Collections : [University of Michigan William L. Clements Library]

Back to top

Search Constraints

Start Over You searched for: Repository University of Michigan William L. Clements Library Remove constraint Repository: University of Michigan William L. Clements Library Level Collection Remove constraint Level: Collection Subjects Women. Remove constraint Subjects: Women.
Number of results to display per page
View results as:

Search Results

Collection

Albert Wilder papers, 1862-1864

34 items

The Albert Wilder papers primarily consist of Wilder's letters home to his sister, Sarah, and brother-in-law, William, while he served in the Civil War. Wilder enlisted in the 39th Massachusetts Infantry in 1862 at the age of 21 and died after being wounded near Spotsylvania, Pennsylvania, 1864.

The Albert Wilder Civil War letters are written almost entirely to his sister, Sarah, and her husband, William, whose last name may have been Flaisdell. One letter, written from the hospital following his wounding, is addressed to his mother, and the final letter in the collection, written a week before his death, is badly tattered, showing how much it was fondled, read and reread, as a relic from the late Albert. Because his regiment saw so little military action for so long, the war news which Albert encloses in his letters is almost entirely second hand; he had little to report first-hand. There are no letters at all for three months after Mine Run, suggesting that the collection may be incomplete.

A constant theme of the early letters is advice to friends back home as to whether or not they should come to the war. He advises his married brother-in-law to stay at home, because there are enough single men to fight the war. He discusses the shoe trade back home in Massachusetts, and politics in the home state, with some information on camp life and the common soldiers' perspective on the leaders of the war. His letters to William are more substantive on the whole; those to Sarah are little more than one-liners in answer to her letters.

Two letters in the collection were written by James R. French to his parents. Men from the French family were in the 39th Massachusetts, but James was not among them. His letters are semi-literate, but illustrate well the quality of life found in the lower (rural?) class: he writes that morale in the regiment is low "sens we found out we ar fitine for nigers" and admonishes his parents to keep the money he sends to them: "I dont want that wife of mine if I must carle her wife to have a sent of it."

Collection

Calvin Mixter papers, 1897-1903

106 items (0.25 linear feet)

The Calvin Mixter papers are primarily comprised of seventy-five letters written from stateside military camps during the Spanish-American War. Mr. Mixter served as a drummer in the Fifth Massachusetts Infantry Regiment.

The Calvin Mixter papers are primarily comprised of seventy-five letters written from stateside military camps during the Spanish-American War. Most were addressed to members of the family of William H. Campbell at his home in Massachusetts. These letters provide interesting accounts of routine military activities, such as dress parades, monthly inspections, and band rehearsals and marches. The collection also contains newspaper clippings, photographs, and miscellaneous items (including 2 military passes).

The collection documents not only the various rumors circulating at the military camps, but also how the regiment dealt with death and sickness. The high mortality from disease, much of it preventable, was a hot topic with Mixter and his fellow soldiers, and runs throughout the collection. Having remained healthy himself, Mixter was able to take several small trips in the vicinity of the camps, and in one letter, gives a fine description of Gettysburg and the battle that took place there during the Civil War.

The collection also contains numerous references to African-Americans, with whose culture Mixter seems to have had little direct experience. Mixter considered their church services "amusing," though he felt at least that they were "earnest." He and his friends easily fell into disparaging comments, such as Will Mann's comments of September, 1898, Frank B. Harmon's of November, 1898, or Mixter's own notice of a cook at Camp Meade who had been dismissed for stealing (October, 1898).

Collection

Canedy Family Hair album, 1863

1 volume

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

Each lock of hair is accompanied by one or more of the following types of information:
  • The name of the individual who provided the hair.
  • The place the person lived, such as Stanford [i.e. Stamford, Vermont]; Wilmington, [Vermont]; North Adams, [Massachusetts]; and Northfield, Minnesota.
  • Short sayings or further identifying information. For example, the entries for Charles C. Phipps, Anna Phipps, and Anna Canedy mention their relationship to the compiler: grandfather, grandmother, and mother, respectively.
  • The age of the individual when the clipping was taken.

Maryette Canedy's hair sample is missing.

Collection

Carpenter's pocket ledger, 1855-1864, (Majority of material found within 1858)

1 volume

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.
Collection

Carpenter's pocket ledger, 1855-1864 (majority within 1858)

1 volume

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.
Collection

C. E. Hartung & Company collection, 1868-1879

7 items

The collection consists of two letters and five empty envelopes written between 1868 to 1879 by various businesses relating to human hair goods and services. They are addressed to C. E. Hartung & Company, hair importers and dealers of New York.

The collection consists of two letters and five empty envelopes written between 1868 to 1879 by various businesses relating to human hair goods and services. They are addressed to C. E. Hartung & Company, hair importers and dealers of New York. The two letters include one written on May 5, 1870, by H. Holcomb, "Manufacturer and Dealer in Human Hair Goods" of Galesburg, Illinois, on printed, illustrated stationery featuring a white woman with curled hair. He acknowledged he would not be able to pay his bill on time. The other was written by A. Domec, an importer of human hair from Louisville, Kentucky, ordering hair products. All of the envelopes in the collection are advertising covers for the various hair businesses.

The empty envelopes date from 1868 to 1879, with several undated.

Businesses represented in the envelopes addressed to Hartung include:
  • Madame Zwick of Cincinnati, Ohio, "Ladies' Wig Store, Braids, Fronts, Curls &c. All kinds of hair jewelry done to order. The Hair furnished by customers always used, and the Gold warranted."
  • N. Demongeot of Washington, D.C., "Importer of Human Hair and Perfumery, Ladies Hair Dresser and Wig Maker."
  • Mrs. M. Survey of Utica, New York, "Manufacturer of all kinds of Ornamental Hair Work."
  • J. Y. Smyth of Peoria, Illinois, "Manufacturer and Dealer in Human Hair, at Wholesale and Retail."

Collection

C. E. Hartung & Company collection, 1868-1879

7 items

The collection consists of two letters and five empty envelopes written between 1868 to 1879 by various businesses relating to human hair goods and services. They are addressed to C. E. Hartung & Company, hair importers and dealers of New York.

The collection consists of two letters and five empty envelopes written between 1868 to 1879 by various businesses relating to human hair goods and services. They are addressed to C. E. Hartung & Company, hair importers and dealers of New York. The two letters include one written on May 5, 1870, by H. Holcomb, "Manufacturer and Dealer in Human Hair Goods" of Galesburg, Illinois, on printed, illustrated stationery featuring a white woman with curled hair. He acknowledged he would not be able to pay his bill on time. The other was written by A. Domec, an importer of human hair from Louisville, Kentucky, ordering hair products. All of the envelopes in the collection are advertising covers for the various hair businesses.

The empty envelopes date from 1868 to 1879, with several undated.

Businesses represented in the envelopes addressed to Hartung include:
  • Madame Zwick of Cincinnati, Ohio, "Ladies' Wig Store, Braids, Fronts, Curls &c. All kinds of hair jewelry done to order. The Hair furnished by customers always used, and the Gold warranted."
  • N. Demongeot of Washington, D.C., "Importer of Human Hair and Perfumery, Ladies Hair Dresser and Wig Maker."
  • Mrs. M. Survey of Utica, New York, "Manufacturer of all kinds of Ornamental Hair Work."
  • J. Y. Smyth of Peoria, Illinois, "Manufacturer and Dealer in Human Hair, at Wholesale and Retail."

Collection

Christian Hoffman, Aus Erlesene Gedichder Nebstselbst Geistliche Gedichder commonplace book of poetry, 1857

1 volume

Christian Hoffman, of Cincinnati, Ohio, and Newport, Kentucky, compiled this 201-page book of poetry, largely in the German language, with eight poems in English. Hoffman's selections include poems or poem fragments by Henry Kirke White, Lord Byron, Agnes Franz, Friedrich Rückert, Christian Hoffmann von Hoffmannswaldau, Friedrich von Sallet, August Henrich Hoffmann, and others. Christian Hoffmann apparently included several original spiritual poems, such as "Des Kinder schwingender Geist" (pages 18-24) and "Die Absched des Prindes Gottes" (pages 169-170). Several blackletter script titles, decorative initials, and illustrations are present. The three illustrations include an urn with flowers (page 69), an angel with a harp (page 168), and a vignette of three maidens holding a banner with the words "O laube", "Liebe und" and "Hoffman" (page 76).

Christian Hoffman, of Cincinnati, Ohio, and Newport, Kentucky, compiled this 201-page book of poetry, largely in the German language, with eight poems in English. Hoffman's selections include poems or poem fragments by Henry Kirke White, Lord Byron, Agnes Franz, Friedrich Rückert, Christian Hoffmann von Hoffmannswaldau, Friedrich von Sallet, August Henrich Hoffmann, and others. Christian Hoffmann apparently included several original spiritual poems, such as "Des Kinder schwingender Geist" (pages 18-24) and "Die Absched des Prindes Gottes" (pages 169-170). Several blackletter script titles, decorative initials, and illustrations are present. The three illustrations include an urn with flowers (page 69), an angel with a harp (page 168), and a vignette of three maidens holding a banner with the words "O laube", "Liebe und" and "Hoffman" (page 76).

Collection

Christopher Hughes papers, 1801-1908 (majority within 1814-1884)

5.5 linear feet

This collection primarily consists of correspondence of U.S. diplomat Christopher Hughes; his twin sister Peggy Hughes Moore; his in-laws the Moore family; his spouse Laura Smith Hughes (1792-1832); their daughter Margaret Smith Hughes Kennedy (1819-1884); and Anthony Kennedy (1810-1892), his son-in-law. The papers largely date between the War of 1812 and the U.S. War with Mexico. Christopher Hughes corresponded with U.S. Presidents, Secretaries of State, and a large circle of friends and family on both sides of the Atlantic. The papers reflect American diplomatic policy in Europe after the War of 1812, particularly in Sweden, the Netherlands, Denmark, and France. They also present the lives and experiences of the social and personal lives of women and children who traveled as part of the duties of an American diplomat.

This collection primarily consists of correspondence of U.S. diplomat Christopher Hughes; his twin sister Peggy Hughes Moore; his in-laws the Moore family; his spouse Laura Smith Hughes (1792-1832); their daughter Margaret Smith Hughes Kennedy (1819-1884); and Anthony Kennedy (1810-1892), his son-in-law. The papers largely date between the War of 1812 and the U.S. War with Mexico. Christopher Hughes corresponded with U.S. Presidents, Secretaries of State, and a large circle of friends and family on both sides of the Atlantic. The papers reflect American diplomatic policy in Europe after the War of 1812, particularly in Sweden, the Netherlands, Denmark, and France. They also present the lives and experiences of the social and personal lives of women and children who traveled as part of the duties of an American chargé d'affaires.

The papers also include financial papers, military documents, property documentation, materials related to the San Pedro Company, writings, poetry, sketches, photographs, ephemera, and other printed items. Among the writings is an 1840 account of a visit by Christopher Hughes to physician Fru Jansen at Catherineberg for health care; 1842 travel writing by Margaret Hughes; and manuscript and printed poetry, including dinner toasts, a valentine poem, an acrostic on Margaret's name, translations, and more.

Other selected items include pencil sketches of four of the five peace commissioners at the Treaty of Ghent negotiations in Belgium, by Dutch artist P. van Huffel, January 1815. The portraits include John Quincy Adams, James A. Bayard, Henry Clay, Albert Gallatin, and Christopher Hughes (as secretary of the delegation). A group of 24 photographs from the early 1930s depict the grave of Laura Smith Hughes (1795-1832) and the church where she was buried, Bromme Church in Akershof, near Stockholm, Sweden, and a variety of other people and places.

Please see the Christopher Hughes Indices and Notes for an index of letter writers and inventories of non-correspondence materials.

Collection

Cletus Setley sketchbook, [Civil War Era]

1 volume

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

Drawings include:
  • Woman doing laundry/ holding washtub
  • A person on horseback
  • A building [bearing a similarity to John Setley's storefront]
  • Woman holding a key next to a door marked "East," beside a small anthropomorphized quadruped
  • Male performer or dandy
  • Red and blue block text, "UNION"
  • Ships in the shape of a horse, with men holding spears and shields
  • Hunter aiming a gun at a stag
  • Hunters shooting at elephants
  • American sailing ships
  • People and anthropomorphic creatures
  • Man fleeing from dark-skinned persons armed with spears and other weapons
  • Shipwrecks
  • A lifeboat
  • A storefront with a sign reading "JOHN SETLEY" listing flour, seed, and other dry goods
  • Sidewheel steamboat
  • One page of caricatures, anthropomorphic beings, women, witches, and devils
  • Self-portrait, "The names of my valentines Squirt irish women & the Laundry women & to a Zouvave [Zouave] stingy man & the gallent [?]ing the [queshten?] grocer & long shanks"
  • Self-portrait and building
  • Sketch of a woman with a pipe in her teeth, labelled "IRISH WOMAN". On the same page is a pencil sketch of what may be a quilt block design.
  • Performers, possibly for a circus or side-show

A few of the pencil and watercolor illustrations appear to relate to a story of hunters, possibly in Africa, their encounters with indigenous peoples, and a subsequent shipwreck.

Collection

Corydon E. Fuller journals, 1856-1859

416 pages (2 volumes)

Corydon Fuller's journals document the travels of a young bookseller (from the Northern Midwest) in Arkansas, bordering areas in Louisiana, and in Mississippi in the years preceding the Civil War.

Corydon Fuller's intriguing journals (marked "Vol. 6th" and "Vol. 7") follow the path of the young itinerant bookseller in a fascinating series of situations and places. A college graduate, Fuller wrote both well and copiously, recording the events and his impressions with impressive clarity and depth.

As a man prone to some reflection on the political and social issues of his day, Fuller's journals are a valuable resource for study of the hardening sectional lines in the Trans-Mississippi South. By 1857, Fuller believed that an impasse had been reached, reflected both in his reporting of adamant Southern views on slavery and states' rights, and in his own hot-tempered opinions on moral right versus wrong.

Collection

Edith A. Moore Frost commonplace book, 1860-1893

1 volume

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Acquaintances in Kansas wrote additional entries in the 1880s. Thirty-two photographs of signatories are pasted or tipped into the volume, along with other materials like a fabric swatch with a hair clipping attached, embellished paper, and a pressed leaf.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Some entries include notations written in another hand, primarily indicating if someone was a teacher. Acquaintances in Kansas contributed additional entries in the 1880s.

Many persons signing the album added elements to their entries, such as poems, proverbs, comments, and drawings. Twenty-seven photographs of women were pasted into the volume alongside their signatures, with an additional five photographs enclosed in a letter written by Mrs. E. A. Husey to Mrs. F. W. Frost in 1893 (concerning classmates from the State Normal School). The volume includes various other materials tipped or pasted in, such as a fabric swatch with an attached hair clipping, embellished paper, and a pressed leaf.

Edith A. Moore Frost first inscribed the volume on December 25, 1860, indicating this "Forget Me Not Album," which features engraved illustrations of women, may have been given to her as a Christmas gift. She later wrote, beneath a photograph of herself, "Edith A. Frost. Class of 1868. Mass. State Normal School. Framingham Mass. Pictures of graduating Class 1868."

Collection

Elizabeth Camp Tuttle travel diary, 1836

94 pages

In this diary, seventeen-year old Elizabeth Tuttle described the places she visited, sharing her impressions of travel, people, buildings, gardens, institutions, and other items on a journey through Ohio, Pennsylvania, and New York.

In May 1836, seventeen-year old Elizabeth and her parents left Newark "on an excursion partly to visit western friends, and partly to see the far famed West." The family's travels by land and water took them to many cities and towns, including Philadelphia, Lancaster, and Pittsburgh in Pennsylvania; Columbus, Cleveland, Cincinnati, and Akron in Ohio; and Niagara Falls, Rochester, Syracuse, Albany, and Poughkeepsie in New York. In this very interesting diary, Elizabeth described the places she visited, sometimes in exquisite detail, sharing her impressions of travel, people, buildings, gardens, institutions, and everything else on the journey that piqued her interest.

Elizabeth recorded her encounters with the many people she and her family met on their trip. At the beginning of the trip, Elizabeth and her parents met the "gentlemanly" Judge John Banks of Pennsylvania, who had been a member of Congress, elected on an Anti-Masonic platform. Several days later, she was introduced to Judge Goddard from Connecticut and his family. Once the Tuttles got to Cincinnati, they saw many old friends and acquaintances, especially those who had lived in Newark. They stayed with their friends the Blachlys on Sycamore Street. Elizabeth paid visits to Miss Grandon, "a former boarder at the Academy;" Charley Hornblower, a hardware store merchant; and Mr. Messer, the former principal of Newark Academy. At least three ministers from Newark had moved to Ohio: Rev. Baxter Dickinson, professor of sacred rhetoric at Lane Seminary; Rev. Richards of Auburn Theological Seminary; and Rev. Philip Hay of the Geneva Lyceum.

The Tuttles were members of the First Presbyterian Church in Newark, founded in 1667, and were keenly interested in religion and the intellectual pursuit of Christianity. On their travels, they not only attended Presbyterian services, but they also visited Methodist and Roman Catholic churches, and a Shaker village. Of the German Separatist settlement of Zoar, Elizabeth wrote: "in order and neatness, they resemble the Shakers, as well as in their being a community of interests and under one temporal head....In one field, where they were making hay, there were eighteen persons working, fourteen of them were females all dressed alike." Their intellectual curiosity extended as well to education, reform, politics, and social culture. They toured the Lane Seminary in Cincinnati, the Ohio Deaf and Dumb Asylum, a penitentiary in Columbus (where "300 male convicts and one negro woman" were confined), a coal factory, a cotton factory, a college and female seminary in Poughkeepsie, N.Y., the Auburn Theological Seminary, and a prison in Auburn, N.Y.

On the trip back to Newark, Elizabeth frequently noted the trials of traveling by various means of transportation, including carriage, stage, canalboat, and steamboat. Travel was far from smooth and comfortable. For example, when they left London, Ohio, Elizabeth and her mother were seated on a large trunk situated over the back wheels of a barouche. "The driver thought by going through the woods, he would miss some of the mud, and he did in part, but such a jouncing as we had, I never want again, that over the back wheels, on a trunk constantly slipping forward, it was too much....The driver then got two boards, fastened to the top, Ma and I taking the middle one, we thought a board a great luxury." Finally, on July 14, they made their "last start for home, sweet home," arriving in Newark that evening.

Collection

Ellen Rice journal, 1848-1849

128 pages (2 volumes)

The Ellen Rice journal contains the daily thoughts of a deeply religious woman devoted to her sisters and family, while she worked in her sister's household.

This intelligent, articulate young woman wrote in her journal every evening, recording far more than the day's events. Although she did note newsworthy items at the local and national level, she rarely gives the reader much of a clue what she had been doing all day long. The brief moments when she allowed herself to complain about her situation make it clear she worked long days attending to the needs of her nieces and nephews, and that she was responsible for most of the family's sewing. She chose not to dwell on drudgery. Instead, she celebrated her love of God, of Nature, and of her relatives, particularly her sister Susan.

Ellen felt close to God when she was close to Nature. In springtime, living in Boston made her "feel confined in a cage and long to soar away to my native element and live in the temple of Nature" (1:32). She believed that "no one can cultivate and watch the growth of Flowers, without feeling their hearts expand and fill with thoughts of God which exerts a beneficial influence upon the character. One ray of religious love sheds a light upon the character which no sunbeam can outshine" (2:11). She was occasionally critical of the preachers who did not deliver the word of God as purely as nature did. After one sermon, she accused the preacher of not having a "deep mind," and she chastised another for using "coarse and common" comparisons and expressions, even though his ideas were good (2:21, 1:53).

Ellen continuously returned to the concept of nature as a sublime channel to God:

"What pent up feelings it awakens to roam again o'er the hills among the trees, rocks and flowers. I look upon these as not merely inanimate objects, for there seems to be a connecting link between them and our spirits a something which awakens all the fine feelings and emotions of the heart and makes us keenly sensitive to the wisdom and Goodness of God and his love and mercy to us" (1:46).

In addition to connecting spiritually with God through nature, she was attuned to spiritual connections with people, through their letters. When reading "line after line traced by the loved one's hand, the image rises before me and I hear the spirit breathing the words I read" (1:17).

She felt divided between her home with Mary and her home with her parents, but there was one steady attraction that always made her old home in Wayland more appealing -- her sister Susan lived there. "My heart whose every chord vibrates to her own, yearns to be near her and enjoy the happiness which true sisterly love only can know," she frequently declared (2:3). After expressing her excitement that Susan would soon visit her, she added, "surely it is natural that I should rejoice at the thought of meeting a Sister whose love is pure and strong and in whom I find an echo for every thought and wish" (2:39).

Tension arose when her brother-in-law refused to let her go visit Susan, even though she could easily have been spared from his house for a few days: "I think he cares but little for me or my feelings, but I will not entertain unkind feelings towards him for Mary's sake" (1:38). Even though her relationship with William was cool, she resolved that if her sister died, she would willingly "give up all my youthful hopes and pleasures and devote my life to them, for I love them too well ever to trust them to the care of another" (1:30).

There were men in her life, or wanting to be in it, but she did not really respond to them. She visited and corresponded with Jared, and initially argued that men and women ought to able to have as close friendships as women were allowed to have. "I know it is not customary but that does not prove that it is wrong," she wrote, and insisted that she "can see no reason why those of different sex cannot be friends as well as those of the same" (1:20). A few weeks later, however, she decided to break off the correspondence "for several reasons," but her true feelings for him remained obscured. After they moved to Lexington, Mr. Thayer, a traveling daguerreotypist, fell for her, and startled her with his frank declarations. She told him she did not feel she could be any more than a "common acquaintance" of his, although she was "extremely sorry to disappoint his anticipations" (2:22). He eventually left town, after urging her to reconsider, and presenting her with her likeness in a beautiful case. The third suitor, Mr. Gammell, announced that he wanted her for his "chosen companion," but she remained unmoved (2:49). The cares of her sister's household overwhelmed her, and soon after she succumbed completely.

Collection

Fenno-Hoffman family papers, 1780-1883 (majority within 1789-1845)

1.25 linear feet

The Fenno-Hoffman papers contain the personal correspondence of three generations of the Fenno and Hoffman families of New York City. Correspondence from, to, and between the family members of Maria Fenno Hoffman, daughter of John and Mary (Curtis) Fenno of Boston and Philadelphia, and wife of Josiah Ogden Hoffman of New York.

The Fenno-Hoffman papers contain the personal correspondence of three generations of the Fenno and Hoffman families of New York City. It appears that the collection was initially assembled by Maria Fenno Hoffman, who was the bridge linking the Fennos and Hoffmans, or one of her children. The majority of the letters in the collection are addressed to Maria, and those written following her death are mainly from her three children. As a whole, the collection forms a diverse and uniformly interesting resource for the study of family life, politics, and literary culture in the early Republic. The Fennos and Hoffmans seem all to have been blessed with literary talent and excellent educations, enjoying interests ranging from politics and commerce to publishing and writing, but cursed with short lives and disastrous fortune. Their correspondence creates a vivid impression of a once-wealthy family struggling with adversity and personal loss. Yet despite all of their connections to the centers of political and social power, and despite all the setbacks they encountered, the overriding impression gleaned from the Fenno-Hoffman correspondence is of the centrality of family in their emotional and social lives.

The collection can be roughly divided into two, interrelated series: the letters of the Fenno family, and the somewhat later letters of the Hoffmans. Within the Fenno series are 25 letters from John Fenno to his wife, Mary, and six from Mary to John, written primarily during two periods of separation, in the spring of 1789, and summer, 1798. This correspondence conveys a sense of the passionate attachment these two held for each other, expressed with their exceptional literary gifts. John discusses the founding of the United States Gazette in 1789, including a visit with Benjamin Franklin in Philadelphia where he had gone to purchase type. His letters are full of political commentary relating to the establishment of the federal government in 1789 and the young nation's Quasi-War with France, 1798. Although Fenno's letters to his wife are filled with political opinions, he urged her not to get involved in political controversies herself, nor to form opinions of her own. Mary apparently felt free to express herself to her husband, but significantly, her letters tend to mirror his staunchly Federalist political sympathies. The collection also contains four letters from John Fenno to his children, in which he discusses the French Revolution (1794) and general political news (1797-98), while doling out some fairly standard fatherly advice.

All nine of the Fenno children who survived infancy are represented as writers in the Fenno-Hoffman Papers, each one of whom seems to have been blessed with literary talent. The most frequent correspondents among the Fennos -- Maria, Charles J., and Edward -- display an intense interest in the affairs of their family, and express a powerful attachment for one another.

The collection contains twenty letters from Maria Fenno Hoffman (1781-1823), wife of lawyer and judge Josiah Ogden Hoffman (1766-1837), and most of the other letters in the collection were addressed to her. The letters written by Maria were nearly all addressed to her children and contain information on the family, laden with large doses of motherly advice. Among her most notable letters is one addressed to Washington Irving, whose fiancée, Matilda Hoffman, Maria's step-daughter, had died shortly before their wedding day.

The young British Navy officer, Charles J. Fenno, wrote thirty-nine letters, all to his siblings, and the collection also includes one letter to Charles from British Navy officer Charles Williamson (1757-1808), advising him to take an appointment in the West Indies. Fenno's letters include detailed descriptions of his attempts to cope with the debts incurred by his brother, John Ward Fenno, his part in the Tripolitan War and the turmoil in Haiti in 1802-3, naval sparring between French and English on the high seas, and family matters. With the typical Fenno style, Charles' letters provide an excellent view of these conflicts from the perspective of a young junior officer. His last letter was written while on vacation at Coldenham, N.Y., five weeks before his death.

Charles' younger brother, Edward, wrote 69 letters to his sister and surrogate mother, Maria, and 31 to his brother, James, along with a few miscellaneous letters. As lengthy as they are literate, Edward's letters provide an engrossing, running commentary on all facets of life in New Orleans during the 1820s and 30s, when it was still more a French city than American. His interests range from politics to business, high society to love affairs (his own, as well as others'), the annual yellow fever season, death and dying, race relations, piracy, and military exploits. They offer an intimate and detailed view of Louisiana during the years in which it was undergoing a rapid Americanization, and Edward's membership in the American militia, and his keen observational abilities provide a memorable account of the changes. His last letter to Maria, written a month before her death, discusses the necessity of family loyalty.

Comparatively speaking, the other Fenno children are represented by only scattered letters. Only two letters survive from the shortest-lived of the adult Fennos, John Ward, both written in 1797. In these, Jack discusses the acute controversy between Benjamin Rush (1745-1813) and the Federalist Gazette of the United States. Three of Harriet Fenno Rodman's letters survive -- containing social news and observations -- along with seven poems, including love poetry to her husband. Harriet's daughter, Anne Eliza Rodman, is represented by 24 letters, mostly addressed to her aunt Maria Hoffman, that include excellent descriptions of politics, society, and race relations in St. Augustine. George Fenno's four letters, also to his sister Maria, reflect the tedium felt by an educated urbanite set down in the countryside. Mary Elizabeth Fenno Verplanck's nine letters describe social life in Philadelphia, Fishkill, and Ballston Springs, and her efforts to mend a serious rift between her fiancée (later husband) and her brother-in-law Josiah. The ill-fated Caroline Fenno apparently had little time to write before dying, leaving only two letters describing life in Albany in 1804. James Bowdoin Fenno's six letters concern the business climate in South Carolina and Georgia and, as with all other Fenno correspondence, underscore the importance of family ties.

The second major series of correspondence in the Fenno-Hoffman Papers is centered on the children of Josiah Ogden Hoffman and his second wife Maria Fenno, Charles Fenno, George Edward, and Julia Hoffman. This series also includes eight letters from Josiah to his wife and sons, consisting principally of advice to his wife on how to run the household and, to his sons, on how to study industriously and become a credit to their "indulgent father." The letters he received in his old age from his children are particularly revealing of Josiah's personality. In these, Josiah appears as a hypochondriac and as a literal-minded businessman obsessed with commerce who had difficulty understanding any mindset other than his own.

As a poet and writer, Charles never ceased to perplex and irritate his father. Charles was a sensitive, observant man and an exceptional literary talent whose ability to express his thoughts and feelings grew as he grew older. His 62 letters to his brother (1826-1834, 1845) and sister (1833-1845) include discussions of many issues close to his heart, from his literary career to the "place" of the artist in society, from the continual rack and ruin of his personal finances to his family relationships, pastimes, politics, and general reflections on life. His letters to George are pun-filled and witty, even when he was in the throes of adversity. Charles wrote nine letters during his famous western trip, 1833-34, some of which were rough drafts intended for publication in the American after his sister Julia edited them. His letter of July 22, 1829 offers a marvelous description of an all-night party, and the single extant letter to his father (April 26, 1834) exhibits an uncharacteristic interest in politics, perhaps to please the elder Hoffman. There are also five excellent letters from a classmate of Charles, written while Charles was recuperating from the loss of his leg in New York. These are enjoyable, but otherwise typical schoolboy letters describing the typical assortment of schoolboy pranks.

The largest run of correspondence in the series of Hoffman letters, and the core of the collection, consists of the 63 letters from Julia to George. Julia's letters (1834-45) relate her experiences in several residences, particularly in the Philadelphia home of Jewish philanthropist, Rebecca Gratz (1781-1869). Julia comments frequently on Charles's literary activities and George's checkered career as a civil engineer. Much of what she writes is commonplace yet her style makes each episode intrinsically interesting. There are no letters from George. Considering that George was Julia's executor in 1861 and was responsible for Charles's well being after being committed to an asylum in 1849, suggests that George may have assembled the collection. The only item in the collection written by George is a love poem written for Phoebe on their first wedding anniversary. He was the recipient of letters from his brother and sister, but also his cousin William J. Verplanck, niece Matilda Whitman, sister-in-law Virginia Hoffman, and nephew Ogden Hoffman, Jr.

There is a single letter from Ogden Hoffman (1794-1856), Josiah's son by his first marriage to Mary Colden, in which he gives friendly advice to his young half-brother Charles. Ogden appears to have been a valued friend to his half-siblings. He was considered the outstanding criminal lawyer of his generation. There are no letters from the servant, Caty, but there are several excellent discussions of her, particularly in Julia Hoffman's letter of February 18, 1837 and James Fenno's letter of December 1, 1821.

Among the few miscellaneous pieces written by non-members of the family are four letters from Rebecca Gratz, a close friend of the family whose name runs throughout the entire collection, particularly in Julia Hoffman's correspondence.

Collection

Frederick Fisher penmanship copybooks, 1861-1863

2 volumes

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

The 1861 copybook was sold by William Maxwell of Easton, Pennsylvania, and features an illustrated front cover showing three female figures, including one with dark skin, seated at a wharf, likely allegories representing industry and commerce. Fisher added pen-and-ink drawings of quills on the front cover and inside front cover.

The 1863 copybook was produced by Kiggins & Kellogg, booksellers and stationers in New York. It has printed covers bearing illustrations of children outside of a public school and a multiplication table.

Collection

Frederick Fisher penmanship copybooks, 1861-1863

2 volumes

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

The 1861 copybook was sold by William Maxwell of Easton, Pennsylvania, and features an illustrated front cover showing three female figures, including one with dark skin, seated at a wharf, likely allegories representing industry and commerce. Fisher added pen-and-ink drawings of quills on the front cover and inside front cover.

The 1863 copybook was produced by Kiggins & Kellogg, booksellers and stationers in New York. It has printed covers bearing illustrations of children outside of a public school and a multiplication table.

Collection

Friendship and Autograph Album collection, 1826-1944 (majority within 1826-1908)

45 volumes

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Collection

Gem Tintype album, [1860-1880]

1 volume

This album contains gem tintype photographs of men and women of various ages, including young adults and children. One tintype shows a dog sitting on a chair.

This album (8.5cm x 8.5cm) contains 69 tinted gem tintype photographs of men and women of various ages, plus an image of a dog sitting on a chair. Each tintype is placed four to a page, in oval windows about 2.2cm high and 1.7cm across. A few of the people pictured wore accessories such as scarves and hats, and the men, who outnumber the women, appear with facial hair in numerous styles. The album's red leather cover has a raised geometric design on the front and back and previously included a metal clasp.

Collection

Illustrated scrapbook, 1850s-1870s

1 volume

This scrapbook includes clipped articles and images, original drawings, and written entries within the pages of a 1850s blankbook of receipts. Contextual clues indicate that individual(s) added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine. Original drawings primarily center on themes of violent encounters between scouts and Native Americans, romantic entanglements, and conflict. Sometimes illustrated newspaper and magazine clippings are pasted throughout the volume, many relating to themes of marriage, love, women, family, and memory. Several pages were used to copy a portion of an undated letter, an essay, and a manuscript poem.

The individual(s) who created this scrapbook pasted items, drew scenes, and wrote entries within the pages of a 1850s blankbook of receipts, seemingly created for use by a Boston shipping or exportation company. Contextual clues indicate that persons added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine.

Penmanship exercises and short notes are written on many of the pages, either where no additional content has been added or where clippings have been pasted on top. The names James Randall Reeves and Orren Cunningham appear on some of these pages, as well as place names of Bennington and Windsor, Maine, possibly indicating one of the early owners of the volume. The handwriting appears to match the text that accompanies the original illustrations.

Original drawings made using pencil, colored pencil, and ink can be found throughout the volume, sometimes with dates added, ranging from 1863 to 1869. Remnants of clippings that had previously been affixed to the page indicate that an owner of the volume must have pasted items into the scrapbook at a later date than the drawings were originally produced. Many of the images depict scenes of conflict or relate to two fictional characters, Hezekiah and Ezekiel. The two men appear to be scouts, and the images depict their encounters with villains, Native Americans, and a love interest, Flora. Violence, unrequited love, and emotional disappointment are central themes, and the concept of a "gas of hope" that spontaneously streams from Ezekial's head appears several times when the character experiences excitement or distress.

The following is a complete list of original drawings:
  • Page 1: "Back Villains for your lives, says Peter, or you shall all die at the break of day by Cats." At the base of the page: "Indifference.". The illustration shows a man carrying a revolver in one hand while a woman holds his other arm. She extends an arm out behind her towards two men following them, one with a darker complexion and a machete raised over his head and the other pointing a musket at them.
  • Page 3: "As the Villains again leaped against the door, an arm was thrust through the broken hand, and a voice cried out." The illustration is a nighttime scene with three men with a battering ram striking at a closed door of a house, where a man points a pistol out of an opening at them.
  • Page 6: "Rescued from fire..." (the text is partially obscured by remnants of a newspaper clipping). The drawing depicts a firefighter descending a ladder from second story that is ablaze, holding a woman in his arm.
  • Page 8: "...burly scout. A Sioux Chief captured" (the text is largely obscured by affixed clippings). The drawing shows a mustachioed man in military garb, a fur hat, and a cape who is holding a knife covered in blood. He is grabbing the arm of a Native American man who has dropped his knife and who is bleeding from a wound in his arm. Two ink drawings of insects (a beetle and a dragonfly) are pasted on the page.
  • Page 10: "Perrilous adventure of Hezekiah the Scout, under cover of the darkness at the haunted schoolhouse." The image is a nighttime scene of a small building with a man climbing through a window. Another man runs behind him saying, "stop villain stop."
  • Page 12: "The fate of Hezekiahs beaver is inevitable" and "Wonderful adventure of the Scout, Hezekiah cries out with a loud voice Ezekiel come here, help me bind these knaves." The drawing is of a bare-chested man in a green hat, holding two Native American men by the throat, one in each hand. A pencil marking indicates the year 1865.
  • Page 16: "...The robber of the Rhine" (at least one additional word is partially obscured). The drawing depicts a balding man smoking a long pipe, wearing a musket on his back, and holding a bloody sword in front of him. A pencil marking indicates the year 1866.
  • Page 18: "Death of Heavy [?]" and "Desperate adventure of Hezekiah, Slatt down in Kintuck..." The image is of a shirtless man (with a green hat) facing off with a Native American man, the former wielding his musket overhead and the latter his tomahawk each to strike the other. They stand over three dead or dying Native American men.
  • Page 21: "Ezekial, & he knows who, on sunday eve, at the schoolhouse coming from meeting, by cats." The drawing depicts a man kneeling beside a seated woman who is holding a handkerchief or piece of cloth. One of his hands is on her shoulder, the other holds one of her hands. Another man lies face down in the corner.
  • Page 24: "Weep stricken one your sorrows will have an end." Text at the bottom of the page is largely obscured by clippings, but "Ezekiel" and "Flora" are both visible. The drawing shows an upset man with mussed hair and arms akimbo, holding a handkerchief. One of the clippings over the man's head is "FIRST LOVE." A pencil marking indicates the year 1866.
  • Page 26: "A streak of hope for Ezekial." The drawing shows a smiling man wearing a yellow hat that is releasing a stream of green gas, labelled "gas of hope."
  • Page 27: "weep on str[i]cken one thy sorrows shall never end." The image depicts two men standing before a small grave with headstone reading "Dead Hope." Ezekiel, wearing a yellow hat from which "gas" spews, points down to the grave, saying, "What Have You Buried There Hezekiah." Hezekiah, barefoot, wearing a green hat and ragged pants, and holding a shovel, replies, "A. Dead Hope. I. Thought. She. Loved Me. But. She Did. Not Oh. Dear. What. Shall. I. Do Boo Hoo Boo Hoo." The illustration is marked in ink: "Drawn by Ezekiel himself in 1867."
  • Page 30: "N.E. View of the royal oak of Shag Town, May 2d 1867." The drawing is a landscape featuring a large barren tree with a wooden plank/case/contraption and musket leaning against it. A sun smiles in the sky.
  • Page 32: "View of Mud Pond, & Poccihog Hill, Sketched on the eastern rock, At half past three O'Clock." A landscape drawing shows a lake and a heavily wooded hillside. A smiling sun is in the sky and a person rows a boat on the lake.
  • Page 36: Portrait of a bearded man in military uniform, with blue and gold epaulettes.
  • Page 38: "A sorrowful meeting of the two scouts, Dialogue. Ezekial - 'Oh the letter, the letter, she loves me not.' Hezekiah - "Weep not Bro Scout, I pronounce it a forgery, by cats." The image is of two men wearing hats, muskets, and powder horns. One holds a slain animal in his hand, and the other cries while holding a letter and gas spews from his hat.
  • Page 40: "Tallow plenty, or courting by candle-light, Stebbins telling Flora about his farm, out west." The drawing is an interior scene of a room with wallpaper, curtains, chairs, and a table. A man and woman embrace while holding candles, and additional candles are located on the table, chair, and floor.
  • Page 44: Text at the top of the page is partially obscured but reads in part, "Bachelor . . . the famous scout," while additional text at the bottom reads "The inocent subject of my contempt by day, and my dreams by night." The drawing is a portrait of a man in a rumpled green hat, shirt, and suspenders, likely representing Hezekiah. A printed, pasted-on caption reads "THE GHOST OF OAK GROVE."
  • Page 46: The letters "P.L.L." appear at the top of the page, and the note "Signed in the first degree, P.L.L." appears beside a highly stereotyped pencil portrait of an African American man.
  • Page 48: Portrait of a bearded man.
  • Page 50: Portrait of a man with moustache and goatee, with the text, "Art. Miller, California" written beside him.
  • Page 52: "Poor old maniac, but once powerful scout, now dwindled away with sorrow for the lost Flora." The image shows Ezekial holding a wooden cane and a large "grief bag" on his back that has a vent spewing gas. On the bag is a printed, pasted-on caption reading "THE HAND OF FATE". He is wearing ragged pants and his hat spews green gas. Hezekiah wears his green hat and proffers something to Ezekial, saying, "Poor old fellow you must be hungry. Can I do anything for you, you seem to be weary of life. I guess I take you to a place of safety at once." Ezekial: "Answers with great vigor. I'm not hungry it is grief that gnaws like hunger at my very vitals. No never. You are the man that ruined me, if I was a smart man as I [...] I would kill you."
  • Page 54: "Ezekial goes home with -- gets near home when the old scout jumps through the gateway inclosed in a sheet, See the consequences, of his rush act." The image shows a man draped in a white sheet standing in the doorway of a round stone structure. A well-dressed man and woman run apart from each other, leaving their hats on the ground. On the opposite page, several notes are written: "The identical hat worn by Hezekiah at the siege of Tattletown"; "The hat worn by Hezekiah at the destruction of Troy"; and "The sad effects of first love."
  • Page 56: A man wearing a feathered hat and cape brandishes a sword while standing with one foot on the back of a slain man who has dropped his sword. He continues to fight with a man in a robe with a cross on it. A woman sits on the ground with a hand to her head. A printed, pasted-on caption reads "WHO''S TO WIN." A pencil marking indicates the year 1869.
  • Page 58: "The burly scout, the stabbed scout, & Frankrifle, outscouted, by the bank scout at the old barn . . . gets valuable information concerning the conspiracy, by cats." The image shows four men in a hayloft, one, likely Ezekial, wears a yellow hat that is expelling gas. A printed, pasted-on caption reads "HUNTED DOWN."
  • Page 60: "In dishabille," and at the bottom of the page: "Stebbins - 'Get out of my bed, Oh get out of my bed!" The drawing is of a woman wearing a shift and draped with a blanket reclining in a bed. A man in a nightshirt is seated on floor gesticulating at her.
  • Page 62: "Who's Been here?" The drawing shows a woman looking out the window, while a man in a nightshirt, carrying the rest of his clothes, flees from the open door. A nicely dressed man with cane approaches him. A printed, pasted-on caption reads "TAUGHT BY EXPERIENCE."
  • Page 64: "My idea of domestic bliss. or High life in the Lowlands." Text at the bottom of the page reads, "Stebbins about played out. 20 years hence." The drawing shows a man holding a hatchet in one hand, while wearing ragged clothing and a green hat spewing gas. A woman hits him over the head with a broom, while many small children are strewn about the floor and pull on the adults. A pencil marking indicates the year 1864.
  • Page 66: A flying lizard/dragon with a shouting sun.
  • Page 90: A checkerboard.

Newspaper and magazine clippings are pasted throughout the volume. While content varies, many relate to themes of marriage, love, women, family, and memory. Poetry is heavily represented. A fair number of the clippings include jokes, humor, and wordplay. Several are directions for household maintenance or preventing pests, and a number of others relate to scientific topics.

In addition to articles and written text, the compiler also pasted in clipped illustrations from newspapers and magazines. Several feature Union Army officers, most of whom appear to have a connection to New York State. Landscapes of New York City and the Amazon River are also included, as well as several satirical illustrations and animals.

A number of the printed images relate to women, including Tennie C. Claflin, Victoria C. Woodhull, and Elizabeth R. Tilton. Rev. Henry Ward Beecher's image appears twice in the volume, including once where he is placed facing Elizabeth R. Tilton and a chain connecting the figures by the nose has been added in by pen (page 14). A short poem written in ink appears below it, reading:

Henry W. B., so buoyant with glee,

And Lizzie R. T., so innocent and free,

As happy as bees in the sweet apple trees

Raised a slight (?) breeze and made the whole world sneeze!

Several pages appear to have been used to copy a portion of an undated letter, which referenced a trip from Portland to Augusta, Maine, on the Maine Central Railroad, attitudes towards funerals, the teaching profession, arguments, and placebos (beginning page 57). Another passage appears to be an essay entitled, "to old Bachelors & maids" (pages 86-88) and a manuscript poem is written on the back inside cover that seems related to scouts and Native Americans.

Collection

Irene Levis Roberts album, 1844-1863

1 volume

The Irene Levis Roberts album, entitled "Flowers of Loveliness," contains poems by W. H. Green and A. H. Roberts of Smyrna, Delaware, and Edmund Brewster Green of New York, New York. A note about Roberts's baptism is also present.

The Irene Levis Roberts album, which has the title "Flowers of Loveliness" imprinted on the cover, includes 9 entries (17 total pages): 8 poems and 1 note. The poetry, mostly written by A. H. Roberts, concerns topics such as nature and the seasons, religion, travel, and death (see below for a full list of titles). The note by Thomas C. Murphy, pastor of the Methodist Episcopal church in Smyrna, Delaware, pertains to the baptism of Irene L. Roberts on performed on March 11, 1855. Colorful crayon scribbles appear over one of the poems and on several of the later pages.

The book contains a series of colored prints show women dressed and decorated as flowers, each representative of a virtue.

Poems:
  • "To My Niece," by W. L. Green, November 25, 1852 (1 page)
  • "The Flight of Time," by Edmund Brewster Green, September 7, 1844 (2 pages)
  • "To My Friends," by A. H. Roberts, undated (2 pages)
  • "On the Death of Mrs. S. M. of This Place," by A. H. Roberts, undated (2 pages)
  • "Lines Suggested on Witnessing the Burial of Mr. D. Carr, Respectfully Addressed to His Widow," by A. H. Roberts, undated (2 pages)
  • "The Home of the Christian," by A. H. Roberts, undated (2 pages)
  • "The Hindoo Mother," by A. H. Roberts, undated (3 pages)
  • "Reflections on My Past Visits to Cantwells Bridge, Addressed to E. D. Clark," by A. H. Roberts, copied by I. Roberts, May 1863 (2 pages)
Collection

James Thompson plumbing notebook, 1858

1 volume

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

The volume has a green printed cover with an image of a man and woman standing beside each other in an interior space, labelled "The Squire and his Servant." Various "Arithmetical Tables" are printed on the back cover, including a multiplication table and various conversion tables.

Collection

James Thompson plumbing notebook, 1858

1 volume

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

The volume has a green printed cover with an image of a man and woman standing beside each other in an interior space, labelled "The Squire and his Servant." Various "Arithmetical Tables" are printed on the back cover, including a multiplication table and various conversion tables.

Collection

J. F. Beyer sketchbook and scrapbook, 1837-1895

1 volume

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

Collection

J. F. Beyer sketchbook and scrapbook, 1837-1895

1 volume

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

Collection

Joel Munsell collection, 1848-1913 (majority within 1848-1866)

31 items

The Joel Munsell collection contains two distinct groups of materials. The first series comprises letters and printed material related to printer and antiquarian Joel Munsell’s 1847-1850 investigation of the 1777 murder of Jane McCrea, and the second series consists of 19 letters from Munsell to Elias Nason, primarily concerning historical publications.

The Joel Munsell collection contains 26 letters, 2 essay fragments, a pamphlet, a clipping, and several transcriptions of letters, which the library acquired in two distinct groups. The groupings have been preserved as two series, within which items are arranged chronologically.

The Jane McCrea research series documents Munsell’s 1847-1850 investigation into the 1777 murder of Jane McCrea with correspondence, writings, and printed matter. The eight letters in the series concern the conflicting accounts of the murder by Epaphras Hoyt and Charles Neilson, including Munsell’s letters to each man, soliciting more information, and their responses. In his 9-page letter, dated January 30, 1849, Hoyt purported to describe the exact location of the murder, described the sources of his information, and gave his opinion on Neilson. Neilson’s much briefer letter of January 25, 1849, contradicts Hoyt’s claim that McCrea was "called by any other name than Jane" and describes gathering the information from his parents and other locals. Additionally, the collection contains a 1913 letter by J.T. Holmes that concerns reports of the McCrea murder. Also of interest are two short drafts that Munsell wrote; they shed light on his interest in the matter and express pity for McCrea, "consigned…to the tender mercies of the scribbles in all after ages, at whose hand she has been cruelly maltreated, for more than half a century." Rounding out the series is Hoyt’s version of the McCrea murder story, printed in the Proceedings of the New-York Historical Society (June 1847), and a newspaper clipping containing an 1851 eulogy for Hoyt by Luther B. Lincoln.

The Letters to Elias Nason series contains 19 letters written by Munsell to historian and Congregational minister Elias Nason between 1862 and 1866. Seven of the letters relate to various aspects of the New-England Historical and Genealogical Register, which Munsell published. Topics related to the serial include the inclusion of Dutch-Americans in the register (January 18, 1862), the publication's coverage of Boston (March 15, 1862), and the appropriateness of its commentary on current events (August 19, 1862). The remaining letters primarily concern the publication of two works by Nason, Sir Charles Henry Frankland, Baronet: or Boston in the Colonial Times (1865) and A Memoir of Mrs. Susannah Rowson (1870). Munsell wished to print the works but lamented the poor market for biographies, noting, "I have found it advantageous to disguise such books under some other name" (September 28, 1863). He also discussed errors in Nason's manuscripts (February 21, 1865), the financial concerns of printing Frankland (June 3, 1865), and the flaws in several atlases published by rival firms (November 2, 1865). Other subjects mentioned in Munsell's letters are the poor market for antiquarian books (January 18, 1862) and his views on social history: "I desire to rescue every man's memory from oblivion who has a history, and am garnering up names with facts attached to them…" (March 19, 1862).

Collection

John Irwin Griffith photograph album, [ca. 1860s-1870s]

1 volume

The John Irwin Griffith photograph album contains tintype and carte de visite portraits of members of the family of Democratic politician and writer, John Irwin Griffith.

The John Irwin Griffith photograph album (15 x 19 cm) contains 33 cartes-de-visite, and 37 tintype photographs of members of the family of Democratic politician and writer, John Irwin Griffith. Included are portraits of infants and one photograph of a man with a long beard. One man is appears standing, wearing a Masonic sash. The photographs were taken in Ohio, Indiana, Iowa, and Nevada.

The album's brown leather cover is embossed in high relief; double clasp with one clasp missing and is housed in a light blue box.

Collection

Laura L. Earl friendship album, 1860-1932

1 volume

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. The volume includes engraved illustrations, several entries that feature artistic elements, and miscellaneous tipped in materials.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. Additional visual materials include a negative image of a leaf made by splattering ink, a watercolor painting of flowers, and a calligraphic rendering of Laura Earl's name. Places linked to writers include states such as Wisconsin, Iowa, Minnesota, Colorado, Missouri, New York, Illinois, Ohio, Kansas, Nebraska, Massachusetts, and Oklahoma. Later entries refer to Laura by her married name, Laura E. Nethers.

Laura L. Earl pasted or tipped in various materials to the volume, including printed poems, calling cards, newspaper clippings, leaves, a scrap of fabric, an advertising blotter, a printed set of four images with Biblical passages, a notice for Mrs. D. E. Denman's funeral services in 1928, and Laura (Earl) Nethers' newspaper obituary from 1932. One calling card is from Laura L. Earl, and includes a photograph of her affixed to it. One clipped newspaper or magazine image shows two white men seated at a table with an African American man serving beverages.

"Pensez A Moi" is printed on the front cover. "Laura L. Earl" is stamped on the front flyleaf, as well as a pencil inscription, "1860. A Christmas Gift from my father, Covington, Ky."

The album has six engraved illustrations:
  • Modesty and Vanity
  • Pensez A Moi
  • The Departure
  • Fatal Signal
  • The Balsille. Eng'd for this Work
  • Little Rogues in Trouble
Collection

Letters, Documents, & Other Manuscripts, Duane Norman Diedrich collection, 1595-2007 (majority within 1719-1945)

3.5 linear feet

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

For an item-level description of the collection, with information about each manuscript, please see the box and folder listing below.

Collection

Letters, Documents, & Sermons, Blandina Diedrich collection, 1652-1967 (majority within 1726-1886)

1.25 linear feet

The Blandina Diedrich Collection is a selection of manuscript items compiled by her son Duane Norman Diedrich and dedicated to her memory. The content of these letters, sermons, documents, and other materials reflect the life and interests of Blandina Diedrich (1903-1996), most prominently subjects pertinent to Christianity, home, and the family.

The Blandina Diedrich Collection is a selection of manuscript items compiled by her son Duane Norman Diedrich and dedicated to her memory. The manuscripts reflect the life and interests of Blandina Diedrich, most prominently Christianity, home, and the family. Items include sermons from prominent ministers or preachers of different Protestant denominations, documents related to church operations and discipline, letters by prominent and everyday persons respecting their faith and beliefs, correspondence of missionaries, and reflections on religion's role in all manner of human endeavor.

The collection is comprised of over 260 letters, manuscript sermons and hymns, documents, and other items. For a comprehensive inventory and details about each item in the collection, please see the box and folder listing below.

Collection

Lila Moran student notebook, 1883-1905 (majority within 1889)

1 volume

Lila Moran kept this notebook while a student in Norwich, Connecticut, in 1889. The bulk of the volume consists of compositions relating to British history and vocabulary terms and their definitions. Other content includes two drawings of women, a partial tracing of a hand, and directions for two supernatural rituals or games relating to predicting the future.

Lila Moran kept this notebook while a student in Norwich, Connecticut, in 1889. The bulk of the volume consists of compositions relating to British history and vocabulary terms and their definitions. Other content includes two drawings of women, a partial tracing of a hand, and directions for two supernatural rituals or games relating to predicting the future. They read:

"Start from bed and walk to the door reading 3rd. verse 3rd. chapter amor when you reach the door walk backwards to the bed still reading get in to bed backwards put the book under your pillow wish blow out the lamp without getting out of bed and go to sleep, you must sleep alone you will dream of your future husband"

"Put three saucers in a row put dirt in one a ring in another and watter in the other blindfold any body who wants to try it change the saucers round then lead the person up turn her round three times and stand her before the saucers which must be in a row then let her put her finger in one if she puts it in the one with watter in it she will take a voyag on the watter before a year if she puts it in the one with a ring in it she will be married before a year if she puts it in one with the dirt in it she will die before a year."

Two receipts and one bank notice for Samuel Moran of Norwich, Connecticut, dated between 1883 and 1905, are laid into the volume.

Collection

Marion Shipley diary, scrapbook, and picture book, 1898-1908 (majority within 1906-1908)

1 volume

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.

Collection

Martha Leach Packard commonplace book, 1837-1894 (majority within 1853-1862)

1 volume

The Martha Leach Packard commonplace book contains inscriptions, correspondence, autographs, and ephemera that Packard collected from the 1850s to 1890s. Inscriptions and autographs are written directly into the volume; additional items are pasted or laid in. The volume represents prominent individuals such as politicians and academics, as well as Packard's personal acquaintances.

The Martha Leach Packard commonplace book (200 pages) contains inscriptions, correspondence, autographs, and ephemera that Packard collected from the 1850s to 1890s. Packard used about half of the pages; additional items are laid into the volume.

Most inscriptions and autographs are written directly into the volume, and many are dated at Poughkeepsie, New York. Most entries are dated from the 1850s-1890s, though some letters pasted into the book are dated as early as 1837. Prominent individuals such as politicians, artists, and writers contributed autographs (see list below), and historian Benson J. Lossing provided a personal inscription (p. 39). Packard's other contributors included academics and personal acquaintances, 5 of whom mentioned participating in the Civil War (pp. 77, 145).

Laid-in letters include items by famous persons and personal correspondence to Martha Leach Packard and E. W. Packard. The volume also includes visiting cards, a menu from a dinner at the Stevens House (p. 157), a lock of hair (p. 178), and a swatch of fabric (p. 198). The album was originally published with printed illustrations, mainly portraits of women; some later pages contain cut-out colored illustrations of flowers.

Partial List of Prominent Contributors
  • Benson J. Lossing (inscription, p. 39; letter, p. 200)
  • John Jay Hyde (inscription, p. 41; calling card, front endpaper)
  • Henry P. Tappan (autograph, p. 45)
  • Thomas Nast (autograph on card, p. 61)
  • Samuel F. B. Morse (autograph, p. 97)
  • William W. Belknap (autograph, p. 99)
  • Henry Clay (autograph, p. 115)
  • Lydia Huntley Sigourney (autograph, p. 115)
  • DeWitt Clinton (autograph, p. 115)
  • Francis Napier (letter, p. 193)
  • P. T. Barnum (autograph, back endpaper)
Collection

McDonnell’s Agency collection, 1890s

11 items

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements for the agency, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

The typed personal advertisements include physical descriptions and financial situations for four women from Pennsylvania, New York, and Michigan. The printed materials include a notice from O. C. Seemiller stating he sold his interest in the Columbian Agency to Walter McDonnell and a statement by McDonnell about his experience and skills, purporting to have introduced "thousands of happy and prosperous married couples." Other items include advertisements and price lists for the "Celebrated Columbian Photographs," "elegant pictures" rather than "the miserable stamp photos used by all other agencies and matrimonial papers." They also advertise free copies of the book, Reading Character from Photographs, sent to subscribing men. "Are you corresponding with a lady you have never seen? You want to know something about her character and disposition? Exchange photos and then study her photography . . . If the lady would make a true and loving wife, this book will say so."

A blank application form for McDonnell's Private Agency is present, requiring the applicant to list their physical description, their income, property or means, use of tobacco and liquor, occupation, nationality, religion, previous marital status, and what kind of correspondents were desired.

Women seeking matches are separated into two different classes depending on net worth. Private List No. 12 contains Class A advertisements of “Ladies Without Means or Property,” while Private List No. 13 contains Class B advertisements of “Ladies With Means or Property.” Each woman provided a short description of their appearance and/or personality traits, as well as abbreviations indicating their faith, nationality, occupation, weight, etc. The agency also includes an abbreviation for whether women would be capable of the duties of a farmer’s wife, or if the woman was a widow. List 13 also includes asterisks to identify women "willing to share the life of a poor man if he proves himself worthy, industrious and temperate." The list also notes that the agency has extensive profiles available "of thousands of ladies of all ages, living everywhere. By allowing us to select, you may get introductions to ladies living nearer your own residence."

Men seeking potential matches would receive a different number of photographs and introductions depending on how much they were willing to pay and what class of women they were requesting from.

There are two envelopes in the collection, one printed return envelope to Walter McDonnell, and the other addressed to Alfred Ames of Machias, Maine, possibly one of the agency's members.

Collection

McDonnell’s Agency collection, 1890s

11 items

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements for the agency, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

The typed personal advertisements include physical descriptions and financial situations for four women from Pennsylvania, New York, and Michigan. The printed materials include a notice from O. C. Seemiller stating he sold his interest in the Columbian Agency to Walter McDonnell and a statement by McDonnell about his experience and skills, purporting to have introduced "thousands of happy and prosperous married couples." Other items include advertisements and price lists for the "Celebrated Columbian Photographs," "elegant pictures" rather than "the miserable stamp photos used by all other agencies and matrimonial papers." They also advertise free copies of the book, Reading Character from Photographs, sent to subscribing men. "Are you corresponding with a lady you have never seen? You want to know something about her character and disposition? Exchange photos and then study her photography . . . If the lady would make a true and loving wife, this book will say so."

A blank application form for McDonnell's Private Agency is present, requiring the applicant to list their physical description, their income, property or means, use of tobacco and liquor, occupation, nationality, religion, previous marital status, and what kind of correspondents were desired.

Women seeking matches are separated into two different classes depending on net worth. Private List No. 12 contains Class A advertisements of “Ladies Without Means or Property,” while Private List No. 13 contains Class B advertisements of “Ladies With Means or Property.” Each woman provided a short description of their appearance and/or personality traits, as well as abbreviations indicating their faith, nationality, occupation, weight, etc. The agency also includes an abbreviation for whether women would be capable of the duties of a farmer’s wife, or if the woman was a widow. List 13 also includes asterisks to identify women "willing to share the life of a poor man if he proves himself worthy, industrious and temperate." The list also notes that the agency has extensive profiles available "of thousands of ladies of all ages, living everywhere. By allowing us to select, you may get introductions to ladies living nearer your own residence."

Men seeking potential matches would receive a different number of photographs and introductions depending on how much they were willing to pay and what class of women they were requesting from.

There are two envelopes in the collection, one printed return envelope to Walter McDonnell, and the other addressed to Alfred Ames of Machias, Maine, possibly one of the agency's members.

Collection

Meadville (Pa.) and Scandia (Kan.) photograph album, 1889

1 volume

The Meadville (Pa.) and Scandia (Kan.) photograph album contains cabinet cards, cartes-de-visite, and other photographs of men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century. Pictures of the National Monument to the Forefathers and a grave marker are included, as is a remembrance card for Nancy Anderson.

The Meadville (Pa.) and Scandia (Kan.) photograph album (27cm x 22cm) contains 38 items, including 26 cabinet cards, 8 cartes-de-visite, 1 tintype, and 3 additional photographic prints. The volume's purple-padded covers are bound in cloth, and it has a large metal clasp. A metallic plate shaped as the word "Album" was once affixed to the front cover and is now laid into the volume.

Most of the photographs are studio portraits of individual men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century; the children pictured are infants and toddlers. Occasionally, the subjects are shown with a drum, a book, a dog, and one man posed on the sill of an artificial window. Two items laid into the volume are outdoor portraits of adults standing in front of a house, with a windmill visible to the side. A piece of tissue paper affixed to one of the cabinet cards has printed line drawings of a girl's face and flowers. The remaining items are a photograph of the National Monument to the Forefathers in Plymouth, Massachusetts; a photograph of a headstone for members of the Smock family; and a black card dedicated to the remembrance of Nancy Anderson (1818-1889), with a brief poem and other details printed in gold.

Collection

New York merchant's daybook, 1811-1813

1 volume

A currently unidentified shipping merchant operating out of New York, New York, maintained this daybook between 1811 and 1813, recording the daily financial transactions of his firm which was trading with the West Indies, along the Atlantic seaboard, and France, among other ports. Business records document details about traded goods including sugar, rum, and other wares, as well as labor costs and more.

A currently unidentified shipping merchant operating out of New York, New York, maintained this daybook between 1811 and 1813, recording the daily financial transactions of his firm which was trading with the West Indies, along the Atlantic seaboard, and France, among other ports. Main customers included Hoffman & Glass, Francis Markoe, Thomas Masters, David Finlay, Pratt & Kintzing, and William Heyling among others. Several entries relate to transactions with Elizabeth Heyliger, daughter of trader William Heyliger of the West Indies (July 31, 1811; December 31, 1811; September 1, 1812).

The firm was trading in St. Croix sugar and rum as well as shipping "sundries from New York to St. Croix." Other goods traded included sugar from Brazil and Cuba, mahogany, tea, whiskey, wine, tobacco, flour, corn meal, and other foodstuffs, molasses, coffee, cigars, and fabrics. Business expenses were also recorded, such as costs relating to laborers, ship maintenance and hire, advertising, cartage and wharfage, custom duties and port fees, storage, and insurance. One entry for December 5, 1812, notes the capture of the ship Olive Branch en route from Kiel, Germany, to Philadelphia, and dealing with insurance to cover its loss, possibly in relation to War of 1812 privateering. Another entry dated March 30, 1813, refers to proceeds from Madeira wine, sweet almonds, and ship materials "received by the Ship Swift, Howland master from Liverpool which were taken up at sea, from the wreck of the Spanish Brig General Ballesteros from Madeira."

One color printed illustration of a woman and child seated before a birdcage was clipped and pasted in the volume, and another illustration of women was pasted in and later partially removed.

Collection

Nixon family papers, 1800-1889 (majority within 1800-1851)

88 items

The Nixon family papers document the lives of several branches of the Nixon family, including settlers in southern Ohio and women attending Mount Holyoke Female Seminary and Charlestown Female Seminary.

The Nixon family papers consist of 88 items: 84 letters, 3 legal documents, and a ledger. The materials cover the period between 1800 and 1889, with the bulk clustered around 1800-1851. They primarily concern the family's settlement on land in southern Ohio in the 1810s and 1820s and the education and social lives of Warren Nixon's daughters in Massachusetts in the late 1840s.

Thomas Nixon, Jr., and his attorney, Rufus Putnam, wrote most of the correspondence of 1800-1817, which relates to taxes and land values in southeastern Ohio. Several documents concerning the land also date from this period. Beginning in 1818, letters from Warren Nixon, Otis Nixon, and Richard Nichols describe clearing and planting in Morgan Township, Ohio, as well as their everyday lives there. Warren looked down on his neighbors, calling them "a poor ignorant lazy set of beings as ever inhabited the world," and disapproved of their religious practices --"the old women & girls will pretend to preach… and jump round a while and then fall down as if they were dead" (June 22, 1818). In many letters they described their hardships; these included the neighbors stealing their horses (December 3, 1819), the low prices paid for their crops (July 13, 1822), and widespread disease (August 10, 1823). Responses from Thomas Nixon, Jr., advised patience and frugality.

By the 1830s, Warren had returned to Massachusetts, and only Otis Nixon remained in Ohio. Otis wrote the majority of letters during this period to Warren and other relatives. In a letter of May 14, 1841, he described the events in Watertown, Ohio, leading up to William Henry Harrison's election: "We have had Harrison women and Harrison boys, tippacanoe poles, log cabins and hard cider in abundance besides dinners I don't know how many & balls not a few. Many have supposed that Gen Harrison lived in a log cabin and drinked hard cider and therefore would be an uncommon friend to the poor, but such was not the fact." Otis' later correspondence also gives details of his crops, farm buildings, and events within his immediate family circle.

Between 1846 and 1851, the focus of the collection shifts to several of the daughters of Warren Nixon and Salome Rice: Selina (1825-1916), Marcella (b. 1827), and Laurella (b. 1820). The sisters exchanged a series of letters concerning family news, church matters, Charlestown Female Seminary, and Mount Holyoke Female Seminary. In her letter of January 25, 1847, Marcella, a Baptist, worries that the "far off Western wilds" are filling with "Roman Catholics… undermining the minds of the young with their false religion." On April 13, 1848, while at Mount Holyoke, she gave an account of Mary Lyon's attitude toward missionaries: "Her whole soul is bound up in the missionary work and she would have her pupils cherish it as she does." Only five items represent the period after 1851. These include several letters from Otis Nixon and his son, George, updating the family on their health and endeavors.

Collection

People Photographed While Reading Photograph Album, ca. 1870s-1900s

People photographed while reading photograph album

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the accidental death of railroad fireman Joseph Ronk in Wooster, Ohio.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the death of a railroad fireman.

The album (26.5 x 21.5 cm) has red velvet covers and a metal clasp. While the album itself and all the photographs in it date to the 19th/early 20th century, these materials were compiled by a noncontemporary individual with an interest in historic images of people reading. Also present are three newspaper clippings related to the accidental death of railroad fireman Joseph Ronk (1865-1888) following a train derailment in Wooster, Ohio, in July 1888.

Collection

Peter H. Musty papers, 1859-1865

0.25 linear feet

The Peter H. Musty papers are made up of two bound diaries, disbound diary entries, a letter book, ten loose illustrations, and two printed items belonging to Peter Henry "Hank" Musty of Greensburg, Ohio. In 1862, Musty enlisted in the 61st Ohio Infantry and served as a musician until his health-related discharge in 1864.

Peter H. Musty Bound Diaries. The earlier of the two bound diaries dates from Musty's enlistment and initial period of service in the army (January 1862- September 1862) and the later bound diary begins after Musty had been discharged and returned home (June 1864- February 1865). Throughout both diaries, Musty wrote personal names and the daily entries for July 2- September 16, 1864, in a numerical substitution code. Before enlisting, Musty made multiple visits to a gypsy camp near Greensburg, where he had his fortune told and received an invitation into a tent to sing for them (January 15-19, 1862). Shortly after his enlistment, Musty was appointed as a musician (drummer) and transferred to Field and Staff duty where his responsibilities included cooking and guarding prisoners. Musty described daily life at Camp Dennison and Camp Chase in Ohio, including mentions of petty thefts such as a soldier being placed in the guard house for stealing a pie as well as someone stealing his blanket.

Although not directly involved in combat with his unit at the second Battle of Manassas, Musty was impressed by the intensity of the heavy "cannonading and musketry," and mentioned the forced retreat with the entry: "Jackson after us. I run all night - no sleep at all - cold, cold." On July 31, 1862, he described flags flying at half-mast in their camp and "canons fireing in every direction," at the news of Martin Van Buren's death.

After being invalided out of the army in 1864, Musty's diary entries again focused on life in Greensburg, Ohio. Musty spent a large part of each day playing his violin, often for two or three different gatherings on the same day. He played at "apple cuttings," parties, school programs, and oyster dinners. He serenaded neighbors, often not returning home until well after midnight. Sometimes Musty was accompanied by friends on the "basse" and drums, and on several occasions they donned "blackface" by rubbing their faces with cork only to find that it was much easier to apply the cork than it was to remove it. Musty returned to helping his father with the coopering business and began working part time at the local post office, hoping to get well enough to return to Washington, D.C., to work for the Veteran's Relief Corp. On the local scene, the town of Greensburg worked actively to prevent the drafting of local men in 1864. Instead of individual men buying their way out of the draft by hiring replacements, a committee of Greensburg citizens went to Cleveland and hired replacements for all the Greensburg men subject to the new draft. The town then set about soliciting money from all the local families to cover this communally-incurred expense. Musty made a passing mention to visiting a photographic gallery in November 1864, where he saw "movements on negatives" and had his "picture taken with motion." The December 23, 1864, entry includes four small pencil sketches of a friend named Tom, showing his progression from civilian to soldier. Musty was fond of keeping lists, and in the back of his diaries he compiled the names of soldiers he served with, people who owed him money, letters he had received, and a six page chronological list ("Memorandum") of all the girls he had accompanied home from local events between April 1860 and February 1865.

Peter H. Musty Disbound Diaries. Pages disbound from diaries span from January 1, 1861, to August 7, 1863, with some ca. 1865 entries at the end. The early entries pre-date Musty's enlistment and describe his schooling, daily activities, and work. Musty occasionally mentioned topics like slavery (January 8, 1861; February 24, 1861), and by April 1861 he began to note military activity. Throughout the rest of 1861 Musty recorded local enlistments, drills, and military news alongside his daily work and activities, providing a glimpse of local reactions to the early war effort. Entries from January to September 1862 overlap with the bound diary for these dates, but with variant wording and occasionally more details. Musty described his enlistment on February 26, 1862, and his subsequent stay at Camp Dennison and Camp Chase, providing details about daily camp life. Musty commented on guarding Confederate prisoners at Camp Chase, some who were en route to Johnson's Island (April 26-May 27, 1862). Musty described the march through West Virginia, arriving in Strausburg, Virginia, on June 21. From June to November 1862, Musty wrote from Strausburg, Middleton, Sperrysville, Arlington Heights, Fairfax Court House, New Baltimore, and other Virginia encampments, describing marches, camp life, nearby Confederates and guerrillas, and recent military encounters. In his entry for September 10, 1862, he vividly recalled his first time in battle on August 22. From April to August 1863, the collection includes copies of letters Musty wrote while at the hospital at Brooks Station, Virginia, and convalescent camps near Alexandria, relaying news of nearby engagements and activity at the hospitals. In July 1863 he began working as a clerk at the Medical Head Quarters for the convalescent camp and subsequently the Invalid Corps Head Quarters. The entries for 1865 primarily detail his health complaints. Musty included occasional references to African Americans (May 4, 1862; May 28, 1862; July 30, 1862; June 9, 1863; June 25, 1863). Other items include lyrics to a song about alcohol, an extract from the Army Herald entitled "The Fruits of Rebellion," and several pages accounting for Ohio soldiers.

Musty's letter book contains eleven of his outgoing correspondences and eighteen incoming letters from friends (both male and female) during the Civil War. It also includes poems, songs, programs of performances at the local Greensburg school from 1859 to 1861, the constitution of the Tyrocinean Debating Society, and a list of other men from Greensburg who served in the Civil War. Among the copied letters is a formal letter of complaint against Captain Thomas Graham for being intoxicated on multiple occasions while stationed at the Invalid Corps Convalescent Camp in Virginia (November 7, 1863). A table of contents for the letter book appears between pages 101 and 104.

Ten illustrations drawn by Musty during his military service are present in this collection. He drew three of these sketches between February and April 1863, when his unit (61st Ohio Infantry) was stationed near Stafford Courthouse, Virginia. Of particular interest is a detailed drawing of General Adolph von Steinwehr's headquarters and the surrounding camp activities, with what appears to be a self-portrait of Musty sketching the scene in the foreground (March 6, 1863). The illustration is on the reverse side of a fragment of a letter in which Musty states that he and all of the soldiers he knows are not fighting for "the freedom of the collord race." Another drawing from around the same time shows a soldier carrying dispatches in front of a tent, with several wooden hitching posts in the foreground. The third illustration depicts a log cabin next to what appears to be an oven while two soldiers stand guard nearby. On the reverse side of this sketch is part of a letter to his brother Francis in which Musty mentions having received a valentine from a girl (whose name he rendered in code). The fourth sketch from this period is on the back of a letter dated May 28, 1863, and shows a long tent, possibly a field hospital, with a "No Admittance" sign over the entrance. A man is visible through the tent flap with a bucket at his side. The fifth sketch (undated) shows the fortifications at Aquia Bridge, Virginia, and the surrounding countryside. Two undated sketches depict women, one drawn in pencil with the title "Going By the Gate" and the other in black, blue, and red ink showing a woman with a striped hat. An undated pencil sketch, "The Signal Flag," shows soldiers atop a house waving the signal flag, an army encampment in the foreground, and soldiers marching in the background. A pen and ink drawing captioned "Near Cedar Mountain" shows three soldiers, one on horseback and two others cajoling a balking donkey. A dialog entitled "A Quaker on an argument" includes a pen and ink illustration of two men debating theology before a fireplace.

The last two items in this collection are printed items, a black and red print of Major General John C. Frémont torn from a letterhead and a Valentine containing an illustration of a man playing his guitar for a woman that includes the following poem:

"My song is mute, the strainWhich melodized each line,My sentiments conveyTo thee my Valentine."

Collection

Peter McGivney manuscript poetry and song lyrics album, [ca. 1870s?]

1 volume

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

Attributable poetry and song titles include, among many others:
  • "The Lady’s Yes," by Elizabeth Barrett Browning
  • "Write Me a Letter [from] Home," by Will S. Hays
  • "[Darling] Minnie Lee," by Dexter Smith
  • "Ella Ree," by Charles E. Stewart
  • "God Bless My Boy at Sea," by T. Brigham Bishop
  • "Little Robin, Tell Kitty," by Frank Howard
  • "Killarney," by E. Falconer
  • "Sunny Days," by Edwin Ransford
  • "Remember Me," by M. W. Balfe
  • "We Parted by the River Side," by Will S. Hays
  • "The Last Rose of Summer," by Thomas Moore
  • "Lottie Lee," by C. T. Lockwood
  • "Kiss the Little Ones," by W. F. Wellman, Jr.
  • "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
  • "To a Beloved Woman," translated from Sappho
  • "Driven from Home," by Will S. Hays
  • "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
  • "Our Own," by Margaret Elizabeth Sangster
  • "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
  • "A Woman's Question," by Adelaide Anne Proctor
  • "Daisy O'Lynn," by M. H. McChesney
  • "I'll Remember You Love in my Prayers," by Will S. Hayes
  • "Don't be Angry With Me, Darling," by W. L. Gardner
  • "The Good Bye at the Door," by J. E. Carpenter
  • "Love On," by Eliza Cook
  • "Sweet Genevieve," by George Cooper
  • "When the [Autumn] Leaves are Falling," by J. E. Carpenter
  • "Mother, Is the Old Home Lonely," by Arthur W. French
  • "The Golden Side," by Mary Ann Kidder
  • "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
  • "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
  • "Annie of the Vale," by G. P. Morris
  • "My Pretty Jane," by Edward Fitzball
  • "Silver Threads among the Gold," by Eben E. Rexford
  • "When I Saw Sweet Nellie Home," by John Fletcher
  • "Come Like a Beautiful Dream," by George Cooper
  • "What Will I Do Without Thee," by Elmer Ruan Coates
  • "Star of the Evening," by James M. Sayles
  • "The Good Bye at the Door," by J. E. Carpenter
  • "Memory Bells," by Henry Tucker
  • "I Love the Merry Sunshine," by J. W. Lake
  • "Every Home has Lost a Darling," by George Cooper
  • "Wilt thou say Farewell Love," by Thomas Moore
  • "A Sweet Face at the Window," by W. C. Baker
  • "Faded Flowers," by I. H. Brown
  • "The Blind Girl," by Joshua Swan
  • "What Will I Do Without Thee," by Elmer Ruan Coates
  • "Why Was I Looking Out," by Claribel
  • "God Save the Flag," by Oliver Wendell Holmes
Images with titles include:
  • "Fair Maid of Perth"
  • "Arabella Dolora"
  • "A little Puss"
  • "Rebecca at the Well"
  • "E Pluribus Unum"
  • "Excelsior"
  • "The French Iron Clad Solferino"
  • "Volcano of Turrialba (Mexico)."
  • "View of Paknam on the Memam. Farther - India"
  • "The Rose of Orleans"
  • "The Queen of Flowers"
  • "Marriot's Aerial Steam Carriage. 'Avitor.'"
  • "Love in Winter"
  • "Dressing for the Masquerade"
  • "William Penn first Settler of Pennsylvania 1675"
  • "The Tambourine Player"
  • "Love in Summer"
Collection

Pond family drawings, [ca. 1880s]

0.25 linear feet

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The bulk of the drawings were done in pencil, but several were made using pen and ink, pen and wash, and pastels. A large portion of the images depict interior domestic scenes of women and young girls reading, sewing, dining, visiting, sleeping, and at play with toys in parlors, living rooms, and bedrooms. These drawings include details like clothing, accessories, furniture, and decorations. Several show women wearing the Christian cross as jewelry, head coverings or veils, and chopines (a platformed shoe), possibly representing adherents of the Eastern Orthodox Church. Several of the drawings feature women at work doing tasks like cooking, sewing, washing dishes or floors, sweeping, gardening, tending to the ill, or bathing children. Older women are represented alongside middle-aged women, young girls, and infants. Adult men and young boys appear occasionally in the scenes.

Several illustrations appear to show women laboring as domestic servants, and at least four of these images represent dark-skinned women. One additional drawing shows a family scene with three dark-skinned women knitting or resting in a hammock.

Outdoor scenes are also represented, showing women and children walking and travelling in the streets, playing games, visiting the beach, riding horses, shopping, sleighing, or picking fruit. One drawing depicts a family standing beside a sphinx with pyramids in the background. Other locales outside of the home are also featured, including a store, a church, a theater, a photographer's studio, and possibly a school.

Miscellaneous other topics were drawn, such as angels, Grecian women, a dream, a centaur statue, a shield with an American crest, and two singing girls who appear to be impoverished.

Only two of the drawings were signed, both landscapes by Theodore H. Pond, one dated 1882 shows a building in the countryside and the other depicts a village street scene leading towards a church. Two other unsigned landscapes are also present, one labelled "St. Augustines Canterbury." Two other illustrations -- one a portrait of a young woman and the other an interior scene with four children blowing bubbles-- have the name "Edith" inscribed with ink on the verso. Several of the drawings were labelled by a child in block letters. One of the drawings was made on a sheet of paper that had previously been used to write notes on the Letters of Paul.

The drawings were enclosed in an Upsala College envelope labeled: "'Drawings of Edith & Elsie Pond when they were little girls in Syria.' (Be Sure To Save These)"

Collection

Pratt family papers, 1854-1935 (majority within 1865-1895)

3.75 linear feet

The Pratt family papers present a chronicle of middle-class women's lives between the 1850's and 1890's.

The Pratt family papers present a chronicle of middle-class women's lives between the 1850's and 1890's. The writers are uniformly literate and attentive, and the majority of the letters are of a strongly personal nature. While some letters stand on their own, the collection should be seen as one large, continuous document presenting a nineteenth century "woman's" life in many of its aspects, from cleaning and cooking to marriage, childbirth, child rearing, sewing, gardening, travel, music, reading, teaching, religion, death, and friendships. The composite portrait that emerges is stronger than the portraits of any single woman, though the personalities of several of the correspondents are very strongly expressed. As a result, the Pratt Papers is a valuable resource for the study of women's work, as teachers, employees, and home makers, as well as their emotional and personal lives.

The primary focus of the Pratt papers is Emma Louise Pratt (b. 1864 April 8) of Revere, Mass. The collection includes several hundred letters addressed to her, as well as some of her diaries, the diaries of her only brother, Willie (d. 1888), 1881, 1883, and 1886, and notes between Emma and her mother, Emeline. Most of the letters were written by Emma's intimate friends and family members, including several of her aunts and cousins, and these provide the main dialogue of the collection and construct a fascinating image of the development of one young woman's personal relationships during the post-Civil War period. There are four women with whom Emma most consistently corresponded: Claribel M. Tilton Crane, Emma Lois Proctor, Mabel H. Drew Croudis, and Lola V. Jefferds.

Claribel (or Clara) M. Tilton Crane was a school chum of Emma's who moved from Revere to Malden, Mass., in 1873, and a few years later to Quincy. Their correspondence began when the girls were still teenagers, with Claribel describing her new home, her school, friends, pets, clothes, and fancy work, and she and Emma occasionally exchanged riddles and conundrums. The two developed a private code, words that had special meaning to each other, and Claribel often included words at the top of her letters that have no obvious relationship to the text. Over the Christmas holidays, which coincided with her birthday, Claribel always described her presents for that year, a practice that continued even after she and Emma became adults. The subject matter of Claribel's letters changed as she grew and began working in a dry goods store in Quincy owned by her brother, Charlie. Her letters include descriptions of her work, sewing, clothes, and her married life with a man named Crane. Claribel's health was never very good and a great many of the later letters describe her various convalescences. In some of these, Claribel includes floor plans of her home as well as written descriptions.

Emma's cousin, Emma Lois Proctor, moved to LaCrosse, Wisc., when very young to live with her father, Alfred, and new stepmother. The collection includes a few letters from Mary Ann Proctor dating from the 1860's, which refer to Emma Proctor and other family members, and it appears that when Mary Ann Proctor's mother died, Emma returned east to live with the Pratt's until she grew up. Emma Proctor's early letters describe her trip to Wisconsin, her father's farm and family, her work there, her sewing and fancy work, and her efforts to become a teacher. Other members of the Proctor family had also gone west to live, some in Wisconsin, others in Chicago, or as far west as Montana and Washington Territory, and Emma Proctor kept in close contact with all. She eventually became a teacher, and considered moving to Kallispell, Mont., to join a brother and his wife and teach school. The letters she wrote during an 1890 trip to Kallispell include some fine descriptions of the state and of the Flathead Indians. She decided that she would return to Wisconsin, though five years later she returned to Montana.

Mabel H. (Drew) Croudis from Medford, Mass., was another of Emma Pratt's cousins, though from which side of the family she is related is not clear. Mabel and Emma began corresponding in 1881 and their letters continue throughout the entire collection. The two women were exceptionally close and wrote to each other with great regularity, almost every week, and visited each other often. Mabel usually addressed Emma as "Susan" and signed her letters "Betsy". Her letters are filled with family news, discussions of her work as a bookkeeper in her brother's store, and with inside jokes and stories that she and Emma shared. Because of their closeness and the regularity with which they wrote and visited, Mabel's letters tend not to provide a very complete picture of their relationship, though their intimacy comes through very clearly. It appears that neither Emma nor Mabel planned on getting married, even when they reached their early twenties, and Mabel often commented on their plans to grow old together and live in their own "snuggery." Mabel eventually married George Croudis, and this event appears to have put a strain on the friendship. Soon after Mabel's marriage, Mabel complained to Emma about never hearing from her anymore, and implored her to understand that their friendship need not change simply because she has gotten married.

Lola V. Jefferds was another friend of Emma Pratt's who, like Claribel, moved from Revere to Livermore Falls, Me. She and Emma corresponded regularly, though not quite as frequently as Claribel or Mabel. Lola was a spirited person who wrote interesting, usually very descriptive letters. Like Emma, she did not plan on marrying, occasionally expressing a disdain for the men she met, stating that she would prefer to remain single if these men were her only options. Lola's father owned a furniture store in Livermore Falls where Lola worked along with her parents. The family took charge of the local post office at some point, probably through political patronage, and Lola soon began to work there.

Emma Pratt spent a month's holiday with Lola in August, 1891. During this time, she wrote an average of two letters per day to her parents, representing some of the few extant letters written by Emma. These include descriptions of her vacation, the landscape, Lola and her family, and, above all, her homesickness and feelings of guilt at being away from her home and mother. Emma worried constantly that she should not be on vacation, but nevertheless appeared to have a good time. It is unfortunate that Emma's letters to her friends and cousins are not present, for these would be particularly helpful in rounding out the picture. From the letters written to Emma it is known that she was a very descriptive and lively letter writer. Her friends often comment on the pleasure, comfort and amusement they derive from Emma's letters. The collection includes one letter, or rather story, that Emma sent to her cousin Mabel (Betsy) describing a lawn-party at Lola's, that offers a good glimpse into the wit and powers of observation that made Emma such a popular correspondent.

Emma Pratt corresponded regularly with several other women, including her cousins Nettie Maria Fellows (47), Edith Dann (43), Georgie Renton (23), Anna Linn Renton (15), and her aunt, C. Augusta Renton (27). The collection also includes other correspondence of Augusta's, mostly with her sisters, Emeline Pratt and Olive M. Homans (29). The letters from Nettie and Edith are not very illuminating, consisting primarily of brief discussions of family and the weather. The letters from Augusta and her daughters, Georgie and Anna Linn, however, are interesting when placed together. The Rentons owned a boarding house in East Gloucester, Mass., in which all three women worked, and Augusta's letters include interesting discussions of her life as a mother, boarding house keeper, and friend. Augusta also described the health problems of her son, Freddie, who suffered from a diseased leg. Georgie and Anna Linn began to write to Emma when they were very, through the period in which Georgie entered Wellesley College as a student in the late 1880s. Augusta Renton died in 1890, leaving Georgie, Anna Linn, and a cousin(?) Edith Dann, grief stricken and doing their best to cope with Augusta's death.

The 29 letters from Emeline Pratt's sister, Olive M. Homans, are especially interesting. Olive was a lively writer with a good sense of humor and a strong sense of what she felt was right and wrong. Her correspondence with Emeline began in 1867 after she has moved to Hannibal, Mo., with her husband, Willie Homans. She describes her new home in Missouri, her friends, and vacations to Minnesota, Ohio and Michigan. Olive taught Sunday school to freedmen in Missouri.

Emma's diaries, written in 1883-1887 and 1889-1892, consist only of one page entries, and are not particularly introspective. However, there are a few instances in which Emma manages to express her feelings within this space. It is in here that Emma's relationship with her father and mother becomes clearer, as well as Emma's frustration at feeling that she is a financial burden to her father because, at the age of 19 and unmarried, she still lives at home and is not contributing to the family's income. This frustration influenced her feelings toward both her parents, though in very different ways. Emma grew very protective of her mother, and assumed the role of the dutiful daughter trying to ease her mother's burden. At the same time, she seemed to grow angrier and angrier with her father, though her basic love for him always remained. Emma expressed an interest in becoming a dressmaker, but complained that she never had the time to learn, as she was so busy with housework, church activities, and (apparently) letter writing. At the end of each entry in her diary, she kept track of the Bible verse she had read for the day.

In August, 1888, Emma's brother, Willie, died in a drowning accident. Her diary from this year is absent, however in 1889, almost every entry mentions Willie, Willie's death, and Emma's grief and disbelief that her brother was taken from her. The collection includes a substantial number of letters of condolence as well. At about this time, both Emma and Emeline began a correspondence with a woman, Emma Aldrich, whose daughter had recently died. The daughter and Willie were buried in the same cemetery, and the letters from Emma Aldrich deal mainly with the cemetery plots and the death of her daughter and Willie.

Parallel to the letters of the Pratt and Proctor family is a very significant series of correspondence relating to the Stebbins family. This series forms a self-contained body of approximately 75 letters dating between 1854 and 1869, which may have been collected by Emma or written by relatives, but connections to either the Pratt or Proctor families is unclear. The focus of these letters is a woman, Laura Stebbins, from Springfield, Mass., whose teaching career took her into positions in the Deep South in the 1850s, and to Washington, D.C., to teach freedmen in the 1860s, and also includes a number of letters from a man, Eugene, probably her brother. Laura appears to have suffered from poor health, experiencing a great deal of trouble with her eyes. It is also apparent that her family and friends admired her greatly. She was considered to be an unselfish friend and teacher, selfless, and always thinking of others. From their perspective, Stebbins was the "perfect" woman who represented the "angel in the house," so to speak.

The Stebbins correspondence includes some excellent descriptions of the life of a woman teacher during the late ante-bellum period, her attitudes toward teaching, her students, and the south, and there are several letters that concern the education of freedmen and the end of the war and early Reconstruction period in Virginia. Like Laura, Eugene worked with freedmen in Norfolk, Va., both for an unidentified employer and the Freedmen's Bureau, and his letters are packed with interesting description and thoughts about his work, his home, Laura's teaching and health, and the aftermath of the Civil War. The collection also includes several letters written to Laura from family members and friends, including two women teachers with whom Laura seems to have been particularly close, Martha E. Swan and "Jennie."

Among other items, the Stebbins letters include two particularly interesting letters from a woman, Marcia A. Gleaner, that describe her experiences as an employee in a wholesale cloak store on Broadway in New York City in 1862. In the first letter, Marcia expressed her disgust with New York City and with her working and living conditions. In the second, she described an accident at work in which a women fell down the stairs while she and the other 150 others were leaving for the day.

Finally, there is a sequence of letters that is difficult to trace to the Pratt, Proctor or Stebbins families. These are a group of letters from the French, West, and Richardson families in Oberlin and Pittsfield, Ohio, Potsdam, N.Y., Jaffrey and Rindge, N.H., Cornish, Me., and Fitchburg, Mass.. There are several interesting letters from Abijah French from California where he has gone to see his brother Levi. Levi has "gone mad" and was unable to recognize Abijah as his brother, though he was able to remember all of his brothers and sisters' names -- Abijah, Alvira, Augusta, and Maria -- as well as his parents', Richard and Percilia. Abijah also describes California and his trip westward. It is possible that these families are related to the Pratts and Proctors; there is a letter from Carrie L. Richardson from Cornish, Me. (1893 January 26) to Emma which makes a reference to Grandma Pratt and to Emma's mother's health. An expense account book and miscellaneous receipts and notes belonging to Oscar W. Grover may represent items relating to Emma Pratt's would-be, or actual, husband.

Collection

Providence (R.I.) Pen-and-Ink caricatures, [19th century]

1 volume

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide social commentary especially on race, ethnicity, gender, and class.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide especially social commentary on race, ethnicity, gender, and class.

At least seven of the illustrations relate to women, including drawings referring to women's rights and various women's roles as mothers, performers, physicians, and cooks. One, labelled "What is home without a mother," may be a reference to a song by the same name published in 1854, and it features a woman with a monstrous face. Another titled "HANNAH LONG" depicts a woman peddling "Quaker Bitters" (probably the Providence, Rhode Island, patent medicine by that name) and may be referring to Hannah Longshore (1819-1901), who graduated from the first class of the Women's Medical College of Pennsylvania in 1851.

Many of the caricatures focus on impoverished or working class people, showing individuals in tattered clothing or in lower-paying professions such as a farmer, a shoeshine, and a seeming gravedigger. A number of illustrations depict men in various stages of intoxication or alcoholism. Forms of social disorder are highlighted in caricatures of a convict and of a knife-wielding murderer labelled "THE MAN THAT KILLED JOHN GILPIN." Commentary on physical and mental disability are also represented, in drawings of a mentally ill man labelled "Luny" and a man with unaligned eyes and feet labelled "On exhibition."

Other caricatures reflect racial, ethnic, and religious stereotypes. Two racist caricatures depict African Americans, including one of a Black Congressman and one of an Uncle Remus character. Another caricature depicts a recent immigrant, while two are anti-Semitic (those labeled "The Torturer" and "NAME IT"). Two figures depict high religious figures, from Catholic or Orthodox Christian churches; one wears a robe, a fur-brimmed mitre, and snowshoes. The word "KAMSCHASA" is written near the bottom of the robe, likely referring to the Kamchatka peninsula in Russia.

Other caricatures highlight people based on their height, weight, profession (such as a king, a knight, an editor, a lecturer), or social posturing. For example, attitudes like dignity, contentment, nosiness, and bashfulness are spotlighted. Others appear more innocuous, such as illustrations of someone reading the morning newspaper and another of someone taking "Rush's Pills," but underlying subtexts for many of the images likely have additional meaning.

Collection

Rd. Kraker, Little Girl's Own Book manuscript, 1864

1 volume

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south." The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south."

The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician. One of the songs referenced is Charles Carroll Sawyer and Henry Tucker's "When Will This Cruel War Be Over?"

Fourteen illustrations correspond to the story:
  • A moving train, "ye adventurus maid going to the Sunny South."
  • A battle scene, with firing cannon, and a freestanding chimney beside two men (one laying on the ground, the other standing), "Findeth ye home desolate."
  • Boxes and barrels of goods, "Tobacco &c Tar & Turpentine" and "Pine Trees" beside a jug marked "apple jack."
  • Barrels, with a pitcher and glass atop one of them marked "Buorbon" [i.e. Bourbon], "ye Stapels continued."
  • A woman in a rocking chair weeping into a handkerchief while a man in a soldier's uniform walks away.
  • A piano.
  • Four people walking; the two in front are a man and a woman.
  • A woman standing, holding what appears to be a fan.
  • A farmhouse beside a fence, animals, a birdhouse, and a tree with gourds hanging from its branches (as homes for Martins).
  • A woman seated, knitting.
  • A woman playing the piano; another woman stands beside her with a hand on her shoulder. They are singing, "When this Cruel war is over-!"
  • Vision of injured soldiers, one leg amputee standing with crutches.
  • A woman seated and writing a letter.
  • A physician seated at a tent opening, reading a letter.

The text includes a parody of physician's explanation and prescription to the disconsolate young woman. The instructions read:

"The exostotic exudation overcoming the endosmotic implication in the peri and endocardium, pluviates the sanguinious, and decalorificates the systemic platitudes. The circumambient exoteric disintegrates the envelope and allows the exoteric functions to retrospect the perihelion of animal deficiancies. The pia mater interconvoluted with the [?] covering and becomes simultaneously congested by contact with the [?] substance. Hence retrovision becomes duplicated and prevision imparalelized. The remedy is equally perspicuous and followed earnestly will inevitably effect a cure..."

The volume includes several lines and paragraphs written in German Kurrantschrift. The most robust is the final page, headed by the text "The Soldier's Lament" and "Der Betrübte-lammantiert Soldadt," followed by a poetic description of snow-capped mountains and remarks on girls' behavior, i.e. "Wie schön wäre es [wenn?] die kleine Mädchen immer die Wahrheit sprächen" (How nice would it be [if?] little girls always spoke the truth), etc.

Collection

Rochester Ladies' Anti-Slavery Society papers, 1848-1868

100 items

Online
The Rochester Ladies' Anti-Slavery Society papers consist of documents generated by the society as well as correspondence to and from various members of the society about slavery, the conditions of freemen, and other progressive issues.

The Rochester Ladies' Anti-Slavery Society papers contain only a small portion of what must at one time have been a much larger collection. As a society devoted to the immediate abolition of slavery, the antislavery movement forms the context of most of the correspondence in the collection, but the members of the society were individually and collectively involved in the education of freedmen and in other movements, including women's rights. As a result, the collection offers a broad perspective on the mentality and activity of a small group of progressive northern women involved in the reform of what they saw as the worst inequities in American society.

The Society maintained contact with several national-level leaders of the antislavery movements, and provided important financial support to Frederick Douglass, in particular. The nine letters from Douglass in the collection all relate to the assistance provided for publication of his newspaper or are requests from him for direct aid to fugitive slaves en route to Canada. A particularly affecting letter is one that he wrote from England in 1860, while on an antislavery tour. Harriet Tubman, Beriah Green, Lewis Tappan, George B. Cheever, and Gerrit Smith also appear in the collection, either as correspondents or subjects of letters. Among the more interesting of these letters is one from John Stewart, probably a free black man, addressed to Harriet Tubman; a letter from Moses Anderson, also African-American, writing about the importance of Uncle Tom's Cabin in shaping his political consciousness; Jacob Gibb's letter of introduction for a fugitive slave; and William Watkins' report on the number of fugitive slaves that have passed through Rochester into Canada in the year 1857.

British support for the Society was crucial in keeping it viable in the late 1850s, and is documented through the letters of Julia Griffiths Crofts (Leeds, England); Sarah Plummer (Dalkeith, Scotland), and Maria Webb (Dublin, Ireland). The fund-raising efforts of the society can be tracked partly through the list of goods donated for a Festival (1:77), a small collection of ephemera relating to British antislavery societies (1:82), and a list of donations from those British societies (1:28). The most significant item for tracking finances, however, is the account book for the Society (2:20), which covers its entire history. The secretaries of the Society recorded the complete finances of the organization, and provided lists of speakers at their annual events, and carefully delineated money remitted to individual fugitive slaves. Included at the end of the collection are a set of photocopies of the manuscripts (2:21) and supplemental information about the Society and its members, provided by the University of Rochester (2:22).

Freedmen's education was a major concern of the Rochester Ladies' Anti-Slavery Society, and is discussed extensively by several correspondents. The single most frequent correspondent in the collection is Julia A. Wilbur, writing while working with freedmen in Alexandria, Va., 1862-1865. Wilbur writes long and vivid letters describing the miserable living conditions found among the freedmen, their want of clothing and shelter, and she describes several individual cases. Wilbur also met and became familiar with the renowned ex-slave and author, Harriet Jacobs. The situation that Wilbur describes in Virginia verges on the chaotic, with corruption at the highest levels, dissension among those in charge of contraband matters, and many in the military reluctant or unwilling to take any responsibility. She was a perceptive observer of the progress of the war, Southern citizenry, and of the destruction that the war had inflicted upon Virginia. Her official reports to the Society, which are more general and less pointed than her private correspondence, were published in the Society's published annual reports (2:1-13).

In addition to Wilbur's letters, there are six other items pertaining to freedmen's education. Three letters from G. W. Gardiner and one document signed by Lewis Overton, 1862-63, relate to the work of the Colored School, founded for freedmen at Leavenworth, Kansas, and both letters from Daniel Breed, 1863-64, include discussions of the Rochester School for Freedmen in Washington, D.C., named for the Society whose money founded it.

The printed items in the collection include fourteen of the seventeen known annual reports of the Society, a report from the Toronto Ladies' Association for the Relief of Destitute Colored fugitives (2:14), and circulars from two British societies (2:15-16). Three issues of Frederick Douglass' Paper (October 2, 1851, February 19 1858, and July 1, 1859) and one issue of The North Star (April 14, 1848) are included in Oversize Manuscripts. An issue of the Christian Inquirer (New York, July 24, 1858), having no direct relation to the Rochester Society, was transferred to the Newspapers Division. Finally, in two letters written in 1859 and 1861, Rebecca Bailey discusses her father William Bailey's newspaper, The Free South.

Collection

Shimer family penmanship and cypher books, 1846-1853

8 items

The collection consists of six penmanship and cypher books kept by William L. Shimer, Susanna M. Shimer, and Nathan M. Shimer of Bethlehem, Pennsylvania, in the 1840s and 1850s and one alphabet card with lower-case and upper-case letters. The blank books include illustrated covers and several have calligraphic titles for their sections. Four of them are dated and range from 1846 to 1853. The cypher books include exercises for arithmetic, fractions, accounting, and weights and measures, with many examples relating to practical issues like farming, business, and estates. Penmanship exercises include the copying of moral proverbs, common business abbreviations, strings of letters, and phrases. Two of the penmanship books are associated with writing systems: George J. Becker's The American System of Penmanship, and Bayson, Dunton and Scribner's National System of Penmanship.

The collection consists of seven penmanship and cypher books kept by William L. Shimer, Susanna M. Shimer, and Nathan M. Shimer of Bethlehem, Pennsylvania, in the 1840s and 1850s and one alphabet card with lower-case and upper-case letters. The blank books include illustrated covers and several have calligraphic titles for their sections. Five of them are dated and range from 1846 to 1853. The cypher books include exercises for arithmetic, fractions, practical geometry, accounting, and weights and measures, with many examples relating to practical issues like farming, business, and estates. Penmanship exercises include the copying of moral proverbs, common business abbreviations, strings of letters, and phrases. Two of the penmanship books are associated with writing systems: George J. Becker's The American System of Penmanship, and Bayson, Dunton and Scribner's National System of Penmanship.

Copy books include those printed or sold by:
  • Uriah Hunt & Son, Booksellers, Philadelphia
  • Leary's Cheap Book Store, Philadelphia
  • Brower, Hayes & Co., Booksellers and Stationers, Philadelphia
  • Henry J. Oerter's Cheap Book & Stationery Store, Bethlehem
  • Crosby & Ainsworth, Publishers, Boston

The cover of William L. Shimer's 1848 exercise book includes an inscription "L. Shimer, Co. A 10 reg. Militia Pa." William L. Shimer's 1850-1852 cypher book includes notations that he was attending the Gen. Taylor school and was being instructed by A. Stout, as well as geometrical drawings, calligraphic headings, and a pen-and-ink drawing of an eagle's head holding a banner that reads, "Let teh Stars and Stripes proudly float over you."

Collection

Uriah Lee family collection, 1850-1912

39 items

The Uriah Lee family collection (39 items) contains 32 letters, 3 diaries, and 4 additional items related to Lyman Uriah Lee of Foxcroft, Maine. Uriah Lee wrote 27 letters to his family while serving in the Union Army during the Civil War, his brother Leonard wrote 3 letters while serving with the Union Army at Fort Sumter, and family members exchanged 2 additional letters. Also included are 3 diaries that Elizabeth M. Lee kept between 1851 and 1878, a poem, Uriah Lee's discharge papers, and a photograph.

The Uriah Lee family collection (39 items) contains 32 letters, 3 diaries, and 4 additional items (1850-1912) related to Lyman Uriah Lee of Foxcroft, Maine. Uriah Lee wrote 27 letters to his family while serving in the Union Army during the Civil War, his brother Leonard wrote 3 letters while serving with the Union Army at Fort Sumter, and family members exchanged 2 additional letters. Also included are 3 diaries that Elizabeth M. Lee kept between 1851 and 1878, a poem, and Uriah Lee's discharge papers.

The Correspondence series (32 items) contains 27 letters that Uriah Lee wrote to his family while serving in North Carolina, Virginia, and Washington, D. C. Lee provided details about his daily life as a soldier, and discussed soldiers' attitudes toward officers, food, and clothing; encounters with former slaves; the weather; and political issues. He also mentioned specific battles, and his letter of May 18, 1863, includes a hand-drawn map of his company's route from New Berne, North Carolina, to Washington, D. C. Leonard Lee wrote 3 letters during his Civil War military service, and discussed similar topics. In his postwar letters, Uriah Lee offered advice to his younger siblings and discussed family affairs. Anne Lee wrote a letter to Lyman Lee in which she recounted the events surrounding the death of a man named Edward, and Chauncey received an unsigned letter about his wife Eva's visit to the writer.

Elizabeth Lee kept 3 Diaries between July 1851 and November 1878, concerning her thoughts and activities as a wife and mother. Among other topics, she discussed housework, the weather, her family, social engagements, and religion. Most of her entries are brief lines about the weather and the housework she was able to finish, with details of church meetings provided every few days.

The Documents, Poetry, and Miscellaneous series is comprised of 5 items. Fanny Hosier wrote Uriah Lee a poem that reflected positively on Southern rights and secession. Uriah Lee's military discharge papers from 1863 and 1865 are also included. A piece of ephemera illustrates 4 badges of the Grand Army of the Republic.

Collection

Wadsworth family papers, 1833-1853

15 items

The letters in this collection are from Alice Colden Wadsworth to her son and his family, who were early settlers to Michigan.

Most of the letters in this collection are from Alice Colden Wadsworth to John and Maria, and although it is far from a complete run of correspondence, these letters give a fair picture of both the anxious mother and the young frontier family. Alice kept hoping her sons would return to the east, fantasizing that once William became an attorney, he would "go into partnership with some friend in the city, and come and live with us." When she heard that John had sold his farm, she "almost wished that you would purchase a situation in Durham, that we might enjoy the happiness of living near each other. . . . Then I could often see my own little Alice Colden and teach her to love me." Years later she admitted that her sons had succeeded better than the young men who stayed in New York, but still lamented, "oh, my dear son, you fixed your habitation too far away!"

Although her son William wrote frequently, and gave Alice news of his brothers' family, months would go by before she would hear from John and Maria directly. The young people were probably too busy establishing themselves in the new settlement to write home very often, and even if they succeeded in scratching out a letter, the mail service was undoubtedly undependable. In addition to farming and raising a family, John and Maria were actively involved in the growing community in Monroe. By 1838, John was holding "many respectable offices" as a Whig, and in 1843, his mother congratulated him for "pleading the cause of Temperance, and forming Societies," and was delighted that in "every work of piety and benevolence, your dear Maria participates and enjoys." In a letter to Maria, John gave a lengthy description of how almost the entire Whig ticket, including himself, lost in the local elections of 1840: "I say never mind, because this child is not yet dead & they cannot kill me yet, I am resolved to be something or nothing -- & next year I will try them again, perhaps as Senator to the State Legislature." Although he was never a Senator, he did get elected Supervisor of Raisinville in 1843. Still an ardent Whig, he wrote despairingly to his father-in-law about the 1844 national election; "Henry Clay defeated by one James K. Polk -- let the nation weep."

The modest financial, political, and social success enjoyed by the Wadsworths was severely overshadowed by the deaths of two of their children. Their second child, Joseph, probably died in 1840. In a letter to Maria, who was back in Durham visiting her family, John lamented their loss, comforting himself and his wife with the words, "Our Joseph is, or may, be seen running about, & pratling the praises of the lamb -- Our dear children are not our own, they are bought with a price, and that price is the blood of the Lamb & the purchaser God, they are committed to us for safe keeping, let us discharge our trust, as becomes those who are to give an account." Two years later their daughter Alice died while Maria was confined after the birth of another child. The New York relatives send a letter full of heartfelt sympathy and assurances. Susan, for instance, wrote, "Grievous as is this trial may it be blessed to each one of us, and our beloved Alice be made the means in God's hands of drawing each one of us nearer to himself." The last letter in the collection is to Maria from her son John, busy studying for college, intimating that at least one child made it through the precarious years to young adulthood.

Collection

William and Isaac Seymour collection, 1825-1869

27 items

The Seymour papers contain materials relating primarily to the Civil War service of Col. Isaac G. Seymour (6th Louisiana Infantry) and his son, William J., both residents of New Orleans.

The Seymour papers contain materials relating primarily to the Civil War service of Col. Isaac G. Seymour (6th Louisiana Infantry) and his son, William J., both residents of New Orleans. The most important items in the collection are the two journals kept by William Seymour describing his experiences in the defense of New Orleans, 1862, and as Assistant Adjutant General in the 1st Louisiana Brigade, Army of Northern Virginia. The first of these "journals" was begun by Col. Isaac Seymour as a manuscript drill manual for his regiment (55 pp.), but it appears to have been taken up by William following Isaac's death. This volume is arranged in four sections and includes a record of William Seymour's experiences from March, 1862 through May, 1864. The second volume is organized in a similar manner, but covers the period from April, 1863 through October, 1864, terminating in the middle of a description of the Battle of Cedar Creek. Both of William's "journals" are post-war memoirs drawn extensively from original diaries and notes, with some polishing and embellishment.

William Seymour's "journals" contain outstanding descriptions of life in the Confederate Army and are one of the premier sources for the Confederate side of the Battle of Forts Jackson and St. Philip. His journals also contain very important accounts for Chancellorsville, 2nd Winchester, Gettysburg (Cemetery Hill), Mine Run, the Wilderness and Spotsylvania (the Bloody Angle), but almost as important are the descriptions of camp life, and the morale and emotions of the troops. Seymour is an observant, critical, and knowledgeable writer who was placed in a position where he had access to information on fairly high level command decisions. Yet while his journal is focused on the military aspects of the war, he includes a number of brief personal sketches of officers and soldiers, and vignettes of life in the army, ranging from accounts of Union soldiers bolstered in their courage by whiskey, to the courage of an officer's wife stopping a deserter and the Knights of the Golden Circle surfacing in Pennsylvania during the Confederate invasion.

The remainder of the collection includes three Civil War-date letters relating to Isaac Seymour, one written from Camp Bienville near Manassas, Va. (1861 September 2), one from the Shenandoah River (1862 May 2), and the third a letter relaying news of Seymour's death at Gaines Mills. The letter of May 1862 is a powerful, despairing one, and includes Isaac Seymour's thoughts on the Confederate loss of New Orleans and severe criticism for Jefferson Davis, a "man of small caliber, with mind perhaps enough, but without those qualities which go to make up the great and good man." At this moment, Seymour reported that he was disappointed in the quality of his officers, and regretted that he had not resigned his commission upon his son's enlistment, and further, he felt that the Confederacy was being held together only tenuously, due solely to the "the righteousness of our cause, and the innate, deep rooted mendicable hatred to the Yankee race." The remainder of the correspondence consists primarily of documents, but includes an interesting Seminole War letter of Isaac to Eulalia Whitlock and a letter from "Sister Régis" to Isaac, as editor of the New Orleans Bulletin, begging the aid of the press on behalf of the Female Orphan Asylum.