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The Goodman-Vent papers contain letters and writings from the families of Thomas Goodman and Charles Frederick Vent, two prominent 19th century Chicago and Cincinnati businessmen. Of note are detailed eyewitness accounts the great Chicago Fire of 1871.

The Goodman-Vent papers (1,333 items) contain letters and writings from the families of Thomas Goodman and Charles Frederick Vent, two prominent 19th-century Chicago businessmen. The collection consists of 1,285 letters, a diary, an account book, 4 poems, 5 genealogical items, 33 printed items, 4 maps, and a lock of hair. Of note are detailed eyewitness accounts the Great Chicago Fire of 1871.

The Correspondence series (1,285 items), 1837 to 1896, centers on business, family, and social lives of Charles Frederick Vent, Thomas Goodman, and their families. Other families represented are the Chickerings and the Saxons.

The earliest letters were addressed to Vent from his family and friends during the time when he was a teacher in Massachusetts (1837), as well as his ventures in Jacksonville, Illinois (1838), Boston, Massachusetts (1842), Dartmouth, New Hampshire (1848), and Pittsfield, New Hampshire (1849). Of interest are several letters from his maternal grandfather, Jonas Chickering, the noted piano-maker, who paid for his education. In the 1850s, while Vent was working as an Ohio salesman, most of his letters were from salesmen working under him; these offer a view into everyday life in small towns in the Midwest.

From the 1860s through the end of the collection, the letters are largely to and from the Goodman and Vent families and their many well-known and influential friends. Charles Vent and Thomas Goodman discussed a wide range of subjects, including personal and family affairs; business dealings; city, state, and national politics; the Civil War; and social and religious topics. In one instance, Goodman wrote to Vent: "A collection of your letters and mine would form a pretty fair history of the family" (December 3, 1871). While not necessarily comprehensive, these items also document many aspects of Chicago and Cincinnati society during the last half of the 19th century.

The Civil War era letters contain items from both the front lines and the home front. Highlights include a gloomy eyewitness account of First Bull Run, in which friend John Hirshorne reprimanded Union soldiers for being too confident (July 24, 1861). Vent was involved in raising a brigade called the Teachers Home Guard, made up largely of teachers in Cincinnati, that was formed to fend off any potential attacks on Cincinnati. In one letter he described purchasing arms for the regiment from Colt and Justice and Ketteridge (June 1861).

Of particular note are letters that describe the Great Chicago Fire of 1871. Hannah Goodman started to write one letter shortly after the fire began to spread, and provided a minute by minute account of the inferno as it blazed from the west bank of the river toward the downtown area. The family wrote updates throughout the night and for several days after the fire; these provide a detailed record of the destruction. Later letters document the families' personal struggles (tensions within the family, the death of Vent's 14-year-old daughter in 1877) and economic hardships.

• 7 letters from Vent’s schoolmate James Emerson, a noted abolitionist, who described the conditions of blacks in the South (March 18, 1855, January 13, 1856, December 21, 1856, January 27, 1858, March 16, 1860, March 1, 1866, and undated).
• Mentions of the first African Americans to be baptized in the family’s church (February 11 and October 28, 1866).

• May 30, 1861: an engraving of the Colt factory
• June 28, 1861: a letterhead engraving of the Charles Cammell and Co. Cyclops Steel Works, in Sheffield, England
• March 20, 1862: a lithograph letterhead of a riverscape in Peoria, Illinois
• 1871: a map of the "burnt district" in Chicago, Hannah Goodman to Emily Goodman Vent and Charles Vent
• Undated: a picture of a Young Ladies' Collegiate Institute and Seminary in Monroe City, Michigan

The Diary and Account Book series contains a tiny diary from March 1-19, 1877, documenting the child Kitty Vent's sickness and death. The 35-page account book documents daily cash expenses for supplies and serives but is undated and unattributed.

The Poetry series (4 items) consists of a poem from Thomas Goodman to his wife on her birthday (1890); a 20-page poetry book written by Elizabeth "Eliza" Fisher Vent of Dedham, Massachusetts, who was the grandmother of Charles Vent; a poem entitled "Going Forward"; and a poem by Annie Goodman entitled "Secrets."

The Genealogy series (5 items) contains a bound journal (51 pages, 20 blank pages) copied by Thomas Goodman Vent in 1920 from a manuscript created by Josiah Boutelle Chickering, Sarah Maria Brown Chickering, and her son Clifford Cummings Chickering. This documents the Chickering, Boutelle, Brown, Lovering, Wheeler, Vent, and Goodman families as early as 1576, with more thorough family records starting in the 19th century.

• A printed Memoranda of Anniversaries, labeled "PRIVATE," containing birth and death information of the Goodman and Vent families (1884)
• A one-page memorandum of birth and death dates for the Goodman family
• A copy of a grave marker for Mary Wright
• A 21-page genealogy of the Fisher family created by Elizabeth Fisher Vent and her daughter-in-law Melinda Chickering Vent

• Speeches Delivered at the Eighteenth Ward Republican Festival In Commemoration of the Birth of Washington (February 22, 1860)
• Items celebrating the 50th anniversary of Thomas and Hannah Goodman including a 23page printed booklet (1888)
• A 16-page printed booklet celebrating Thomas Goodman's 75th birthday
• A two-page printed "Tribute to the Memory of Rev. William Goodman" (1918)
• Education material including teaching certificates and report cards
• Fifteen newspaper clippings, including items related to Ida Saxton McKinley, wife of President McKinley
• Maps of Spring Grove and Graceland cemeteries

The Realia series contains a lock of hair (unidentified).

Lawyer at Coldwater, Michigan, Civil War officer, U.S. Marshal of Eastern District of Michigan and Minister to Belgium. Correspondence from family, friends and associates regarding personal and business affairs, military matters, and Democratic politics; miscellaneous other materials and photographs.

The John G. Parkhurst collection consists of correspondence from family, friends and associates regarding personal and business affairs, military matters, and Democratic politics; miscellaneous other materials and photograph. the collections has been divided into the following series: Correspondence; John G. Parkhurst Civil War service; John G. Parkhurst diplomatic and other activities; and Other family materials, business records, and miscellaneous.

This collection contains 20 pre-printed daily diaries by Maria Jennings Barnard née Gibbs of East Wareham and Onset, Massachusetts, for the years 1865, 1866, 1867, 1869, 1872, 1873, 1876, 1880, 1881, 1914, and 1924-1932. Maria J. Gibbs' diaries pertain to home life (especially cooking, cleaning, sewing, and other housework). In the 1860s and 1870s, while in her 20s, she remarked on her work at cotton mills and sewing establishments in Plymouth and Middlesex Counties as well as her experiences living at various boarding houses. At the end of 1876, she married Nantucket sailor Benjamin A. Barnard and the diaries of 1880 and 1881 include content on household labor, child rearing, visits to other areas in the state, and loneliness from her husband's absences. Barnard wrote her later diaries, 1914 and 1924-1932, following the death of her husband in 1895, from Onset, Massachusetts, where she wrote about time with her daughter Nellie Barnard Robbins and grandson Lloyd Robbins, trips around Eastern Massachusetts, annual trips to Florida for the winter, cooking, cleaning, and visiting friends. The remainder of the collection is comprised of eight diaries, account books, address books, memoranda books, and wallets pertaining to the family of Maria Barnard's granddaughter Mildred Grace Robbins née Adams of Attleboro, Massachusetts, between 1913 and the 1950s.

This collection contains 20 pre-printed daily diaries by Maria Jennings Barnard née Gibbs of East Wareham and Onset, Massachusetts, for the years 1865, 1866, 1867, 1869, 1872, 1873, 1876, 1880, 1881, 1914, and 1924-1932. Maria J. Gibbs' diaries pertain to home life (especially cooking, cleaning, sewing, and other housework). In the 1860s and 1870s, while in her 20s, she remarked on her work at cotton mills and sewing establishments in Plymouth and Middlesex Counties as well as her experiences living at various boarding houses. Her 1872 diary includes a two-month trip to Chicago to visit relatives, with content on the aftermath of the Great Fire of 1871. Maria suffered from regular headaches and frequent nearly debilitating sicknesses. At the end of 1876, she married Nantucket sailor Benjamin A. Barnard and the diaries of 1880 and 1881 include content on household labor, child rearing, visits to other areas in the state, and loneliness from her husband's absences. Bernard wrote her later diaries, 1914 and 1924-1932, following the death of her husband in 1895, from Onset, Massachusetts, where she wrote about time with her daughter Nellie Barnard Robbins and grandson Lloyd Robbins, trips around Eastern Massachusetts, annual trips to Florida for the winter, cooking, cleaning, and visiting friends. When the 1932 diary concluded, Maria was 86 years old. The remainder of the collection is comprised of eight diaries, account books, address books, memoranda books, and wallets pertaining to the family of Maria Barnard's granddaughter Mildred Grace Robbins née Adams of Attleboro, Massachusetts, between 1913 and the 1950s.

This album, compiled by Wilhelm Hasselbach in 1871, contains photographs of Chicago buildings before and after the Great Fire of 1871, as well as commercial illustrations of buildings and landmarks in Germany and Switzerland, and photographic portraits of women.

Wilhlem Hasselbach, a German druggist living in Chicago, Illinois, compiled this album (24cm x 20cm) in 1871 and 1872. The album has green pebbled leather covers and a title, "Scrap Book," appears in a stylized gold design on the front. Photographs and commercial illustrations are pasted directly onto the book's colored pages. Hasselbach first inscribed the volume in Chicago in November 1871; a second note on the same page (written in German) is dated in Munich on September 16, 1894. Three items are laid into the volume's front cover: a Christmas card from the Northern Trust Company with a colored illustration of Michigan Avenue, Chicago, as it appeared in 1870 (printed after 1871); a pamphlet, "Chicago Since 1837" by Gordon Best (1917); and a card from S. D. Childs & Company (undated).

The first group of items includes a printed advertisement for a meeting of Chicago citizens to be held on October 9, 1871, and a photograph of a collage of portraits of United States presidents. These are followed by 62 photographs showing Chicago buildings and street scenes before and after the Great Chicago Fire, including pictures of commercial and municipal structures, a factory, and churches. One page has a small manuscript map showing the location of Bodemann & Hasselbach's drugstore and several other businesses at the intersection of State Street and Harrison Street. The Chicago pictures are followed by groups of commercial engravings and other illustrations depicting prominent buildings and landmarks in Berlin, Germany; Dresden, Germany; Zurich, Switzerland; and other locales, as well as a painting of Germania and a photograph of a collage of small portraits of German royalty and generals arrayed on an iron cross (around 70 items total). The final items are clippings with a picture of a dog who survived under a pile of rubble for over a day during the Great Chicago Fire and an advertisement for a secure bank vault and safe deposit boxes. Nine portraits are pasted into the album's final pages, including one of a well-dressed man and eight of unidentified women.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)