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This collection contains 6 letters written by Irving L. Blinn to his parents, Mr. and Mrs. Lewis W. Blinn of Los Angeles, California, during a trip around the world in 1892. Blinn and an unnamed companion traveled primarily by steamship and railroad, and made their way from Kobe, Japan, to Paris, France, between May 9 and September 14, stopping at Bombay, Cairo, and Athens.

This collection contains 6 letters written by Irving L. Blinn to his parents, Mr. and Mrs. Lewis W. Blinn of Los Angeles, California, during a trip around the world in 1892. In his first letter, written on May 9, 1892, Irving reported that he had just left Kobe, Japan, for Hong Kong on the steamer Ancona. He commented on the nationalities of the ship's passengers, who were mostly British, and noted that the ship was loaded for cargo intended for the World's Columbian Exposition in Chicago. In further letters written in India and on the Red Sea, he continued to report on his progress, and detailed his anticipated westward route, which included a stop at Cairo. He often described the geography of his surroundings as well as his fellow passengers on the Hassiha; among the passengers was a British soldier headed home after being stationed in India. Blinn maintained an interest in the presidential election cycle, and noted the nomination of Grover Cleveland, who ran for president against the incumbent Benjamin Harrison. In his final two letters, written in Athens, Greece (August 10, 1892), and Paris, France (September 14, 1892), he described his sightseeing activities and wrote about the experience of traveling.

This collection of six Japanese manuscripts from the 19th century provides insight into important cultural encounters between Japan and the West. The manuscripts include an illustrated book of costumes of the world, an account of the famous John Manjiro's travels to America, instructions for receiving the first American envoy to Japan, and a diary kept by a member of the first Japanese embassy to the United States.

This collection contains five Japanese manuscripts and one watercolor illustration documenting important encounters between Japanese and Western cultures in the 19th century.

The first manuscript, Bankoku ichiyō, is a popular publication from the late Edo period (1600-1868) that depicts people from around the world in native costumes. Of the 67 pages of watercolor illustrations, over half bear a strong resemblance to the figures accompanying the Shōhō Map or one of its subsequent copies. The poses and broad outlines of the costumes are recognizably the same, although details of dress and features have been altered. The popularity of such publications during the Tokugawa seclusion period reflects the Japanese populace's curiosity about foreign cultures at that time. The brightly colored illustrations show figures with the clothing and weapons of their cultures, including Asian, European, American, and African peoples. Also included are the mythical giants of South America and pygmies of Northern Europe.

Hyokyaku danki, the second manuscript of the collection, contains an account of Manjiro and his companions, who were shipwrecked in 1841. Their testimony upon returning to Japan in 1851 was widely copied and circulated because of great public interest. Especially after Commodore Perry's arrival in 1853 and the signing of the first treaty with the United States, people were eager to learn more about America, and Manjiro's account greatly shaped their perceptions. This handwritten manuscript appears to be an abridged version of the official account, reproduced for popular consumption. It is complete with watercolor illustrations including a map of Manjiro's travels, a train, a steam boat, a sailing ship, furniture, and American clothing. Another section provides a basic dictionary, with kanji accompanied by approximate English pronunciations rendered in katakana. On one page, the English alphabet and numerals are reproduced in stylized cursive, probably based upon Manjiro's handwriting.

The third manuscript is not yet cataloged. Research is being conducted to provide description for this item.

The collection's large watercolor illustration may be by Bunsen Takagawa and bears the transliterated title [Amerika Senchū Shokan Utamai No Zu]. The artwork depicts the largely blackface Ethiopian Minstrels on stage, dancing before stagelights. These minstrels traveled to Japan and performed aboard Matthew Perry's flagship, the U.S. Ship Powhatan, in 1854. Research is being conducted to provide improved description for this item.

The fourth manuscript, Amerika kokusho jisan no ken no ofuredome, was written by Matsumae-Ke, a Japanese nobleman, and provides a series of instructions regarding the first reception of the American ambassador Townsend Harris by the shogun. This historic meeting was an important encounter between Japan and a representative of the United States, without precedent in Japanese history. To ensure that all would go smoothly and that protocol would be observed, these instructions were sent out to various officials to prepare the way. For example, superintendent officers were directed to clean the roads and keep spectators orderly as the mission traveled to Edo. A detailed program for the ceremony itself includes the seating order and exact series of events that were to occur. This manuscript is accompanied by a partial English translation. From the resemblance of this translation to another publication, it appears that these or similar documents were also translated in 1879 and published in the Congressional Serial Set as "Visit of the American Ambassador to the Castle of Yedo in the 10th month of the 4th year of Ansei (1857)," U.S. Congress, Foreign Relations, 1878 (46-2, H. Exdoc. 1/2; Serial Set 1902), pp. 20-636.

Kōbei Nichiroku, the fifth manuscript, is a seven-volume diary kept by a member of the first Japanese mission to the United States. Approximately 40 such travelogues were written by members of the embassy. This appears to be a copy of a diary kept by Tamamushi Sadayū Yasushige, the chief ambassador’s manservant. Volumes 1 and 2 describe the voyage from Japan, including Hawaii and California. Volumes 3, 4, and 5 describe the trip from San Francisco and events in Washington and New York. Volumes 6 and 7 describe the return voyage. Tamamushi, a gifted scholar born to a low-ranking samurai family, was known for the honesty and insight revealed in his diary. During the course of his journey to America, he kept an open mind to new experiences and underwent a reexamination of his beliefs as he encountered foreign ideas. Upon his return to Japan, his diary was widely copied and distributed.

This collection consists of condolence letters, newspaper scrapbooks, a letter book, a published memorial volume, and a photograph album related to John M. Francis of Troy, New York, and to his son Charles. The letters, which are addressed to Charles Francis, express sympathy following his father's death in June 1897; the memorial volume contains biographical sketches and published tributes to John M. Francis; and the newspaper scrapbooks chronicle John M. Francis's travels around Europe and the world between 1869 and 1876.

This collection (1 linear foot) consists of condolence letters, newspaper scrapbooks, a letter book, and a published memorial volume related to John M. Francis of Troy, New York, and to his son Charles.

The Condolence Letters series contains 211 items addressed to Charles S. Francis between June 5, 1897, and January 18, 1898. One letter from Hallie M. Brown concerns her regret about missing an opportunity to visit, and the remaining correspondence is made up of letters expressing the authors' condolences after the death of John M. Francis on June 18, 1897. Writers included Charles Francis's friends and family members and John Francis's personal and professional acquaintances. Many writers reminisced about their relationships with John M. Francis and shared stories about their experiences at the Troy Daily Times.

The Letter Book, Scrapbooks, and Published Memorial series (6 volumes) pertains to John M. Francis's travels around the United States, Europe, and Asia in the 1870s and to Charles S. Francis's career and business affairs. Four scrapbooks contain newspaper clippings of letters that John M. Francis sent to the Troy Daily Times while traveling abroad. Each contains lengthy descriptions of local people, customs, politics, architecture, geography, and history, and some also have accounts of transoceanic and transcontinental travel.

• Western Europe, June 12, 1869-October 15, 1869, including England, Wales, Ireland, Scotland, the Netherlands, Belgium, Germany, Switzerland, and France (21 letters; 38 pages)
• Western and Southern Europe, July 18, 1871-December 28, 1871 (published August 2, 1871-January 3, 1872), including England, Wales, France, Belgium, Germany, Austria-Hungary (now the Czech Republic and Austria), Italy, and Greece (20 letters; 28 pages)
• Around the world, July 5, 1875-June 6, 1876, including the western United States, Japan, China, Ceylon (now Sri Lanka), India, Egypt, Greece, Italy, and France (2 volumes containing duplicate clippings, 115 pages and 71 pages)

The letter book (282 pages), which belonged to Charles S. Francis, has retained copies of his outgoing correspondence from October 25, 1897-July 29, 1901. The letters pertain to personal and business affairs, such as Francis's editorial work for the Troy Daily Times and land he owned in Mississippi. Several newspaper clippings relate to Francis's appointment as envoy extraordinary and minister plenipotentiary to Greece, Romania, and "Servia."

The published memorial (125 pages), entitled In Memoriam: John M. Francis, March 6, 1823-June 18, 1897, contains an engraved portrait, a brief biographical sketch, reminiscences, essays, poetry, and reprinted newspaper obituaries commemorating the life and death of John M. Francis.

The Photograph Album (ca. 1905?) contains 14 images of a new automobile, family members, and pets (possibly in New York state); and 144 vacation photographs showing landscapes, buildings, and persons in Europe. The photos are not labeled or identified, but appear to show Switzerland or Austrian lake districts, as well as urban environments. The photographer captured many of these images with a panoramic camera.