantation and the types of work being performed, including watch and stock keepers, "Black tradesmen," domestics, and as part of great and small gangs. Days where no plantation work was undertaken were noted, such as on Sundays, Christmas, and New Year's Day. The tables also document numbers of enslaved people identified as "Sick & Lame," "Superannuated" or children; the deaths and births of the month identified by name; and the numbers who ran away. The reports also record numbers of livestock, weather, and provisions broached. General remarks include particulars of agricultural tasks, plantation maintenance, and other labor undertaken by the enslaved, work demanded of the sick, names of enslaved people who escaped and were recaptured, and notable events like the meal served on Christmas.

Arnold and John Nesbitt of London, England, received these six monthly reports for the Mount Nesbitt sugar plantation in Saint John Parish, Grenada, between October 1777 and March 1778. Each document is headed "Journal of the Proceedings on Mount Nesbitt Estate." The tabular reports include daily numerical data on the numbers of enslaved workers on the plantation and the types of work being performed, including watch and stock keepers, "Black tradesmen," domestics, and as part of great and small gangs. Days where no plantation work was undertaken were noted, such as on Sundays, Christmas, and New Year's Day. The tables also document numbers of enslaved people identified as "Sick & Lame," "Superannuated" or children; the deaths and births of the month identified by name; and the numbers who ran away. The reports also record numbers of livestock, weather, and provisions broached. General remarks include particulars of agricultural tasks, plantation maintenance, and other labor undertaken by the enslaved, work demanded of the sick, names of enslaved people who escaped and were recaptured, and notable events like the meal served on Christmas.

The Journal ou Campagne… documents the movements of the French naval squadron commanded by the Comte de Grasse during the American Revolution.

The journal, which is titled Journal ou Campagne des Armées de Terre et de Mer, depuis le 22 Mars, 1781, jour du départ de l'armée navale françoise, commandée par Mr. le Comte de Grasse, de la Rade de Brest jusques au 31 May, 1782, jour auquel l'escadre commandée par Mr. le Marquis de Chabert, est partie de la Rade du Cap François pour conduire en Europe un convoy de 126 voiles, avec les details de la traverse la ditte escadre, documents the movements of the French naval squadron commanded by the Comte de Grasse during the American Revolution. Written by an anonymous member of the French navy, the journal begins with the fleet's departure from Brest on March 22, 1781, followed by their arrival at St. Lucia at the end of April. While in the West Indies, the author recorded enemy activities and engagements, including a battle led by the Marquis de Bouillé, who landed on St. Lucia, "sous le fond d'une batterie des ennemis" (under a battery of enemies), and captured one-hundred prisoners (p. 4).

The fleet remained in the West Indies for the next several months. In July, while the ships were stationed at Cap François at Saint Domingue, dispatches arrived from Generals Washington and Rochambeau, asking for naval support to defend against General Cornwallis's forces, who were stationed in Virginia, poised to invade Maryland, and if it would be possible "d'arreter ces progrès et même de le prendre lui et son armée, si nos forces maritimes devenoient superieurer…"to stop their progress and even capture him [Cornwallis] and his army, if our maritime forces proved superior) (p. 6).

The author then discussed the preparation and departure of the fleet, which arrived at the Chesapeake on August 30th, where de Grasse proceeded to blockade the entrances of the York and James rivers. The journal then records the slaughter of Marquis de St. Simon's men by British soldiers at the James River. The author described corpses exposed on the river bank, and the devastation of a deserted region: "tel fut le triste et cruel spectacle, qui s'offrit a ces yeux," (such was the sad and cruel spectacle that showed itself to these eyes) (verso p. 8). After de Grasse's arrival, Cornwallis swiftly fortified his position at Yorktown. The journal contains details on the Battle of the Chesapeake, fought between French and British fleets on September 5th, and includes a diagram of the positions of the French and English ships on the Chesapeake (inlaid at p. 9).

By mid-October, Cornwallis was forced to surrender; the journal includes a copy of the articles of capitulation, signed on October 19th (p. 14). After successfully blockading the Chesapeake, and the surrender of Cornwallis, de Grasse returned to the West Indies. The journal contains accounts of the Marquis de Bouillé's attack on St. Eustatius, the captures of Martinique and St. Christopher, and the articles of capitulation for the surrender of St. Christopher. The journal also contains an account of the April 1782 battle in which Admiral Rodney defeated de Grasse's fleet. The end of the journal contains lists of the vessels under de Grasse and the Comte de Barras, along with a list of British ships (September 5, 1782).

The Key West, Dry Tortugas album (10 x 12 cm) contains 14 collodion printing-out-paper prints consisting of architectural views of Fort Jefferson, Florida, portraits of government employees at Fort Jefferson and Key West, a view of Bird Key and a group of dairy cows on Key West.

The Key West, Dry Tortugas album (10 x 12 cm) contains 14 collodion printing-out-paper prints consisting of two exterior and seven interior views of Fort Jefferson, Florida, two group portraits of the "Commandant" with his brother and wife, a view of "Bird Key, near K[ey] W[est]", a group portrait of 25 men posed outdoors with the caption: "Govt. employees at Key West, Florida. All except 11 died, yellow fever, 1899.", and a picture of cows on a street captioned: "A walking dairy at Key West; the manner in which milk is delivered." Two photographs in mounts are labeled: "Burgert Bros., Key West, Florida.

The album has a half-cloth cover with floral cloth boards and the title "Photogs" imprinted in silver. Housed in a gray box.

The Ladd family carte-de-visite album contains carte-de-visite and tintype portraits of members of the Ladd and White families, as well as other individuals. The volume belonged to a woman named Annis.

The Ladd family carte-de-visite album (14cm x 12cm) contains formal studio portraits of members of the Ladd and White families, as well as other individuals. The photographs are comprised of 30 cartes-de-visite and 6 tintypes. An index to the photographs is partially filled out, though some items may not remain in their original positions or may have been removed. The volume contains pictures of men, women, and children, sometimes photographed in pairs; one child is shown sitting in a baby carriage. Some items have the photographer's name and studio location printed on the back; many were taken in Sterling, Illinois, and various towns in Michigan. The volume's brown cover has a raised geometric design, and the book has one metal clasp.

The Lakefront Michigan cottage photograph album contains approximately 440 images documenting the construction of a family lake cottage likely located in lower Michigan.

The Lakefront Michigan cottage photograph album contains approximately 440 images documenting the construction of a family lake cottage likely located in lower Michigan. The album (18.5 x 29 cm) has black cloth covers. Photographs include views of a work party clearing land for the cottage on May 3 1920; a truck with a load of lumber mired in a rut before being subsequently rescued; three men sealing the bottom of a rowboat which proceeds to sink in shallow water; the framing and roofing of the cottage; the mounting of a sign reading, "Non Nobis Solum" over the cottage; the addition of a dock; and furniture being moved inside. Other activities depicted include a game featuring a blindfolded woman holding a beer stein; the erection of a flagpole and subsequent raising of a flag accompanied by a bugle player and firing of a miniature cannon; swimming in the lake with innertubes; wading in the lake; and rowing in a seaworthy rowboat. A truck from Edgar's Sugar House in Detroit also appears in several photographs related to the construction of the cottage.

This volume is a typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

This volume is a 27-page typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

The Lake George camping party consisted of at least seven acquaintances: Charles W. Byrnes, Alice B. Byrnes, William L. Brown, Georgia B. Sumner, Edwin W. Andrews, Maybelle Ramsay, and R. C. Sargent. Maybelle and a man referred to as "the Doctor" left the group partway through the trip. The account, titled "Wotlarks: A Camping Journal," opens with an epigraph by William Henry Harrison Murray, followed by 24 pages of recollections. The campers embarked from Caldwell, New York, on July 31, 1892, spent 2 weeks on the lake, and then boarded a train for Boston from the area around Fort Ticonderoga on August 13, 1892.

The author of this typescript (possibly camper William L. Brown), described the scenery, meals, and notable incidents. He or she also quoted poems by P. Buchanan Read and Isaac Ogden Rankin. The 7 party members signed the final page of the typescript. Twenty-one photographs, pasted onto sturdy boards between pages of the journal, depict scenery around Lake George, the campers in their canoes, men and women posing with guns, a man fishing, the group near their tents, and other scenes.

The volume includes a carefully drawn or traced manuscript map of Lake George, marked with the places that the campers visited.

This volume contains an introduction to land surveying and its underlying mathematical principles. Included are practical problems, illustrated examples, and reference tables.

This volume (174 pages) contains an introduction to land surveying and its underlying mathematical principles. Included are practical problems, illustrated examples, and reference tables.

The book, entitled "Land Surveying," opens with an introduction to geometry and trigonometry then focuses on practical surveying applications (around p. 49). Definitions, theorems, and problems are illustrated with diagrams and example problems. The remainder of the volume (pp. 142-174) pertains to surveying measurements, methodology, and tools. The author explained different measurements, such as Scottish units, English units, and the "chain," and applied mathematical principles to surveyors' practices. Many problems include ink-and-watercolor pictures of irregularly shaped lakes or fields, and several concern locations referred to as "Broom Park," "Mire Park," "Farm Park," and "Hill Side Farm." Additional subjects of study are land division and measuring levelness. The volume also contains tables of measurements. Decorative geometric drawings, done in ink with the occasional addition of watercolors, are interspersed throughout the book.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”

The Latin America and Caribbean travel photograph album (17.25 x 21 cm) contains 36 captioned views of Jamaica, Panama, Peru, and Chile taken by an unidentified photographer. The majority of the photographs are of landscapes but local people are also depicted.

The Latin America and Caribbean travel photograph album (17.25 x 21 cm) contains 36 captioned views of Jamaica, Panama, Peru, and Chile taken by an unidentified photographer. The majority of the photographs are of landscapes but local people are also depicted. A photograph of the S.S. Limari is present in the album. Of note are a series of photographs documenting a trip on the Peruvian Central Railway, including a view of Infiernillo Bridge.

The Leonidas, Michigan photograph album (14.5 x 17.75 cm) contains fifteen snapshot views of Leonidas, a settlement in St. Joseph County, Michigan. The photographs focus on streets, buildings, and roads.

The Leonidas, Michigan photograph album (14.5 x 17.75 cm) contains fifteen snapshot views of Leonidas, a settlement in St. Joseph County, Michigan. The photographs show views of streets, a train depot and train, a paint shop, a cemetery, residences, and a group of four individuals in a carriage drawn by two horses.

The collection consists of letters and essays submitted to the editor of the United Service Journal for publication, principally regarding British naval and military matters.

The collection consists of letters and essays submitted to the editor of the United Service Journal for publication, principally regarding British naval and military matters. Topics range from naval architecture, technology, and weaponry, to histories of naval and specific military engagements and defenses of individual persons. The letters also regard such matters as the recovery of the HMS Thetis off the Brazilian coast, charities and education efforts, discipline, piracy, officer promotions, and military mortality in Canada. Several letters reference disagreements over articles published in the United Service Journal.

This volume contains medical essays composed at the Pennsylvania Hospital in Philadelphia in 1849 and 1850, as well as drafts of letters composed in 1878 and 1879. Essay topics include examinations of specific cases, information on various ailments, notes on surgical operations, and descriptions of medicines.

This volume (162 pages) contains medical essays composed at the Pennsylvania Hospital in Philadelphia in 1849 and 1850, as well as drafts of letters composed in 1878 and 1879. The first 99 pages consist of medical notes and essays written during Carson's final year studying medicine at the University of Pennsylvania, including reports on medical cases, information on ailments and medicines, and notes concerning surgical operations. Essays on ailments and medicines (pages 100-159) focus on symptoms and relief, and include several based on particular types of medicines, such as diuretics and expectorants. Other essays examine the effects of the medicines on the body. The volume also contains medicinal recipes (pp. 160-161). Several doctors are mentioned, including H. S. Patterson, Joseph Carson, G[eorge] B. Wood, and Henry H. Smith. The medical content dates from March 15, 1849, to January 1850, and covers most of the volume's odd-numbered pages, with additional content appearing on some even-numbered pages, including several rough sketches of generic human figures that appear on the inside of both covers and throughout the book, and a series of indexes of miscellaneous words. Some additional items are signatures for residents of several towns in New York, a poem entitled "Buccaneer Bride" (p. 42), recipes for breakfast rolls and doughnuts (pp. 46, 48), household accounts for decorative items, and drafts of letters. Of the letters, one is signed by Grace Burton of Millport, New York. Addie A. McCurdy, also of Millport, New York, occasionally signed her name on some of the even-numbered pages.

This collection is made up of typescripts and copies related to Lewis C. Mead's service in the 22nd Michigan Infantry Regiment, Company I, during the Civil War, including his time as a prisoner of war. He wrote letters home while serving in Kentucky, Tennessee, and Georgia, and during his imprisonment in Libby Prison and other Confederate prisoner-of-war camps.

This volume (177 pages) contains typescripts and copies related to Lewis C. Mead's service in the 22nd Michigan Infantry Regiment, Company I, during the Civil War. The collection includes an introduction by Mead's youngest daughter.

Pages 1-148 largely consist of letters that Mead wrote to his parents and sister during his military service. He described camp life, marches, and scenery in Kentucky, Tennessee, and Georgia (particularly in and around Lexington, where the regiment was stationed for much of the winter of 1862-1863). He mentioned Lexington's African American population, his African-American servant in Nashville (shared with his tent mates), promotions and officer elections within his company and regiment, executions of deserters, and a skirmish with Confederate forces. From October 1863 to November 1864, he wrote from Libby Prison and other Confederate prisoner-of-war camps. Mead discussed his health and his possible release or exchange. By the time he resumed his correspondence in March 1865, he had returned to the regiment. He remained with the unit until at least May 1865.

A small number of letters by other writers include an early order by J. W. Trueman authorizing Mead to raise a company for a regiment of lancers (October 3, 1861) and several written to the Mead family during the war. E. S. Woodman, an acquaintance, and other soldiers provided news about Lewis C. Mead's capture and imprisonment in October 1864. Postwar correspondence includes family letters and a letter from H. S. Dean to Lewis C. Mead regarding a visit to the Chickamauga battlefield by Michigan veterans (October 25, 1893).

The letters are followed by Mead's ca. 1886 reminiscences of his Civil War service, including his experiences during the Battle of Chickamauga and his subsequent imprisonment (pp. 149-164); a speech by Mead about the 22nd Michigan Infantry Regiment's Civil War service (pp. 165-172); and additional reminiscences written after a 50th anniversary visit to the Chickamauga battlefield, Chattanooga, Tennessee, and other locations related to Mead's wartime experiences (pp. 173-177).

The volume contains a photocopy of a newspaper obituary for Lewis C. Mead, published in The Daily Press. Photocopied photographs include Lewis C. Mead around the time of his enlistment and as an older adult; "Johnny Clem," a 12-year-old soldier who was embedded with Mead's regiment (pictured in uniform holding a gun); James Arthur Gallery wearing Mead's dress uniform; and Owen Carlisle Frost in a World War I-era army uniform.

A typescript copy of a letter by William Hayden Smith regarding his experiences with the 1st Michigan Infantry Regiment around the time of Robert E. Lee's surrender at Appomattox is pasted into the volume's back cover (April 9, 1865).

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The album (40 x 28 cm) has black paper covers and 305 pages, 14 of which do not contain any photographs. The photographs are generally arranged in chronological sequence and depict loading the Liberty Bell onto parade floats and train cars, celebratory parades, gathered crowds, and individuals and groups posing with the Liberty Bell. Numerous pictures include captions referencing the locations in which they were taken. The album also contains two small maps, each showing one of the routes of the cross-county trips that the Liberty Bell took, as well as landscape photographs of scenes in the western United States. Notable persons photographed with the Liberty Bell include Thomas Edison, members of the Daughters of the American Revolution, and groups of Native Americans in Cayuse, Oregon. Landscapes pictured include views of Wyoming, Pulpit Rock, Bear River Canyon, Mount Shasta, Shasta Springs, Horseshoe Curve, Royal Gorge, the Rockies, Salt Lake, and Feather River Canyon.

This collection consists of 8 affidavits recorded in Lincoln County, Kentucky, in 1808. The statements, all provided by slaves, concern events leading up to the stabbing of a slave named Moses in May 1808.

This collection consists of 8 affidavits (16 pages) recorded in Lincoln County, Kentucky, in 1808. The statements, provided by slaves named Ben, Peter, Caleb, Martin, Frank, David, Lew, and Jim, concern events leading up to the stabbing of a slave named Moses in May 1808. According to their testimony, Ben and Lew had a financial dispute after a card game, which later led to an altercation between a slave named Surry, who was a relative of Ben, and Moses, who was acquainted with Lew. The slaves who were involved in and who witnessed the incident belonged to several different masters. The affidavits provide detailed information about the men's activities before and during the fight between Surry and Moses.

Additional research about the collection and the context of Surry's murder trial is available in the Manuscripts Division.

The Lippincott family carte-de-visite albums contain formal carte-de-visite portraits of members of the Lippincott, Thorne, and Taylor families of Philadelphia, Pennsylvania, many in the traditional dress of Quakers. Two photographs show men in military uniform.

The two Lippincott family carte-de-visite albums (both 14cm x 11cm) contain portraits of members of the Lippincott, Thorne, and Taylor families of Philadelphia, Pennsylvania. Volume 1 has 18 cartes-de-visite and 1 tintype, and Volume 2 has 24 cartes-de-visite and 1 lithographic card. Most photographs are formal studio portraits taken by Philadelphia photographers of men, women, children and elderly women. Many are in the traditional dress of Quakers. Civil War soldiers Joshua and Powell Thorne appear in military uniforms. Several photos have revenue tax stamps. A portrait of activist Lucretia Mott by H.C. Phillips is included. Each of the volumes has a brown leather cover decorated with geometric designs. Both albums had two metal clasps; the first is missing one of two clasps and the second has both clasps intact.

This collection is comprised of five volumes of copied passages from magazines, newspapers, speeches, and other literary sources, on subjects such as religion, history, philosophy, economics, science, and fiction. Also included is a handwritten essay on "Physical and Moral Courage," and a Wilmington, Delaware, bond related to the estate of Edwin A. Wilson, April 1, 1859.

This collection is comprised of five volumes of copied passages from magazines, newspapers, speeches, and other literary sources, on subjects such as religion, history, philosophy, economics, science, and fiction. Also included is a handwritten essay on "Physical and Moral Courage," and a Wilmington, Delaware, bond related to the estate of Edwin A. Wilson, April 1, 1859.

The creator of these commonplace books, writing in a dense, consistent hand, recorded passages from a wide range of authors that include Plato, Aristotle, Tertullian, Geoffrey Chaucer, Martin Luther, Nathanial Hawthorne, Charles Dickens, Baden Powell, Oliver Wendell Holmes, and others. Publication notices and excerpts of literary reviews are frequently noted. Passages often include references to the author or the publication source. Latin, Greek, and Hebrew words or lines periodically appear as well.

Included in the collection is a handwritten essay, titled, "Physical and Moral Courage", exploring these ideas within the framework of Ancient Spartan society, as well as their relationship to the legacy of Julius Caesar. A partially-printed bond dated April 1, 1859, from Joseph C. Seed to David Craig and William Tatnall in Wilmington, Delaware, pertains to the estate of Edwin A. Wilson.

• The Atlantic Monthly
• The British Quarterly Review
• The Christian Examiner
• Debow's Review
• The London Lancet: A Journal of British and Foreign Medical and Chemical Science, Criticism, Literature, and News
• The London Quarterly Review
• The National Review
• The New York Tribune
• The Saturday Review of Politics, Literature, and Science
• The Spectator
• The Weekly Caucasian
• The Westminster Review

This collection contains five letters written by a woman named "Lizzie" to "John," a close friend or family member. She discussed her life in New York City, with a particular emphasis on the 1875 Henry Ward Beecher trial, religion, and life in Harlem.

This collection contains five letters written by a woman named "Lizzie" to "John," a close friend or family member. She discussed her life in New York City, with a particular emphasis on the 1875 Henry Ward Beecher trial, religion, and life in Harlem. Lizzie, who first lived near Columbus Circle, was interested in the ongoing litigation between Henry Ward Beecher and Theodore Tilton, and repeatedly expressed her desire to procure tickets should the famous preacher take the witness stand. She wrote that "There are some who would never believe him guilty but consider him the victim of a cruel plot or circumstantial evidence; but there are other some [sic] who express themselves as willing to accept whatever verdict the jury brings in" (January 21, 1875). Lizzie also shared the experiences of her daily life, particularly after her relocation to Harlem, which she described in a February 1875 letter. In addition, Lizzie provided her thoughts on her local church and, briefly, on the merits of a number of New York newspapers (May 12, 1875). In one letter, dated March 12, 1875, she drew a small diagram of her lamp chimney.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.

The Louisiana Purchase Exposition collection contains 16 items, most of which are related to the 1904 Louisiana Purchase Exposition in St. Louis, Missouri, including 14 photographs, 1 letterpress halftone, and an illustrated book cover.

The Louisiana Purchase Exposition collection contains 16 items, most of which are related to the 1904 Louisiana Purchase Exposition in St. Louis, Missouri, including 14 photographs, 1 letterpress halftone, and an illustrated book cover.

• The front cover of an illustrated handbook (22 x 15 cm) about the fair by Dr. Charles M. Kurtz titled Saint Louis World's Fair, Commemorating the Acquisition of the Louisiana Territory
• A platinum print portrait (mount 35 x 28 cm) of Dr. Kurtz by Hollinger & Co. of New York, likely produced around the time of the exposition
• A letterpress halftone portrait (mount 28.5 x 21 cm) of Dr. Kurtz including an autograph from a later period
• A gelatin silver photograph (19 x 15 cm) by Carl Peter Ording of the sculpture titled North Dakota by Bruno Zimm depicting a semi-nude woman in classical garb
• Twelve gelatin silver photographs (23.5 x 18 cm) of exhibit halls showing framed paintings hanging on draped walls; these are likely views of the exhibition of American and international artists curated by Dr. Kurtz

This collection contains around 100 land surveys pertaining to property along the southern Mississippi River in the late 18th and early 19th centuries.

This collection contains around 100 land surveys with maps pertaining to property along the southern Mississippi River in the late 18th and early 19th centuries. Many of the items are signed by William Dunbar, Valentine Layssard, and Carlos Trudeau, surveyors under the Spanish government in West Florida and Louisiana. The collection contains petitions, grants, and other documents, many of which are in French or Spanish. The lands fell under the jurisdiction of several administrative districts, including Natchez, Baton Rouge, Feliciana, Rapides, San Bernardo, and Galveston.

The MacMillan Arctic Expedition photograph album contains approximately 160 photographs related to the Arctic Expedition to Greenland in the summer of 1925 led by Donald Baxter MacMillan aboard the ships Peary and Bowdoin.

The MacMillan Arctic Expedition photograph album contains approximately 160 photographs related to the Arctic Expedition to Greenland in the summer of 1925 led by Donald Baxter MacMillan aboard the ships Peary and Bowdoin. The photographs were removed from the journal of Chief Boatswain Earl E. Reber, an expedition pilot, and stored in plastic sheets in a green three-ring binder (30 x 30 cm). Images of interest include scenes from the departure out of Boston, Massachusetts; a stop at Labrador; many views of native peoples and landscapes of Greenland; and shipboard photographs including individual and group crew portraits, crew members playing pirate, and a view of the captain's table with officers and servants. Landscape views include rocky shorelines, glaciers, drift and pack ice, icebergs, and aerial photographs of Etah harbor, the Greenland ice cap, and Ellesmere Island. Crew members are shown in various images interacting with native Greenlanders onboard ships, showing a group of children how to use a camera, and visting a native Greenlander residence. Additional images include views of an Inuit summer hut and permanent shelter, sled dogs, and natives kayaking and cleaning a walrus carcass; the unloading and assembly of the Loenig amphibious aircraft; and waterfront views of Battle Harbor, Labrador, and of Gotthaab, Godhavn, and Umanak, Greenland.

Expedition members identified by typewritten captions include: Floyd Benney, Richard Byrd, Leo Max Davidoff, Albert Francis, Jacob Gayer, John La Gorce, Donald MacMillan, E. F. McDonald, A. C. Nold, W. D. Publicover, Earl E. Reber, Charles Rocheville, M. A. Schur, Nels Sorensen, and G. F. Steele.

A currently unidentified person wrote this temperance speech in Madison, Connecticut, around 1849. The writer included extracts from previous annual reports of the Madison Temperance Society and provided a brief history of the society before writing about the effect of drinking and temperance on society.

A currently unidentified person wrote this temperance speech in Madison, Connecticut, around 1849. The writer included extracts from previous annual reports of the Madison Temperance Society and provided a brief history of the society before writing about the effect of drinking and temperance on society.

The extracts include the number and sex of adult members, as well as the number of juvenile members. The writer noted that a majority of the members were women and that a significant portion of members who pledged against the use of distilled liquors were self-proclaimed Sons and Daughters of Zion.

The writer frequently referenced the Gospel, proclaiming that "no drunkard shall inherit the Kingdom of Heaven" (page 20). They tell the story of a man in the prime of his life who, although working hard, could never acquire a "permanent home" for himself and his family because of his expenditures on alcohol. The writer insisted that if those men stopped spending their money on alcoholic beverages, they would be able to afford a home and good clothing for their family within a few years.

The speech concludes with a condemnation of members who violated their pledges, and a suggestion that further steps be taken to ascertain the exact number of society members on account of poor record-keeping.

An unidentified tradesperson, possibly a cooper or blacksmith within the area of Washington County, Maine, kept this account book between 1818 and 1824. They document debts and credits with several members of the community. Customers' debts included services (mending rakes, pails, and tubs, making tubs, and making a delivery) as well as goods (flax seed, various grains, leather, churns, and tubs). The accounts also record credits, often in the form of bartered services and goods such as chopping acres, setting shoes, making a chisel, and hay and corn. One sheet of paper is laid into the volume, recording births and marriages in Nathaniel C. Kelly and Abigail Kelly's family.

An unidentified tradesperson, possibly a cooper or blacksmith within the area of Washington County, Maine, kept this account book between 1818 and 1824. They document debts and credits with several members of the community. Debts included services (mending rakes, pails, and tubs, making tubs, and making a delivery) as well as goods (flax seed, various grains, leather, churns, and tubs). The accounts also record credits, often in the form of bartered services and goods such as chopping acres, setting shoes, making a chisel, and hay and corn. One sheet of paper is laid into the volume, recording births and marriages in Nathaniel C. Kelly and Abigail Kelly's family.

An unidentified tradesperson, possibly a cooper or blacksmith within the area of Washington County, Maine, kept this account book between 1818 and 1824. They document debts and credits with several members of the community. Customers' debts included services (mending rakes, pails, and tubs, making tubs, and making a delivery) as well as goods (flax seed, various grains, leather, churns, and tubs). The accounts also record credits, often in the form of bartered services and goods such as chopping acres, setting shoes, making a chisel, and hay and corn. One sheet of paper is laid into the volume, recording births and marriages in Nathaniel C. Kelly and Abigail Kelly's family.

An unidentified tradesperson, possibly a cooper or blacksmith within the area of Washington County, Maine, kept this account book between 1818 and 1824. They document debts and credits with several members of the community. Debts included services (mending rakes, pails, and tubs, making tubs, and making a delivery) as well as goods (flax seed, various grains, leather, churns, and tubs). The accounts also record credits, often in the form of bartered services and goods such as chopping acres, setting shoes, making a chisel, and hay and corn. One sheet of paper is laid into the volume, recording births and marriages in Nathaniel C. Kelly and Abigail Kelly's family.

Manuscript Passages from the Greek Testament, with English Translations by Cotton Mather is a twenty-six page manuscript, containing selected verses from books of the New Testament. Some verses are in Greek, some are in English, and others are in both languages.

Manuscript Passages from the Greek Testament, with English Translations by Cotton Mather is a twenty-six page manuscript by an unknown hand, containing selected verses from books of the New Testament. Some verses are in Greek, some are in English, and others are in both languages.

Pages 1-3 include verses from Matthew, Mark, Luke, and Acts. They are not in order by book, chapter number, or verse number. The remaining 23 pages contain verses and partial verses from all of the books of the New Testament except Philippians, Titus, and Philemon; most are from Matthew, Mark, Luke, John, and Acts. Short phrases in many of the English verses are underlined and alongside them are Greek translations in parentheses. Although the manuscript is not explicitly subdivided, some verses are grouped by verb usage. For example, part of page 20 groups Romans 5:5, Romans 5:11, 1 Corinthians 7:37, 2 Corinthians 1:24, and others together. They each contain some variation of the verb ίστημι.

The manuscript is bound with an undated portrait engraving of Cotton Mather, by H.B. Hall's Sons, New York. A letter from Thomas J. Holmes, librarian at the William Gwinn Mather Library in Cleveland, Ohio, to J.C. Wheat, librarian at the William L. Clements Library (May 13, 1935) is laid inside the front cover of the volume. In the letter, Mr. Holmes offers his opinion regarding whether or not the manuscript is in the hand of Cotton Mather; he is uncertain.

The Manuscript Sheet Music collection is made up of manuscript music scores, correspondence, and composers' autographs.

The Manuscript Sheet Music collection (approximately 140 items) contains manuscript music scores and composers' autographs, as well as correspondence and other items.

The bulk of the collection is comprised of around 80 music scores, which range in length from one line to several pages; some are complete works, and some are fragments. Most of the brief melodies are accompanied by the composers' signatures and may have been intended as autograph gifts. The longer works are mainly piano and/or vocal scores, and some include lines for violin with piano accompaniment. Lyrics, when present, are written in English and German. Some of the scores are dated and signed, and a few were written in German cities. The cover of the score for "Barcarola" includes an engraving of "The Great Western crossing the Atlantic," and Harry Keyser's "Two Etudes for Pianoforte" is accompanied by a letter by the composer. A manuscript music book belonging to "Th. Hämb, Junior" contains several short pieces with lyrics in a Nordic language.

Additional autographed items include 25 autograph cards, 8 autograph musical quotations, 10 sheets of paper (some with inscriptions), and a photograph of violinist A. Rivarde. Many of the autographed cards, which are the size of business cards or visiting cards, are dated at Chicago in the mid- to late 1880s. The collection's 8 letters (in English, German, and Italian) include one man's opinion of a performance of "Wanda" and a letter illustrated with lines of music. Additional items are a program for a Manchester, New Hampshire, performance of the comic opera Jonah, an ink drawing of a decaying stone building, and lines of poetry or musical lyrics.

The Marble, Colorado photograph album contains approximately 55 photographs related to industry built around the marble quarry and stone works of Marble, Colorado.

The Marble, Colorado photograph album contains approximately 55 photographs related to industry built around the marble quarry and stone works of Marble, Colorado. The album (20 x 28 cm) has brown leather covers and is partially disbound. Numerous images have manuscript captions on their versos. Images of interest include views of the marble quarry; the town of Marble; the trolley used to move marble slabs; the school and cottages made for the workers; the saw mill, finishing mill and planer; power generators; a 3-photo bird's-eye view of the marble deposit and quarry; a 2-photo panorama of the mill and village; the lathe making marble columns; a cave for mining called the Wilson Opening; and elements of the Denver-based U.S. Post Office and Federal Building (now the Byron R. White U.S. Courthouse) and Cheesman Park Memorial being constructed. The last photograph of the album bears the stamp of Arthur Luckhaus.

This collection is made up of 27 legal documents and financial records pertaining to residents of Marblehead, Massachusetts, between 1730 and 1812.

This collection is made up of 27 partially printed legal documents and financial records pertaining to residents of Marblehead, Massachusetts, between 1730 and 1812. Sixteen items are statements of monthly and annual taxes that individual Marblehead residents owed between 1780 and 1812; most are addressed to Benjamin Lancey (or Lansey). The remaining items pertain to financial agreements, real property ownership and sales, and shipping. Two indentures concern the division of large residential buildings and provide detailed information about the rooms and passages belonging to each owner. One financial document relates to the town's fishing industry, and two relate to the schooner Sally: a bill of sale and an insurance policy.

Additional legal documents include an appointment of guardianship and a plaintiff's bill for legal costs incurred during a case in the Circuit Court of Common Pleas for the Middle Circuit.

An unidentified person, likely living in the vicinity of Woburn, Massachusetts, maintained this account book between 1862 and 1864. They recorded financial transactions, the bulk with Messrs. Lewis & Culver. The volume also includes yearly cash accounts, documenting everyday purchases and payments, such as travel costs, foodstuffs, clothing and sewing supplies, and books and magazines. The volume also lists amounts earned by month, and a "Clothing Account" and "Furniture Account" for 1862.

An unidentified person, likely living in the vicinity of Woburn, Massachusetts, maintained this account book between 1862 and 1864. They recorded financial transactions, such as rent payments and daywork, with the bulk of the accounts with Messrs. Lewis & Culver. The volume also includes yearly cash accounts, documenting everyday purchases and payments, like travel costs to Boston and Reading, pencils and paper, produce, foodstuffs and spices, candy, tickets to events, clothing and sewing supplies, contributions to the "Plymouth Collection," and books and magazines. Titles purchased include the Lady's Book, Arthur's Magazine, Home Magazine, Sunday School Question Books, Home Missionary, and others. The volume also lists amounts earned by month, and a "Clothing Account" and "Furniture Account" for 1862. Several names appear at the back of the volume, including Joseph B. McDonald, John M. Stockman, Mary Eaton, James Donald, and others.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905. A majority of these images show Martha's Vineyard and Newport, Rhode Island. Many of these images show scenes of tourist destinations. Notable destinations include Paul Revere's House, the Thoreau-Alcott House, The Breakers, Touro Synagogue Cemetery, and the Marine Hospital of Vineyard Haven. Also shown are views of beaches and people in swimwear.

The album is 18.5 x 14.5 cm with dark brown cloth covers.

This photograph album contains formal portraits of men and women, many of which were taken in Massachusetts around the late 19th century.

The Massachusetts family album (15cm x 12cm) has 39 carte-de-visite and 3 tintype portraits of men and women. The photographs are formal studio portraits attributed to photographers in locations such as Boston, Massachusetts; Salem, Massachusetts; and Romeo, Michigan. Many of the photographs depict young men or women, and one photograph shows a couple. The tintypes have some hand-coloring. The album has a decorative red and black stamped leather cover with a metal clasp.

This collection contains 12 letters that a woman named Emma received from female friends and family members during the Civil War. Emma's correspondents commented on their social lives on the home front and discussed the increasing toll the war began to take on their male acquaintances, particularly with regard to conscription.

This collection contains 12 letters that a woman named Emma received from female friends and family members during the Civil War. Emma's correspondents commented on their social lives on the home front and discussed the increasing toll the war began to take on their male acquaintances, particularly with regard to conscription.

Nettie Hodgkins of Lock's Village, Massachusetts, was Emma's most frequently correspondent, a childhood friend who often addressed Emma as "Amy." Other writers included a cousin and sister. The letters sometimes have lists of mutual acquaintances who were drafted or otherwise involved with the military, including Emma's brothers, and occasionally refer to soldiers' deaths. One writer lamented the draft's "sad work" (July 21, 1863), and a woman named Esther described the death of her friend Sarah from a fever (December 17, 1864).

The Meadville (Pa.) and Scandia (Kan.) photograph album contains cabinet cards, cartes-de-visite, and other photographs of men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century. Pictures of the National Monument to the Forefathers and a grave marker are included, as is a remembrance card for Nancy Anderson.

The Meadville (Pa.) and Scandia (Kan.) photograph album (27cm x 22cm) contains 38 items, including 26 cabinet cards, 8 cartes-de-visite, 1 tintype, and 3 additional photographic prints. The volume's purple-padded covers are bound in cloth, and it has a large metal clasp. A metallic plate shaped as the word "Album" was once affixed to the front cover and is now laid into the volume.

Most of the photographs are studio portraits of individual men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century; the children pictured are infants and toddlers. Occasionally, the subjects are shown with a drum, a book, a dog, and one man posed on the sill of an artificial window. Two items laid into the volume are outdoor portraits of adults standing in front of a house, with a windmill visible to the side. A piece of tissue paper affixed to one of the cabinet cards has printed line drawings of a girl's face and flowers. The remaining items are a photograph of the National Monument to the Forefathers in Plymouth, Massachusetts; a photograph of a headstone for members of the Smock family; and a black card dedicated to the remembrance of Nancy Anderson (1818-1889), with a brief poem and other details printed in gold.

This ledger contains documentation of the overall assets and liabilities of a merchant from 1878-1894, possibly in New York State. It includes information on monthly sales and net profits for several years, invoices of goods received and weekly cash sales, trades in stock, lists of store fixtures, and detailed yearly inventories of the store's merchandise, with notes on quantities and values. The types of goods include jewelry, fashion accessories, stationery, albums and scrapbooks, writing utensils, decorative items and tableware, toiletries, toys, and books of varying genres.

This ledger contains documentation of the overall assets and liabilities of a merchant from 1878-1894, possibly in New York State. It includes information on monthly sales and net profits for several years, invoices of goods received and weekly cash sales, trades in stock, lists of store fixtures, and detailed yearly inventories of the store's merchandise, with notes on quantities and values. The types of goods include jewelry, fashion accessories, stationery, albums and scrapbooks, writing utensils, decorative items and tableware, toiletries, toys, and books of varying genres. The books and magazines represented include schoolbooks, children's books, poetry and literature, religious texts, and popular titles (including the Police Gazette), histories, etc.

The Michigan family photograph album contains cabinet cards and cartes-de-visite with portraits of various unidentified men, women, and children taken largely in Howell and Pontiac, Michigan, in the late 19th century.

The Michigan family photograph album (26cm x 20cm) contains 25 cabinet cards and 10 cartes-de-visite with portraits of unidentified men, women, and children taken in Howell and Pontiac, Michigan, in the late 19th century. The album's padded red velvet cover has the title "Album" on an artist's palette. Subjects were photographed individually, in pairs, and, on a few occasions, as families, with as many as four people appearing in one image. Two boys were accompanied by dogs. Some subjects appear in more than one picture, apparently at different ages.

The Michigan School photograph album contains studio portraits of unidentified men, women, and children taken mostly in Central and Southeast Michigan in the late 19th century, as well as two pictures of school buildings, at least one of which is from the campus of Michigan Agricultural College. The album contents are possibly a mixture of students and professors of M.A.C. plus family and friends of the unknown compiler.

The Michigan School photograph album (27cm x 21cm) contains 54 studio portraits of unidentified men, women, and children taken in Michigan cities such as Albion, Ann Arbor, Jackson, and Lansing in the late 19th century. The photographs are comprised of 40 cabinet cards and similarly sized card photographs, 11 cartes-de-visite, and 3 tintypes. Four pages from a different album (containing seven photographs) are laid into the volume, as is a photograph of an infant. Most of the images are individual portraits of adult men and women. Two images by a Lansing Michigan photographer are of school buildings, one identified as Michigan Agricultural College. A floral design is printed directly onto each page, and one cabinet card is designed to look as though the print is peeling off of the mount. A pink ribbon with the letters "Q," "L," and "S" attached to it is laid into the album. The volume's padded covers are wrapped in red cloth with a floral design imprinted on the front. A hard surface with the title "Album" is attached to the front cover.

The Midwest family photograph album contains approximately 275 photographs related to the life and family of an unidentified World War I serviceman likely from Indiana.

The Midwest family photograph album contains approximately 275 photographs related to the life and family of an unidentified World War I serviceman likely from Indiana. The album (26 x 18.5 cm) has black cloth covers with "Photographs" embossed in gold on the front. Images of interest include views related to an unidentified high school including classrooms, the basketball team, young women sewing in a classroom, the sophmore quartet, physics class, and a band at practice; views of soldiers in uniform shown beside army tents and barracks; the Waters Concert Band from Elkhart, Indiana; a woman holding a House of David flag; and many posed group and individual portraits, mostly taken on a farm or in other rural areas. One portrait photograph shows a young woman holding a camera bearing the caption on the verso: Mabel Devor. Several photographs show a man in a naval uniform aboard a ship, including a group portrait of a naval crew. A picture postcard of a young man's studio portrait is addressed to Mabel Devor, Salamonia, Indiana.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in Virginia, New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The album (26 x 35 cm) has a black cloth binding. Photographs of interest taken in Vermont and New York include rural views, country roads, a woman bicycling, and a group relaxing beside the Batten Kill River in Eagleville, New York. Images from Sioux City, Iowa, include views of public buildings, a golf tournament between Sioux City and Le Mars, a football game between Sioux City and Council Bluffs, an interior view of a woman working at a desk, a high school group on stage in blackface, a shooting expedition, and group portraits of young people at the Sioux City High School and in costume at a "hobo party." Michigan-related photographs include views of Charles Canfield's cottage in Onekama, Michigan, Canfield's yacht "Uvira," views of forests in Manistee, and a lumber camp scene captioned "Camp 4 near Luther, Mich." Photographs from unidentified locations include views of a sawmill, flum, and lumber camp, several home interiors, mountains, and giant trees likely indicative of the West Coast. Two photographs also show a canoe with a Native American family on a lake in Northern Minnesota.

The Milbourne family portrait album contains photographs of members of the Milbourne family and other individuals, most of whom were related to the compiler. The volume includes cartes-de-visite, tintypes, and small prints mounted on thin cards.

The Milbourne family portrait album (11cm x 8cm) contains photographs of members of the Milbourne family and other individuals, most of whom were related to the compiler. The volume includes 5 cartes-de-visite, 5 carte-de-visite-sized tintypes, and 2 small prints (about 3cm x 3.5cm) mounted on thin cards (7cm x 6cm). Two of the tintypes, each cut into an oval, are loose in the volume, as are the two smaller card photographs. Many of the subjects are identified by manuscript captions as members of the Milbourne family and relatives of the album's owner; captions are also present for items that are no longer extant. With the exception of one picture of an infant, the portraits show men and women of various ages photographed individually and, in one instance, as a couple. One aunt is shown propped up on a pillow, and a Union soldier is identified as "General Sheridan." The album has a worn black leather cover.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910. The images consist primarily of informal snapshots of family, friends, and travel. There are no captions or notations beyond an inscription on the front inside cover which reads, "Mildred W Drury."

The first pages of the album include photographs taken in New York City. On a few of these pages, Columbia University's Low Memorial Library can be seen. On page 15, a woman sculpting a bust and a sculptor's studio are shown. The next few pages show various views from the grounds of Château de Versailles. In particular, Hameau de la Reine can be seen in the background on page 20. Also taken in France, photographs on pages 68 through 70 show views from the Eiffel Tower. On page 21 are photographs of Ely Cathedral. The next series of photographs were likely taken in the Netherlands. Images show canals, canal boats, towpaths, and traditional dress and architecture of the region. Following, are five pages of the Alps, traveling through the mountains, and hotels. Photographs on pages 48 through 52 were taken in Italy and show Amalfi, Amalfi Drive (Strada Statale 163), Piazza San Marco, gondolas, and women doing laundry. The last portion of the album includes photographs likely taken in the United States. These photographs show family gatherings, snowshoeing, golfing, and canoeing.

The album is 20.25 x 14.75 cm with green cloth covers.

The Mill dam construction photograph album (18 x 26 cm) contains 33 photoprints documenting the construction of a dam for a mill, apparently in the Three Rivers section of Palmer, Massachusetts.

The Mill dam construction photograph album (18 x 26 cm) contains 33 photoprints documenting the construction of a dam for a mill, apparently in the Three Rivers section of Palmer, Massachusetts. One photograph shows a horse-drawn construction vehicle that is marked as belonging to H.P. Cummings Construction Company. The same photograph includes a beam labeled "Palmer Mill, Three Rivers, Mass."

The album has a gray paper cover and is housed in a light blue box.

Levi Jones of Milton, New Hampshire, recorded the Milton Sacred Musical Society's constitution, monthly meeting minutes, and membership fines in this volume between January and December 1817. Also included are financial records pertaining to Jones's estate after his death in 1847.

This volume (34 pages) contains minutes and other records related to the Milton Sacred Musical Society of Milton, New Hampshire, and financial accounts related to the estate of Levi Jones, the society's first secretary. The first section (22 pages) pertains to the Milton Sacred Musical Society. Its founding members adopted a constitution on January 1, 1817, outlining the group's internal organization and some of its formal procedures (pp. 5-10). Officers included a president, vice president, account auditors, secretary, and librarian, and members paid dues and additional fees for missing meetings or disobeying the president. The constitution also described procedures for admitting new members. The document is accompanied by a membership list and 3 pages of brief monthly meeting minutes for the year 1817 (pp. 19-22). The society cancelled their July and September meetings because of funerals. A piece of paper laid into the volume after the minutes contains a note certifying the publication of marriage banns for Stephen B. Stacey and Joanna Door, signed by Levi Jones in his capacity as town clerk (February 3, 1817). The second section of the book, which begins from the opposite cover, contains 11 pages of accounts between the Milton Sacred Musical Society and individual members. These accounts primarily reflect fees assessed after members failed to attend monthly meetings, and most charges are between 20 and 40 cents. None are recorded as having been paid.

The final 12 pages have financial accounts pertaining to the estate of Levi Jones, recorded between September 2, 1847, and April 13, 1848. Two pages of running accounts document expenditures and income, and the following 10 pages are comprised of notes regarding payments to specific individuals. The volume's interior covers were also used for unidentified mathematical calculations.

This collection contains 11 pencil sketches of the Missouri and Ohio Rivers and their surrounding cities. The sketches depict cityscapes, scenic and street views.

This collection contains 11 pencil sketches of the Missouri and Ohio Rivers and their surrounding cities. Each 11.5 x 18.5 cm sketch includes a brief handwritten caption denoting location. The sketches illustrate cityscapes, scenic and street views. Cities shown include Omaha, Nebraska; Saint Joseph, Missouri; St. Louis, Missouri; Louisville, Kentucky; and Cincinnati, Ohio. Specific locations depicted include Lafayette Park and Shaw’s Botanical Garden (Missouri Botanical Garden) in St. Louis, Missouri, and Lane Seminary in Cincinnati, Ohio.

This 32-page manuscript notebook, dated to the second half of the eighteenth century, is an instruction manual for the systematic use of color in mapmaking. Though the writer and exact date of publication are unknown, it is assumed that the writer was a master mapmaker and that this notebook was meant to be distributed to students who were learning how to make maps. An English translation of the notebook is published in "Coloring Manuscript Maps in the Eighteenth Century," Clements Library Occasional Bulletin 4 (January 2017): 5-11.

This 32-page manuscript notebook, dated to the second half of the eighteenth century, is an instruction manual on the systematic use of color in mapmaking. Though the writer and exact date of publication are unknown, it is assumed that the writer was a master mapmaker and that this notebook was meant to be distributed to students who were learning how to make maps. An English translation of the notebook is published in "Coloring Manuscript Maps in the Eighteenth Century," Clements Library Occasional Bulletin 4 (January 2017): 5-11.

The writer begins by explaining the process that one should follow when preparing and using colors for a map. After the writer explains how to mix colors, they offer detailed notes about the use of eight main colors; a palette of those colors is found on page three of the manuscript. Throughout the rest of the manuscript, the writer explains how to mix colors and correctly render features like cultivated lands, meadows, pastures, woods, vineyards, mountains, trees, hedges, rocks, quarries, sand, and rivers. Interspersed throughout the manuscript is the writer's observations about common mapmaking mistakes and diagrams illustrating different techniques.

The Montana photographs are comprised of card photographs, loose pages from a photograph album, snapshots, and various photographic prints. The pictures show groups of men and women, scenes inside and around a mine and mining camps, landscapes, city views, and street scenes.

The Montana photographs (120 items) are comprised of 38 loose photographic prints, 7 card photographs, and 13 loose pages from a photograph album (with 75 photographs). One of the card photographs shows an illustration of the Montana State Capitol, designed by John H. Kent; a posed photo shows George W. Shaw demonstrating a piece from a sewing machine (Philadelphia, 1876), and two mounted images show his booths promoting Shaw's pancake flour at the Montana State Fairs of 1900 and 1901. The unmounted prints, which include cyanotypes and Kodak snapshots, are pictures of mountainous landscapes, tent and log cabin camps, and men at work. Two group portraits are present, as are pictures of a mining camp in Arizona and the interior of a bedroom. The album pages contain informal portraits of members of the Daniels and Powers families, street scenes from Butte taken during a large conflagration, and several of a mining operation. Of note are images of mine workers inside the mine, mine-related buildings, underground railroad tracks, and an electric hoist. A large group photo shows men gathered around a table in a rough-shod office studying documents or maps. Automobiles are visible in some of the images. Many of the album photographs have captions written directly on them in pencil. Interior and exterior views of offices and homes.

This anonymous commonplace book, written in French, contains quotations on moral topics from widely read French authors of the later 18th century.

The unidentified author of this commonplace book extracted quotations on moral topics from some of the most popular, widely read French authors of the later 18th century, including Voltaire, Corneille, Rousseau, LaFontaine, Sédaine, and Béranger. While there is no indication of when the book was assembled, the handwriting appears consistent with a late 18th century origin, though the inclusion of a work by Béranger (1780-1857) and a work by Chemin-Dupontès published in 1798 suggests that it must have been at the very end of the period.

An unusually elegant piece, great care was lavished on the preparation of this commonplace book, suggesting that it was valued as an object, as much as for its literary worth. Bound in leather with gold tooling at the edges, 16mo, the book is written in a meticulous hand, with red borders around the text on each page, presenting a highly attractive, even impressive appearance.

The first section, the longest devoted to a single writer, is taken from Jean-Baptiste Chemin-Dupontès' Morale des sages de tous les pays et de tous les siècles, ou collection épurée des moralistes anciens et modernes (Paris, 1798). This is followed by selections of poetry in various genres, songs, and a section of riddle-like word games.

An anonymous Mormon airman kept this diary while serving with the 15th Air Force in Italy during World War II. Entries pertain to the airman's daily activities, including bombing missions in Italy and Central Europe, and to his postwar plans.

An anonymous Mormon airman kept this diary (138 pages) while serving with the 15th Air Force in Italy between December 9, 1944, and March 24, 1945. The diary begins with biographical information about the author, a 19-year-old draftee from Houston, Texas. He occasionally mentioned his Mormon faith, expressing his desire to meet Mormon friends and his hope that he and his sister would both marry within the faith (March 11, 1945). Most entries pertain to the author's daily activities, which included visits to Taranto, attending movies and USO shows, and attending church services. He frequently discussed his participation in bombing missions over northern Italy and Central Europe, mentioning the presence of antiaircraft fire and, occasionally, damage to his and other planes; one crew was forced to land in Yugoslavia. The diary names multiple bombing targets. On several occasions, the diarist expressed his desire to return home and wondered about the health of his mother, father, and sister.

This log book contains information about several voyages of the ships Moro Castle and Southern Rights between the United States and Europe from 1860-1867. Log entries pertain to weather, sailing, crew members, the discharge of cargo, and other matters. The volume also contains a brief excerpt from William Shakespeare's poem "Venus and Adonis."

This log book (93 pages) contains entries regarding multiple voyages of the ships Moro Castle and Southern Rights between the United States and Europe from 1860-1867.

Under W. L. Knowles, the Moro Castle traveled between New York and Bristol, England, from October 5, 1860-May 26, 1861. The volume also regards voyages between United States and European ports from August 1862-February 1864. Log entries typically report information about the ship's course, the use of sails, and the weather. The author occasionally mentioned crew members, including "green" sailor William Andrewson, who later deserted (October 12, 1860, and October 27-28, 1860); Thomas Brooks, who fell overboard (December 7, 1860); and the ship's cook, who appeared to have a mental breakdown (March 5, 1861). While in port, the Moro Castle discharged cargo, usually wheat. Earlier entries include partially completed hourly charts reporting wind speed, the ship's course, and similar information; later "abstract log" entries consist solely of prose.

The latter part of the volume contains the brief logs of several voyages of the Southern Rights between the United States and Europe. These entries are similar to those of the Moro Castle and appear to be written in the same hand as the later Moro Castle records. The author most frequently documented weather conditions, but also reported the crew's harsh language in an entry dated June 23, 1863, and a crew member's case of "sulks" in an entry dated February 10, 1864. The final pages include a short extract from William Shakespeare's poem "Venus and Adonis" and brief financial records.

• Moro Castle
  • October 5, 1860-May 26, 1861: New York to Bristol, England, and back to New York (including entries made during time in port)
  • August 30, 1862-September 23, 1862: [Mediterranean Sea] to Atlantic Ocean
  • March 24, 1863-April 6, 1863: New Orleans, Louisiana, to New York
  • June 23, 1863-July 23, 1863: New York to Glasgow, Scotland
  • January 5, 1864, and February 4, 1864-February 24, 1864: Leghorn, Italy, to Philadelphia, Pennsylvania
• Southern Rights
  • March 15, 1865-March 28, 1865: Shields, [England], to Atlantic Ocean
  • February 28, 1866-March 11, 1866: Charleston, South Carolina, to Liverpool, England
  • April 6, 1867-April 7, 1867: Charleston, South Carolina, to Liverpool, England

This collection is made up of diary entries, letters, and prayers by a woman who lived in Morris County, New Jersey, in the early 19th century. She discussed her religious convictions and activities, her social activities, and daily life. Internal evidence suggests that the materials may have belonged to Abigail Harrison.

This collection is made up of 90 pages of diary entries, letters, and prayers written by a woman who lived in Morris County, New Jersey, between December 25, 1815, and January 1, 1820. She discussed her religious convictions and activities, her social activities, and daily life.

The collection includes 3 diaries (67 pages). The first has paper covers with engraved illustrations and a multiplication table. The author wrote about her Christian faith, particularly with respect to good and evil and deliverance from sin. Her religious activities included reading the Bible and published sermons, attending church services, and attending prayer meetings. A few entries contain personal reflections on the death of the author's husband (January 1, 1819, pages 31-32) and her conversion to Christianity (June 27, 1819, page 66, and others).

The diary entries occasionally refer to missionary work; one entry mentions an extract from the Boston Recorder about a schoolteacher working with Native Americans in the west (January 4, 1819, page 36). The journal includes two religious poems (pages 12-13 and 21), one of which is attributed to Mrs. Isabella Graham. Additional manuscripts include one letter addressed to a sister and several prayers.

The Mugshots collection consists of approximately 100 photographic portraits produced between 1892 and 1920, the vast majority of which are mugshots.

The Mugshots collection consists of approximately 100 photographic portraits produced between 1892 and 1920, the vast majority of which are mugshots. The collection includes real photographic postcards, mounted and unmounted paper prints, and one severely tarnished tintype. Also present are two fingerprint identification cards with handwritten lists containing names of numerous individuals represented in the collection. A small number of photographs appear to be standard studio portraits. Photographs range in size from 6 x 10.5 cm to 11 x 17 cm.

Many of the mugshots have printed and/or handwritten information on their versos, including names, known aliases, nationalities, birth dates/locations, occupations, arrest dates, names of arresting police officers, criminal charges, sentences, prison locations, remarks on physical appearances, and Bertillon measurements. Most of these images were produced in various places in Pennsylvania, New York, New Jersey, and Maryland, with Philadelphia being the most represented location. The mugshots are mainly of white male subjects, though there are also four mugshots of women present. Five African American individuals (four men, one women) are also pictured. A substantial number of mugshots are of individuals from immigrant backgrounds, including Italians, Irish, Austrians, Germans, Poles, Greeks, Jews, etc. Approximately 90 individuals are personally identified in total. Recorded criminal charges include shoplifting, pickpocketing, larceny, burglary, forgery, embezzlement, false pretense, flimflamming, auto theft, horse theft, conspiracy, attempted murder, and murder. Specific police departments and correctional facilities represented include the Pennsylvania Department of State Police, Harrisburg Department of Police, Philadelphia Bureau of Police, Hartford Police Department, Newark Department of Police, Auburn Prison, Sing Sing Prison, City of New York Police Department, City of Boston Police Department, Camden Bureau of Police, Baltimore Police Department, Bureau of Criminal Investigation for the New Jersey Reformatory in Rahway (now East Jersey State Prison), U.S. Penitentiary in Leavenworth, City of Paterson Police Department, Philadelphia’s Eastern State Penitentiary, Montgomery County Prison (Norristown), Columbus Department of Police, City of Wilkes-Barre Bureau of Police, Trenton Department of Public Safety, New York House of Refuge, and the Reading Department of Police.

• a 1921 mugshot of an Italian man named Peter Erico, who was executed by electric chair on September 25 1922 along with Antonio Puntario after the pair were found guilty of murdering Detective Samuel Lucchino
• a 1909 mugshot of an eighteen year old Jewish man named Albert Steinberg, accused of pickpocketing
• two different mugshots of Irishman John Shelvin (accused of pickpocketing) taken in 1897 and 1906 following arrests in Philadelphia and Baltimore
• a 1920 mugshot of German houseworker Minnie Schissel, charged with theft
• a 1909 mugshot of accused shoplifter Marie Clark
• a 1915 mugshot of an African American man named King Brown, charged with illegal dynamite explosion, assault, and other crimes
• a ca. 1903 mugshot of larceny suspect Edward Stevenson, a "fugitive from Phil. Pa."; handwritten inscriptions on verso include note to address information to Detective E. H. Parker
• a ca. 1906 mugshot of German engineer and fireman Frank Schleiman with identifying details and a $50 reward notice for information on his whereabouts following his escape from Sing Sing Prison on December 9 1906 handwritten on the verso
• a 1908 mugshot of “dishonest servant” Blanche Grisson
• a 1919 mugshot of a Mexican man named Pedro Susman, charged with shoplifting
• two copies of a portrait or mugshot of African American man James Timberlake with identifying details handwritten on verso
• a 1908 mugshot of an Austrian butcher named Herman Haubt, convicted of 2nd degree murder
• an undated mugshot of an African American woman named Pearl Williams, charged with being a dishonest servant
• a 1906 mugshot of bartender Sam Davis (accused of pick pocketing) produced by detective Harry C. White of Harrisburg
• a ca. 1918 mugshot of Oliver Denton Bender taken in Columbus, Ohio, including an attached note that lists twelve of Bender’s known aliases
• a 1900 mugshot of Irishman John Mackey, charged with till tapping; two 1918 mugshots of Italian barbers Nicholas Shieno and Frank Rinaldo, both of whom were charged with flimflamming after being arrested in Scranton, Pennsylvania
• a 1918 mugshot of Jewish printer David Schleimer taken at the New York House of Refuge on Randall’s Island
• a 1917 mugshot of Michael J. Sullivan, charged with murder

The M. W. I. European Tour photograph albums contain commercial prints and lithographs from the compiler's trip to several European countries in the summer and fall of 1871. The photographs show landscapes and scenery, secular and religious buildings, European royals and nobility, and statues and paintings.

The two M. W. I. European Tour photograph albums contain commercial prints and lithographs from the compiler's trip to several European countries in the summer and fall of 1871. Each of the 28cm x 22cm volumes has a red pebbled cover with the title "M. W. I. 1871" stamped in gold on the front. Volume 1 contains around 175 items, including three loose albumen prints, and Volume 2 contains around 140 items. Smaller photographs and lithographs are mounted as many as five to a page and larger items are only slightly smaller than the albums' pages.

The first book primarily contains pictures from England, Scotland, and France, and the second has images from France, Switzerland, Italy, and Germany. Many of the pictures from England and Scotland show royal residences, cathedrals, and other landmarks, such as the houses of Parliament and the Crystal Palace. Natural scenes from Lochs Lomond and Katrine are also present, as are views of Edinburgh and Holywood Palace. Photographs from Continental Europe show similar scenes of religious buildings, monuments, and landscapes, particularly in the Alps. A few lithographs from Versailles pertain to the execution of Georges Darboy in May 1871, and others from Strasbourg show destruction after the Franco-Prussian War. Each album has portraits of royal families and prominent individuals from countries such as England, France, Germany, and Spain. Leonardo Da Vinci's Last Supper is shown in one item, and the second album has several lithographs of religious and secular paintings by Raphael and other artists, as well as photographs of artistic statues. Included is a ticket for a passion play performed in Oberammergau, Germany.

The Namur, Québec photograph album (24.5 x 18 cm) contains eleven snapshots of people in the countryside around Namur, Québec at the turn of the twentieth century.

The Namur Québec photograph album (24.5 x 18 cm) contains eleven snapshots taken in Namur, Québec. Multiple photographs feature women fishing and riding bicycles. The album has a dark red leather cover with "'The Farm', Namur Que." stamped on the front.

This log book pertains to the voyage of the bark Neptune from Philadelphia, Pennsylvania, to Mauritius and back to Philadelphia between May 1789 and August 1790, as well as multiple voyages of the schooner Federal between Pennsylvania and the Caribbean between March 1791 and November 1791.

This log book (around 200 pages) pertains to the voyages of the bark Neptune from Philadelphia, Pennsylvania, to the Isle of France (present-day Mauritius) and back to Philadelphia from 1789-1790 and voyages of the schooner Federal between Pennsylvania and the Caribbean in 1791. The log entries are written in a pre-printed The Seamen's Journal Book (London, 1785), with sections for each day's measurements and remarks.

The log entries from the voyages of the Neptune (which comprise the bulk of the volume) and the Federal are typically notes on the wind direction, ships' courses, and ships' positions. Additional prose remarks concern weather conditions, the sighting of land, encounters with other ships, and anchorage at a port or harbor. The log has gaps during the Neptune's stay at the Isle of France and during the Federal's time in Caribbean and United States ports.

The first page of the volume, preceding the printed title page, has calculations involving an epact. The book's final pages contain entries from one of the Federal's voyages and additional notes about the Neptune's time at the Isle of France in December 1789 (particularly regarding a thunderstorm). A sheet of paper laid into the book contains notes about an unknown vessel's anchorage at Saint Helena in May and December 1783.

The New England Criminals tintype album contains mug shot portraits of thieves, burglars, and other criminals or suspected criminals. Most of the individuals pictured were white males of varying ages, but the album also includes photographs of women and an African American man.

This album (15cm x 12cm) contains 47 tintype portraits of criminals or criminal suspects, mostly white males of varying ages. Pictures of one African American man, horse thief Frank Fields, and four women, mostly thieves, are also included; two of the women were photographed with other unidentified women. All but two of the subjects are identified by their name, alias, and/or the nature of their alleged crime; two photographs appear in the album twice. Most of the individuals were accused of theft (often of horses) and burglary, but others were arrested for shoplifting, pickpocketing, adultery, polygamy, and being a "confidence man." The album's green covers have a gold floral design, and the album is closed with a metal clasp.

The New England family travel photograph album contains approximately 600 photographs that document the domestic life and foreign travels of an unidentified husband and wife couple from suburban Boston during the first decade of the 20th-century.

The New England family travel photograph album contains approximately 600 photographs that document the domestic life and foreign travels of an unidentified husband and wife couple from suburban Boston during the first decade of the 20th-century. The album (28.5 x 36 cm) has pebbled black leather covers with “Photographs” stamped in gold on the front. By and large, images are presented chronologically and many have extensive captions which mainly identify the locations pictured as well as certain individuals. It appears that many image captions were cut and pasted from white paper and added on top of pre-existing faded captions that had been written directly on the album pages. Some images that show people of African descent have subtly derogatory captions. Photographs showcasing the family’s domestic life include pictures of annual spring blooms in their backyard; friends and family; various domestic activities including interacting with pet cats; and regional outings such as visits to Mt. Washington, Point of Pines nature park in Revere, Massachusetts, and poet John Greenleaf Whittier's birthplace in Haverhill, Massachusetts.

In the summer of 1905, the couple travelled to Montreal and up the St. Lawrence River to Quebec City and beyond, resulting in the production of nearly ten pages of photographic highlights (pgs. 7-16). Later that summer, they also took photographs while vacationing in the Lake Sebago region of Maine with friends whom they later visited in Providence, Rhode Island (pgs. 16-20, 22). A visit to New Orleans, Louisiana, and Beauvoir, Mississippi, in December of 1906 is also documented (pgs. 30-37). In 1907 the couple undertook a period of extensive international travel beginning with a trip to England, Scotland, Ireland, Belgium, and France (pgs. 38-57). A second visit to Quebec in September 1907 is briefly represented (pgs. 57-58), while a series of pictures from a trip to St. Augustine, Florida, in April 1908 are also included (pgs. 59-62). Photographs related to two separate tours of the Caribbean and Central/South America in July and August of 1908 and March of 1909 make up a substantial portion of the album (pgs. 63-103); images from the first tour mainly include scenes from Caribbean islands such as St. Thomas, St. Croix, St. Kitts, Antigua, Guadeloupe, Dominica, Martinique, St. Lucia, and Barbados as well as British Guiana, while images from the second trip include scenes from Puerto Rico, Jamaica, Panama, Venezuela, Trinidad, Dominican Republic, and Cuba. Also present are several commercially-produced photographs, including a number of panoramic views, showing scenes from Mexico (pgs. 104-111). The majority of images taken during the couple’s travels consist of typical sightseeing photographs showing important cultural landmarks and historic buildings as well as street scenes, methods of transportation, and local people and industries. Throughout the album there are also numerous photographs taken aboard various transport vessels mid-voyage.

A few noteworthy historical events are minimally represented by photographs in this album, such as the January 15 1905 Washington Street Baptist Church fire in Lynn, Massachusetts (pgs. 2 & 3); the Quebec Bridge a few weeks after its collapse on August 29 1907 (pg. 57); the Great Chelsea Fire of 1908 (pg. 59); Panama Canal construction in 1909 (pgs. 87-89); long distance views of the site of the village of St. Pierre, Martinique, which was decimated by the volcanic eruption of Mt. Pelée on May 8 1902 (pg. 80); and the wreck of the battleship Maine in Havana Harbor (pg. 179). Individuals identified by captions throughout the album include Dr. Robert L. Bartlett (pgs. 4 & 89); “Miss Morse” (pg. 5); Stanley and Donald Clauss of Providence, Rhode Island (pgs. 17, 19 & 22); Hattie English, Lizzie English, “Mrs. Boynton,” and “Miss Lord” (pg. 19); Samuel Pickard (pg. 20); Jessie Pauline Whitney (pg. 21); "Mr. Little" (pgs. 19 & 22); William Rhodes (pg. 26); Maud Burdett (pgs. 38 & 58); George C. Hardin (pg. 74); Dr. Selah Merrill, American Consul in British Guiana (pg. 80); "Mrs. Parker" (pg. 85); and Hermann Ahrensburg (pg. 91). Other images of interest include a couple of photographs showing United States cavalrymen at camp in Lakeville, Massachusetts (pg. 2); a multiple exposure photograph showing the wife and other women (pg. 22); four photos showing a group of women that appear to be associated with a possible Masonic organization with the acronym “O.E.O.T.” (pg. 23); two photos of local boys diving in St. Lucia (pg. 72); a picture of a school for natives in St. Thomas where students were supposedly fined 10 cents a day for being absent (pg. 82); photos from Kingston, Jamaica, showing women working on a railroad and men operating a hand-made sugar mill (pg. 86); a group portrait of a baseball team in Venezuela (pg. 92); photos of the natural asphalt deposit Pitch Lake in Trinidad (pgs. 94 & 95); and photographs showing people with Brownie box cameras (pgs. 82 & 103).

In this book, a traveling New England schoolteacher recorded instructional exercises, instructional explanations, poetry, and biographical information about pupils. The author taught in New Hampshire and present-day Maine. Subjects of instruction include arithmetic, surveying, geometry, nautical navigation, and writing.

A traveling New England schoolteacher recorded instructional exercises, instructional explanations, poetry, and biographical information about pupils in this volume (220 pages, 8" x 12") between 1787 and 1811. The author taught in New Hampshire and present-day Maine and entered personal information about teaching appointments throughout the volume. Individual lessons are dated as early as 1787, and the volume includes several lists of male and female pupils from teaching engagements in various towns, dated as late as 1811. Some lists of students are accompanied by the students' birthdates. Classes convened in schoolhouses, other public structures, and private homes.

Each page has a subject label, and several pages are comprised of miscellaneous questions entitled "A Collection of Questions," occasionally attributed to The London Magazine. Much of the volume pertains to instruction in mathematical subjects such as algebra, geometry, and trigonometry, and it includes diagrams, examples, and practical applications. Lengthy sections are devoted to surveying and nautical navigation (including "plane-sailing"), often with many diagrams. Other sections concern subjects such as writing and history, with examples of proverbs, deeds, marriage licenses, and letters for copying. Some pages have collections of anecdotes, proverbs, and poems, usually pertaining to morality and religion. A number of lengthier poems concern death and weddings, and one is entitled "Rodgers & Victory[:] Tit for tat. Or the Chesapeake paid for in British Blood!!!" Other parts include a cure for jaundice, a "rebus," a table of symbols for astronomical objects, information about "Occult Philosophy or Magic," instructions for gauging a copper kettle and a man of war, and a list of nouns with corresponding verbs and participles. Some of the material is copied from outside sources, such as John Love's Geodesia.

The New Gloucester (Me.) collection contains documents, financial records, and other items related to four local groups active in the early 19th century: the First Christian Universalist Society, the Congregational Fund, the Hill School District (later the Southwest School District), and the Antipedo Baptist Society. Other material concerns a Universalist convention in Turner, Maine, and newspaper advertisements and subscriptions.

This collection contains 61 documents, financial records, and other items related to four groups active in New Gloucester, Maine, in the early 19th century: the First Christian Universalist Society, the Congregational Fund, the Hill School District, and the Antipedo Baptist Society. Other material concerns a Universalist convention in Turner, Maine, and newspaper advertisements and subscriptions.

The Universalist Society Documents series (3 items) is comprised of a membership list for the First Christian Universalist Society in New Gloucester (June 18, 1805) and a receipt for the society's reimbursement of a purchase of a record book (July 11, 1805), both signed by Reuben Barns (or Barrs), as well as a signed statement by Jonathan Bennett, Jr., regarding Jacob Bailey's sworn oath to become the society's assessor (undated).

The three Imprints are a 2-page circular; a 1-page document relating to a convention of Universalist societies assembled in Turner, Maine (September 4, 1805); and Directions for Taking and Using the True and Genuine British Oil... (8 pages, undated).

Receipts and Promissory Notes (13 items) pertain to advertising costs in the Portland Gazette (April 7, 1804), a subscription to the Eastern Argus (August 1, 1810), and the finances of "the Congregational Fund in New Gloucester" (11 items, September 18, 1807). Promissory notes from the Congregational Fund are addressed to the fund's treasurer, Enoch Fogg; each contains notes about interest and repayment on the reverse side, dated as late as 1823.

The School District Papers are comprised of 22 notices and meeting minutes and 1 financial document. The records relate to the affairs of the Hill School District (later the Southwest School District) in New Gloucester, Maine, from June 5, 1806-October 31, 1823. Eligible male voters were notified of meetings held to settle administrative affairs, and notices and meeting minutes refer to votes on subjects such as the construction of a new schoolhouse, building repairs, provision of wood for the school's stove, authorization and dates of terms, finances and taxes, and hiring teachers. On different occasions, the district intended to hire both male and female teachers. The final item is a list of names and amounts of money (November 6, 1823).

Documents related to the Antipedo Baptist Society (19 items) include notices of meetings, requests for membership, and meeting minutes, most of which relate to the election of officers. The group operated in New Gloucester, Gray, and Poland, Maine; its members included Elder Ephraim Stinchfield.

The New Hampshire carte-de-visite album contains photographic portraits of unidentified individuals and lithographic portraits of prominent Union Army officers, and President and Mrs. Abraham Lincoln.

The New Hampshire carte-de-visite album (15cm x 12cm) contains 20 studio portraits of unidentified individuals and 8 lithographs of famous individuals. The photographs show men, women, children, and infants -- one, Louize M. Rollins [sic], is identified. The lithographs are portraits of Union officers Elmer Ellsworth (2 items), William Rosecrans, Samuel Francis Du Pont, Ulysses S. Grant, and George Meade, and of Abraham and Mary Todd Lincoln. The volume's brown leather cover has a geometric design in relief, with additional floral designs stamped in gold, and two metal clasps.

The New Hampshire snapshot photograph albums (14.5 x 18.5 cm) contain approximately 138 images in two volumes, showing landscapes, people at leisure, and interior views. Also included are images of buildings in Mont Vernon, New Hampshire.

The New Hampshire snapshot photograph albums (14.5 x 18.5 cm) contain a total of 138 images in two volumes.

Volume One includes views of a home, "Verncroft," landscapes, people mounted on horseback, and men working with hay. Many of the photographs are group shots of children. Of note are three photographs of a Mount Vernon Fire Department truck on pages 8, 9, and 17. Pages 22 and 23 focus on a summer baseball game. Page 36 depicts a man dressed in a graduation cap and gown.

Volume Two contains views of nature, building interiors, and street scenes, with a majority of photos taken in Mont Vernon, New Hampshire. One exception is the image on page 7 of the Lexington Minuteman statue in Lexington, Massachusetts. Pages 16-23 depict outdoor winter activities, including ice fishing and rides in a sleigh. Many town buildings and structures appear, including the town hall (page 70), the Appleton Academy-McCollom Institute (page 71), and the meeting house (pages 72-73). The water tower in Mont Vernon appears in many photos in both volumes.

The New Hampshire travel diary concerns a journey taken by three men from Amesbury, Massachusetts, to Mount Washington and surrounding areas in central New Hampshire. The diarist recorded the names of towns visited by the party and described scenery and natural features.

The 24-page New Hampshire travel diary (September 12, 1894-September 26, 1894) concerns a journey taken by three men from Amesbury, Massachusetts, to Mount Washington and surrounding areas in central New Hampshire. The diarist recorded the names of towns visited by the party and described scenery and natural features.

Frank Hibbs, Dan Couch, and George Thomell traveled with two horses and a small dog. The diarist recorded the towns through which they passed and mentioned the group's nightly campsites. After traveling along New Hampshire's southeastern border with Maine, they went north and west through towns including Laconia, Campton, and Woodstock. They headed east around the mountains after reaching Franconia, bound for Mount Washington and, at the end of the diary, Tuckerman's Ravine. The travelers occasionally encountered acquaintances from Amesbury. The diary includes descriptions of historical sites and natural landmarks the group passed, including a 17th-century house (September 13, 1894, page 4), Vice President Henry Wilson's birthplace (September 13, 1894, page 5), the Old Man in the Mountain (September 21, 1894, page 17), Mount Washington (September 23, 1894, page 20), and Glen Ellis Falls (September 26, 1894, page 24). The diarist described the Flume Gorge near Franconia, New Hampshire, at length in his entry of September 20, 1894 (pages 13-15). The dates of 2 funerals held in 1911 are listed on a single page that follows the entries.

This volume contains nine pages of accounts, beginning with the purchase of "Brewster Farm" at Newington, New Hampshire, in September 1870. Scattered accounts document the sale of a portion of the farm to L. L. De'Rochement, annual rentals of pastureland, and the sale of pears, apples, cider, and hay. The document concludes March 30, 1880. The bookkeeper recorded his entries in a slim blank book with printed covers, sold by Cutter Tower & Co. Stationers, No. 89 Devonshire Street, Boston. The front cover bears the title "Writing Book" and an illustration of a hand holding a steel pen. The back cover shows a multiplication table and chart.

This volume contains nine pages of accounts, beginning with the purchase of "Brewster Farm" at Newington, New Hampshire, in September 1870. Scattered accounting documents the sale of a portion of the farm to L. L. De'Rochement, annual rentals of pastureland, and the sale of pears, apples, cider, and hay. The document concludes March 30, 1880.

The bookkeeper recorded his entries in a slim blank book with printed covers, sold by Cutter Tower & Co. Stationers, No. 89 Devonshire Street, Boston. The front cover bears the title "Writing Book" and an illustration of a hand holding a steel pen. The back cover shows a multiplication table and chart.

The New Jersey carte-de-visite album contains studio portraits of men, women, and children taken in New York and New Jersey in the late 19th century, as well as three chromolithograph "scraps" mounted on visiting cards.

The New Jersey carte-de-visite album (17cm x 13cm) contains 36 cartes-de-visite, 10 tintypes, and 3 chromolithograph "scraps" mounted on visiting cards. The cartes-de-visite and tintypes are studio portraits of men, women, and children taken in New York and New Jersey in the late 19th century. A small number have hand coloring. Most items show adult men and women photographed individually, with one picture of an adult couple, two pictures of young children, and one picture of an infant sitting in a chair. Eight mounted gem tintypes are included. Three lithograph "scraps" depict a young girl pictured with a friendship album, an open envelope, and an artist's palette with the captions "Friendship," "Devotion," and "Forget Me Not." Each scrap is mounted on a visiting card with a raised decorated border and the names "Mrs. George Carmers" and "Morriss Algoe" printed in script. The volume's brown cover has a raised geometric design, and it has two enameled metal clasps.

The New Jersey Court Cases volume (140 pages) contains manuscript copies of legal documents related to cases heard by New Jersey courts in the mid-18th century. Cases represent a variety of legal issues, including debt, marriage age, land ownership, and criminal activity.

The New Jersey Court Cases volume (140 pages) contains manuscript copies of legal documents related to cases heard by New Jersey courts in the mid-18th century. Cases represent a variety of legal issues, including debt, marriage age, land ownership, and criminal activity.

The volume, entitled "Entries. Vol. iv," pertains to cases representing a variety of legal disputes, most often between two parties. Most of the copied documents are recapitulations of cases argued before various state courts and indentures. Several examples copied from Giles Jacob's The Compleat Attorney's Practice are also present.

• Schooley v. Woodward, regarding a violation of "an Act to Prevent Clandestine Marriages," which stated that "no License should be Given to Marry any Person under the Age of twenty one years untill such person shou'd have had the Consent of his or her Parent or parents Guardian or Guardians or person or persons under whose care and Government he or she shou'd be Signifyed by a Certificate in Writing..." (p. 18).
• Morris v. Tucker, regarding slander: "Nevertheless the said Samuel Tucker Jr. not being ignorant thereof [that Morris was a good citizen &c] but continuing and Maliciously intending the good name Credit and Reputation of him the said William Morris Jr. to ruin and destroy and to brand him the said William with the infamous Character of a Thief, and also to bring him the said William in peril and danger of the Loss of his Life and the Forfeiture of all his Lands and Tenements Goods and Chattels" (p. 115).
• Black v. Lippincott, which charged that Lippincott "did break and Enter and his Herbage and Grass to the value of Ten pounds there lately growing by walking with his feet did tread down and consume and the Trees of him the said Samuel [Black] to wit Ten Hickery Trees of the value of Ten pounds, five black Oak Trees of the value of Five pounds...did cut down and carry away and other Harms to him" (p. 122).

This collection consists of four volumes of the "News Gitter" manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

This collection consists of four volumes of the News Gitter manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

Content relating to the students' educational experiences include discussions of examinations, jokes about teachers and lessons, commentary about school government, notices for upcoming performances, among other topics. Several entries specifically relate to a female teacher, Miss Le Tourneau. The manuscript magazines also feature material reflecting the students' social experiences. They document student absences and disputes, classroom antics, facilities issues, humor, and the formation of the literary society O.A.O., "Our Afternoon Off." Some of the entries reference romantic interests between students, while others reflect signs of puberty, like the entry in the first volume that noted "Willis Funk is developing a fine crop of whiskers." Some content relates to race and ethnicity, such as articles in volume three titled "Miniature Mexican Insurrection," one about "Two Irish lads… quar[rel]ing on the school house steps," and one that references African Americans and uses racial epithets.

This self-adhering scrapbook contains a blend of illustrated and non-illustrated clippings from various printed sources (newspapers, periodicals, books, etc.), originating mostly from New England in the 1860s-1890s. Topics include religion, politics (American and British), the assassination of U.S. President James A. Garfield (1831-1881), health and wellness, eulogies, and other articles. The volume is bears the printed manufacturers label "Mark Twain's Scrap Book Registered April 23rd. 1878 . . . Published by Slote, Woodman & Co."

This self-adhering scrapbook contains a blend of illustrated and non-illustrated clippings from various printed sources (newspapers, periodicals, books, etc.), originating mostly from New England in the 1860s-1890s. Topics include religion, politics (American and British), the assassination of U.S. President James A. Garfield (1831-1881), health and wellness, eulogies, and other articles. The volume is bears the printed manufacturers label "Mark Twain's Scrap Book Registered April 23rd. 1878 . . . Published by Slote, Woodman & Co."

• Material relating to religion (primarily Christianity, but also Islam, Mormonism, etc.). Some clippings are derogatory towards non-Christian groups or peoples. Enclosed is an issue of Our Prison Missionary (Vol. II, Dec. 1890, no.2), a publication from the Christian Aid Association "devoted to Christian work in penal institutions." Hymns, religious poetry, baptism, and Martin Luther's will (page 56) are also present.
• Politically related clippings include stories about the U.S. Congress and senators, the British House of Parliament, Queen Victoria, Lincoln's Gettysburg Address, and General Grant's illness. Many of the volume's pages are dedicated to the assassination of President James A Garfield, with updates on the President's health after he was shot (page 33). Additional clippings with messages from world leaders expressing their sympathies, information about Vice President Chester A. Arthur, and the background of President Garfield's assassin Charles J. Guiteau.
• Health and wellness-related content ranges from life advice, the dangers of children eating snow, mental health, vaccination, and more. An issue of the Land of Hope Review includes a brief article warning "juveniles" of the danger of smoking tobacco.
• Eulogies for President Garfield, Henry Wadsworth Longfellow, and other "In Memoriam" articles and hymns are spread throughout the volume. A music sheet of a song called "Rest, Sweetly Rest" (credited to a publication called The Watchword is noted as being suitable for the death of a scholar.

An advertisement for the scrapbook itself includes information and prices about other variations of "Mark Twain's Self Adhering Scrap Book," such as a druggists' prescription book, a child's scrapbook, and a pocket scrapbook.

The New York and Michigan carte-de-visite album contains photographic portraits of unidentified men, women, and children taken mostly in New York State in the mid- to late 19th century.

The New York and Michigan carte-de-visite album (16cm x 12cm) contains portraits of unidentified men, women, and children taken in New York, Michigan, and Wisconsin in the mid- to late 19th century. The photographs are comprised of 16 cartes-de-visite, 10 tintypes, and 1 small albumen print. Some items have photographers' names printed on the back; one is attributed to "Mr. and Mrs. M. Brown." The pictures include headshots and full-body length portraits of subjects sitting or standing. The album's brown cover has a tooled geometric design, and it has two metal clasps, also with ornate designs. The title "Album" is stamped on the spine in gold.

The New York City Elections collection is made up of election returns and certified results for elections held in various city wards from 1809-1811. One additional document details Isaac De Peyster's duties as city chamberlain in the mid-18th century.

The New York City Elections collection contains 11 election returns from the Second Ward (5 items, 1810-1811), Third Ward (1 item, 1811), Fourth Ward (1 item, 1809), Sixth Ward (1 item, 1811), Seventh Ward (1 item, 1810), Eighth Ward (1 item, 1811), and Ninth Ward (1 item, 1809). Each return lists candidates' names and the number of votes each received, and most summarize the results and name victors. Three election inspectors signed each return.

• United States Representative
• New York Senator for the Southern District
• New York Governor
• New York Lieutenant Governor
• Alderman
• Assistant alderman
• Assessor
• Collector
• Constable

The first item is a document outlining Isaac De Peyster's duties as newly elected chamberlain (or treasurer) for New York City in 1769.

The New York City to Cincinnati travel journal pertains to the author's travels in New York, Pennsylvania, Washington, D.C., and West Virginia around the mid-19th century.

The New York City to Cincinnati travel journal (27 pages) pertains to the author's travels in New York, Pennsylvania, Washington, D.C., and West Virginia. The diarist visited an aunt in New York City before embarking for Philadelphia onboard a steamboat. While sailing, the author described an attempt to compose a charcoal sketch of a fellow passenger. After visiting the Smithsonian Institution and other sites in Washington, D.C., the traveler went to West Virginia by stage. On board the Buck Eye State, an Ohio River steamer, the author discussed their curiosity about a fellow passenger. The final page of the journal contains a list of travel expenses.

This journal recounts the author's trip from New York City to Cuba in February and March 1864. The author described her voyages on the steamer Morning Star, her experiences in Havana and Matanzas, and her visit to a sugar plantation. She discussed aspects of Cuban culture, including food, dress, and religious customs.

This journal (39 pages) recounts the author's trip from New York City to Cuba in February and March 1864. The first section of the volume consists of diary entries written between February 20, 1864, and March 5, 1864; these are followed by additional recollections written in July 1864 and March 1865. The addendums cover the dates March 2, 1864, to March 13, 1864. The final page contains a list of acquaintances made during the trip.

During her voyage to Cuba on the steamer Morning Star, the author commented on cold weather, fellow passengers, and leisure activities, which included a concert featuring African-American songs. The traveler and her companions arrived in Havana on February 26; while there, she described the city's harbor, architecture, vegetation, cuisine, and landmarks, such as Havana Cathedral and various sites devoted to Christopher Columbus. The author also remarked on women who attended church with their slaves (who carried and prepared mats for their owners to kneel on) and on a visit to the estate of Count Fernandino.

The party spent the second part of their trip in Matanzas, which the author compared unfavorably to Havana. The diary contains a description of a sugar plantation. While visiting the country, the author saw a chain gang repairing roads (p. 28) and an ancient Indian altar (p. 31). One hotel was filled with Confederate sympathizers who, much to the author's annoyance, celebrated the Confederate cause, believing the Morning Star's delayed arrival to be an indication of a Confederate victory. The diary concludes with a discussion of the author's return voyage to New York, where she arrived on or around March 13, 1864.

The New York Lawyer's Journal, which contains an account of the author's activities during the years 1895 and 1902-1906, includes discussions of 'horse racing and travel to Europe, as well as observations about several members of New York City's upper class.

The New York Lawyer's Journal (115 pages), which contains an account of the author's activities during the years 1895 and 1902-1906, includes discussions of 'horse racing and travel to Europe, as well as observations about several members of New York City's upper class. Roughly half of the pages are typed, and newspaper clippings are interleaved.

The author often mentioned Joseph Pulitzer, a close friend with whom he travelled to Jekyll Island, Georgia (1895); Bar Harbor, Maine (1904); and Europe (1906). Early entries also reveal his friendship with Russian painter Vasily Vereshchagin. The author wrote to Theodore Roosevelt in an effort to get Vershchagin a commission for a painting of the Battle of San Juan Hill and reacted to news of Vershchagin's death. The author's visits to Europe included trips to Ireland, France, Germany, Belgium, and Holland, where he described the local people and architecture. In the final pages of the journal, he wrote about his European trip with "J. P." (likely Joseph Pulitzer), and his disappointing visit with novelist Henry James. Though preoccupied with social news and horse racing, the author sometimes wrote about domestic and international political issues, such as Irish nationalists' efforts to revive the Gaelic language.

The journal has been dis-bound. Newspaper clippings include an article about Vereshchagin (November 9, 1902) and results of a recent horse race (August 29, 1903). A blank form from the Chief Bureau of Navigation is enclosed.

This letter book contains business letters that an unidentified man wrote to professional acquaintances from New York between November 18, 1801, and December 17, 1801. The letters concern the pepper trade, the potential effects of peace between France and Great Britain on international commerce, and other mercantile subjects.

This hand-stitched letter book (6.5" x 8", 30 pages) contains 13 business letters that an unidentified man wrote to professional acquaintances from New York between November 18, 1801, and December 17, 1801. The author wrote to several of his business associates, including a group he addressed as "dear friends" (8 letters), John William Fossatt (2 letters), John T. Clark (1 letter), Captain John Foster (1 letter), and an anonymous recipient (1 letter). He reported local market prices for goods and frequently commented on the possibility of loading and shipping pepper onboard different ships at New York Harbor. The letters also concern the author's attempts to collect payments and his intentions to travel to other ports, such as Baltimore. In letters to his "dear friends," he occasionally mentioned his interactions with John Fossatt and Captain John Foster. The letter to Foster orders Foster to sail to Providence, Rhode Island, onboard the Maria and transport money to a bank in Boston. After November 20, 1801, when news of peace between France and Great Britain reached New York, the author mentioned its possible effects on international trade.

A currently unidentified shipping merchant operating out of New York, New York, maintained this daybook between 1811 and 1813, recording the daily financial transactions of his firm which was trading with the West Indies, along the Atlantic seaboard, and France, among other ports. Business records document details about traded goods including sugar, rum, and other wares, as well as labor costs and more.

A currently unidentified shipping merchant operating out of New York, New York, maintained this daybook between 1811 and 1813, recording the daily financial transactions of his firm which was trading with the West Indies, along the Atlantic seaboard, and France, among other ports. Main customers included Hoffman & Glass, Francis Markoe, Thomas Masters, David Finlay, Pratt & Kintzing, and William Heyling among others. Several entries relate to transactions with Elizabeth Heyliger, daughter of trader William Heyliger of the West Indies (July 31, 1811; December 31, 1811; September 1, 1812).

The firm was trading in St. Croix sugar and rum as well as shipping "sundries from New York to St. Croix." Other goods traded included sugar from Brazil and Cuba, mahogany, tea, whiskey, wine, tobacco, flour, corn meal, and other foodstuffs, molasses, coffee, cigars, and fabrics. Business expenses were also recorded, such as costs relating to laborers, ship maintenance and hire, advertising, cartage and wharfage, custom duties and port fees, storage, and insurance. One entry for December 5, 1812, notes the capture of the ship Olive Branch en route from Kiel, Germany, to Philadelphia, and dealing with insurance to cover its loss, possibly in relation to War of 1812 privateering. Another entry dated March 30, 1813, refers to proceeds from Madeira wine, sweet almonds, and ship materials "received by the Ship Swift, Howland master from Liverpool which were taken up at sea, from the wreck of the Spanish Brig General Ballesteros from Madeira."

One color printed illustration of a woman and child seated before a birdcage was clipped and pasted in the volume, and another illustration of women was pasted in and later partially removed.

This carte-de-visite album primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from the 1860s to 1880s. One photograph shows an artistic rendering of the text of the Lord's Prayer, and a colored cutout is pasted into the volume.

This carte-de-visite album (15cm x 13cm) primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from around the mid-1860s to early 1880s. The pictures are comprised of 42 carte-de-visite and 2 tintype portraits, as well as an additional carte-de-visite photograph collage. Two of the items are dated November 3, 1865, and September 3, 1881; few of the people pictured are identified. One woman is shown holding an infant in her lap. One tintype shows a young man dressed in costume wearing a plumed hat. The additional carte-de-visite depicts a printed version of the Lord's Prayer that utilizes several ornate fonts; a picture of Jesus Christ appears amidst the text, which is surrounded by drawn scenes of angels. A cutout pasted into the volume is a colored drawing of a woman standing next to a grazing sheep, framed by three large flowers. The album's brown leather cover has geometric designs stamped in gold and metal clasps; a floral design is carved into the sides of the pages. "Photographs" is stamped in gold on the spine.

This collection contains documents, circular letters, essays, and newspaper clippings related to efforts to construct a suspended elevated railway in New York City. The collection details the technical aspects of the proposed system and provides contemporary perspectives on mass transit.

This collection contains 20 documents, circular letters, essays, and newspaper clippings related to efforts to construct a suspended elevated railway in New York City.

One document is a three-page printed report, with 4 copies and 1 extra page, entitled "Synopsis of Project for an Elevated Railway," which M. D. Moore presented to a New York State Senate committee headed by James F. Ruggles on December 8, 1866. The report provides details of the proposed railway, including its route and its mode of construction, and proposes the advantages of such a system, which was anticipated to cost about $1,500,000. The 4 copies contain additional manuscript notes pertaining to engineering and constructing the railway. On one copy, Moore's name is crossed out and replaced by that of Joseph W. Morse.

Another document is a manuscript copy of an unsigned affirmation in which Morse claimed to have invented an elevated railway system and pledged half of the railway's profits to his partners, George F. H. Youngs, Samuel Bromberg, and James E. Beers (August 25, 1870). Bromberg wrote a brief note to Youngs on April 26, 1872; its envelope bears a logo for Morse's Elevated Rail Road, which depicts a steam-driven rail car suspended from an elevated track, passing over a man driving a horse-drawn carriage loaded with hay. The letterhead of a printed circular letter requesting opinions on the feasibility of the railway proposal (1870s) and a broadside advertising a model railroad exhibited at a local fair (undated) also contain this logo.

The collection contains 2 essays on mass transit in New York City and Brooklyn; newspaper clippings on the New York Railroad Company and underground transportation systems, including statistics related to New York ferries and railroads for the year 1870; and a lithograph of T. W. H. Moseley's "Improvements in Metallic Screw Piles."

The New York (N.Y.) medical registers contain demographic and medical information about New York City residents suffering from various ailments in the late 1890s; some entries include graphic photographs related to patients' physical health. Entries list the patient's name, country of origin, and address, as well as providing detailed descriptions of the patient's medical history, current condition, and treatment.

The New York (N.Y.) medical registers contain demographic and medical information about New York City residents undergoing medical treatments in 1898 and 1899; some entries include graphic photographs related to patients' physical health. Each volume contains around 300 pages of medical records, and each has an alphabetical index listing patients' names and ailments. The unnamed hospital primarily treated adult men and women, though some records pertain to children.

Each entry begins with the patient's name, age, country of origin, occupation, and address; most belonged to the working class. The registers provide further detailed information about the patient's relevant medical history (at least one patient had previously been admitted to Bellevue Hospital), current condition, and treatments, including examination notes and descriptions and results of operations. The writers also noted the date of discharge. Some entries include photographs of patients, including many who suffered from tumors, hernias, and lesions, often located between the abdomen and the feet. Others suffered from appendicitis and, on fewer occasions, broken bones and bullet wounds. At least one image utilized x-radiation.

This diary was kept by a farmer, likely in Saratoga County, New York, from 1852 to 1855, detailing his agricultural work, accounts with laborers, and local news. The diarist recorded weather as well as his work planting, harvesting, and tending to various crops, orchards, and livestock. The writer noted the local hired laborers who worked for him, and several times he used disparaging remarks about their Irish heritage. The writer also wrote about local events, including church affairs, social events like marriages and deaths, correspondence with family and friends, and notable occurrences like fires, fairs, and attending a séance. The writer identified as a Whig and recorded political events like election days, the death of Daniel Webster, the inauguration of Franklin Pierce, a lecture by Horace Greeley, and the Crimean War. The writer also took a trip to New York and the State Fair at Saratoga Springs, and included ongoing comments about the travels and jobs undertaken by his son, Augustus.

This diary was kept by a farmer, likely in Saratoga County, New York, from 1852 to 1855, detailing his agricultural work, accounts with laborers, and local news. The diarist recorded weather as well as his work planting, harvesting, and tending to various crops, orchards, and livestock. The writer noted the local hired laborers who worked for him, and several times he used disparaging remarks about their Irish heritage. The writer also wrote about local events, including church affairs, social events like marriages and deaths, correspondence with family and friends, and notable occurrences like fires, fairs, and attending a séance (December 14, 1853). The writer identified as a Whig and recorded political events like election days, the death of Daniel Webster, the inauguration of Franklin Pierce, a lecture by Horace Greeley (December 27, 1852), and the Crimean War (December 31, 1853). The writer also took a trip to New York and the State Fair at Saratoga Springs, and included ongoing comments about the travels and jobs undertaken by his son, Augustus.

Marginal notes for expenses like items purchased and wages owed to hired laborers appear throughout the volume. The last several pages were used for recording accounts with individuals, including male and female workers and transactions relating to agricultural products and livestock.

Several newspaper clippings are pasted into the volume, including "Advice to Parents," marriage notices, recipes, and instructions for whitewashing and fencing.

This collection of small paintings is housed in an embossed leather carte-de-visite album with a single metal clasp. Within are 12 landscape oil paintings of Lake Champlain, Lake George, and the Glens Falls area. Each image includes a caption denoting location.

This collection of small paintings is housed in an embossed leather carte-de-visite album with a single metal clasp. Within are 12 landscape oil paintings of Lake Champlain, Lake George, and the Glens Falls area. Each oil painting includes a handwritten caption denoting location.

The New York Surveyors collection is made up of documents, notes, and maps related to property ownership. The bulk of the material is comprised of surveyors' notes and manuscript maps of private properties.

The New York Surveyors collection is made up of documents, notes, and maps related to property ownership. The Documents series (21 items) has indentures and other items pertaining to ownership of real property in the state of New York, particularly in Albany and Greene Counties. The Field Notes series (4 items) contains 3 sets of notes by unidentified surveyors and a field book that belonged to H. A. [Whitlock?]. The notes concern surveys of farms and other properties in the late 18th and early 19th centuries.

The Surveys series (140 items) comprises the bulk of the collection and consists of notes and maps of surveys conducted between 1794 and 1821; one item is dated April 20, 1831. The surveys, which relate to private property, often have descriptions of the area, and some items have notes about the reasons for conducting the surveys, usually related to sales. Some of the material pertains to members of the Ten Eyck family.

The New York Woman's travel journal chronicles two trips undertaken by a woman and her father. In March and April 1888, the pair traveled across the country to New Orleans, and in June 1889 to Scotland and England.

The New York Woman's travel journal chronicles two trips undertaken by a woman and her father. In March and April 1888, the pair traveled across the country to New Orleans (pp. 1-52), and in June 1889 to Scotland and England (pp. 54-93). The cover of the volume bears a silver inlaid illustration entitled "Composition," and opens with the father and daughter embarking on a Pullman car on March 19, 1888, bound for "the West" from Jersey City. During their railroad journey, they traveled through Philadelphia, Indianapolis, and St. Louis, where they remained for a short stopover before heading south. Between St. Louis and Little Rock, their train collided with another vehicle, killing an engineer and delaying their arrival in the Arkansas capital, where they stayed for an additional week. The 12-page narrative of this leg of the trip is colored by anecdotes and descriptions of fellow passengers, and is followed by a lengthy account of the pair's time in Vicksburg, Mississippi, and in New Orleans. In Vicksburg, the tourists made note of Civil War-era caves used during the city's siege, and visited a Civil War cemetery, which the author found profoundly moving. Once in "thoroughly Southern" New Orleans, the writer described in detail the sights and sounds of the city, and frequently mentioned popular tourist destinations; she also noted the "swarms of little darkies" and other African Americans she encountered throughout her time in the city. She and her father left New Orleans on the steamboat Knickerbocker on April 19, and returned to New York via the Gulf of Mexico and along the Atlantic Coast; upon her return, she reflected briefly on the positive impact the trip had on her worldview.

The second portion of the volume is titled "Letters written during our stay in England and Scotland in the summer of 1889," and is about the author's transatlantic voyage from New York to Glasgow on the State of Georgia, and the opening stages of her European adventures. After writing about the pleasant 12-day voyage, the diarist described several sights throughout Scotland, including a detailed depiction of Edinburgh Castle, complete with a brief history of the structure. York was their next destination, and they moved thence by rail to London, where sightseeing resumed in full force. The pair, along with a traveling companion named Leslie, proceeded to take in a thorough tourist's view of London, including several bus trips around the city and the requisite visits to St. Margaret's Church and Westminster Abbey. While in Europe, the author often reflected on how easily she was identified as an American, and on local social customs. The volume also recalls a visit to the British Museum to see the Magna Carta (pp. 92-93), but its final entry, dated July 4, 1889, is cut off just as the author catches a glimpse of Queen Victoria at a garden party.

The Niagara Falls travel diary contains entries written while the diarist (anonymous) was on a trip from Albany, New York, to Niagara Falls, in the summer of 1815. The volume includes descriptions of the terrain around the falls and of the people the traveler met during the journey.

The Niagara Falls travel diary (18 pages) contains entries written while the diarist was on a trip from Albany, New York, to Niagara Falls, in the summer of 1815. The volume includes descriptions of the terrain around the falls and of the people the traveler met during the journey.

In the first entry, dated July 24, 1815, the author described a tour to Niagara Falls, starting at Albany and traveling past Utica along the Mohawk River. The diarist noted that the terrain was "unmistakable for its beauty" and compared it favorably to Harper’s Ferry. The second entry, August 4, describes the trip by ferry from Buffalo, New York, to Fort Erie, and eventually to Niagara. At Fort Erie, which was "a heap of ruin," the traveler encountered a military officer who had witnessed the fort’s siege by the British in 1814. Next, the author described the town of Chippewa, which suffered a damaging battle one year earlier. Passing Fort Niagara, the travelers enjoyed an easy approach to Niagara Falls; the writer described its physical features as well as the inhabitants of the area, including the Forsyth family, who hosted them. The diarist was disappointed that this natural wonder was so easy to reach, and lamented that the falls were "so completely at our command[,] so entirely abased at our feet." Multiple paths stretched along the falls, including trails on both the Canadian and New York sides.

This collection consists of letters and portions of letters expressing the author's affection for and devotion to the recipient.

This collection consists of letters and portions of letters expressing the author's affection for and devotion to the recipient and continually reaffirming his devotion. The letters were written around the late 19th century.

This collection is made up of 10 inventories of the personal and real property of one person or family in and around Norton, Massachusetts, over the course of 26 years. The entries include objects and land ownership, along with valuations. The property owner began with four heifers/steers/bulls, around 10 acres of woodland, carpenter's tools, and a selection of clothing items. The following inventories reflect the expansion of a carpentry business, accumulation of more and higher quality clothing, aging of livestock, acquisition of horses, lambs, and oxen, improved tack, neck stocks, wagons, plows, shovels, chains, and more. In the late 1850s and 1860s, they gained a "detach Lever silver watch," picture frames, a checkerboard, a sword cane, pocketknives, firearms, lanterns, and other household goods. After the Civil War, they started saving money in a bank account, purchased bonds, and held cash and currency. By 1876, the real property expanded to over 43 acres in Norton, Easton, and Mansfield. The concluding inventory is a list of real estate, a selection of objects, and an entry for "Houshold Stuf to numerous to mention." In 1850, the total assets were $760.50. By 1876, they were $17,076.25.

This collection is made up of 10 inventories of the personal and real property of one person or family in and around Norton, Massachusetts, over the course of 26 years. The entries include objects and land ownership, along with valuations. The property owner began with four heifers/steers/bulls, around 10 acres of woodland, carpenter's tools, and a selection of clothing items. The following inventories reflect the expansion of a carpentry business, accumulation of more and higher quality clothing, aging of livestock, acquisition of horses, lambs, and oxen, improved tack, neck stocks, wagons, plows, shovels, chains, and more. In the late 1850s and 1860s, they gained a "detach Lever silver watch," picture frames, a checkerboard, a sword cane, pocketknives, firearms, lanterns, and other household goods. After the Civil War, they started saving money in a bank account, purchased bonds, and held cash and currency. By 1876, the real property expanded to over 43 acres in Norton, Easton, and Mansfield. The concluding inventory is a list of real estate, a selection of objects, and an entry for "Houshold Stuf to numerous to mention." In 1850, the total assets were $760.50. By 1876, they were $17,076.25.

The Norwalk, Ohio family photograph albums consist of two volumes containing approximately 560 photographs that depict an unidentified family, their homes, vacations, and construction of a house.

Volume 1: This album (29 x 36 cm) has black leather covers and black paper pages. Images include many affectionate pictures of children and pets as well as photographs of family vacations, homes, and the construction of a large house. At the end of the album, several photographs of children that appear earlier are replicated in larger formats.

Volume 2: This volume (35.5 x 43 cm) is a leather portfolio bearing an elaborate embossed elephant design on the front cover. Contained within is a series of thirty large format mounted photographs of the same house that is pictured while under construction in Volume 1. Photographs include views of surrounding natural scenery and gardens, exterior shots of the house, and images showing the porch and sunroom.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

The childhood observations about death, spirits, and God reflect a religious upbringing and household, including one entry about how Harry "was drawing a picture of a deathbed scene where angels were coming to carry the man's spirit to God in accordance with what he had been told on the subject. He said 'Mama I guess one angel holds the man's mouth open while the other takes his spirit out of him.' " Comments about dogs, toys, and imaginative games speak to youthful entertainment and play, and others are more suggestive about the conditions in the children's environment that caught their attention. Questions like "what color is the moon on the other side," or observations that a dead mouse "is kind of wilted isn't it," provide insights into what the children were seeing and wondering about.

One entry at the back of the volume reads, "J. D. McAuliff (Heals by rubbing) St. Louis, Mo."

"Notes for a Journal of a Pedestrian Tour" is a 112-page account of a group's walking trip from Baltimore, Maryland, through northern Maryland, southern Pennsylvania, and eastern West Virginia in the late summer of 1816.

"Notes for a Journal of a Pedestrian Tour" is a 112-page account of a group's walking trip from Baltimore, Maryland, through northern Maryland, southern Pennsylvania, and eastern West Virginia in the late summer of 1816.

The account, written after the journey, is divided into 12 titled chapters chronicling the group's experiences. Notes pertain to the scenery and acquaintances the group encountered, both old and new. Group members "Suffolk" and "Sidney" left Baltimore on August 6, 1816, and traveled to Frederick, Maryland, by way of the Patapsco River. There, they picked up their luggage, sent ahead by stage. They proceeded west toward the mountains and entered West Virginia just before September; they stayed at Harper's Ferry and Bath (Berkeley Springs). After several weeks traveling by foot, the men joined two Baltimore companions, "Manly" and "Moreton," on a trip down the Potomac River toward "George Town." The party then returned to Baltimore. In its rendering of dialogue and descriptions of scenery, the account often adopts a prose style similar to that found in fictional narrative. The volume has colored ink drawings of several men and women gathered around a roaring fire and the "Falls of Potomac." The author also included a poem by the travelers, entitled "An Evening on Potomac" (pages 97-109).

• Chapter 1: Introduction (pages 1-5)
• Chapter 2: The Peerless (pages 6-16)
• Chapter 3: The Maid of Benvoirloch (pages 16-42)
• Chapter 4: Frederick Town (pages 43-47)
• Chapter 5: The Misfortune (pages 47-53)
• Chapter 6: Harper's Ferry (pages 53-57)
• Chapter 7: The Cave (pages 57-69)
• Chapter 8: The Thunderstorm (pages 70-78)
• Chapter 9: The Merriest on the Border (pages 78-87)
• Chapter 10: The Descent (pages 88-109)
• Chapter 11: The Conclusion (pages 109-112)

This volume, compiled in the 1820s, contains an encyclopedia article, extracts and writings, diagrams, tables, and newspaper clippings pertaining to the design and construction of canals.

This volume (450 pages), compiled in the 1820s, contains extensive information on the design and construction of canals. The first few pages include a manuscript subject index. Pages 1-155 consist of a printed encyclopedia article about canals, bound directly into the volume. Other articles and fragments of articles are included, including the entire entry for "Canada."

The remaining pages consist of manuscript extracts, writings, and notes about canals, illustrated with colored diagrams and drawings. The volume includes sections about types of locks; tunnels; drawbridges; excavation; building materials, labor, and costs; water supply; the effects of rain and evaporation on canals; and hydraulics. Sections focus on canals in the United States, England, Wales, and France. The manuscript contains tables of data about the number and length of canals in each country. Specific structures, such as the Ohio & Chesapeake Canal, Union Canal, and Erie Canal are described and used as examples throughout the text. Illustrations include diagrams of locks, tunnels, and canals; a depiction of a method for burrowing out soil using a horse and several workers (p. 370); and a map of France highlighting its canals (p. 424). Notes, newspaper clippings, and additional drawings are laid into the volume.

This collection consists of 6 documents related to the British governance of Nova Scotia in the 1760s and 1770s. The material concerns the taxation of alcohol, the provision of currency to the provincial governor and lieutenant governor, and the collection of evidence related to a complaint against Francis Legge.

This collection is made up of 6 documents related to the British governance of Nova Scotia in the 1760s and 1770s. The first two items are manuscript copies of legislative acts passed by the Nova Scotia Council and House of Assembly on June 30, 1762, concerning excise taxes and import taxes on alcoholic beverages. The legislation lists tax rates, outlines procedures for reporting imports and stores of alcoholic beverages, describes a permit system for merchants wishing to sell them, and lists penalties for noncompliance.

Three documents pertain to London resident Joshua Mauger's agreement to provide hard currency for the provincial governor and lieutenant governor in Nova Scotia, upon their request: Mauger's original proposal, addressed to John Pownall (March 5, 1763); an affirmative response from Charles Townshend, et al. (March 16, 1763); and Mauger's report for July 2, 1763-September 24, 1763 (December 8, 1763).

The final item is an extract from a letter that Francis Legge received from the Lords Commissioners of Trade and Plantations, who encouraged him to collect affidavits and other documents to defend himself against an unidentified claimant's complaints (February 27, 1775).

The Nova Scotia diary chronicles the daily life of a carpenter and small farmer throughout much of 1877. The volume also contains several pages written in mock-African American dialect and several drawings.

The Nova Scotia diary chronicles the daily life of a carpenter and small farmer throughout much of 1877. The author began his diary on March 18, 1877, by relating his different activities at the beginning of the planting season. His crops were corn, potatoes, and turnips, and he also raised and sheared sheep. Throughout the year, the diarist reflected on various events in the life of his small, intimate community, which included many visits from neighbors, occasional picnics, and short vacations. He hosted a meeting of several "county lodge" delegates, and assisted other farmers with planting and harvesting their crops. In addition to attending Easter church services and celebrating the Queen's birthday, he noted the beginning of the 1st Provincial Expedition in Kentville, which opened in October. Though the author concluded his entries on October 21, 1877, he appended a number of births and marriages for the years 1877-1879. The final four pages of the book contain an imitation of an African American dialect, and include a caricature of two well-dressed African Americans sitting before a fireplace. Other drawings in the book include a pencil map of Shaw's Point, drawn before the construction of a railroad; a map of "Grandfather's place" previous to its 1862 sale; and floor plans for the upper and lower floors of "W Spurr's house," 1862.

The Oberlin College carte-de-visite album contains formal studio portraits of professors and students associated with the college in the middle to late 19th century.

The Oberlin College carte-de-visite album (13cm x 11cm) contains 32 formal studio portraits of men and women who were associated with the college in the middle to late 19th century. The volume includes pictures of students, professors, and two of the college's presidents, Charles Grandison Finney (1851-1865), and James Harris Fairchild (1866-1889). Most individuals pictured are identified in captions, and were associated with the school from the early 1860s to the 1870s. Many photographs were taken by A.C. Platt (1828-1884) in Oberlin, Ohio. The volume's brown leather cover has a geometric design, partially colored gold, and a floral design appears in relief on the edges of the pages. It has two metal clasps.

The Oberlin, Ohio photograph album contains 11 studio portrait photographs, including several images of family members and friends apparently related to a biracial family based in Oberlin, Ohio.

The Oberlin, Ohio photograph album contains 11 studio portrait photographs, including several images of family members and friends apparently related to a biracial family based in Oberlin, Ohio.

The album (13.5 x 10 cm) has embossed leather covers and a broken metal clasp. The album spine has completely deteriorated and all pages are completely detached from one another. For conservation and preservation purposes, all original photographs have been removed from their album page slots and replaced with facsimile copies. The original photographs are stored in a separate container along with the album.

Most of the individuals represented in this album have been tentatively identified through the presence of inscriptions made on album pages; all or most of the subjects appear to have been biracial/African American. Many page captions appear to be associated with friends and family members of the Vaughn family (alternatively spelled “Vaughan”) of Oberlin, Ohio. One group portrait of two boys present in the page captioned “John & Louis Vaughn” may depict brothers John Sewell Vaughn and Wendal Louis Vaughn, the latter of whom went on to become a professional photographer. While it remains unclear who the original compiler of the album was, it is possible that it was assembled by either a member or close friend of the Vaughn family.

The following list includes inscriptions present on album pages (in order of appearance) and/or descriptions of the portraits associated with each inscription:

• “Oscar Viney Dolph Viney’s father”: Carte de visite portrait of a bearded man with a hat. Possibly Oscar F. Viney (approximately 1830-1904) of Gallipolis, Ohio, who had a son named Adolphus E. Viney (1873-1947)
• “Aunt America Vaughn Clark”: Tintype portrait of a young woman. Possibly America Vaughn Clark (approximately 1845-?) of Gallipolis, Ohio. Includes revenue tax stamps on verso dated January 16 1866 as well as pasted-on clipped newspaper obituary for a woman named Maude Cooper Horton (1880-1903). The obituary mentions a surviving three-year-old daughter by the name of Louise; a Columbus, Ohio, death certificate for a Louise Horton (1900-1918) with parents listed as “Maud Cooper” and “William Horton” indicates that this family was "colored."
• “Will Vaughn”: Carte de visite portrait of a man with a large mustache by H. M. Platt of Oberlin, Ohio. Possibly William Craddock Vaughn (approximately 1835-1912)
• “John & Louis Vaughn”: Carte de visite group portrait of two boys by H. M. Platt. Possibly John Sewell Vaughn (1857-1931) and Wendel Louis Vaughn (approximately 1860-1918).
• “John Vaughn": Carte de visite portrait of a young man by H. M. Platt. Possibly John Sewell Vaughn, though also appears to possibly resemble older version of Wendel Louis Vaughn when compared to preceding group portrait.
• “Aunt Margaret”: Carte de visite portrait of a woman with curly hair.
• “Aunt Margaret”: Tintype portrait of a woman with curly hair. Same woman photographed in preceding image.
• “Thresa Madey”: Carte de visite portrait of a woman by C. W. Howland of Cincinnati, Ohio.
• “? Cooper”: No photograph in page slot.
• “Mary Hamilton”: Tintype portrait of a young African American woman.
• [Unidentified African American infant]: Carte de visite portrait of an unidentified infant by an unidentified photographer of St. Louis, Missouri.

The Ohio Bookseller's diary chronicles the experiences of a travelling book salesman in southwestern Ohio during the early months of 1869. He also recorded accounts, poetry, and quotations throughout the year.

The Ohio Bookseller's diary chronicles the experiences of a travelling salesman in southwestern Ohio during the early months of 1869; he also recorded accounts, poetry, and quotations throughout the year. The author consistently wrote brief daily entries between January 1 and March 8, 1869, chiefly noting his efforts to make sales, often with little success. The diarist faithfully recorded the names of acquaintances with whom he stayed, and mentioned seeing several old college friends during his time in Yellow Springs. Daily entries ended on March 8, 1869, though the author occasionally added accounts, often related to corn, as well as poetry and quotations. On one date, he drew a a music staff, labeled with note names, and recorded facts about the Bible and about the death of George Washington.

The Oklahoma Homesteader's photograph album contains pictures of ranch or homestead buildings, cowboys, and Native Americans in an unidentified prairie region in the late 19th century. Some of the Native Americans posed with guns and white soldiers, and one group wore military uniforms. Two items are photographs of watercolor paintings.

The Oklahoma Homesteader's photograph album (36cm x 29cm) contains 49 prints showing pictures of buildings, scenery, cowboys, women, Native Americans, and watercolor paintings. Sixteen images are exterior views of a ranch home and outbuildings in a flat, grassy area with few trees. Two men in wide-brimmed hats are sometimes visible, including one driving a two-wheel horse-drawn carriage. Nine photographs are interior views of the residence showing a wallpapered living room or office, a paneled bedroom, dining area, and kitchen.

Of particular note are the interior views that show hats, bridles, lassos, and rifles mounted on the walls in combination with full bookshelves, framed art and photographs, and decoratively arranged wheat stalks. A large framed print or painting of a cow is featured over the mantelpiece along with small cabinet photographs, feathers, and artifacts; the beds are covered with Native American blankets and carefully arranged newspapers; books, papers, and a book-press are visible. Also of note are views of the rustic kitchen with coffee advertising signs and genre prints displayed. One view shows a dinner table set for seven, while another shows a bearded man cooking over an iron woodstove. Two pictures show a pair of women posed outside of the house with a dog. Two images are exterior views of a property with a larger wood frame house that appears to have been recently constructed.

A group of 14 pictures depicts cowboys roping cattle, performing farm work, pitching horseshoes, and relaxing alone or in groups. One photograph shows a group seated on a blanket, playing cards with guns drawn.

The album has six photographs featuring groups of Native Americans; a band of Native American men brandishing rifles appear posed with a white soldier in a uniform jacket; a mixed-gender group of Native Americans includes several men in military uniforms, women and children; a group of women and children in front of a tipi; a group of women and children with a child's wagon; three Native American men in military uniforms; and a large group with uniformed men on horseback, women, and children, taken at distance with tipis in the background. The final two pages have photographs of watercolor paintings of prairie scenes featuring small buildings. The album has a brown leather binding with a moire-patterned blue cloth cover, and a spine label "0013" from a previous unknown owner.

A wall calendar appearing in an interior view indicates June 2 falling on a Sunday, which occurred in 1889 and 1895.

The Olean (N.Y.) cabinet card and carte de visite album contains 3 cabinet cards from ca. 1880s and 12 cartes de visite from ca. 1860s. The album likely dates to ca. 1880s.

The Olean (N.Y.) cabinet card and carte de visite album contains 3 cabinet cards of women from ca. 1880s and 12 cartes de visite mostly of men, women, and children from ca. 1860s. The album likely dates to ca. 1880s. An inscription on the interior front cover reads "Merry Christmas, Harrington School, Dec. 25, 1903, Daisy May Spencer, Teacher," and does not appear to be related to the material within.

The images take place in a formal studio setting from photographers located in Olean (New York), Rock Island and Chicago (Illinois), Titusville (Pennsylvania), San Francisco (California), and Nashua (New Hampshire). Some photos include handwritten names on the bottom front of the mounts. One photograph of a structure is identified by a handwritten inscription as "Olean Baptist Church."

The album is 19.5 x 25 cm with decorative green celluloid covers.

This volume contains financial accounts related to the sale of goods in the 1830s and to civil court cases heard in the 1870s.

This volume contains financial accounts related to the sale of goods in the 1830s and to civil court cases heard in the 1870s.

The first section of the volume contains an anonymous individual's accounts regarding the sale of various goods, including foodstuffs, household supplies, and tobacco, between 1831 and 1852; most entries are dated 1831-1833. These records are accompanied by notes about planting, a description of a flood, and a brief poem composed mostly of three-word lines (p. 81a).

The second section of the volume consists primarily of notes regarding proceedings and judgments in civil court cases in Berrien County, Michigan, between 1871 and 1873. These notes often include the names of involved parties and details about hearings. Oliver P. Miller, a justice of the peace from Lake Township, is frequently mentioned.

• George Washburn vs. Darwin Wrathman
• Samuel McLellan vs. Darwin Wrathman
• George Ennis vs. George Boyce
• Jacob Raas vs. Warren Nelson
• George Neidlinger vs. William Ushaw and Phillip Meyer
• Andrew Johnson vs. L. Carpenter
• People of the State of Michigan vs. Charles Sterling
• James Lewis vs. John Stiles
• George Neidlinger vs. W. H. H. Long

Other entries in this section of the journal include a "Form of Security for costs by nonresident," illustrated with the case of John Doe vs. John Jones; a "Form of Confession of Judgment;" the poem "The Vacant Chair;" and a song entitled "O come with me in my little canoe" [sic].

• Order for Solomon Neidlinger to surrender his residence and notes on a dispute between Joseph Beans and Melissa B[eans]
• Order for George Ennis to surrender his residence
• A poem, "Lines dedicated to H and M"
• Four pages from the Elson Grammar School Reader Book One
• A recipe for "Washing Fluid"
• A newspaper clipping featuring the following "Lost and Found Poems:"
  • "Unity"
  • "Hang Up the Baby's Stocking"
  • "Annabel Lee"
  • "I Don't Want to Play in Your Yard"
  • "Kingdom Coming"
  • "The Boat Song"
  • "The Discovery of America"
• A cure for whooping cough
• A newspaper clipping featuring "Poetry Written at my Mother's Grave"

The Ontario carte-de-visite album contains formal portrait photographs of men, women, and children, including members of the compiler's family. Many of the photographs were taken in southern Ontario cities such as Brantford, Simcoe, and Woodstock.

The Ontario carte-de-visite album (15cm x 11cm) contains 33 carte-de-visite and 9 tintype photographs of numerous men, women, and children, some of whom are identified as members of the compiler's family. The formal studio portraits were taken by photographers in cities such as Brantford, Simcoe, and Woodstock, Ontario, in the mid- to late 1860s. Some family members are identified by their relationship to the owner, including a sibling, a pair of grandparents, and "Grandmother Merrill." Some subjects were photographed in pairs, and some held objects such as hats. A few of the cartes-de-visite and tintypes have hand coloring, and two cartes-de-visite have colored background designs printed directly onto the cards. A gold design is stamped on a raised portion of the album's front and back covers, which are made of pebbled brown leather.

This deck log for the sloop of war Ontario (1,004 pages), commander Thomas Holdup Stevens, contains daily information on the weather, ship location, movement and response to the weather, crew activities, sicknesses, and out-of-the-ordinary events, while serving in the Mediterranean Squadron. Also recorded in the volume are 28 port stops, the most frequent at Mahon and Gibraltar, for ship repairs, delivery of specie and other items, transport of diplomats, demonstrations of amity, and other purposes.

This oversize deck log for the sloop of war Ontario (1,004 pages) bears a protective canvas cover, on which is written the title "Journal of the U. S. S. Ontario Thos Holdup Stevens Esqre Commander." It contains daily entries for almost two years of a voyage with the Mediterranean Squadron, with notes on 28 port stops--most frequently Mahon and Gibraltar, but also including Algiers, Tunis, Barcelona, Smyrna, and others. The stops were typically for ship repairs, delivery of specie and other items, transportation of diplomats, demonstrations of amity, and other purposes.

The regular entries were kept by officers of the watch, who maintained detailed reports of the day's weather and sail changes; shipboard routines, such as renewing the water supply, sighting passing ships, and muster and exercising the crew; and shipboard conditions, such as the number of men sick, water remaining on board, and the kind of meat on the day's menu. Considerable attention was given to activities involving the repair and upkeep of the ship, and the restocking of supplies.