Collections

This collection is made up of correspondence, diaries, writings, documents, and other items related to the Clarke family of Gilmanton and Manchester, New Hampshire. The materials concern the Civil War, life in 19th-century New Hampshire, education, and other subjects.

This collection contains correspondence, diaries, writings, documents, and other items related to the Clarke family of Gilmanton and Manchester, New Hampshire.

The Correspondence series (approximately 920 items) comprises the bulk of the collection. Most of the correspondence written between the 1850s and the early 1870s is made up of letters between and addressed to William Cogswell Clarke, Anna Maria Greely Clarke, and their three eldest children: Stephen Greely Clarke and his wife, Lydia Mason Wight Clarke; Anna Norton Clarke and her husband, Robert M. Appleton; and Julia Cogswell Clarke. A few letters by Mary Ann Wight are also present. Letter enclosures include a lock of hair, plants, cartes-de-visite, and newspaper clippings.

The Clarke family's personal correspondence focuses primarily on life in and news of Gilmanton and Manchester, New Hampshire throughout the 19th century. Writers discussed religious beliefs and activities; romantic relationships, courtship, and marriage; births and deaths; social activities; teaching and education; politics; and other subjects. During the Civil War, some writers shared news of battles, regiments, casualties, and the general progress of the war.

After 1871, many items are incoming and outgoing letters between and addressed to Julia C. Clarke, her sister Anna, and their mother. Some of Julia's letters pertain to her life in Framingham, Massachusetts, while Anna Clarke Appleton and Anna Greely Clarke provided news from Lake Village, New Hampshire, and Manchester, New Hampshire. During the 1880s, Julia wrote a series of letters to William H. Ladd, discussing newspaper advertising (particularly with regard to schools); her experiences in Lake Village, Kents Hill (Maine), and Boston, where she worked for the Chauncy Hall School; and advice for Ladd's upcoming visit to Europe. Groups of enclosed newspaper clippings contain advertisements for educational institutions. Other late personal letters to members of the Clarke family concern travel in Asia, estate administration, and finances.

Additional correspondence from the 1870s to the 1910s includes a large number of business letters, including many related to Stephen G. Clarke's legal career. Other groups of correspondence include letters to Edward Reilly of San Francisco, California, about mining concerns in Arizona and New Mexico; to Lafayette H. De Friese of New York City about the timber industry and shipments of logs; and to a man named "Bagley" of New York City. Other personal correspondence includes love letters from "Dolph" to "Sadie" and letters related to O. F. Bryant, who taught at or attended Chauncy Hall School. New York City lawyer Ernest G. Stevens received several business letters in the early 1910s.

The Diaries and Journals series consists of 5 items. Anna Maria Greely (later Clarke) kept 2 diaries from October 12, 1828-June 19, 1829, and June 26, [1872]-September 21, 1872. Her entries, which were written mostly on loose scraps of paper, concern daily life, social calls, and activities with family members and acquaintances. The later diary contains frequent mentions of Clarke's children. The remaining items concern an unidentified author's Bible readings and Christian beliefs (September 12, 1858-April 24, 1859); "Mrs. Robinson's" desire to write a journal for the benefit of her 7-year-old daughter Kitty, who required instruction in housekeeping (July 1, 1868); and Emma F. Moore's "Two Days on the Concord River," describing her travels with a companion (undated).

The Writings series is comprised of essays (15 items), published articles (2 items), letters to the editor (6 items), drafts (2 items), rejected submissions (9 items), "A Reading of the Will: A Farce" (1 item), "Seminal Weakness" (1 item), poems (30 items), and a speech. The essays, by Stephen G. Clarke, Lydia M. Wight, and Anna Greely Clarke, concern topics such as politics and history, morality and religion, English and Latin grammar, teaching and education, and horse breeding. The rejected submissions are primarily poetry, including one about African Americans. "The Reading of the Will" is a farce and "Seminal Weakness" is a lengthy essay on the male reproductive system. Many of the poems concern religion and nature. The 54-page speech is a presidential address delivered by Dr. Nahum Wight before the New Hampshire Medical Society. He discussed the society's history and goals, medical history and education, and his own medical career.

The School Papers series contains Latin Exercises (5 items), Academic Notes (19 items), Debates (2 items), and items related to the Chauncey Hall School (21 items). The academic notes and debates largely pertain to Stephen G. Clarke's studies, including items regarding animal classification and birds. One lengthy debate considered whether men were influenced more by women or money. The Chauncy Hall School subseries consists of newspaper advertisements, several copies of a printed advertisement, and correspondence from recipients of a circular and from managers at the Pittsburgh Chronicle Telegraph and the Chicago Tribune. One item is an invitation to the school's "Promotion Day," held on June 12, 1894.

The Documents series is divided into two subseries. Financial Documents (10 items), most of which concern Stephen G. Clarke, include accounts, receipts, a promissory note, and bank checks. One document between Willard B. Farwell and the American Machine Gun Company concerns the ownership of Farwell's inventions and patents. Printed Documents (11 items) include certificates regarding Stephen G. Clarke's attendance at Harvard University (July 16, 1855) and Josephine Evarts's license to practice medicine in Connecticut (April 1, 1929), documents regarding the activities of the American Folklore Society and the Wednesday Club (1892 and undated), and descriptions of an invention, the Hussey Motor Battery, by Willard B. Farwell (undated). A price list for advertisements in the Chicago Tribune and a sign regarding the treatment of animals in a scientific laboratory are also present.

Newspaper Clippings (12 items) include obituaries for William C. Clarke, articles about the Clarke family, advice for young writers, advertisements, and poetry.

The Photographs series (2 items) contains a portrait of an unidentified man, likely taken around the 1860s or 1870s, and a picture of a home and its large front garden. Both prints are mounted on large cards.

The Genealogy series consists of family trees written into a bound volume of blank genealogical tables that belonged to Julia C. Clarke. The tables concern ancestors of Julia C. Clarke and their families; some lineages are traced back as far as the 1600s. Many of the pages have cut-out sections to coordinate records across different trees and pages.

The Dolph family carte-de-visite album contains formal studio portraits, many taken by the Dolph Brothers of Erie, Pennsylvania, around the 1860s-1870s. The photographs show both men and women, and two are artistically posed scenes.

The Dolph family carte-de-visite album (16cm x 13cm) contains formal studio portraits, many taken by the Dolph Brothers of Erie, Pennsylvania, around the 1860s-1870s. This album may have been compiled from loose photos acquired at an estate sale by collector and donor Frederick P. Currier. The photographs, comprised of 42 albumen print cartes-de-visite and 5 tintypes, mostly depict men and women, though a few include children. Some items are hand-colored. Many of the subjects are identified by name, and several are labeled on the back "Dolph home," possibly by the collector and donor. Dolph family members include Albert W. Dolph in a military officer's uniform, Mr. and Mrs. J.H. Dolph, and James or Joseph Dolph. A photograph of two men in close conversation, one with a straw hat, pipe and large book in his lap, the other in a top hat and cane, may be of the Dolph brothers themselves; a man beside a mirror that shows his reflection may be a portrait of Jas. Dolph. Also of note is a double portrait of unidentified albino twins. The album's brown leather cover has a geometric design in relief and is closed with two metal clasps.

The Fiske carte-de-visite album contains formal studio portraits of various men and women, most of whom are unidentified. The photographs were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut.

The Fiske carte-de-visite album (13cm x 9cm) contains 9 cartes-de-visite and 3 tintypes, all of which are formal studio portraits of men, women, and a young boy. With the exceptions of a young boy named "Ralph," a woman identified as a daughter of [Sereno] Scranton, and Reverend Samuel A. Fisk, a Civil War officer pictured in his uniform, the subjects are anonymous. Some of the pictures were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut. The album, which may have belonged to Albert Mentandon of "Geneva," has a cloth cover with a floral pattern stamped in gold.

The Hayner family carte-de-visite album contains carte-de-visite and tintype studio portraits taken in Troy, New York, around the 1860s-1870s. The photographs include pictures of many members of the Hayner family and various other families, and some individuals are pictured more than once.

The Hayner family carte-de-visite album (14cm x 21cm), which belonged to Martin H. Hayner, contains 94 carte-de-visite and tintype photographs taken in Troy, New York, around the 1860s-1870s, as well as one lithograph of a young woman and young man. The brown leather cover has a floral design stamped in gold; a floral design is engraved into the sides of the pages. The studio portraits, comprised of 65 cartes-de-visite and 29 tintypes, are mostly pictures of grown men and women of various ages, including members of the Hayner family, Christian clergy, and members of various other families; some were photographed as couples. Smaller groups of items show infants and young children. Nearly all of the individuals pictured are identified, and one carte-de-visite is a photograph of Abraham Lincoln. Some of the tintypes are hand colored. A list of individuals pictured is housed with the album.

This photograph album contains portraits of direct descendants of Elijah Hubbell and Hannah Fields of Danbury, Connecticut, as well as members of associated families, including the Van Allen family of Janesville, Wisconsin, and the Lynes family of Otsego County, New York.

This album (16cm x 12cm) contains 36 carte-de-visite and two tintype portraits of members of the Hubbell family, Van Allen family, Lynes family, and others. The Hubbell and Lynes families lived in northern and central New York, and the Van Allen family lived in Janesville, Wisconsin. Formal studio portraits show men, women, and children of various ages, and some individuals are pictured more than once. Most of the photographs are labeled, and labels exist for some items that are no longer present. The covers are bound in green cloth, with a decorative design in relief.

This photograph album contains carte-de-visite and tintype portraits of unidentified individuals taken primarily in Ionia and Clinton Counties, Michigan, in the mid- to late 19th century.

This photograph album (15cm x 12cm) contains 27 carte-de-visite and 15 tintype portraits of unidentified individuals taken in the mid- to late 19th century. Only one subject, Mr. J. C. Sessions, is identified. The studio portraits mostly show adult men and women of various ages, sometimes photographed in couples and, on two occasions, with children. A few portraits of individual children are included, including two of a young boy who was also photographed at a later date. The album has a green cover with a raised geometric design; a metal clasp that was once affixed to the volume is no longer extant.

The Morning family carte-de-visite album contains studio portraits of men, women, and children taken in the latter half of the 19th century. Members of the compiler's family and unidentified persons were photographed individually, in pairs, and in groups of as many as six people.

The Morning family carte-de-visite album (14.5cm x 22cm) contains 88 studio portraits of men, women, and children taken in the latter half of the 19th century. The items are comprised of 53 cartes-de-visite, 34 tintypes, and 1 small albumen print mounted on a rectangular visiting card. A number of gem tintypes are laid sideways into the carte-de-visite-sized windows, with two items visible in each window. The album's padded covers are bound in purple cloth, and an owner's name written onto the first page is faded.

The photographs are individual and group portraits of men, women, and children, including infants and toddlers; some appear more than once. Two young boys, apparently twins, were dressed identically for their picture, and a woman's hand is visible supporting an infant in another. Two girls wore white dresses and veils, possibly for communion ceremonies, and a priest is shown reading a book. Group portraits include a picture of six young men with canes and a picture of four young adults posing around a chair, shot at an angle. Two of the tintypes have hand coloring on the pictured individuals' cheeks and clothing.

The New Jersey carte-de-visite album contains studio portraits of men, women, and children taken in New York and New Jersey in the late 19th century, as well as three chromolithograph "scraps" mounted on visiting cards.

The New Jersey carte-de-visite album (17cm x 13cm) contains 36 cartes-de-visite, 10 tintypes, and 3 chromolithograph "scraps" mounted on visiting cards. The cartes-de-visite and tintypes are studio portraits of men, women, and children taken in New York and New Jersey in the late 19th century. A small number have hand coloring. Most items show adult men and women photographed individually, with one picture of an adult couple, two pictures of young children, and one picture of an infant sitting in a chair. Eight mounted gem tintypes are included. Three lithograph "scraps" depict a young girl pictured with a friendship album, an open envelope, and an artist's palette with the captions "Friendship," "Devotion," and "Forget Me Not." Each scrap is mounted on a visiting card with a raised decorated border and the names "Mrs. George Carmers" and "Morriss Algoe" printed in script. The volume's brown cover has a raised geometric design, and it has two enameled metal clasps.

This carte-de-visite album primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from the 1860s to 1880s. One photograph shows an artistic rendering of the text of the Lord's Prayer, and a colored cutout is pasted into the volume.

This carte-de-visite album (15cm x 13cm) primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from around the mid-1860s to early 1880s. The pictures are comprised of 42 carte-de-visite and 2 tintype portraits, as well as an additional carte-de-visite photograph collage. Two of the items are dated November 3, 1865, and September 3, 1881; few of the people pictured are identified. One woman is shown holding an infant in her lap. One tintype shows a young man dressed in costume wearing a plumed hat. The additional carte-de-visite depicts a printed version of the Lord's Prayer that utilizes several ornate fonts; a picture of Jesus Christ appears amidst the text, which is surrounded by drawn scenes of angels. A cutout pasted into the volume is a colored drawing of a woman standing next to a grazing sheep, framed by three large flowers. The album's brown leather cover has geometric designs stamped in gold and metal clasps; a floral design is carved into the sides of the pages. "Photographs" is stamped in gold on the spine.

The Women Photographers carte-de-visite album contains studio portraits made by female photographers and husband-and-wife teams in the United States and England.

The Women Photographers carte-de-visite album (13.5cm x 10cm) contains 21 studio portraits of men, women, and children made by female photographers and husband-and-wife teams in the United States and England. This album was likely compiled by collector Frederick P. Currier from individual unrelated photos and an empty album

With the exception of one picture of a man and a woman, all of the items are individual portraits. One woman wore a large cross on a necklace, and one infant posed on a chair. The album's dark brown cover has a raised geometric design, and the volume is closed with two metal clasps. A floral design is carved into the sides of the pages. A list of photographers and their locations, when given, is provided below.