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Collection

Allmendinger Family Papers, 1824-2006 (majority within 1890-1986)

8 linear feet — 1 oversize volume — 1 oversize folder

Ann Arbor German-American family, owners of the Allmendinger Organ Company which later became the Ann Arbor Organ Company. Correspondence, scrapbooks, family genealogy, photographs concerning family affairs, materials on Helene Allmendinger's radio show, examples of spirit messages received by Helene Allmendinger from deceased family members; information pertaining to the Ann Arbor Organ Company, and family members still living in Germany.

The collection is divided into the following series: Family records and correspondence; Helene Allmendinger papers; Ina Allmendinger papers; Ann Arbor Organ Company; Harriet Birch papers, Other family members; Miscellaneous, and Photographs.

Collection

Al Parker Collection, 1850s-1926

1 box containing 3 envelopes of photographs, sheet music, and clippings, and 1 scrapbook volume

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

Collection

Arthur J. Tuttle Papers, 1849-1958 (majority within 1888-1944)

108 linear feet — 1 oversize folder

U.S. District Court Judge, Eastern District of Michigan; Federal trial court case files, personal and professional correspondence, scrapbooks, University of Michigan student notebooks, and other materials concerning legal activities, Republican Party politics, prohibition, the election of 1924, Sigma Alpha Epsilon affairs; also family materials, including grandfather, John J. Tuttle, Leslie, Michigan, Ingham County official and businessman; and photographs.

The Arthur J. Tuttle Papers are arranged in 13 series: case files, opinions and jury instructions, topical office files, conciliation commissioners, criminal files, correspondence, letterbooks, scrapbooks, University of Michigan, financial matters, miscellaneous biographical materials, Tuttle family materials, and visual materials.

Collection

Bethlehem United Church of Christ (Ann Arbor, Mich.) Records, 1833-1980

7.5 linear feet — 1 oversize folder

Formerly the Bethlehem Evangelical Church. Minutes of annual congregational meetings, church council and board of trustees meetings, and treasurer's reports; records of the Frauen Vereines, or Ladies Aid Society, and Verein, or the Bethlehem Brotherhood, and the Jugend Vereins, or Youth Fellowship; fundraising materials, miscellaneous printed programs and newsletters, correspondence and clippings; treasurer's book, 1909-1916; and photographs.

The Bethlehem United Church of Christ of Ann Arbor records span one hundred and forty years, from 1833 to 1973. The materials, partially in German, provide a good view of the congregation's history. Included are minutes and constitutions of the congregational annual meetings which span the period, 1855 to 1922. There are also records of the church council complete from 1897 to 1919, and financial records and treasurer's reports, and fund raising materials. There are records of several church organizations and photographs of church buildings and activities.

Collection

Eliza Maria Mosher papers, 1846-1934

4.4 linear feet — 1 oversize folder

Physician and first Dean of Women at University of Michigan. Correspondence, largely of a personal nature with her niece Sarah Searing; biographical information; scrapbooks with notes and letters about travels abroad; and photographs.

The collection consists of materials accumulated by Dr. Mosher's niece Sarah Searing. It includes both letters received from Eliza to her niece, general family correspondence, and other Mosher materials which came into Sarah Searing's possession upon the death of Dr. Mosher. The collection has been arranged into the following series: Correspondence; Personal and biographical; Writings, speeches and lectures; Miscellaneous; Travel; Clippings and scrapbooks; Realia; and Photographs.

Collection

Eliza O. Perkins Burke papers, 1846-1867

60 items

Eliza O. Perkins Burke's letters and papers document the life of a military officer's wife before and during the Civil War, and her friendships with fellow military wives.

Most of these letters are addressed to Eliza Perkins Burke, excepting a handful written to Mary, an invitation to Capt. Perkins to play billiards, and a certificate of merit presented to Edward while he was at St. Louis University. This is a scattered, spotty correspondence, but there are a couple cohering elements. Many of the women writing to Eliza were also married to military men. They had become friends on Sullivan's Island, while their husbands, many of whom were in the 3rd Artillery, were stationed at Fort Moultrie in the 1830s and early 1840s. The Civil War is another theme around which several of these letters cluster, although only one letter is from an actual soldier. The other coherent grouping is a series of six letters from Rosalie Smith, who was trying to obtain a divorce and chafing under the necessity of depending on her sister's husband for financial support.

The letters from fellow military wives show how close the women had become while together on the island, and there is a sense, especially during and after the Civil War, that these friendships were doubly valuable because they reminded the women of better times. Many of the wives did not see each other again after leaving Fort Moultrie, or only enjoyed infrequent visits. Although they only wrote to each other occasionally, they expressed great nostalgia for the time shared on Sullivan's Island. Often a milestone -- birth, death, or wedding -- prompted the letter, and the author often described her children's progress.

Judith Chiffelle, who had probably been on Sullivan's Island with her brother Thomas, was an anomaly. While the rest of the women were married to military men, Judith was single. She taught school in Baltimore and was raising her dead sister's children while their father ran his business in St. Louis. She wrote, "this I know will astonish you. I like to be an independent old maid, I will never marry. I have taken an oath to live single for my dear childrens' sake" (1854 December 17). Two years later her tone is less triumphant: "what a change a few years make in our life -- I struggling along trying to make a living hard work & keeping school " (1857 February 2). She admits that she would "long ago have laid down this weary head" had it not been for the children.

The Civil War era letters include one from Caroline Carson, a southern woman who suffered multiple hardships. Her husband died, "the plantation was sold according to his directions," and then her father's house, where she had stored her possessions, was burned: "Everything I had in the world was burnt up -- Books and pictures, china, glass linen all my little effects which I valued, and hoped someday to get around me again" (1862 February 4). "I hope in this horrid war no thing of the kind will happen to you," she continued. Another letter, from a northern lady, shows the less direct effect the war had on women who were not in the midst of the fighting. Rather than wondering where to live, Annie Eustace pondered what to wear: "in this time of our country's great troubles, we should think of something else, beside dress and party giving . . . I spend very little time and thought about fine dress, and making a show; I have lost all taste for such things (1862 May 6). There is also one letter from Eliza's soldiering nephew David P. Hancock while he was at Fort Ontario in Oswego, New York, recovering from a wound and anxious to get back to the field (1862 May 12).

The other clutch of letters is certainly the most intriguing one. Rosalie Smith was living, along with her mother, at her sister Ann Eustace's house in Dixon, Illinois. Rosalie bridled at having to depend on Judge Eustace, whose wealth had been severely reduced by the depression of 1857, but she saw no alternative until her brother Joe returned from Mexico with funds. In response to Eliza's suggestion that she get married, Rosalie wrote, rather obliquely, "this would be a long story and probably uninteresting on paper, but should I ever see you, I will give you some of my reasons for remaining in 'meditation free'" (1859 November 30). By the next year, Rosalie's reasons for resisting her reliance on her brother-in-law had increased: "Judge Eustace's relatives have always annoyed me by reports of our entire dependence on him, making things at times, very disagreeable to all" (1860 October 27). This letter also alludes to a Mr. Sheridan, who was apparently Rosalie's husband, whom she now wished to divorce. She was worried that he would "use every effort to annoy, and keep me bound; money only, will be the great lever by which it can be accomplished." She moved to Chicago with her sister's family, and she happily discovered that "a residence of two years, will grant me a divorce, provided Sheridan does not make application to live with or support me; so on this account too, I am anxious to keep quiet, that he may not know where I am, to molest me" (1860 December 3).

Collection

Florence Ernestine Schleicher Teed papers, circa 1860-1890, 1919-1953

2.3 linear feet

Graduate of University of Michigan and ordained Methodist minister. Correspondence; Sermons and other inspirational writings; Course materials, Published materials; and Photographs.

The collection includes correspondence, student papers, sermon outlines, newspaper clippings, and religious and inspirational writings by Mrs. Teed, Ralph W. Sockman, Seth C. and Paul S. Rees, Joseph H. Smith, and others relating to preaching, the role and activities of women in the church, the holiness movement within Methodism, and personal affairs. There is also information concerning the Women's Society of Christian Service of the Methodist Church, the American Association of Women Ministers, the Detroit Holiness Tabernacle, and the Michigan Association for the Promotion of Holiness. The photographs consist of one ambrotype and four daguerreotypes of Schleicher family children, ca. 1860-1890.

Collection

Frederick Fisher penmanship copybooks, 1861-1863

2 volumes

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

The 1861 copybook was sold by William Maxwell of Easton, Pennsylvania, and features an illustrated front cover showing three female figures, including one with dark skin, seated at a wharf, likely allegories representing industry and commerce. Fisher added pen-and-ink drawings of quills on the front cover and inside front cover.

The 1863 copybook was produced by Kiggins & Kellogg, booksellers and stationers in New York. It has printed covers bearing illustrations of children outside of a public school and a multiplication table.

Collection

Frederick Fisher penmanship copybooks, 1861-1863

2 volumes

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

The 1861 copybook was sold by William Maxwell of Easton, Pennsylvania, and features an illustrated front cover showing three female figures, including one with dark skin, seated at a wharf, likely allegories representing industry and commerce. Fisher added pen-and-ink drawings of quills on the front cover and inside front cover.

The 1863 copybook was produced by Kiggins & Kellogg, booksellers and stationers in New York. It has printed covers bearing illustrations of children outside of a public school and a multiplication table.

Collection

Friendship and Autograph Album collection, 1826-1944 (majority within 1826-1908)

48 volumes

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.