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This collection includes images, newspaper clippings and articles, financial records, reports, pamphlets, recognition materials, letters, and newsletters.

This is an addition to the American National Red Cross Isabella County Chapter (Mich.) Organizational Records collection. This collection includes images, newspaper clippings and articles, financial records, reports, pamphlets, recognition materials, letters, and newsletters. Of particular interest are: materials related to the Mount Pleasant Indian School, a poem about soldiers who fought in the Iraq War, and Hurricane Hugo relief efforts. Except for one legal-size folder, everything else in the collection is letter-size.

Processing Note: Approximately .25 cubic foot of materials was withdrawn from the collection during processing, including national publications, general Michigan materials, duplicates, and originals which were acidic or damaged. Photocopies of acidic or damaged materials were added to the collection. Some objects were transferred to the CMU Museum, including: a framed display of Red Cross pins, three miniature Red Cross vehicles, a nursing uniform with top, pants, and hat, two metal first aid boxes with supplies within them, and a few national publications.

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while she lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as printed portraits of women writers and original poetry. Two drawings include a sailboat with very finely drawn seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while Pierce lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as portraits of women writers and original poetry. Two drawings include a sailboat with very fine seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

The volume includes one pasted-in autograph letter signed by J. E. Croly, editor of The Home-Maker monthly journal, respecting a submission by Pierce (December 11, 1890).

This collection is made up of 2 collections of manuscript poems and 2 printed items. Many of the poems are elegies about loved ones' deaths, and many were copied from publications.

This collection is made up of 2 collections of manuscript poems and 2 printed items. Many of the poems are elegies about loved ones' deaths, and many were copied from publications.

The poems, which include previously published works, works set to music, and hymns, are collected in 2 loosely-bound groups. Many are elegies, laments, and narratives about death, often told from the point of view of a loved one facing an imminent loss. "James Bird," a narrative poem, pertains to a young man's death on Lake Erie during the War of 1812. Death and bereavement are the most prominent topics, but a few poems address children or pertain to love. One group of poems is bound in a copy of Philadelphia's Dollar Newspaper (November 13, 1850).

The printed items are a newspaper article about Nellie Grant Sartoris and her inheritance from her father-in-law, an Englishman ("One of Grant's Daughters") and "Quotations for Autograph Albums," which include proverbs and epigrams.

• Book 1
  • "An Elegy on the Death of [Selah] Foster"
  • "The Traveling Preacher's Complaint"
  • "[Crazy] Jones"
  • "My Mother"
  • "Reply to the White Pilgrim"
  • "Delia's Funeral Dirge"
  • Two untitled short poems
  • "Mary Across the Wild Moor"
• Book 2
  • "Children Go"
  • "The Troubador"
  • "Good Bye"
  • "Brazilian Lover"
  • "The Watcher"
  • "The Dying Child's Request"
  • "My Mother"
  • "James Bird"
  • "My Mother's Bible"
  • "The Orphan's Prayer"
  • "Oh Take Me Home to Die"
  • "The Orphan Boy"
  • "Are We Almost There"
  • "The Field of Monterey"
  • "Mary Across the Wild Moor"
  • "Lie Up Nearer Brother"
  • "Lilly Dale"

Samuel S. Inglee maintained this logbook between 1852 and 1855 during several commercial fishing voyages off the Atlantic coasts of Massachusetts, Nova Scotia, and Newfoundland. The bulk of the entries record information including the hour, knots, fathoms, courses, winds, low water levels, and traverse tables. Inglee also provided general remarks, documenting nearby locations, weather, handling of sails, hauls of fish, and the latitude and longitude. He also commented on shipboard practices, such as food choices, work tasks related to fishing, encountering other ships, and taking soundings. At times, Inglee mentioned his emotional state, dislike of the fishing trade, and homesickness. Inglee also included several poems and lyrics in the volume with themes relating to seafaring, love, death, and other topics. The volume is bound in hand-stitched canvas covers, possibly sailcloth, with printed images pasted on the inside covers.

Samuel S. Inglee maintained this logbook between 1852 and 1855 during several commercial fishing voyages off the Atlantic coasts of Massachusetts, Nova Scotia, and Newfoundland. The bulk of the entries record information including the hour, knots, fathoms, courses, winds, low water levels, and traverse tables. Inglee also provided general remarks, documenting nearby locations, weather, handling of sails, hauls of fish, and the latitude and longitude. He also commented on shipboard practices, like food choices, work tasks related to fishing, encountering other ships, and taking soundings. The entries for September 21-23, 1852, mention seeing a shipwreck, trying to navigate the challenging area around Georges Bank, and finding their way to shore. At times, Inglee mentioned his emotional state, referring to homesickness, and on September 27, 1853, he noted his desire to give up seafaring. "...I hope that I never shall be dam fool enough for to go again. I have got enough this summer for to cure me from going to sea any more." On July 22, 1855, he reiterated his fatigue with sea life, calling himself "home sick fish sick and sick of the sea."

While most of the voyages are unnamed, Inglee did identify his trip which began in May 1853 as a "Voyage made from Kingston to the Grand Bank by the good Schooner Cosmus" under Otis Phinney, Master.

Later entries in the volume were written more as journal entries rather than logbook entries, commenting on weather, food eaten, tasks performed (including patching holes in his pants on July 29, 1855). He regularly noted the numbers of fish they caught, the names of nearby ships, their home port, and the size of their hauls. At times, upwards of one hundred other vessels were in sight, and Inglee occasionally referenced passing off letters to home. On June 11, 1855, Inglee recorded their captain going overboard and being successfully rescued.

Inglee also included several poems and lyrics with themes relating to seafaring, love, death, and other topics. The volume is bound in hand-stitched canvas covers, possibly sailcloth. Printed images are pasted on the inside covers, one of a sailing ship, "The Yankee Privateer," and the other of a man on a ship deck holding a sword, "The Smuggler King."

University of Michigan radio station, founded 1948. Administrative records documenting the development of radio broadcasting at the University of Michigan; radio scripts, transcripts of talks given by faculty, publicity, scrapbooks, and photographs; and sound recordings of radio programs produced and broadcast by WUOM, as well as recordings of various University conferences, ceremonies, etc.

The records of radio station WUOM document the development of radio broadcasting at the University of Michigan from the 1920s through the 1960s. The bulk of the material dating from the founding of the campus radio station WUOM in 1948. The records include administrative files; scripts, publicity material, course guides and other program related material; and recordings of select broadcasts. the WUOM records are organized into three subgroups: Paper Records (including visual materials), Audio Materials (sound recordings) and Printed Material. The content description and arrangement idiosyncrasies of each are presented below. Though the dates of the current accession continue only into the early 1980s, with the bulk of materials concentrated in the 1940s-1960s, WUOM is a continuing unit of the university, and future accessions are anticipated.