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Ann Arbor German-American family, owners of the Allmendinger Organ Company which later became the Ann Arbor Organ Company. Correspondence, scrapbooks, family genealogy, photographs concerning family affairs, materials on Helene Allmendinger's radio show, examples of spirit messages received by Helene Allmendinger from deceased family members; information pertaining to the Ann Arbor Organ Company, and family members still living in Germany.

The collection is divided into the following series: Family records and correspondence; Helene Allmendinger papers; Ina Allmendinger papers; Ann Arbor Organ Company; Harriet Birch papers, Other family members; Miscellaneous, and Photographs.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

U.S. District Court Judge, Eastern District of Michigan; Federal trial court case files, personal and professional correspondence, scrapbooks, University of Michigan student notebooks, and other materials concerning legal activities, Republican Party politics, prohibition, the election of 1924, Sigma Alpha Epsilon affairs; also family materials, including grandfather, John J. Tuttle, Leslie, Michigan, Ingham County official and businessman; and photographs.

The Arthur J. Tuttle Papers are arranged in 13 series: case files, opinions and jury instructions, topical office files, conciliation commissioners, criminal files, correspondence, letterbooks, scrapbooks, University of Michigan, financial matters, miscellaneous biographical materials, Tuttle family materials, and visual materials.

Formerly the Bethlehem Evangelical Church. Minutes of annual congregational meetings, church council and board of trustees meetings, and treasurer's reports; records of the Frauen Vereines, or Ladies Aid Society, and Verein, or the Bethlehem Brotherhood, and the Jugend Vereins, or Youth Fellowship; fundraising materials, miscellaneous printed programs and newsletters, correspondence and clippings; treasurer's book, 1909-1916; and photographs.

The Bethlehem United Church of Christ of Ann Arbor records span one hundred and forty years, from 1833 to 1973. The materials, partially in German, provide a good view of the congregation's history. Included are minutes and constitutions of the congregational annual meetings which span the period, 1855 to 1922. There are also records of the church council complete from 1897 to 1919, and financial records and treasurer's reports, and fund raising materials. There are records of several church organizations and photographs of church buildings and activities.

Professor of sociology at University of Michigan. Papers contain correspondence, including letters, 1881-1884, written to his family while traveling in Europe, and correspondence with his parents, Mary E. and Thomas M. Cooley, and his wife, Elsie Jones Cooley; addresses, notes, essays, book reviews, notes and material for sociology courses; student notebook, 1893-1894, on lectures given by John Dewey; diary of a trip through the Smokey Mountains in 1883; and journals detailing his personal thoughts and tracing the evolution of his ideas on sociology and democracy; and photographs.

The Charles Horton Cooley papers consist of correspondence, journals, Cooley's notes for lectures, student notebooks, various writings by Cooley, articles about Cooley and reviews of his books and photographs. The papers, particularly the correspondence, reveal much about Cooley's personal and family life. The journals and lecture notes provide insight into the development of Cooley's ideas and his place in the field of sociology. Though the collection includes only a small amount of correspondence with other leading sociologists, the journals and lecture notes record Cooley's comments on and critiques of the theories and methods in the developing discipline.

University of Michigan alumnus known for his significant involvement in various Battle Creek, Mich. industries, particularly, the American Steam Pump Company. The collection consists of a scrapbook containing programs, invitations, announcements, and other memorabilia from Hinman's years at the University of Michigan. Also included are portraits of Hinman, his wife Carrie Risdon Hinman, and their grandchildren.

The collection consists of a scrapbook containing programs, invitations, announcements, and other memorabilia from Hinman's years at the University of Michigan. Also included are portraits of Hinman, his wife Carrie Risdon Hinman, and their grandchildren.

Ann Arbor, Michigan businessman and Democratic mayor of the city, 1927-1931. Mayoralty files; papers, 1922-1926, concerning the Ann Arbor Board of Education; also papers, 1922-1952, of Staebler and Son, automobile dealership.

The Edward W. Staebler papers consists primarily of correspondence and subject files from the period when he was mayor of Ann Arbor. Smaller portions of the papers concern the family automobile dealership, Staebler and Son, and his involvement with the Ann Arbor Board of Education.

Physician and first Dean of Women at University of Michigan. Correspondence, largely of a personal nature with her niece Sarah Searing; biographical information; scrapbooks with notes and letters about travels abroad; and photographs.

The collection consists of materials accumulated by Dr. Mosher's niece Sarah Searing. It includes both letters received from Eliza to her niece, general family correspondence, and other Mosher materials which came into Sarah Searing's possession upon the death of Dr. Mosher. The collection has been arranged into the following series: Correspondence; Personal and biographical; Writings, speeches and lectures; Miscellaneous; Travel; Clippings and scrapbooks; Realia; and Photographs.

Graduate of University of Michigan and ordained Methodist minister. Correspondence; Sermons and other inspirational writings; Course materials, Published materials; and Photographs.

The collection includes correspondence, student papers, sermon outlines, newspaper clippings, and religious and inspirational writings by Mrs. Teed, Ralph W. Sockman, Seth C. and Paul S. Rees, Joseph H. Smith, and others relating to preaching, the role and activities of women in the church, the holiness movement within Methodism, and personal affairs. There is also information concerning the Women's Society of Christian Service of the Methodist Church, the American Association of Women Ministers, the Detroit Holiness Tabernacle, and the Michigan Association for the Promotion of Holiness. The photographs consist of one ambrotype and four daguerreotypes of Schleicher family children, ca. 1860-1890.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.