Collections : [University of Michigan Bentley Historical Library]

Physician and first Dean of Women at University of Michigan. Correspondence, largely of a personal nature with her niece Sarah Searing; biographical information; scrapbooks with notes and letters about travels abroad; and photographs.

The collection consists of materials accumulated by Dr. Mosher's niece Sarah Searing. It includes both letters received from Eliza to her niece, general family correspondence, and other Mosher materials which came into Sarah Searing's possession upon the death of Dr. Mosher. The collection has been arranged into the following series: Correspondence; Personal and biographical; Writings, speeches and lectures; Miscellaneous; Travel; Clippings and scrapbooks; Realia; and Photographs.

Chemical engineer and research scientist, pioneer in the refining of petroleum and synthesis of rubber. Correspondence files, financial records, published research materials; and photograph albums.

The Eugene H. Leslie Papers collection consists primarily of three series of correspondence: Alphabetical Correspondence Files, 1916-1964; chronological Correspondence Files (Outgoing), 1924-1958; and Chronological Correspondence Files, 1933-1952. There are also three other smaller series: Biographical Material, Financial Records, 1934-1948, and Papers and Reprints, 1920-1927.

University of Michigan microbiologist; correspondence, student notebooks, San Francisco Plague Commission records, research files and laboratory notebooks, visual materials

The Frederick G. Novy collection documents the career and research interests of this noted bacteriologist, including information from the period of time when he was a member of the San Francisco Plague Commission (1901).

The collection has been divided into the following series:

1. Biographical/Personal
2. Correspondence
3. University of Michigan Student Notebooks
4. University of Michigan Medical School
5. San Francisco Plague Commission
6. Research Files/Laboratory Notebooks
7. Reprints and Writings
8. Miscellaneous; and Visual Materials.

Professor of botany at the University of Michigan. Correspondence and subject files relating to his professional activities, notably his specialization in mycology; and photographs.

The Frederick K. Sparrow Collection has been organized alphabetically by topic. Correspondence is filed under the letter "C" and is in chronological order. In the biographical folder, the researcher will find a summary of the disposition of Dr. Sparrow's botanical effects, listings of his personal mycological library and his holdings of rare mycological books and publications, and a detailed bibliography of his works.

Dr. Sparrow corresponded with friends, mentors, and fellow mycologists and botanists from around the world on a variety of topics. His correspondence comprises over one-half of the collection. The researcher should note that letters dealing with the Second International Mycological Congress are included with the rest of the materials from the Congress.

Professor of rhetoric and journalism at University of Michigan. Correspondence concerning his professional activities, particularly his interest in linguistics and English language and speech, and papers, 1917-1918, concerning war issues course at the University, manuscripts of articles and speeches, diary, 1903-1909, day-books, 1903-1922, and miscellaneous notebooks and journals; also photographs.

The Fred Newton Scott collection includes correspondence, drafts of articles and reviews, diaries, daybooks, some personal materials, and photographs.

The correspondence is the core of the collection, consisting mainly of incoming letters to Scott from friends, colleagues, students, publishers, editors, authors, and learned societies. The letters deal mainly with literary and language questions and with Scott's lecture engagements, book reviewing, and other writings. The correspondence, arranged chronologically, is between Scott and four categories of individuals: Students; Journalists and publishers; Professional associates; and University colleagues and other.

I. Students

The wide-ranging influence of Scott's philosophy and teaching is amply illustrated through letters from his former students. They kept him informed of how they were putting his principles into practice as journalists or in academic teaching, and sought his advice on further developments in their work. The accomplishments of women students who had studied with him are particularly noteworthy. Gertrude Buck, whose dissertation on metaphor was considered a definitive study at the time, became a professor at Vassar College. In 1898, she had received the first Ph.D. in Rhetoric awarded by the University of Michigan. Other women students who went on to distinguished careers included Marjorie Nicolson, English professor and dean of Smith College; Helen Mahin, professor of journalism, University of Kansas; Ada Snell, Wellesley College; and Phyllis Povah Drayton, actress. Georgia Jackson was one of the first women to serve on the editorial staff of The American Boy magazine and later became editor of the Literary Digest. Other students of Scott were Frank Mitchell, Katherine Reed, Alice D. Snyder, Katherine Taylor, and Joseph M. Thomas.

Perhaps the most locally prominent among men graduates was Lee A. White who became editor of The Detroit News. Scott also numbered among his accomplished students, Avery Hopwood, playwright and donor of the Hopwood prizes; Wilfred B. Shaw, author and editor, and Director of Alumni Relations at the University of Michigan; Paul Osborn, playwright; Edgar A. and Paul Scott Mowrer, journalists; Joseph Thomas, Dean of the Senior College, University of Minnesota; James O. Bennett, journalist, The Chicago Tribune and Walter A. Donnelly, editor and Director of the University of Michigan Press.

II. Journalists and Publishers

As Scott developed courses in journalism he called on editors and publishers, some of whom had been his students, to lecture on the practical side of newspaper work. Much of this correspondence concerns arrangements for, and contents and evaluations of, these lectures. Since he was also concerned with improving journalistic writing, some letters deal with projects he undertook in cooperation with editors to raise the standards and styles of reportorial work. These professionals included James O. Bennett, Edmund Booth, George Booth, Frank Cobb, J.W. Cunliffe, Willard B. Gore, W.W. Harris, Roy Howard, Frank G. Kane, James M. Lee, Louis Ling, Milton A. McRae, C.M. Marstow, Robert Mountsier, Edgar Ansel Mowrer, Paul Scott Mowrer, Chases S. Osborn, E.G. Pipp, Arthur C. Pound, James Schermerhorn, James E. Scripps, Edwin E. Slosson, and Lee A. White.

III. Professional associates

Many of the letters in F. N. Scott's papers deal with his work on the National Council of Teachers of English and other professional organizations in which he played an active role. These are scattered throughout the collection but are not listed here. The largest amount of correspondence is that related to his interest in setting up an academy for the improvement of the English language. A British organization, the Society for Pure English, had been founded in 1913. In early 1922, a committee was organized, with Scott as chairman, to work with a British committee consisting of Robert Bridges, Henry Newbolt, and J. Dover Wilson, to form an international academy of English. The members of the American committee were: Henry Seidel Canby, Charles M. Gayley, Charles H. Grandgent, John L. Lowes, and John M. Manley. Other correspondents within organizations with whom Scott corresponded included John W. Bright, C.G. Hoag, F.P. Keppel, and Louise Pound. There also letters exchanged with Henry Ford.

IV. University colleagues and others

Included here are letters of Professor Thomas E. Rankin dealing with departmental affairs when he was acting chairman of the department in Scott's absence, and also his reactions to the later merging of the department with the Department of English. Aside from departmental and university concerns, the collection includes extensive correspondence with Jean Paul Slusser who became director of the Museum of Art following a long career teaching design and painting at the university. There is also correspondence with Regent Lucius Hubbard who shared Scott's interest in good English usage and in rare books. In addition, Scott was attracted to the health teachings of John Harvey Kellogg, stayed at his sanitarium in Battle Creek, and exchanged letters with him regarding his health regimen. Other correspondents include John Effinger, Peter Monro Jack, Clarence Cook Little, and Charles E. Whitman.

Architect; professor of architecture at the University of Michigan. Client files, topical file, and miscellaneous presentation drawings.

The George Brigham collection consists of three linear feet and 10 oversize drawers of architectural drawings, photographs, correspondence, and subject files relating to his career as a practicing architect in southeastern Michigan (mainly Ann Arbor), but also including some materials when he was based in Pasadena, California.

The collection has been arranged into five series: Client Files; Client Drawings Files; Prefabrication Drawings Files; Miscellaneous Drawings Files; and Topical Files

The Client Files and the Topical Files have been placed together in the collection (boxes 1-3). The Client Drawings Files, the Prefabrication Drawings Files, and the Miscellaneous Drawings Files, consisting of oversized architectural materials, have been placed together in flat storage drawers.

The Client Files and the Client Drawings Files will be discussed here together as the distinction between them is primarily one of size rather than content. Each of these series is arranged alphabetically by the name of the client for whom Brigham either designed a structure (mainly private residences), additions to existing structures, or proposed a design for which the structure was never built. As a rule, the Client Files consist of photographs, specifications, smaller original drawings, correspondence, and other materials relating either to the project or to the client, while the Client Drawings Files, as the name states, consists of the original designs from conception to final revisions as given to the contractor. There is some mixing of materials between the two series with an occasional oversize photograph located in the Client Drawings Files and with some smaller-sized drawings located in the Client Files. The researcher should also note that while the lists of names for the two series are basically the same they are not identical. The disparities depend upon whether a structure was actually built or not and whether all of the materials have survived. As a group, these two series document Brigham's creative process from first contact with a client through to the construction phase. The series also documents the introduction of a new style of domestic architecture into the Ann Arbor community, particularly areas where the faculty of the University of Michigan resided such as Barton Hills.

The Prefabrication Drawings Files and the Miscellaneous Drawings Files are not client-based files and instead concern Brigham's design innovations in the area of low-cost, prefabricated structures. Unfortunately with the passage of time and the transfer of material about, the original order of these drawings has been lost. An attempt has been made to put the drawings into a subject arrangement but there are still many items imprecisely identified or fragments that were once part of a series of drawings. Some identification is of course possible with clearly defined units of material carrying such labels as 12 panel recreation shelter, a square folding portable shelter and plank wall construction. The largest grouping of drawings here is for Brigham's modular designs, which he called "Unit Built Structures." Perhaps the most significant portion of the Miscellaneous Drawings series relates to the Youtz Unit System of building on which Brigham worked during World War II.

The final series - Topical Files - contain a miscellanea of personal materials, speeches and articles, subject files on his general interest in architectural design. Of interest here in this series are several files relating to Brigham's work with Philip Youtz and his design work on the Youtz Unit House. As mentioned previously, there are also complementary drawings on the Youtz system.

University of Michigan staff photographer, 1913-1947 and commercial photographer in Ann Arbor, Michigan. Collection includes some manuscript material but is primarily photographic prints and negatives made by Swain. Photo subjects include university buildings, faculty, and student activities, archeological expeditions to the Near East and, Ann Arbor scenes and landscapes form his travels in the western United States and Canada.

The papers and photographs of George R. Swain mainly document Swain's accomplishments as university photographer at the University of Michigan from 1913 to 1947. Researchers should note, however, that this is only a sampling of the photographer's work during these years. The Kelsey Museum of Archaeology at the University of Michigan has an extensive collection of Swain's archaeological negatives and prints, and researchers interested in his full career will want to also look at the Kelsey collection. The Bentley Library material, while including several folders of fine photographs Swain made on his travels with Professor Frances Kelsey, for the most part documents Ann Arbor and the University of Michigan.

The collection at the Bentley Library consists of three series: Miscellaneous Papers; Photographers Log; and Photographs (prints; negatives; and lantern slides. Since the bulk of the collection is comprised of early twentieth century images of Ann Arbor and the University of Michigan, the materials will be of most interest to researchers searching for visual documentation of this part of the state in that time period. There are very few materials beyond the visual, although the lengthy captions attached to many overseas images and the essays, diaries, and letters, are extremely interesting and offer insight into how Swain approached his craft, both as a professional photographer and in his personal work.

Landscape architect, professor of landscape architecture at the University of Michigan. Files relating to various Michigan projects, notably in Ann Arbor, Hartland, Hillsdale, and Highland Park; subject files on professional activities; and photographs.

The papers of Harlow O. Whittemore have been divided into the following series: Projects; Topical Files; Family Papers; and Photographs.

Professor of law and president of the University of Michigan. Papers include correspondence, reports, and speeches relating to all aspects of his University activities; and visual materials.

The Harry B. Hutchins papers cover the years 1879 through 1929, and include records generated during his years as professor and dean of the law department, President of the University of Michigan, and in retirement. Boxes 1-18 are primarily comprised of correspondence. Reports of the departments, schools, and other units of the university are contained in box 19, folders 30-32, and box 20, folders 1-13. As president, Hutchins did not regularly submit annual reports to the Board of Regents. Additional materials include speeches, photographs, and biographical material.

Professor of economics at University of Michigan, 1880-1921, statistician for the Interstate Commerce Commission, 1887-1911, developed standard accounting procedures for railroads. Papers include personal and professional correspondence, diaries, travel journals, drafts of books, letter books, reports and printed materials concerning his work with the Interstate Commerce Commission, his activities as an expert witness in railroad compensation and tax cases, and University of Michigan affairs.

The Henry Carter Adams papers consist of personal and professional correspondence, diaries, travel journals, drafts of books, letter books, reports and printed materials concerning his work with the Interstate Commerce Commission, his activities as an expert witness in railroad compensation and tax cases, and University of Michigan affairs.

Professor of Latin and acting president of University of Michigan. Correspondence, 1855-1856, to his wife, describing his travels and experiences in Europe; also material pertaining to affairs of University of Michigan, including letters from Andrew D. White of Cornell University; biographical and genealogical material on Frieze, eighteen volumes of records of European travel; and photographs.

The Frieze papers are comprised of personal and professional materials, including correspondence to colleagues and family; travel diaries and letters to his wife, Anna, written while traveling in Europe, 1855-1856 and 1872-1873; lectures and essays; papers from his years as a student at Brown and as a Latin instructor; various papers on his views of university education and his ideas for curriculum improvements; biographical material on the Frieze family; and photographs. For additional details on correspondents, see the Selective Index to Correspondence, which includes Frieze's wife, Anna, daughters Carrie and Addie, James B. Angell, President James A. Garfield, and other notable people.

Herbert M. Slauson (1853-1936) was a University of Michigan alum who served as the superintendent of the schools of Ann Arbor, Mich. in 1898-1920. Consists of portraits of Slauson and his wife, Clara Conover Slauson, as well as a photo of the Slauson home on South Fifth Avenue in Ann Arbor, Michigan.

The collection consists of portraits of Slauson and his wife, Clara Conover Slauson, as well as a photo of the Slauson home on South Fifth Avenue in Ann Arbor, Michigan.

Professor of law at University of Michigan, and specialist in corporation law. Correspondence, speeches, newspaper clippings, notes, and manuscripts of books and articles, relating to his professional career, Ann Arbor, Michigan organizations and issues, particularly progressive political movements and prohibition, including the Michigan Anti-Saloon League, the anti-trust movement, and the 1912 Progressive Party; also photographs.

The Horace L. Wilgus papers include correspondence, speeches, clippings, notes, manuscripts of books and articles dealing with his professional career, the many Ann Arbor organizations and issues in which he was interested: particularly progressive political movements and prohibition, including the Michigan Anti-Saloon League, the anti-trust movement, and the 1912 Progressive Party. The collection also includes University of Michigan Law School course materials, family genealogical information, and a small series of photographs, many of them of his home on Washtenaw Ave. in Ann Arbor, Michigan.

The Inter-Cooperative Council at Ann Arbor is an organization established to coordinate the activities of cooperative houses founded and operated by University of Michigan students. Their records are comprised of minutes, office files, and newsletters, as well as organization-level topices and related research. The collection also contains records of student cooperative, the Socialist House.

The records of the ICC at Ann Arbor cover the years 1932 to 2012 and are divided into ten series: Minutes, Office Files, Printed Materials, Events and Programs, Organizational Topical Files, Correspondence Files, Collected Research Materials, House Records, External Organizations, and Audio-Visual Materials.

Researchers should note that because of the differences between ICC office organizational systems and the individual processing archivists working on the collection, topics and materials might be found in multiple series.

Professor of English at University of Michigan. Correspondence, essays, a diary, and photographs.

The Demmon collection is comprised of the following series: Correspondence; Manuscripts; Essays and addresses; Other papers; and Photographs. The correspondence is both professional exchanges and personal letters among family members. Included are Demmon's student letters from Butler University and The University of Michigan, and two Civil War letters (1864) written while he was serving with 132nd Indiana Infantry. Among his professional correspondence are letters from James B. Angell, William L. Clements, Martin L. D'Ooge, Karl E. Guthe, Henry B. Joy, James McMillan, Moses C. Tyler. There are also lecture notes and other papers pertaining to his teaching duties; three volumes of personal accounts (1899-1920); a diary (1869) kept while he was a professor at Alliance College, Ohio, in which he mentions Mark Twain and John A. Bingham. The photographs include portraits, family photos and tintypes; photos of Demmon in the classroom, and of Demmon's residence in Ann Arbor.

Ann Arbor, Michigan, photography firm. Photonegatives, and some photoprints, of images largely relating to Ann Arbor and the University of Michigan, but including Ypsilanti and other Michigan cities: buildings, businesses, houses, street scenes, community activities, and organizations; also photos of automobiles, storm damage, etc. taken to support insurance claims.

The Ivory Photo collection consists of an impressive array of negatives and prints taken by Ann Arbor photographer Mel Ivory from the 1920s to the early 1970s. Most of the photographs were taken by Ivory for customers, whether the University of Michigan, local businesses, or private citizens. The collection is probably most valuable for its extensive documentation of Ann Arbor and the University of Michigan, the two areas in which it bulks largest. However, because it spans a relatively long time period, the collection is also useful for illustrating changes in photography as an art and as a business, and for documenting social trends in twentieth-century America. Finally, the collection documents the career of a commercial photographer.

As a photographer for the University of Michigan in the 1920s and 1930s, Ivory took the standard pictures of campus events, buildings, and people, but the value of many photographs from this period is as much aesthetic as informational. Producing cover art for the Michigan Alumnus allowed him to experiment with unusual angles, lighting, and subject matter. (See, for example, photographs of the Clements Library and of students strolling through the Diag in the 1930s.) In stark contrast to these images is a large group of photographs of car wrecks that Ivory took for insurance companies between 1937 and 1969.

Besides providing thorough documentation of the physical plant of the University of Michigan, the Ivory collection evokes the flavor of life on campus in the 1930s and 1940s through photographs of football games and crowds, dance bands, social events, professors at work in laboratories, the Michigan Daily staff at work, and students in classrooms, libraries, and dormitories.

The Ann Arbor subseries includes numerous photographs of houses and businesses, filed by address to facilitate research into a particular building or site, as well as a rich assortment of photographs depicting life in Ann Arbor through more than four decades. There are numerous photographs of men and women at work in factories, stores, and other settings. Some show women at work in unusual settings (as cab drivers for Ace Cab Company, for example) while others depict women in stereotypically female occupations (as secretaries, store clerks, and ditto machine operators). Photographs of drug and department store display windows and of products in grocery stores illustrate trends in merchandising.

The Ivory collection is also remarkable for its documentation of social mores. Wedding photographs taken from the 1930s to the 1960s depict a variety of settings, fashions, wedding rituals, and even fads, such as a 1940 wedding at a roller rink. There is also a small group of photographs of funerals and an extensive series of portraits of children, families, and individuals.

Photographs of a depression-era hobo cooking near a railroad car, of lawn parties and country clubs, of the soap box derby and sports teams reflect diverse aspects of life in Ann Arbor. The home front during World War II is documented in views of an aluminum drive, a blitzkrieg game in a local tavern, a commuter bus with a female conductor, and the Judge Advocate General's school exercises in the Law Quad.

Although the Ypsilanti subseries is considerably smaller than the Ann Arbor and University of Michigan subseries, it contains a number of valuable photographs, such as the Cleary College photographs showing rows of students at typewriters, students relaxing on boarding house steps and in Cleary lounges and recreation rooms, and annual graduation processions. The Washtenaw County subseries contains rural scenes such as farms, country roads, and a county fair. The remaining subseries consist of businesses, street scenes, railroad stations, and a variety of other photographs representing Michigan towns and counties.

A few copy negatives made by Ivory from existing photographs are scattered throughout the collection. A late nineteenth or early twentieth-century anatomy lesson in the Medical School, for example, is filed in the "Colleges, Schools, and other Divisions" section of University of Michigan 5"x7" negatives.

The contents of the various subseries and sub-subseries are for the most part self-evident, but a few words of explanation about the Ann Arbor subseries are in order. "Buildings and Views" consists largely of exterior views of buildings. However, there are many interior scenes of people and activities in the "Churches," "Hospitals," and "Schools" sections. For example, photographs of Ann Arbor churches include views of the pastor and congregation, choirs, recreation rooms, meetings, and athletic teams in addition to interior and exterior views of the buildings. "Schools" contains photographs of sports teams, classroom scenes, social events, and buildings representing Ann Arbor public and parochial schools, but also Ann Arbor Secretarial School and Concordia College.

Researchers seeking images of commercial enterprises will find material in the "Buildings and Views" sub-subseries (listed under the street address in the "Houses and Businesses" section) and in the "Businesses" sub-subseries (under the name of the enterprise).

The "Houses and Businesses" negatives within the "Buildings and Views" sub-subseries are arranged alphabetically by street name and then numerically by address. Most of these photographs are exterior views, but interior scenes of businesses have been filed here in order to keep exterior and interior views of a particular business together. Photographs of products, equipment, people at work, and special events are filed in the "Businesses" sub-subseries when no building exteriors exist or when the address of the business was unknown. Researchers should look both places for photographs of businesses. Although some "see also" references have been added, they are by no means exhaustive. Researchers may also wish to examine the "Motor Vehicles" sub-subseries, which contains photographs of trucks owned by Ann Arbor businesses.

In the University of Michigan subseries, "Buildings and Views" consists of exterior and interior views of buildings, whereas "Colleges, Schools, and Other Divisions" contains photographs of professors and students in laboratories and classrooms as well as group photographs of staff and students.

Artist, art critic, director of the University of Michigan Art Museum. Scrapbooks with clippings of Ann Arbor News art reviews, scrapbook, 1905-1907, concerning University of Michigan student life, topical files relating to his interest in art and cultural organizations, original scripts of lectures and radio talks.

The Slusser papers document only portions of this artist/critic's life. The majority of the collection consists of scrapbooks containing his art review columns for the Ann Arbor News. These were written in the period of his retirement, 1963 to 1978. There is also one scrapbook from his years as a student at the University of Michigan, 1905-1907. The remainder of the collection consists of such personal materials as a diary he kept of a trip to Europe in 1909 when he went to study in Munich, a selection of some of his lectures and radio talks, and miscellaneous topical files relating to art and artists. Of interest is a series of letters written to his brother Herbert and letters received from artist William H. Littlefield.

Ann Arbor, Michigan, businessman, publisher of Ann Arbor Courier, Republican politician, and regent of University of Michigan. Correspondence, letter books, speeches, newspaper clippings, and photographs; papers (1909-1920) of Michigan Public Domain Commission, of which Beal was a member; papers (1877-1904) concerning Port Huron Gas Light Company; and printed material and miscellanea (1885-1905) concerning League of American Wheelmen and his interest in bicycling.

The Junius E. Beal papers include correspondence, papers accumulated from his various interests and organizational activities, subject files, speeches, newspaper clippings, and photographs. The series in the collection include: Correspondence, Michigan Public Domain Commission, Topical Files; and Other Materials. Most of the files in the collection relate in some way to Beal's life in Ann Arbor, either as a student, a businessman, a public figure, as someone who took civic responsibility seriously and was determined to serve his community and the university that he loved.

Professor of economics at the University of Michigan, director of the Center for Research on Conflict Resolution, fellow of the Center for Advanced Study in the Behavioral Sciences, and participant in the Society of Friends, the National Council of Churches Department of the Church and Economic Life, and peace and disarmament groups. Correspondence, notes, writings, photographs, recordings, and topical files; also materials concerning his wife, Elise Boulding, and his parents, William and Elizabeth Boulding.

The Boulding papers, consisting of approximately 46 linear feet, fall into the following series and sub-series.

1. Correspondence (boxes 1-10)
2. Miscellaneous clippings and printed materials (box 10)
3. Lecture and reading notes (boxes 11-13)
4. Published and unpublished writings (boxes 14-18)
5. Family and personal files (boxes 19-22)
   • Elise Boulding (boxes 19-21)
6. Topical files:
   • Economics (boxes 23-24)
   • Social Sciences (boxes 25-30)
     • California Water Resources Study, 1958-1959 (boxes 24-26)
   • Religion (boxes 30-31)
     • National Council of Churches of Christ, Department of the Church and Economic Life (boxes 30-31)
   • Peace, Conflict Resolution and Disarmament (boxes 32-38)
     • Center for Research on Conflict Resolution (boxes 32-34)
   • University of Michigan (boxes 39-42)
   • Travel (box 42)
   • Foundations (box 42)
7. Speaking Engagements (box 43)
8. Financial Records (boxes 44-45)
9. Sound recordings (box 46)
10. Photographs (box 47)

Professor of architectural history at the University of Michigan. Correspondence, topical files, college term papers written by Eaton, papers written by Eaton students (mainly concerning the architecture of Michigan buildings), and photographs; subjects include seventeenth century Dutch architecture, the Chicago school of architecture, and the career of Frank Lloyd Wright. Also included is Eaton's research file on the Palmer-Ryan House designed by Frank Lloyd Wright in Ann Arbor. The collection contains extensive correspondence with architect William Gray Purcell

The Leonard K. Eaton papers document his career as a professor of architectural history at the University of Michigan and reflect his interest in seventeenth-century Dutch architecture and the Chicago school of architecture. The papers cover the years 1950-1988 and reflect Eaton's activities as architectural historian, student advisor, author, and participant in architectural professional groups.

The Eaton papers have come to the library in three accessions. The first in 1988 came from Mr. Eaton; the second in 1996 consisted of materials that he had donated to the University of Michigan Art and Architecture Library and which they subsequently transferred to the Bentley Library. The third accession contained some topical files and material related to the Palmer House in Ann Arbor. The first accession has been retained in its original order and consists of five series: Correspondence, Topical Files, College Term Papers written by Leonard Eaton, Student Papers written by Eaton Students, and Photographs

The Correspondence series is arranged alphabetically and consists mainly of outgoing letters. Of special interest is the exchange of letters with Lewis Mumford dating from the late 1950s. Topical Files consists of notes and drafts of Eaton's published articles, which have been arranged by title. Also included in this series are articles relating to the landscape architect Jens Jensen as well as notes and published writings from the 2004 accession. College Term Papers written by Eaton series is arranged alphabetically. Mainly undated, these papers reflect Eaton's interest in literature, art and political theory. Student papers written by Eaton students series focuses on Michigan buildings and architecture. The Photographs series includes photographs used in his research on Dutch architecture and a Flint, Michigan, public housing project.